¶&&//::... ...:://&&¶
##¶@&*/»:. .:»/*&@¶##
@@*/»»:... ...:»»/*@@
#@***»»»:. .:»»»***@#
@@&&**/»:. .:»/**&&@@
@*»»...... THE SKYSCRAPER THAT MOVES ......»»*@
###¶@&*/»: :»/*&@¶###
@****»:... TAINARON IS A BUILDING OWNED AND ...:»****@
##¶@&*/»:. OPERATED BY AMATA TEXNOLOGIYASI PLACED .:»/*&@¶##
¶&*/»».... CLOSED TO THE HARBOR IN MALMÖ. IT'S ....»»/*&¶
##¶@&*/»:. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .:»/*&@¶##
###¶@*/»:. UNKNOWN), DARK BLUE AND COMPLETELY .:»/*@¶###
¶@&*»..... RECTANGULAR. IT FEATURES NO SIGNS, .....»*&@¶
@*»....... LIGHTS, OR ORNAMENTS, APART FROM A .......»*@
###¶@*/»:. HELIPAD ON TOP. MOST FLOORS HAVE .:»/*@¶###
##¶@&*/»:. EXTERIOR WALLS COMPLETELY MADE OF GLASS. .:»/*&@¶##
##¶@&*/»:. .:»/*&@¶##
@@@*/:.... IN LATE EVENINGS, SHROUDED BY MALMö'S ....:/*@@@
##¶@&*/»:. SIGNATURE FOG ROLLING IN FROM THE SEA, .:»/*&@¶##
@@&/»:.... THE BUILDING COMES TO LIFE: IT MOVES ON ....:»/&@@
##¶@&*/»:. A THOUSAND ROBOTIC LEGS TO ANOTHER .:»/*&@¶##
@*/»»:::.. (SECRET) PART OF TOWN, OR PERHAPS OUT ..:::»»/*@
##¶@&*/»:. TO SEA. THIS SIGNALS A NEW AND MORE .:»/*&@¶##
¶&&*//»:.. VISCIOUS PHASE OF THE TAINARON ..:»//*&&¶
###¶&*/»:. ECOSYSTEM. .:»/*&¶###
@&//:..... .....://&@
¶¶¶@&*/»:. THE GUESTS ARRIVING DURING THE EARLY .:»/*&@¶¶¶
##¶@&*/»:. EVENING ARE TREATED TO FOOD AND DRINK, .:»/*&@¶##
##¶@&*/»:. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .:»/*&@¶##
¶¶&/»::... COMFORTABLE BUT MAZE-LIKE INTERIOR ...::»/&¶¶
#@@&*»::.. STRUCTURE (THE BUILDING FEATURES A ..::»*&@@#
###¶&*/»:. MULTITUDE OF STAIRWELLS AND ELEVATORS, .:»/*&¶###
##¶@&*/»:. PLACED SEEMINGLY AT RANDOM, NONE GOING .:»/*&@¶##
¶&*/::.... FURTHER THAN A FEW FLOORS). ....::/*&¶
##¶@&*/»:. .:»/*&@¶##
#¶¶@&*/»:. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .:»/*&@¶¶#
##¶@&*/»:. UNTIL THE AIR INSIDE HAS TAKEN ON THE .:»/*&@¶##
##¶@&*/»:. SAME QUALITY AS THE SURROUNDING MIST: .:»/*&@¶##
@&/::..... BLUE-GRAY, SPRINKLED WITH THE SMALL RED .....::/&@
@&/»:..... DOT'S BY DOOR LOCKS AND CONTROL PANELS. .....:»/&@
##¶@&*/»:. IF YOU WOULD LOOK THROUGH THE WINDOWS .:»/*&@¶##
@**»:..... YOU WOULD SEE THE MIST ROLLING BY, AND .....:»**@
¶&***».... PERHAPS THE OUTLINE OF SOME OTHER ....»***&¶
###¶@&/»:. BUILDING, FAR BELOW. .:»/&@¶###
###¶@*/»:. .:»/*@¶###
#¶@*»».... DURING THE NIGHT, AFTER TAINARON HAS ....»»*@¶#
##¶@&*/»:. STARTED MOVING, THE LOWER FLOORS ARE .:»/*&@¶##
##¶@&*/»:. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .:»/*&@¶##
@*/»...... THE GUESTS. FOOD IS NO LONGER SERVED, ......»/*@
@&//»:.... BUT THE DRINKS BECOME MORE EXTRAVAGANT. ....:»//&@
@@@@&*/»:. IT'S AT THIS POINT THAT THE SECOND SET .:»/*&@@@@
###¶@&/»:. OF GUEST ARRIVES, VIA HELICOPTER - .:»/&@¶###
¶¶&&&*/»:. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .:»/*&&&¶¶
##¶@&*/»:. .:»/*&@¶##
##¶@&*/»:. »»»»» .:»/*&@¶##
##¶@&*/»:. .:»/*&@¶##
##¶@&*/»:. IN MY DREAM I AM INVITED AS A FRIEND OF .:»/*&@¶##
¶@@**//»:. ONE OF THE SERVERS, AND THUS SAFE. WE .:»//**@@¶
@*»:...... SIT IN ONE OF THE LARGE WINDOWS, ......:»*@
¶&**/:.... LOOKING THROUGH THE MIST FOR ANY ....:/**&¶
¶&/»...... LANDMARKS TO PIERCE THROUGH THE MIST. ......»/&¶
@&*/»:.... SHE TELLS ME THAT APART FROM COMING AND ....:»/*&@
##¶@&*/»:. GOING FROM WORK, SHE'S NEVER SEEN THE .:»/*&@¶##
##¶@&*/»:. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .:»/*&@¶##
##¶@&*/»:. .:»/*&@¶##
@@*/:..... THE NEXT DAY I AM INVITED TO THE PUBLIC .....:/*@@
#¶&&*»::.. DEMONSTRATION OF THE EXOBUBBLE. ..::»*&&¶#
##¶@&*/»:. .:»/*&@¶##
#@@@&*/»:. .:»/*&@@@#
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@****»::.. ..::»****@
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