##@£**†»^, ,^»†**£@##
#@£**†»^,, ,,^»†**£@#
@£**†»^,,, ,,,^»†**£@
£**†»^,,,, ,,,,^»†**£
**†»^,,,,, ,,,,,^»†**
*†»^,,,,,, THE SKYSCRAPER THAT MOVES ,,,,,,^»†*
**†»^,,,,, ,,,,,^»†**
£**†»^,,,, TAINARON IS A BUILDING OWNED AND ,,,,^»†**£
@£**†»^,,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,,^»†**£@
#@£**†»^,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,^»†**£@#
##@£**†»^, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,^»†**£@##
#@£**†»^,, UNKNOWN), DARK BLUE AND COMPLETELY ,,^»†**£@#
@£**†»^,,, RECTANGULAR. IT FEATURES NO SIGNS, ,,,^»†**£@
£**†»^,,,, LIGHTS, OR ORNAMENTS, APART FROM A ,,,,^»†**£
**†»^,,,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,,,^»†**
*†»^,,,,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,,,,^»†*
**†»^,,,,, ,,,,,^»†**
£**†»^,,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,,^»†**£
@£**†»^,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,^»†**£@
#@£**†»^,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,^»†**£@#
##@£**†»^, A THOUSAND ROBOTIC LEGS TO ANOTHER ,^»†**£@##
#@£**†»^,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,^»†**£@#
@£**†»^,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,^»†**£@
£**†»^,,,, VISCIOUS PHASE OF THE TAINARON ,,,,^»†**£
**†»^,,,,, ECOSYSTEM. ,,,,,^»†**
*†»^,,,,,, ,,,,,,^»†*
**†»^,,,,, THE GUESTS ARRIVING DURING THE EARLY ,,,,,^»†**
£**†»^,,,, EVENING ARE TREATED TO FOOD AND DRINK, ,,,,^»†**£
@£**†»^,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,^»†**£@
#@£**†»^,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,^»†**£@#
##@£**†»^, STRUCTURE (THE BUILDING FEATURES A ,^»†**£@##
#@£**†»^,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,^»†**£@#
@£**†»^,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,^»†**£@
£**†»^,,,, FURTHER THAN A FEW FLOORS). ,,,,^»†**£
**†»^,,,,, ,,,,,^»†**
*†»^,,,,,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,,,,,^»†*
**†»^,,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,,^»†**
£**†»^,,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,,^»†**£
@£**†»^,,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,,^»†**£@
#@£**†»^,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,^»†**£@#
##@£**†»^, IF YOU WOULD LOOK THROUGH THE WINDOWS ,^»†**£@##
#@£**†»^,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,^»†**£@#
@£**†»^,,, PERHAPS THE OUTLINE OF SOME OTHER ,,,^»†**£@
£**†»^,,,, BUILDING, FAR BELOW. ,,,,^»†**£
**†»^,,,,, ,,,,,^»†**
*†»^,,,,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,,,,^»†*
**†»^,,,,, STARTED MOVING, THE LOWER FLOORS ARE ,,,,,^»†**
£**†»^,,,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,,,^»†**£
@£**†»^,,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,,^»†**£@
#@£**†»^,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,^»†**£@#
##@£**†»^, IT'S AT THIS POINT THAT THE SECOND SET ,^»†**£@##
#@£**†»^,, OF GUEST ARRIVES, VIA HELICOPTER - ,,^»†**£@#
@£**†»^,,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,,^»†**£@
£**†»^,,,, ,,,,^»†**£
**†»^,,,,, »»»»» ,,,,,^»†**
*†»^,,,,,, ,,,,,,^»†*
**†»^,,,,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,,,,^»†**
£**†»^,,,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,,,^»†**£
@£**†»^,,, SIT IN ONE OF THE LARGE WINDOWS, ,,,^»†**£@
#@£**†»^,, LOOKING THROUGH THE MIST FOR ANY ,,^»†**£@#
##@£**†»^, LANDMARKS TO PIERCE THROUGH THE MIST. ,^»†**£@##
#@£**†»^,, SHE TELLS ME THAT APART FROM COMING AND ,,^»†**£@#
@£**†»^,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,^»†**£@
£**†»^,,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,^»†**£
**†»^,,,,, ,,,,,^»†**
*†»^,,,,,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,,,,^»†*
**†»^,,,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,,,^»†**
£**†»^,,,, ,,,,^»†**£
@£**†»^,,, ,,,^»†**£@
#@£**†»^,, ,,^»†**£@#
##@£**†»^, ,^»†**£@##
#@£**†»^,, ,,^»†**£@#