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¨-~/*$¤£## THE SKYSCRAPER THAT MOVES ##£¤$*/~-¨
-~/*$¤£### ###£¤$*/~-
¨-~/*$¤££# TAINARON IS A BUILDING OWNED AND #££¤$*/~-¨
¨¨¨¨¨~*¤¤# OPERATED BY AMATA TEXNOLOGIYASI PLACED #¤¤*~¨¨¨¨¨
¨-~/*$¤£## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##£¤$*/~-¨
¨¨¨~~~//$¤ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¤$//~~~¨¨¨
¨-~/*$¤£## UNKNOWN), DARK BLUE AND COMPLETELY ##£¤$*/~-¨
¨-~/*$¤£## RECTANGULAR. IT FEATURES NO SIGNS, ##£¤$*/~-¨
¨-~/*$¤### LIGHTS, OR ORNAMENTS, APART FROM A ###¤$*/~-¨
¨-~/*$¤£## HELIPAD ON TOP. MOST FLOORS HAVE ##£¤$*/~-¨
¨¨¨¨-~~*¤£ EXTERIOR WALLS COMPLETELY MADE OF GLASS. £¤*~~-¨¨¨¨
¨-~/*$¤£## ##£¤$*/~-¨
¨¨¨¨--/$££ IN LATE EVENINGS, SHROUDED BY MALMö'S ££$/--¨¨¨¨
¨¨¨-~///$£ SIGNATURE FOG ROLLING IN FROM THE SEA, £$///~-¨¨¨
¨-~/*$¤£## THE BUILDING COMES TO LIFE: IT MOVES ON ##£¤$*/~-¨
¨-~/*$¤£## A THOUSAND ROBOTIC LEGS TO ANOTHER ##£¤$*/~-¨
¨-~/*$¤£## (SECRET) PART OF TOWN, OR PERHAPS OUT ##£¤$*/~-¨
¨-~/*$¤£## TO SEA. THIS SIGNALS A NEW AND MORE ##£¤$*/~-¨
¨-~/*$¤££# VISCIOUS PHASE OF THE TAINARON #££¤$*/~-¨
¨¨¨~~/$$££ ECOSYSTEM. ££$$/~~¨¨¨
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¨---~~~*¤£ THE GUESTS ARRIVING DURING THE EARLY £¤*~~~---¨
¨-~/*$¤£## EVENING ARE TREATED TO FOOD AND DRINK, ##£¤$*/~-¨
¨¨¨¨¨-/$¤# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #¤$/-¨¨¨¨¨
¨¨¨¨¨-/$¤£ COMFORTABLE BUT MAZE-LIKE INTERIOR £¤$/-¨¨¨¨¨
¨-~/*$¤£## STRUCTURE (THE BUILDING FEATURES A ##£¤$*/~-¨
¨¨¨-//*$££ MULTITUDE OF STAIRWELLS AND ELEVATORS, ££$*//-¨¨¨
¨¨¨-~***$£ PLACED SEEMINGLY AT RANDOM, NONE GOING £$***~-¨¨¨
¨¨¨-~~/$¤¤ FURTHER THAN A FEW FLOORS). ¤¤$/~~-¨¨¨
¨-~/*$¤£## ##£¤$*/~-¨
¨-~/*$¤£## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##£¤$*/~-¨
¨-~//**$$£ UNTIL THE AIR INSIDE HAS TAKEN ON THE £$$**//~-¨
¨-~/***$¤£ SAME QUALITY AS THE SURROUNDING MIST: £¤$***/~-¨
¨¨¨~//$$$£ BLUE-GRAY, SPRINKLED WITH THE SMALL RED £$$$//~¨¨¨
¨-~/*$¤£## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##£¤$*/~-¨
¨-~/*¤£### IF YOU WOULD LOOK THROUGH THE WINDOWS ###£¤*/~-¨
¨-~/*$¤£## YOU WOULD SEE THE MIST ROLLING BY, AND ##£¤$*/~-¨
¨-~/*$¤¤£# PERHAPS THE OUTLINE OF SOME OTHER #£¤¤$*/~-¨
¨-~/*$¤£## BUILDING, FAR BELOW. ##£¤$*/~-¨
¨-~/*$¤£## ##£¤$*/~-¨
¨-~/*$¤£## DURING THE NIGHT, AFTER TAINARON HAS ##£¤$*/~-¨
¨-~/*$¤¤£# STARTED MOVING, THE LOWER FLOORS ARE #£¤¤$*/~-¨
¨-~/*$¤£## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##£¤$*/~-¨
¨¨¨¨--/$¤£ THE GUESTS. FOOD IS NO LONGER SERVED, £¤$/--¨¨¨¨
¨-~/**$$££ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ££$$**/~-¨
¨¨¨¨¨--/*¤ IT'S AT THIS POINT THAT THE SECOND SET ¤*/--¨¨¨¨¨
¨¨¨¨¨¨-/$£ OF GUEST ARRIVES, VIA HELICOPTER - £$/-¨¨¨¨¨¨
¨-~/*$¤£## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##£¤$*/~-¨
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¨-~/*$¤£## ~~~~~ ##£¤$*/~-¨
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¨¨---///$£ ONE OF THE SERVERS, AND THUS SAFE. WE £$///---¨¨
¨-~*$¤£### SIT IN ONE OF THE LARGE WINDOWS, ###£¤$*~-¨
¨¨¨¨~//$¤£ LOOKING THROUGH THE MIST FOR ANY £¤$//~¨¨¨¨
¨¨-~~~*$££ LANDMARKS TO PIERCE THROUGH THE MIST. ££$*~~~-¨¨
¨-~/*$¤££# SHE TELLS ME THAT APART FROM COMING AND #££¤$*/~-¨
¨-~/*$¤£## GOING FROM WORK, SHE'S NEVER SEEN THE ##£¤$*/~-¨
¨-~/*$¤££# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #££¤$*/~-¨
¨-~/*$¤£## ##£¤$*/~-¨
¨-~/*$¤£## THE NEXT DAY I AM INVITED TO THE PUBLIC ##£¤$*/~-¨
¨-~/*$¤£## DEMONSTRATION OF THE EXOBUBBLE. ##£¤$*/~-¨
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