###£*;=~,, ,,~=;*£###
##£*;=~,,, ,,,~=;*£##
#£*;=~,,,, ,,,,~=;*£#
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#£*;=~,,,, ,,,,~=;*£#
##£*;=~,,, THE SKYSCRAPER THAT MOVES ,,,~=;*£##
###£*;=~,, ,,~=;*£###
####£*;=~, TAINARON IS A BUILDING OWNED AND ,~=;*£####
###£*;=~,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,~=;*£###
##£*;=~,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,~=;*£##
#£*;=~,,,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,,,~=;*£#
£*;=~,,,,, UNKNOWN), DARK BLUE AND COMPLETELY ,,,,,~=;*£
#£*;=~,,,, RECTANGULAR. IT FEATURES NO SIGNS, ,,,,~=;*£#
##£*;=~,,, LIGHTS, OR ORNAMENTS, APART FROM A ,,,~=;*£##
###£*;=~,, HELIPAD ON TOP. MOST FLOORS HAVE ,,~=;*£###
####£*;=~, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,~=;*£####
###£*;=~,, ,,~=;*£###
##£*;=~,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,~=;*£##
#£*;=~,,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,,~=;*£#
£*;=~,,,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,,,,~=;*£
#£*;=~,,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,,~=;*£#
##£*;=~,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,~=;*£##
###£*;=~,, TO SEA. THIS SIGNALS A NEW AND MORE ,,~=;*£###
####£*;=~, VISCIOUS PHASE OF THE TAINARON ,~=;*£####
###£*;=~,, ECOSYSTEM. ,,~=;*£###
##£*;=~,,, ,,,~=;*£##
#£*;=~,,,, THE GUESTS ARRIVING DURING THE EARLY ,,,,~=;*£#
£*;=~,,,,, EVENING ARE TREATED TO FOOD AND DRINK, ,,,,,~=;*£
#£*;=~,,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,,~=;*£#
##£*;=~,,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,,~=;*£##
###£*;=~,, STRUCTURE (THE BUILDING FEATURES A ,,~=;*£###
####£*;=~, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,~=;*£####
###£*;=~,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,~=;*£###
##£*;=~,,, FURTHER THAN A FEW FLOORS). ,,,~=;*£##
#£*;=~,,,, ,,,,~=;*£#
£*;=~,,,,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,,,,~=;*£
#£*;=~,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,~=;*£#
##£*;=~,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,~=;*£##
###£*;=~,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,~=;*£###
####£*;=~, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,~=;*£####
###£*;=~,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,~=;*£###
##£*;=~,,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,,~=;*£##
#£*;=~,,,, PERHAPS THE OUTLINE OF SOME OTHER ,,,,~=;*£#
£*;=~,,,,, BUILDING, FAR BELOW. ,,,,,~=;*£
#£*;=~,,,, ,,,,~=;*£#
##£*;=~,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,~=;*£##
###£*;=~,, STARTED MOVING, THE LOWER FLOORS ARE ,,~=;*£###
####£*;=~, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,~=;*£####
###£*;=~,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,~=;*£###
##£*;=~,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,~=;*£##
#£*;=~,,,, IT'S AT THIS POINT THAT THE SECOND SET ,,,,~=;*£#
£*;=~,,,,, OF GUEST ARRIVES, VIA HELICOPTER - ,,,,,~=;*£
#£*;=~,,,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,,,~=;*£#
##£*;=~,,, ,,,~=;*£##
###£*;=~,, ===== ,,~=;*£###
####£*;=~, ,~=;*£####
###£*;=~,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,~=;*£###
##£*;=~,,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,,~=;*£##
#£*;=~,,,, SIT IN ONE OF THE LARGE WINDOWS, ,,,,~=;*£#
£*;=~,,,,, LOOKING THROUGH THE MIST FOR ANY ,,,,,~=;*£
#£*;=~,,,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,,,~=;*£#
##£*;=~,,, SHE TELLS ME THAT APART FROM COMING AND ,,,~=;*£##
###£*;=~,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,~=;*£###
####£*;=~, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,~=;*£####
###£*;=~,, ,,~=;*£###
##£*;=~,,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,~=;*£##
#£*;=~,,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,,~=;*£#
£*;=~,,,,, ,,,,,~=;*£
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