#@#@¤$\-,¨ ¨,-\$¤@#@#
#@#@¤$\-,¨ ¨,-\$¤@#@#
@@@¤$$\-,¨ ¨,-\$$¤@@@
@@¤\,¨¨¨¨¨ ¨¨¨¨¨,\¤@@
#@#@¤$\-,¨ ¨,-\$¤@#@#
#@#@¤$\-,¨ THE SKYSCRAPER THAT MOVES ¨,-\$¤@#@#
###@¤$\-,¨ ¨,-\$¤@###
#@$-¨¨¨¨¨¨ TAINARON IS A BUILDING OWNED AND ¨¨¨¨¨¨-$@#
#@#@¤$\-,¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨,-\$¤@#@#
##@@¤$\-,¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨,-\$¤@@##
##@@¤$\-,¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨,-\$¤@@##
###@¤$\-,¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨,-\$¤@###
@@@¤¤$\-,¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨,-\$¤¤@@@
#@@¤¤$\-,¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨,-\$¤¤@@#
#@#@¤$\-,¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨,-\$¤@#@#
@@$$$-¨¨¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨¨¨-$$$@@
@@¤\,¨¨¨¨¨ ¨¨¨¨¨,\¤@@
@#¤\-¨¨¨¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨¨¨¨¨-\¤#@
#@#@¤$\-,¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨,-\$¤@#@#
##@@¤$\-,¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨,-\$¤@@##
@#¤\,¨¨¨¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨¨¨¨,\¤#@
#@#@¤$\-,¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨,-\$¤@#@#
#@$\--,,,¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨,,,--\$@#
#@#@¤$\-,¨ VISCIOUS PHASE OF THE TAINARON ¨,-\$¤@#@#
#@#@¤$\-,¨ ECOSYSTEM. ¨,-\$¤@#@#
@@¤$\\-¨¨¨ ¨¨¨-\\$¤@@
@@#@¤$\-,¨ THE GUESTS ARRIVING DURING THE EARLY ¨,-\$¤@#@@
#@#@¤$\-,¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨,-\$¤@#@#
@@#@¤$\-,¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨,-\$¤@#@@
###@¤$\-,¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨,-\$¤@###
@#¤$--¨¨¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨¨¨--$¤#@
#@#@¤$\-,¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨,-\$¤@#@#
#@#@¤$\-,¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨,-\$¤@#@#
###@¤$\-,¨ FURTHER THAN A FEW FLOORS). ¨,-\$¤@###
###@¤$\-,¨ ¨,-\$¤@###
#@#@¤$\-,¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨,-\$¤@#@#
@$$\-¨¨¨¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨¨¨¨-\$$@
#@#@¤$\-,¨ SAME QUALITY AS THE SURROUNDING MIST: ¨,-\$¤@#@#
@¤\\-,¨¨¨¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨¨¨,-\\¤@
#@#@¤$\-,¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨,-\$¤@#@#
@#¤¤$-,¨¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨¨¨,-$¤¤#@
##@¤\,¨¨¨¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨¨¨¨,\¤@##
@@¤$-¨¨¨¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨¨¨¨-$¤@@
@@@¤\\\-,¨ BUILDING, FAR BELOW. ¨,-\\\¤@@@
@¤$-¨¨¨¨¨¨ ¨¨¨¨¨¨-$¤@
#@#@¤$\-,¨ DURING THE NIGHT, AFTER TAINARON HAS ¨,-\$¤@#@#
@@#@¤$\-,¨ STARTED MOVING, THE LOWER FLOORS ARE ¨,-\$¤@#@@
#@¤\\,,¨¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨¨,,\\¤@#
#¤$$\--¨¨¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨¨¨--\$$¤#
@$\-,¨¨¨¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨¨¨¨,-\$@
@¤¤¤¤$\-,¨ IT'S AT THIS POINT THAT THE SECOND SET ¨,-\$¤¤¤¤@
#@#@¤$\-,¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨,-\$¤@#@#
@#¤\-,¨¨¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨¨,-\¤#@
#@#@¤$\-,¨ ¨,-\$¤@#@#
@@¤$-,,¨¨¨ ----- ¨¨¨,,-$¤@@
@@$\\-,¨¨¨ ¨¨¨,-\\$@@
#@#@¤$\-,¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨,-\$¤@#@#
#@#@¤$\-,¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨,-\$¤@#@#
#@$-,¨¨¨¨¨ SIT IN ONE OF THE LARGE WINDOWS, ¨¨¨¨¨,-$@#
#@#@¤$\-,¨ LOOKING THROUGH THE MIST FOR ANY ¨,-\$¤@#@#
#@¤\\-¨¨¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨¨¨-\\¤@#
#@#@¤$\-,¨ SHE TELLS ME THAT APART FROM COMING AND ¨,-\$¤@#@#
#¤$$-¨¨¨¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨¨¨¨-$$¤#
@¤$$-¨¨¨¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨¨¨¨-$$¤@
#@#@¤$\-,¨ ¨,-\$¤@#@#
#@$$\\,,,¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨,,,\\$$@#
@¤¤$\-¨¨¨¨ DEMONSTRATION OF THE EXOBUBBLE. ¨¨¨¨-\$¤¤@
@¤$$-¨¨¨¨¨ ¨¨¨¨¨-$$¤@
##@$$\,¨¨¨ ¨¨¨,\$$@##
#@#@¤$\-,¨ ¨,-\$¤@#@#
#@#@¤$\-,¨ ¨,-\$¤@#@#
##@#@¤$\-¨ ¨-\$¤@#@##