,.~;^%§@## ##@§%^;~.,
.¨¨,^^£&¶@ @¶&£^^,¨¨.
,¨./=£§@## ##@§£=/.¨,
,^\=*&£### ###£&*=\^,
¨..:^@§### ###§@^:..¨
¨¨,,^†¤¤#@ statuette @#¤¤†^,,¨¨
¨,.;*%§### ###§%*;.,¨
,^†%££@### ££*$&£%%%*%%£*§£-~=~----$%*$£@@$¤£@@£%£$ ###@££%†^,
..~/$££#@# *%%§£¤@%§ #@#££$/~..
,.,~\$£¤#@ @#¤£$\~,.,
.¨~\^¤#@@# forests around my childhood home. thick #@@#¤^\~¨.
¨,\^$£¶### pine arcades that were planted and ###¶£$^\,¨
.,^*=£&### forgotten. wild boars roaming ###&£=*^,.
...-:$$¤## underneath, sniffing at the ground. it ##¤$$:-...
,¨,;%§#@## is dark and moist, the canopy having ##@#§%;,¨,
¨^=^*@£### already soaked up all the sun. ###£@*^=^¨
,¨,;%@&### ###&@%;,¨,
¨,¨~*†$£@@ there's a river passing by, from east @@£$†*~¨,¨
..,==¤&### to west, getting broader and deeper and ###&¤==,..
¨:;^£@#### slower as it goes. equisetum grow just ####@£^;:¨
¨¨,:=¤@### where the pine hands start to let ###@¤=:,¨¨
,..,=*%#@# through light, horsemint on the rocky #@#%*=,..,
¨.-\^£@### river bed. ###@£^\-.¨
.:^%££#### ####££%^:.
.¨~^=¤£#@# * #@#£¤=^~¨.
,,,~†*§¤£# #£¤§*†~,,,
,,~*%$§¶@# the riverbanks reek of magic. tonight #@¶§$%*~,,
¨:†%@¤#@## they had been a swampworld with sylvan ##@#¤@%†:¨
.¨-†%$§### water, stone rings and floating moss. ###§$%†-¨.
¨,¨,/%@¤¶@ you could've found me wallowing around @¶¤@%/,¨,¨
¨.-/§£@£## on the southern shores until i got ##£@£§/-.¨
..=^$£#### bitten. ####£$^=..
¨,~==$@### ###@$==~,¨
¨.,,:$%#£# but now i'm further back, on solid #£#%$:,,.¨
,..==%&£@# ground, in shoulder-high grass, with an #@£&%==..,
.^;*%&@### orange tin radio and a translucent ###@&%*;^.
,,::$£§¶## umbrella which i'm sitting on. ##¶§£$::,,
.,.-†*§¤@# #@¤§*†-.,.
,,~:%*¤### \ ###¤*%:~,,
¨-/%&§#### ####§&%/-¨
.,:\*§£¶## somethings moving in the grass. it's ##¶£§*\:,.
¨¨,-:=$#£# invisible to my eyes but i can feel #£#$=:-,¨¨
.¨~;†£¤@## through the ground just how large it is. ##@¤£†;~¨.
,~:^*@£### ###£@*^:~,
..^:*&¤#@# the soil is muddy. i slip when trying #@#¤&*:^..
,..^=§@#£@ to get up, still looking at the @£#@§=^..,
¨,,†*$&¶## direction of sound rather than at my ##¶&$*†,,¨
¨.;†£§@### hands, who are busy putting things in ###@§£†;.¨
.,,*^*@@@# my pockets. #@@@*^*,,.
¨,.:;^££## ##££^;:.,¨
¨..††$¤¶## then i run east toward my home. ##¶¤$††..¨
,,;*@¤#@## ##@#¤@*;,,
.,:/*&¤@@# = #@@¤&*/:,.
.,,.:§*¤@# #@¤*§:.,,.
¨¨-:%£&### i am not followed, and slow down in the ###&£%:-¨¨
¨,\^@¤@### clearing where you at first can spot ###@¤@^\,¨
,.~††£¤£## the house, not yet really in the ##£¤£††~.,
,,..:%@&@# backyard. from my pockets i retrieve my #@&@%:..,,
¨¨:/**¤¶## radio (now dented) but also a small ##¶¤**/:¨¨
¨:^^¤¤#### clay figure i've never seen before. it ####¤¤^^:¨
,¨.**§£@## must have been laying in the wet dirt, ##@£§**.¨,
¨...=%*### and i must've picked it up with my ###*%=...¨
,.,=$£@### other belongings. ###@£$=,.,
,~^%££¶### ###¶££%^~,
¨,,\^£§¶## it's a statuette of a girl laying naked ##¶§£^\,,¨
,¨.,;%&§## on her stomach, feet in the air, ##§&%;,.¨,
¨..^$&¤£## roughly seven centimeters long. it's ##£¤&$^..¨
¨:†§$¤#### freshly made, not yet completely dried. ####¤$§†:¨
,.,=%&#### ####&%=,.,
..,.==£§¶# my mom is here now. i ask her for some #¶§£==.,..
¨,-\%£@£@# particle board for it to dry on, but #@£@£%\-,¨
,-†*%£#### she is worried and wants me to ####£%*†-,
.,^/*$¤#@# throw it away. #@#¤$*/^,.
.,¨^†^&### ###&^†^¨,.
¨¨.†§$#¶## ##¶#$§†.¨¨
.~;*%@#### ####@%*;~.
,¨,:%§£¶@# #@¶£§%:,¨,
.,¨:/=@§@# #@§@=/:¨,.
..:\*¤£@## ##@£¤*\:..