§§§¨¨§§§§¨ §§¨§¨¨¨¨§¨
§¨¨§¨§¨¨¨§ ¨¨§§§¨¨¨§§
¨§¨§§§§¨¨§ §¨§¨¨§¨¨§¨
¨§§§¨¨¨§¨§ §§§§¨§§¨§§
§§¨¨§¨¨§§§ ¨¨¨¨§§¨§§¨
§¨§¨§§¨§¨¨ THE SKYSCRAPER THAT MOVES ¨¨¨¨§¨§§¨§
¨§§§§¨§§§¨ ¨¨¨¨§§§¨§§
§§¨¨¨§§¨¨§ TAINARON IS A BUILDING OWNED AND §¨¨¨§¨¨§§¨
§¨§¨¨§¨§¨§ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨§¨¨§§¨§¨§
¨§§§¨§§§§§ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨§§¨§¨§§§§
§§¨¨§§¨¨¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER §§¨§§§§¨¨¨
§¨§¨§¨§¨¨¨ UNKNOWN), DARK BLUE AND COMPLETELY §¨§§¨¨¨§¨¨
§§§§§§§§¨¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨§§¨§¨¨§§¨
§¨¨¨¨¨¨¨§¨ LIGHTS, OR ORNAMENTS, APART FROM A §§¨§§§¨§¨§
¨§¨¨¨¨¨¨§§ HELIPAD ON TOP. MOST FLOORS HAVE §¨§§¨¨§§§§
§§§¨¨¨¨¨§¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨§§¨§¨§¨¨¨
§¨¨§¨¨¨¨§§ ¨§¨§§§§§¨¨
§§¨§§¨¨¨§¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨§§§¨¨¨¨§¨
§¨§§¨§¨¨§§ SIGNATURE FOG ROLLING IN FROM THE SEA, §§¨¨§¨¨¨§§
¨§§¨§§§¨§¨ THE BUILDING COMES TO LIFE: IT MOVES ON §¨§¨§§¨¨§¨
¨§¨§§¨¨§§§ A THOUSAND ROBOTIC LEGS TO ANOTHER §§§§§¨§¨§§
§§§§¨§¨§¨¨ (SECRET) PART OF TOWN, OR PERHAPS OUT §¨¨¨¨§§§§¨
§¨¨¨§§§§§¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨§¨¨¨§¨¨¨§
¨§¨¨§¨¨¨¨§ VISCIOUS PHASE OF THE TAINARON §§§¨¨§§¨¨§
§§§¨§§¨¨¨§ ECOSYSTEM. ¨¨¨§¨§¨§¨§
¨¨¨§§¨§¨¨§ §¨¨§§§§§§§
§¨¨§¨§§§¨§ THE GUESTS ARRIVING DURING THE EARLY §§¨§¨¨¨¨¨¨
§§¨§§§¨¨§§ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨§§§¨¨¨¨¨
§¨§§¨¨§¨§¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A §¨§¨¨§¨¨¨¨
§§§¨§¨§§§§ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨§§§¨§§¨¨¨
§¨¨§§§§¨¨¨ STRUCTURE (THE BUILDING FEATURES A ¨§¨¨§§¨§¨¨
§§¨§¨¨¨§¨¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, §§§¨§¨§§§¨
§¨§§§¨¨§§¨ PLACED SEEMINGLY AT RANDOM, NONE GOING §¨¨§§§§¨¨§
¨§§¨¨§¨§¨§ FURTHER THAN A FEW FLOORS). §§¨§¨¨¨§¨§
§§¨§¨§§§§§ §¨§§§¨¨§§§
¨¨§§§§¨¨¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨§§¨¨§¨§¨¨
¨¨§¨¨¨§¨¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨§¨§¨§§§§¨
¨¨§§¨¨§§¨¨ SAME QUALITY AS THE SURROUNDING MIST: §§§§§§¨¨¨§
§¨§¨§¨§¨§¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨¨¨¨¨§¨¨§
¨§§§§§§§§§ DOT'S BY DOOR LOCKS AND CONTROL PANELS. §¨¨¨¨¨§§¨§
§§¨¨¨¨¨¨¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨§¨¨¨¨§¨§§
¨¨§¨¨¨¨¨¨¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨§§¨¨¨§§§¨
¨¨§§¨¨¨¨¨¨ PERHAPS THE OUTLINE OF SOME OTHER §§¨§¨¨§¨¨§
§¨§¨§¨¨¨¨¨ BUILDING, FAR BELOW. §¨§§§¨§§¨§
¨§§§§§¨¨¨¨ §§§¨¨§§¨§§
§§¨¨¨¨§¨¨¨ DURING THE NIGHT, AFTER TAINARON HAS §¨¨§¨§¨§§¨
§¨§¨¨¨§§¨¨ STARTED MOVING, THE LOWER FLOORS ARE §§¨§§§§§¨§
¨§§§¨¨§¨§¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR §¨§§¨¨¨¨§§
§§¨¨§¨§§§§ THE GUESTS. FOOD IS NO LONGER SERVED, ¨§§¨§¨¨¨§¨
§¨§¨§§§¨¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. §§¨§§§¨¨§§
¨§§§§¨¨§¨¨ IT'S AT THIS POINT THAT THE SECOND SET ¨¨§§¨¨§¨§¨
¨§¨¨¨§¨§§¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨§¨§¨§§§§
§§§¨¨§§§¨§ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨§§§§§¨¨¨
§¨¨§¨§¨¨§§ §¨§¨¨¨¨§¨¨
§§¨§§§§¨§¨ ~~~~~ §§§§¨¨¨§§¨
§¨§§¨¨¨§§§ §¨¨¨§¨¨§¨§
¨§§¨§¨¨§¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨§¨¨§§¨§§§
§§¨§§§¨§§¨ ONE OF THE SERVERS, AND THUS SAFE. WE §§§¨§¨§§¨¨
§¨§§¨¨§§¨§ SIT IN ONE OF THE LARGE WINDOWS, ¨¨¨§§§§¨§¨
§§§¨§¨§¨§§ LOOKING THROUGH THE MIST FOR ANY §¨¨§¨¨¨§§§
¨¨¨§§§§§§¨ LANDMARKS TO PIERCE THROUGH THE MIST. §§¨§§¨¨§¨¨
¨¨¨§¨¨¨¨¨§ SHE TELLS ME THAT APART FROM COMING AND ¨¨§§¨§¨§§¨
¨¨¨§§¨¨¨¨§ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨§¨§§§§¨§
§¨¨§¨§¨¨¨§ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨§§§¨¨¨§§
¨§¨§§§§¨¨§ §¨§¨¨§¨¨§¨
¨§§§¨¨¨§¨§ THE NEXT DAY I AM INVITED TO THE PUBLIC §§§§¨§§¨§§
§§¨¨§¨¨§§§ DEMONSTRATION OF THE EXOBUBBLE. ¨¨¨¨§§¨§§¨
§¨§¨§§¨§¨¨ ¨¨¨¨§¨§§¨§
¨§§§§¨§§§¨ ¨¨¨¨§§§¨§§
§§¨¨¨§§¨¨§ §¨¨¨§¨¨§§¨
§¨§¨¨§¨§¨§ ¨§¨¨§§¨§¨§
¨§§§¨§§§§§ ¨§§¨§¨§§§§