.^»;†%¤¤¤@ @¤¤¤%†;»^.
.....»»;†¤ ¤†;»».....
.^»;†%@@## ##@@%†;»^.
.^»;†%¤@@# #@@¤%†;»^.
.^»;†%¤@@# #@@¤%†;»^.
.....»»;%@ THE SKYSCRAPER THAT MOVES @%;»».....
.^»;†¤@@## ##@@¤†;»^.
.......»†¤ TAINARON IS A BUILDING OWNED AND ¤†».......
...^»;;%%¤ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¤%%;;»^...
....»;%%¤¤ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¤¤%%;»....
.....»»†¤¤ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¤¤†»».....
.^»;†%¤@## UNKNOWN), DARK BLUE AND COMPLETELY ##@¤%†;»^.
.^»;†%¤@@# RECTANGULAR. IT FEATURES NO SIGNS, #@@¤%†;»^.
.....^»††¤ LIGHTS, OR ORNAMENTS, APART FROM A ¤††»^.....
.....^^;†¤ HELIPAD ON TOP. MOST FLOORS HAVE ¤†;^^.....
.^»;††††%@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @%††††;»^.
.^»;†%¤@@# #@@¤%†;»^.
.....»†¤@@ IN LATE EVENINGS, SHROUDED BY MALMö'S @@¤†».....
.^»;†%¤@@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@@¤%†;»^.
......»;%@ THE BUILDING COMES TO LIFE: IT MOVES ON @%;»......
.^»;†%¤@@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@@¤%†;»^.
.^»;†%¤¤@@ (SECRET) PART OF TOWN, OR PERHAPS OUT @@¤¤%†;»^.
.^»;†%¤@@# TO SEA. THIS SIGNALS A NEW AND MORE #@@¤%†;»^.
.^»;†%¤@@# VISCIOUS PHASE OF THE TAINARON #@@¤%†;»^.
.^»†%¤@@## ECOSYSTEM. ##@@¤%†»^.
.....^;%%¤ ¤%%;^.....
....^;††%¤ THE GUESTS ARRIVING DURING THE EARLY ¤%††;^....
.^»;†††¤¤¤ EVENING ARE TREATED TO FOOD AND DRINK, ¤¤¤†††;»^.
.^»;†%¤@@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@@¤%†;»^.
.^»;††††%@ COMFORTABLE BUT MAZE-LIKE INTERIOR @%††††;»^.
.^»;†%¤@@# STRUCTURE (THE BUILDING FEATURES A #@@¤%†;»^.
.^»;†%¤@@@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @@@¤%†;»^.
.^»;†%¤@@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@@¤%†;»^.
.^»;†%¤@@@ FURTHER THAN A FEW FLOORS). @@@¤%†;»^.
....^;;;%¤ ¤%;;;^....
.^»;†%¤@@@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @@@¤%†;»^.
.^»;†%¤@@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@@¤%†;»^.
.^»;†%¤@@# SAME QUALITY AS THE SURROUNDING MIST: #@@¤%†;»^.
.^»;†%¤@## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##@¤%†;»^.
.^»;†%¤@@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@@¤%†;»^.
....»;†¤¤@ IF YOU WOULD LOOK THROUGH THE WINDOWS @¤¤†;»....
.....»»»†¤ YOU WOULD SEE THE MIST ROLLING BY, AND ¤†»»».....
.^»;†¤@@## PERHAPS THE OUTLINE OF SOME OTHER ##@@¤†;»^.
.^»;†%¤@## BUILDING, FAR BELOW. ##@¤%†;»^.
.^»;†%%%¤¤ ¤¤%%%†;»^.
.....^»†¤@ DURING THE NIGHT, AFTER TAINARON HAS @¤†»^.....
...^^;;†%¤ STARTED MOVING, THE LOWER FLOORS ARE ¤%†;;^^...
....»»†¤¤@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @¤¤†»»....
.^»;†%¤@@@ THE GUESTS. FOOD IS NO LONGER SERVED, @@@¤%†;»^.
.^»;†††¤¤@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @¤¤†††;»^.
.^»;†%¤@@# IT'S AT THIS POINT THAT THE SECOND SET #@@¤%†;»^.
.^»;;;††¤@ OF GUEST ARRIVES, VIA HELICOPTER - @¤††;;;»^.
...^»»;;†¤ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¤†;;»»^...
.^»;†%¤@@# #@@¤%†;»^.
.....^;;%¤ »»»»» ¤%;;^.....
......»†%@ @%†»......
....^»;†%¤ IN MY DREAM I AM INVITED AS A FRIEND OF ¤%†;»^....
......^;†¤ ONE OF THE SERVERS, AND THUS SAFE. WE ¤†;^......
...^;††%%@ SIT IN ONE OF THE LARGE WINDOWS, @%%††;^...
...^;††%@@ LOOKING THROUGH THE MIST FOR ANY @@%††;^...
....^;;%@@ LANDMARKS TO PIERCE THROUGH THE MIST. @@%;;^....
.^»;†%¤@## SHE TELLS ME THAT APART FROM COMING AND ##@¤%†;»^.
...^»††%%¤ GOING FROM WORK, SHE'S NEVER SEEN THE ¤%%††»^...
.^»;†%¤@@@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @@@¤%†;»^.
.^»;†%¤@@# #@@¤%†;»^.
.....^;%@@ THE NEXT DAY I AM INVITED TO THE PUBLIC @@%;^.....
....»»»†¤@ DEMONSTRATION OF THE EXOBUBBLE. @¤†»»»....
.^»;†%¤@@@ @@@¤%†;»^.
...^^^»;%¤ ¤%;»^^^...
.^»;†%¤@@# #@@¤%†;»^.
....^;††%@ @%††;^....
....»»;;%¤ ¤%;;»»....