,,,,,,.=;† †;=.,,,,,,
,,,,,,,.=; ;=.,,,,,,,
,,,,,,,,.= =.,,,,,,,,
,,,,,,,.=; ;=.,,,,,,,
,,,,,,.=;† †;=.,,,,,,
,,,,,.=;†$ THE SKYSCRAPER THAT MOVES $†;=.,,,,,
,,,,.=;†$£ £$†;=.,,,,
,,,.=;†$£# TAINARON IS A BUILDING OWNED AND #£$†;=.,,,
,,.=;†$£#@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @#£$†;=.,,
,.=;†$£#@# CLOSED TO THE HARBOR IN MALMÖ. IT'S #@#£$†;=.,
,,.=;†$£#@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @#£$†;=.,,
,,,.=;†$£# UNKNOWN), DARK BLUE AND COMPLETELY #£$†;=.,,,
,,,,.=;†$£ RECTANGULAR. IT FEATURES NO SIGNS, £$†;=.,,,,
,,,,,.=;†$ LIGHTS, OR ORNAMENTS, APART FROM A $†;=.,,,,,
,,,,,,.=;† HELIPAD ON TOP. MOST FLOORS HAVE †;=.,,,,,,
,,,,,,,.=; EXTERIOR WALLS COMPLETELY MADE OF GLASS. ;=.,,,,,,,
,,,,,,,,.= =.,,,,,,,,
,,,,,,,.=; IN LATE EVENINGS, SHROUDED BY MALMö'S ;=.,,,,,,,
,,,,,,.=;† SIGNATURE FOG ROLLING IN FROM THE SEA, †;=.,,,,,,
,,,,,.=;†$ THE BUILDING COMES TO LIFE: IT MOVES ON $†;=.,,,,,
,,,,.=;†$£ A THOUSAND ROBOTIC LEGS TO ANOTHER £$†;=.,,,,
,,,.=;†$£# (SECRET) PART OF TOWN, OR PERHAPS OUT #£$†;=.,,,
,,.=;†$£#@ TO SEA. THIS SIGNALS A NEW AND MORE @#£$†;=.,,
,.=;†$£#@# VISCIOUS PHASE OF THE TAINARON #@#£$†;=.,
,,.=;†$£#@ ECOSYSTEM. @#£$†;=.,,
,,,.=;†$£# #£$†;=.,,,
,,,,.=;†$£ THE GUESTS ARRIVING DURING THE EARLY £$†;=.,,,,
,,,,,.=;†$ EVENING ARE TREATED TO FOOD AND DRINK, $†;=.,,,,,
,,,,,,.=;† LIVE MUSIC, BEATUTIFUL VIEWS, AND A †;=.,,,,,,
,,,,,,,.=; COMFORTABLE BUT MAZE-LIKE INTERIOR ;=.,,,,,,,
,,,,,,,,.= STRUCTURE (THE BUILDING FEATURES A =.,,,,,,,,
,,,,,,,.=; MULTITUDE OF STAIRWELLS AND ELEVATORS, ;=.,,,,,,,
,,,,,,.=;† PLACED SEEMINGLY AT RANDOM, NONE GOING †;=.,,,,,,
,,,,,.=;†$ FURTHER THAN A FEW FLOORS). $†;=.,,,,,
,,,,.=;†$£ £$†;=.,,,,
,,,.=;†$£# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #£$†;=.,,,
,,.=;†$£#@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @#£$†;=.,,
,.=;†$£#@# SAME QUALITY AS THE SURROUNDING MIST: #@#£$†;=.,
,,.=;†$£#@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @#£$†;=.,,
,,,.=;†$£# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #£$†;=.,,,
,,,,.=;†$£ IF YOU WOULD LOOK THROUGH THE WINDOWS £$†;=.,,,,
,,,,,.=;†$ YOU WOULD SEE THE MIST ROLLING BY, AND $†;=.,,,,,
,,,,,,.=;† PERHAPS THE OUTLINE OF SOME OTHER †;=.,,,,,,
,,,,,,,.=; BUILDING, FAR BELOW. ;=.,,,,,,,
,,,,,,,,.= =.,,,,,,,,
,,,,,,,.=; DURING THE NIGHT, AFTER TAINARON HAS ;=.,,,,,,,
,,,,,,.=;† STARTED MOVING, THE LOWER FLOORS ARE †;=.,,,,,,
,,,,,.=;†$ SHUT OFF, PREVENTING ENTRY OR EXIT FOR $†;=.,,,,,
,,,,.=;†$£ THE GUESTS. FOOD IS NO LONGER SERVED, £$†;=.,,,,
,,,.=;†$£# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #£$†;=.,,,
,,.=;†$£#@ IT'S AT THIS POINT THAT THE SECOND SET @#£$†;=.,,
,.=;†$£#@# OF GUEST ARRIVES, VIA HELICOPTER - #@#£$†;=.,
,,.=;†$£#@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @#£$†;=.,,
,,,.=;†$£# #£$†;=.,,,
,,,,.=;†$£ ===== £$†;=.,,,,
,,,,,.=;†$ $†;=.,,,,,
,,,,,,.=;† IN MY DREAM I AM INVITED AS A FRIEND OF †;=.,,,,,,
,,,,,,,.=; ONE OF THE SERVERS, AND THUS SAFE. WE ;=.,,,,,,,
,,,,,,,,.= SIT IN ONE OF THE LARGE WINDOWS, =.,,,,,,,,
,,,,,,,.=; LOOKING THROUGH THE MIST FOR ANY ;=.,,,,,,,
,,,,,,.=;† LANDMARKS TO PIERCE THROUGH THE MIST. †;=.,,,,,,
,,,,,.=;†$ SHE TELLS ME THAT APART FROM COMING AND $†;=.,,,,,
,,,,.=;†$£ GOING FROM WORK, SHE'S NEVER SEEN THE £$†;=.,,,,
,,,.=;†$£# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #£$†;=.,,,
,,.=;†$£#@ @#£$†;=.,,
,.=;†$£#@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@#£$†;=.,
,,.=;†$£#@ DEMONSTRATION OF THE EXOBUBBLE. @#£$†;=.,,
,,,.=;†$£# #£$†;=.,,,
,,,,.=;†$£ £$†;=.,,,,
,,,,,.=;†$ $†;=.,,,,,
,,,,,,.=;† †;=.,,,,,,
,,,,,,,.=; ;=.,,,,,,,