#.####.#..                                          #.#.##.##.
#..###.#.#                                          #.#..#..#.
#.#.##.#..                                          #.#.##.##.
#.#..#.#.#                                          #.#..#..#.
#.#.##.#..                                          #.#.##.##.
#.#..#.#.#        THE SKYSCRAPER THAT MOVES         #.#..#..#.
#.#.##.#..                                          #.#.##.##.
#.#..#.#.# TAINARON  IS   A   BUILDING   OWNED  AND #.#..#..#.
#.#.##.#..  OPERATED BY AMATA TEXNOLOGIYASI PLACED  #.#.##.##.
#.#..#.#.# CLOSED  TO  THE  HARBOR  IN  MALMÖ. IT'S #.#..#..#.
#.#.##.#.. ROUGHLY  SIXTY FLOORS HIGH  (REAL NUMBER #.#.##.##.
#.#..#.#.#    UNKNOWN), DARK BLUE AND COMPLETELY    #.#..#..#.
#.#.##.#..    RECTANGULAR. IT FEATURES NO SIGNS,    #.#.##.##.
#.#..#.#.# LIGHTS,  OR   ORNAMENTS,  APART  FROM  A #.#..#..#.
#.#.##.#.. HELIPAD   ON   TOP.   MOST  FLOORS  HAVE #.#.##.##.
#.#..#.#.# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #.#..#..#.
#.#.##.#..                                          #.#.##.##.
#.#..#.#.# IN  LATE  EVENINGS, SHROUDED BY  MALMö'S #.#..#..#.
#.#.##.#.. SIGNATURE  FOG ROLLING IN FROM THE  SEA, #.#.##.##.
#.#..#.#.# THE  BUILDING COMES TO LIFE: IT MOVES ON #.#..#..#.
#.#.##.#.. A  THOUSAND  ROBOTIC  LEGS  TO   ANOTHER #.#.##.##.
#.#..#.#.# (SECRET) PART  OF  TOWN,  OR PERHAPS OUT #.#..#..#.
#.#.##.#.. TO  SEA.  THIS SIGNALS  A NEW  AND  MORE #.#.##.##.
#.#..#.#.#      VISCIOUS PHASE OF THE TAINARON      #.#..#..#.
#.#.##.#..                ECOSYSTEM.                #.#.##.##.
#.#..#.#.#                                          #.#..#..#.
#.#.##.#.. THE  GUESTS  ARRIVING  DURING THE  EARLY #.#.##.##.
#.#..#.#.# EVENING  ARE TREATED TO FOOD AND  DRINK, #.#..#..#.
#.#.##.#.. LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A #.#.##.##.
#.#..#.#.#    COMFORTABLE BUT MAZE-LIKE INTERIOR    #.#..#..#.
#.#.##.#..    STRUCTURE (THE BUILDING FEATURES A    #.#.##.##.
#.#..#.#.#  MULTITUDE OF STAIRWELLS AND ELEVATORS,  #.#..#..#.
#.#.##.#.. PLACED SEEMINGLY  AT  RANDOM, NONE GOING #.#.##.##.
#.#..#.#.#       FURTHER THAN A FEW FLOORS).        #.#..#..#.
#.#.##.#..                                          #.#.##.##.
#.#..#.#.# AS TIME GOES ON,  THE LIGHTS SLOWLY DIM, #.#..#..#.
#.#.##.#.. UNTIL THE AIR INSIDE  HAS  TAKEN  ON THE #.#.##.##.
#.#..#.#.# SAME  QUALITY AS  THE  SURROUNDING MIST: #.#..#..#.
#.#.##.#.. BLUE-GRAY, SPRINKLED WITH THE SMALL  RED #.#.##.##.
#.#..#.#.# DOT'S BY DOOR  LOCKS AND CONTROL PANELS. #.#..#..#.
#.#.##.#.. IF  YOU WOULD  LOOK THROUGH  THE WINDOWS #.#.##.##.
#.#..#.#.# YOU WOULD SEE THE  MIST ROLLING  BY, AND #.#..#..#.
#.#.##.#.. PERHAPS  THE  OUTLINE   OF  SOME   OTHER #.#.##.##.
#.#..#.#.#           BUILDING, FAR BELOW.           #.#..#..#.
#.#.##.#..                                          #.#.##.##.
#.#..#.#.# DURING  THE  NIGHT,  AFTER  TAINARON HAS #.#..#..#.
#.#.##.#.. STARTED  MOVING,  THE  LOWER  FLOORS ARE #.#.##.##.
#.#..#.#.# SHUT  OFF, PREVENTING ENTRY  OR EXIT FOR #.#..#..#.
#.#.##.#.. THE  GUESTS. FOOD IS  NO  LONGER SERVED, #.#.##.##.
#.#..#.#.# BUT THE DRINKS  BECOME MORE EXTRAVAGANT. #.#..#..#.
#.#.##.#.. IT'S AT THIS POINT  THAT  THE SECOND SET #.#.##.##.
#.#..#.#.# OF  GUEST   ARRIVES,  VIA  HELICOPTER  - #.#..#..#.
#.#.##.#..  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  #.#.##.##.
#.#..#.#.#                                          #.#..#..#.
#.#.##.#..                   ~~~~~                  #.#.##.##.
#.#..#.#.#                                          #.#..#..#.
#.#.##.#.. IN MY DREAM I AM  INVITED AS A FRIEND OF #.#.##.##.
#.#..#.#.# ONE OF THE  SERVERS, AND THUS  SAFE.  WE #.#..#..#.
#.#.##.#.. SIT  IN   ONE  OF  THE   LARGE  WINDOWS, #.#.##.##.
#.#..#.#.# LOOKING   THROUGH  THE   MIST   FOR  ANY #.#..#..#.
#.#.##.#.. LANDMARKS  TO PIERCE THROUGH  THE  MIST. #.#.##.##.
#.#..#.#.# SHE TELLS ME THAT APART  FROM COMING AND #.#..#..#.
#.#.##.#.. GOING  FROM WORK,  SHE'S  NEVER SEEN THE #.#.##.##.
#.#..#.#.# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #.#..#..#.
#.#.##.#..                                          #.#.##.##.
#.#..#.#.# THE NEXT DAY I AM INVITED TO THE  PUBLIC #.#..#..#.
#.#.##.#..      DEMONSTRATION OF THE EXOBUBBLE.     #.#.##.##.
#.#..#.#.#                                          #.#..#..#.
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