¨,-/=$#### ####$=/-,¨
¨¨,-/=$### ###$=/-,¨¨
¨¨¨,-/=$## ##$=/-,¨¨¨
¨¨¨¨,-/=$# #$=/-,¨¨¨¨
¨¨¨¨¨,-/=$ $=/-,¨¨¨¨¨
¨¨¨¨,-/=$# THE SKYSCRAPER THAT MOVES #$=/-,¨¨¨¨
¨¨¨,-/=$## ##$=/-,¨¨¨
¨¨,-/=$### TAINARON IS A BUILDING OWNED AND ###$=/-,¨¨
¨,-/=$#### OPERATED BY AMATA TEXNOLOGIYASI PLACED ####$=/-,¨
¨¨,-/=$### CLOSED TO THE HARBOR IN MALMÖ. IT'S ###$=/-,¨¨
¨¨¨,-/=$## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##$=/-,¨¨¨
¨¨¨¨,-/=$# UNKNOWN), DARK BLUE AND COMPLETELY #$=/-,¨¨¨¨
¨¨¨¨¨,-/=$ RECTANGULAR. IT FEATURES NO SIGNS, $=/-,¨¨¨¨¨
¨¨¨¨,-/=$# LIGHTS, OR ORNAMENTS, APART FROM A #$=/-,¨¨¨¨
¨¨¨,-/=$## HELIPAD ON TOP. MOST FLOORS HAVE ##$=/-,¨¨¨
¨¨,-/=$### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###$=/-,¨¨
¨,-/=$#### ####$=/-,¨
¨¨,-/=$### IN LATE EVENINGS, SHROUDED BY MALMö'S ###$=/-,¨¨
¨¨¨,-/=$## SIGNATURE FOG ROLLING IN FROM THE SEA, ##$=/-,¨¨¨
¨¨¨¨,-/=$# THE BUILDING COMES TO LIFE: IT MOVES ON #$=/-,¨¨¨¨
¨¨¨¨¨,-/=$ A THOUSAND ROBOTIC LEGS TO ANOTHER $=/-,¨¨¨¨¨
¨¨¨¨,-/=$# (SECRET) PART OF TOWN, OR PERHAPS OUT #$=/-,¨¨¨¨
¨¨¨,-/=$## TO SEA. THIS SIGNALS A NEW AND MORE ##$=/-,¨¨¨
¨¨,-/=$### VISCIOUS PHASE OF THE TAINARON ###$=/-,¨¨
¨,-/=$#### ECOSYSTEM. ####$=/-,¨
¨¨,-/=$### ###$=/-,¨¨
¨¨¨,-/=$## THE GUESTS ARRIVING DURING THE EARLY ##$=/-,¨¨¨
¨¨¨¨,-/=$# EVENING ARE TREATED TO FOOD AND DRINK, #$=/-,¨¨¨¨
¨¨¨¨¨,-/=$ LIVE MUSIC, BEATUTIFUL VIEWS, AND A $=/-,¨¨¨¨¨
¨¨¨¨,-/=$# COMFORTABLE BUT MAZE-LIKE INTERIOR #$=/-,¨¨¨¨
¨¨¨,-/=$## STRUCTURE (THE BUILDING FEATURES A ##$=/-,¨¨¨
¨¨,-/=$### MULTITUDE OF STAIRWELLS AND ELEVATORS, ###$=/-,¨¨
¨,-/=$#### PLACED SEEMINGLY AT RANDOM, NONE GOING ####$=/-,¨
¨¨,-/=$### FURTHER THAN A FEW FLOORS). ###$=/-,¨¨
¨¨¨,-/=$## ##$=/-,¨¨¨
¨¨¨¨,-/=$# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #$=/-,¨¨¨¨
¨¨¨¨¨,-/=$ UNTIL THE AIR INSIDE HAS TAKEN ON THE $=/-,¨¨¨¨¨
¨¨¨¨,-/=$# SAME QUALITY AS THE SURROUNDING MIST: #$=/-,¨¨¨¨
¨¨¨,-/=$## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##$=/-,¨¨¨
¨¨,-/=$### DOT'S BY DOOR LOCKS AND CONTROL PANELS. ###$=/-,¨¨
¨,-/=$#### IF YOU WOULD LOOK THROUGH THE WINDOWS ####$=/-,¨
¨¨,-/=$### YOU WOULD SEE THE MIST ROLLING BY, AND ###$=/-,¨¨
¨¨¨,-/=$## PERHAPS THE OUTLINE OF SOME OTHER ##$=/-,¨¨¨
¨¨¨¨,-/=$# BUILDING, FAR BELOW. #$=/-,¨¨¨¨
¨¨¨¨¨,-/=$ $=/-,¨¨¨¨¨
¨¨¨¨,-/=$# DURING THE NIGHT, AFTER TAINARON HAS #$=/-,¨¨¨¨
¨¨¨,-/=$## STARTED MOVING, THE LOWER FLOORS ARE ##$=/-,¨¨¨
¨¨,-/=$### SHUT OFF, PREVENTING ENTRY OR EXIT FOR ###$=/-,¨¨
¨,-/=$#### THE GUESTS. FOOD IS NO LONGER SERVED, ####$=/-,¨
¨¨,-/=$### BUT THE DRINKS BECOME MORE EXTRAVAGANT. ###$=/-,¨¨
¨¨¨,-/=$## IT'S AT THIS POINT THAT THE SECOND SET ##$=/-,¨¨¨
¨¨¨¨,-/=$# OF GUEST ARRIVES, VIA HELICOPTER - #$=/-,¨¨¨¨
¨¨¨¨¨,-/=$ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. $=/-,¨¨¨¨¨
¨¨¨¨,-/=$# #$=/-,¨¨¨¨
¨¨¨,-/=$## ----- ##$=/-,¨¨¨
¨¨,-/=$### ###$=/-,¨¨
¨,-/=$#### IN MY DREAM I AM INVITED AS A FRIEND OF ####$=/-,¨
¨¨,-/=$### ONE OF THE SERVERS, AND THUS SAFE. WE ###$=/-,¨¨
¨¨¨,-/=$## SIT IN ONE OF THE LARGE WINDOWS, ##$=/-,¨¨¨
¨¨¨¨,-/=$# LOOKING THROUGH THE MIST FOR ANY #$=/-,¨¨¨¨
¨¨¨¨¨,-/=$ LANDMARKS TO PIERCE THROUGH THE MIST. $=/-,¨¨¨¨¨
¨¨¨¨,-/=$# SHE TELLS ME THAT APART FROM COMING AND #$=/-,¨¨¨¨
¨¨¨,-/=$## GOING FROM WORK, SHE'S NEVER SEEN THE ##$=/-,¨¨¨
¨¨,-/=$### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ###$=/-,¨¨
¨,-/=$#### ####$=/-,¨
¨¨,-/=$### THE NEXT DAY I AM INVITED TO THE PUBLIC ###$=/-,¨¨
¨¨¨,-/=$## DEMONSTRATION OF THE EXOBUBBLE. ##$=/-,¨¨¨
¨¨¨¨,-/=$# #$=/-,¨¨¨¨
¨¨¨¨¨,-/=$ $=/-,¨¨¨¨¨
¨¨¨¨,-/=$# #$=/-,¨¨¨¨
¨¨¨,-/=$## ##$=/-,¨¨¨
¨¨,-/=$### ###$=/-,¨¨