@¨¨¨@¨@@¨@ @¨¨¨¨@¨¨@@
@¨¨@@@¨@@¨ @¨¨¨@@¨@¨¨
@¨@¨¨@@¨@¨ @¨¨@¨@@@¨@
@@@¨@¨@@@¨ @¨@@@¨¨@@¨
¨¨@@@@¨¨@¨ @@¨¨@¨@¨@@
¨@¨¨¨@¨@@¨ THE SKYSCRAPER THAT MOVES ¨@¨@@@@@¨@
@@¨¨@@@¨@¨ @@@¨¨¨¨@@@
¨@¨@¨¨@@@¨ TAINARON IS A BUILDING OWNED AND ¨¨@¨¨¨@¨¨¨
@@@@¨@¨¨@@ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨@@¨¨@@¨¨¨
¨¨¨@@@¨@¨@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @¨@¨@¨@¨¨@
¨¨@¨¨@@@@@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @@@@@@@¨@@
¨@@¨@¨¨¨¨@ UNKNOWN), DARK BLUE AND COMPLETELY ¨¨¨¨¨¨@@¨@
@¨@@@¨¨¨@@ RECTANGULAR. IT FEATURES NO SIGNS, ¨¨¨¨¨@¨@@@
@@¨¨@¨¨@¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨¨¨@@@¨¨¨
¨@¨@@¨@@¨@ HELIPAD ON TOP. MOST FLOORS HAVE ¨¨¨@¨¨@¨¨@
@@@¨@@¨@@¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨@@¨@@¨@@
¨¨@@¨@@¨@¨ ¨@¨@@¨@@¨¨
¨@¨@@¨@@@¨ IN LATE EVENINGS, SHROUDED BY MALMö'S @@@¨@@¨@¨¨
@@@¨@@¨¨@¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨¨@@¨@@@¨¨
¨¨@@¨@¨@@¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨@¨@@¨¨@¨@
¨@¨@@@@¨@@ A THOUSAND ROBOTIC LEGS TO ANOTHER @@@¨@¨@@@@
@@@¨¨¨@@¨@ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨¨@@@@¨¨¨@
¨¨@¨¨@¨@@¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨@¨¨¨@¨¨@¨
¨@@¨@@@¨@¨ VISCIOUS PHASE OF THE TAINARON @@¨¨@@¨@@¨
@¨@@¨¨@@@¨ ECOSYSTEM. ¨@¨@¨@@¨@¨
@@¨@¨@¨¨@@ @@@@@¨@@@@
¨@@@@@¨@¨¨ THE GUESTS ARRIVING DURING THE EARLY ¨¨¨¨@@¨¨¨¨
@¨¨¨¨@@@¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨¨@¨@¨¨¨¨
@¨¨¨@¨¨@¨¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨@@@@¨¨¨@
@¨¨@@¨@@¨@ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨@¨¨¨@¨¨@¨
@¨@¨@@¨@@@ STRUCTURE (THE BUILDING FEATURES A @@¨¨@@¨@@@
@@@@¨@@¨¨@ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨@¨@¨@@¨¨¨
¨¨¨@@¨@¨@@ PLACED SEEMINGLY AT RANDOM, NONE GOING @@@@@¨@¨¨@
¨¨@¨@@@@¨¨ FURTHER THAN A FEW FLOORS). ¨¨¨¨@@@¨@@
¨@@@¨¨¨@¨¨ ¨¨¨@¨¨@@¨@
@¨¨@¨¨@@¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨¨@@¨@¨@@@
@¨@@¨@¨@¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨@¨@@@@¨¨¨
@@¨@@@@@¨¨ SAME QUALITY AS THE SURROUNDING MIST: @@@¨¨¨@¨¨@
¨@@¨¨¨¨@¨@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨@¨¨@@¨@¨
@¨@¨¨¨@@@@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨@@¨@¨@@@¨
@@@¨¨@¨¨¨@ IF YOU WOULD LOOK THROUGH THE WINDOWS @¨@@@@¨¨@@
¨¨@¨@@¨¨@@ YOU WOULD SEE THE MIST ROLLING BY, AND @@¨¨¨@¨@¨¨
¨@@@¨@¨@¨@ PERHAPS THE OUTLINE OF SOME OTHER ¨@¨¨@@@@¨¨
@¨¨@@@@@@¨ BUILDING, FAR BELOW. @@¨@¨¨¨@¨¨
@¨@¨¨¨¨¨@@ ¨@@@¨¨@@¨@
@@@¨¨¨¨@¨¨ DURING THE NIGHT, AFTER TAINARON HAS @¨¨@¨@¨@@¨
¨¨@¨¨¨@@¨¨ STARTED MOVING, THE LOWER FLOORS ARE @¨@@@@@¨@@
¨@@¨¨@¨@¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @@¨¨¨¨@@¨@
@¨@¨@@@@¨@ THE GUESTS. FOOD IS NO LONGER SERVED, ¨@¨¨¨@¨@@@
@@@@¨¨¨@@@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @@¨¨@@@¨¨¨
¨¨¨@¨¨@¨¨@ IT'S AT THIS POINT THAT THE SECOND SET ¨@¨@¨¨@¨¨@
¨¨@@¨@@¨@¨ OF GUEST ARRIVES, VIA HELICOPTER - @@@@¨@@¨@@
¨@¨@@¨@@@@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨@@¨@@¨@
@@@¨@@¨¨¨¨ ¨¨@¨@@¨@@@
¨¨@@¨@¨¨¨@ ===== ¨@@@¨@@¨¨¨
¨@¨@@@¨¨@@ @¨¨@@¨@¨¨¨
@@@¨¨@¨@¨@ IN MY DREAM I AM INVITED AS A FRIEND OF @¨@¨@@@¨¨¨
¨¨@¨@@@@@@ ONE OF THE SERVERS, AND THUS SAFE. WE @@@@¨¨@¨¨@
¨@@@¨¨¨¨¨@ SIT IN ONE OF THE LARGE WINDOWS, ¨¨¨@¨@@¨@@
@¨¨@¨¨¨¨@@ LOOKING THROUGH THE MIST FOR ANY ¨¨@@@¨@@¨@
@¨@@¨¨¨@¨@ LANDMARKS TO PIERCE THROUGH THE MIST. ¨@¨¨@@¨@@¨
@@¨@¨¨@@@¨ SHE TELLS ME THAT APART FROM COMING AND @@¨@¨@@¨@@
¨@@@¨@¨¨@¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨@@@@¨@@¨¨
@¨¨@@@¨@@¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @¨¨¨@@¨@¨¨
@¨@¨¨@@¨@¨ @¨¨@¨@@@¨@
@@@¨@¨@@@¨ THE NEXT DAY I AM INVITED TO THE PUBLIC @¨@@@¨¨@@¨
¨¨@@@@¨¨@¨ DEMONSTRATION OF THE EXOBUBBLE. @@¨¨@¨@¨@@
¨@¨¨¨@¨@@¨ ¨@¨@@@@@¨@
@@¨¨@@@¨@¨ @@@¨¨¨¨@@@
¨@¨@¨¨@@@¨ ¨¨@¨¨¨@¨¨¨
@@@@¨@¨¨@@ ¨@@¨¨@@¨¨¨
¨¨¨@@@¨@¨@ @¨@¨@¨@¨¨@