¨-~^§§&@@# #@@&§§^~-¨
¨-~^§§&@## ##@&§§^~-¨
¨-~^§§&@@# #@@&§§^~-¨
¨-~^§§&@@@ @@@&§§^~-¨
¨-~^§§&@@@ @@@&§§^~-¨
¨-~^§§&&@@ THE SKYSCRAPER THAT MOVES @@&&§§^~-¨
¨-~^§§&@@@ @@@&§§^~-¨
¨-~^§§&@@@ TAINARON IS A BUILDING OWNED AND @@@&§§^~-¨
¨¨¨¨~^§§@@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @@§§^~¨¨¨¨
¨-~^§§&@## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##@&§§^~-¨
¨-~^§§&@@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@@&§§^~-¨
¨-~^§§&@## UNKNOWN), DARK BLUE AND COMPLETELY ##@&§§^~-¨
¨-~^§§&@## RECTANGULAR. IT FEATURES NO SIGNS, ##@&§§^~-¨
¨-~^§§&@@# LIGHTS, OR ORNAMENTS, APART FROM A #@@&§§^~-¨
¨-~^§§&@## HELIPAD ON TOP. MOST FLOORS HAVE ##@&§§^~-¨
¨----^^^§& EXTERIOR WALLS COMPLETELY MADE OF GLASS. &§^^^----¨
¨-~^§§&@@# #@@&§§^~-¨
¨¨¨¨¨¨~§§@ IN LATE EVENINGS, SHROUDED BY MALMö'S @§§~¨¨¨¨¨¨
¨-~^§§&@## SIGNATURE FOG ROLLING IN FROM THE SEA, ##@&§§^~-¨
¨-~^§§&@@# THE BUILDING COMES TO LIFE: IT MOVES ON #@@&§§^~-¨
¨-~^§§&@@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@@&§§^~-¨
¨¨¨~^^^§§& (SECRET) PART OF TOWN, OR PERHAPS OUT &§§^^^~¨¨¨
¨-~^§&@@## TO SEA. THIS SIGNALS A NEW AND MORE ##@@&§^~-¨
¨-~^§§&@@@ VISCIOUS PHASE OF THE TAINARON @@@&§§^~-¨
¨-~^§§§§&& ECOSYSTEM. &&§§§§^~-¨
¨-~^§§§&&@ @&&§§§^~-¨
¨-~^§§&@@# THE GUESTS ARRIVING DURING THE EARLY #@@&§§^~-¨
¨-~^§§&@@# EVENING ARE TREATED TO FOOD AND DRINK, #@@&§§^~-¨
¨-~^§§&@@@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @@@&§§^~-¨
¨-~^§§&@@# COMFORTABLE BUT MAZE-LIKE INTERIOR #@@&§§^~-¨
¨¨¨-^^^§&& STRUCTURE (THE BUILDING FEATURES A &&§^^^-¨¨¨
¨¨¨¨¨¨~§&& MULTITUDE OF STAIRWELLS AND ELEVATORS, &&§~¨¨¨¨¨¨
¨¨¨-~~^§&& PLACED SEEMINGLY AT RANDOM, NONE GOING &&§^~~-¨¨¨
¨-~^§§&@@# FURTHER THAN A FEW FLOORS). #@@&§§^~-¨
¨¨¨¨¨~^§&@ @&§^~¨¨¨¨¨
¨¨¨¨¨¨~§&& AS TIME GOES ON, THE LIGHTS SLOWLY DIM, &&§~¨¨¨¨¨¨
¨¨¨¨¨~§&@@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @@&§~¨¨¨¨¨
¨-~^§§&@## SAME QUALITY AS THE SURROUNDING MIST: ##@&§§^~-¨
¨-~^§§&@@@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @@@&§§^~-¨
¨¨¨¨--~§§@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. @§§~--¨¨¨¨
¨-~^§§&@@# IF YOU WOULD LOOK THROUGH THE WINDOWS #@@&§§^~-¨
¨¨¨-~§§§&@ YOU WOULD SEE THE MIST ROLLING BY, AND @&§§§~-¨¨¨
¨-~^§§&@@# PERHAPS THE OUTLINE OF SOME OTHER #@@&§§^~-¨
¨-~^§§&@@# BUILDING, FAR BELOW. #@@&§§^~-¨
¨¨¨-~^§§&@ @&§§^~-¨¨¨
¨¨¨¨~~^§§& DURING THE NIGHT, AFTER TAINARON HAS &§§^~~¨¨¨¨
¨¨¨¨¨¨-^§@ STARTED MOVING, THE LOWER FLOORS ARE @§^-¨¨¨¨¨¨
¨--~^^§&&@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @&&§^^~--¨
¨-~^§§&@@# THE GUESTS. FOOD IS NO LONGER SERVED, #@@&§§^~-¨
¨-~^§§&@@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@@&§§^~-¨
¨-~^§§&@## IT'S AT THIS POINT THAT THE SECOND SET ##@&§§^~-¨
¨-~^§§&@@# OF GUEST ARRIVES, VIA HELICOPTER - #@@&§§^~-¨
¨¨¨-~§§§§@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @§§§§~-¨¨¨
¨¨¨¨¨~^§§@ @§§^~¨¨¨¨¨
¨¨¨-~^§§&@ ~~~~~ @&§§^~-¨¨¨
¨¨¨¨¨¨-~§& &§~-¨¨¨¨¨¨
¨-~^§§&@@# IN MY DREAM I AM INVITED AS A FRIEND OF #@@&§§^~-¨
¨-~^§§&@@@ ONE OF THE SERVERS, AND THUS SAFE. WE @@@&§§^~-¨
¨-~^§§&@@@ SIT IN ONE OF THE LARGE WINDOWS, @@@&§§^~-¨
¨-~^§§&@@# LOOKING THROUGH THE MIST FOR ANY #@@&§§^~-¨
¨¨¨-^^§§§@ LANDMARKS TO PIERCE THROUGH THE MIST. @§§§^^-¨¨¨
¨-~^§§&@@@ SHE TELLS ME THAT APART FROM COMING AND @@@&§§^~-¨
¨¨-~^^^§@@ GOING FROM WORK, SHE'S NEVER SEEN THE @@§^^^~-¨¨
¨-~^§§&@@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@@&§§^~-¨
¨-~^§§&@@# #@@&§§^~-¨
¨¨¨~~^§§@@ THE NEXT DAY I AM INVITED TO THE PUBLIC @@§§^~~¨¨¨
¨¨¨¨¨~~^§& DEMONSTRATION OF THE EXOBUBBLE. &§^~~¨¨¨¨¨
¨¨¨¨¨~§§&@ @&§§~¨¨¨¨¨
¨-~^§§&@@@ @@@&§§^~-¨
¨¨¨¨¨--^§& &§^--¨¨¨¨¨
¨-~^§§&@@# #@@&§§^~-¨
¨-~^§§§&&@ @&&§§§^~-¨