##@££%/~.¨                                          ¨.~/%££@##
###££%/~.¨                                          ¨.~/%££###
@@@££%/~.¨                                          ¨.~/%££@@@
#@££///~.¨                                          ¨.~///££@#
##@££%/~.¨                                          ¨.~/%££@##
##@££%/~.¨         THE SKYSCRAPER THAT MOVES        ¨.~/%££@##
##@££%/~.¨                                          ¨.~/%££@##
@@£%%%/~.¨ TAINARON  IS   A  BUILDING   OWNED   AND ¨.~/%%%£@@
@@££%%/~.¨  OPERATED BY AMATA TEXNOLOGIYASI PLACED  ¨.~/%%££@@
##@££%/~.¨ CLOSED TO  THE  HARBOR  IN  MALMÖ.  IT'S ¨.~/%££@##
££%//~..¨¨ ROUGHLY  SIXTY FLOORS HIGH  (REAL NUMBER ¨¨..~//%££
##@££%/~.¨    UNKNOWN), DARK BLUE AND COMPLETELY    ¨.~/%££@##
##@££%/~.¨    RECTANGULAR. IT FEATURES NO SIGNS,    ¨.~/%££@##
££%%%%/~.¨ LIGHTS,  OR   ORNAMENTS,  APART  FROM  A ¨.~/%%%%££
@@£%/~.¨¨¨ HELIPAD  ON   TOP.  MOST   FLOORS   HAVE ¨¨¨.~/%£@@
##@££%/~.¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨.~/%££@##
##@££%/~.¨                                          ¨.~/%££@##
#£%////~.¨ IN  LATE  EVENINGS, SHROUDED BY  MALMö'S ¨.~////%£#
@£%%~¨¨¨¨¨ SIGNATURE  FOG ROLLING IN FROM  THE SEA, ¨¨¨¨¨~%%£@
##@££%/~.¨ THE BUILDING COMES  TO LIFE: IT MOVES ON ¨.~/%££@##
###@££%~.¨ A   THOUSAND  ROBOTIC  LEGS  TO  ANOTHER ¨.~%££@###
@££/~¨¨¨¨¨ (SECRET) PART OF TOWN,  OR  PERHAPS  OUT ¨¨¨¨¨~/££@
££%///.¨¨¨ TO  SEA.  THIS SIGNALS  A NEW  AND  MORE ¨¨¨.///%££
###@££/~.¨      VISCIOUS PHASE OF THE TAINARON      ¨.~/££@###
#££//.¨¨¨¨                ECOSYSTEM.                ¨¨¨¨.//££#
##@££%/~.¨                                          ¨.~/%££@##
##@££%/~.¨ THE  GUESTS  ARRIVING  DURING THE  EARLY ¨.~/%££@##
##@££%/~.¨ EVENING ARE TREATED  TO  FOOD AND DRINK, ¨.~/%££@##
###@£%/~.¨ LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ¨.~/%£@###
##@££%/~.¨    COMFORTABLE BUT MAZE-LIKE INTERIOR    ¨.~/%££@##
£%~~~~~~.¨    STRUCTURE (THE BUILDING FEATURES A    ¨.~~~~~~%£
£%%%~~~..¨  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ¨..~~~%%%£
##@££%/~.¨ PLACED  SEEMINGLY AT RANDOM, NONE  GOING ¨.~/%££@##
#@@££%/~.¨       FURTHER THAN A FEW FLOORS).        ¨.~/%££@@#
###@£%/~.¨                                          ¨.~/%£@###
##@££%/~.¨ AS  TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨.~/%££@##
£%/..¨¨¨¨¨ UNTIL THE  AIR INSIDE  HAS TAKEN  ON THE ¨¨¨¨¨../%£
##@££%/~.¨ SAME  QUALITY AS  THE  SURROUNDING MIST: ¨.~/%££@##
££///~¨¨¨¨ BLUE-GRAY, SPRINKLED WITH THE  SMALL RED ¨¨¨¨~///££
##@££%/~.¨ DOT'S BY DOOR LOCKS  AND CONTROL PANELS. ¨.~/%££@##
##@££%/~.¨ IF  YOU WOULD  LOOK THROUGH  THE WINDOWS ¨.~/%££@##
##@££%/~.¨ YOU WOULD  SEE THE MIST ROLLING  BY, AND ¨.~/%££@##
##@££%/~.¨ PERHAPS   THE  OUTLINE  OF  SOME   OTHER ¨.~/%££@##
£££/..¨¨¨¨           BUILDING, FAR BELOW.           ¨¨¨¨../£££
##@££%/~.¨                                          ¨.~/%££@##
###@£%/~.¨ DURING  THE NIGHT,  AFTER  TAINARON  HAS ¨.~/%£@###
@@@££%/~.¨ STARTED  MOVING,  THE LOWER  FLOORS  ARE ¨.~/%££@@@
#@£££%/~.¨ SHUT OFF, PREVENTING  ENTRY OR EXIT  FOR ¨.~/%£££@#
£%//.¨¨¨¨¨ THE GUESTS. FOOD  IS  NO  LONGER SERVED, ¨¨¨¨¨.//%£
###@£%/~.¨ BUT THE  DRINKS BECOME MORE EXTRAVAGANT. ¨.~/%£@###
##@££%/~.¨ IT'S AT THIS POINT THAT  THE  SECOND SET ¨.~/%££@##
##@££%/~.¨ OF   GUEST  ARRIVES,  VIA  HELICOPTER  - ¨.~/%££@##
££/...¨¨¨¨  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ¨¨¨¨.../££
£%~.....¨¨                                          ¨¨.....~%£
££/...¨¨¨¨                   ~~~~~                  ¨¨¨¨.../££
@£%/.¨¨¨¨¨                                          ¨¨¨¨¨./%£@
££%~¨¨¨¨¨¨ IN MY DREAM I AM  INVITED AS A FRIEND OF ¨¨¨¨¨¨~%££
£%~.¨¨¨¨¨¨ ONE  OF THE SERVERS, AND  THUS SAFE.  WE ¨¨¨¨¨¨.~%£
##@££%/~.¨ SIT  IN   ONE  OF  THE  LARGE   WINDOWS, ¨.~/%££@##
#£%%~¨¨¨¨¨ LOOKING  THROUGH   THE   MIST  FOR   ANY ¨¨¨¨¨~%%£#
##@££%/~.¨ LANDMARKS TO PIERCE  THROUGH  THE  MIST. ¨.~/%££@##
££££/~.¨¨¨ SHE TELLS  ME THAT APART FROM COMING AND ¨¨¨.~/££££
£££££%/~.¨ GOING  FROM WORK,  SHE'S  NEVER SEEN THE ¨.~/%£££££
##@££%/~.¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨.~/%££@##
@@£££%/~.¨                                          ¨.~/%£££@@
@£/..¨¨¨¨¨ THE NEXT DAY I AM INVITED  TO THE PUBLIC ¨¨¨¨¨../£@
£%//.¨¨¨¨¨     DEMONSTRATION OF THE EXOBUBBLE.      ¨¨¨¨¨.//%£
##@££%/~.¨                                          ¨.~/%££@##
@£/~..¨¨¨¨                                          ¨¨¨¨..~/£@
££/.¨¨¨¨¨¨                                          ¨¨¨¨¨¨./££
££%/.¨¨¨¨¨                                          ¨¨¨¨¨./%££
@£//..¨¨¨¨                                          ¨¨¨¨..//£@