¨~~:§@## ###&@§:~~¨
¨~~:§### ####&§:~~¨
¨~~:§@## ###&@§:~~¨
¨~~:§@## ###&@§:~~¨
¨~~:§@## ###&@§:~~¨
¨¨¨~~~~§&& THE SKYSCRAPER THAT MOVES &&§~~~~¨¨¨
¨¨¨¨¨~~§&& &&§~~¨¨¨¨¨
¨~~:§@## TAINARON IS A BUILDING OWNED AND ###&@§:~~¨
¨~~:§@## OPERATED BY AMATA TEXNOLOGIYASI PLACED ###&@§:~~¨
¨¨¨¨¨~~:@& CLOSED TO THE HARBOR IN MALMÖ. IT'S &@:~~¨¨¨¨¨
¨¨¨¨¨~:@@& ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER &@@:~¨¨¨¨¨
¨¨¨¨~~:@## UNKNOWN), DARK BLUE AND COMPLETELY ##@:~~¨¨¨¨
¨¨¨¨¨~:§ RECTANGULAR. IT FEATURES NO SIGNS, #&§:~¨¨¨¨¨
¨~~::::@## LIGHTS, OR ORNAMENTS, APART FROM A ##@::::~~¨
¨~~:§@## HELIPAD ON TOP. MOST FLOORS HAVE ###&@§:~~¨
¨~~:§@## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###&@§:~~¨
¨~~~~:§@ #&@§:~~~~¨
¨~~:§@## IN LATE EVENINGS, SHROUDED BY MALMö'S ###&@§:~~¨
¨¨~~~~:@ SIGNATURE FOG ROLLING IN FROM THE SEA, #&@:~~~~¨¨
¨~~:§@@@@& THE BUILDING COMES TO LIFE: IT MOVES ON &@@@@§:~~¨
¨~~:§@&# A THOUSAND ROBOTIC LEGS TO ANOTHER ##&&@§:~~¨
¨¨¨~~:§@ (SECRET) PART OF TOWN, OR PERHAPS OUT #&@§:~~¨¨¨
¨¨¨~~:§@ TO SEA. THIS SIGNALS A NEW AND MORE #&@§:~~¨¨¨
¨~~:§@## VISCIOUS PHASE OF THE TAINARON ###&@§:~~¨
¨¨~~~§§@## ECOSYSTEM. ##@§§~~~¨¨
¨~~:§@## ###&@§:~~¨
¨~~:§@## THE GUESTS ARRIVING DURING THE EARLY ###&@§:~~¨
¨~~:§@## EVENING ARE TREATED TO FOOD AND DRINK, ###&@§:~~¨
¨~~:§@## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ###&@§:~~¨
¨~~:§@## COMFORTABLE BUT MAZE-LIKE INTERIOR ###&@§:~~¨
¨~~:§@## STRUCTURE (THE BUILDING FEATURES A ###&@§:~~¨
¨~~:§@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ###&@§:~~¨
¨¨¨¨¨~:§@& PLACED SEEMINGLY AT RANDOM, NONE GOING &@§:~¨¨¨¨¨
¨~~:§@## FURTHER THAN A FEW FLOORS). ###&@§:~~¨
¨¨¨¨~:@@@# #@@@:~¨¨¨¨
¨~~:§@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###&@§:~~¨
¨¨¨¨¨¨~:§& UNTIL THE AIR INSIDE HAS TAKEN ON THE &§:~¨¨¨¨¨¨
¨¨¨~:§@@## SAME QUALITY AS THE SURROUNDING MIST: ##@@§:~¨¨¨
¨¨¨~~~:@@& BLUE-GRAY, SPRINKLED WITH THE SMALL RED &@@:~~~¨¨¨
¨¨¨¨¨¨¨~§& DOT'S BY DOOR LOCKS AND CONTROL PANELS. &§~¨¨¨¨¨¨¨
¨~~:§@## IF YOU WOULD LOOK THROUGH THE WINDOWS ###&@§:~~¨
¨~~:§@@@ YOU WOULD SEE THE MIST ROLLING BY, AND #&@@@§:~~¨
¨~~~::§§ PERHAPS THE OUTLINE OF SOME OTHER #&§§::~~~¨
¨~~~::§@@# BUILDING, FAR BELOW. #@@§::~~~¨
¨¨¨¨~~:§ #&§:~~¨¨¨¨
¨¨¨~:§@@ DURING THE NIGHT, AFTER TAINARON HAS #&@@§:~¨¨¨
¨¨¨~~~~§§& STARTED MOVING, THE LOWER FLOORS ARE &§§~~~~¨¨¨
¨¨¨~::@@@& SHUT OFF, PREVENTING ENTRY OR EXIT FOR &@@@::~¨¨¨
¨¨¨¨~§§§ THE GUESTS. FOOD IS NO LONGER SERVED, #&§§§~¨¨¨¨
¨~~:§@## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ###&@§:~~¨
¨~~:§### IT'S AT THIS POINT THAT THE SECOND SET ####&§:~~¨
¨~~:§@## OF GUEST ARRIVES, VIA HELICOPTER - ###&@§:~~¨
¨~~:§@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ###&@§:~~¨
¨~~:§@## ###&@§:~~¨
¨~~:§@## ~~~~~ ###&@§:~~¨
¨¨¨~~~§& #&&§~~~¨¨¨
¨~~:@### IN MY DREAM I AM INVITED AS A FRIEND OF ####&@:~~¨
¨¨~~~::§ ONE OF THE SERVERS, AND THUS SAFE. WE #&§::~~~¨¨
¨~~:§@## SIT IN ONE OF THE LARGE WINDOWS, ###&@§:~~¨
¨~~:§@## LOOKING THROUGH THE MIST FOR ANY ###&@§:~~¨
¨~~:§@## LANDMARKS TO PIERCE THROUGH THE MIST. ###&@§:~~¨
¨¨¨¨~~§@@& SHE TELLS ME THAT APART FROM COMING AND &@@§~~¨¨¨¨
¨~~:§### GOING FROM WORK, SHE'S NEVER SEEN THE ####&§:~~¨
¨¨¨¨¨¨~:@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@:~¨¨¨¨¨¨
¨¨¨¨¨~~:@# #@:~~¨¨¨¨¨
¨~~:§@&# THE NEXT DAY I AM INVITED TO THE PUBLIC ##&&@§:~~¨
¨¨¨¨~::§@# DEMONSTRATION OF THE EXOBUBBLE. #@§::~¨¨¨¨
¨¨¨¨~:§§ #&§§:~¨¨¨¨
¨~~:§@## ###&@§:~~¨
¨~~:§@## ###&@§:~~¨
¨¨¨¨~~§§ #&§§~~¨¨¨¨
~~:§@### ####&@§:~~