,--/%$@###                                          ###@$%/--,
,,--/%$$@#                                          #@$$%/--,,
,,,,,--%@#                                          #@%--,,,,,
,--/%$$@@@                                          @@@$$%/--,
,--/%$@###                                          ###@$%/--,
,--/%$@###        THE SKYSCRAPER THAT MOVES         ###@$%/--,
,,,,-%%@##                                          ##@%%-,,,,
,,,,,,-/$@ TAINARON   IS   A   BUILDING  OWNED  AND @$/-,,,,,,
,,,,,--/%@  OPERATED BY AMATA TEXNOLOGIYASI PLACED  @%/--,,,,,
,--/%$@@## CLOSED  TO  THE  HARBOR IN  MALMÖ.  IT'S ##@@$%/--,
,--/%%$$$# ROUGHLY  SIXTY FLOORS  HIGH (REAL NUMBER #$$$%%/--,
,--/%$@###    UNKNOWN), DARK BLUE AND COMPLETELY    ###@$%/--,
,--/%$@###    RECTANGULAR. IT FEATURES NO SIGNS,    ###@$%/--,
,--/%$@### LIGHTS,  OR  ORNAMENTS,  APART  FROM   A ###@$%/--,
,--/%$@### HELIPAD  ON   TOP.   MOST  FLOORS   HAVE ###@$%/--,
,,,,-/%$## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##$%/-,,,,
,--/%$@###                                          ###@$%/--,
,,,,---%$@ IN  LATE EVENINGS,  SHROUDED  BY MALMö'S @$%---,,,,
,--/%$@### SIGNATURE FOG  ROLLING  IN FROM THE SEA, ###@$%/--,
,,,,,,-%$@ THE BUILDING  COMES TO LIFE: IT MOVES ON @$%-,,,,,,
,,,--/%$@@ A  THOUSAND  ROBOTIC  LEGS  TO   ANOTHER @@$%/--,,,
,----%%$## (SECRET)  PART OF  TOWN,  OR PERHAPS OUT ##$%%----,
,--/%$$$@@ TO  SEA.  THIS  SIGNALS A NEW  AND  MORE @@$$$%/--,
,--/%$@###      VISCIOUS PHASE OF THE TAINARON      ###@$%/--,
,--/%$@###                ECOSYSTEM.                ###@$%/--,
,--/%$@@##                                          ##@@$%/--,
,--/%$@### THE GUESTS  ARRIVING  DURING  THE  EARLY ###@$%/--,
,--/%$@### EVENING ARE  TREATED TO FOOD  AND DRINK, ###@$%/--,
,,,,----%@ LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A @%----,,,,
,,,--/$$$@    COMFORTABLE BUT MAZE-LIKE INTERIOR    @$$$/--,,,
,----%%@##    STRUCTURE (THE BUILDING FEATURES A    ##@%%----,
,--/%$@###  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ###@$%/--,
,--/%$@@@# PLACED SEEMINGLY  AT RANDOM, NONE  GOING #@@@$%/--,
,--/%$@@##        FURTHER THAN A FEW FLOORS).       ##@@$%/--,
,,,--/%$@#                                          #@$%/--,,,
,--/%$@### AS TIME GOES ON, THE LIGHTS  SLOWLY DIM, ###@$%/--,
,,,,,--%$@ UNTIL THE  AIR INSIDE  HAS TAKEN ON  THE @$%--,,,,,
,--/%$@### SAME QUALITY AS  THE  SURROUNDING  MIST: ###@$%/--,
,,---/%$@# BLUE-GRAY, SPRINKLED WITH  THE SMALL RED #@$%/---,,
,,----/$@# DOT'S BY  DOOR LOCKS AND CONTROL PANELS. #@$/----,,
,--/$@#### IF  YOU  WOULD LOOK THROUGH THE  WINDOWS ####@$/--,
,--/%$@### YOU WOULD SEE  THE MIST  ROLLING BY, AND ###@$%/--,
,--/%$@### PERHAPS   THE   OUTLINE  OF  SOME  OTHER ###@$%/--,
,,,,,-%@##           BUILDING, FAR BELOW.           ##@%-,,,,,
,--/%$@###                                          ###@$%/--,
,--/%$@@## DURING  THE  NIGHT,  AFTER TAINARON  HAS ##@@$%/--,
,--/%$@### STARTED MOVING,  THE  LOWER  FLOORS  ARE ###@$%/--,
,--/%$@### SHUT OFF, PREVENTING  ENTRY OR  EXIT FOR ###@$%/--,
,,,,,-/$## THE  GUESTS. FOOD IS  NO LONGER  SERVED, ##$/-,,,,,
,,,,,,-%@# BUT  THE DRINKS BECOME MORE EXTRAVAGANT. #@%-,,,,,,
,--/%%%%@@ IT'S AT  THIS POINT THAT  THE SECOND SET @@%%%%/--,
,--/%$$@@# OF  GUEST  ARRIVES,   VIA  HELICOPTER  - #@@$$%/--,
,,,,,,-%$@  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  @$%-,,,,,,
,,,,,--%@@                                          @@%--,,,,,
,--/%$@###                  -----                   ###@$%/--,
,--/%$@###                                          ###@$%/--,
,,,,,-%@@# IN MY DREAM I AM INVITED  AS A FRIEND OF #@@%-,,,,,
,,,--%$$## ONE OF THE SERVERS, AND  THUS  SAFE.  WE ##$$%--,,,
,,,-///%@@ SIT  IN   ONE  OF  THE  LARGE   WINDOWS, @@%///-,,,
,,,-//%%@# LOOKING  THROUGH   THE  MIST   FOR   ANY #@%%//-,,,
,,--/%%@## LANDMARKS TO  PIERCE  THROUGH THE  MIST. ##@%%/--,,
,--/%$@### SHE TELLS ME  THAT APART FROM COMING AND ###@$%/--,
,--/%$@### GOING  FROM WORK,  SHE'S NEVER  SEEN THE ###@$%/--,
,--/%$@### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ###@$%/--,
,,,,-/$@@#                                          #@@$/-,,,,
,,,,,,,-%@ THE NEXT DAY I AM INVITED  TO THE PUBLIC @%-,,,,,,,
,,,---/%@@      DEMONSTRATION OF THE EXOBUBBLE.     @@%/---,,,
,--/%$@###                                          ###@$%/--,
,,,,,,-/%@                                          @%/-,,,,,,
,--/%$@###                                          ###@$%/--,
,,--//%%%@                                          @%%%//--,,
,--/$@####                                          ####@$/--,