,.-^*¤#### ####¤*^-.,
.¨,«;%=£¶# #¶£=%;«,¨.
.-~\§$££@# #@££$§\~-.
¨¨,:-,=%&£ £&%=,-:,¨¨
,,~;*%§@@£ £@@§%*;~,,
,:-\^@§£## statuette ##£§@^\-:,
¨--\=*@¶## ##¶@*=\--¨
¨¨,,~^/†## %&@%$&*¤¤£$*$%¤*-==~~«=-*$££%$$£%$@%§%%¤ ##†/^~,,¨¨
¨^-;*&@# @*§%@£££@ #@#&&*;-^¨
¨:«^**#@## ##@#**^«:¨
.,~~^†$¤@# forests around my childhood home. thick #@¤$†^~~,.
....¨«~;@# pine arcades that were planted and #@;~«¨....
,..,.~»=¤@ forgotten. wild boars roaming @¤=»~.,..,
.,,^,::$#@ underneath, sniffing at the ground. it @#$::,^,,.
¨,~**$@### is dark and moist, the canopy having ###@$**~,¨
.,-:$$&@## already soaked up all the sun. ##@&$$:-,.
.,~=*$§#@# #@#§$*=~,.
.:~/$&§#@# there's a river passing by, from east #@#§&$/~:.
¨¨.,^~\†$& to west, getting broader and deeper and &$†\~^,.¨¨
¨,~/$%§£@# slower as it goes. equisetum grow just #@£§%$/~,¨
,^-;$*%¤@# where the pine hands start to let #@¤%*$;-^,
,,~;$¤&@@# through light, horsemint on the rocky #@@&¤$;~,,
¨,¨¨~*=@¶@ river bed. @¶@=*~¨¨,¨
¨,==$$£#£# #£#£$$==,¨
.,-=%¤@### = ###@¤%=-,.
¨.=*$£#@@# #@@#£$*=.¨
,...¨.,^§§ the riverbanks reek of magic. tonight §§^,.¨...,
.,»;*¤@#@# they had been a swampworld with sylvan #@#@¤*;»,.
..=*§§@@@@ water, stone rings and floating moss. @@@@§§*=..
,^~=%$¤@## you could've found me wallowing around ##@¤$%=~^,
¨-«~~-=### on the southern shores until i got ###=-~~«-¨
.,¨,.,^†%# bitten. #%†^,.,¨,.
¨..,,~\£¶@ @¶£\~,,..¨
¨,,^-;*= but now i'm further back, on solid #&=*;-^,,¨
¨:-:*%*†*@ ground, in shoulder-high grass, with an @*†*%*:-:¨
..¨»:=§¤¶¶ orange tin radio and a translucent ¶¶¤§=:»¨..
¨^~\§§¤£## umbrella which i'm sitting on. ##£¤§§\~^¨
..~:§%§¶@# #@¶§%§:~..
¨¨.¨~†§£§# \ #§£§†~¨.¨¨
.-«=%¤#### ####¤%=«-.
¨^»†§*@¶## somethings moving in the grass. it's ##¶@*§†»^¨
,¨..~^^$#¶ invisible to my eyes but i can feel ¶#$^^~..¨,
¨..,.~~%†@ through the ground just how large it is. @†%~~.,..¨
,^»/^%#@## ##@#%^/»^,
.:«*%§#### the soil is muddy. i slip when trying ####§%*«:.
.~»/*$§#@@ to get up, still looking at the @@#§$*/»~.
.^=/^$¤#@# direction of sound rather than at my #@#¤$^/=^.
...,,^;§## hands, who are busy putting things in ##§;^,,...
,,»=*§@@ my pockets. @#&@§*=»,,
,.,«~::£@@ @@£::~«,.,
¨,¨¨.:=;¤§ then i run east toward my home. §¤;=:.¨¨,¨
,--/%%@@## ##@@%%/--,
,.¨.¨~†#@# ; #@#†~¨.¨.,
.¨,¨,-^^*& &*^^-,¨,¨.
.:«/†£#### i am not followed, and slow down in the ####£†/«:.
,.,¨¨-«$&§ clearing where you at first can spot §&$«-¨¨,.,
¨,-=*&£### the house, not yet really in the ###£&*=-,¨
.,~=%@## backyard. from my pockets i retrieve my ##@#&%=~,.
,,¨,.¨~=£# radio (now dented) but also a small #£=~¨.,¨,,
.,-;†$$#¶£ clay figure i've never seen before. it £¶#$$†;-,.
,--*=*££@# must have been laying in the wet dirt, #@££*=*--,
.,»^^%¶### and i must've picked it up with my ###¶%^^»,.
.~«;=%£¶@# other belongings. #@¶£%=;«~.
¨¨¨,:--†%£ £%†--:,¨¨¨
.¨¨,.**&§£ it's a statuette of a girl laying naked £§&**.,¨¨.
¨¨,¨,~^§^£ on her stomach, feet in the air, £^§^~,¨,¨¨
¨:»**$££## roughly seven centimeters long. it's ##££$**»:¨
,:~†§%#### freshly made, not yet completely dried. ####%§†~:,
.^-†%$@@## ##@@$%†-^.
,¨,.,†=@@@ my mom is here now. i ask her for some @@@=†,.,¨,
,:~=§%§### particle board for it to dry on, but ###§%§=~:,
..«^*§#@## she is worried and wants me to ##@#§*^«..
.¨:~/\§$#@ throw it away. @#$§\/~:¨.
.,¨.»*^*@# #@*^*».¨,.
,.~^*&§##£ £##§&*^~.,
.,-:†%@### ###@%†:-,.
,,~\=%§£## ##£§%=\~,,
,~-\†%%&@@ @@&%%†\-~,
,:»;%@@@## ##@@@%;»:,