¨.,##¤£¨¨. ,..,.¨..¨.
#&.¨¨.¤£ ¤@&£¤¤&£
#,,¨..¨¨,@ &£§##¤@§
.,#§#@&@,, ¤@¤#@¤¤&&@
.¨.##@@.,¨ .#@&£§#££,
@#¨¨£#¨¨@# statuette ¨,@#¤§@£¨.
,.,.,.¨¨,, @,¨§§@#.¨¨
£@&§#§§§#& $*%¤%%&%*&%¤*¤%*~==«-~~»**&&%*&£$*¤@§¤$£ ,,,.¤&¨.£¤
@£@¤@&¤¤¤# &£§@%£$£* ¤¤¤¨¨,.¨¨&
£§¤£¤¤¤£ ¨¨#§§§,¨
.¤¤¤#£@. forests around my childhood home. thick #.,,¨#@.,.
,.¤@¤¤££,. pine arcades that were planted and ¨,¤§¨,¨,£#
¨,¨§@,¨@ forgotten. wild boars roaming ¨¨..,§&,¨¨
£§¨.§@,.,. underneath, sniffing at the ground. it §#,,,¨££
£,.,,¨¨#¤£ is dark and moist, the canopy having ,§£..£#¨¨¤
¨.#¤¤£,.#¤ already soaked up all the sun. ,...¨¨.¨.,
#,¨£#..¨,¤ ¤§§#¤@#£¤@
,.¨.,,,. there's a river passing by, from east &&¤§¤&&&@£
.@@§#..¨.. to west, getting broader and deeper and £@£&¤@§&£,
¨,#£¨¨¤#¤& slower as it goes. equisetum grow just §#§#¤@&@¨¨
#¨¨.¨..¤§¨ where the pine hands start to let .¤§##@@¨,&
.,§¤§&,.,¨ through light, horsemint on the rocky ,¨¤§§§¨,,.
#.¨¤£¨.£¤, river bed. @¨,#¤,¨§@#
,,¨.....¨, ¨.,¨..¨¨£#
¨&&£#&£§@£ / §@#£¤##¨,,
¨¨££§£#£§# #@#&§¤¨,£&
¨¨¨¤#££¤#¤ the riverbanks reek of magic. tonight #@&£#.,.,.
@&¨¨£@¤¤&£ they had been a swampworld with sylvan @#@&,.£&@&
¤,..,&£§@¨ water, stone rings and floating moss. ¤¤#.¨.,££#
.,¤#,.@§,¨ you could've found me wallowing around §§¨¨#@.¨@#
.¨...,¨¨¨. on the southern shores until i got ¨¨¨.,¨.,,,
#£@¤#&@# bitten. £@§&§#¤§§&
¤&@&§@&§@§ §&@§¤#§#¤¤
¤¤#£##£#¤¤ but now i'm further back, on solid @#§@&&£§£&
§£¤@¤§@£## ground, in shoulder-high grass, with an ¤¤£§¤¤¤¤§¤
#¤@£@#@@## orange tin radio and a translucent §@§@§¤¤&
@§££#&£@@@ umbrella which i'm sitting on. @§&§¤&£@§#
#£&£££§§@& &§#§§#¤@@§
§£##§§&§¤@ / @§#@¤&¤£¤&
£§@§£¤#& ££&¤¤@@§##
§§#££@&¤ somethings moving in the grass. it's ¤£¤&&§#@#&
§&§#££¤@§# invisible to my eyes but i can feel £¤&¤¤¤§@#§
§@##¤££@@# through the ground just how large it is. §¤£&@£@¤¤¤
£&§&@&§&¤# §§£@§¤&§#¤
¤#£@@§§@§£ the soil is muddy. i slip when trying ####£#£&£§
#§@&§@£@§£ to get up, still looking at the &¤#§§&&@
§&¤###§@¤§ direction of sound rather than at my §££@£#££
@@@£§£§£&§ hands, who are busy putting things in &&&@¤&§@&£
&@§£&&£§ my pockets. @#&¤£#@#¤#
¤§#£§§&§&§ ¤¤§§#@£&
§&&¤¤#@#@£ then i run east toward my home. &§&¤&£&¤
£#£¤§£¤¤&£ &§&&&¤#¤¤£
££¤#¤#¤#¤# = #&§§§##£@§
£§¤#£¤&¤¤# #¤¤££¤£§&§
§§&@&#&@ i am not followed, and slow down in the ££§¤#@@§§¤
&§§§§&¤£¤# clearing where you at first can spot &£§&¤#§@
&£&#§#¤¤ the house, not yet really in the @£&&@§¤¤§@
@&¤&@&££¤£ backyard. from my pockets i retrieve my #£@@§££###
@¤§¤@#§&@& radio (now dented) but also a small @£¤#¤#¤£#&
£&§@§£§£§§ clay figure i've never seen before. it £&¤§&£§#
££#@£@§£#& must have been laying in the wet dirt, §@§#&£¤&§£
##&§&&¤&@@ and i must've picked it up with my §§£§££§#
&§@§£@## other belongings. §#@#£#
&@§@##@£ §£¤@@#@§¤¤
§£@§#§#&@@ it's a statuette of a girl laying naked @&§£§£§§§¤
§#£§@§¤@@# on her stomach, feet in the air, ¤££§§¤&&&¤
#@£&§@##§@ roughly seven centimeters long. it's @£&§§@&¤#§
#£#&£#§££# freshly made, not yet completely dried. @&&§¤£&§##
&§&§@¤#&@§ £¤&¤@&££
&@#£&&¤£ my mom is here now. i ask her for some @£§@##§¤
#£@£¤¤£#&@ particle board for it to dry on, but ¤###&££@
£@@¤¤& she is worried and wants me to @&§£¤¤£@&¤
@#@@§¤#§ throw it away. @§&@£#&&£§
&££@£&§£ §¤@#@##££¤
££§£§&@@#¤ &@§§££¤##&
#¤§£@¤##&& ¤&§§@#&¤¤&
@£§&£#@& #¤&¤&¤@@
¤@@#@£¤£§& §##§@@§¤¤§
@&@¤¤£££@& &§@&@¤