.,»§*#@### ###@#*§»,.
.,»;§#@### ###@#§;»,.
...,,»§#@@ @@#§»,,...
,»;§*#@### ###@#*§;»,
....,,;§#@ @#§;,,....
.,»;§*#@## THE SKYSCRAPER THAT MOVES ##@#*§;»,.
.,»;§*#@## ##@#*§;»,.
.,»;§*#@## TAINARON IS A BUILDING OWNED AND ##@#*§;»,.
....,;;*@@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @@*;;,....
.,»;§*#@## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##@#*§;»,.
.,»;*#@### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ###@#*;»,.
.,»;§*#@## UNKNOWN), DARK BLUE AND COMPLETELY ##@#*§;»,.
.,»;§*#@## RECTANGULAR. IT FEATURES NO SIGNS, ##@#*§;»,.
....,;***@ LIGHTS, OR ORNAMENTS, APART FROM A @***;,....
...,,,»§## HELIPAD ON TOP. MOST FLOORS HAVE ##§»,,,...
...,»»§§#@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @#§§»»,...
.,»;§*#@## ##@#*§;»,.
.,»;§*#@## IN LATE EVENINGS, SHROUDED BY MALMö'S ##@#*§;»,.
.,»;§*#@## SIGNATURE FOG ROLLING IN FROM THE SEA, ##@#*§;»,.
.....»§*@# THE BUILDING COMES TO LIFE: IT MOVES ON #@*§».....
.,»;§*#@## A THOUSAND ROBOTIC LEGS TO ANOTHER ##@#*§;»,.
.....,;*## (SECRET) PART OF TOWN, OR PERHAPS OUT ##*;,.....
.,,»»»§**# TO SEA. THIS SIGNALS A NEW AND MORE #**§»»»,,.
.,»;§*#@## VISCIOUS PHASE OF THE TAINARON ##@#*§;»,.
...,;§§§#@ ECOSYSTEM. @#§§§;,...
.,»;§*#@## ##@#*§;»,.
.,»;§*##@# THE GUESTS ARRIVING DURING THE EARLY #@##*§;»,.
.,»;§*#@## EVENING ARE TREATED TO FOOD AND DRINK, ##@#*§;»,.
...»»;§**# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #**§;»»...
.,,,;;*### COMFORTABLE BUT MAZE-LIKE INTERIOR ###*;;,,,.
...,,;;*## STRUCTURE (THE BUILDING FEATURES A ##*;;,,...
.,»;§*##@@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @@##*§;»,.
.,»;§*#@## PLACED SEEMINGLY AT RANDOM, NONE GOING ##@#*§;»,.
.,»;§***## FURTHER THAN A FEW FLOORS). ##***§;»,.
.,»;;;*#@@ @@#*;;;»,.
.,»;§*#@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@#*§;»,.
.,»;§*#@@@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @@@#*§;»,.
.,»;§*@### SAME QUALITY AS THE SURROUNDING MIST: ###@*§;»,.
.,»;§*#@## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##@#*§;»,.
....»»»;*# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #*;»»»....
,»;§*#@### IF YOU WOULD LOOK THROUGH THE WINDOWS ###@#*§;»,
.,»;§**### YOU WOULD SEE THE MIST ROLLING BY, AND ###**§;»,.
.....»§§*@ PERHAPS THE OUTLINE OF SOME OTHER @*§§».....
.,»;§*#@## BUILDING, FAR BELOW. ##@#*§;»,.
......,;§# #§;,......
.,»;§*#@## DURING THE NIGHT, AFTER TAINARON HAS ##@#*§;»,.
...»;;;§§# STARTED MOVING, THE LOWER FLOORS ARE #§§;;;»...
.,»;§*#@## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##@#*§;»,.
.....,;*## THE GUESTS. FOOD IS NO LONGER SERVED, ##*;,.....
.,»;;;§### BUT THE DRINKS BECOME MORE EXTRAVAGANT. ###§;;;»,.
.,»;§*#@## IT'S AT THIS POINT THAT THE SECOND SET ##@#*§;»,.
...,,»§*## OF GUEST ARRIVES, VIA HELICOPTER - ##*§»,,...
.,»;§#@### AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ###@#§;»,.
.,»;§*#@## ##@#*§;»,.
.,;§*#@### »»»»» ###@#*§;,.
.......»§# #§».......
.,»;§*#@## IN MY DREAM I AM INVITED AS A FRIEND OF ##@#*§;»,.
.,»;§*#@## ONE OF THE SERVERS, AND THUS SAFE. WE ##@#*§;»,.
....,;§*#@ SIT IN ONE OF THE LARGE WINDOWS, @#*§;,....
..,»»;;§## LOOKING THROUGH THE MIST FOR ANY ##§;;»»,..
...,»;**@# LANDMARKS TO PIERCE THROUGH THE MIST. #@**;»,...
.,»;§§§*## SHE TELLS ME THAT APART FROM COMING AND ##*§§§;»,.
.,»;§§§#@@ GOING FROM WORK, SHE'S NEVER SEEN THE @@#§§§;»,.
.,»;§*#@## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##@#*§;»,.
.,»;§§§*## ##*§§§;»,.
.,»;§*###@ THE NEXT DAY I AM INVITED TO THE PUBLIC @###*§;»,.
....»;;§#@ DEMONSTRATION OF THE EXOBUBBLE. @#§;;»....
....»»;*@@ @@*;»»....
.,»;§*#@## ##@#*§;»,.
.,»»;;**@@ @@**;;»»,.
.,»;§*#@@# #@@#*§;»,.
.,»;§*#@## ##@#*§;»,.