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,:~/=††%¶£ £¶%††=/~:,
¨,~\§@£¶## ##¶£@§\~,¨
¨,=*^%££## ##££%^*=,¨
¨-~^^$¤£## statuette ##£¤$^^~-¨
¨.~*^*@@#@ @#@@*^*~.¨
¨.:~^:%##£ &%*£$$&%§&*%%@%§-==-~~~»*%*@$@££%$$%%%$¤ £##%:^~:.¨
.:~^$@¤@## $*@%££%@@ ##@¤@$^~:.
,.,-=/;&£¶ ¶£&;/=-,.,
,.-†^&§¶## forests around my childhood home. thick ##¶§&^†-.,
¨-=††*¤### pine arcades that were planted and ###¤*††=-¨
.:~/§£## forgotten. wild boars roaming ###&£§/~:.
..~,.~=%£@ underneath, sniffing at the ground. it @£%=~.,~..
¨~«†=%*#¤@ is dark and moist, the canopy having @¤#*%=†«~¨
¨¨,~==§$## already soaked up all the sun. ##$§==~,¨¨
,,~^**££## ##££**^~,,
¨^~\*$¤£@# there's a river passing by, from east #@£¤$*\~^¨
¨¨,.-,»~=¤ to west, getting broader and deeper and ¤=~»,-.,¨¨
¨.¨~«»*¤£¶ slower as it goes. equisetum grow just ¶£¤*»«~¨.¨
¨¨..¨,\†$@ where the pine hands start to let @$†\,¨..¨¨
,..¨«~~%¤# through light, horsemint on the rocky #¤%~~«¨..,
.~«†$@£### river bed. ###£@$†«~.
.--^*§@£## ##£@§*^--.
,,,,,-†%£@ ^ @£%†-,,,,,
¨,»†*£&£@# #@£&£*†»,¨
¨,¨,««»=$# the riverbanks reek of magic. tonight #$=»««,¨,¨
¨,=:*&§@@# they had been a swampworld with sylvan #@@§&*:=,¨
¨¨.¨=%$*£¤ water, stone rings and floating moss. ¤£*$%=¨.¨¨
¨,.,,:^^£@ you could've found me wallowing around @£^^:,,.,¨
..==$¤¤@@# on the southern shores until i got #@@¤¤$==..
¨:~/†$%%*@ bitten. @*%%$†/~:¨
,.,,¨.:^¤¶ ¶¤^:.¨,,.,
,..~/^;†%# but now i'm further back, on solid #%†;^/~..,
¨,»*%%#£## ground, in shoulder-high grass, with an ##£#%%*»,¨
,,-;=¤£#@# orange tin radio and a translucent #@#£¤=;-,,
..~†*%¤@@# umbrella which i'm sitting on. #@@¤%*†~..
..,,¨«†*£# #£*†«¨,,..
¨:«†§&&@@# \ #@@&&§†«:¨
.:~:%&@@@# #@@@&%:~:.
¨..:«=$%£@ somethings moving in the grass. it's @£%$=«:..¨
¨,«^†@£### invisible to my eyes but i can feel ###£@†^«,¨
.,=*§%£¶## through the ground just how large it is. ##¶£%§*=,.
,~~^%¤§### ###§¤%^~~,
.~=\=#¶@## the soil is muddy. i slip when trying ##@¶#=\=~.
,--**§¤@## to get up, still looking at the ##@¤§**--,
.:-:=¤§£@# direction of sound rather than at my #@£§¤=:-:.
..,,,*\¤@¶ hands, who are busy putting things in ¶@¤\*,,,..
¨~†^%§¶### my pockets. ###¶§%^†~¨
..~;$@¤@## ##@¤@$;~..
¨-»†*%§¶## then i run east toward my home. ##¶§%*†»-¨
,,»**¤§@## ##@§¤**»,,
,^~\^$#@@# / #@@#$^\~^,
¨,»/%$¤### ###¤$%/»,¨
.,.»†=@$ i am not followed, and slow down in the #&$@=†».,.
.^~:%£#@ clearing where you at first can spot @#£#&%:~^.
¨:=;*%## the house, not yet really in the ###&%*;=:¨
¨¨¨.:~=;*¤ backyard. from my pockets i retrieve my ¤*;=~:.¨¨¨
.,«/=§£¶@@ radio (now dented) but also a small @@¶£§=/«,.
¨-~/*@&@#@ clay figure i've never seen before. it @#@&@*/~-¨
¨¨¨.¨~†$## must have been laying in the wet dirt, ##$†~¨.¨¨¨
,,.¨.~*$$¶ and i must've picked it up with my ¶$$*~.¨.,,
,,«*%*#@## other belongings. ##@#*%*«,,
,¨¨¨¨~^£¤# #¤£^~¨¨¨¨,
,.~:*¤§@## it's a statuette of a girl laying naked ##@§¤*:~.,
,,~~~/**@# on her stomach, feet in the air, #@**/~~~,,
.¨.¨.~^§$£ roughly seven centimeters long. it's £$§^~.¨.¨.
.,¨,.~»†$# freshly made, not yet completely dried. #$†»~.,¨,.
.,»**$&@@# #@@&$**»,.
..=^$$££@# my mom is here now. i ask her for some #@££$$^=..
,:»*†£#@@# particle board for it to dry on, but #@@#£†*»:,
,.-:*%§@@# she is worried and wants me to #@@§%*:-.,
¨.¨¨¨,~:@¤ throw it away. ¤@:~,¨¨¨.¨
¨~»;\/££ £#&£/\;»~¨
¨¨,,~:/%¤£ £¤%/:~,,¨¨
.,¨,.:~*@@ @@*~:.,¨,.
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