#@¶&$§*»,. .,»*§$&¶@#
&§*»»..... .....»»*§&
#@¶&$§*»,. .,»*§$&¶@#
##@¶$§*»,. .,»*§$¶@##
#@¶&$§*»,. .,»*§$&¶@#
&§**,..... THE SKYSCRAPER THAT MOVES .....,**§&
&§***,,,.. ..,,,***§&
¶&&&$§*»,. TAINARON IS A BUILDING OWNED AND .,»*§$&&&¶
#@¶&$§*»,. OPERATED BY AMATA TEXNOLOGIYASI PLACED .,»*§$&¶@#
¶&§»,,,,.. CLOSED TO THE HARBOR IN MALMÖ. IT'S ..,,,,»§&¶
&$$$**»... ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ...»**$$$&
#@¶&$§*»,. UNKNOWN), DARK BLUE AND COMPLETELY .,»*§$&¶@#
@¶&§»»,,,. RECTANGULAR. IT FEATURES NO SIGNS, .,,,»»§&¶@
##¶&$§*»,. LIGHTS, OR ORNAMENTS, APART FROM A .,»*§$&¶##
##¶&$§*»,. HELIPAD ON TOP. MOST FLOORS HAVE .,»*§$&¶##
#@¶&$§*»,. EXTERIOR WALLS COMPLETELY MADE OF GLASS. .,»*§$&¶@#
##¶&$§*»,. .,»*§$&¶##
@&$*»,.... IN LATE EVENINGS, SHROUDED BY MALMö'S ....,»*$&@
¶&$§§»»... SIGNATURE FOG ROLLING IN FROM THE SEA, ...»»§§$&¶
¶$§**»»... THE BUILDING COMES TO LIFE: IT MOVES ON ...»»**§$¶
¶¶&&$§*»,. A THOUSAND ROBOTIC LEGS TO ANOTHER .,»*§$&&¶¶
@&$*»..... (SECRET) PART OF TOWN, OR PERHAPS OUT .....»*$&@
##@¶&$*»,. TO SEA. THIS SIGNALS A NEW AND MORE .,»*$&¶@##
@@¶&$§*»,. VISCIOUS PHASE OF THE TAINARON .,»*§$&¶@@
¶$*,...... ECOSYSTEM. ......,*$¶
¶$§»...... ......»§$¶
##¶&$§*»,. THE GUESTS ARRIVING DURING THE EARLY .,»*§$&¶##
@&$§»»,... EVENING ARE TREATED TO FOOD AND DRINK, ...,»»§$&@
##@&$§*»,. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .,»*§$&@##
#@¶&$§*»,. COMFORTABLE BUT MAZE-LIKE INTERIOR .,»*§$&¶@#
@&&§§*,... STRUCTURE (THE BUILDING FEATURES A ...,*§§&&@
##@¶$§*»,. MULTITUDE OF STAIRWELLS AND ELEVATORS, .,»*§$¶@##
&§»,...... PLACED SEEMINGLY AT RANDOM, NONE GOING ......,»§&
&&$§»..... FURTHER THAN A FEW FLOORS). .....»§$&&
##@¶&$§*». .»*§$&¶@##
&§§§§».... AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ....»§§§§&
@@¶&$§*»,. UNTIL THE AIR INSIDE HAS TAKEN ON THE .,»*§$&¶@@
##@&$§*»,. SAME QUALITY AS THE SURROUNDING MIST: .,»*§$&@##
¶¶¶&$§*»,. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .,»*§$&¶¶¶
##¶&$§*»,. DOT'S BY DOOR LOCKS AND CONTROL PANELS. .,»*§$&¶##
¶¶&$$§*»,. IF YOU WOULD LOOK THROUGH THE WINDOWS .,»*§$$&¶¶
@@¶&$§*»,. YOU WOULD SEE THE MIST ROLLING BY, AND .,»*§$&¶@@
¶¶$§»»,... PERHAPS THE OUTLINE OF SOME OTHER ...,»»§$¶¶
#@¶&$§*»,. BUILDING, FAR BELOW. .,»*§$&¶@#
@¶$*,..... .....,*$¶@
#@¶&$§*»,. DURING THE NIGHT, AFTER TAINARON HAS .,»*§$&¶@#
#@¶&$§*»,. STARTED MOVING, THE LOWER FLOORS ARE .,»*§$&¶@#
¶¶$$$§*»,. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .,»*§$$$¶¶
##¶&$§*»,. THE GUESTS. FOOD IS NO LONGER SERVED, .,»*§$&¶##
@@¶&$§*»,. BUT THE DRINKS BECOME MORE EXTRAVAGANT. .,»*§$&¶@@
&§*,...... IT'S AT THIS POINT THAT THE SECOND SET ......,*§&
@@¶&$§*»,. OF GUEST ARRIVES, VIA HELICOPTER - .,»*§$&¶@@
@@¶&$§*»,. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .,»*§$&¶@@
¶&$§»..... .....»§$&¶
@@¶&$§*»,. »»»»» .,»*§$&¶@@
&$*,...... ......,*$&
&&$$§**»,. IN MY DREAM I AM INVITED AS A FRIEND OF .,»**§$$&&
#@¶&$§*»,. ONE OF THE SERVERS, AND THUS SAFE. WE .,»*§$&¶@#
¶$§»»»,... SIT IN ONE OF THE LARGE WINDOWS, ...,»»»§$¶
@&§§**,... LOOKING THROUGH THE MIST FOR ANY ...,**§§&@
@@¶&$§*»,. LANDMARKS TO PIERCE THROUGH THE MIST. .,»*§$&¶@@
¶¶$*»».... SHE TELLS ME THAT APART FROM COMING AND ....»»*$¶¶
&§§*,,.... GOING FROM WORK, SHE'S NEVER SEEN THE ....,,*§§&
&$$§»..... BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .....»§$$&
#@¶&$§*»,. .,»*§$&¶@#
##@¶&$§*». THE NEXT DAY I AM INVITED TO THE PUBLIC .»*§$&¶@##
¶$§§§§*»,. DEMONSTRATION OF THE EXOBUBBLE. .,»*§§§§$¶
&$$**»»... ...»»**$$&
&§**»».... ....»»**§&
&§§§»,,... ...,,»§§§&
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