##¤£%:~:,, ,,:~:%£¤##
#¤£%:~:,,, ,,,:~:%£¤#
¤£%:~:,,,, ,,,,:~:%£¤
£%:~:,,,,, ,,,,,:~:%£
%:~:,,,,,, ,,,,,,:~:%
£%:~:,,,,, THE SKYSCRAPER THAT MOVES ,,,,,:~:%£
¤£%:~:,,,, ,,,,:~:%£¤
#¤£%:~:,,, TAINARON IS A BUILDING OWNED AND ,,,:~:%£¤#
##¤£%:~:,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,:~:%£¤##
###¤£%:~:, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,:~:%£¤###
##¤£%:~:,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,:~:%£¤##
#¤£%:~:,,, UNKNOWN), DARK BLUE AND COMPLETELY ,,,:~:%£¤#
¤£%:~:,,,, RECTANGULAR. IT FEATURES NO SIGNS, ,,,,:~:%£¤
£%:~:,,,,, LIGHTS, OR ORNAMENTS, APART FROM A ,,,,,:~:%£
%:~:,,,,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,,,,:~:%
£%:~:,,,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,,,:~:%£
¤£%:~:,,,, ,,,,:~:%£¤
#¤£%:~:,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,:~:%£¤#
##¤£%:~:,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,:~:%£¤##
###¤£%:~:, THE BUILDING COMES TO LIFE: IT MOVES ON ,:~:%£¤###
##¤£%:~:,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,:~:%£¤##
#¤£%:~:,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,:~:%£¤#
¤£%:~:,,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,,:~:%£¤
£%:~:,,,,, VISCIOUS PHASE OF THE TAINARON ,,,,,:~:%£
%:~:,,,,,, ECOSYSTEM. ,,,,,,:~:%
£%:~:,,,,, ,,,,,:~:%£
¤£%:~:,,,, THE GUESTS ARRIVING DURING THE EARLY ,,,,:~:%£¤
#¤£%:~:,,, EVENING ARE TREATED TO FOOD AND DRINK, ,,,:~:%£¤#
##¤£%:~:,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,:~:%£¤##
###¤£%:~:, COMFORTABLE BUT MAZE-LIKE INTERIOR ,:~:%£¤###
##¤£%:~:,, STRUCTURE (THE BUILDING FEATURES A ,,:~:%£¤##
#¤£%:~:,,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,,:~:%£¤#
¤£%:~:,,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,,:~:%£¤
£%:~:,,,,, FURTHER THAN A FEW FLOORS). ,,,,,:~:%£
%:~:,,,,,, ,,,,,,:~:%
£%:~:,,,,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,,,,:~:%£
¤£%:~:,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,:~:%£¤
#¤£%:~:,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,:~:%£¤#
##¤£%:~:,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,:~:%£¤##
###¤£%:~:, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,:~:%£¤###
##¤£%:~:,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,:~:%£¤##
#¤£%:~:,,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,,:~:%£¤#
¤£%:~:,,,, PERHAPS THE OUTLINE OF SOME OTHER ,,,,:~:%£¤
£%:~:,,,,, BUILDING, FAR BELOW. ,,,,,:~:%£
%:~:,,,,,, ,,,,,,:~:%
£%:~:,,,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,,,:~:%£
¤£%:~:,,,, STARTED MOVING, THE LOWER FLOORS ARE ,,,,:~:%£¤
#¤£%:~:,,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,,:~:%£¤#
##¤£%:~:,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,:~:%£¤##
###¤£%:~:, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,:~:%£¤###
##¤£%:~:,, IT'S AT THIS POINT THAT THE SECOND SET ,,:~:%£¤##
#¤£%:~:,,, OF GUEST ARRIVES, VIA HELICOPTER - ,,,:~:%£¤#
¤£%:~:,,,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,,,:~:%£¤
£%:~:,,,,, ,,,,,:~:%£
%:~:,,,,,, ~~~~~ ,,,,,,:~:%
£%:~:,,,,, ,,,,,:~:%£
¤£%:~:,,,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,,,:~:%£¤
#¤£%:~:,,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,,:~:%£¤#
##¤£%:~:,, SIT IN ONE OF THE LARGE WINDOWS, ,,:~:%£¤##
###¤£%:~:, LOOKING THROUGH THE MIST FOR ANY ,:~:%£¤###
##¤£%:~:,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,:~:%£¤##
#¤£%:~:,,, SHE TELLS ME THAT APART FROM COMING AND ,,,:~:%£¤#
¤£%:~:,,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,,:~:%£¤
£%:~:,,,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,,:~:%£
%:~:,,,,,, ,,,,,,:~:%
£%:~:,,,,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,,,:~:%£
¤£%:~:,,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,,:~:%£¤
#¤£%:~:,,, ,,,:~:%£¤#
##¤£%:~:,, ,,:~:%£¤##
###¤£%:~:, ,:~:%£¤###
##¤£%:~:,, ,,:~:%£¤##
#¤£%:~:,,, ,,,:~:%£¤#