,^-†^££¶##                                          ##¶££^†-^,
,,^-†^££¶#                                          #¶££^†-^,,
,,,^-†^££¶                                          ¶££^†-^,,,
,,,,^-†^££                                          ££^†-^,,,,
,,,,,^-†^£                                          £^†-^,,,,,
,,,,,,^-†^         THE SKYSCRAPER THAT MOVES        ^†-^,,,,,,
,,,,,,,^-†                                          †-^,,,,,,,
,,,,,,,,^- TAINARON   IS  A  BUILDING   OWNED   AND -^,,,,,,,,
,,,,,,,,,^  OPERATED BY AMATA TEXNOLOGIYASI PLACED  ^,,,,,,,,,
,,,,,,,,^- CLOSED  TO  THE  HARBOR  IN MALMÖ.  IT'S -^,,,,,,,,
,,,,,,,^-† ROUGHLY SIXTY  FLOORS HIGH  (REAL NUMBER †-^,,,,,,,
,,,,,,^-†^    UNKNOWN), DARK BLUE AND COMPLETELY    ^†-^,,,,,,
,,,,,^-†^£    RECTANGULAR. IT FEATURES NO SIGNS,    £^†-^,,,,,
,,,,^-†^££ LIGHTS,  OR  ORNAMENTS,  APART   FROM  A ££^†-^,,,,
,,,^-†^££¶ HELIPAD  ON   TOP.  MOST   FLOORS   HAVE ¶££^†-^,,,
,,^-†^££¶# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #¶££^†-^,,
,^-†^££¶##                                          ##¶££^†-^,
,,^-†^££¶# IN  LATE EVENINGS,  SHROUDED BY  MALMö'S #¶££^†-^,,
,,,^-†^££¶ SIGNATURE  FOG ROLLING IN FROM  THE SEA, ¶££^†-^,,,
,,,,^-†^££ THE BUILDING  COMES TO LIFE: IT MOVES ON ££^†-^,,,,
,,,,,^-†^£ A  THOUSAND  ROBOTIC  LEGS  TO   ANOTHER £^†-^,,,,,
,,,,,,^-†^ (SECRET)  PART OF TOWN, OR  PERHAPS  OUT ^†-^,,,,,,
,,,,,,,^-† TO  SEA.  THIS  SIGNALS  A  NEW AND MORE †-^,,,,,,,
,,,,,,,,^-      VISCIOUS PHASE OF THE TAINARON      -^,,,,,,,,
,,,,,,,,,^                ECOSYSTEM.                ^,,,,,,,,,
,,,,,,,,^-                                          -^,,,,,,,,
,,,,,,,^-† THE  GUESTS  ARRIVING DURING  THE  EARLY †-^,,,,,,,
,,,,,,^-†^ EVENING  ARE TREATED TO  FOOD AND DRINK, ^†-^,,,,,,
,,,,,^-†^£ LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A £^†-^,,,,,
,,,,^-†^££    COMFORTABLE BUT MAZE-LIKE INTERIOR    ££^†-^,,,,
,,,^-†^££¶    STRUCTURE (THE BUILDING FEATURES A    ¶££^†-^,,,
,,^-†^££¶#  MULTITUDE OF STAIRWELLS AND ELEVATORS,  #¶££^†-^,,
,^-†^££¶## PLACED  SEEMINGLY  AT RANDOM, NONE GOING ##¶££^†-^,
,,^-†^££¶#       FURTHER THAN A FEW FLOORS).        #¶££^†-^,,
,,,^-†^££¶                                          ¶££^†-^,,,
,,,,^-†^££ AS TIME GOES ON, THE  LIGHTS SLOWLY DIM, ££^†-^,,,,
,,,,,^-†^£ UNTIL  THE  AIR INSIDE  HAS TAKEN ON THE £^†-^,,,,,
,,,,,,^-†^ SAME  QUALITY AS  THE SURROUNDING  MIST: ^†-^,,,,,,
,,,,,,,^-† BLUE-GRAY, SPRINKLED WITH THE  SMALL RED †-^,,,,,,,
,,,,,,,,^- DOT'S BY  DOOR LOCKS AND CONTROL PANELS. -^,,,,,,,,
,,,,,,,,,^ IF  YOU WOULD  LOOK THROUGH THE  WINDOWS ^,,,,,,,,,
,,,,,,,,^- YOU  WOULD SEE THE MIST  ROLLING BY, AND -^,,,,,,,,
,,,,,,,^-† PERHAPS   THE   OUTLINE  OF  SOME  OTHER †-^,,,,,,,
,,,,,,^-†^           BUILDING, FAR BELOW.           ^†-^,,,,,,
,,,,,^-†^£                                          £^†-^,,,,,
,,,,^-†^££ DURING THE  NIGHT,  AFTER  TAINARON  HAS ££^†-^,,,,
,,,^-†^££¶ STARTED  MOVING,  THE  LOWER FLOORS  ARE ¶££^†-^,,,
,,^-†^££¶# SHUT OFF, PREVENTING ENTRY  OR EXIT  FOR #¶££^†-^,,
,^-†^££¶## THE  GUESTS. FOOD  IS NO  LONGER SERVED, ##¶££^†-^,
,,^-†^££¶# BUT THE DRINKS  BECOME MORE EXTRAVAGANT. #¶££^†-^,,
,,,^-†^££¶ IT'S AT THIS POINT  THAT THE  SECOND SET ¶££^†-^,,,
,,,,^-†^££ OF   GUEST  ARRIVES,  VIA  HELICOPTER  - ££^†-^,,,,
,,,,,^-†^£  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  £^†-^,,,,,
,,,,,,^-†^                                          ^†-^,,,,,,
,,,,,,,^-†                  -----                   †-^,,,,,,,
,,,,,,,,^-                                          -^,,,,,,,,
,,,,,,,,,^ IN MY DREAM I AM  INVITED AS A FRIEND OF ^,,,,,,,,,
,,,,,,,,^- ONE  OF THE  SERVERS, AND THUS  SAFE. WE -^,,,,,,,,
,,,,,,,^-† SIT  IN   ONE   OF  THE  LARGE  WINDOWS, †-^,,,,,,,
,,,,,,^-†^ LOOKING   THROUGH   THE  MIST  FOR   ANY ^†-^,,,,,,
,,,,,^-†^£ LANDMARKS  TO  PIERCE THROUGH THE  MIST. £^†-^,,,,,
,,,,^-†^££ SHE TELLS  ME THAT APART FROM COMING AND ££^†-^,,,,
,,,^-†^££¶ GOING FROM  WORK, SHE'S  NEVER  SEEN THE ¶££^†-^,,,
,,^-†^££¶# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #¶££^†-^,,
,^-†^££¶##                                          ##¶££^†-^,
,,^-†^££¶# THE NEXT DAY I AM  INVITED TO THE PUBLIC #¶££^†-^,,
,,,^-†^££¶      DEMONSTRATION OF THE EXOBUBBLE.     ¶££^†-^,,,
,,,,^-†^££                                          ££^†-^,,,,
,,,,,^-†^£                                          £^†-^,,,,,
,,,,,,^-†^                                          ^†-^,,,,,,
,,,,,,,^-†                                          †-^,,,,,,,
,,,,,,,,^-                                          -^,,,,,,,,