¨.-††$#### ####$††-.¨
¨¨.-††$### ###$††-.¨¨
¨.-††$#### ####$††-.¨
¨¨.-††$### ###$††-.¨¨
¨.-††$#### ####$††-.¨
¨¨.-††$### THE SKYSCRAPER THAT MOVES ###$††-.¨¨
¨.-††$#### ####$††-.¨
¨¨.-††$### TAINARON IS A BUILDING OWNED AND ###$††-.¨¨
¨.-††$#### OPERATED BY AMATA TEXNOLOGIYASI PLACED ####$††-.¨
¨¨.-††$### CLOSED TO THE HARBOR IN MALMÖ. IT'S ###$††-.¨¨
¨.-††$#### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ####$††-.¨
¨¨.-††$### UNKNOWN), DARK BLUE AND COMPLETELY ###$††-.¨¨
¨.-††$#### RECTANGULAR. IT FEATURES NO SIGNS, ####$††-.¨
¨¨.-††$### LIGHTS, OR ORNAMENTS, APART FROM A ###$††-.¨¨
¨.-††$#### HELIPAD ON TOP. MOST FLOORS HAVE ####$††-.¨
¨¨.-††$### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###$††-.¨¨
¨.-††$#### ####$††-.¨
¨¨.-††$### IN LATE EVENINGS, SHROUDED BY MALMö'S ###$††-.¨¨
¨.-††$#### SIGNATURE FOG ROLLING IN FROM THE SEA, ####$††-.¨
¨¨.-††$### THE BUILDING COMES TO LIFE: IT MOVES ON ###$††-.¨¨
¨.-††$#### A THOUSAND ROBOTIC LEGS TO ANOTHER ####$††-.¨
¨¨.-††$### (SECRET) PART OF TOWN, OR PERHAPS OUT ###$††-.¨¨
¨.-††$#### TO SEA. THIS SIGNALS A NEW AND MORE ####$††-.¨
¨¨.-††$### VISCIOUS PHASE OF THE TAINARON ###$††-.¨¨
¨.-††$#### ECOSYSTEM. ####$††-.¨
¨¨.-††$### ###$††-.¨¨
¨.-††$#### THE GUESTS ARRIVING DURING THE EARLY ####$††-.¨
¨¨.-††$### EVENING ARE TREATED TO FOOD AND DRINK, ###$††-.¨¨
¨.-††$#### LIVE MUSIC, BEATUTIFUL VIEWS, AND A ####$††-.¨
¨¨.-††$### COMFORTABLE BUT MAZE-LIKE INTERIOR ###$††-.¨¨
¨.-††$#### STRUCTURE (THE BUILDING FEATURES A ####$††-.¨
¨¨.-††$### MULTITUDE OF STAIRWELLS AND ELEVATORS, ###$††-.¨¨
¨.-††$#### PLACED SEEMINGLY AT RANDOM, NONE GOING ####$††-.¨
¨¨.-††$### FURTHER THAN A FEW FLOORS). ###$††-.¨¨
¨.-††$#### ####$††-.¨
¨¨.-††$### AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###$††-.¨¨
¨.-††$#### UNTIL THE AIR INSIDE HAS TAKEN ON THE ####$††-.¨
¨¨.-††$### SAME QUALITY AS THE SURROUNDING MIST: ###$††-.¨¨
¨.-††$#### BLUE-GRAY, SPRINKLED WITH THE SMALL RED ####$††-.¨
¨¨.-††$### DOT'S BY DOOR LOCKS AND CONTROL PANELS. ###$††-.¨¨
¨.-††$#### IF YOU WOULD LOOK THROUGH THE WINDOWS ####$††-.¨
¨¨.-††$### YOU WOULD SEE THE MIST ROLLING BY, AND ###$††-.¨¨
¨.-††$#### PERHAPS THE OUTLINE OF SOME OTHER ####$††-.¨
¨¨.-††$### BUILDING, FAR BELOW. ###$††-.¨¨
¨.-††$#### ####$††-.¨
¨¨.-††$### DURING THE NIGHT, AFTER TAINARON HAS ###$††-.¨¨
¨.-††$#### STARTED MOVING, THE LOWER FLOORS ARE ####$††-.¨
¨¨.-††$### SHUT OFF, PREVENTING ENTRY OR EXIT FOR ###$††-.¨¨
¨.-††$#### THE GUESTS. FOOD IS NO LONGER SERVED, ####$††-.¨
¨¨.-††$### BUT THE DRINKS BECOME MORE EXTRAVAGANT. ###$††-.¨¨
¨.-††$#### IT'S AT THIS POINT THAT THE SECOND SET ####$††-.¨
¨¨.-††$### OF GUEST ARRIVES, VIA HELICOPTER - ###$††-.¨¨
¨.-††$#### AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ####$††-.¨
¨¨.-††$### ###$††-.¨¨
¨.-††$#### ----- ####$††-.¨
¨¨.-††$### ###$††-.¨¨
¨.-††$#### IN MY DREAM I AM INVITED AS A FRIEND OF ####$††-.¨
¨¨.-††$### ONE OF THE SERVERS, AND THUS SAFE. WE ###$††-.¨¨
¨.-††$#### SIT IN ONE OF THE LARGE WINDOWS, ####$††-.¨
¨¨.-††$### LOOKING THROUGH THE MIST FOR ANY ###$††-.¨¨
¨.-††$#### LANDMARKS TO PIERCE THROUGH THE MIST. ####$††-.¨
¨¨.-††$### SHE TELLS ME THAT APART FROM COMING AND ###$††-.¨¨
¨.-††$#### GOING FROM WORK, SHE'S NEVER SEEN THE ####$††-.¨
¨¨.-††$### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ###$††-.¨¨
¨.-††$#### ####$††-.¨
¨¨.-††$### THE NEXT DAY I AM INVITED TO THE PUBLIC ###$††-.¨¨
¨.-††$#### DEMONSTRATION OF THE EXOBUBBLE. ####$††-.¨
¨¨.-††$### ###$††-.¨¨
¨.-††$#### ####$††-.¨
¨¨.-††$### ###$††-.¨¨
¨.-††$#### ####$††-.¨
¨¨.-††$### ###$††-.¨¨