,,,,,.»%$# #$%».,,,,,
,.»†%$#### ####$%†».,
,.»†%$#### ####$%†».,
,,,»†%%$$# #$$%%†»,,,
,.»†%$#### ####$%†».,
,,,,,.†$$# THE SKYSCRAPER THAT MOVES #$$†.,,,,,
,.»†%$#### ####$%†».,
,.»†%$#### TAINARON IS A BUILDING OWNED AND ####$%†».,
,.»†%$#### OPERATED BY AMATA TEXNOLOGIYASI PLACED ####$%†».,
,,,,,..†$# CLOSED TO THE HARBOR IN MALMÖ. IT'S #$†..,,,,,
,.»†%$#### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ####$%†».,
,.»†††%%## UNKNOWN), DARK BLUE AND COMPLETELY ##%%†††».,
,,..»††%## RECTANGULAR. IT FEATURES NO SIGNS, ##%††»..,,
,.»†%$#### LIGHTS, OR ORNAMENTS, APART FROM A ####$%†».,
,,,.»†$$## HELIPAD ON TOP. MOST FLOORS HAVE ##$$†».,,,
,,,,,.»%## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##%».,,,,,
,,,,.»†$## ##$†».,,,,
,.»†%$#### IN LATE EVENINGS, SHROUDED BY MALMö'S ####$%†».,
,,,,»»%### SIGNATURE FOG ROLLING IN FROM THE SEA, ###%»»,,,,
,,,,.»††%# THE BUILDING COMES TO LIFE: IT MOVES ON #%††».,,,,
,.»†%$#### A THOUSAND ROBOTIC LEGS TO ANOTHER ####$%†».,
,,,,...†$# (SECRET) PART OF TOWN, OR PERHAPS OUT #$†...,,,,
,.»†%$#### TO SEA. THIS SIGNALS A NEW AND MORE ####$%†».,
,.»†%$#### VISCIOUS PHASE OF THE TAINARON ####$%†».,
,.»†%$#### ECOSYSTEM. ####$%†».,
,.»†%$#### ####$%†».,
,.»†%$#### THE GUESTS ARRIVING DURING THE EARLY ####$%†».,
,,,,,»»%$# EVENING ARE TREATED TO FOOD AND DRINK, #$%»»,,,,,
,,,.»†$$## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##$$†».,,,
,.»†%$#### COMFORTABLE BUT MAZE-LIKE INTERIOR ####$%†».,
,,,.»»†$## STRUCTURE (THE BUILDING FEATURES A ##$†»».,,,
,.»†%$#### MULTITUDE OF STAIRWELLS AND ELEVATORS, ####$%†».,
,.»†%$#### PLACED SEEMINGLY AT RANDOM, NONE GOING ####$%†».,
,,,,,,.†$# FURTHER THAN A FEW FLOORS). #$†.,,,,,,
,,,,,.»%$# #$%».,,,,,
,,,,»»»%## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##%»»»,,,,
,.»†%$#### UNTIL THE AIR INSIDE HAS TAKEN ON THE ####$%†».,
,,,,,»%$$# SAME QUALITY AS THE SURROUNDING MIST: #$$%»,,,,,
,.»†%$#### BLUE-GRAY, SPRINKLED WITH THE SMALL RED ####$%†».,
,,,,.»†%%# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #%%†».,,,,
,,,,.†%$## IF YOU WOULD LOOK THROUGH THE WINDOWS ##$%†.,,,,
,,,,»%$### YOU WOULD SEE THE MIST ROLLING BY, AND ###$%»,,,,
,.»†%$$$$# PERHAPS THE OUTLINE OF SOME OTHER #$$$$%†».,
,.»†%$#### BUILDING, FAR BELOW. ####$%†».,
,.»†%$#### ####$%†».,
,.»†%$#### DURING THE NIGHT, AFTER TAINARON HAS ####$%†».,
,.»†%$#### STARTED MOVING, THE LOWER FLOORS ARE ####$%†».,
,.»†%$#### SHUT OFF, PREVENTING ENTRY OR EXIT FOR ####$%†».,
,.»†$##### THE GUESTS. FOOD IS NO LONGER SERVED, #####$†».,
,.»†%$#### BUT THE DRINKS BECOME MORE EXTRAVAGANT. ####$%†».,
,,,»††%### IT'S AT THIS POINT THAT THE SECOND SET ###%††»,,,
,.»†%$#### OF GUEST ARRIVES, VIA HELICOPTER - ####$%†».,
,.»†%$#### AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ####$%†».,
,.»†%$#### ####$%†».,
,.»†%$#### »»»»» ####$%†».,
,,,,.†%%## ##%%†.,,,,
,,,,,.†$## IN MY DREAM I AM INVITED AS A FRIEND OF ##$†.,,,,,
,,,,,,»%$# ONE OF THE SERVERS, AND THUS SAFE. WE #$%»,,,,,,
,.»†%$#### SIT IN ONE OF THE LARGE WINDOWS, ####$%†».,
,,,,»††$## LOOKING THROUGH THE MIST FOR ANY ##$††»,,,,
,.»†%$#### LANDMARKS TO PIERCE THROUGH THE MIST. ####$%†».,
,.»†%$#### SHE TELLS ME THAT APART FROM COMING AND ####$%†».,
,,,.†%%$## GOING FROM WORK, SHE'S NEVER SEEN THE ##$%%†.,,,
,»†%$##### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #####$%†»,
,,.»»»»%## ##%»»»».,,
,.»†%$#### THE NEXT DAY I AM INVITED TO THE PUBLIC ####$%†».,
,.»†%##### DEMONSTRATION OF THE EXOBUBBLE. #####%†».,
,.»†%$#### ####$%†».,
,.»†%$#### ####$%†».,
,.»†%%%$## ##$%%%†».,
,.»†%$#### ####$%†».,
,.»†%$#### ####$%†».,