&===^~.... ....~^===&
&=~^...... ......^~=&
##&&$=^~^. .^~^=$&#
&=~....... .......~=&
##@&$=^~^. .^~^=$&@##
&$$$$=^~^. THE SKYSCRAPER THAT MOVES .^~^=$$$$&
###&$=^~^. .^~^=$##
#@#&$=^~^. TAINARON IS A BUILDING OWNED AND .^~^=$@#
&&==^^.... OPERATED BY AMATA TEXNOLOGIYASI PLACED ....^^==&&
#@#&$=^~^. CLOSED TO THE HARBOR IN MALMÖ. IT'S .^~^=$@#
@&&&$=^~^. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .^~^=$&&&@
@@#&$=^~^. UNKNOWN), DARK BLUE AND COMPLETELY .^~^=$@@
##@#$=^~^. RECTANGULAR. IT FEATURES NO SIGNS, .^~^=$#@##
##@#&$=^~. LIGHTS, OR ORNAMENTS, APART FROM A .~^=$@##
#@#&$=^~^. HELIPAD ON TOP. MOST FLOORS HAVE .^~^=$@#
#$^^~~~^.. EXTERIOR WALLS COMPLETELY MADE OF GLASS. ..^~~~^^$#
#@#&$=^~^. .^~^=$@#
#@#&$=^~^. IN LATE EVENINGS, SHROUDED BY MALMö'S .^~^=$@#
#@#&$=^~^. SIGNATURE FOG ROLLING IN FROM THE SEA, .^~^=$@#
@&&$=~~^.. THE BUILDING COMES TO LIFE: IT MOVES ON ..^~~=$&&@
###&$=^~^. A THOUSAND ROBOTIC LEGS TO ANOTHER .^~^=$##
&&$^^~~... (SECRET) PART OF TOWN, OR PERHAPS OUT ...~~^^$&&
##@&$=^~^. TO SEA. THIS SIGNALS A NEW AND MORE .^~^=$&@##
#@#&$=^~^. VISCIOUS PHASE OF THE TAINARON .^~^=$@#
@&====^~^. ECOSYSTEM. .^~^====&@
&$$=^^^... ...^^^=$$&
#@#&$=^~^. THE GUESTS ARRIVING DURING THE EARLY .^~^=$@#
#@#&$=^~^. EVENING ARE TREATED TO FOOD AND DRINK, .^~^=$@#
###&$=^~^. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .^~^=$##
#@#&$=^~^. COMFORTABLE BUT MAZE-LIKE INTERIOR .^~^=$@#
#$$^^..... STRUCTURE (THE BUILDING FEATURES A .....^^$$#
@#$$^^.... MULTITUDE OF STAIRWELLS AND ELEVATORS, ....^^$$#@
#&$$==^~^. PLACED SEEMINGLY AT RANDOM, NONE GOING .^~^==$$
@#$==~.... FURTHER THAN A FEW FLOORS). ....~==$#@
&&=~~~~... ...~~~~=&&
@&=^^^^^^. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .^^^^^^=&@
#@#&$=^~^. UNTIL THE AIR INSIDE HAS TAKEN ON THE .^~^=$@#
&&&$^^^^.. SAME QUALITY AS THE SURROUNDING MIST: ..^^^^$&&&
&=^^^^.... BLUE-GRAY, SPRINKLED WITH THE SMALL RED ....^^^^=&
#@#&$=^~^. DOT'S BY DOOR LOCKS AND CONTROL PANELS. .^~^=$@#
##@#$=^~^. IF YOU WOULD LOOK THROUGH THE WINDOWS .^~^=$#@##
#@#&$=^~^. YOU WOULD SEE THE MIST ROLLING BY, AND .^~^=$@#
&&=^^^^... PERHAPS THE OUTLINE OF SOME OTHER ...^^^^=&&
&$$$^^.... BUILDING, FAR BELOW. ....^^$$$&
#@#&$=^~^. .^~^=$@#
#@#&$=^~^. DURING THE NIGHT, AFTER TAINARON HAS .^~^=$@#
@@#&$=^~^. STARTED MOVING, THE LOWER FLOORS ARE .^~^=$@@
#$$^^..... SHUT OFF, PREVENTING ENTRY OR EXIT FOR .....^^$$#
#&$^~^.... THE GUESTS. FOOD IS NO LONGER SERVED, ....^~^$
@##&$=^~^. BUT THE DRINKS BECOME MORE EXTRAVAGANT. .^~^=$#@
@@#&$=^~^. IT'S AT THIS POINT THAT THE SECOND SET .^~^=$@@
#@#&$=^~^. OF GUEST ARRIVES, VIA HELICOPTER - .^~^=$@#
#@#&$=^~^. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .^~^=$@#
#&$^^^.... ....^^^$
&&=^^^.... ~~~~~ ....^^^=&&
##@#&=^~^. .^~^=@##
@&&$^^^~^. IN MY DREAM I AM INVITED AS A FRIEND OF .^~^^^$&&@
#$$=~^.... ONE OF THE SERVERS, AND THUS SAFE. WE ....^~=$$#
#$^^~^.... SIT IN ONE OF THE LARGE WINDOWS, ....^~^^$#
#@#&$=^~^. LOOKING THROUGH THE MIST FOR ANY .^~^=$@#
@@#&$=^~^. LANDMARKS TO PIERCE THROUGH THE MIST. .^~^=$@@
##@&$=^~^. SHE TELLS ME THAT APART FROM COMING AND .^~^=$&@##
#$===~^... GOING FROM WORK, SHE'S NEVER SEEN THE ...^~===$#
#@#&$=^~^. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .^~^=$@#
@@#&$=^~^. .^~^=$@@
#&$^^^.... THE NEXT DAY I AM INVITED TO THE PUBLIC ....^^^$
@@#&$=^~^. DEMONSTRATION OF THE EXOBUBBLE. .^~^=$@@
@@#&$=^~^. .^~^=$@@
##@#&$=^~^ ^~^=$@##
&$=~...... ......~=$&
##@#&=^~^. .^~^=@##
@&=^^..... .....^^=&@