¨¨¨~-†§*#@                                          @#*§†-~¨¨¨
¨¨¨¨~-†§*#                                          #*§†-~¨¨¨¨
¨¨¨¨¨~-†§*                                          *§†-~¨¨¨¨¨
¨¨¨¨¨¨~-†§                                          §†-~¨¨¨¨¨¨
¨¨¨¨¨~-†§*                                          *§†-~¨¨¨¨¨
¨¨¨¨~-†§*#        THE SKYSCRAPER THAT MOVES         #*§†-~¨¨¨¨
¨¨¨~-†§*#@                                          @#*§†-~¨¨¨
¨¨~-†§*#@# TAINARON  IS   A   BUILDING   OWNED  AND #@#*§†-~¨¨
¨~-†§*#@##  OPERATED BY AMATA TEXNOLOGIYASI PLACED  ##@#*§†-~¨
¨¨~-†§*#@# CLOSED TO  THE  HARBOR  IN  MALMÖ.  IT'S #@#*§†-~¨¨
¨¨¨~-†§*#@ ROUGHLY SIXTY FLOORS HIGH  (REAL  NUMBER @#*§†-~¨¨¨
¨¨¨¨~-†§*#    UNKNOWN), DARK BLUE AND COMPLETELY    #*§†-~¨¨¨¨
¨¨¨¨¨~-†§*    RECTANGULAR. IT FEATURES NO SIGNS,    *§†-~¨¨¨¨¨
¨¨¨¨¨¨~-†§ LIGHTS,  OR  ORNAMENTS,  APART   FROM  A §†-~¨¨¨¨¨¨
¨¨¨¨¨~-†§* HELIPAD   ON   TOP.  MOST  FLOORS   HAVE *§†-~¨¨¨¨¨
¨¨¨¨~-†§*# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #*§†-~¨¨¨¨
¨¨¨~-†§*#@                                          @#*§†-~¨¨¨
¨¨~-†§*#@# IN LATE  EVENINGS, SHROUDED  BY  MALMö'S #@#*§†-~¨¨
¨~-†§*#@## SIGNATURE FOG ROLLING IN  FROM  THE SEA, ##@#*§†-~¨
¨¨~-†§*#@# THE  BUILDING COMES TO LIFE: IT MOVES ON #@#*§†-~¨¨
¨¨¨~-†§*#@ A  THOUSAND  ROBOTIC  LEGS  TO   ANOTHER @#*§†-~¨¨¨
¨¨¨¨~-†§*# (SECRET) PART OF  TOWN,  OR PERHAPS  OUT #*§†-~¨¨¨¨
¨¨¨¨¨~-†§* TO  SEA. THIS  SIGNALS A  NEW  AND  MORE *§†-~¨¨¨¨¨
¨¨¨¨¨¨~-†§      VISCIOUS PHASE OF THE TAINARON      §†-~¨¨¨¨¨¨
¨¨¨¨¨~-†§*                ECOSYSTEM.                *§†-~¨¨¨¨¨
¨¨¨¨~-†§*#                                          #*§†-~¨¨¨¨
¨¨¨~-†§*#@ THE  GUESTS  ARRIVING DURING  THE  EARLY @#*§†-~¨¨¨
¨¨~-†§*#@# EVENING ARE TREATED  TO FOOD  AND DRINK, #@#*§†-~¨¨
¨~-†§*#@## LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ##@#*§†-~¨
¨¨~-†§*#@#    COMFORTABLE BUT MAZE-LIKE INTERIOR    #@#*§†-~¨¨
¨¨¨~-†§*#@    STRUCTURE (THE BUILDING FEATURES A    @#*§†-~¨¨¨
¨¨¨¨~-†§*#  MULTITUDE OF STAIRWELLS AND ELEVATORS,  #*§†-~¨¨¨¨
¨¨¨¨¨~-†§* PLACED SEEMINGLY AT  RANDOM,  NONE GOING *§†-~¨¨¨¨¨
¨¨¨¨¨¨~-†§       FURTHER THAN A FEW FLOORS).        §†-~¨¨¨¨¨¨
¨¨¨¨¨~-†§*                                          *§†-~¨¨¨¨¨
¨¨¨¨~-†§*# AS TIME GOES ON,  THE LIGHTS SLOWLY DIM, #*§†-~¨¨¨¨
¨¨¨~-†§*#@ UNTIL THE  AIR INSIDE HAS TAKEN  ON  THE @#*§†-~¨¨¨
¨¨~-†§*#@# SAME  QUALITY  AS THE SURROUNDING  MIST: #@#*§†-~¨¨
¨~-†§*#@## BLUE-GRAY,  SPRINKLED WITH THE SMALL RED ##@#*§†-~¨
¨¨~-†§*#@# DOT'S BY DOOR LOCKS  AND CONTROL PANELS. #@#*§†-~¨¨
¨¨¨~-†§*#@ IF  YOU WOULD  LOOK THROUGH THE  WINDOWS @#*§†-~¨¨¨
¨¨¨¨~-†§*# YOU WOULD SEE THE MIST ROLLING  BY,  AND #*§†-~¨¨¨¨
¨¨¨¨¨~-†§* PERHAPS  THE  OUTLINE   OF   SOME  OTHER *§†-~¨¨¨¨¨
¨¨¨¨¨¨~-†§           BUILDING, FAR BELOW.           §†-~¨¨¨¨¨¨
¨¨¨¨¨~-†§*                                          *§†-~¨¨¨¨¨
¨¨¨¨~-†§*# DURING  THE  NIGHT,  AFTER TAINARON  HAS #*§†-~¨¨¨¨
¨¨¨~-†§*#@ STARTED  MOVING,  THE  LOWER FLOORS  ARE @#*§†-~¨¨¨
¨¨~-†§*#@# SHUT OFF,  PREVENTING ENTRY OR  EXIT FOR #@#*§†-~¨¨
¨~-†§*#@## THE  GUESTS.  FOOD IS NO LONGER  SERVED, ##@#*§†-~¨
¨¨~-†§*#@# BUT THE DRINKS  BECOME MORE EXTRAVAGANT. #@#*§†-~¨¨
¨¨¨~-†§*#@ IT'S AT THIS POINT THAT THE  SECOND  SET @#*§†-~¨¨¨
¨¨¨¨~-†§*# OF  GUEST  ARRIVES,  VIA  HELICOPTER   - #*§†-~¨¨¨¨
¨¨¨¨¨~-†§*  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  *§†-~¨¨¨¨¨
¨¨¨¨¨¨~-†§                                          §†-~¨¨¨¨¨¨
¨¨¨¨¨~-†§*                   -----                  *§†-~¨¨¨¨¨
¨¨¨¨~-†§*#                                          #*§†-~¨¨¨¨
¨¨¨~-†§*#@ IN MY DREAM I  AM INVITED AS A FRIEND OF @#*§†-~¨¨¨
¨¨~-†§*#@# ONE OF THE  SERVERS,  AND THUS SAFE.  WE #@#*§†-~¨¨
¨~-†§*#@## SIT   IN   ONE  OF  THE  LARGE  WINDOWS, ##@#*§†-~¨
¨¨~-†§*#@# LOOKING   THROUGH  THE  MIST   FOR   ANY #@#*§†-~¨¨
¨¨¨~-†§*#@ LANDMARKS  TO PIERCE  THROUGH THE  MIST. @#*§†-~¨¨¨
¨¨¨¨~-†§*# SHE TELLS ME THAT  APART FROM COMING AND #*§†-~¨¨¨¨
¨¨¨¨¨~-†§* GOING FROM  WORK, SHE'S  NEVER SEEN  THE *§†-~¨¨¨¨¨
¨¨¨¨¨¨~-†§ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. §†-~¨¨¨¨¨¨
¨¨¨¨¨~-†§*                                          *§†-~¨¨¨¨¨
¨¨¨¨~-†§*# THE NEXT DAY I  AM INVITED TO THE PUBLIC #*§†-~¨¨¨¨
¨¨¨~-†§*#@     DEMONSTRATION OF THE EXOBUBBLE.      @#*§†-~¨¨¨
¨¨~-†§*#@#                                          #@#*§†-~¨¨
¨~-†§*#@##                                          ##@#*§†-~¨
¨¨~-†§*#@#                                          #@#*§†-~¨¨
¨¨¨~-†§*#@                                          @#*§†-~¨¨¨
¨¨¨¨~-†§*#                                          #*§†-~¨¨¨¨