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#¶¤£%^»,¨¨ THE SKYSCRAPER THAT MOVES ¨¨,»^%£¤¶#
¶¤£%^»,¨¨¨ ¨¨¨,»^%£¤¶
¤£%^»,¨¨¨¨ TAINARON IS A BUILDING OWNED AND ¨¨¨¨,»^%£¤
£%^»,¨¨¨¨¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨¨¨¨¨,»^%£
%^»,¨¨¨¨¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨¨¨¨¨,»^%
^»,¨¨¨¨¨¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨¨¨¨¨¨¨,»^
%^»,¨¨¨¨¨¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨¨¨¨¨¨,»^%
£%^»,¨¨¨¨¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨¨¨¨¨,»^%£
¤£%^»,¨¨¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨¨¨,»^%£¤
¶¤£%^»,¨¨¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨¨¨,»^%£¤¶
#¶¤£%^»,¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨,»^%£¤¶#
##¶¤£%^»,¨ ¨,»^%£¤¶##
#¶¤£%^»,¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨¨,»^%£¤¶#
¶¤£%^»,¨¨¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨¨¨,»^%£¤¶
¤£%^»,¨¨¨¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨¨¨¨,»^%£¤
£%^»,¨¨¨¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨¨¨¨,»^%£
%^»,¨¨¨¨¨¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨¨¨¨¨¨,»^%
^»,¨¨¨¨¨¨¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨¨¨¨¨¨¨,»^
%^»,¨¨¨¨¨¨ VISCIOUS PHASE OF THE TAINARON ¨¨¨¨¨¨,»^%
£%^»,¨¨¨¨¨ ECOSYSTEM. ¨¨¨¨¨,»^%£
¤£%^»,¨¨¨¨ ¨¨¨¨,»^%£¤
¶¤£%^»,¨¨¨ THE GUESTS ARRIVING DURING THE EARLY ¨¨¨,»^%£¤¶
#¶¤£%^»,¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨,»^%£¤¶#
##¶¤£%^»,¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨,»^%£¤¶##
#¶¤£%^»,¨¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨¨,»^%£¤¶#
¶¤£%^»,¨¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨¨,»^%£¤¶
¤£%^»,¨¨¨¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨¨¨¨,»^%£¤
£%^»,¨¨¨¨¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨¨¨¨,»^%£
%^»,¨¨¨¨¨¨ FURTHER THAN A FEW FLOORS). ¨¨¨¨¨¨,»^%
^»,¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨,»^
%^»,¨¨¨¨¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨¨¨¨¨¨,»^%
£%^»,¨¨¨¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨¨¨¨,»^%£
¤£%^»,¨¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨¨,»^%£¤
¶¤£%^»,¨¨¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨¨,»^%£¤¶
#¶¤£%^»,¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨,»^%£¤¶#
##¶¤£%^»,¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨,»^%£¤¶##
#¶¤£%^»,¨¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨¨,»^%£¤¶#
¶¤£%^»,¨¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨¨,»^%£¤¶
¤£%^»,¨¨¨¨ BUILDING, FAR BELOW. ¨¨¨¨,»^%£¤
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%^»,¨¨¨¨¨¨ DURING THE NIGHT, AFTER TAINARON HAS ¨¨¨¨¨¨,»^%
^»,¨¨¨¨¨¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨¨¨¨¨¨,»^
%^»,¨¨¨¨¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨¨¨¨¨,»^%
£%^»,¨¨¨¨¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨¨¨¨¨,»^%£
¤£%^»,¨¨¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨¨¨,»^%£¤
¶¤£%^»,¨¨¨ IT'S AT THIS POINT THAT THE SECOND SET ¨¨¨,»^%£¤¶
#¶¤£%^»,¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨,»^%£¤¶#
##¶¤£%^»,¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨,»^%£¤¶##
#¶¤£%^»,¨¨ ¨¨,»^%£¤¶#
¶¤£%^»,¨¨¨ »»»»» ¨¨¨,»^%£¤¶
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£%^»,¨¨¨¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨¨¨¨¨,»^%£
%^»,¨¨¨¨¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨¨¨¨¨,»^%
^»,¨¨¨¨¨¨¨ SIT IN ONE OF THE LARGE WINDOWS, ¨¨¨¨¨¨¨,»^
%^»,¨¨¨¨¨¨ LOOKING THROUGH THE MIST FOR ANY ¨¨¨¨¨¨,»^%
£%^»,¨¨¨¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨¨¨¨,»^%£
¤£%^»,¨¨¨¨ SHE TELLS ME THAT APART FROM COMING AND ¨¨¨¨,»^%£¤
¶¤£%^»,¨¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨¨,»^%£¤¶
#¶¤£%^»,¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨,»^%£¤¶#
##¶¤£%^»,¨ ¨,»^%£¤¶##
#¶¤£%^»,¨¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨,»^%£¤¶#
¶¤£%^»,¨¨¨ DEMONSTRATION OF THE EXOBUBBLE. ¨¨¨,»^%£¤¶
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