&.&.&&&&&& &.&.&.&.&.
&.&..&&&&& &.&.&.&.&.
&.&.&.&&&& &.&.&.&.&.
&.&.&..&&& &.&.&.&.&.
&.&.&.&.&& &.&.&.&.&.
&.&.&.&..& THE SKYSCRAPER THAT MOVES &.&.&.&.&.
&.&.&.&.&. &.&.&.&.&.
&.&.&.&.&. TAINARON IS A BUILDING OWNED AND &.&.&.&.&.
&.&.&.&.&. OPERATED BY AMATA TEXNOLOGIYASI PLACED &.&.&.&.&.
&.&.&.&.&. CLOSED TO THE HARBOR IN MALMÖ. IT'S &.&.&.&.&.
&.&.&.&.&. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER &.&.&.&.&.
&.&.&.&.&. UNKNOWN), DARK BLUE AND COMPLETELY &.&.&.&.&.
&.&.&.&.&. RECTANGULAR. IT FEATURES NO SIGNS, &.&.&.&.&.
&.&.&.&.&. LIGHTS, OR ORNAMENTS, APART FROM A &.&.&.&.&.
&.&.&.&.&. HELIPAD ON TOP. MOST FLOORS HAVE &.&.&.&.&.
&.&.&.&.&. EXTERIOR WALLS COMPLETELY MADE OF GLASS. &.&.&.&.&.
&.&.&.&.&. &.&.&.&.&.
&.&.&.&.&. IN LATE EVENINGS, SHROUDED BY MALMö'S &.&.&.&.&.
&.&.&.&.&. SIGNATURE FOG ROLLING IN FROM THE SEA, &.&.&.&.&.
&.&.&.&.&. THE BUILDING COMES TO LIFE: IT MOVES ON &.&.&.&.&.
&.&.&.&.&. A THOUSAND ROBOTIC LEGS TO ANOTHER &.&.&.&.&.
&.&.&.&.&. (SECRET) PART OF TOWN, OR PERHAPS OUT &.&.&.&.&.
&.&.&.&.&. TO SEA. THIS SIGNALS A NEW AND MORE &.&.&.&.&.
&.&.&.&.&. VISCIOUS PHASE OF THE TAINARON &.&.&.&.&.
&.&.&.&.&. ECOSYSTEM. &.&.&.&.&.
&.&.&.&.&. &.&.&.&.&.
&.&.&.&.&. THE GUESTS ARRIVING DURING THE EARLY &.&.&.&.&.
&.&.&.&.&. EVENING ARE TREATED TO FOOD AND DRINK, &.&.&.&.&.
&.&.&.&.&. LIVE MUSIC, BEATUTIFUL VIEWS, AND A &.&.&.&.&.
&.&.&.&.&. COMFORTABLE BUT MAZE-LIKE INTERIOR &.&.&.&.&.
&.&.&.&.&. STRUCTURE (THE BUILDING FEATURES A &.&.&.&.&.
&.&.&.&.&. MULTITUDE OF STAIRWELLS AND ELEVATORS, &.&.&.&.&.
&.&.&.&.&. PLACED SEEMINGLY AT RANDOM, NONE GOING &.&.&.&.&.
&.&.&.&.&. FURTHER THAN A FEW FLOORS). &.&.&.&.&.
&.&.&.&.&. &.&.&.&.&.
&.&.&.&.&. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, &.&.&.&.&.
&.&.&.&.&. UNTIL THE AIR INSIDE HAS TAKEN ON THE &.&.&.&.&.
&.&.&.&.&. SAME QUALITY AS THE SURROUNDING MIST: &.&.&.&.&.
&.&.&.&.&. BLUE-GRAY, SPRINKLED WITH THE SMALL RED &.&.&.&.&.
&.&.&.&.&. DOT'S BY DOOR LOCKS AND CONTROL PANELS. &.&.&.&.&.
&.&.&.&.&. IF YOU WOULD LOOK THROUGH THE WINDOWS &.&.&.&.&.
&.&.&.&.&. YOU WOULD SEE THE MIST ROLLING BY, AND &.&.&.&.&.
&.&.&.&.&. PERHAPS THE OUTLINE OF SOME OTHER &.&.&.&.&.
&.&.&.&.&. BUILDING, FAR BELOW. &.&.&.&.&.
&.&.&.&.&. &.&.&.&.&.
&.&.&.&.&. DURING THE NIGHT, AFTER TAINARON HAS &.&.&.&.&.
&.&.&.&.&. STARTED MOVING, THE LOWER FLOORS ARE &.&.&.&.&.
&.&.&.&.&. SHUT OFF, PREVENTING ENTRY OR EXIT FOR &.&.&.&.&.
&.&.&.&.&. THE GUESTS. FOOD IS NO LONGER SERVED, &.&.&.&.&.
&.&.&.&.&. BUT THE DRINKS BECOME MORE EXTRAVAGANT. &.&.&.&.&.
&.&.&.&.&. IT'S AT THIS POINT THAT THE SECOND SET &.&.&.&.&.
&.&.&.&.&. OF GUEST ARRIVES, VIA HELICOPTER - &.&.&.&.&.
&.&.&.&.&. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. &.&.&.&.&.
&.&.&.&.&. &.&.&.&.&.
&.&.&.&.&. ~~~~~ &.&.&.&.&.
&.&.&.&.&. &.&.&.&.&.
&.&.&.&.&. IN MY DREAM I AM INVITED AS A FRIEND OF &.&.&.&.&.
&.&.&.&.&. ONE OF THE SERVERS, AND THUS SAFE. WE &.&.&.&.&.
&.&.&.&.&. SIT IN ONE OF THE LARGE WINDOWS, &.&.&.&.&.
&.&.&.&.&. LOOKING THROUGH THE MIST FOR ANY &.&.&.&.&.
&.&.&.&.&. LANDMARKS TO PIERCE THROUGH THE MIST. &.&.&.&.&.
&.&.&.&.&. SHE TELLS ME THAT APART FROM COMING AND &.&.&.&.&.
&.&.&.&.&. GOING FROM WORK, SHE'S NEVER SEEN THE &.&.&.&.&.
&.&.&.&.&. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. &.&.&.&.&.
&.&.&.&.&. &.&.&.&.&.
&.&.&.&.&. THE NEXT DAY I AM INVITED TO THE PUBLIC &.&.&.&.&.
&.&.&.&.&. DEMONSTRATION OF THE EXOBUBBLE. &.&.&.&.&.
&.&.&.&.&. &.&.&.&.&.
&.&.&.&.&. &.&.&.&.&.
&.&.&.&.&. &.&.&.&.&.
&.&.&.&.&. &.&.&.&.&.
&.&.&.&.&. &.&.&.&.&.