.~~†*¤#### ####¤*†~~.
..~~†*¤### ###¤*†~~..
.~~†*¤#### ####¤*†~~.
..~~†*¤### ###¤*†~~..
.~~†*¤#### ####¤*†~~.
..~~†*¤### THE SKYSCRAPER THAT MOVES ###¤*†~~..
.~~†*¤#### ####¤*†~~.
..~~†*¤### TAINARON IS A BUILDING OWNED AND ###¤*†~~..
.~~†*¤#### OPERATED BY AMATA TEXNOLOGIYASI PLACED ####¤*†~~.
..~~†*¤### CLOSED TO THE HARBOR IN MALMÖ. IT'S ###¤*†~~..
.~~†*¤#### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ####¤*†~~.
..~~†*¤### UNKNOWN), DARK BLUE AND COMPLETELY ###¤*†~~..
.~~†*¤#### RECTANGULAR. IT FEATURES NO SIGNS, ####¤*†~~.
..~~†*¤### LIGHTS, OR ORNAMENTS, APART FROM A ###¤*†~~..
.~~†*¤#### HELIPAD ON TOP. MOST FLOORS HAVE ####¤*†~~.
..~~†*¤### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###¤*†~~..
.~~†*¤#### ####¤*†~~.
..~~†*¤### IN LATE EVENINGS, SHROUDED BY MALMö'S ###¤*†~~..
.~~†*¤#### SIGNATURE FOG ROLLING IN FROM THE SEA, ####¤*†~~.
..~~†*¤### THE BUILDING COMES TO LIFE: IT MOVES ON ###¤*†~~..
.~~†*¤#### A THOUSAND ROBOTIC LEGS TO ANOTHER ####¤*†~~.
..~~†*¤### (SECRET) PART OF TOWN, OR PERHAPS OUT ###¤*†~~..
.~~†*¤#### TO SEA. THIS SIGNALS A NEW AND MORE ####¤*†~~.
..~~†*¤### VISCIOUS PHASE OF THE TAINARON ###¤*†~~..
.~~†*¤#### ECOSYSTEM. ####¤*†~~.
..~~†*¤### ###¤*†~~..
.~~†*¤#### THE GUESTS ARRIVING DURING THE EARLY ####¤*†~~.
..~~†*¤### EVENING ARE TREATED TO FOOD AND DRINK, ###¤*†~~..
.~~†*¤#### LIVE MUSIC, BEATUTIFUL VIEWS, AND A ####¤*†~~.
..~~†*¤### COMFORTABLE BUT MAZE-LIKE INTERIOR ###¤*†~~..
.~~†*¤#### STRUCTURE (THE BUILDING FEATURES A ####¤*†~~.
..~~†*¤### MULTITUDE OF STAIRWELLS AND ELEVATORS, ###¤*†~~..
.~~†*¤#### PLACED SEEMINGLY AT RANDOM, NONE GOING ####¤*†~~.
..~~†*¤### FURTHER THAN A FEW FLOORS). ###¤*†~~..
.~~†*¤#### ####¤*†~~.
..~~†*¤### AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###¤*†~~..
.~~†*¤#### UNTIL THE AIR INSIDE HAS TAKEN ON THE ####¤*†~~.
..~~†*¤### SAME QUALITY AS THE SURROUNDING MIST: ###¤*†~~..
.~~†*¤#### BLUE-GRAY, SPRINKLED WITH THE SMALL RED ####¤*†~~.
..~~†*¤### DOT'S BY DOOR LOCKS AND CONTROL PANELS. ###¤*†~~..
.~~†*¤#### IF YOU WOULD LOOK THROUGH THE WINDOWS ####¤*†~~.
..~~†*¤### YOU WOULD SEE THE MIST ROLLING BY, AND ###¤*†~~..
.~~†*¤#### PERHAPS THE OUTLINE OF SOME OTHER ####¤*†~~.
..~~†*¤### BUILDING, FAR BELOW. ###¤*†~~..
.~~†*¤#### ####¤*†~~.
..~~†*¤### DURING THE NIGHT, AFTER TAINARON HAS ###¤*†~~..
.~~†*¤#### STARTED MOVING, THE LOWER FLOORS ARE ####¤*†~~.
..~~†*¤### SHUT OFF, PREVENTING ENTRY OR EXIT FOR ###¤*†~~..
.~~†*¤#### THE GUESTS. FOOD IS NO LONGER SERVED, ####¤*†~~.
..~~†*¤### BUT THE DRINKS BECOME MORE EXTRAVAGANT. ###¤*†~~..
.~~†*¤#### IT'S AT THIS POINT THAT THE SECOND SET ####¤*†~~.
..~~†*¤### OF GUEST ARRIVES, VIA HELICOPTER - ###¤*†~~..
.~~†*¤#### AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ####¤*†~~.
..~~†*¤### ###¤*†~~..
.~~†*¤#### ~~~~~ ####¤*†~~.
..~~†*¤### ###¤*†~~..
.~~†*¤#### IN MY DREAM I AM INVITED AS A FRIEND OF ####¤*†~~.
..~~†*¤### ONE OF THE SERVERS, AND THUS SAFE. WE ###¤*†~~..
.~~†*¤#### SIT IN ONE OF THE LARGE WINDOWS, ####¤*†~~.
..~~†*¤### LOOKING THROUGH THE MIST FOR ANY ###¤*†~~..
.~~†*¤#### LANDMARKS TO PIERCE THROUGH THE MIST. ####¤*†~~.
..~~†*¤### SHE TELLS ME THAT APART FROM COMING AND ###¤*†~~..
.~~†*¤#### GOING FROM WORK, SHE'S NEVER SEEN THE ####¤*†~~.
..~~†*¤### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ###¤*†~~..
.~~†*¤#### ####¤*†~~.
..~~†*¤### THE NEXT DAY I AM INVITED TO THE PUBLIC ###¤*†~~..
.~~†*¤#### DEMONSTRATION OF THE EXOBUBBLE. ####¤*†~~.
..~~†*¤### ###¤*†~~..
.~~†*¤#### ####¤*†~~.
..~~†*¤### ###¤*†~~..
.~~†*¤#### ####¤*†~~.
..~~†*¤### ###¤*†~~..