@,@,@,@,@, ,@,@,@,@,@
@,@,@,@,@, ,@,@,@,@,,
@,@,@,@,@, ,@,@,@,@,@
@,@,@,@,@, ,@,@,@,@,,
@,@,@,@,@, ,@,@,@,@,@
@,@,@,@,@, THE SKYSCRAPER THAT MOVES ,@,@,@,@,,
@,@,@,@,@, ,@,@,@,@,@
@,@,@,@,@, TAINARON IS A BUILDING OWNED AND ,@,@,@,@,,
@,@,@,@,@, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,@,@,@,@,@
@,@,@,@,@, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,@,@,@,@,,
@,@,@,@,@, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,@,@,@,@,@
@,@,@,@,@, UNKNOWN), DARK BLUE AND COMPLETELY ,@,@,@,@,,
@,@,@,@,@, RECTANGULAR. IT FEATURES NO SIGNS, ,@,@,@,@,@
@,@,@,@,@, LIGHTS, OR ORNAMENTS, APART FROM A ,@,@,@,@,,
@,@,@,@,@, HELIPAD ON TOP. MOST FLOORS HAVE ,@,@,@,@,@
@,@,@,@,@, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,@,@,@,@,,
@,@,@,@,@, ,@,@,@,@,@
@,@,@,@,@, IN LATE EVENINGS, SHROUDED BY MALMö'S ,@,@,@,@,,
@,@,@,@,@, SIGNATURE FOG ROLLING IN FROM THE SEA, ,@,@,@,@,@
@,@,@,@,@, THE BUILDING COMES TO LIFE: IT MOVES ON ,@,@,@,@,,
@,@,@,@,@, A THOUSAND ROBOTIC LEGS TO ANOTHER ,@,@,@,@,@
@,@,@,@,@, (SECRET) PART OF TOWN, OR PERHAPS OUT ,@,@,@,@,,
@,@,@,@,@, TO SEA. THIS SIGNALS A NEW AND MORE ,@,@,@,@,@
@,@,@,@,@, VISCIOUS PHASE OF THE TAINARON ,@,@,@,@,,
@,@,@,@,@, ECOSYSTEM. ,@,@,@,@,@
@,@,@,@,@, ,@,@,@,@,,
@,@,@,@,@, THE GUESTS ARRIVING DURING THE EARLY ,@,@,@,@,@
@,@,@,@,@, EVENING ARE TREATED TO FOOD AND DRINK, ,@,@,@,@,,
@,@,@,@,@, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,@,@,@,@,@
@,@,@,@,@, COMFORTABLE BUT MAZE-LIKE INTERIOR ,@,@,@,@,,
@,@,@,@,@, STRUCTURE (THE BUILDING FEATURES A ,@,@,@,@,@
@,@,@,@,@, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,@,@,@,@,,
@,@,@,@,@, PLACED SEEMINGLY AT RANDOM, NONE GOING ,@,@,@,@,@
@,@,@,@,@, FURTHER THAN A FEW FLOORS). ,@,@,@,@,,
@,@,@,@,@, ,@,@,@,@,@
@,@,@,@,@, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,@,@,@,@,,
@,@,@,@,@, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,@,@,@,@,@
@,@,@,@,@, SAME QUALITY AS THE SURROUNDING MIST: ,@,@,@,@,,
@,@,@,@,@, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,@,@,@,@,@
@,@,@,@,@, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,@,@,@,@,,
@,@,@,@,@, IF YOU WOULD LOOK THROUGH THE WINDOWS ,@,@,@,@,@
@,@,@,@,@, YOU WOULD SEE THE MIST ROLLING BY, AND ,@,@,@,@,,
@,@,@,@,@, PERHAPS THE OUTLINE OF SOME OTHER ,@,@,@,@,@
@,@,@,@,@, BUILDING, FAR BELOW. ,@,@,@,@,,
@,@,@,@,@, ,@,@,@,@,@
@,@,@,@,@, DURING THE NIGHT, AFTER TAINARON HAS ,@,@,@,@,,
@,@,@,@,@, STARTED MOVING, THE LOWER FLOORS ARE ,@,@,@,@,@
@,@,@,@,@, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,@,@,@,@,,
@,@,@,@,@, THE GUESTS. FOOD IS NO LONGER SERVED, ,@,@,@,@,@
@,@,@,@,@, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,@,@,@,@,,
@,@,@,@,@, IT'S AT THIS POINT THAT THE SECOND SET ,@,@,@,@,@
@,@,@,@,@, OF GUEST ARRIVES, VIA HELICOPTER - ,@,@,@,@,,
@,@,@,@,@, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,@,@,@,@,@
@,@,@,@,@, ,@,@,@,@,,
@,@,@,@,@, ~~~~~ ,@,@,@,@,@
@,@,@,@,@, ,@,@,@,@,,
@,@,@,@,@, IN MY DREAM I AM INVITED AS A FRIEND OF ,@,@,@,@,@
@,@,@,@,@, ONE OF THE SERVERS, AND THUS SAFE. WE ,@,@,@,@,,
@,@,@,@,@, SIT IN ONE OF THE LARGE WINDOWS, ,@,@,@,@,@
@,@,@,@,@, LOOKING THROUGH THE MIST FOR ANY ,@,@,@,@,,
@,@,@,@,@, LANDMARKS TO PIERCE THROUGH THE MIST. ,@,@,@,@,@
@,@,@,@,@, SHE TELLS ME THAT APART FROM COMING AND ,@,@,@,@,,
@,@,@,@,@, GOING FROM WORK, SHE'S NEVER SEEN THE ,@,@,@,@,@
@,@,@,@,@, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,@,@,@,@,,
@,@,@,@,@, ,@,@,@,@,@
@,@,@,@,@, THE NEXT DAY I AM INVITED TO THE PUBLIC ,@,@,@,@,,
@,@,@,@,@, DEMONSTRATION OF THE EXOBUBBLE. ,@,@,@,@,@
@,@,@,@,@, ,@,@,@,@,,
@,@,@,@,@, ,@,@,@,@,@
@,@,@,@,@, ,@,@,@,@,,
@,@,@,@,@, ,@,@,@,@,@
@,@,@,@,@, ,@,@,@,@,,