,,,,~~†%¶¶ ¶¶%†~~,,,,
,~~/†%@¶## ##¶@%†/~~,
,~~/†@¶### ###¶@†/~~,
,~~////††@ @††////~~,
,,,,,~/%@# #@%/~,,,,,
,,,,,~//%@ THE SKYSCRAPER THAT MOVES @%//~,,,,,
,~~/†%@¶## ##¶@%†/~~,
,~~////%@¶ TAINARON IS A BUILDING OWNED AND ¶@%////~~,
,~~/†%@¶## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##¶@%†/~~,
,~~/†%@¶¶¶ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¶¶¶@%†/~~,
,,,~~†%%%¶ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¶%%%†~~,,,
,,,,,~~†@¶ UNKNOWN), DARK BLUE AND COMPLETELY ¶@†~~,,,,,
,~~/†%@¶## RECTANGULAR. IT FEATURES NO SIGNS, ##¶@%†/~~,
,,,,,,~/†@ LIGHTS, OR ORNAMENTS, APART FROM A @†/~,,,,,,
,,,,,,~/†@ HELIPAD ON TOP. MOST FLOORS HAVE @†/~,,,,,,
,~~/†%@¶## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##¶@%†/~~,
,~~/†%@### ###@%†/~~,
,~~/†††@@@ IN LATE EVENINGS, SHROUDED BY MALMö'S @@@†††/~~,
,~~/†%@¶## SIGNATURE FOG ROLLING IN FROM THE SEA, ##¶@%†/~~,
,~~/†%@### THE BUILDING COMES TO LIFE: IT MOVES ON ###@%†/~~,
,~~/†%@¶## A THOUSAND ROBOTIC LEGS TO ANOTHER ##¶@%†/~~,
,,,~~~/%%¶ (SECRET) PART OF TOWN, OR PERHAPS OUT ¶%%/~~~,,,
,~~/†%@@¶# TO SEA. THIS SIGNALS A NEW AND MORE #¶@@%†/~~,
,~~/†%@¶## VISCIOUS PHASE OF THE TAINARON ##¶@%†/~~,
,~~/††%@@¶ ECOSYSTEM. ¶@@%††/~~,
,,,~~/††@¶ ¶@††/~~,,,
,,,,~//†@¶ THE GUESTS ARRIVING DURING THE EARLY ¶@†//~,,,,
,~~~//†@¶¶ EVENING ARE TREATED TO FOOD AND DRINK, ¶¶@†//~~~,
,,,,,,~/%¶ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¶%/~,,,,,,
,~~/†%@¶## COMFORTABLE BUT MAZE-LIKE INTERIOR ##¶@%†/~~,
,~~/†%@¶## STRUCTURE (THE BUILDING FEATURES A ##¶@%†/~~,
,~~/†††%¶¶ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¶¶%†††/~~,
,,~~~~††@@ PLACED SEEMINGLY AT RANDOM, NONE GOING @@††~~~~,,
,,,,~//†%@ FURTHER THAN A FEW FLOORS). @%†//~,,,,
,,,~~///†@ @†///~~,,,
,~~~//%%@@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @@%%//~~~,
,,,,~†%%¶# UNTIL THE AIR INSIDE HAS TAKEN ON THE #¶%%†~,,,,
,~~//†%%@@ SAME QUALITY AS THE SURROUNDING MIST: @@%%†//~~,
,,,,,,~†%¶ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¶%†~,,,,,,
,~~/†%@¶## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##¶@%†/~~,
,~~/†%%%%¶ IF YOU WOULD LOOK THROUGH THE WINDOWS ¶%%%%†/~~,
,,,,,~//%¶ YOU WOULD SEE THE MIST ROLLING BY, AND ¶%//~,,,,,
,~~/†%@@@# PERHAPS THE OUTLINE OF SOME OTHER #@@@%†/~~,
,~~/†%@¶## BUILDING, FAR BELOW. ##¶@%†/~~,
,~~/†%@¶## ##¶@%†/~~,
,,,~~/†%@# DURING THE NIGHT, AFTER TAINARON HAS #@%†/~~,,,
,,,~//††%@ STARTED MOVING, THE LOWER FLOORS ARE @%††//~,,,
,~~/†%@¶## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##¶@%†/~~,
,,,~//%%¶¶ THE GUESTS. FOOD IS NO LONGER SERVED, ¶¶%%//~,,,
,~~/†%@¶¶¶ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¶¶¶@%†/~~,
,~~~~~/%¶# IT'S AT THIS POINT THAT THE SECOND SET #¶%/~~~~~,
,~~/†%¶### OF GUEST ARRIVES, VIA HELICOPTER - ###¶%†/~~,
,~~/†%@@@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@@@%†/~~,
,,,,~†%%@@ @@%%†~,,,,
,~~/†%@### ~~~~~ ###@%†/~~,
,~~/†%@¶## ##¶@%†/~~,
,~~/†%@¶## IN MY DREAM I AM INVITED AS A FRIEND OF ##¶@%†/~~,
,,,,,~//%¶ ONE OF THE SERVERS, AND THUS SAFE. WE ¶%//~,,,,,
,,~~~~//%¶ SIT IN ONE OF THE LARGE WINDOWS, ¶%//~~~~,,
,~~/†%@¶¶¶ LOOKING THROUGH THE MIST FOR ANY ¶¶¶@%†/~~,
,~~/†%@¶## LANDMARKS TO PIERCE THROUGH THE MIST. ##¶@%†/~~,
,~~/†%@¶¶¶ SHE TELLS ME THAT APART FROM COMING AND ¶¶¶@%†/~~,
,~~/†%@¶## GOING FROM WORK, SHE'S NEVER SEEN THE ##¶@%†/~~,
,~~/†%@¶## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##¶@%†/~~,
,~~/†%@¶## ##¶@%†/~~,
,~~/†%@¶## THE NEXT DAY I AM INVITED TO THE PUBLIC ##¶@%†/~~,
,~~/†%@¶## DEMONSTRATION OF THE EXOBUBBLE. ##¶@%†/~~,
,,,,,~~~†@ @†~~~,,,,,
,,,,~~//†@ @†//~~,,,,
,~~///%@¶¶ ¶¶@%///~~,
,~~/%@¶### ###¶@%/~~,
,~~/†%@¶## ##¶@%†/~~,