#@#¤£^*-^, ,^-*^£¤#@#
#@#¤£^*-^, ,^-*^£¤#@#
##@¤£^*-^, ,^-*^£¤@##
@##¤£^*-^, ,^-*^£¤##@
#@#¤£^*-^, ,^-*^£¤#@#
#@#¤£^*-^, THE SKYSCRAPER THAT MOVES ,^-*^£¤#@#
¤^^--,,,,, ,,,,,--^^¤
¤^--^,,,,, TAINARON IS A BUILDING OWNED AND ,,,,,^--^¤
@#¤£^^*-^, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,^-*^^£¤#@
@#£^*^,,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,,^*^£#@
###¤£^*-^, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,^-*^£¤###
#@#¤£^*-^, UNKNOWN), DARK BLUE AND COMPLETELY ,^-*^£¤#@#
#@#¤£^*-^, RECTANGULAR. IT FEATURES NO SIGNS, ,^-*^£¤#@#
¤^*^,,,,,, LIGHTS, OR ORNAMENTS, APART FROM A ,,,,,,^*^¤
#£^^*^^^^, HELIPAD ON TOP. MOST FLOORS HAVE ,^^^^*^^£#
@¤^-^,,,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,,,^-^¤@
#@#¤£^*-^, ,^-*^£¤#@#
¤^**-,,,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,,,-**^¤
###¤£^*-^, SIGNATURE FOG ROLLING IN FROM THE SEA, ,^-*^£¤###
#@#¤£^*-^, THE BUILDING COMES TO LIFE: IT MOVES ON ,^-*^£¤#@#
#@#¤£^*-^, A THOUSAND ROBOTIC LEGS TO ANOTHER ,^-*^£¤#@#
#@#¤£^*-^, (SECRET) PART OF TOWN, OR PERHAPS OUT ,^-*^£¤#@#
¤¤¤^*-^,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,^-*^¤¤¤
¤^^^^^*-^, VISCIOUS PHASE OF THE TAINARON ,^-*^^^^^¤
##¤£*^,,,, ECOSYSTEM. ,,,,^*£¤##
#@#¤£^*-^, ,^-*^£¤#@#
#££**-^,,, THE GUESTS ARRIVING DURING THE EARLY ,,,^-**££#
#@#¤£^*-^, EVENING ARE TREATED TO FOOD AND DRINK, ,^-*^£¤#@#
¤££^^^*-^, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,^-*^^^££¤
¤^--^^^,,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,,^^^--^¤
###¤£^*-^, STRUCTURE (THE BUILDING FEATURES A ,^-*^£¤###
#¤£££^*-^, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,^-*^£££¤#
#@#¤£^*-^, PLACED SEEMINGLY AT RANDOM, NONE GOING ,^-*^£¤#@#
@¤^^-^,,,, FURTHER THAN A FEW FLOORS). ,,,,^-^^¤@
#¤^^^^*-^, ,^-*^^^^¤#
¤£*^^,,,,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,,,,^^*£¤
@##¤£^*-^, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,^-*^£¤##@
##@#¤£^*-^ SAME QUALITY AS THE SURROUNDING MIST: ^-*^£¤#@##
#¤^^^-^,,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,,^-^^^¤#
¤¤^*^,,,,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,,,,^*^¤¤
#@#¤£^*-^, IF YOU WOULD LOOK THROUGH THE WINDOWS ,^-*^£¤#@#
#@#¤£^*-^, YOU WOULD SEE THE MIST ROLLING BY, AND ,^-*^£¤#@#
#@#¤£^*-^, PERHAPS THE OUTLINE OF SOME OTHER ,^-*^£¤#@#
¤^-^,,,,,, BUILDING, FAR BELOW. ,,,,,,^-^¤
#@#¤£^*-^, ,^-*^£¤#@#
#££*^^,,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,,^^*££#
##@#¤£^*^, STARTED MOVING, THE LOWER FLOORS ARE ,^*^£¤#@##
#@#¤£^*-^, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,^-*^£¤#@#
@@#¤£^*-^, THE GUESTS. FOOD IS NO LONGER SERVED, ,^-*^£¤#@@
@¤¤^--,,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,,--^¤¤@
###¤£^*-^, IT'S AT THIS POINT THAT THE SECOND SET ,^-*^£¤###
###¤£^*-^, OF GUEST ARRIVES, VIA HELICOPTER - ,^-*^£¤###
##@¤£^*-^, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,^-*^£¤@##
¤£^-,,,,,, ,,,,,,-^£¤
#£***--,,, ----- ,,,--***£#
#££££^*-^, ,^-*^££££#
##¤££^*-^, IN MY DREAM I AM INVITED AS A FRIEND OF ,^-*^££¤##
@#¤^*-^,,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,,^-*^¤#@
#@#¤£^*-^, SIT IN ONE OF THE LARGE WINDOWS, ,^-*^£¤#@#
#@#¤£^*-^, LOOKING THROUGH THE MIST FOR ANY ,^-*^£¤#@#
¤^--,,,,,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,,,,,--^¤
¤£^^-,,,,, SHE TELLS ME THAT APART FROM COMING AND ,,,,,-^^£¤
##¤^^*--^, GOING FROM WORK, SHE'S NEVER SEEN THE ,^--*^^¤##
¤£*-,,,,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,,,-*£¤
#¤£^***-^, ,^-***^£¤#
#@#¤£^*-^, THE NEXT DAY I AM INVITED TO THE PUBLIC ,^-*^£¤#@#
#¤^^--,,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,,--^^¤#
#¤¤£^^*-^, ,^-*^^£¤¤#
#@#¤£^*-^, ,^-*^£¤#@#
@@#¤£^*-^, ,^-*^£¤#@@
#@#¤£^*-^, ,^-*^£¤#@#
###¤£^*-^, ,^-*^£¤###