##@£**†»^,                                          ,^»†**£@##
#@£**†»^,,                                          ,,^»†**£@#
@£**†»^,,,                                          ,,,^»†**£@
£**†»^,,,,                                          ,,,,^»†**£
**†»^,,,,,                                          ,,,,,^»†**
*†»^,,,,,,        THE SKYSCRAPER THAT MOVES         ,,,,,,^»†*
**†»^,,,,,                                          ,,,,,^»†**
£**†»^,,,, TAINARON   IS   A  BUILDING   OWNED  AND ,,,,^»†**£
@£**†»^,,,  OPERATED BY AMATA TEXNOLOGIYASI PLACED  ,,,^»†**£@
#@£**†»^,, CLOSED  TO  THE  HARBOR  IN  MALMÖ. IT'S ,,^»†**£@#
##@£**†»^, ROUGHLY SIXTY FLOORS  HIGH  (REAL NUMBER ,^»†**£@##
#@£**†»^,,    UNKNOWN), DARK BLUE AND COMPLETELY    ,,^»†**£@#
@£**†»^,,,    RECTANGULAR. IT FEATURES NO SIGNS,    ,,,^»†**£@
£**†»^,,,, LIGHTS,   OR  ORNAMENTS,  APART  FROM  A ,,,,^»†**£
**†»^,,,,, HELIPAD   ON  TOP.  MOST   FLOORS   HAVE ,,,,,^»†**
*†»^,,,,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,,,,^»†*
**†»^,,,,,                                          ,,,,,^»†**
£**†»^,,,, IN  LATE EVENINGS, SHROUDED  BY  MALMö'S ,,,,^»†**£
@£**†»^,,, SIGNATURE  FOG ROLLING  IN FROM THE SEA, ,,,^»†**£@
#@£**†»^,, THE BUILDING COMES  TO LIFE: IT MOVES ON ,,^»†**£@#
##@£**†»^, A   THOUSAND  ROBOTIC  LEGS  TO  ANOTHER ,^»†**£@##
#@£**†»^,, (SECRET) PART  OF TOWN,  OR  PERHAPS OUT ,,^»†**£@#
@£**†»^,,, TO  SEA. THIS SIGNALS  A  NEW  AND  MORE ,,,^»†**£@
£**†»^,,,,      VISCIOUS PHASE OF THE TAINARON      ,,,,^»†**£
**†»^,,,,,                ECOSYSTEM.                ,,,,,^»†**
*†»^,,,,,,                                          ,,,,,,^»†*
**†»^,,,,, THE  GUESTS  ARRIVING  DURING  THE EARLY ,,,,,^»†**
£**†»^,,,, EVENING ARE TREATED TO FOOD  AND  DRINK, ,,,,^»†**£
@£**†»^,,, LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ,,,^»†**£@
#@£**†»^,,    COMFORTABLE BUT MAZE-LIKE INTERIOR    ,,^»†**£@#
##@£**†»^,    STRUCTURE (THE BUILDING FEATURES A    ,^»†**£@##
#@£**†»^,,  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ,,^»†**£@#
@£**†»^,,, PLACED  SEEMINGLY AT RANDOM, NONE  GOING ,,,^»†**£@
£**†»^,,,,        FURTHER THAN A FEW FLOORS).       ,,,,^»†**£
**†»^,,,,,                                          ,,,,,^»†**
*†»^,,,,,, AS TIME GOES ON, THE LIGHTS SLOWLY  DIM, ,,,,,,^»†*
**†»^,,,,, UNTIL THE AIR  INSIDE  HAS TAKEN  ON THE ,,,,,^»†**
£**†»^,,,, SAME  QUALITY AS  THE  SURROUNDING MIST: ,,,,^»†**£
@£**†»^,,, BLUE-GRAY, SPRINKLED  WITH THE SMALL RED ,,,^»†**£@
#@£**†»^,, DOT'S BY  DOOR LOCKS AND CONTROL PANELS. ,,^»†**£@#
##@£**†»^, IF YOU  WOULD LOOK THROUGH  THE  WINDOWS ,^»†**£@##
#@£**†»^,, YOU WOULD SEE THE MIST  ROLLING  BY, AND ,,^»†**£@#
@£**†»^,,, PERHAPS  THE   OUTLINE   OF  SOME  OTHER ,,,^»†**£@
£**†»^,,,,           BUILDING, FAR BELOW.           ,,,,^»†**£
**†»^,,,,,                                          ,,,,,^»†**
*†»^,,,,,, DURING  THE  NIGHT,  AFTER TAINARON  HAS ,,,,,,^»†*
**†»^,,,,, STARTED  MOVING,  THE  LOWER FLOORS  ARE ,,,,,^»†**
£**†»^,,,, SHUT  OFF, PREVENTING  ENTRY OR EXIT FOR ,,,,^»†**£
@£**†»^,,, THE  GUESTS. FOOD IS  NO  LONGER SERVED, ,,,^»†**£@
#@£**†»^,, BUT THE DRINKS BECOME  MORE EXTRAVAGANT. ,,^»†**£@#
##@£**†»^, IT'S AT THIS  POINT THAT THE  SECOND SET ,^»†**£@##
#@£**†»^,, OF  GUEST  ARRIVES,   VIA  HELICOPTER  - ,,^»†**£@#
@£**†»^,,,  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ,,,^»†**£@
£**†»^,,,,                                          ,,,,^»†**£
**†»^,,,,,                  »»»»»                   ,,,,,^»†**
*†»^,,,,,,                                          ,,,,,,^»†*
**†»^,,,,, IN MY  DREAM I AM INVITED AS A FRIEND OF ,,,,,^»†**
£**†»^,,,, ONE OF  THE  SERVERS,  AND THUS SAFE. WE ,,,,^»†**£
@£**†»^,,, SIT   IN  ONE  OF   THE  LARGE  WINDOWS, ,,,^»†**£@
#@£**†»^,, LOOKING  THROUGH  THE   MIST   FOR   ANY ,,^»†**£@#
##@£**†»^, LANDMARKS TO  PIERCE  THROUGH  THE MIST. ,^»†**£@##
#@£**†»^,, SHE TELLS ME THAT APART FROM  COMING AND ,,^»†**£@#
@£**†»^,,, GOING  FROM WORK,  SHE'S NEVER  SEEN THE ,,,^»†**£@
£**†»^,,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,^»†**£
**†»^,,,,,                                          ,,,,,^»†**
*†»^,,,,,, THE NEXT DAY  I AM INVITED TO THE PUBLIC ,,,,,,^»†*
**†»^,,,,,     DEMONSTRATION OF THE EXOBUBBLE.      ,,,,,^»†**
£**†»^,,,,                                          ,,,,^»†**£
@£**†»^,,,                                          ,,,^»†**£@
#@£**†»^,,                                          ,,^»†**£@#
##@£**†»^,                                          ,^»†**£@##
#@£**†»^,,                                          ,,^»†**£@#