¨¨^~:%@@@# #@@@%:~^¨¨
¨¨¨^~:%@@@ @@@%:~^¨¨¨
¨¨^~:%@@@# #@@@%:~^¨¨
¨^~:%@@@## ##@@@%:~^¨
¨¨^~:%@@@# #@@@%:~^¨¨
¨¨¨^~:%@@@ THE SKYSCRAPER THAT MOVES @@@%:~^¨¨¨
¨¨^~:%@@@# #@@@%:~^¨¨
¨^~:%@@@## TAINARON IS A BUILDING OWNED AND ##@@@%:~^¨
¨¨^~:%@@@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@@@%:~^¨¨
¨¨¨^~:%@@@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @@@%:~^¨¨¨
¨¨^~:%@@@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@@@%:~^¨¨
¨^~:%@@@## UNKNOWN), DARK BLUE AND COMPLETELY ##@@@%:~^¨
¨¨^~:%@@@# RECTANGULAR. IT FEATURES NO SIGNS, #@@@%:~^¨¨
¨¨¨^~:%@@@ LIGHTS, OR ORNAMENTS, APART FROM A @@@%:~^¨¨¨
¨¨^~:%@@@# HELIPAD ON TOP. MOST FLOORS HAVE #@@@%:~^¨¨
¨^~:%@@@## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##@@@%:~^¨
¨¨^~:%@@@# #@@@%:~^¨¨
¨¨¨^~:%@@@ IN LATE EVENINGS, SHROUDED BY MALMö'S @@@%:~^¨¨¨
¨¨^~:%@@@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@@@%:~^¨¨
¨^~:%@@@## THE BUILDING COMES TO LIFE: IT MOVES ON ##@@@%:~^¨
¨¨^~:%@@@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@@@%:~^¨¨
¨¨¨^~:%@@@ (SECRET) PART OF TOWN, OR PERHAPS OUT @@@%:~^¨¨¨
¨¨^~:%@@@# TO SEA. THIS SIGNALS A NEW AND MORE #@@@%:~^¨¨
¨^~:%@@@## VISCIOUS PHASE OF THE TAINARON ##@@@%:~^¨
¨¨^~:%@@@# ECOSYSTEM. #@@@%:~^¨¨
¨¨¨^~:%@@@ @@@%:~^¨¨¨
¨¨^~:%@@@# THE GUESTS ARRIVING DURING THE EARLY #@@@%:~^¨¨
¨^~:%@@@## EVENING ARE TREATED TO FOOD AND DRINK, ##@@@%:~^¨
¨¨^~:%@@@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@@@%:~^¨¨
¨¨¨^~:%@@@ COMFORTABLE BUT MAZE-LIKE INTERIOR @@@%:~^¨¨¨
¨¨^~:%@@@# STRUCTURE (THE BUILDING FEATURES A #@@@%:~^¨¨
¨^~:%@@@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##@@@%:~^¨
¨¨^~:%@@@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@@@%:~^¨¨
¨¨¨^~:%@@@ FURTHER THAN A FEW FLOORS). @@@%:~^¨¨¨
¨¨^~:%@@@# #@@@%:~^¨¨
¨^~:%@@@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@@@%:~^¨
¨¨^~:%@@@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@@@%:~^¨¨
¨¨¨^~:%@@@ SAME QUALITY AS THE SURROUNDING MIST: @@@%:~^¨¨¨
¨¨^~:%@@@# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #@@@%:~^¨¨
¨^~:%@@@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@@@%:~^¨
¨¨^~:%@@@# IF YOU WOULD LOOK THROUGH THE WINDOWS #@@@%:~^¨¨
¨¨¨^~:%@@@ YOU WOULD SEE THE MIST ROLLING BY, AND @@@%:~^¨¨¨
¨¨^~:%@@@# PERHAPS THE OUTLINE OF SOME OTHER #@@@%:~^¨¨
¨^~:%@@@## BUILDING, FAR BELOW. ##@@@%:~^¨
¨¨^~:%@@@# #@@@%:~^¨¨
¨¨¨^~:%@@@ DURING THE NIGHT, AFTER TAINARON HAS @@@%:~^¨¨¨
¨¨^~:%@@@# STARTED MOVING, THE LOWER FLOORS ARE #@@@%:~^¨¨
¨^~:%@@@## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##@@@%:~^¨
¨¨^~:%@@@# THE GUESTS. FOOD IS NO LONGER SERVED, #@@@%:~^¨¨
¨¨¨^~:%@@@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @@@%:~^¨¨¨
¨¨^~:%@@@# IT'S AT THIS POINT THAT THE SECOND SET #@@@%:~^¨¨
¨^~:%@@@## OF GUEST ARRIVES, VIA HELICOPTER - ##@@@%:~^¨
¨¨^~:%@@@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@@@%:~^¨¨
¨¨¨^~:%@@@ @@@%:~^¨¨¨
¨¨^~:%@@@# ~~~~~ #@@@%:~^¨¨
¨^~:%@@@## ##@@@%:~^¨
¨¨^~:%@@@# IN MY DREAM I AM INVITED AS A FRIEND OF #@@@%:~^¨¨
¨¨¨^~:%@@@ ONE OF THE SERVERS, AND THUS SAFE. WE @@@%:~^¨¨¨
¨¨^~:%@@@# SIT IN ONE OF THE LARGE WINDOWS, #@@@%:~^¨¨
¨^~:%@@@## LOOKING THROUGH THE MIST FOR ANY ##@@@%:~^¨
¨¨^~:%@@@# LANDMARKS TO PIERCE THROUGH THE MIST. #@@@%:~^¨¨
¨¨¨^~:%@@@ SHE TELLS ME THAT APART FROM COMING AND @@@%:~^¨¨¨
¨¨^~:%@@@# GOING FROM WORK, SHE'S NEVER SEEN THE #@@@%:~^¨¨
¨^~:%@@@## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##@@@%:~^¨
¨¨^~:%@@@# #@@@%:~^¨¨
¨¨¨^~:%@@@ THE NEXT DAY I AM INVITED TO THE PUBLIC @@@%:~^¨¨¨
¨¨^~:%@@@# DEMONSTRATION OF THE EXOBUBBLE. #@@@%:~^¨¨
¨^~:%@@@## ##@@@%:~^¨
¨¨^~:%@@@# #@@@%:~^¨¨
¨¨¨^~:%@@@ @@@%:~^¨¨¨
¨¨^~:%@@@# #@@@%:~^¨¨
¨^~:%@@@## ##@@@%:~^¨