,,~»=~^¤£# #£¤^~=»~,,
..¨-,~~§££ ££§~~,-¨..
..-/$§$%$¶ ¶$%$§$/-..
.¨,,,~§*$@ @$*§~,,,¨.
¨^~/§§@### ###@§§/~^¨
,:««»:;%## statuette ##%;:»««:,
,,,.,-~/$¤ ¤$/~-,.,,,
¨.¨.¨¨=/%@ £*£%£¤%*%&£%@%$¤~»=«»===§$@££%££&$£$¤$£¤ @%/=¨¨.¨.¨
,^-†$%£@## &¤$£&&$*£ ##@£%$†-^,
¨,..==†%¶@ @¶%†==..,¨
¨,,,.~:$## forests around my childhood home. thick ##$:~.,,,¨
.¨¨,.~=/%§ pine arcades that were planted and §%/=~.,¨¨.
,,-^%*@¶## forgotten. wild boars roaming ##¶@*%^-,,
¨.-*^%@# underneath, sniffing at the ground. it #@#&%^*-.¨
.-=/^§£### is dark and moist, the canopy having ###£§^/=-.
,..-»»/^$§ already soaked up all the sun. §$^/»»-..,
,~==%£@### ###@£%==~,
¨,.,¨:«%£# there's a river passing by, from east #£%«:¨,.,¨
¨-~:†^§=§£ to west, getting broader and deeper and £§=§^†:~-¨
.^»/†*$§£¶ slower as it goes. equisetum grow just ¶£§$*†/»^.
.--\%%&¤£@ where the pine hands start to let @£¤&%%\--.
¨,-~-~†§@@ through light, horsemint on the rocky @@§†~-~-,¨
¨..~~;;$¤# river bed. #¤$;;~~..¨
¨,~/$*#### ####*$/~,¨
.,«††£#@## * ##@#£††«,.
¨¨¨.¨,:=*¤ ¤*=:,¨.¨¨¨
.-~\†&§#@# the riverbanks reek of magic. tonight #@#§&†\~-.
¨¨¨,,.-:%¤ they had been a swampworld with sylvan ¤%:-.,,¨¨¨
.^»;†@## water, stone rings and floating moss. ###&@†;»^.
¨-»=†%£¶## you could've found me wallowing around ##¶£%†=»-¨
.-»**%¤£## on the southern shores until i got ##£¤%**»-.
¨:«/*£££## bitten. ##£££*/«:¨
,,»/$&@### ###@&$/»,,
¨.^=&££@## but now i'm further back, on solid ##@££&=^.¨
,,¨.«*¤### ground, in shoulder-high grass, with an ###¤*«.¨,,
¨:«/†%¤### orange tin radio and a translucent ###¤%†/«:¨
¨¨~-.:*£ umbrella which i'm sitting on. #&£*:.-~¨¨
.,«†%@£### ###£@%†«,.
,-~$£¤@@## = ##@@¤£$~-,
.,=:§£§@## ##@§£§:=,.
.--^*%@¶## somethings moving in the grass. it's ##¶@%*^--.
¨-«†***¤¤£ invisible to my eyes but i can feel £¤¤***†«-¨
,,=\£&£### through the ground just how large it is. ###£&£\=,,
..¨...†;%£ £%;†...¨..
,,=:^$¤@## the soil is muddy. i slip when trying ##@¤$^:=,,
¨.=/^*=§@@ to get up, still looking at the @@§=*^/=.¨
,.,:.~==£# direction of sound rather than at my #£==~.:,.,
.,=†§*¤£## hands, who are busy putting things in ##£¤*§†=,.
¨-»^§£&@@# my pockets. #@@&£§^»-¨
,.=:*&@£## ##£@&*:=.,
¨,-:$$&@¤# then i run east toward my home. #¤@&$$:-,¨
.-«††&¤&@¶ ¶@&¤&††«-.
...¨¨.,†@# \ #@†,.¨¨...
.,«†*%§@## ##@§%*†«,.
¨,...¨.~=& i am not followed, and slow down in the &=~.¨...,¨
¨.«†^*§£@# clearing where you at first can spot #@£§*^†«.¨
¨.»*=%## the house, not yet really in the ###&%=*».¨
,.-=*$£@## backyard. from my pockets i retrieve my ##@£$*=-.,
..,¨,~^¶ radio (now dented) but also a small ¶#&^~,¨,..
¨~»\$%§### clay figure i've never seen before. it ###§%$\»~¨
..=^*$££## must have been laying in the wet dirt, ##££$*^=..
.~~=%¤££## and i must've picked it up with my ##££¤%=~~.
,-«^=*@### other belongings. ###@*=^«-,
¨,~/†@#£ £#@#&†/~,¨
¨,-**%££## it's a statuette of a girl laying naked ##££%**-,¨
.,~*†¤#### on her stomach, feet in the air, ####¤†*~,.
¨¨,-,-;§@@ roughly seven centimeters long. it's @@§;-,-,¨¨
¨,,.-=::$# freshly made, not yet completely dried. #$::=-.,,¨
¨,~~;;*¤## ##¤*;;~~,¨
¨:~/=*@#£# my mom is here now. i ask her for some #£#@*=/~:¨
¨,~=*%@### particle board for it to dry on, but ###@%*=~,¨
¨-»/=§@@## she is worried and wants me to ##@@§=/»-¨
.¨,..~~%£@ throw it away. @£%~~..,¨.
¨~»:§%£### ###£%§:»~¨
,~~*%^%£§# #§£%^%*~~,
¨¨,,~=§*£# #£*§=~,,¨¨
,.¨~:^%=¤§ §¤=%^:~¨.,
,^-;§$§### ###§$§;-^,
¨:~=-~==$# #$==~-=~:¨