,@@@@@,,,, ,,,,,,,,,,
,,@@@,,@@@ @@@@@@@@@@
,,,@,,,,@, @@@@@@@@@,
@@,,,@@,,, @@@@@@@@,,
,,,@,,,,@, @@@@@@@,,,
@@,,,@@,,, THE SKYSCRAPER THAT MOVES @@@@@@,,@@
@,,@,,,,@@ @@@@@,,,,@
,,,,,@@,,@ TAINARON IS A BUILDING OWNED AND @@@@,,@@,,
@@@@,,,,,, OPERATED BY AMATA TEXNOLOGIYASI PLACED @@@,,,,,,@
@@@,,@@@@@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @@,,@@@@,,
,@,,,,@@@@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @,,,,@@,,,
,,,@@,,@@@ UNKNOWN), DARK BLUE AND COMPLETELY ,,@@,,,,@@
,@,,,,,,@, RECTANGULAR. IT FEATURES NO SIGNS, @,,,,@@,,,
,,,@@@@,,, LIGHTS, OR ORNAMENTS, APART FROM A ,,@@,,,,@@
,@,,@@,,@@ HELIPAD ON TOP. MOST FLOORS HAVE ,,,,,@@,,,
,,,,,,,,,@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @@@@,,,,@@
,@@@@@@@,, @@@,,@@,,,
,,@@@@@,,, IN LATE EVENINGS, SHROUDED BY MALMö'S @@,,,,,,@@
,,,@@@,,@@ SIGNATURE FOG ROLLING IN FROM THE SEA, @,,@@@@,,,
@@,,@,,,,@ THE BUILDING COMES TO LIFE: IT MOVES ON ,,,,@@,,@@
@,,,,,@@,, A THOUSAND ROBOTIC LEGS TO ANOTHER @@@,,,,,,@
,,@@@,,,,@ (SECRET) PART OF TOWN, OR PERHAPS OUT @@,,@@@@,,
@,,@,,@@,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,,,@@,,@
,,,,,,,,,@ VISCIOUS PHASE OF THE TAINARON @@@@,,,,,,
@@@@@@@@,, ECOSYSTEM. @@@,,@@@@@
@@@@@@@,,, @@,,,,@@@@
@@@@@@,,@@ THE GUESTS ARRIVING DURING THE EARLY @,,@@,,@@@
@@@@@,,,,@ EVENING ARE TREATED TO FOOD AND DRINK, ,,,,,,,,@@
@@@@,,@@,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A @@@@@@@,,@
@@@,,,,,,@ COMFORTABLE BUT MAZE-LIKE INTERIOR @@@@@@,,,,
,@,,@@@@,, STRUCTURE (THE BUILDING FEATURES A @@@@@,,@@,
,,,,,@@,,@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @@@@,,,,,,
@@@@,,,,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,@@,,@@@@@
@@@,,@@@@, FURTHER THAN A FEW FLOORS). ,,,,,,@@@@
@@,,,,@@,, @@@@@,,@@@
@,,@@,,,,@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @@@@,,,,@@
,,,,,,@@,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,@@,,@@,,@
,@@@@,,,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,,,,,,,,
,,@@,,@@@@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,@@@@@@@@@
,,,,,,,@@@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,@@@@@@@,
@@@@@@,,@@ IF YOU WOULD LOOK THROUGH THE WINDOWS ,,,@@@@@,,
,@@@@,,,,@ YOU WOULD SEE THE MIST ROLLING BY, AND @@,,@@@,,,
,,@@,,@@,, PERHAPS THE OUTLINE OF SOME OTHER @,,,,@,,@@
,,,,,,,,,@ BUILDING, FAR BELOW. ,,@@,,,,,,
@@@@@@@@,, @,,,,@@@@@
@@@@@@@,,@ DURING THE NIGHT, AFTER TAINARON HAS ,,@@,,@@@@
@@@@@@,,,, STARTED MOVING, THE LOWER FLOORS ARE @,,,,,,@@@
@@@@@,,@@@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,@@@@,,@@
@@@@,,,,@@ THE GUESTS. FOOD IS NO LONGER SERVED, @,,@@,,,,@
@@@,,@@,,@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,,,,@@,,
,@,,,,,,,, IT'S AT THIS POINT THAT THE SECOND SET @@@@@,,,,,
,,,@@@@@@@ OF GUEST ARRIVES, VIA HELICOPTER - @@@@,,@@@@
,@,,@@@@@, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,@@,,,,@@,
,,,,,@@@,, ,,,,@@,,,,
@@@@,,@,,@ ----- ,@@,,,,@@@
@@@,,,,,,, ,,,,@@,,@@
@@,,@@@@@, IN MY DREAM I AM INVITED AS A FRIEND OF ,@@,,,,,,@
@,,,,@@@,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,,,@@@@,,
,,@@,,@,,, SIT IN ONE OF THE LARGE WINDOWS, @@@,,@@,,,
@,,,,,,,@@ LOOKING THROUGH THE MIST FOR ANY @@,,,,,,@@
,,@@@@@,,, LANDMARKS TO PIERCE THROUGH THE MIST. @,,@@@@,,@
,,,@@@,,@@ SHE TELLS ME THAT APART FROM COMING AND ,,,,@@,,,,
@@,,@,,,,@ GOING FROM WORK, SHE'S NEVER SEEN THE ,@@,,,,@@@
@,,,,,@@,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,@@,,@@
,,@@@,,,,@ ,@@,,,,,,@
,,,@,,@@,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,,@@@@,,
@@,,,,,,,, DEMONSTRATION OF THE EXOBUBBLE. @@@,,@@,,@
@,,@@@@@@@ @@,,,,,,,,
,,,,@@@@@, ,,,@@@@@@,
@@@,,@@@,, @@,,@@@@,,
,@,,,,@,,@ @,,,,@@,,,
,,,@@,,,,, ,,@@,,,,@@