¨.,.,~=*£§ §£*=~,.,.¨
.¨..¨==†£& &£†==¨..¨.
¨^-;=### ####&=;-^¨
.,.,^;=^£§ §£^=;^,.,.
¨,.,¨:«†£@ @£†«:¨,.,¨
,,¨¨~»†@## statuette ##@†»~¨¨,,
.~::=:;@#& @;:=::~.
¨.¨..«:%@# $&&$%££@$$£@%%@&~~-«~~»=*%$@§¤&$§£%*@&$* #@%:«..¨.¨
.,.:=^^£ ¤**¤¤&$$@ £#&^^=:.,.
,-=;§%£@@# #@@£%§;=-,
,¨.,.:=$§¤ forests around my childhood home. thick ¤§$=:.,.¨,
¨:~*§£#£## pine arcades that were planted and ##£#£§*~:¨
.,«=^&§### forgotten. wild boars roaming ###§&^=«,.
,¨....:=%# underneath, sniffing at the ground. it #%=:....¨,
,~»^%¤£@## is dark and moist, the canopy having ##@£¤%^»~,
.¨¨.«~†%@@ already soaked up all the sun. @@%†~«.¨¨.
.¨.=***†§¤ ¤§†***=.¨.
,-»/%$§¶## there's a river passing by, from east ##¶§$%/»-,
,:-/^$#£@# to west, getting broader and deeper and #@£#$^/-:,
,.~/§£@@## slower as it goes. equisetum grow just ##@@£§/~.,
¨:~:=@## where the pine hands start to let ##@#&=:~:¨
,^«/%$§#@# through light, horsemint on the rocky #@#§$%/«^,
¨,»=*$&@## river bed. ##@&$*=»,¨
..~;*£¤@@# #@@¤£*;~..
¨¨.¨-^***¤ * ¤***^-¨.¨¨
.,=/=££@## ##@££=/=,.
,.,..»†=$¶ the riverbanks reek of magic. tonight ¶$=†»..,.,
,^-/§£#¶## they had been a swampworld with sylvan ##¶#£§/-^,
.,¨¨~,:$%# water, stone rings and floating moss. #%$:,~¨¨,.
.:~=%£&@## you could've found me wallowing around ##@&£%=~:.
,..--:/$¤# on the southern shores until i got #¤$/:--..,
..~:§%§¶¶# bitten. #¶¶§%§:~..
.--^%@@¶@# #@¶@@%^--.
,.«=**&¶## but now i'm further back, on solid ##¶&**=«.,
.,-/^¤#### ground, in shoulder-high grass, with an ####¤^/-,.
¨¨.,,~†£¤# orange tin radio and a translucent #¤£†~,,.¨¨
¨~-;^&£@## umbrella which i'm sitting on. ##@£&^;-~¨
,:,^.:†*¤¤ ¤¤*†:.^,:,
¨:~/=*£§@§ = §@§£*=/~:¨
,¨,,=†^^%# #%^^†=,,¨,
..,.-=;&§@ somethings moving in the grass. it's @§&;=-.,..
.-«;=@#£## invisible to my eyes but i can feel ##£#@=;«-.
.^«***#¶## through the ground just how large it is. ##¶#***«^.
¨-~**@&£## ##£&@**~-¨
..¨¨,,,=&¤ the soil is muddy. i slip when trying ¤&=,,,¨¨..
...~;^/\§& to get up, still looking at the &§\/^;~...
¨¨¨=«~%^§# direction of sound rather than at my #§^%~«=¨¨¨
..,.,;§%££ hands, who are busy putting things in ££%§;,.,..
.,»:%*££## my pockets. ##££*%:»,.
¨,~/*&@@#@ @#@@&*/~,¨
.¨,.»*^*§@ then i run east toward my home. @§*^*».,¨.
¨,.¨~~^¤@¶ ¶@¤^~~¨.,¨
,~-;†%@@## † ##@@%†;-~,
,,/§¤£@### ###@£¤§/,,
¨,=††%&¤## i am not followed, and slow down in the ##¤&%††=,¨
.-=;§$@### clearing where you at first can spot ###@$§;=-.
.¨¨...:/%# the house, not yet really in the #%/:...¨¨.
,,.¨,-\$@# backyard. from my pockets i retrieve my #@$\-,¨.,,
.,,,~%=%#£ radio (now dented) but also a small £#%=%~,,,.
,^-^§%@@## clay figure i've never seen before. it ##@@%§^-^,
,.«†=:*$¶# must have been laying in the wet dirt, #¶$*:=†«.,
¨,,,=/%££@ and i must've picked it up with my @££%/=,,,¨
,,,¨-\£%¶# other belongings. #¶%£\-¨,,,
,,.¨.»~%¤# #¤%~».¨.,,
.,,..«%†^£ it's a statuette of a girl laying naked £^†%«..,,.
,^~^$£§@@@ on her stomach, feet in the air, @@@§£$^~^,
.^~/^;†£#@ roughly seven centimeters long. it's @#£†;^/~^.
¨:»\*%§£## freshly made, not yet completely dried. ##£§%*\»:¨
¨^~=%¤§#@# #@#§¤%=~^¨
¨-=;*§&£## my mom is here now. i ask her for some ##£&§*;=-¨
.~~^*$¤@@@ particle board for it to dry on, but @@@¤$*^~~.
,..,.~%@@¶ she is worried and wants me to ¶@@%~.,..,
¨:~:*@£@## throw it away. ##@£@*:~:¨
,,,,,»~*=£ £=*~»,,,,,
,,¨.,¨-$*& &*$-¨,.¨,,
¨^~\$*&@## ##@&*$\~^¨
¨~~/§%@#@# #@#@%§/~~¨
.,=^**#@## ##@#**^=,.
,~«:*%§¶## ##¶§%*:«~,