,:~^^£¤##@ @##¤£^^~:,
,,,,:~^£## ##£^~:,,,,
,:~^^£#@## ##@#£^^~:,
,,,::^^£## ##£^^::,,,
,,,,::^££# #££^::,,,,
,,,~^^£¤## THE SKYSCRAPER THAT MOVES ##¤£^^~,,,
,:~^^£¤#@@ @@#¤£^^~:,
,,,,,,:^^¤ TAINARON IS A BUILDING OWNED AND ¤^^:,,,,,,
,:~^^£¤#@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@#¤£^^~:,
,:~^^£¤### CLOSED TO THE HARBOR IN MALMÖ. IT'S ###¤£^^~:,
,:~^^£¤### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ###¤£^^~:,
,,,,~^^^¤¤ UNKNOWN), DARK BLUE AND COMPLETELY ¤¤^^^~,,,,
,:~^^£¤#@# RECTANGULAR. IT FEATURES NO SIGNS, #@#¤£^^~:,
,:~^^£¤#@# LIGHTS, OR ORNAMENTS, APART FROM A #@#¤£^^~:,
,:~^^£¤#@# HELIPAD ON TOP. MOST FLOORS HAVE #@#¤£^^~:,
,:~^^£¤¤¤¤ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¤¤¤¤£^^~:,
,:::::^^£¤ ¤£^^:::::,
,:~^^^^^£# IN LATE EVENINGS, SHROUDED BY MALMö'S #£^^^^^~:,
,:~^^£¤##@ SIGNATURE FOG ROLLING IN FROM THE SEA, @##¤£^^~:,
,,,,::~^£# THE BUILDING COMES TO LIFE: IT MOVES ON #£^~::,,,,
,:~^^£¤### A THOUSAND ROBOTIC LEGS TO ANOTHER ###¤£^^~:,
,,,,,,~^¤¤ (SECRET) PART OF TOWN, OR PERHAPS OUT ¤¤^~,,,,,,
,,,,,,~^¤¤ TO SEA. THIS SIGNALS A NEW AND MORE ¤¤^~,,,,,,
,,,,:~^¤¤# VISCIOUS PHASE OF THE TAINARON #¤¤^~:,,,,
,:~^^£¤#@# ECOSYSTEM. #@#¤£^^~:,
,:~^^£¤#@# #@#¤£^^~:,
,,,,::^^¤@ THE GUESTS ARRIVING DURING THE EARLY @¤^^::,,,,
,,,::^^¤¤# EVENING ARE TREATED TO FOOD AND DRINK, #¤¤^^::,,,
,:~^^£¤#@@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @@#¤£^^~:,
,,,,::^^£# COMFORTABLE BUT MAZE-LIKE INTERIOR #£^^::,,,,
,:~^^£¤#@@ STRUCTURE (THE BUILDING FEATURES A @@#¤£^^~:,
,:~^^^^£¤@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @¤£^^^^~:,
,:~^^£¤#@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@#¤£^^~:,
,,,,~~~^¤@ FURTHER THAN A FEW FLOORS). @¤^~~~,,,,
,:~^^£¤#@# #@#¤£^^~:,
,:~^^£¤### AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###¤£^^~:,
,:~^^£¤#@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@#¤£^^~:,
,:~^^£¤#@# SAME QUALITY AS THE SURROUNDING MIST: #@#¤£^^~:,
,:~~~^^^¤@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @¤^^^~~~:,
,:~^^££££¤ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¤££££^^~:,
,,,,,,:^£# IF YOU WOULD LOOK THROUGH THE WINDOWS #£^:,,,,,,
,,,:^^^^£¤ YOU WOULD SEE THE MIST ROLLING BY, AND ¤£^^^^:,,,
,:~^^£¤#@# PERHAPS THE OUTLINE OF SOME OTHER #@#¤£^^~:,
,,,,,,,~^¤ BUILDING, FAR BELOW. ¤^~,,,,,,,
,:~^^£¤#@# #@#¤£^^~:,
,,,,:~^¤¤¤ DURING THE NIGHT, AFTER TAINARON HAS ¤¤¤^~:,,,,
,:~~^^^£¤@ STARTED MOVING, THE LOWER FLOORS ARE @¤£^^^~~:,
,:~^^£¤#@# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #@#¤£^^~:,
,,,::^^^¤¤ THE GUESTS. FOOD IS NO LONGER SERVED, ¤¤^^^::,,,
,:~^^£¤##@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @##¤£^^~:,
,:~^^^^^¤# IT'S AT THIS POINT THAT THE SECOND SET #¤^^^^^~:,
,:~^^£¤### OF GUEST ARRIVES, VIA HELICOPTER - ###¤£^^~:,
,:~^^£¤#@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@#¤£^^~:,
,:~^^£¤#@# #@#¤£^^~:,
,,,,,,:^£# ~~~~~ #£^:,,,,,,
,:~^^^^^£# #£^^^^^~:,
,:~^^£¤#@# IN MY DREAM I AM INVITED AS A FRIEND OF #@#¤£^^~:,
,:~^^£¤#@# ONE OF THE SERVERS, AND THUS SAFE. WE #@#¤£^^~:,
,:~^^£¤#@@ SIT IN ONE OF THE LARGE WINDOWS, @@#¤£^^~:,
,:~^^£#@## LOOKING THROUGH THE MIST FOR ANY ##@#£^^~:,
,:~^^¤#@## LANDMARKS TO PIERCE THROUGH THE MIST. ##@#¤^^~:,
,:~^^£¤#@@ SHE TELLS ME THAT APART FROM COMING AND @@#¤£^^~:,
,,,,,,,~^¤ GOING FROM WORK, SHE'S NEVER SEEN THE ¤^~,,,,,,,
,:~^^£££## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##£££^^~:,
,:~^£¤#@## ##@#¤£^~:,
,,,::~~^£# THE NEXT DAY I AM INVITED TO THE PUBLIC #£^~~::,,,
,:~^£¤#@## DEMONSTRATION OF THE EXOBUBBLE. ##@#¤£^~:,
,:~^^£¤@## ##@¤£^^~:,
,:~^^£¤### ###¤£^^~:,
,,,,,~^£¤@ @¤£^~,,,,,
,,,,,,:^£# #£^:,,,,,,
,:~^^^^¤¤# #¤¤^^^^~:,