###@£§;~:, ,:~;§£@###
##@£§;~:,, ,,:~;§£@##
#@£§;~:,,, ,,,:~;§£@#
@£§;~:,,,, ,,,,:~;§£@
#@£§;~:,,, ,,,:~;§£@#
##@£§;~:,, THE SKYSCRAPER THAT MOVES ,,:~;§£@##
###@£§;~:, ,:~;§£@###
##@£§;~:,, TAINARON IS A BUILDING OWNED AND ,,:~;§£@##
#@£§;~:,,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,,:~;§£@#
@£§;~:,,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,,:~;§£@
#@£§;~:,,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,,:~;§£@#
##@£§;~:,, UNKNOWN), DARK BLUE AND COMPLETELY ,,:~;§£@##
###@£§;~:, RECTANGULAR. IT FEATURES NO SIGNS, ,:~;§£@###
##@£§;~:,, LIGHTS, OR ORNAMENTS, APART FROM A ,,:~;§£@##
#@£§;~:,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,:~;§£@#
@£§;~:,,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,,:~;§£@
#@£§;~:,,, ,,,:~;§£@#
##@£§;~:,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,:~;§£@##
###@£§;~:, SIGNATURE FOG ROLLING IN FROM THE SEA, ,:~;§£@###
##@£§;~:,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,:~;§£@##
#@£§;~:,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,:~;§£@#
@£§;~:,,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,,:~;§£@
#@£§;~:,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,:~;§£@#
##@£§;~:,, VISCIOUS PHASE OF THE TAINARON ,,:~;§£@##
###@£§;~:, ECOSYSTEM. ,:~;§£@###
##@£§;~:,, ,,:~;§£@##
#@£§;~:,,, THE GUESTS ARRIVING DURING THE EARLY ,,,:~;§£@#
@£§;~:,,,, EVENING ARE TREATED TO FOOD AND DRINK, ,,,,:~;§£@
#@£§;~:,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,:~;§£@#
##@£§;~:,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,:~;§£@##
###@£§;~:, STRUCTURE (THE BUILDING FEATURES A ,:~;§£@###
##@£§;~:,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,:~;§£@##
#@£§;~:,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,:~;§£@#
@£§;~:,,,, FURTHER THAN A FEW FLOORS). ,,,,:~;§£@
#@£§;~:,,, ,,,:~;§£@#
##@£§;~:,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,:~;§£@##
###@£§;~:, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,:~;§£@###
##@£§;~:,, SAME QUALITY AS THE SURROUNDING MIST: ,,:~;§£@##
#@£§;~:,,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,,:~;§£@#
@£§;~:,,,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,,,:~;§£@
#@£§;~:,,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,,:~;§£@#
##@£§;~:,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,:~;§£@##
###@£§;~:, PERHAPS THE OUTLINE OF SOME OTHER ,:~;§£@###
##@£§;~:,, BUILDING, FAR BELOW. ,,:~;§£@##
#@£§;~:,,, ,,,:~;§£@#
@£§;~:,,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,,:~;§£@
#@£§;~:,,, STARTED MOVING, THE LOWER FLOORS ARE ,,,:~;§£@#
##@£§;~:,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,:~;§£@##
###@£§;~:, THE GUESTS. FOOD IS NO LONGER SERVED, ,:~;§£@###
##@£§;~:,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,:~;§£@##
#@£§;~:,,, IT'S AT THIS POINT THAT THE SECOND SET ,,,:~;§£@#
@£§;~:,,,, OF GUEST ARRIVES, VIA HELICOPTER - ,,,,:~;§£@
#@£§;~:,,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,,:~;§£@#
##@£§;~:,, ,,:~;§£@##
###@£§;~:, ~~~~~ ,:~;§£@###
##@£§;~:,, ,,:~;§£@##
#@£§;~:,,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,,:~;§£@#
@£§;~:,,,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,,,:~;§£@
#@£§;~:,,, SIT IN ONE OF THE LARGE WINDOWS, ,,,:~;§£@#
##@£§;~:,, LOOKING THROUGH THE MIST FOR ANY ,,:~;§£@##
###@£§;~:, LANDMARKS TO PIERCE THROUGH THE MIST. ,:~;§£@###
##@£§;~:,, SHE TELLS ME THAT APART FROM COMING AND ,,:~;§£@##
#@£§;~:,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,:~;§£@#
@£§;~:,,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,:~;§£@
#@£§;~:,,, ,,,:~;§£@#
##@£§;~:,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,:~;§£@##
###@£§;~:, DEMONSTRATION OF THE EXOBUBBLE. ,:~;§£@###
##@£§;~:,, ,,:~;§£@##
#@£§;~:,,, ,,,:~;§£@#
@£§;~:,,,, ,,,,:~;§£@
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