#@&&&%==,¨ ¨,==%&&&@#
@@&%=¨¨¨¨¨ ¨¨¨¨¨=%&@@
###@&%==,¨ ¨,==%&@###
##@@&%==,¨ ¨,==%&@@##
##@@&%==,¨ ¨,==%&@@##
##@@&%==,¨ THE SKYSCRAPER THAT MOVES ¨,==%&@@##
##@@&%==,¨ ¨,==%&@@##
##@@&%==,¨ TAINARON IS A BUILDING OWNED AND ¨,==%&@@##
##@@&%==,¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨,==%&@@##
#@&%=,,,¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨,,,=%&@#
@%==¨¨¨¨¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨¨¨¨¨¨==%@
@@@@&%==,¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨,==%&@@@@
##@@&%==,¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨,==%&@@##
@@@%====,¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨,====%@@@
##@@&%==,¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨,==%&@@##
@&&&=,¨¨¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨¨¨,=&&&@
#@@@&%==,¨ ¨,==%&@@@#
@@&%====,¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨,====%&@@
##@@&%==,¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨,==%&@@##
##@@&%==,¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨,==%&@@##
##@@&%==,¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨,==%&@@##
@@@@&%==,¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨,==%&@@@@
@&&%%==,¨¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨¨,==%%&&@
##@@&%==,¨ VISCIOUS PHASE OF THE TAINARON ¨,==%&@@##
##@@&%==,¨ ECOSYSTEM. ¨,==%&@@##
###@@&==,¨ ¨,==&@@###
##@@&%==,¨ THE GUESTS ARRIVING DURING THE EARLY ¨,==%&@@##
##@@&%==,¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨,==%&@@##
@&===,¨¨¨¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨¨¨,===&@
###@&%==,¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨,==%&@###
##@@&%==,¨ STRUCTURE (THE BUILDING FEATURES A ¨,==%&@@##
#@@%%==,¨¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨¨,==%%@@#
##@@&%==,¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨,==%&@@##
##@@&%==,¨ FURTHER THAN A FEW FLOORS). ¨,==%&@@##
@@%===,¨¨¨ ¨¨¨,===%@@
##@@&%==,¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨,==%&@@##
#@%=,¨¨¨¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨¨¨¨,=%@#
###@@%==,¨ SAME QUALITY AS THE SURROUNDING MIST: ¨,==%@@###
##@@&%==,¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨,==%&@@##
@@@&===¨¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨¨===&@@@
##@@&%==,¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨,==%&@@##
##@@&%==,¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨,==%&@@##
#@%%=¨¨¨¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨¨¨¨=%%@#
@%===,¨¨¨¨ BUILDING, FAR BELOW. ¨¨¨¨,===%@
##@@&%==,¨ ¨,==%&@@##
##@@&%==,¨ DURING THE NIGHT, AFTER TAINARON HAS ¨,==%&@@##
##@@&%==,¨ STARTED MOVING, THE LOWER FLOORS ARE ¨,==%&@@##
@@%=,¨¨¨¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨¨¨¨,=%@@
#@@@&%==,¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨,==%&@@@#
@%===¨¨¨¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨¨¨¨===%@
#@%%===¨¨¨ IT'S AT THIS POINT THAT THE SECOND SET ¨¨¨===%%@#
##@@&%==,¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨,==%&@@##
@@@%=,¨¨¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨¨,=%@@@
##@@&%==,¨ ¨,==%&@@##
##@@&%==,¨ ===== ¨,==%&@@##
###@&%==,¨ ¨,==%&@###
##@@&%==,¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨,==%&@@##
#@&%====,¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨,====%&@#
###@&%==,¨ SIT IN ONE OF THE LARGE WINDOWS, ¨,==%&@###
@@&%%%==,¨ LOOKING THROUGH THE MIST FOR ANY ¨,==%%%&@@
##@@&%==,¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨,==%&@@##
#@&&&%==,¨ SHE TELLS ME THAT APART FROM COMING AND ¨,==%&&&@#
@@%==,¨¨¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨¨¨,==%@@
@%=,¨¨¨¨¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨¨¨¨¨,=%@
##@@&%==,¨ ¨,==%&@@##
#@&%%=,,¨¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨,,=%%&@#
##@@&%==,¨ DEMONSTRATION OF THE EXOBUBBLE. ¨,==%&@@##
##@@&%==,¨ ¨,==%&@@##
###@@&==,¨ ¨,==&@@###
##@@&%==,¨ ¨,==%&@@##
@&%==,¨¨¨¨ ¨¨¨¨,==%&@
##@@&%==,¨ ¨,==%&@@##