§^;;;~,,,, ,,,,~;;;^§
###§¤^;~,, ,,~;^¤§###
#§§^;,,,,, ,,,,,;^§§#
####§¤;~,, ,,~;¤§####
###§¤^;~,, ,,~;^¤§###
###§¤^;~,, THE SKYSCRAPER THAT MOVES ,,~;^¤§###
####¤^;~,, ,,~;^¤####
#§¤;;;;~,, TAINARON IS A BUILDING OWNED AND ,,~;;;;¤§#
#§§§¤^;~,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,~;^¤§§§#
###§¤^;~,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,~;^¤§###
###§¤^;~,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,~;^¤§###
#¤¤^;,,,,, UNKNOWN), DARK BLUE AND COMPLETELY ,,,,,;^¤¤#
§¤¤¤;,,,,, RECTANGULAR. IT FEATURES NO SIGNS, ,,,,,;¤¤¤§
###§¤^;~,, LIGHTS, OR ORNAMENTS, APART FROM A ,,~;^¤§###
##§§¤^;~,, HELIPAD ON TOP. MOST FLOORS HAVE ,,~;^¤§§##
###§¤^;~,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,~;^¤§###
####§^;~,, ,,~;^§####
###§¤^;~,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,~;^¤§###
###§¤^;~,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,~;^¤§###
#¤¤;;~,,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,,,~;;¤¤#
§¤^;;~,,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,,~;;^¤§
##¤¤;;,,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,,;;¤¤##
§^^;~,,,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,,,~;^^§
§¤;~,,,,,, VISCIOUS PHASE OF THE TAINARON ,,,,,,~;¤§
###§¤^;~,, ECOSYSTEM. ,,~;^¤§###
###§¤^;~,, ,,~;^¤§###
###§¤^;~,, THE GUESTS ARRIVING DURING THE EARLY ,,~;^¤§###
##§¤;;,,,, EVENING ARE TREATED TO FOOD AND DRINK, ,,,,;;¤§##
###§¤^;~,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,~;^¤§###
###§¤^;~,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,~;^¤§###
§¤;~,,,,,, STRUCTURE (THE BUILDING FEATURES A ,,,,,,~;¤§
#¤;,,,,,,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,,,,,,;¤#
###§¤^;~,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,~;^¤§###
#§¤¤¤^;~,, FURTHER THAN A FEW FLOORS). ,,~;^¤¤¤§#
#¤^^;~,,,, ,,,,~;^^¤#
§¤¤^~,,,,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,,,,~^¤¤§
#§^~,,,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,,,~^§#
#§§§¤^;~,, SAME QUALITY AS THE SURROUNDING MIST: ,,~;^¤§§§#
####§^;~,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,~;^§####
#¤¤^;;~,,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,,~;;^¤¤#
§^~~,,,,,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,,,,,~~^§
###§¤^;~,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,~;^¤§###
#¤^;;~~~,, PERHAPS THE OUTLINE OF SOME OTHER ,,~~~;;^¤#
§¤;;~,,,,, BUILDING, FAR BELOW. ,,,,,~;;¤§
#§§^^;,,,, ,,,,;^^§§#
§§^;,,,,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,,,,;^§§
#§¤^~,,,,, STARTED MOVING, THE LOWER FLOORS ARE ,,,,,~^¤§#
###§¤^;~,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,~;^¤§###
###§¤^;~,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,~;^¤§###
§^;~,,,,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,,,,~;^§
§^;~,,,,,, IT'S AT THIS POINT THAT THE SECOND SET ,,,,,,~;^§
####¤^;~,, OF GUEST ARRIVES, VIA HELICOPTER - ,,~;^¤####
##§¤^;;~,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,~;;^¤§##
###§¤^;~,, ,,~;^¤§###
#§§^^;,,,, ~~~~~ ,,,,;^^§§#
§¤;~,,,,,, ,,,,,,~;¤§
#§¤;~~,,,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,,,~~;¤§#
#§¤¤;;~~,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,~~;;¤¤§#
#¤^~~,,,,, SIT IN ONE OF THE LARGE WINDOWS, ,,,,,~~^¤#
###§¤^;~,, LOOKING THROUGH THE MIST FOR ANY ,,~;^¤§###
#§^^;,,,,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,,,,;^^§#
#§§§¤^;~,, SHE TELLS ME THAT APART FROM COMING AND ,,~;^¤§§§#
##¤;,,,,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,,,,;¤##
§^^~~~,,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,~~~^^§
#¤^^^~,,,, ,,,,~^^^¤#
###§¤^;~,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,~;^¤§###
#§¤^~~~,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,~~~^¤§#
#§¤¤¤^;~,, ,,~;^¤¤¤§#
§^~,,,,,,, ,,,,,,,~^§
###§¤^;~,, ,,~;^¤§###
#§^^;~~~,, ,,~~~;^^§#
###§¤^;~,, ,,~;^¤§###