###&¤^==.. ..==^¤##
##&¤^==... ...==^¤#
#&¤^==.... ....==^¤
&¤^==..... .....==^¤&
#&¤^==.... ....==^¤
##&¤^==... THE SKYSCRAPER THAT MOVES ...==^¤#
###&¤^==.. ..==^¤##
##&¤^==... TAINARON IS A BUILDING OWNED AND ...==^¤#
#&¤^==.... OPERATED BY AMATA TEXNOLOGIYASI PLACED ....==^¤
&¤^==..... CLOSED TO THE HARBOR IN MALMÖ. IT'S .....==^¤&
#&¤^==.... ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ....==^¤
##&¤^==... UNKNOWN), DARK BLUE AND COMPLETELY ...==^¤#
###&¤^==.. RECTANGULAR. IT FEATURES NO SIGNS, ..==^¤##
##&¤^==... LIGHTS, OR ORNAMENTS, APART FROM A ...==^¤#
#&¤^==.... HELIPAD ON TOP. MOST FLOORS HAVE ....==^¤
&¤^==..... EXTERIOR WALLS COMPLETELY MADE OF GLASS. .....==^¤&
#&¤^==.... ....==^¤
##&¤^==... IN LATE EVENINGS, SHROUDED BY MALMö'S ...==^¤#
###&¤^==.. SIGNATURE FOG ROLLING IN FROM THE SEA, ..==^¤##
##&¤^==... THE BUILDING COMES TO LIFE: IT MOVES ON ...==^¤#
#&¤^==.... A THOUSAND ROBOTIC LEGS TO ANOTHER ....==^¤
&¤^==..... (SECRET) PART OF TOWN, OR PERHAPS OUT .....==^¤&
#&¤^==.... TO SEA. THIS SIGNALS A NEW AND MORE ....==^¤
##&¤^==... VISCIOUS PHASE OF THE TAINARON ...==^¤#
###&¤^==.. ECOSYSTEM. ..==^¤##
##&¤^==... ...==^¤#
#&¤^==.... THE GUESTS ARRIVING DURING THE EARLY ....==^¤
&¤^==..... EVENING ARE TREATED TO FOOD AND DRINK, .....==^¤&
#&¤^==.... LIVE MUSIC, BEATUTIFUL VIEWS, AND A ....==^¤
##&¤^==... COMFORTABLE BUT MAZE-LIKE INTERIOR ...==^¤#
###&¤^==.. STRUCTURE (THE BUILDING FEATURES A ..==^¤##
##&¤^==... MULTITUDE OF STAIRWELLS AND ELEVATORS, ...==^¤#
#&¤^==.... PLACED SEEMINGLY AT RANDOM, NONE GOING ....==^¤
&¤^==..... FURTHER THAN A FEW FLOORS). .....==^¤&
#&¤^==.... ....==^¤
##&¤^==... AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ...==^¤#
###&¤^==.. UNTIL THE AIR INSIDE HAS TAKEN ON THE ..==^¤##
##&¤^==... SAME QUALITY AS THE SURROUNDING MIST: ...==^¤#
#&¤^==.... BLUE-GRAY, SPRINKLED WITH THE SMALL RED ....==^¤
&¤^==..... DOT'S BY DOOR LOCKS AND CONTROL PANELS. .....==^¤&
#&¤^==.... IF YOU WOULD LOOK THROUGH THE WINDOWS ....==^¤
##&¤^==... YOU WOULD SEE THE MIST ROLLING BY, AND ...==^¤#
###&¤^==.. PERHAPS THE OUTLINE OF SOME OTHER ..==^¤##
##&¤^==... BUILDING, FAR BELOW. ...==^¤#
#&¤^==.... ....==^¤
&¤^==..... DURING THE NIGHT, AFTER TAINARON HAS .....==^¤&
#&¤^==.... STARTED MOVING, THE LOWER FLOORS ARE ....==^¤
##&¤^==... SHUT OFF, PREVENTING ENTRY OR EXIT FOR ...==^¤#
###&¤^==.. THE GUESTS. FOOD IS NO LONGER SERVED, ..==^¤##
##&¤^==... BUT THE DRINKS BECOME MORE EXTRAVAGANT. ...==^¤#
#&¤^==.... IT'S AT THIS POINT THAT THE SECOND SET ....==^¤
&¤^==..... OF GUEST ARRIVES, VIA HELICOPTER - .....==^¤&
#&¤^==.... AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ....==^¤
##&¤^==... ...==^¤#
###&¤^==.. ===== ..==^¤##
##&¤^==... ...==^¤#
#&¤^==.... IN MY DREAM I AM INVITED AS A FRIEND OF ....==^¤
&¤^==..... ONE OF THE SERVERS, AND THUS SAFE. WE .....==^¤&
#&¤^==.... SIT IN ONE OF THE LARGE WINDOWS, ....==^¤
##&¤^==... LOOKING THROUGH THE MIST FOR ANY ...==^¤#
###&¤^==.. LANDMARKS TO PIERCE THROUGH THE MIST. ..==^¤##
##&¤^==... SHE TELLS ME THAT APART FROM COMING AND ...==^¤#
#&¤^==.... GOING FROM WORK, SHE'S NEVER SEEN THE ....==^¤
&¤^==..... BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .....==^¤&
#&¤^==.... ....==^¤
##&¤^==... THE NEXT DAY I AM INVITED TO THE PUBLIC ...==^¤#
###&¤^==.. DEMONSTRATION OF THE EXOBUBBLE. ..==^¤##
##&¤^==... ...==^¤#
#&¤^==.... ....==^¤
&¤^==..... .....==^¤&
#&¤^==.... ....==^¤
##&¤^==... ...==^¤#