#££†-:.... ....:-†££#
#££&&††-:. .:-††&&££#
###£&††-:. .:-††&£###
###£&††-:. .:-††&£###
###£&††-:. .:-††&£###
###£&††-:. THE SKYSCRAPER THAT MOVES .:-††&£###
###£&††-:. .:-††&£###
£££&†††-:. TAINARON IS A BUILDING OWNED AND .:-†††&£££
#&†---.... OPERATED BY AMATA TEXNOLOGIYASI PLACED ....---†
###£&††-:. CLOSED TO THE HARBOR IN MALMÖ. IT'S .:-††&£###
###£&††-:. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .:-††&£###
###£&††-:. UNKNOWN), DARK BLUE AND COMPLETELY .:-††&£###
###£&††-:. RECTANGULAR. IT FEATURES NO SIGNS, .:-††&£###
####£&†-:. LIGHTS, OR ORNAMENTS, APART FROM A .:-†&£####
###£&††-:. HELIPAD ON TOP. MOST FLOORS HAVE .:-††&£###
###£&††-:. EXTERIOR WALLS COMPLETELY MADE OF GLASS. .:-††&£###
###£&††-:. .:-††&£###
####£&†-:. IN LATE EVENINGS, SHROUDED BY MALMö'S .:-†&£####
####£&††-: SIGNATURE FOG ROLLING IN FROM THE SEA, :-††&£####
#&†:...... THE BUILDING COMES TO LIFE: IT MOVES ON ......:†
£††---:... A THOUSAND ROBOTIC LEGS TO ANOTHER ...:---††£
###£&††-:. (SECRET) PART OF TOWN, OR PERHAPS OUT .:-††&£###
###£&††-:. TO SEA. THIS SIGNALS A NEW AND MORE .:-††&£###
###£&††-:. VISCIOUS PHASE OF THE TAINARON .:-††&£###
##&†::.... ECOSYSTEM. ....::†#
#£&††:.... ....:††&£#
#£&&†-.... THE GUESTS ARRIVING DURING THE EARLY ....-†&&£#
£££†-::::. EVENING ARE TREATED TO FOOD AND DRINK, .::::-†£££
#&††-:.... LIVE MUSIC, BEATUTIFUL VIEWS, AND A ....:-††
#&&†--.... COMFORTABLE BUT MAZE-LIKE INTERIOR ....--†&
###£&††-:. STRUCTURE (THE BUILDING FEATURES A .:-††&£###
#£&†:..... MULTITUDE OF STAIRWELLS AND ELEVATORS, .....:†&£#
#££&†-.... PLACED SEEMINGLY AT RANDOM, NONE GOING ....-†&££#
#££&&††-:. FURTHER THAN A FEW FLOORS). .:-††&&££#
£††:...... ......:††£
#£†--..... AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .....--†£#
#&†::..... UNTIL THE AIR INSIDE HAS TAKEN ON THE .....::†
###£&††-:. SAME QUALITY AS THE SURROUNDING MIST: .:-††&£###
###£&††-:. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .:-††&£###
##££&††-:. DOT'S BY DOOR LOCKS AND CONTROL PANELS. .:-††&££##
££†††-.... IF YOU WOULD LOOK THROUGH THE WINDOWS ....-†††££
££††:..... YOU WOULD SEE THE MIST ROLLING BY, AND .....:††££
££††-:.... PERHAPS THE OUTLINE OF SOME OTHER ....:-††££
#&†††:.... BUILDING, FAR BELOW. ....:†††
###£&††-:. .:-††&£###
###£&††-:. DURING THE NIGHT, AFTER TAINARON HAS .:-††&£###
£††:::.... STARTED MOVING, THE LOWER FLOORS ARE ....:::††£
###£&††-:. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .:-††&£###
#&††-:.... THE GUESTS. FOOD IS NO LONGER SERVED, ....:-††
#£&†:..... BUT THE DRINKS BECOME MORE EXTRAVAGANT. .....:†&£#
###£&††-:. IT'S AT THIS POINT THAT THE SECOND SET .:-††&£###
££††-..... OF GUEST ARRIVES, VIA HELICOPTER - .....-††££
####&††-:. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .:-††###
###£&††-:. .:-††&£###
###£&††-:. ----- .:-††&£###
£††††-.... ....-††††£
###£&††-:. IN MY DREAM I AM INVITED AS A FRIEND OF .:-††&£###
£££&†--... ONE OF THE SERVERS, AND THUS SAFE. WE ...--†&£££
###£&††-:. SIT IN ONE OF THE LARGE WINDOWS, .:-††&£###
###£&††-:. LOOKING THROUGH THE MIST FOR ANY .:-††&£###
#&†:...... LANDMARKS TO PIERCE THROUGH THE MIST. ......:†
###£&††-:. SHE TELLS ME THAT APART FROM COMING AND .:-††&£###
#£†-...... GOING FROM WORK, SHE'S NEVER SEEN THE ......-†£#
###£&††-:. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .:-††&£###
££&†--:... ...:--†&££
££££&††-:. THE NEXT DAY I AM INVITED TO THE PUBLIC .:-††&££££
###£&††-:. DEMONSTRATION OF THE EXOBUBBLE. .:-††&£###
###£&††-:. .:-††&£###
#£†††-.... ....-†††£#
###£&††-:. .:-††&£###
###£&††-:. .:-††&£###
###£&††-:. .:-††&£###