.~~=^£#### ####£^=~~.
.-=;*%¤@## ##@¤%*;=-.
.:-/*¤%$## ##$%¤*/-:.
¨.=/§†%*¤# #¤*%†§/=.¨
,¨,»==«=£# #£=«==»,¨,
¨^=/%%¤### statuette ###¤%%/=^¨
¨:-†§%£¶## ##¶£%§†-:¨
,:~\%%#### £$%§&%@$$%%¤§¤$£~~»-=~~-§£*§$£&&*$&%£@¤$ ####%%\~:,
¨~-;^$£### £¤§***&@£ ###£$^;-~¨
...,-^†$@# #@$†^-,...
,.~†=*§#£# forests around my childhood home. thick #£#§*=†~.,
¨~~;†&@@## pine arcades that were planted and ##@@&†;~~¨
¨,¨.,~:/$@ forgotten. wild boars roaming @$/:~,.¨,¨
,-»\†£#¶## underneath, sniffing at the ground. it ##¶#£†\»-,
.:=$¤@¶### is dark and moist, the canopy having ###¶@¤$=:.
.,...=%%££ already soaked up all the sun. ££%%=...,.
¨-~/^£&¶## ##¶&£^/~-¨
¨-~;*$#### there's a river passing by, from east ####$*;~-¨
,,~=*@¤@#@ to west, getting broader and deeper and @#@¤@*=~,,
¨.,,,.~;¤§ slower as it goes. equisetum grow just §¤;~.,,,.¨
,^~==*£*%§ where the pine hands start to let §%*£*==~^,
,^«\*£@#@@ through light, horsemint on the rocky @@#@£*\«^,
.¨.,/\£¤¤# river bed. #¤¤£\/,.¨.
,¨¨»^^&$¶# #¶$&^^»¨¨,
,¨,.=-^*@£ = £@*^-=.,¨,
..-;*§##£# #£##§*;-..
¨:-^$*§£@# the riverbanks reek of magic. tonight #@£§*$^-:¨
¨-===$&@## they had been a swampworld with sylvan ##@&$===-¨
,^-^%@£@## water, stone rings and floating moss. ##@£@%^-^,
.:-††*&£## you could've found me wallowing around ##£&*††-:.
.~«†%%#@## on the southern shores until i got ##@#%%†«~.
.,¨¨^~^§§# bitten. #§§^~^¨¨,.
.-~/*§£@## ##@£§*/~-.
.~«*^£@¤¶# but now i'm further back, on solid #¶¤@£^*«~.
¨~~/%£¤£## ground, in shoulder-high grass, with an ##£¤£%/~~¨
.~:%%¤¶### orange tin radio and a translucent ###¶¤%%:~.
¨-=†%%§&@@ umbrella which i'm sitting on. @@&§%%†=-¨
.^»;**#### ####**;»^.
¨-=$£### ^ ####&£$=-¨
.¨¨-^»§*^£ £^*§»^-¨¨.
.~»\$£## somethings moving in the grass. it's ###&£$\»~.
.,==†¤#@#@ invisible to my eyes but i can feel @#@#¤†==,.
.:»:$*¤@@# through the ground just how large it is. #@@¤*$:»:.
.,=^^%&@¤£ £¤@&%^^=,.
¨~,~~\%*@# the soil is muddy. i slip when trying #@*%\~~,~¨
¨~~:*$¤#@# to get up, still looking at the #@#¤$*:~~¨
¨-~\$%£#@# direction of sound rather than at my #@#£%$\~-¨
¨:~†%$£§¤# hands, who are busy putting things in #¤§£$%†~:¨
,:»\§$£@@# my pockets. #@@£$§\»:,
¨^==££#@## ##@#££==^¨
.,==%£&£## then i run east toward my home. ##£&£%==,.
.--==$£### ###£$==--.
¨.-;^£&£@# / #@£&£^;-.¨
,.«;^£#¶@# #@¶#£^;«.,
.,~=§%£¶## i am not followed, and slow down in the ##¶£%§=~,.
,.~,,:†§§# clearing where you at first can spot #§§†:,,~.,
.»^**£¶### the house, not yet really in the ###¶£**^».
¨~~=¤¤¶### backyard. from my pockets i retrieve my ###¶¤¤=~~¨
,,,¨..-†£# radio (now dented) but also a small #£†-..¨,,,
.~-^§£@### clay figure i've never seen before. it ###@£§^-~.
¨,.,=«=§&¶ must have been laying in the wet dirt, ¶&§=«=,.,¨
¨~-†**&£## and i must've picked it up with my ##£&**†-~¨
.,.,,=~=£& other belongings. &£=~=,,.,.
.,.,,~,=£@ @£=,~,,.,.
¨¨¨,.-~*&£ it's a statuette of a girl laying naked £&*~-.,¨¨¨
,¨,.¨,:^#£ on her stomach, feet in the air, £#^:,¨.,¨,
,.,,:-%†£# roughly seven centimeters long. it's #£†%-:,,.,
¨..¨.«:*$@ freshly made, not yet completely dried. @$*:«.¨..¨
¨:«/§$*¤¶# #¶¤*$§/«:¨
,.¨,-*§§§# my mom is here now. i ask her for some #§§§*-,¨.,
,,=†=//††¤ particle board for it to dry on, but ¤††//=†=,,
,,»†§¤@£¤# she is worried and wants me to #¤£@¤§†»,,
¨..,¨-~;§& throw it away. &§;~-¨,..¨
¨.¨¨.~:=§£ £§=:~.¨¨.¨
¨^=^$£@### ###@£$^=^¨
,,=*$£@#@# #@#@£$*=,,
.~~^†§¤### ###¤§†^~~.
¨^«:§¤¤#@# #@#¤¤§:«^¨
¨^~\†=/†§# #§†/=†\~^¨