...~-^%¤¤#                                          #¤¤%^-~...
....~-^%¤¤                                          ¤¤%^-~....
.....~-^%¤                                          ¤%^-~.....
....~-^%¤¤                                          ¤¤%^-~....
...~-^%¤¤#                                          #¤¤%^-~...
..~-^%¤¤##        THE SKYSCRAPER THAT MOVES         ##¤¤%^-~..
.~-^%¤¤###                                          ###¤¤%^-~.
..~-^%¤¤## TAINARON   IS   A  BUILDING   OWNED  AND ##¤¤%^-~..
...~-^%¤¤#  OPERATED BY AMATA TEXNOLOGIYASI PLACED  #¤¤%^-~...
....~-^%¤¤ CLOSED  TO  THE  HARBOR  IN  MALMÖ. IT'S ¤¤%^-~....
.....~-^%¤ ROUGHLY SIXTY  FLOORS HIGH  (REAL NUMBER ¤%^-~.....
....~-^%¤¤    UNKNOWN), DARK BLUE AND COMPLETELY    ¤¤%^-~....
...~-^%¤¤#    RECTANGULAR. IT FEATURES NO SIGNS,    #¤¤%^-~...
..~-^%¤¤## LIGHTS,  OR  ORNAMENTS,  APART   FROM  A ##¤¤%^-~..
.~-^%¤¤### HELIPAD  ON  TOP.   MOST   FLOORS   HAVE ###¤¤%^-~.
..~-^%¤¤## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##¤¤%^-~..
...~-^%¤¤#                                          #¤¤%^-~...
....~-^%¤¤ IN  LATE EVENINGS,  SHROUDED  BY MALMö'S ¤¤%^-~....
.....~-^%¤ SIGNATURE FOG  ROLLING IN  FROM THE SEA, ¤%^-~.....
....~-^%¤¤ THE BUILDING COMES TO  LIFE: IT MOVES ON ¤¤%^-~....
...~-^%¤¤# A  THOUSAND  ROBOTIC  LEGS   TO  ANOTHER #¤¤%^-~...
..~-^%¤¤## (SECRET) PART  OF TOWN, OR  PERHAPS  OUT ##¤¤%^-~..
.~-^%¤¤### TO  SEA.  THIS  SIGNALS A  NEW AND  MORE ###¤¤%^-~.
..~-^%¤¤##      VISCIOUS PHASE OF THE TAINARON      ##¤¤%^-~..
...~-^%¤¤#                ECOSYSTEM.                #¤¤%^-~...
....~-^%¤¤                                          ¤¤%^-~....
.....~-^%¤ THE  GUESTS  ARRIVING  DURING  THE EARLY ¤%^-~.....
....~-^%¤¤ EVENING  ARE TREATED TO FOOD  AND DRINK, ¤¤%^-~....
...~-^%¤¤# LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A #¤¤%^-~...
..~-^%¤¤##    COMFORTABLE BUT MAZE-LIKE INTERIOR    ##¤¤%^-~..
.~-^%¤¤###    STRUCTURE (THE BUILDING FEATURES A    ###¤¤%^-~.
..~-^%¤¤##  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ##¤¤%^-~..
...~-^%¤¤# PLACED  SEEMINGLY AT RANDOM, NONE  GOING #¤¤%^-~...
....~-^%¤¤       FURTHER THAN A FEW FLOORS).        ¤¤%^-~....
.....~-^%¤                                          ¤%^-~.....
....~-^%¤¤ AS TIME GOES ON, THE  LIGHTS SLOWLY DIM, ¤¤%^-~....
...~-^%¤¤# UNTIL THE  AIR INSIDE HAS  TAKEN  ON THE #¤¤%^-~...
..~-^%¤¤## SAME  QUALITY  AS THE SURROUNDING  MIST: ##¤¤%^-~..
.~-^%¤¤### BLUE-GRAY,  SPRINKLED WITH THE SMALL RED ###¤¤%^-~.
..~-^%¤¤## DOT'S BY  DOOR LOCKS AND CONTROL PANELS. ##¤¤%^-~..
...~-^%¤¤# IF  YOU  WOULD LOOK THROUGH  THE WINDOWS #¤¤%^-~...
....~-^%¤¤ YOU WOULD SEE  THE  MIST ROLLING BY, AND ¤¤%^-~....
.....~-^%¤ PERHAPS  THE   OUTLINE  OF   SOME  OTHER ¤%^-~.....
....~-^%¤¤           BUILDING, FAR BELOW.           ¤¤%^-~....
...~-^%¤¤#                                          #¤¤%^-~...
..~-^%¤¤## DURING  THE NIGHT,  AFTER  TAINARON  HAS ##¤¤%^-~..
.~-^%¤¤### STARTED MOVING,  THE  LOWER  FLOORS  ARE ###¤¤%^-~.
..~-^%¤¤## SHUT OFF, PREVENTING ENTRY OR  EXIT  FOR ##¤¤%^-~..
...~-^%¤¤# THE GUESTS.  FOOD IS  NO  LONGER SERVED, #¤¤%^-~...
....~-^%¤¤ BUT THE DRINKS  BECOME MORE EXTRAVAGANT. ¤¤%^-~....
.....~-^%¤ IT'S  AT THIS POINT THAT THE SECOND  SET ¤%^-~.....
....~-^%¤¤ OF  GUEST   ARRIVES,  VIA  HELICOPTER  - ¤¤%^-~....
...~-^%¤¤#  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  #¤¤%^-~...
..~-^%¤¤##                                          ##¤¤%^-~..
.~-^%¤¤###                   -----                  ###¤¤%^-~.
..~-^%¤¤##                                          ##¤¤%^-~..
...~-^%¤¤# IN MY DREAM  I AM INVITED AS A FRIEND OF #¤¤%^-~...
....~-^%¤¤ ONE  OF THE SERVERS, AND THUS  SAFE.  WE ¤¤%^-~....
.....~-^%¤ SIT  IN  ONE  OF  THE   LARGE   WINDOWS, ¤%^-~.....
....~-^%¤¤ LOOKING   THROUGH  THE  MIST   FOR   ANY ¤¤%^-~....
...~-^%¤¤# LANDMARKS TO  PIERCE  THROUGH  THE MIST. #¤¤%^-~...
..~-^%¤¤## SHE TELLS ME THAT APART  FROM COMING AND ##¤¤%^-~..
.~-^%¤¤### GOING FROM  WORK, SHE'S  NEVER  SEEN THE ###¤¤%^-~.
..~-^%¤¤## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##¤¤%^-~..
...~-^%¤¤#                                          #¤¤%^-~...
....~-^%¤¤ THE NEXT  DAY I AM INVITED TO THE PUBLIC ¤¤%^-~....
.....~-^%¤      DEMONSTRATION OF THE EXOBUBBLE.     ¤%^-~.....
....~-^%¤¤                                          ¤¤%^-~....
...~-^%¤¤#                                          #¤¤%^-~...
..~-^%¤¤##                                          ##¤¤%^-~..
.~-^%¤¤###                                          ###¤¤%^-~.
..~-^%¤¤##                                          ##¤¤%^-~..