¨#¨¨##¨#¨# ¨##¨#¨#¨#¨
##¨#¨#¨#¨# #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# #¨#¨#¨#¨#¨
##¨#¨#¨#¨# #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# #¨#¨#¨#¨#¨
##¨#¨#¨#¨# THE SKYSCRAPER THAT MOVES #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# #¨#¨#¨#¨#¨
##¨#¨#¨#¨# TAINARON IS A BUILDING OWNED AND #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# OPERATED BY AMATA TEXNOLOGIYASI PLACED #¨#¨#¨#¨#¨
##¨#¨#¨#¨# CLOSED TO THE HARBOR IN MALMÖ. IT'S #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #¨#¨#¨#¨#¨
##¨#¨#¨#¨# UNKNOWN), DARK BLUE AND COMPLETELY #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# RECTANGULAR. IT FEATURES NO SIGNS, #¨#¨#¨#¨#¨
##¨#¨#¨#¨# LIGHTS, OR ORNAMENTS, APART FROM A #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# HELIPAD ON TOP. MOST FLOORS HAVE #¨#¨#¨#¨#¨
##¨#¨#¨#¨# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# #¨#¨#¨#¨#¨
##¨#¨#¨#¨# IN LATE EVENINGS, SHROUDED BY MALMö'S #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# SIGNATURE FOG ROLLING IN FROM THE SEA, #¨#¨#¨#¨#¨
##¨#¨#¨#¨# THE BUILDING COMES TO LIFE: IT MOVES ON #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# A THOUSAND ROBOTIC LEGS TO ANOTHER #¨#¨#¨#¨#¨
##¨#¨#¨#¨# (SECRET) PART OF TOWN, OR PERHAPS OUT #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# TO SEA. THIS SIGNALS A NEW AND MORE #¨#¨#¨#¨#¨
##¨#¨#¨#¨# VISCIOUS PHASE OF THE TAINARON #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# ECOSYSTEM. #¨#¨#¨#¨#¨
##¨#¨#¨#¨# #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# THE GUESTS ARRIVING DURING THE EARLY #¨#¨#¨#¨#¨
##¨#¨#¨#¨# EVENING ARE TREATED TO FOOD AND DRINK, #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #¨#¨#¨#¨#¨
##¨#¨#¨#¨# COMFORTABLE BUT MAZE-LIKE INTERIOR #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# STRUCTURE (THE BUILDING FEATURES A #¨#¨#¨#¨#¨
##¨#¨#¨#¨# MULTITUDE OF STAIRWELLS AND ELEVATORS, #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# PLACED SEEMINGLY AT RANDOM, NONE GOING #¨#¨#¨#¨#¨
##¨#¨#¨#¨# FURTHER THAN A FEW FLOORS). #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# #¨#¨#¨#¨#¨
##¨#¨#¨#¨# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# UNTIL THE AIR INSIDE HAS TAKEN ON THE #¨#¨#¨#¨#¨
##¨#¨#¨#¨# SAME QUALITY AS THE SURROUNDING MIST: #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #¨#¨#¨#¨#¨
##¨#¨#¨#¨# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# IF YOU WOULD LOOK THROUGH THE WINDOWS #¨#¨#¨#¨#¨
##¨#¨#¨#¨# YOU WOULD SEE THE MIST ROLLING BY, AND #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# PERHAPS THE OUTLINE OF SOME OTHER #¨#¨#¨#¨#¨
##¨#¨#¨#¨# BUILDING, FAR BELOW. #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# #¨#¨#¨#¨#¨
##¨#¨#¨#¨# DURING THE NIGHT, AFTER TAINARON HAS #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# STARTED MOVING, THE LOWER FLOORS ARE #¨#¨#¨#¨#¨
##¨#¨#¨#¨# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# THE GUESTS. FOOD IS NO LONGER SERVED, #¨#¨#¨#¨#¨
##¨#¨#¨#¨# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# IT'S AT THIS POINT THAT THE SECOND SET #¨#¨#¨#¨#¨
##¨#¨#¨#¨# OF GUEST ARRIVES, VIA HELICOPTER - #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #¨#¨#¨#¨#¨
##¨#¨#¨#¨# #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# ----- #¨#¨#¨#¨#¨
##¨#¨#¨#¨# #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# IN MY DREAM I AM INVITED AS A FRIEND OF #¨#¨#¨#¨#¨
##¨#¨#¨#¨# ONE OF THE SERVERS, AND THUS SAFE. WE #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# SIT IN ONE OF THE LARGE WINDOWS, #¨#¨#¨#¨#¨
##¨#¨#¨#¨# LOOKING THROUGH THE MIST FOR ANY #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# LANDMARKS TO PIERCE THROUGH THE MIST. #¨#¨#¨#¨#¨
##¨#¨#¨#¨# SHE TELLS ME THAT APART FROM COMING AND #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# GOING FROM WORK, SHE'S NEVER SEEN THE #¨#¨#¨#¨#¨
##¨#¨#¨#¨# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# #¨#¨#¨#¨#¨
##¨#¨#¨#¨# THE NEXT DAY I AM INVITED TO THE PUBLIC #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# DEMONSTRATION OF THE EXOBUBBLE. #¨#¨#¨#¨#¨
##¨#¨#¨#¨# #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# #¨#¨#¨#¨#¨
##¨#¨#¨#¨# #¨#¨#¨#¨#¨
¨#¨#¨#¨#¨# #¨#¨#¨#¨#¨
##¨#¨#¨#¨# #¨#¨#¨#¨#¨