,-~^§%@@@# #@@@%§^~-,
,-~^§%@@@# #@@@%§^~-,
,,--^§§§@@ @@§§§^--,,
,,,,,-~^%@ @%^~-,,,,,
,,,,~§%@@@ @@@%§~,,,,
,,,,-^^§%@ THE SKYSCRAPER THAT MOVES @%§^^-,,,,
,-~^§%@@@# #@@@%§^~-,
,-~^§%@@@# TAINARON IS A BUILDING OWNED AND #@@@%§^~-,
,-~^§%@@@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@@@%§^~-,
,-~^§%@@@@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @@@@%§^~-,
,-~^§%@@@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@@@%§^~-,
,-~^§%@@@@ UNKNOWN), DARK BLUE AND COMPLETELY @@@@%§^~-,
,-~^§%@@@# RECTANGULAR. IT FEATURES NO SIGNS, #@@@%§^~-,
,,,,,,~^%@ LIGHTS, OR ORNAMENTS, APART FROM A @%^~,,,,,,
,-~^§%@@## HELIPAD ON TOP. MOST FLOORS HAVE ##@@%§^~-,
,-~~~~^§%@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @%§^~~~~-,
,--~~~^§@@ @@§^~~~--,
,-~^§%@@@@ IN LATE EVENINGS, SHROUDED BY MALMö'S @@@@%§^~-,
,-~^§%@@## SIGNATURE FOG ROLLING IN FROM THE SEA, ##@@%§^~-,
,-~^§%@@@@ THE BUILDING COMES TO LIFE: IT MOVES ON @@@@%§^~-,
,-~~~~~^%@ A THOUSAND ROBOTIC LEGS TO ANOTHER @%^~~~~~-,
,-~^^§§@@@ (SECRET) PART OF TOWN, OR PERHAPS OUT @@@§§^^~-,
,,,,~^§§%@ TO SEA. THIS SIGNALS A NEW AND MORE @%§§^~,,,,
,-~^%@@@## VISCIOUS PHASE OF THE TAINARON ##@@@%^~-,
,-~^§%@@## ECOSYSTEM. ##@@%§^~-,
,,,-~^%@@@ @@@%^~-,,,
,-~^§%@@@# THE GUESTS ARRIVING DURING THE EARLY #@@@%§^~-,
,-~^§%@@@@ EVENING ARE TREATED TO FOOD AND DRINK, @@@@%§^~-,
,-~^§@@@## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##@@@§^~-,
,-~~~~~~§@ COMFORTABLE BUT MAZE-LIKE INTERIOR @§~~~~~~-,
,-~^§%@@@@ STRUCTURE (THE BUILDING FEATURES A @@@@%§^~-,
,-~^§%@@@@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @@@@%§^~-,
,-~^§%@@@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@@@%§^~-,
,,,~^^§%@@ FURTHER THAN A FEW FLOORS). @@%§^^~,,,
,-~^§%@@## ##@@%§^~-,
,-~^§%@@@# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #@@@%§^~-,
,-~^§%@@## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##@@%§^~-,
,-~^§%@@## SAME QUALITY AS THE SURROUNDING MIST: ##@@%§^~-,
,,,,,-^^§@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @§^^-,,,,,
,,,--^^%@@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. @@%^^--,,,
,-~^§%@@@# IF YOU WOULD LOOK THROUGH THE WINDOWS #@@@%§^~-,
,-~^§%@@## YOU WOULD SEE THE MIST ROLLING BY, AND ##@@%§^~-,
,,,,-^^%@@ PERHAPS THE OUTLINE OF SOME OTHER @@%^^-,,,,
,-~^§%@@@# BUILDING, FAR BELOW. #@@@%§^~-,
,-~^§%@@@@ @@@@%§^~-,
,-~^§%@@@# DURING THE NIGHT, AFTER TAINARON HAS #@@@%§^~-,
,,,,,,~§@@ STARTED MOVING, THE LOWER FLOORS ARE @@§~,,,,,,
,-~^§%@@@# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #@@@%§^~-,
,---^§§%%@ THE GUESTS. FOOD IS NO LONGER SERVED, @%%§§^---,
,-~^§%@@@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@@@%§^~-,
,-~^§§§§§@ IT'S AT THIS POINT THAT THE SECOND SET @§§§§§^~-,
,-~^§%@@@# OF GUEST ARRIVES, VIA HELICOPTER - #@@@%§^~-,
,,,,-^^§%@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @%§^^-,,,,
,-~^§%@@@# #@@@%§^~-,
,,,,-~^^§@ ~~~~~ @§^^~-,,,,
,-~^§%@@## ##@@%§^~-,
,-~^§%%%@@ IN MY DREAM I AM INVITED AS A FRIEND OF @@%%%§^~-,
,-~^§%@@@# ONE OF THE SERVERS, AND THUS SAFE. WE #@@@%§^~-,
,,,,--^%@@ SIT IN ONE OF THE LARGE WINDOWS, @@%^--,,,,
,-~^§%@@@# LOOKING THROUGH THE MIST FOR ANY #@@@%§^~-,
,-~^§%@@@@ LANDMARKS TO PIERCE THROUGH THE MIST. @@@@%§^~-,
,,,,,,-^§@ SHE TELLS ME THAT APART FROM COMING AND @§^-,,,,,,
,-~^§%@@@@ GOING FROM WORK, SHE'S NEVER SEEN THE @@@@%§^~-,
,,,,,,-~§@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @§~-,,,,,,
,-~^§%@@@@ @@@@%§^~-,
,,,~^^§§@@ THE NEXT DAY I AM INVITED TO THE PUBLIC @@§§^^~,,,
,-~^^§§%@@ DEMONSTRATION OF THE EXOBUBBLE. @@%§§^^~-,
,-~^^§§%%@ @%%§§^^~-,
,-~^§%@@@# #@@@%§^~-,
,-~^§%@@@@ @@@@%§^~-,
,-~^%@@@## ##@@@%^~-,
,,---^§§@@ @@§§^---,,