@@#††»-... ...-»††#@@
#@@#††»-.. ..-»††#@@#
##@@#††»-. .-»††#@@##
#@@#††»-.. ..-»††#@@#
@@#††»-... ...-»††#@@
@#††»-.... THE SKYSCRAPER THAT MOVES ....-»††#@
@@#††»-... ...-»††#@@
#@@#††»-.. TAINARON IS A BUILDING OWNED AND ..-»††#@@#
##@@#††»-. OPERATED BY AMATA TEXNOLOGIYASI PLACED .-»††#@@##
#@@#††»-.. CLOSED TO THE HARBOR IN MALMÖ. IT'S ..-»††#@@#
@@#††»-... ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ...-»††#@@
@#††»-.... UNKNOWN), DARK BLUE AND COMPLETELY ....-»††#@
@@#††»-... RECTANGULAR. IT FEATURES NO SIGNS, ...-»††#@@
#@@#††»-.. LIGHTS, OR ORNAMENTS, APART FROM A ..-»††#@@#
##@@#††»-. HELIPAD ON TOP. MOST FLOORS HAVE .-»††#@@##
#@@#††»-.. EXTERIOR WALLS COMPLETELY MADE OF GLASS. ..-»††#@@#
@@#††»-... ...-»††#@@
@#††»-.... IN LATE EVENINGS, SHROUDED BY MALMö'S ....-»††#@
@@#††»-... SIGNATURE FOG ROLLING IN FROM THE SEA, ...-»††#@@
#@@#††»-.. THE BUILDING COMES TO LIFE: IT MOVES ON ..-»††#@@#
##@@#††»-. A THOUSAND ROBOTIC LEGS TO ANOTHER .-»††#@@##
#@@#††»-.. (SECRET) PART OF TOWN, OR PERHAPS OUT ..-»††#@@#
@@#††»-... TO SEA. THIS SIGNALS A NEW AND MORE ...-»††#@@
@#††»-.... VISCIOUS PHASE OF THE TAINARON ....-»††#@
@@#††»-... ECOSYSTEM. ...-»††#@@
#@@#††»-.. ..-»††#@@#
##@@#††»-. THE GUESTS ARRIVING DURING THE EARLY .-»††#@@##
#@@#††»-.. EVENING ARE TREATED TO FOOD AND DRINK, ..-»††#@@#
@@#††»-... LIVE MUSIC, BEATUTIFUL VIEWS, AND A ...-»††#@@
@#††»-.... COMFORTABLE BUT MAZE-LIKE INTERIOR ....-»††#@
@@#††»-... STRUCTURE (THE BUILDING FEATURES A ...-»††#@@
#@@#††»-.. MULTITUDE OF STAIRWELLS AND ELEVATORS, ..-»††#@@#
##@@#††»-. PLACED SEEMINGLY AT RANDOM, NONE GOING .-»††#@@##
#@@#††»-.. FURTHER THAN A FEW FLOORS). ..-»††#@@#
@@#††»-... ...-»††#@@
@#††»-.... AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ....-»††#@
@@#††»-... UNTIL THE AIR INSIDE HAS TAKEN ON THE ...-»††#@@
#@@#††»-.. SAME QUALITY AS THE SURROUNDING MIST: ..-»††#@@#
##@@#††»-. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .-»††#@@##
#@@#††»-.. DOT'S BY DOOR LOCKS AND CONTROL PANELS. ..-»††#@@#
@@#††»-... IF YOU WOULD LOOK THROUGH THE WINDOWS ...-»††#@@
@#††»-.... YOU WOULD SEE THE MIST ROLLING BY, AND ....-»††#@
@@#††»-... PERHAPS THE OUTLINE OF SOME OTHER ...-»††#@@
#@@#††»-.. BUILDING, FAR BELOW. ..-»††#@@#
##@@#††»-. .-»††#@@##
#@@#††»-.. DURING THE NIGHT, AFTER TAINARON HAS ..-»††#@@#
@@#††»-... STARTED MOVING, THE LOWER FLOORS ARE ...-»††#@@
@#††»-.... SHUT OFF, PREVENTING ENTRY OR EXIT FOR ....-»††#@
@@#††»-... THE GUESTS. FOOD IS NO LONGER SERVED, ...-»††#@@
#@@#††»-.. BUT THE DRINKS BECOME MORE EXTRAVAGANT. ..-»††#@@#
##@@#††»-. IT'S AT THIS POINT THAT THE SECOND SET .-»††#@@##
#@@#††»-.. OF GUEST ARRIVES, VIA HELICOPTER - ..-»††#@@#
@@#††»-... AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ...-»††#@@
@#††»-.... ....-»††#@
@@#††»-... »»»»» ...-»††#@@
#@@#††»-.. ..-»††#@@#
##@@#††»-. IN MY DREAM I AM INVITED AS A FRIEND OF .-»††#@@##
#@@#††»-.. ONE OF THE SERVERS, AND THUS SAFE. WE ..-»††#@@#
@@#††»-... SIT IN ONE OF THE LARGE WINDOWS, ...-»††#@@
@#††»-.... LOOKING THROUGH THE MIST FOR ANY ....-»††#@
@@#††»-... LANDMARKS TO PIERCE THROUGH THE MIST. ...-»††#@@
#@@#††»-.. SHE TELLS ME THAT APART FROM COMING AND ..-»††#@@#
##@@#††»-. GOING FROM WORK, SHE'S NEVER SEEN THE .-»††#@@##
#@@#††»-.. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ..-»††#@@#
@@#††»-... ...-»††#@@
@#††»-.... THE NEXT DAY I AM INVITED TO THE PUBLIC ....-»††#@
@@#††»-... DEMONSTRATION OF THE EXOBUBBLE. ...-»††#@@
#@@#††»-.. ..-»††#@@#
##@@#††»-. .-»††#@@##
#@@#††»-.. ..-»††#@@#
@@#††»-... ...-»††#@@
@#††»-.... ....-»††#@