,,~;*§@£## ##£@§*;~,,
,,,~;*§@£# #£@§*;~,,,
,,,,~;*§@£ £@§*;~,,,,
,,,~;*§@£# #£@§*;~,,,
,,~;*§@£## ##£@§*;~,,
,,,~;*§@£# THE SKYSCRAPER THAT MOVES #£@§*;~,,,
,,,,~;*§@£ £@§*;~,,,,
,,,~;*§@£# TAINARON IS A BUILDING OWNED AND #£@§*;~,,,
,,~;*§@£## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##£@§*;~,,
,,,~;*§@£# CLOSED TO THE HARBOR IN MALMÖ. IT'S #£@§*;~,,,
,,,,~;*§@£ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER £@§*;~,,,,
,,,~;*§@£# UNKNOWN), DARK BLUE AND COMPLETELY #£@§*;~,,,
,,~;*§@£## RECTANGULAR. IT FEATURES NO SIGNS, ##£@§*;~,,
,,,~;*§@£# LIGHTS, OR ORNAMENTS, APART FROM A #£@§*;~,,,
,,,,~;*§@£ HELIPAD ON TOP. MOST FLOORS HAVE £@§*;~,,,,
,,,~;*§@£# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #£@§*;~,,,
,,~;*§@£## ##£@§*;~,,
,,,~;*§@£# IN LATE EVENINGS, SHROUDED BY MALMö'S #£@§*;~,,,
,,,,~;*§@£ SIGNATURE FOG ROLLING IN FROM THE SEA, £@§*;~,,,,
,,,~;*§@£# THE BUILDING COMES TO LIFE: IT MOVES ON #£@§*;~,,,
,,~;*§@£## A THOUSAND ROBOTIC LEGS TO ANOTHER ##£@§*;~,,
,,,~;*§@£# (SECRET) PART OF TOWN, OR PERHAPS OUT #£@§*;~,,,
,,,,~;*§@£ TO SEA. THIS SIGNALS A NEW AND MORE £@§*;~,,,,
,,,~;*§@£# VISCIOUS PHASE OF THE TAINARON #£@§*;~,,,
,,~;*§@£## ECOSYSTEM. ##£@§*;~,,
,,,~;*§@£# #£@§*;~,,,
,,,,~;*§@£ THE GUESTS ARRIVING DURING THE EARLY £@§*;~,,,,
,,,~;*§@£# EVENING ARE TREATED TO FOOD AND DRINK, #£@§*;~,,,
,,~;*§@£## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##£@§*;~,,
,,,~;*§@£# COMFORTABLE BUT MAZE-LIKE INTERIOR #£@§*;~,,,
,,,,~;*§@£ STRUCTURE (THE BUILDING FEATURES A £@§*;~,,,,
,,,~;*§@£# MULTITUDE OF STAIRWELLS AND ELEVATORS, #£@§*;~,,,
,,~;*§@£## PLACED SEEMINGLY AT RANDOM, NONE GOING ##£@§*;~,,
,,,~;*§@£# FURTHER THAN A FEW FLOORS). #£@§*;~,,,
,,,,~;*§@£ £@§*;~,,,,
,,,~;*§@£# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #£@§*;~,,,
,,~;*§@£## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##£@§*;~,,
,,,~;*§@£# SAME QUALITY AS THE SURROUNDING MIST: #£@§*;~,,,
,,,,~;*§@£ BLUE-GRAY, SPRINKLED WITH THE SMALL RED £@§*;~,,,,
,,,~;*§@£# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #£@§*;~,,,
,,~;*§@£## IF YOU WOULD LOOK THROUGH THE WINDOWS ##£@§*;~,,
,,,~;*§@£# YOU WOULD SEE THE MIST ROLLING BY, AND #£@§*;~,,,
,,,,~;*§@£ PERHAPS THE OUTLINE OF SOME OTHER £@§*;~,,,,
,,,~;*§@£# BUILDING, FAR BELOW. #£@§*;~,,,
,,~;*§@£## ##£@§*;~,,
,,,~;*§@£# DURING THE NIGHT, AFTER TAINARON HAS #£@§*;~,,,
,,,,~;*§@£ STARTED MOVING, THE LOWER FLOORS ARE £@§*;~,,,,
,,,~;*§@£# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #£@§*;~,,,
,,~;*§@£## THE GUESTS. FOOD IS NO LONGER SERVED, ##£@§*;~,,
,,,~;*§@£# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #£@§*;~,,,
,,,,~;*§@£ IT'S AT THIS POINT THAT THE SECOND SET £@§*;~,,,,
,,,~;*§@£# OF GUEST ARRIVES, VIA HELICOPTER - #£@§*;~,,,
,,~;*§@£## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##£@§*;~,,
,,,~;*§@£# #£@§*;~,,,
,,,,~;*§@£ ~~~~~ £@§*;~,,,,
,,,~;*§@£# #£@§*;~,,,
,,~;*§@£## IN MY DREAM I AM INVITED AS A FRIEND OF ##£@§*;~,,
,,,~;*§@£# ONE OF THE SERVERS, AND THUS SAFE. WE #£@§*;~,,,
,,,,~;*§@£ SIT IN ONE OF THE LARGE WINDOWS, £@§*;~,,,,
,,,~;*§@£# LOOKING THROUGH THE MIST FOR ANY #£@§*;~,,,
,,~;*§@£## LANDMARKS TO PIERCE THROUGH THE MIST. ##£@§*;~,,
,,,~;*§@£# SHE TELLS ME THAT APART FROM COMING AND #£@§*;~,,,
,,,,~;*§@£ GOING FROM WORK, SHE'S NEVER SEEN THE £@§*;~,,,,
,,,~;*§@£# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #£@§*;~,,,
,,~;*§@£## ##£@§*;~,,
,,,~;*§@£# THE NEXT DAY I AM INVITED TO THE PUBLIC #£@§*;~,,,
,,,,~;*§@£ DEMONSTRATION OF THE EXOBUBBLE. £@§*;~,,,,
,,,~;*§@£# #£@§*;~,,,
,,~;*§@£## ##£@§*;~,,
,,,~;*§@£# #£@§*;~,,,
,,,,~;*§@£ £@§*;~,,,,
,,,~;*§@£# #£@§*;~,,,