,,,,,.~/$*                                          *$/~.,,,,,
,,,,.~/$*£                                          £*$/~.,,,,
,,,.~/$*££                                          ££*$/~.,,,
,,.~/$*££#                                          #££*$/~.,,
,.~/$*££##                                          ##££*$/~.,
,,.~/$*££#        THE SKYSCRAPER THAT MOVES         #££*$/~.,,
,,,.~/$*££                                          ££*$/~.,,,
,,,,.~/$*£ TAINARON  IS   A   BUILDING   OWNED  AND £*$/~.,,,,
,,,,,.~/$*  OPERATED BY AMATA TEXNOLOGIYASI PLACED  *$/~.,,,,,
,,,,,,.~/$ CLOSED  TO  THE  HARBOR  IN  MALMÖ. IT'S $/~.,,,,,,
,,,,,.~/$* ROUGHLY SIXTY  FLOORS HIGH (REAL  NUMBER *$/~.,,,,,
,,,,.~/$*£    UNKNOWN), DARK BLUE AND COMPLETELY    £*$/~.,,,,
,,,.~/$*££    RECTANGULAR. IT FEATURES NO SIGNS,    ££*$/~.,,,
,,.~/$*££# LIGHTS,  OR  ORNAMENTS,   APART  FROM  A #££*$/~.,,
,.~/$*££## HELIPAD   ON   TOP.  MOST  FLOORS   HAVE ##££*$/~.,
,,.~/$*££# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #££*$/~.,,
,,,.~/$*££                                          ££*$/~.,,,
,,,,.~/$*£ IN LATE  EVENINGS,  SHROUDED BY  MALMö'S £*$/~.,,,,
,,,,,.~/$* SIGNATURE  FOG ROLLING IN FROM THE  SEA, *$/~.,,,,,
,,,,,,.~/$ THE BUILDING  COMES TO LIFE: IT MOVES ON $/~.,,,,,,
,,,,,.~/$* A  THOUSAND  ROBOTIC   LEGS  TO  ANOTHER *$/~.,,,,,
,,,,.~/$*£ (SECRET)  PART OF  TOWN,  OR PERHAPS OUT £*$/~.,,,,
,,,.~/$*££ TO  SEA.  THIS  SIGNALS A NEW  AND  MORE ££*$/~.,,,
,,.~/$*££#      VISCIOUS PHASE OF THE TAINARON      #££*$/~.,,
,.~/$*££##                ECOSYSTEM.                ##££*$/~.,
,,.~/$*££#                                          #££*$/~.,,
,,,.~/$*££ THE  GUESTS ARRIVING  DURING  THE  EARLY ££*$/~.,,,
,,,,.~/$*£ EVENING ARE TREATED  TO  FOOD AND DRINK, £*$/~.,,,,
,,,,,.~/$* LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A *$/~.,,,,,
,,,,,,.~/$    COMFORTABLE BUT MAZE-LIKE INTERIOR    $/~.,,,,,,
,,,,,.~/$*    STRUCTURE (THE BUILDING FEATURES A    *$/~.,,,,,
,,,,.~/$*£  MULTITUDE OF STAIRWELLS AND ELEVATORS,  £*$/~.,,,,
,,,.~/$*££ PLACED  SEEMINGLY  AT RANDOM, NONE GOING ££*$/~.,,,
,,.~/$*££#       FURTHER THAN A FEW FLOORS).        #££*$/~.,,
,.~/$*££##                                          ##££*$/~.,
,,.~/$*££# AS  TIME GOES ON, THE LIGHTS SLOWLY DIM, #££*$/~.,,
,,,.~/$*££ UNTIL  THE AIR  INSIDE HAS TAKEN  ON THE ££*$/~.,,,
,,,,.~/$*£ SAME  QUALITY AS  THE  SURROUNDING MIST: £*$/~.,,,,
,,,,,.~/$* BLUE-GRAY, SPRINKLED WITH THE  SMALL RED *$/~.,,,,,
,,,,,,.~/$ DOT'S BY DOOR  LOCKS AND CONTROL PANELS. $/~.,,,,,,
,,,,,.~/$* IF YOU  WOULD  LOOK THROUGH  THE WINDOWS *$/~.,,,,,
,,,,.~/$*£ YOU WOULD SEE  THE MIST ROLLING BY,  AND £*$/~.,,,,
,,,.~/$*££ PERHAPS   THE  OUTLINE   OF  SOME  OTHER ££*$/~.,,,
,,.~/$*££#           BUILDING, FAR BELOW.           #££*$/~.,,
,.~/$*££##                                          ##££*$/~.,
,,.~/$*££# DURING  THE  NIGHT, AFTER  TAINARON  HAS #££*$/~.,,
,,,.~/$*££ STARTED  MOVING,  THE  LOWER FLOORS  ARE ££*$/~.,,,
,,,,.~/$*£ SHUT OFF, PREVENTING ENTRY  OR EXIT  FOR £*$/~.,,,,
,,,,,.~/$* THE GUESTS.  FOOD  IS NO LONGER  SERVED, *$/~.,,,,,
,,,,,,.~/$ BUT THE DRINKS BECOME  MORE EXTRAVAGANT. $/~.,,,,,,
,,,,,.~/$* IT'S  AT  THIS POINT THAT THE SECOND SET *$/~.,,,,,
,,,,.~/$*£ OF  GUEST  ARRIVES,  VIA   HELICOPTER  - £*$/~.,,,,
,,,.~/$*££  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ££*$/~.,,,
,,.~/$*££#                                          #££*$/~.,,
,.~/$*££##                  ~~~~~                   ##££*$/~.,
,,.~/$*££#                                          #££*$/~.,,
,,,.~/$*££ IN  MY DREAM I AM INVITED AS A FRIEND OF ££*$/~.,,,
,,,,.~/$*£ ONE OF THE SERVERS,  AND THUS  SAFE.  WE £*$/~.,,,,
,,,,,.~/$* SIT   IN  ONE  OF  THE   LARGE  WINDOWS, *$/~.,,,,,
,,,,,,.~/$ LOOKING  THROUGH   THE   MIST  FOR   ANY $/~.,,,,,,
,,,,,.~/$* LANDMARKS TO  PIERCE THROUGH  THE  MIST. *$/~.,,,,,
,,,,.~/$*£ SHE TELLS ME THAT  APART FROM COMING AND £*$/~.,,,,
,,,.~/$*££ GOING FROM  WORK, SHE'S NEVER  SEEN  THE ££*$/~.,,,
,,.~/$*££# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #££*$/~.,,
,.~/$*££##                                          ##££*$/~.,
,,.~/$*££# THE NEXT DAY  I AM INVITED TO THE PUBLIC #££*$/~.,,
,,,.~/$*££      DEMONSTRATION OF THE EXOBUBBLE.     ££*$/~.,,,
,,,,.~/$*£                                          £*$/~.,,,,
,,,,,.~/$*                                          *$/~.,,,,,
,,,,,,.~/$                                          $/~.,,,,,,
,,,,,.~/$*                                          *$/~.,,,,,
,,,,.~/$*£                                          £*$/~.,,,,