¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,« «,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,«\ \«,¨¨¨¨¨¨¨
¨¨¨¨¨¨,«\% %\«,¨¨¨¨¨¨
¨¨¨¨¨,«\%$ THE SKYSCRAPER THAT MOVES $%\«,¨¨¨¨¨
¨¨¨¨,«\%$# #$%\«,¨¨¨¨
¨¨¨,«\%$#@ TAINARON IS A BUILDING OWNED AND @#$%\«,¨¨¨
¨¨,«\%$#@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@#$%\«,¨¨
¨,«\%$#@## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##@#$%\«,¨
¨¨,«\%$#@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@#$%\«,¨¨
¨¨¨,«\%$#@ UNKNOWN), DARK BLUE AND COMPLETELY @#$%\«,¨¨¨
¨¨¨¨,«\%$# RECTANGULAR. IT FEATURES NO SIGNS, #$%\«,¨¨¨¨
¨¨¨¨¨,«\%$ LIGHTS, OR ORNAMENTS, APART FROM A $%\«,¨¨¨¨¨
¨¨¨¨¨¨,«\% HELIPAD ON TOP. MOST FLOORS HAVE %\«,¨¨¨¨¨¨
¨¨¨¨¨¨¨,«\ EXTERIOR WALLS COMPLETELY MADE OF GLASS. \«,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,« «,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, IN LATE EVENINGS, SHROUDED BY MALMö'S ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ VISCIOUS PHASE OF THE TAINARON ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ ECOSYSTEM. ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ THE GUESTS ARRIVING DURING THE EARLY ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, EVENING ARE TREATED TO FOOD AND DRINK, ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,« LIVE MUSIC, BEATUTIFUL VIEWS, AND A «,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,«\ COMFORTABLE BUT MAZE-LIKE INTERIOR \«,¨¨¨¨¨¨¨
¨¨¨¨¨¨,«\% STRUCTURE (THE BUILDING FEATURES A %\«,¨¨¨¨¨¨
¨¨¨¨¨,«\%$ MULTITUDE OF STAIRWELLS AND ELEVATORS, $%\«,¨¨¨¨¨
¨¨¨¨,«\%$# PLACED SEEMINGLY AT RANDOM, NONE GOING #$%\«,¨¨¨¨
¨¨¨,«\%$#@ FURTHER THAN A FEW FLOORS). @#$%\«,¨¨¨
¨¨,«\%$#@# #@#$%\«,¨¨
¨,«\%$#@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@#$%\«,¨
¨¨,«\%$#@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@#$%\«,¨¨
¨¨¨,«\%$#@ SAME QUALITY AS THE SURROUNDING MIST: @#$%\«,¨¨¨
¨¨¨¨,«\%$# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #$%\«,¨¨¨¨
¨¨¨¨¨,«\%$ DOT'S BY DOOR LOCKS AND CONTROL PANELS. $%\«,¨¨¨¨¨
¨¨¨¨¨¨,«\% IF YOU WOULD LOOK THROUGH THE WINDOWS %\«,¨¨¨¨¨¨
¨¨¨¨¨¨¨,«\ YOU WOULD SEE THE MIST ROLLING BY, AND \«,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,« PERHAPS THE OUTLINE OF SOME OTHER «,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, BUILDING, FAR BELOW. ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ DURING THE NIGHT, AFTER TAINARON HAS ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ IT'S AT THIS POINT THAT THE SECOND SET ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,« ««««« «,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,«\ \«,¨¨¨¨¨¨¨
¨¨¨¨¨¨,«\% IN MY DREAM I AM INVITED AS A FRIEND OF %\«,¨¨¨¨¨¨
¨¨¨¨¨,«\%$ ONE OF THE SERVERS, AND THUS SAFE. WE $%\«,¨¨¨¨¨
¨¨¨¨,«\%$# SIT IN ONE OF THE LARGE WINDOWS, #$%\«,¨¨¨¨
¨¨¨,«\%$#@ LOOKING THROUGH THE MIST FOR ANY @#$%\«,¨¨¨
¨¨,«\%$#@# LANDMARKS TO PIERCE THROUGH THE MIST. #@#$%\«,¨¨
¨,«\%$#@## SHE TELLS ME THAT APART FROM COMING AND ##@#$%\«,¨
¨¨,«\%$#@# GOING FROM WORK, SHE'S NEVER SEEN THE #@#$%\«,¨¨
¨¨¨,«\%$#@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @#$%\«,¨¨¨
¨¨¨¨,«\%$# #$%\«,¨¨¨¨
¨¨¨¨¨,«\%$ THE NEXT DAY I AM INVITED TO THE PUBLIC $%\«,¨¨¨¨¨
¨¨¨¨¨¨,«\% DEMONSTRATION OF THE EXOBUBBLE. %\«,¨¨¨¨¨¨
¨¨¨¨¨¨¨,«\ \«,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,« «,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨