##@§@*;«¨¨ ¨¨«;*@§@##
#@§@*;«¨¨¨ ¨¨¨«;*@§@#
@§@*;«¨¨¨¨ ¨¨¨¨«;*@§@
#@§@*;«¨¨¨ ¨¨¨«;*@§@#
##@§@*;«¨¨ ¨¨«;*@§@##
###@§@*;«¨ THE SKYSCRAPER THAT MOVES ¨«;*@§@###
##@§@*;«¨¨ ¨¨«;*@§@##
#@§@*;«¨¨¨ TAINARON IS A BUILDING OWNED AND ¨¨¨«;*@§@#
@§@*;«¨¨¨¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨¨¨¨«;*@§@
#@§@*;«¨¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨¨«;*@§@#
##@§@*;«¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨¨«;*@§@##
###@§@*;«¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨«;*@§@###
##@§@*;«¨¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨¨«;*@§@##
#@§@*;«¨¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨¨«;*@§@#
@§@*;«¨¨¨¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨¨¨¨«;*@§@
#@§@*;«¨¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨¨«;*@§@#
##@§@*;«¨¨ ¨¨«;*@§@##
###@§@*;«¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨«;*@§@###
##@§@*;«¨¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨¨«;*@§@##
#@§@*;«¨¨¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨¨¨«;*@§@#
@§@*;«¨¨¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨¨¨«;*@§@
#@§@*;«¨¨¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨¨¨«;*@§@#
##@§@*;«¨¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨¨«;*@§@##
###@§@*;«¨ VISCIOUS PHASE OF THE TAINARON ¨«;*@§@###
##@§@*;«¨¨ ECOSYSTEM. ¨¨«;*@§@##
#@§@*;«¨¨¨ ¨¨¨«;*@§@#
@§@*;«¨¨¨¨ THE GUESTS ARRIVING DURING THE EARLY ¨¨¨¨«;*@§@
#@§@*;«¨¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨¨«;*@§@#
##@§@*;«¨¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨«;*@§@##
###@§@*;«¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨«;*@§@###
##@§@*;«¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨«;*@§@##
#@§@*;«¨¨¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨¨¨«;*@§@#
@§@*;«¨¨¨¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨¨¨«;*@§@
#@§@*;«¨¨¨ FURTHER THAN A FEW FLOORS). ¨¨¨«;*@§@#
##@§@*;«¨¨ ¨¨«;*@§@##
###@§@*;«¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨«;*@§@###
##@§@*;«¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨«;*@§@##
#@§@*;«¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨«;*@§@#
@§@*;«¨¨¨¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨¨¨«;*@§@
#@§@*;«¨¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨¨«;*@§@#
##@§@*;«¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨¨«;*@§@##
###@§@*;«¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨«;*@§@###
##@§@*;«¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨«;*@§@##
#@§@*;«¨¨¨ BUILDING, FAR BELOW. ¨¨¨«;*@§@#
@§@*;«¨¨¨¨ ¨¨¨¨«;*@§@
#@§@*;«¨¨¨ DURING THE NIGHT, AFTER TAINARON HAS ¨¨¨«;*@§@#
##@§@*;«¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨«;*@§@##
###@§@*;«¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨«;*@§@###
##@§@*;«¨¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨¨«;*@§@##
#@§@*;«¨¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨¨«;*@§@#
@§@*;«¨¨¨¨ IT'S AT THIS POINT THAT THE SECOND SET ¨¨¨¨«;*@§@
#@§@*;«¨¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨¨«;*@§@#
##@§@*;«¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨«;*@§@##
###@§@*;«¨ ¨«;*@§@###
##@§@*;«¨¨ ««««« ¨¨«;*@§@##
#@§@*;«¨¨¨ ¨¨¨«;*@§@#
@§@*;«¨¨¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨¨¨¨«;*@§@
#@§@*;«¨¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨¨«;*@§@#
##@§@*;«¨¨ SIT IN ONE OF THE LARGE WINDOWS, ¨¨«;*@§@##
###@§@*;«¨ LOOKING THROUGH THE MIST FOR ANY ¨«;*@§@###
##@§@*;«¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨«;*@§@##
#@§@*;«¨¨¨ SHE TELLS ME THAT APART FROM COMING AND ¨¨¨«;*@§@#
@§@*;«¨¨¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨¨¨«;*@§@
#@§@*;«¨¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨¨«;*@§@#
##@§@*;«¨¨ ¨¨«;*@§@##
###@§@*;«¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨«;*@§@###
##@§@*;«¨¨ DEMONSTRATION OF THE EXOBUBBLE. ¨¨«;*@§@##
#@§@*;«¨¨¨ ¨¨¨«;*@§@#
@§@*;«¨¨¨¨ ¨¨¨¨«;*@§@
#@§@*;«¨¨¨ ¨¨¨«;*@§@#
##@§@*;«¨¨ ¨¨«;*@§@##
###@§@*;«¨ ¨«;*@§@###