@@@@$*/-^,                                          ,^-/*$@@@@
@#@$$*/-^,                                          ,^-/*$$@#@
@*/^,,,,,,                                          ,,,,,,^/*@
##@@$*/-^,                                          ,^-/*$@@##
#$/-,,,,,,                                          ,,,,,,-/$#
###@$*/-^,        THE SKYSCRAPER THAT MOVES         ,^-/*$@###
@@#@$*/-^,                                          ,^-/*$@#@@
#@$$/^^^,, TAINARON   IS   A  BUILDING  OWNED   AND ,,^^^/$$@#
#@#@$*/-^,  OPERATED BY AMATA TEXNOLOGIYASI PLACED  ,^-/*$@#@#
@##@$*/-^, CLOSED  TO  THE HARBOR  IN  MALMÖ.  IT'S ,^-/*$@##@
#@#@$*/-^, ROUGHLY SIXTY FLOORS  HIGH  (REAL NUMBER ,^-/*$@#@#
@@#@$*/-^,    UNKNOWN), DARK BLUE AND COMPLETELY    ,^-/*$@#@@
#@#@$*/-^,    RECTANGULAR. IT FEATURES NO SIGNS,    ,^-/*$@#@#
#$/^,,,,,, LIGHTS,  OR  ORNAMENTS,  APART  FROM   A ,,,,,,^/$#
#@#@$*/-^, HELIPAD   ON   TOP.   MOST  FLOORS  HAVE ,^-/*$@#@#
##@@$*/-^, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,^-/*$@@##
#@#@$*/-^,                                          ,^-/*$@#@#
@@@@$*/-^, IN  LATE EVENINGS, SHROUDED  BY  MALMö'S ,^-/*$@@@@
@@$*/^,,,, SIGNATURE FOG ROLLING  IN  FROM THE SEA, ,,,,^/*$@@
###@$*/-^, THE BUILDING  COMES TO LIFE: IT MOVES ON ,^-/*$@###
#@#@$*/-^, A   THOUSAND  ROBOTIC  LEGS  TO  ANOTHER ,^-/*$@#@#
#$*/-^^^^, (SECRET)  PART  OF TOWN, OR  PERHAPS OUT ,^^^^-/*$#
#$*-,,,,,, TO  SEA.  THIS  SIGNALS A  NEW AND  MORE ,,,,,,-*$#
##$/^,,,,,      VISCIOUS PHASE OF THE TAINARON      ,,,,,^/$##
##@#@$/-^,                ECOSYSTEM.                ,^-/$@#@##
#@#@$*/-^,                                          ,^-/*$@#@#
#@#@$*/-^, THE  GUESTS ARRIVING  DURING  THE  EARLY ,^-/*$@#@#
#@#@$*/-^, EVENING  ARE TREATED TO  FOOD AND DRINK, ,^-/*$@#@#
#@#@$*/-^, LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ,^-/*$@#@#
#@#@$*/-^,    COMFORTABLE BUT MAZE-LIKE INTERIOR    ,^-/*$@#@#
@$$//^^^^,    STRUCTURE (THE BUILDING FEATURES A    ,^^^^//$$@
#$***//-^,  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ,^-//***$#
##@#@$*/^, PLACED  SEEMINGLY AT RANDOM,  NONE GOING ,^/*$@#@##
@*/-,,,,,,       FURTHER THAN A FEW FLOORS).        ,,,,,,-/*@
#@#@$*/-^,                                          ,^-/*$@#@#
@@#@$*/-^, AS TIME GOES ON, THE LIGHTS  SLOWLY DIM, ,^-/*$@#@@
@*-,,,,,,, UNTIL  THE AIR  INSIDE  HAS TAKEN ON THE ,,,,,,,-*@
@@#@$*/-^, SAME QUALITY  AS  THE  SURROUNDING MIST: ,^-/*$@#@@
#@#@$*/-^, BLUE-GRAY, SPRINKLED WITH  THE SMALL RED ,^-/*$@#@#
##@#@$/-^, DOT'S BY DOOR  LOCKS AND CONTROL PANELS. ,^-/$@#@##
@##@$*/-^, IF YOU WOULD  LOOK THROUGH  THE  WINDOWS ,^-/*$@##@
#$**----^, YOU  WOULD SEE THE MIST  ROLLING BY, AND ,^----**$#
@$*-^^,,,, PERHAPS   THE   OUTLINE  OF  SOME  OTHER ,,,,^^-*$@
@##@$*/-^,           BUILDING, FAR BELOW.           ,^-/*$@##@
##@#$*/-^,                                          ,^-/*$#@##
##@@$*/-^, DURING  THE  NIGHT, AFTER  TAINARON  HAS ,^-/*$@@##
#@#@$*/-^, STARTED MOVING,  THE  LOWER  FLOORS  ARE ,^-/*$@#@#
@@#@$*/-^, SHUT OFF, PREVENTING  ENTRY OR EXIT  FOR ,^-/*$@#@@
#@#@$*/-^, THE  GUESTS. FOOD IS  NO LONGER  SERVED, ,^-/*$@#@#
@#@$$*/-^, BUT THE DRINKS BECOME MORE  EXTRAVAGANT. ,^-/*$$@#@
@$*-^^^,,, IT'S  AT THIS POINT THAT THE SECOND  SET ,,,^^^-*$@
@$*-,,,,,, OF  GUEST   ARRIVES,  VIA  HELICOPTER  - ,,,,,,-*$@
#@#@$*/-^,  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ,^-/*$@#@#
@$/-^^,,,,                                          ,,,,^^-/$@
##@@$*/-^,                  -----                   ,^-/*$@@##
##@#@$/-^,                                          ,^-/$@#@##
@$$/^^^,,, IN MY DREAM  I AM INVITED AS A FRIEND OF ,,,^^^/$$@
#@#@$*/-^, ONE  OF  THE SERVERS,  AND THUS SAFE. WE ,^-/*$@#@#
#@#@$*/-^, SIT   IN  ONE  OF   THE  LARGE  WINDOWS, ,^-/*$@#@#
#@@*/-^,,, LOOKING   THROUGH  THE  MIST   FOR   ANY ,,,^-/*@@#
@#$$*//-^, LANDMARKS TO  PIERCE  THROUGH THE  MIST. ,^-//*$$#@
#@#@$*/-^, SHE TELLS ME THAT  APART FROM COMING AND ,^-/*$@#@#
#@#@$*/-^, GOING FROM WORK,  SHE'S NEVER  SEEN  THE ,^-/*$@#@#
@@$***/-^, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,^-/***$@@
@@#@$*/-^,                                          ,^-/*$@#@@
#@#@$*/-^, THE  NEXT DAY I AM INVITED TO THE PUBLIC ,^-/*$@#@#
#@#@$*/-^,     DEMONSTRATION OF THE EXOBUBBLE.      ,^-/*$@#@#
#@#@$*/-^,                                          ,^-/*$@#@#
#@$$/--^,,                                          ,,^--/$$@#
#@#@$*/-^,                                          ,^-/*$@#@#
#@#@$*/-^,                                          ,^-/*$@#@#
###@$*/-^,                                          ,^-/*$@###