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#¶#£^/=.¨¨ THE SKYSCRAPER THAT MOVES ¨¨.=/^£#¶#
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#¶#£^/=.¨¨ TAINARON IS A BUILDING OWNED AND ¨¨.=/^£#¶#
##¶#£^/=.¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨.=/^£#¶##
#¶#£^/=.¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨.=/^£#¶#
##¶#£^/=.¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨.=/^£#¶##
#¶#£^/=.¨¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨¨.=/^£#¶#
##¶#£^/=.¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨.=/^£#¶##
#¶#£^/=.¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨.=/^£#¶#
##¶#£^/=.¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨.=/^£#¶##
#¶#£^/=.¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨.=/^£#¶#
##¶#£^/=.¨ ¨.=/^£#¶##
#¶#£^/=.¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨¨.=/^£#¶#
##¶#£^/=.¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨.=/^£#¶##
#¶#£^/=.¨¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨¨.=/^£#¶#
##¶#£^/=.¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨.=/^£#¶##
#¶#£^/=.¨¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨¨.=/^£#¶#
##¶#£^/=.¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨.=/^£#¶##
#¶#£^/=.¨¨ VISCIOUS PHASE OF THE TAINARON ¨¨.=/^£#¶#
##¶#£^/=.¨ ECOSYSTEM. ¨.=/^£#¶##
#¶#£^/=.¨¨ ¨¨.=/^£#¶#
##¶#£^/=.¨ THE GUESTS ARRIVING DURING THE EARLY ¨.=/^£#¶##
#¶#£^/=.¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨.=/^£#¶#
##¶#£^/=.¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨.=/^£#¶##
#¶#£^/=.¨¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨¨.=/^£#¶#
##¶#£^/=.¨ STRUCTURE (THE BUILDING FEATURES A ¨.=/^£#¶##
#¶#£^/=.¨¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨¨.=/^£#¶#
##¶#£^/=.¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨.=/^£#¶##
#¶#£^/=.¨¨ FURTHER THAN A FEW FLOORS). ¨¨.=/^£#¶#
##¶#£^/=.¨ ¨.=/^£#¶##
#¶#£^/=.¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨¨.=/^£#¶#
##¶#£^/=.¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨.=/^£#¶##
#¶#£^/=.¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨.=/^£#¶#
##¶#£^/=.¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨.=/^£#¶##
#¶#£^/=.¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨.=/^£#¶#
##¶#£^/=.¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨.=/^£#¶##
#¶#£^/=.¨¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨¨.=/^£#¶#
##¶#£^/=.¨ PERHAPS THE OUTLINE OF SOME OTHER ¨.=/^£#¶##
#¶#£^/=.¨¨ BUILDING, FAR BELOW. ¨¨.=/^£#¶#
##¶#£^/=.¨ ¨.=/^£#¶##
#¶#£^/=.¨¨ DURING THE NIGHT, AFTER TAINARON HAS ¨¨.=/^£#¶#
##¶#£^/=.¨ STARTED MOVING, THE LOWER FLOORS ARE ¨.=/^£#¶##
#¶#£^/=.¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨.=/^£#¶#
##¶#£^/=.¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨.=/^£#¶##
#¶#£^/=.¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨.=/^£#¶#
##¶#£^/=.¨ IT'S AT THIS POINT THAT THE SECOND SET ¨.=/^£#¶##
#¶#£^/=.¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨.=/^£#¶#
##¶#£^/=.¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨.=/^£#¶##
#¶#£^/=.¨¨ ¨¨.=/^£#¶#
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##¶#£^/=.¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨.=/^£#¶##
#¶#£^/=.¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨.=/^£#¶#
##¶#£^/=.¨ SIT IN ONE OF THE LARGE WINDOWS, ¨.=/^£#¶##
#¶#£^/=.¨¨ LOOKING THROUGH THE MIST FOR ANY ¨¨.=/^£#¶#
##¶#£^/=.¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨.=/^£#¶##
#¶#£^/=.¨¨ SHE TELLS ME THAT APART FROM COMING AND ¨¨.=/^£#¶#
##¶#£^/=.¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨.=/^£#¶##
#¶#£^/=.¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨.=/^£#¶#
##¶#£^/=.¨ ¨.=/^£#¶##
#¶#£^/=.¨¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨.=/^£#¶#
##¶#£^/=.¨ DEMONSTRATION OF THE EXOBUBBLE. ¨.=/^£#¶##
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