.¤.¤¤¤.¤.. ¤..¤¤.¤¤..
.¤¤¤..¤¤¤. .¤.¤.¤¤.¤.
.¤..¤.¤..¤ ¤¤¤¤¤¤.¤¤¤
¤¤¤.¤¤¤¤.¤ ......¤¤..
¤..¤¤...¤¤ ¤.....¤.¤.
¤¤.¤.¤..¤. THE SKYSCRAPER THAT MOVES ¤¤....¤¤¤¤
..¤¤¤¤¤.¤¤ ..¤...¤...
..¤....¤¤. TAINARON IS A BUILDING OWNED AND ¤.¤¤..¤¤..
..¤¤...¤.¤ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¤¤¤.¤.¤.¤.
..¤.¤..¤¤¤ CLOSED TO THE HARBOR IN MALMÖ. IT'S ...¤¤¤¤¤¤¤
¤.¤¤¤¤.¤.. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¤..¤......
¤¤¤...¤¤¤. UNKNOWN), DARK BLUE AND COMPLETELY .¤.¤¤.....
¤..¤..¤..¤ RECTANGULAR. IT FEATURES NO SIGNS, .¤¤¤.¤....
¤¤.¤¤.¤¤.¤ LIGHTS, OR ORNAMENTS, APART FROM A ¤¤..¤¤¤...
¤.¤¤.¤¤.¤¤ HELIPAD ON TOP. MOST FLOORS HAVE ¤.¤.¤..¤..
¤¤¤.¤¤.¤¤. EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¤¤¤¤¤¤.¤¤.
¤..¤¤.¤¤.¤ ¤.....¤¤.¤
.¤.¤.¤¤.¤¤ IN LATE EVENINGS, SHROUDED BY MALMö'S .¤....¤.¤¤
¤¤¤¤¤¤.¤¤. SIGNATURE FOG ROLLING IN FROM THE SEA, .¤¤...¤¤¤.
¤.....¤¤.¤ THE BUILDING COMES TO LIFE: IT MOVES ON .¤.¤..¤..¤
.¤....¤.¤¤ A THOUSAND ROBOTIC LEGS TO ANOTHER .¤¤¤¤.¤¤.¤
¤¤¤...¤¤¤. (SECRET) PART OF TOWN, OR PERHAPS OUT ¤¤...¤¤.¤¤
...¤..¤..¤ TO SEA. THIS SIGNALS A NEW AND MORE ¤.¤..¤.¤¤.
...¤¤.¤¤.¤ VISCIOUS PHASE OF THE TAINARON .¤¤¤.¤¤¤.¤
¤..¤.¤¤.¤¤ ECOSYSTEM. .¤..¤¤..¤¤
.¤.¤¤¤.¤¤. ¤¤¤.¤.¤.¤.
.¤¤¤..¤¤.¤ THE GUESTS ARRIVING DURING THE EARLY ...¤¤¤¤¤¤¤
¤¤..¤.¤.¤¤ EVENING ARE TREATED TO FOOD AND DRINK, ...¤......
¤.¤.¤¤¤¤¤. LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¤..¤¤.....
¤¤¤¤¤....¤ COMFORTABLE BUT MAZE-LIKE INTERIOR .¤.¤.¤....
¤....¤...¤ STRUCTURE (THE BUILDING FEATURES A ¤¤¤¤¤¤¤...
¤¤...¤¤..¤ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¤......¤..
¤.¤..¤.¤.¤ PLACED SEEMINGLY AT RANDOM, NONE GOING .¤.....¤¤.
¤¤¤¤.¤¤¤¤¤ FURTHER THAN A FEW FLOORS). ¤¤¤....¤.¤
....¤¤.... ...¤...¤¤¤
¤...¤.¤... AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¤..¤¤..¤..
¤¤..¤¤¤¤.. UNTIL THE AIR INSIDE HAS TAKEN ON THE ¤¤.¤.¤.¤¤.
¤.¤.¤...¤. SAME QUALITY AS THE SURROUNDING MIST: ¤.¤¤¤¤¤¤.¤
.¤¤¤¤¤..¤¤ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¤¤¤.....¤¤
¤¤....¤.¤. DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¤..¤....¤.
¤.¤...¤¤¤¤ IF YOU WOULD LOOK THROUGH THE WINDOWS .¤.¤¤...¤¤
.¤¤¤..¤... YOU WOULD SEE THE MIST ROLLING BY, AND ¤¤¤¤.¤..¤.
.¤..¤.¤¤.. PERHAPS THE OUTLINE OF SOME OTHER ....¤¤¤.¤¤
¤¤¤.¤¤¤.¤. BUILDING, FAR BELOW. ¤...¤..¤¤.
¤..¤¤..¤¤¤ .¤..¤¤.¤.¤
.¤.¤.¤.¤.. DURING THE NIGHT, AFTER TAINARON HAS .¤¤.¤.¤¤¤¤
¤¤¤¤¤¤¤¤¤. STARTED MOVING, THE LOWER FLOORS ARE .¤.¤¤¤¤...
¤........¤ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¤¤¤¤...¤..
¤¤.......¤ THE GUESTS. FOOD IS NO LONGER SERVED, ¤...¤..¤¤.
¤.¤......¤ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¤¤..¤¤.¤.¤
.¤¤¤.....¤ IT'S AT THIS POINT THAT THE SECOND SET ..¤.¤.¤¤¤¤
¤¤..¤....¤ OF GUEST ARRIVES, VIA HELICOPTER - ..¤¤¤¤¤...
¤.¤.¤¤...¤ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¤.¤....¤..
¤¤¤¤¤.¤..¤ ¤¤¤¤...¤¤.
¤....¤¤¤.¤ ~~~~~ ¤...¤..¤.¤
.¤...¤..¤¤ .¤..¤¤.¤¤¤
¤¤¤..¤¤.¤. IN MY DREAM I AM INVITED AS A FRIEND OF ¤¤¤.¤.¤¤..
¤..¤.¤.¤¤¤ ONE OF THE SERVERS, AND THUS SAFE. WE ¤..¤¤¤¤.¤.
¤¤.¤¤¤¤¤.. SIT IN ONE OF THE LARGE WINDOWS, .¤.¤...¤¤¤
..¤¤....¤. LOOKING THROUGH THE MIST FOR ANY ¤¤¤¤¤..¤..
..¤.¤...¤¤ LANDMARKS TO PIERCE THROUGH THE MIST. ¤....¤.¤¤.
..¤¤¤¤..¤. SHE TELLS ME THAT APART FROM COMING AND .¤...¤¤¤.¤
¤.¤...¤.¤¤ GOING FROM WORK, SHE'S NEVER SEEN THE .¤¤..¤..¤¤
.¤¤¤..¤¤¤. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .¤.¤.¤¤.¤.
.¤..¤.¤..¤ ¤¤¤¤¤¤.¤¤¤
¤¤¤.¤¤¤¤.¤ THE NEXT DAY I AM INVITED TO THE PUBLIC ......¤¤..
¤..¤¤...¤¤ DEMONSTRATION OF THE EXOBUBBLE. ¤.....¤.¤.
¤¤.¤.¤..¤. ¤¤....¤¤¤¤
..¤¤¤¤¤.¤¤ ..¤...¤...
..¤....¤¤. ¤.¤¤..¤¤..
..¤¤...¤.¤ ¤¤¤.¤.¤.¤.
..¤.¤..¤¤¤ ...¤¤¤¤¤¤¤