§¨¨§§§§§¨¨ §§§§§§¨§§§
§¨§¨¨¨¨§¨¨ ¨¨¨¨¨§§¨¨¨
§§§¨¨¨§§¨¨ ¨¨¨¨§¨§¨¨§
¨¨§¨¨§¨§¨¨ ¨¨¨§§§§¨§¨
¨§§¨§§§§¨¨ ¨¨§¨¨¨§§§¨
§¨§§¨¨¨§¨§ THE SKYSCRAPER THAT MOVES ¨§§¨¨§¨¨§¨
§§¨§¨¨§§§¨ §¨§¨§§¨§§§
¨§§§¨§¨¨§¨ TAINARON IS A BUILDING OWNED AND §§§§¨§§¨¨¨
§¨¨§§§¨§§§ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨¨¨§§¨§¨¨¨
§¨§¨¨§§¨¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨§¨§§§¨¨§
§§§¨§¨§¨¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨§§§¨¨§¨§¨
¨¨§§§§§¨¨¨ UNKNOWN), DARK BLUE AND COMPLETELY §¨¨§¨§§§§§
¨§¨¨¨¨§¨¨§ RECTANGULAR. IT FEATURES NO SIGNS, §¨§§§¨¨¨¨§
§§¨¨¨§§¨§¨ LIGHTS, OR ORNAMENTS, APART FROM A §§¨¨§¨¨¨§§
¨§¨¨§¨§§§§ HELIPAD ON TOP. MOST FLOORS HAVE ¨§¨§§¨¨§¨¨
§§¨§§§¨¨¨§ EXTERIOR WALLS COMPLETELY MADE OF GLASS. §§§¨§¨§§¨¨
¨§§¨¨§¨¨§¨ ¨¨§§§§¨§¨§
§¨§¨§§¨§§§ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨§¨¨¨§§§§§
§§§§¨§§¨¨§ SIGNATURE FOG ROLLING IN FROM THE SEA, §§¨¨§¨¨¨¨¨
¨¨¨§§¨§¨§§ THE BUILDING COMES TO LIFE: IT MOVES ON ¨§¨§§¨¨¨¨§
¨¨§¨§§§§¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER §§§¨§¨¨¨§§
¨§§§¨¨¨§¨¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨¨§§§¨¨§¨§
§¨¨§¨¨§§¨§ TO SEA. THIS SIGNALS A NEW AND MORE ¨§¨¨§¨§§§§
§¨§§¨§¨§§¨ VISCIOUS PHASE OF THE TAINARON §§¨§§§¨¨¨¨
§§¨§§§§¨§¨ ECOSYSTEM. ¨§§¨¨§¨¨¨§
¨§§¨¨¨§§§§ §¨§¨§§¨¨§¨
§¨§¨¨§¨¨¨¨ THE GUESTS ARRIVING DURING THE EARLY §§§§¨§¨§§¨
§§§¨§§¨¨¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨¨§§§§¨§§
¨¨§§¨§¨¨¨§ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨§¨¨¨§§¨¨
¨§¨§§§¨¨§§ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨§§¨¨§¨§¨¨
§§§¨¨§¨§¨¨ STRUCTURE (THE BUILDING FEATURES A §¨§¨§§§§¨¨
¨¨§¨§§§§¨§ MULTITUDE OF STAIRWELLS AND ELEVATORS, §§§§¨¨¨§¨§
¨§§§¨¨¨§§¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨¨§¨¨§§§§
§¨¨§¨¨§¨§§ FURTHER THAN A FEW FLOORS). ¨¨§§¨§¨¨¨§
§¨§§¨§§§¨¨ ¨§¨§§§¨¨§¨
§§¨§§¨¨§¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, §§§¨¨§¨§§§
¨§§¨§¨§§¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨§¨§§§¨¨¨
§¨§§§§¨§¨§ SAME QUALITY AS THE SURROUNDING MIST: ¨§§§¨¨§¨¨¨
§§¨¨¨§§§§¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED §¨¨§¨§§¨¨§
¨§¨¨§¨¨¨§¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. §¨§§§¨§¨§¨
§§¨§§¨¨§§¨ IF YOU WOULD LOOK THROUGH THE WINDOWS §§¨¨§§§§§¨
¨§§¨§¨§¨§§ YOU WOULD SEE THE MIST ROLLING BY, AND ¨§¨§¨¨¨¨§§
§¨§§§§§§¨§ PERHAPS THE OUTLINE OF SOME OTHER §§§§¨¨¨§¨§
§§¨¨¨¨¨§§§ BUILDING, FAR BELOW. ¨¨¨§¨¨§§§¨
¨§¨¨¨¨§¨¨§ ¨¨§§¨§¨¨§§
§§¨¨¨§§¨§¨ DURING THE NIGHT, AFTER TAINARON HAS ¨§¨§§§¨§¨§
¨§¨¨§¨§§§¨ STARTED MOVING, THE LOWER FLOORS ARE §§§¨¨§§§§¨
§§¨§§§¨¨§¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨§¨§¨¨¨§¨
¨§§¨¨§¨§§§ THE GUESTS. FOOD IS NO LONGER SERVED, ¨§§§§¨¨§§§
§¨§¨§§§¨¨§ BUT THE DRINKS BECOME MORE EXTRAVAGANT. §¨¨¨§¨§¨¨§
§§§§¨¨§¨§§ IT'S AT THIS POINT THAT THE SECOND SET §¨¨§§§§¨§¨
¨¨¨§¨§§§¨¨ OF GUEST ARRIVES, VIA HELICOPTER - §¨§¨¨¨§§§§
¨¨§§§¨¨§¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. §§§¨¨§¨¨¨§
¨§¨¨§¨§§¨§ ¨¨§¨§§¨¨§§
§§¨§§§¨§§¨ ----- ¨§§§¨§¨§¨§
¨§§¨¨§§¨§§ §¨¨§§§§§§¨
§¨§¨§¨§§¨§ IN MY DREAM I AM INVITED AS A FRIEND OF §¨§¨¨¨¨¨§¨
§§§§§§¨§§§ ONE OF THE SERVERS, AND THUS SAFE. WE §§§¨¨¨¨§§§
¨¨¨¨¨§§¨¨§ SIT IN ONE OF THE LARGE WINDOWS, ¨¨§¨¨¨§¨¨¨
¨¨¨¨§¨§¨§¨ LOOKING THROUGH THE MIST FOR ANY ¨§§¨¨§§¨¨¨
¨¨¨§§§§§§§ LANDMARKS TO PIERCE THROUGH THE MIST. §¨§¨§¨§¨¨¨
¨¨§¨¨¨¨¨¨§ SHE TELLS ME THAT APART FROM COMING AND §§§§§§§¨¨¨
¨§§¨¨¨¨¨§§ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨¨¨¨¨§¨¨¨
§¨§¨¨¨¨§¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨¨¨¨§§¨¨¨
§§§¨¨¨§§¨¨ ¨¨¨¨§¨§¨¨§
¨¨§¨¨§¨§¨¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨¨§§§§¨§¨
¨§§¨§§§§¨¨ DEMONSTRATION OF THE EXOBUBBLE. ¨¨§¨¨¨§§§¨
§¨§§¨¨¨§¨§ ¨§§¨¨§¨¨§¨
§§¨§¨¨§§§¨ §¨§¨§§¨§§§
¨§§§¨§¨¨§¨ §§§§¨§§¨¨¨
§¨¨§§§¨§§§ ¨¨¨§§¨§¨¨¨
§¨§¨¨§§¨¨¨ ¨¨§¨§§§¨¨§