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#@@&£*--¨¨ ¨¨--*£&@@#
##@@&£*--¨ TAINARON IS A BUILDING OWNED AND ¨--*£&@@##
#@@&£*--¨¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨¨--*£&@@#
@@&£*--¨¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨¨--*£&@@
@&£*--¨¨¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨¨¨¨--*£&@
&£*--¨¨¨¨¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨¨¨¨¨--*£&
£*--¨¨¨¨¨¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨¨¨¨¨¨--*£
*--¨¨¨¨¨¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨¨¨¨¨¨--*
£*--¨¨¨¨¨¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨¨¨¨¨¨--*£
&£*--¨¨¨¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨¨¨¨--*£&
@&£*--¨¨¨¨ ¨¨¨¨--*£&@
@@&£*--¨¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨¨¨--*£&@@
#@@&£*--¨¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨¨--*£&@@#
##@@&£*--¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨--*£&@@##
#@@&£*--¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨--*£&@@#
@@&£*--¨¨¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨¨¨--*£&@@
@&£*--¨¨¨¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨¨¨¨--*£&@
&£*--¨¨¨¨¨ VISCIOUS PHASE OF THE TAINARON ¨¨¨¨¨--*£&
£*--¨¨¨¨¨¨ ECOSYSTEM. ¨¨¨¨¨¨--*£
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£*--¨¨¨¨¨¨ THE GUESTS ARRIVING DURING THE EARLY ¨¨¨¨¨¨--*£
&£*--¨¨¨¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨¨¨¨--*£&
@&£*--¨¨¨¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨¨¨--*£&@
@@&£*--¨¨¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨¨¨--*£&@@
#@@&£*--¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨--*£&@@#
##@@&£*--¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨--*£&@@##
#@@&£*--¨¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨--*£&@@#
@@&£*--¨¨¨ FURTHER THAN A FEW FLOORS). ¨¨¨--*£&@@
@&£*--¨¨¨¨ ¨¨¨¨--*£&@
&£*--¨¨¨¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨¨¨¨¨--*£&
£*--¨¨¨¨¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨¨¨¨¨--*£
*--¨¨¨¨¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨¨¨¨¨--*
£*--¨¨¨¨¨¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨¨¨¨¨--*£
&£*--¨¨¨¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨¨¨¨--*£&
@&£*--¨¨¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨¨¨¨--*£&@
@@&£*--¨¨¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨¨¨--*£&@@
#@@&£*--¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨--*£&@@#
##@@&£*--¨ BUILDING, FAR BELOW. ¨--*£&@@##
#@@&£*--¨¨ ¨¨--*£&@@#
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@&£*--¨¨¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨¨¨--*£&@
&£*--¨¨¨¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨¨¨¨--*£&
£*--¨¨¨¨¨¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨¨¨¨¨¨--*£
*--¨¨¨¨¨¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨¨¨¨¨¨--*
£*--¨¨¨¨¨¨ IT'S AT THIS POINT THAT THE SECOND SET ¨¨¨¨¨¨--*£
&£*--¨¨¨¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨¨¨¨--*£&
@&£*--¨¨¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨¨--*£&@
@@&£*--¨¨¨ ¨¨¨--*£&@@
#@@&£*--¨¨ ----- ¨¨--*£&@@#
##@@&£*--¨ ¨--*£&@@##
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@@&£*--¨¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨¨--*£&@@
@&£*--¨¨¨¨ SIT IN ONE OF THE LARGE WINDOWS, ¨¨¨¨--*£&@
&£*--¨¨¨¨¨ LOOKING THROUGH THE MIST FOR ANY ¨¨¨¨¨--*£&
£*--¨¨¨¨¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨¨¨¨¨--*£
*--¨¨¨¨¨¨¨ SHE TELLS ME THAT APART FROM COMING AND ¨¨¨¨¨¨¨--*
£*--¨¨¨¨¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨¨¨¨¨--*£
&£*--¨¨¨¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨¨¨¨--*£&
@&£*--¨¨¨¨ ¨¨¨¨--*£&@
@@&£*--¨¨¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨¨--*£&@@
#@@&£*--¨¨ DEMONSTRATION OF THE EXOBUBBLE. ¨¨--*£&@@#
##@@&£*--¨ ¨--*£&@@##
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