.~~;†$@@ @@#&$†;~~.
......~~†& &†~~......
.~~;†$#@## ##@#$†;~~.
.~~;†$## ###&$†;~~.
.~~;†$@@ @@#&$†;~~.
...~~††$## THE SKYSCRAPER THAT MOVES ##$††~~...
.~~;†$&# ##&&$†;~~.
.....~;$#@ TAINARON IS A BUILDING OWNED AND @#$;~.....
.~~;†$## OPERATED BY AMATA TEXNOLOGIYASI PLACED ###&$†;~~.
...~;;$&&& CLOSED TO THE HARBOR IN MALMÖ. IT'S &&&$;;~...
.~~;†$@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@#&$†;~~.
.~~;†$&@ UNKNOWN), DARK BLUE AND COMPLETELY @#&&$†;~~.
.~~;†$#@## RECTANGULAR. IT FEATURES NO SIGNS, ##@#$†;~~.
.~~;†$#@ LIGHTS, OR ORNAMENTS, APART FROM A @##&$†;~~.
..~~~†††&@ HELIPAD ON TOP. MOST FLOORS HAVE @&†††~~~..
....~;†$ EXTERIOR WALLS COMPLETELY MADE OF GLASS. #&$†;~....
.~~;†$@# #@#&$†;~~.
.~~;†$@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@#&$†;~~.
.....~;†$& SIGNATURE FOG ROLLING IN FROM THE SEA, &$†;~.....
.~~~~;;††& THE BUILDING COMES TO LIFE: IT MOVES ON &††;;~~~~.
.~~;†$@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@#&$†;~~.
...~~;$&&@ (SECRET) PART OF TOWN, OR PERHAPS OUT @&&$;~~...
.~~;†$@# TO SEA. THIS SIGNALS A NEW AND MORE #@#&$†;~~.
.~~;†$&&&@ VISCIOUS PHASE OF THE TAINARON @&&&$†;~~.
....~;;;$& ECOSYSTEM. &$;;;~....
.......~†& &†~.......
.~~;††$&&& THE GUESTS ARRIVING DURING THE EARLY &&&$††;~~.
.~~;†$@# EVENING ARE TREATED TO FOOD AND DRINK, #@#&$†;~~.
.~~;†††$$& LIVE MUSIC, BEATUTIFUL VIEWS, AND A &$$†††;~~.
.~~;†$&& COMFORTABLE BUT MAZE-LIKE INTERIOR #&&&$†;~~.
.~~;†$## STRUCTURE (THE BUILDING FEATURES A ###&$†;~~.
.~~;†$## MULTITUDE OF STAIRWELLS AND ELEVATORS, ###&$†;~~.
.~~;;;$$&@ PLACED SEEMINGLY AT RANDOM, NONE GOING @&$$;;;~~.
.~~;†$@@ FURTHER THAN A FEW FLOORS). @@#&$†;~~.
.~~;†$$&&& &&&$$†;~~.
.~~;†$#@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @##&$†;~~.
...~;;$& UNTIL THE AIR INSIDE HAS TAKEN ON THE #&&$;;~...
.~~;†$@# SAME QUALITY AS THE SURROUNDING MIST: #@#&$†;~~.
.~~;†††$ BLUE-GRAY, SPRINKLED WITH THE SMALL RED #&$†††;~~.
....~;;†&& DOT'S BY DOOR LOCKS AND CONTROL PANELS. &&†;;~....
.~~;†$@# IF YOU WOULD LOOK THROUGH THE WINDOWS #@#&$†;~~.
.....~~† YOU WOULD SEE THE MIST ROLLING BY, AND #&†~~.....
.~~~;;;$$# PERHAPS THE OUTLINE OF SOME OTHER #$$;;;~~~.
.~~†$@## BUILDING, FAR BELOW. ##@#&$†~~.
.~~;†$&@## ##@&$†;~~.
...~~~†††& DURING THE NIGHT, AFTER TAINARON HAS &†††~~~...
.~~;†$@# STARTED MOVING, THE LOWER FLOORS ARE #@#&$†;~~.
...~;;;$ SHUT OFF, PREVENTING ENTRY OR EXIT FOR #&$;;;~...
...~~;†$ THE GUESTS. FOOD IS NO LONGER SERVED, #&$†;~~...
.~~;†$@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@#&$†;~~.
...~~††$&@ IT'S AT THIS POINT THAT THE SECOND SET @&$††~~...
.~~~;†$$&@ OF GUEST ARRIVES, VIA HELICOPTER - @&$$†;~~~.
.~~~~;$@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @#&$;~~~~.
.~~;†$@# #@#&$†;~~.
.~~;†$@# ~~~~~ #@#&$†;~~.
......~†&@ @&†~......
.~~;†$&&&& IN MY DREAM I AM INVITED AS A FRIEND OF &&&&$†;~~.
...~~~~;†& ONE OF THE SERVERS, AND THUS SAFE. WE &†;~~~~...
.~~;†$@# SIT IN ONE OF THE LARGE WINDOWS, #@#&$†;~~.
.~~;†$## LOOKING THROUGH THE MIST FOR ANY ###&$†;~~.
.~~;†$@# LANDMARKS TO PIERCE THROUGH THE MIST. #@#&$†;~~.
.~~;†††$$& SHE TELLS ME THAT APART FROM COMING AND &$$†††;~~.
....~;$$$# GOING FROM WORK, SHE'S NEVER SEEN THE #$$$;~....
.~~;;††$&@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @&$††;;~~.
.....~;$## ##$;~.....
.~~;†$@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@#&$†;~~.
.....~;†&@ DEMONSTRATION OF THE EXOBUBBLE. @&†;~.....
.~~~~†$@ @#&$†~~~~.
.......~†& &†~.......
..~~~~;†$& &$†;~~~~..
.~~;†$@# #@#&$†;~~.
.~~;†$## ###&$†;~~.