.:=;*%¤¤@@ @@¤¤%*;=:.
.:=;*%¤@## ##@¤%*;=:.
......:=*¤ ¤*=:......
.:=;*%¤@## ##@¤%*;=:.
.:=;*%¤@@# #@@¤%*;=:.
.::==;;%¤# THE SKYSCRAPER THAT MOVES #¤%;;==::.
.:=;*%¤@## ##@¤%*;=:.
.....:=*¤¤ TAINARON IS A BUILDING OWNED AND ¤¤*=:.....
.:=;*%¤@## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##@¤%*;=:.
....:;*%@# CLOSED TO THE HARBOR IN MALMÖ. IT'S #@%*;:....
.:=;*%¤@## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##@¤%*;=:.
.:=;*%¤@## UNKNOWN), DARK BLUE AND COMPLETELY ##@¤%*;=:.
.:=;*%¤@## RECTANGULAR. IT FEATURES NO SIGNS, ##@¤%*;=:.
...:;;**%¤ LIGHTS, OR ORNAMENTS, APART FROM A ¤%**;;:...
.:=;*%¤@## HELIPAD ON TOP. MOST FLOORS HAVE ##@¤%*;=:.
...:;;*%%@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @%%*;;:...
.:=;*%¤¤@@ @@¤¤%*;=:.
.:=;*%¤@@@ IN LATE EVENINGS, SHROUDED BY MALMö'S @@@¤%*;=:.
.:=;*%¤@## SIGNATURE FOG ROLLING IN FROM THE SEA, ##@¤%*;=:.
.:=;*%@### THE BUILDING COMES TO LIFE: IT MOVES ON ###@%*;=:.
.:=;*%¤@## A THOUSAND ROBOTIC LEGS TO ANOTHER ##@¤%*;=:.
.:=;*%¤@## (SECRET) PART OF TOWN, OR PERHAPS OUT ##@¤%*;=:.
.:=;*%¤### TO SEA. THIS SIGNALS A NEW AND MORE ###¤%*;=:.
.:=;*%¤@@@ VISCIOUS PHASE OF THE TAINARON @@@¤%*;=:.
....::;;*¤ ECOSYSTEM. ¤*;;::....
.:=====*¤@ @¤*=====:.
...:=;*¤@# THE GUESTS ARRIVING DURING THE EARLY #@¤*;=:...
......=;%¤ EVENING ARE TREATED TO FOOD AND DRINK, ¤%;=......
.:=;*%¤@## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##@¤%*;=:.
.:=;*%¤### COMFORTABLE BUT MAZE-LIKE INTERIOR ###¤%*;=:.
.:=;*%¤@@# STRUCTURE (THE BUILDING FEATURES A #@@¤%*;=:.
.:=;**%¤¤# MULTITUDE OF STAIRWELLS AND ELEVATORS, #¤¤%**;=:.
.:=;***%¤# PLACED SEEMINGLY AT RANDOM, NONE GOING #¤%***;=:.
.:=;*%¤¤@@ FURTHER THAN A FEW FLOORS). @@¤¤%*;=:.
...===;%@@ @@%;===...
.:=;*%¤@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@¤%*;=:.
.:=;*%¤@## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##@¤%*;=:.
.:=;***%@# SAME QUALITY AS THE SURROUNDING MIST: #@%***;=:.
.:=;*%¤@## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##@¤%*;=:.
.:=;*%¤@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@¤%*;=:.
.......=*¤ IF YOU WOULD LOOK THROUGH THE WINDOWS ¤*=.......
....==;;*¤ YOU WOULD SEE THE MIST ROLLING BY, AND ¤*;;==....
.:=;*%¤@## PERHAPS THE OUTLINE OF SOME OTHER ##@¤%*;=:.
.:=;;;**¤¤ BUILDING, FAR BELOW. ¤¤**;;;=:.
.:=;*%¤@## ##@¤%*;=:.
.:=;*%¤@## DURING THE NIGHT, AFTER TAINARON HAS ##@¤%*;=:.
.:=;*%¤@@@ STARTED MOVING, THE LOWER FLOORS ARE @@@¤%*;=:.
.:=;*%¤@## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##@¤%*;=:.
.:=;*%¤@@@ THE GUESTS. FOOD IS NO LONGER SERVED, @@@¤%*;=:.
.:=;****¤# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #¤****;=:.
.:=;*%¤@## IT'S AT THIS POINT THAT THE SECOND SET ##@¤%*;=:.
.:=;*%%%@@ OF GUEST ARRIVES, VIA HELICOPTER - @@%%%*;=:.
.:=;*%¤@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##@¤%*;=:.
.:=;*%¤@## ##@¤%*;=:.
.:=;*%¤### ===== ###¤%*;=:.
.:=;*%¤@## ##@¤%*;=:.
.:=;*%¤@## IN MY DREAM I AM INVITED AS A FRIEND OF ##@¤%*;=:.
.......=*¤ ONE OF THE SERVERS, AND THUS SAFE. WE ¤*=.......
.:=;*%¤@## SIT IN ONE OF THE LARGE WINDOWS, ##@¤%*;=:.
....:=*¤@@ LOOKING THROUGH THE MIST FOR ANY @@¤*=:....
.:=;%¤@### LANDMARKS TO PIERCE THROUGH THE MIST. ###@¤%;=:.
.......=*¤ SHE TELLS ME THAT APART FROM COMING AND ¤*=.......
.:=;*%¤@## GOING FROM WORK, SHE'S NEVER SEEN THE ##@¤%*;=:.
.:=;*%¤@## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##@¤%*;=:.
.:=;%¤@### ###@¤%;=:.
.:=;*%¤@## THE NEXT DAY I AM INVITED TO THE PUBLIC ##@¤%*;=:.
......:;*¤ DEMONSTRATION OF THE EXOBUBBLE. ¤*;:......
.:=;*%¤¤¤@ @¤¤¤%*;=:.
...:::;;%¤ ¤%;;:::...
...:;*%¤@@ @@¤%*;:...
.:=;*%%%@# #@%%%*;=:.
.:=;%¤@### ###@¤%;=:.