,,,,,,,~*=                                          =*~,,,,,,,
,,,,,,,,~*                                          *~,,,,,,,,
,,,,,,,~*=                                          =*~,,,,,,,
,,,,,,~*=&                                          &=*~,,,,,,
,,,,,~*=&£                                          £&=*~,,,,,
,,,,~*=&£#         THE SKYSCRAPER THAT MOVES        #£&=*~,,,,
,,,~*=&£##                                          ##£&=*~,,,
,,~*=&£### TAINARON  IS   A  BUILDING   OWNED   AND ###£&=*~,,
,,,~*=&£##  OPERATED BY AMATA TEXNOLOGIYASI PLACED  ##£&=*~,,,
,,,,~*=&£# CLOSED  TO  THE  HARBOR  IN MALMÖ.  IT'S #£&=*~,,,,
,,,,,~*=&£ ROUGHLY  SIXTY  FLOORS HIGH (REAL NUMBER £&=*~,,,,,
,,,,,,~*=&    UNKNOWN), DARK BLUE AND COMPLETELY    &=*~,,,,,,
,,,,,,,~*=    RECTANGULAR. IT FEATURES NO SIGNS,    =*~,,,,,,,
,,,,,,,,~* LIGHTS,   OR  ORNAMENTS,  APART  FROM  A *~,,,,,,,,
,,,,,,,~*= HELIPAD   ON   TOP.  MOST   FLOORS  HAVE =*~,,,,,,,
,,,,,,~*=& EXTERIOR WALLS COMPLETELY MADE OF GLASS. &=*~,,,,,,
,,,,,~*=&£                                          £&=*~,,,,,
,,,,~*=&£# IN LATE  EVENINGS,  SHROUDED BY  MALMö'S #£&=*~,,,,
,,,~*=&£## SIGNATURE  FOG ROLLING IN FROM  THE SEA, ##£&=*~,,,
,,~*=&£### THE BUILDING COMES TO  LIFE: IT MOVES ON ###£&=*~,,
,,,~*=&£## A  THOUSAND  ROBOTIC   LEGS  TO  ANOTHER ##£&=*~,,,
,,,,~*=&£# (SECRET) PART  OF  TOWN,  OR PERHAPS OUT #£&=*~,,,,
,,,,,~*=&£ TO SEA.  THIS  SIGNALS  A NEW  AND  MORE £&=*~,,,,,
,,,,,,~*=&      VISCIOUS PHASE OF THE TAINARON      &=*~,,,,,,
,,,,,,,~*=                ECOSYSTEM.                =*~,,,,,,,
,,,,,,,,~*                                          *~,,,,,,,,
,,,,,,,~*= THE GUESTS  ARRIVING  DURING  THE  EARLY =*~,,,,,,,
,,,,,,~*=& EVENING  ARE TREATED TO  FOOD AND DRINK, &=*~,,,,,,
,,,,,~*=&£ LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A £&=*~,,,,,
,,,,~*=&£#    COMFORTABLE BUT MAZE-LIKE INTERIOR    #£&=*~,,,,
,,,~*=&£##    STRUCTURE (THE BUILDING FEATURES A    ##£&=*~,,,
,,~*=&£###  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ###£&=*~,,
,,,~*=&£## PLACED SEEMINGLY  AT RANDOM, NONE  GOING ##£&=*~,,,
,,,,~*=&£#       FURTHER THAN A FEW FLOORS).        #£&=*~,,,,
,,,,,~*=&£                                          £&=*~,,,,,
,,,,,,~*=& AS TIME GOES ON, THE  LIGHTS SLOWLY DIM, &=*~,,,,,,
,,,,,,,~*= UNTIL THE AIR INSIDE HAS  TAKEN  ON  THE =*~,,,,,,,
,,,,,,,,~* SAME  QUALITY  AS  THE SURROUNDING MIST: *~,,,,,,,,
,,,,,,,~*= BLUE-GRAY, SPRINKLED WITH THE  SMALL RED =*~,,,,,,,
,,,,,,~*=& DOT'S BY DOOR LOCKS AND  CONTROL PANELS. &=*~,,,,,,
,,,,,~*=&£ IF YOU WOULD  LOOK  THROUGH THE  WINDOWS £&=*~,,,,,
,,,,~*=&£# YOU WOULD SEE THE  MIST  ROLLING BY, AND #£&=*~,,,,
,,,~*=&£## PERHAPS  THE  OUTLINE   OF   SOME  OTHER ##£&=*~,,,
,,~*=&£###           BUILDING, FAR BELOW.           ###£&=*~,,
,,,~*=&£##                                          ##£&=*~,,,
,,,,~*=&£# DURING  THE NIGHT,  AFTER  TAINARON  HAS #£&=*~,,,,
,,,,,~*=&£ STARTED  MOVING, THE  LOWER  FLOORS  ARE £&=*~,,,,,
,,,,,,~*=& SHUT OFF,  PREVENTING ENTRY OR  EXIT FOR &=*~,,,,,,
,,,,,,,~*= THE GUESTS.  FOOD IS NO  LONGER  SERVED, =*~,,,,,,,
,,,,,,,,~* BUT THE DRINKS BECOME MORE  EXTRAVAGANT. *~,,,,,,,,
,,,,,,,~*= IT'S AT  THIS POINT THAT THE SECOND  SET =*~,,,,,,,
,,,,,,~*=& OF  GUEST  ARRIVES,  VIA   HELICOPTER  - &=*~,,,,,,
,,,,,~*=&£  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  £&=*~,,,,,
,,,,~*=&£#                                          #£&=*~,,,,
,,,~*=&£##                  ~~~~~                   ##£&=*~,,,
,,~*=&£###                                          ###£&=*~,,
,,,~*=&£## IN MY  DREAM I AM INVITED AS A FRIEND OF ##£&=*~,,,
,,,,~*=&£# ONE  OF THE SERVERS,  AND  THUS SAFE. WE #£&=*~,,,,
,,,,,~*=&£ SIT  IN   ONE  OF  THE   LARGE  WINDOWS, £&=*~,,,,,
,,,,,,~*=& LOOKING   THROUGH   THE  MIST   FOR  ANY &=*~,,,,,,
,,,,,,,~*= LANDMARKS TO  PIERCE  THROUGH THE  MIST. =*~,,,,,,,
,,,,,,,,~* SHE TELLS ME THAT  APART FROM COMING AND *~,,,,,,,,
,,,,,,,~*= GOING  FROM WORK,  SHE'S  NEVER SEEN THE =*~,,,,,,,
,,,,,,~*=& BUILDING FROM THE OUTSIDE. WE BOTH SIGH. &=*~,,,,,,
,,,,,~*=&£                                          £&=*~,,,,,
,,,,~*=&£# THE NEXT DAY I AM INVITED  TO THE PUBLIC #£&=*~,,,,
,,,~*=&£##      DEMONSTRATION OF THE EXOBUBBLE.     ##£&=*~,,,
,,~*=&£###                                          ###£&=*~,,
,,,~*=&£##                                          ##£&=*~,,,
,,,,~*=&£#                                          #£&=*~,,,,
,,,,,~*=&£                                          £&=*~,,,,,
,,,,,,~*=&                                          &=*~,,,,,,