¨§§§¨§¨§¨¨ ¨§§¨¨§¨¨§§
§¨¨§§§§§¨¨ §¨§¨§§¨§¨§
§¨§¨¨¨¨§¨§ §§§§¨§§§§¨
§§§¨¨¨§§§¨ ¨¨¨§§¨¨¨§§
¨¨§¨¨§¨¨§§ ¨¨§¨§¨¨§¨¨
¨§§¨§§¨§¨§ THE SKYSCRAPER THAT MOVES ¨§§§§¨§§¨¨
§¨§§¨§§§§§ §¨¨¨§§¨§¨¨
§§¨§§¨¨¨¨§ TAINARON IS A BUILDING OWNED AND §¨¨§¨§§§¨§
¨§§¨§¨¨¨§§ OPERATED BY AMATA TEXNOLOGIYASI PLACED §¨§§§¨¨§§¨
§¨§§§¨¨§¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S §§¨¨§¨§¨§¨
§§¨¨§¨§§¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨§¨§§§§§§§
¨§¨§§§¨§¨¨ UNKNOWN), DARK BLUE AND COMPLETELY §§§¨¨¨¨¨¨¨
§§§¨¨§§§¨§ RECTANGULAR. IT FEATURES NO SIGNS, ¨¨§¨¨¨¨¨¨¨
¨¨§¨§¨¨§§§ LIGHTS, OR ORNAMENTS, APART FROM A ¨§§¨¨¨¨¨¨§
¨§§§§¨§¨¨¨ HELIPAD ON TOP. MOST FLOORS HAVE §¨§¨¨¨¨¨§§
§¨¨¨§§§¨¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. §§§¨¨¨¨§¨§
§¨¨§¨¨§¨¨¨ ¨¨§¨¨¨§§§¨
§¨§§¨§§¨¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨§§¨¨§¨¨§§
§§¨§§¨§¨¨¨ SIGNATURE FOG ROLLING IN FROM THE SEA, §¨§¨§§¨§¨¨
¨§§¨§§§¨¨§ THE BUILDING COMES TO LIFE: IT MOVES ON §§§§¨§§§¨§
§¨§§¨¨§¨§¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨¨§§¨¨§§§
§§¨§¨§§§§¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨¨§¨§¨§¨¨¨
¨§§§§¨¨¨§¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨§§§§§§¨¨§
§¨¨¨§¨¨§§§ VISCIOUS PHASE OF THE TAINARON §¨¨¨¨¨§¨§§
§¨¨§§¨§¨¨¨ ECOSYSTEM. §¨¨¨¨§§§¨¨
§¨§¨§§§¨¨¨ §¨¨¨§¨¨§¨§
§§§§¨¨§¨¨§ THE GUESTS ARRIVING DURING THE EARLY §¨¨§§¨§§§¨
¨¨¨§¨§§¨§¨ EVENING ARE TREATED TO FOOD AND DRINK, §¨§¨§§¨¨§§
¨¨§§§¨§§§§ LIVE MUSIC, BEATUTIFUL VIEWS, AND A §§§§¨§¨§¨§
¨§¨¨§§¨¨¨¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨¨¨§§§§§§§
§§¨§¨§¨¨¨§ STRUCTURE (THE BUILDING FEATURES A ¨¨§¨¨¨¨¨¨§
¨§§§§§¨¨§§ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨§§¨¨¨¨¨§¨
§¨¨¨¨§¨§¨§ PLACED SEEMINGLY AT RANDOM, NONE GOING §¨§¨¨¨¨§§¨
§¨¨¨§§§§§¨ FURTHER THAN A FEW FLOORS). §§§¨¨¨§¨§§
§¨¨§¨¨¨¨§¨ ¨¨§¨¨§§§¨¨
§¨§§¨¨¨§§¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨§§¨§¨¨§¨§
§§¨§¨¨§¨§§ UNTIL THE AIR INSIDE HAS TAKEN ON THE §¨§§§¨§§§¨
¨§§§¨§§§¨§ SAME QUALITY AS THE SURROUNDING MIST: §§¨¨§§¨¨§§
§¨¨§§¨¨§§¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨§¨§¨§¨§¨§
§¨§¨§¨§¨§§ DOT'S BY DOOR LOCKS AND CONTROL PANELS. §§§§§§§§§¨
§§§§§§§§¨§ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨¨¨¨¨¨¨¨§§
¨¨¨¨¨¨¨§§¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨¨¨¨¨¨¨§¨¨
¨¨¨¨¨¨§¨§§ PERHAPS THE OUTLINE OF SOME OTHER ¨¨¨¨¨¨§§¨¨
¨¨¨¨¨§§§¨§ BUILDING, FAR BELOW. ¨¨¨¨¨§¨§¨¨
¨¨¨¨§¨¨§§§ ¨¨¨¨§§§§¨¨
¨¨¨§§¨§¨¨§ DURING THE NIGHT, AFTER TAINARON HAS ¨¨¨§¨¨¨§¨¨
¨¨§¨§§§¨§¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨§§¨¨§§¨¨
¨§§§¨¨§§§§ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨§¨§¨§¨§¨¨
§¨¨§¨§¨¨¨¨ THE GUESTS. FOOD IS NO LONGER SERVED, §§§§§§§§¨¨
§¨§§§§¨¨¨§ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨¨¨¨¨¨§¨§
§§¨¨¨§¨¨§¨ IT'S AT THIS POINT THAT THE SECOND SET ¨¨¨¨¨¨§§§¨
¨§¨¨§§¨§§§ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨¨¨¨§¨¨§§
§§¨§¨§§¨¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨¨§§¨§¨§
¨§§§§¨§¨¨¨ ¨¨¨§¨§§§§¨
§¨¨¨§§§¨¨¨ ~~~~~ ¨¨§§§¨¨¨§¨
§¨¨§¨¨§¨¨¨ ¨§¨¨§¨¨§§§
§¨§§¨§§¨¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF §§¨§§¨§¨¨¨
§§¨§§¨§¨¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨§§¨§§§¨¨§
¨§§¨§§§¨¨§ SIT IN ONE OF THE LARGE WINDOWS, §¨§§¨¨§¨§¨
§¨§§¨¨§¨§§ LOOKING THROUGH THE MIST FOR ANY §§¨§¨§§§§¨
§§¨§¨§§§¨§ LANDMARKS TO PIERCE THROUGH THE MIST. ¨§§§§¨¨¨§§
¨§§§§¨¨§§¨ SHE TELLS ME THAT APART FROM COMING AND §¨¨¨§¨¨§¨¨
§¨¨¨§¨§¨§§ GOING FROM WORK, SHE'S NEVER SEEN THE §¨¨§§¨§§¨¨
§¨¨§§§§§¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. §¨§¨§§¨§¨§
§¨§¨¨¨¨§¨§ §§§§¨§§§§¨
§§§¨¨¨§§§¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨¨§§¨¨¨§§
¨¨§¨¨§¨¨§§ DEMONSTRATION OF THE EXOBUBBLE. ¨¨§¨§¨¨§¨¨
¨§§¨§§¨§¨§ ¨§§§§¨§§¨¨
§¨§§¨§§§§§ §¨¨¨§§¨§¨¨
§§¨§§¨¨¨¨§ §¨¨§¨§§§¨§
¨§§¨§¨¨¨§§ §¨§§§¨¨§§¨
§¨§§§¨¨§¨¨ §§¨¨§¨§¨§¨