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...-;†%§£#                                          #£§%†;-...
..-;†%§£##        THE SKYSCRAPER THAT MOVES         ##£§%†;-..
...-;†%§£#                                          #£§%†;-...
....-;†%§£ TAINARON  IS  A   BUILDING   OWNED   AND £§%†;-....
...-;†%§£#  OPERATED BY AMATA TEXNOLOGIYASI PLACED  #£§%†;-...
..-;†%§£## CLOSED  TO THE  HARBOR  IN  MALMÖ.  IT'S ##£§%†;-..
...-;†%§£# ROUGHLY SIXTY  FLOORS HIGH (REAL  NUMBER #£§%†;-...
....-;†%§£    UNKNOWN), DARK BLUE AND COMPLETELY    £§%†;-....
...-;†%§£#    RECTANGULAR. IT FEATURES NO SIGNS,    #£§%†;-...
..-;†%§£## LIGHTS,  OR  ORNAMENTS,   APART  FROM  A ##£§%†;-..
...-;†%§£# HELIPAD   ON  TOP.  MOST   FLOORS   HAVE #£§%†;-...
....-;†%§£ EXTERIOR WALLS COMPLETELY MADE OF GLASS. £§%†;-....
...-;†%§£#                                          #£§%†;-...
..-;†%§£## IN LATE  EVENINGS,  SHROUDED BY  MALMö'S ##£§%†;-..
...-;†%§£# SIGNATURE  FOG ROLLING  IN FROM THE SEA, #£§%†;-...
....-;†%§£ THE BUILDING  COMES TO LIFE: IT MOVES ON £§%†;-....
...-;†%§£# A  THOUSAND  ROBOTIC  LEGS  TO   ANOTHER #£§%†;-...
..-;†%§£## (SECRET) PART OF  TOWN,  OR  PERHAPS OUT ##£§%†;-..
...-;†%§£# TO  SEA. THIS  SIGNALS A  NEW  AND  MORE #£§%†;-...
....-;†%§£      VISCIOUS PHASE OF THE TAINARON      £§%†;-....
...-;†%§£#                ECOSYSTEM.                #£§%†;-...
..-;†%§£##                                          ##£§%†;-..
...-;†%§£# THE GUESTS  ARRIVING  DURING  THE  EARLY #£§%†;-...
....-;†%§£ EVENING  ARE  TREATED TO FOOD AND DRINK, £§%†;-....
...-;†%§£# LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A #£§%†;-...
..-;†%§£##    COMFORTABLE BUT MAZE-LIKE INTERIOR    ##£§%†;-..
...-;†%§£#    STRUCTURE (THE BUILDING FEATURES A    #£§%†;-...
....-;†%§£  MULTITUDE OF STAIRWELLS AND ELEVATORS,  £§%†;-....
...-;†%§£# PLACED  SEEMINGLY AT RANDOM, NONE  GOING #£§%†;-...
..-;†%§£##       FURTHER THAN A FEW FLOORS).        ##£§%†;-..
...-;†%§£#                                          #£§%†;-...
....-;†%§£ AS  TIME GOES ON, THE LIGHTS SLOWLY DIM, £§%†;-....
...-;†%§£# UNTIL THE  AIR INSIDE  HAS TAKEN ON  THE #£§%†;-...
..-;†%§£## SAME  QUALITY  AS THE SURROUNDING  MIST: ##£§%†;-..
...-;†%§£# BLUE-GRAY,  SPRINKLED WITH THE SMALL RED #£§%†;-...
....-;†%§£ DOT'S  BY DOOR LOCKS AND CONTROL PANELS. £§%†;-....
...-;†%§£# IF  YOU WOULD LOOK THROUGH  THE  WINDOWS #£§%†;-...
..-;†%§£## YOU WOULD SEE THE MIST ROLLING  BY,  AND ##£§%†;-..
...-;†%§£# PERHAPS  THE   OUTLINE   OF  SOME  OTHER #£§%†;-...
....-;†%§£           BUILDING, FAR BELOW.           £§%†;-....
...-;†%§£#                                          #£§%†;-...
..-;†%§£## DURING  THE  NIGHT,  AFTER TAINARON  HAS ##£§%†;-..
...-;†%§£# STARTED MOVING,  THE  LOWER  FLOORS  ARE #£§%†;-...
....-;†%§£ SHUT  OFF, PREVENTING  ENTRY OR EXIT FOR £§%†;-....
...-;†%§£# THE GUESTS. FOOD  IS  NO  LONGER SERVED, #£§%†;-...
..-;†%§£## BUT THE DRINKS BECOME  MORE EXTRAVAGANT. ##£§%†;-..
...-;†%§£# IT'S AT THIS POINT THAT THE  SECOND  SET #£§%†;-...
....-;†%§£ OF  GUEST  ARRIVES,  VIA  HELICOPTER   - £§%†;-....
...-;†%§£#  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  #£§%†;-...
..-;†%§£##                                          ##£§%†;-..
...-;†%§£#                  -----                   #£§%†;-...
....-;†%§£                                          £§%†;-....
...-;†%§£# IN MY DREAM I AM INVITED AS A FRIEND  OF #£§%†;-...
..-;†%§£## ONE OF THE SERVERS,  AND THUS  SAFE.  WE ##£§%†;-..
...-;†%§£# SIT  IN   ONE  OF  THE   LARGE  WINDOWS, #£§%†;-...
....-;†%§£ LOOKING  THROUGH   THE   MIST   FOR  ANY £§%†;-....
...-;†%§£# LANDMARKS TO PIERCE  THROUGH  THE  MIST. #£§%†;-...
..-;†%§£## SHE TELLS ME THAT  APART FROM COMING AND ##£§%†;-..
...-;†%§£# GOING FROM  WORK, SHE'S  NEVER  SEEN THE #£§%†;-...
....-;†%§£ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. £§%†;-....
...-;†%§£#                                          #£§%†;-...
..-;†%§£## THE NEXT DAY I  AM INVITED TO THE PUBLIC ##£§%†;-..
...-;†%§£#     DEMONSTRATION OF THE EXOBUBBLE.      #£§%†;-...
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