¨¨^^^~:§## ##§:~^^^¨¨
^~:^§¤#@## ##@#¤§^:~^
¨¨¨¨¨¨¨~^¤ ¤^~¨¨¨¨¨¨¨
¨¨¨^^~:§## ##§:~^^¨¨¨
¨^~:^§#@## ##@#§^:~^¨
¨¨¨¨^~:§#@ THE SKYSCRAPER THAT MOVES @#§:~^¨¨¨¨
¨^~:^§#@## ##@#§^:~^¨
¨¨¨¨¨¨~^§¤ TAINARON IS A BUILDING OWNED AND ¤§^~¨¨¨¨¨¨
¨^~:^§¤#@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@#¤§^:~^¨
¨^~:^§#@## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##@#§^:~^¨
¨¨¨¨¨¨~^§¤ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¤§^~¨¨¨¨¨¨
¨^~~:^§¤¤¤ UNKNOWN), DARK BLUE AND COMPLETELY ¤¤¤§^:~~^¨
¨^~:^§¤#@# RECTANGULAR. IT FEATURES NO SIGNS, #@#¤§^:~^¨
¨^~:^§¤#@# LIGHTS, OR ORNAMENTS, APART FROM A #@#¤§^:~^¨
¨^~:^§¤#@@ HELIPAD ON TOP. MOST FLOORS HAVE @@#¤§^:~^¨
¨¨¨^:::^¤¤ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¤¤^:::^¨¨¨
¨¨¨¨~:^§## ##§^:~¨¨¨¨
¨^~:^§¤#@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@#¤§^:~^¨
¨¨¨¨¨¨~^¤# SIGNATURE FOG ROLLING IN FROM THE SEA, #¤^~¨¨¨¨¨¨
¨¨¨¨¨¨¨~^¤ THE BUILDING COMES TO LIFE: IT MOVES ON ¤^~¨¨¨¨¨¨¨
¨^~:^§¤#@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@#¤§^:~^¨
¨^~:^§¤#@@ (SECRET) PART OF TOWN, OR PERHAPS OUT @@#¤§^:~^¨
¨^~:^§¤#@@ TO SEA. THIS SIGNALS A NEW AND MORE @@#¤§^:~^¨
¨^~:^§§§#@ VISCIOUS PHASE OF THE TAINARON @#§§§^:~^¨
¨^~:^§¤#@# ECOSYSTEM. #@#¤§^:~^¨
¨¨¨¨¨^^:^¤ ¤^:^^¨¨¨¨¨
¨^~:^§¤#@@ THE GUESTS ARRIVING DURING THE EARLY @@#¤§^:~^¨
¨¨¨¨^^~^¤@ EVENING ARE TREATED TO FOOD AND DRINK, @¤^~^^¨¨¨¨
¨¨¨¨~~:§§# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #§§:~~¨¨¨¨
¨¨^~~~:§¤@ COMFORTABLE BUT MAZE-LIKE INTERIOR @¤§:~~~^¨¨
¨¨¨¨¨~:§#@ STRUCTURE (THE BUILDING FEATURES A @#§:~¨¨¨¨¨
¨¨¨¨¨~::^¤ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¤^::~¨¨¨¨¨
¨^~:^^^¤#@ PLACED SEEMINGLY AT RANDOM, NONE GOING @#¤^^^:~^¨
¨^~:^§¤#@# FURTHER THAN A FEW FLOORS). #@#¤§^:~^¨
¨¨¨¨~:§§¤¤ ¤¤§§:~¨¨¨¨
¨^~:^§¤#@@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @@#¤§^:~^¨
¨^~:^§#@## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##@#§^:~^¨
¨¨¨^:^§¤¤@ SAME QUALITY AS THE SURROUNDING MIST: @¤¤§^:^¨¨¨
¨¨¨¨¨~:§#@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @#§:~¨¨¨¨¨
¨¨¨¨~~:§## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##§:~~¨¨¨¨
¨¨¨¨¨^::§# IF YOU WOULD LOOK THROUGH THE WINDOWS #§::^¨¨¨¨¨
¨^~:^§¤#@# YOU WOULD SEE THE MIST ROLLING BY, AND #@#¤§^:~^¨
¨¨¨¨¨^~:§¤ PERHAPS THE OUTLINE OF SOME OTHER ¤§:~^¨¨¨¨¨
¨¨¨^~^^¤## BUILDING, FAR BELOW. ##¤^^~^¨¨¨
¨^~:^§¤#@# #@#¤§^:~^¨
¨^~:^§¤#@# DURING THE NIGHT, AFTER TAINARON HAS #@#¤§^:~^¨
¨¨¨^~^^^¤# STARTED MOVING, THE LOWER FLOORS ARE #¤^^^~^¨¨¨
¨^~:^§¤### SHUT OFF, PREVENTING ENTRY OR EXIT FOR ###¤§^:~^¨
¨¨¨^::^^¤# THE GUESTS. FOOD IS NO LONGER SERVED, #¤^^::^¨¨¨
¨¨¨¨^~^§## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##§^~^¨¨¨¨
¨¨¨¨¨^:^¤¤ IT'S AT THIS POINT THAT THE SECOND SET ¤¤^:^¨¨¨¨¨
¨^~~~^^§§# OF GUEST ARRIVES, VIA HELICOPTER - #§§^^~~~^¨
¨¨¨¨¨~^§¤¤ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¤¤§^~¨¨¨¨¨
¨¨¨¨¨^:§§# #§§:^¨¨¨¨¨
¨^~:^§¤#@# ~~~~~ #@#¤§^:~^¨
¨^~:^§¤#@# #@#¤§^:~^¨
¨^~:^§¤#@# IN MY DREAM I AM INVITED AS A FRIEND OF #@#¤§^:~^¨
¨¨¨^~~^§#@ ONE OF THE SERVERS, AND THUS SAFE. WE @#§^~~^¨¨¨
¨^~:^§¤##@ SIT IN ONE OF THE LARGE WINDOWS, @##¤§^:~^¨
¨¨¨¨~^§§## LOOKING THROUGH THE MIST FOR ANY ##§§^~¨¨¨¨
¨^~:^§§§¤¤ LANDMARKS TO PIERCE THROUGH THE MIST. ¤¤§§§^:~^¨
¨^~:^§¤#@# SHE TELLS ME THAT APART FROM COMING AND #@#¤§^:~^¨
¨^~:^§¤### GOING FROM WORK, SHE'S NEVER SEEN THE ###¤§^:~^¨
¨¨¨~:^^¤¤@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @¤¤^^:~¨¨¨
¨¨¨¨^^:^^¤ ¤^^:^^¨¨¨¨
¨^~:^§¤#@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@#¤§^:~^¨
¨^^~~^^^§¤ DEMONSTRATION OF THE EXOBUBBLE. ¤§^^^~~^^¨
¨¨¨^^^~^§# #§^~^^^¨¨¨
¨¨^^^^^:^¤ ¤^:^^^^^¨¨
¨¨¨¨^~:^§¤ ¤§^:~^¨¨¨¨
¨^~:^§¤#@# #@#¤§^:~^¨
¨^~:^§¤### ###¤§^:~^¨