@@%%§».... ....»§%%@@
@%†,,,,... ...,,,,†%@
@@%§»..... .....»§%@@
@%§»...... ......»§%@
##@@%§†»,. .,»†§%@@##
#@%%%§†»,. THE SKYSCRAPER THAT MOVES .,»†§%%%@#
##@@%§†»,. .,»†§%@@##
##@@%§†»,. TAINARON IS A BUILDING OWNED AND .,»†§%@@##
@@§§§†»... OPERATED BY AMATA TEXNOLOGIYASI PLACED ...»†§§§@@
###@%§†»,. CLOSED TO THE HARBOR IN MALMÖ. IT'S .,»†§%@###
##@@%§†»,. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .,»†§%@@##
#@%§†,,... UNKNOWN), DARK BLUE AND COMPLETELY ...,,†§%@#
@@§»...... RECTANGULAR. IT FEATURES NO SIGNS, ......»§@@
##@@%§†»,. LIGHTS, OR ORNAMENTS, APART FROM A .,»†§%@@##
@@@%§§†»,. HELIPAD ON TOP. MOST FLOORS HAVE .,»†§§%@@@
###@@%§†». EXTERIOR WALLS COMPLETELY MADE OF GLASS. .»†§%@@###
##@@%§†»,. .,»†§%@@##
@@@@%§†»,. IN LATE EVENINGS, SHROUDED BY MALMö'S .,»†§%@@@@
@@@§†»,,,. SIGNATURE FOG ROLLING IN FROM THE SEA, .,,,»†§@@@
@@§»,..... THE BUILDING COMES TO LIFE: IT MOVES ON .....,»§@@
##@@%§†»,. A THOUSAND ROBOTIC LEGS TO ANOTHER .,»†§%@@##
##@@%§†»,. (SECRET) PART OF TOWN, OR PERHAPS OUT .,»†§%@@##
@@%%%§†»,. TO SEA. THIS SIGNALS A NEW AND MORE .,»†§%%%@@
@@%†,,.... VISCIOUS PHASE OF THE TAINARON ....,,†%@@
@@%§»»,... ECOSYSTEM. ...,»»§%@@
#@%%§†,... ...,†§%%@#
##@@%§†»,. THE GUESTS ARRIVING DURING THE EARLY .,»†§%@@##
@%%§»..... EVENING ARE TREATED TO FOOD AND DRINK, .....»§%%@
##@@%§†»,. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .,»†§%@@##
@%%†»»»... COMFORTABLE BUT MAZE-LIKE INTERIOR ...»»»†%%@
##@@%§†»,. STRUCTURE (THE BUILDING FEATURES A .,»†§%@@##
@@@§†»,... MULTITUDE OF STAIRWELLS AND ELEVATORS, ...,»†§@@@
##@@%§†»,. PLACED SEEMINGLY AT RANDOM, NONE GOING .,»†§%@@##
@@@@%§†»,. FURTHER THAN A FEW FLOORS). .,»†§%@@@@
##@@%§†»,. .,»†§%@@##
#@%††».... AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ....»††%@#
##@@%§†»,. UNTIL THE AIR INSIDE HAS TAKEN ON THE .,»†§%@@##
#@@%§†»,.. SAME QUALITY AS THE SURROUNDING MIST: ..,»†§%@@#
@@%§††»,.. BLUE-GRAY, SPRINKLED WITH THE SMALL RED ..,»††§%@@
##@@%§†»,. DOT'S BY DOOR LOCKS AND CONTROL PANELS. .,»†§%@@##
@@@@%§†»,. IF YOU WOULD LOOK THROUGH THE WINDOWS .,»†§%@@@@
@@%%§»»»,. YOU WOULD SEE THE MIST ROLLING BY, AND .,»»»§%%@@
@%§§»..... PERHAPS THE OUTLINE OF SOME OTHER .....»§§%@
@%§†»».... BUILDING, FAR BELOW. ....»»†§%@
##@@%§†»,. .,»†§%@@##
##@@%§†»,. DURING THE NIGHT, AFTER TAINARON HAS .,»†§%@@##
##@@%§†»,. STARTED MOVING, THE LOWER FLOORS ARE .,»†§%@@##
##@@%§†»,. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .,»†§%@@##
##@@%§†»,. THE GUESTS. FOOD IS NO LONGER SERVED, .,»†§%@@##
@%%%†,.... BUT THE DRINKS BECOME MORE EXTRAVAGANT. ....,†%%%@
##@@%§†»,. IT'S AT THIS POINT THAT THE SECOND SET .,»†§%@@##
@%§†»»,... OF GUEST ARRIVES, VIA HELICOPTER - ...,»»†§%@
##@@%§†»,. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .,»†§%@@##
@%%§§†,... ...,†§§%%@
##@@%§†»,. »»»»» .,»†§%@@##
#@%§††,... ...,††§%@#
##@@%§†»,. IN MY DREAM I AM INVITED AS A FRIEND OF .,»†§%@@##
###@@§†»,. ONE OF THE SERVERS, AND THUS SAFE. WE .,»†§@@###
##@@%§†»,. SIT IN ONE OF THE LARGE WINDOWS, .,»†§%@@##
###@@§†»,. LOOKING THROUGH THE MIST FOR ANY .,»†§@@###
@@@@%§†»,. LANDMARKS TO PIERCE THROUGH THE MIST. .,»†§%@@@@
@@§»»»»,,. SHE TELLS ME THAT APART FROM COMING AND .,,»»»»§@@
##@@%§†»,. GOING FROM WORK, SHE'S NEVER SEEN THE .,»†§%@@##
##@@%§†»,. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .,»†§%@@##
##@@%§†»,. .,»†§%@@##
@§†»»,,... THE NEXT DAY I AM INVITED TO THE PUBLIC ...,,»»†§@
@%§†»..... DEMONSTRATION OF THE EXOBUBBLE. .....»†§%@
###@@%†»,. .,»†%@@###
@%%§§††»,. .,»††§§%%@
@%%%%§†»,. .,»†§%%%%@
##@@%§†»,. .,»†§%@@##
@@§†»»,... ...,»»†§@@