.,-/=£¤### ###¤£=/-,.
.,--/===£# #£===/--,.
.....-/£¤¤ ¤¤£/-.....
.,-/=£¤### ###¤£=/-,.
.,-/=£¤### ###¤£=/-,.
...,,/=£¤¤ THE SKYSCRAPER THAT MOVES ¤¤£=/,,...
.,,,,/=££# #££=/,,,,.
.,-/=£¤### TAINARON IS A BUILDING OWNED AND ###¤£=/-,.
.,-/=£¤### OPERATED BY AMATA TEXNOLOGIYASI PLACED ###¤£=/-,.
.,-/=£¤### CLOSED TO THE HARBOR IN MALMÖ. IT'S ###¤£=/-,.
.,-/=£¤### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ###¤£=/-,.
....,,-=¤¤ UNKNOWN), DARK BLUE AND COMPLETELY ¤¤=-,,....
.,-/=£¤### RECTANGULAR. IT FEATURES NO SIGNS, ###¤£=/-,.
...,,,/=£¤ LIGHTS, OR ORNAMENTS, APART FROM A ¤£=/,,,...
....,//=¤# HELIPAD ON TOP. MOST FLOORS HAVE #¤=//,....
.,-/=£¤### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###¤£=/-,.
......-=£# #£=-......
.,-/=£¤### IN LATE EVENINGS, SHROUDED BY MALMö'S ###¤£=/-,.
......-=¤¤ SIGNATURE FOG ROLLING IN FROM THE SEA, ¤¤=-......
.,-/====¤# THE BUILDING COMES TO LIFE: IT MOVES ON #¤====/-,.
....--=££# A THOUSAND ROBOTIC LEGS TO ANOTHER #££=--....
...,-====¤ (SECRET) PART OF TOWN, OR PERHAPS OUT ¤====-,...
......,/£# TO SEA. THIS SIGNALS A NEW AND MORE #£/,......
....--=£## VISCIOUS PHASE OF THE TAINARON ##£=--....
...,,-=¤¤¤ ECOSYSTEM. ¤¤¤=-,,...
.,-/=£#### ####£=/-,.
.,-/=£¤### THE GUESTS ARRIVING DURING THE EARLY ###¤£=/-,.
....,-=¤¤# EVENING ARE TREATED TO FOOD AND DRINK, #¤¤=-,....
.,-///£££# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #£££///-,.
.,-/=£¤### COMFORTABLE BUT MAZE-LIKE INTERIOR ###¤£=/-,.
.,-///=£¤# STRUCTURE (THE BUILDING FEATURES A #¤£=///-,.
.,-/=£¤### MULTITUDE OF STAIRWELLS AND ELEVATORS, ###¤£=/-,.
..,,,/££## PLACED SEEMINGLY AT RANDOM, NONE GOING ##££/,,,..
.,-/=£¤### FURTHER THAN A FEW FLOORS). ###¤£=/-,.
.,-/=£¤### ###¤£=/-,.
.,-/=£¤### AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###¤£=/-,.
.,-/=£¤### UNTIL THE AIR INSIDE HAS TAKEN ON THE ###¤£=/-,.
.,-/=£¤### SAME QUALITY AS THE SURROUNDING MIST: ###¤£=/-,.
.,-/=£¤### BLUE-GRAY, SPRINKLED WITH THE SMALL RED ###¤£=/-,.
.,-/=£¤### DOT'S BY DOOR LOCKS AND CONTROL PANELS. ###¤£=/-,.
....,--/=¤ IF YOU WOULD LOOK THROUGH THE WINDOWS ¤=/--,....
.,-/=£¤### YOU WOULD SEE THE MIST ROLLING BY, AND ###¤£=/-,.
.,-/=£¤### PERHAPS THE OUTLINE OF SOME OTHER ###¤£=/-,.
.,-/=£¤### BUILDING, FAR BELOW. ###¤£=/-,.
.....,,-=¤ ¤=-,,.....
....-/££¤# DURING THE NIGHT, AFTER TAINARON HAS #¤££/-....
...--/==¤# STARTED MOVING, THE LOWER FLOORS ARE #¤==/--...
.,-/=£¤### SHUT OFF, PREVENTING ENTRY OR EXIT FOR ###¤£=/-,.
,-/=£¤#### THE GUESTS. FOOD IS NO LONGER SERVED, ####¤£=/-,
....,-//£# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #£//-,....
...,,-/=¤# IT'S AT THIS POINT THAT THE SECOND SET #¤=/-,,...
....,/=¤¤# OF GUEST ARRIVES, VIA HELICOPTER - #¤¤=/,....
.,/=£¤#### AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ####¤£=/,.
.,-/=£¤### ###¤£=/-,.
.,-/=£¤### ----- ###¤£=/-,.
....-==¤¤# #¤¤==-....
.,-/=£¤### IN MY DREAM I AM INVITED AS A FRIEND OF ###¤£=/-,.
.,-/=¤#### ONE OF THE SERVERS, AND THUS SAFE. WE ####¤=/-,.
.,-/=£¤### SIT IN ONE OF THE LARGE WINDOWS, ###¤£=/-,.
.,-/=£#### LOOKING THROUGH THE MIST FOR ANY ####£=/-,.
.,-/=£¤### LANDMARKS TO PIERCE THROUGH THE MIST. ###¤£=/-,.
.,-/=£¤### SHE TELLS ME THAT APART FROM COMING AND ###¤£=/-,.
.,-/=£¤### GOING FROM WORK, SHE'S NEVER SEEN THE ###¤£=/-,.
.,-/=£¤### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ###¤£=/-,.
.....,,/£¤ ¤£/,,.....
...,-/=£## THE NEXT DAY I AM INVITED TO THE PUBLIC ##£=/-,...
.,-///===¤ DEMONSTRATION OF THE EXOBUBBLE. ¤===///-,.
.,--//££¤# #¤££//--,.
.,---=£¤## ##¤£=---,.
.....,/=¤# #¤=/,.....
...,//===¤ ¤===//,...
.,,,-==£¤# #¤£==-,,,.