#@£@&*:»,, ,,»:*&@£@#
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@&:::»»,,, ,,,»»:::&@
@**::»,,,, ,,,,»::**@
@@£@&*:»,, ,,»:*&@£@@
#@£@&*:»,, THE SKYSCRAPER THAT MOVES ,,»:*&@£@#
#@£@&*:»,, ,,»:*&@£@#
@***»,,,,, TAINARON IS A BUILDING OWNED AND ,,,,,»***@
##@£&*:»,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,»:*&£@##
@£@**»,,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,,»**@£@
##@£@&*:», ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,»:*&@£@##
££&:,,,,,, UNKNOWN), DARK BLUE AND COMPLETELY ,,,,,,:&££
##@£&*:»,, RECTANGULAR. IT FEATURES NO SIGNS, ,,»:*&£@##
@@&&&*:»,, LIGHTS, OR ORNAMENTS, APART FROM A ,,»:*&&&@@
@@@*»,,,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,,,»*@@@
##@@&*:»,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,»:*&@@##
#@£@&*:»,, ,,»:*&@£@#
@@*»»,,,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,,,»»*@@
##@£@&*»,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,»*&@£@##
##£@&*:»,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,»:*&@£##
##@£&*:»,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,»:*&£@##
##£@&*:»,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,»:*&@£##
£@&*:»,,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,,»:*&@£
#@£@&*:»,, VISCIOUS PHASE OF THE TAINARON ,,»:*&@£@#
@&&::»»»,, ECOSYSTEM. ,,»»»::&&@
@@£@&*:»,, ,,»:*&@£@@
#@£@&*:»,, THE GUESTS ARRIVING DURING THE EARLY ,,»:*&@£@#
@@£@&*:»,, EVENING ARE TREATED TO FOOD AND DRINK, ,,»:*&@£@@
£&&&**:»,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,»:**&&&£
#@£@&*:»,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,»:*&@£@#
#@£@&*:»,, STRUCTURE (THE BUILDING FEATURES A ,,»:*&@£@#
£&*»,,,,,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,,,,,»*&£
@*»»,,,,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,,,,»»*@
££&*:»»»,, FURTHER THAN A FEW FLOORS). ,,»»»:*&££
@@&*:,,,,, ,,,,,:*&@@
##@£&*:»,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,»:*&£@##
@@£@&*:»,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,»:*&@£@@
@£&:»,,,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,,,»:&£@
#@£@&*:»,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,»:*&@£@#
#@£@&*:»,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,»:*&@£@#
#@£@&*:»,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,»:*&@£@#
@&&:::»»,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,»»:::&&@
@£&*»»,,,, PERHAPS THE OUTLINE OF SOME OTHER ,,,,»»*&£@
£@@@&*:»,, BUILDING, FAR BELOW. ,,»:*&@@@£
£&&*»»»»,, ,,»»»»*&&£
##@@&*:»,, DURING THE NIGHT, AFTER TAINARON HAS ,,»:*&@@##
#@£@&*:»,, STARTED MOVING, THE LOWER FLOORS ARE ,,»:*&@£@#
@@£@&*:»,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,»:*&@£@@
@&*::»,,,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,,,»::*&@
@@**:,,,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,,,:**@@
#@£@&*:»,, IT'S AT THIS POINT THAT THE SECOND SET ,,»:*&@£@#
#@£@&*:»,, OF GUEST ARRIVES, VIA HELICOPTER - ,,»:*&@£@#
#@£@&*:»,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,»:*&@£@#
£&&&*»,,,, ,,,,»*&&&£
@&&:»»,,,, »»»»» ,,,,»»:&&@
@@&&:,,,,, ,,,,,:&&@@
£@*::»»»,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,»»»::*@£
#@£@&*:»,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,»:*&@£@#
##@£&*:»,, SIT IN ONE OF THE LARGE WINDOWS, ,,»:*&£@##
£££@&*:»,, LOOKING THROUGH THE MIST FOR ANY ,,»:*&@£££
#@£@&*:»,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,»:*&@£@#
#@£@&*:»,, SHE TELLS ME THAT APART FROM COMING AND ,,»:*&@£@#
@@@&*:,,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,,:*&@@@
@@&:»»,,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,»»:&@@
#@£@&*:»,, ,,»:*&@£@#
@@£@&*:»,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,»:*&@£@@
@@@*»,,,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,,,»*@@@
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