###@@%$;~, ,~;$%@@###
##@@%$;~,, ,,~;$%@@##
#@@%$;~,,, ,,,~;$%@@#
##@@%$;~,, ,,~;$%@@##
###@@%$;~, ,~;$%@@###
##@@%$;~,, THE SKYSCRAPER THAT MOVES ,,~;$%@@##
#@@%$;~,,, ,,,~;$%@@#
##@@%$;~,, TAINARON IS A BUILDING OWNED AND ,,~;$%@@##
###@@%$;~, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,~;$%@@###
##@@%$;~,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,~;$%@@##
#@@%$;~,,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,,~;$%@@#
##@@%$;~,, UNKNOWN), DARK BLUE AND COMPLETELY ,,~;$%@@##
###@@%$;~, RECTANGULAR. IT FEATURES NO SIGNS, ,~;$%@@###
##@@%$;~,, LIGHTS, OR ORNAMENTS, APART FROM A ,,~;$%@@##
#@@%$;~,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,~;$%@@#
##@@%$;~,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,~;$%@@##
###@@%$;~, ,~;$%@@###
##@@%$;~,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,~;$%@@##
#@@%$;~,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,~;$%@@#
##@@%$;~,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,~;$%@@##
###@@%$;~, A THOUSAND ROBOTIC LEGS TO ANOTHER ,~;$%@@###
##@@%$;~,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,~;$%@@##
#@@%$;~,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,~;$%@@#
##@@%$;~,, VISCIOUS PHASE OF THE TAINARON ,,~;$%@@##
###@@%$;~, ECOSYSTEM. ,~;$%@@###
##@@%$;~,, ,,~;$%@@##
#@@%$;~,,, THE GUESTS ARRIVING DURING THE EARLY ,,,~;$%@@#
##@@%$;~,, EVENING ARE TREATED TO FOOD AND DRINK, ,,~;$%@@##
###@@%$;~, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,~;$%@@###
##@@%$;~,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,~;$%@@##
#@@%$;~,,, STRUCTURE (THE BUILDING FEATURES A ,,,~;$%@@#
##@@%$;~,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,~;$%@@##
###@@%$;~, PLACED SEEMINGLY AT RANDOM, NONE GOING ,~;$%@@###
##@@%$;~,, FURTHER THAN A FEW FLOORS). ,,~;$%@@##
#@@%$;~,,, ,,,~;$%@@#
##@@%$;~,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,~;$%@@##
###@@%$;~, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,~;$%@@###
##@@%$;~,, SAME QUALITY AS THE SURROUNDING MIST: ,,~;$%@@##
#@@%$;~,,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,,~;$%@@#
##@@%$;~,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,~;$%@@##
###@@%$;~, IF YOU WOULD LOOK THROUGH THE WINDOWS ,~;$%@@###
##@@%$;~,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,~;$%@@##
#@@%$;~,,, PERHAPS THE OUTLINE OF SOME OTHER ,,,~;$%@@#
##@@%$;~,, BUILDING, FAR BELOW. ,,~;$%@@##
###@@%$;~, ,~;$%@@###
##@@%$;~,, DURING THE NIGHT, AFTER TAINARON HAS ,,~;$%@@##
#@@%$;~,,, STARTED MOVING, THE LOWER FLOORS ARE ,,,~;$%@@#
##@@%$;~,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,~;$%@@##
###@@%$;~, THE GUESTS. FOOD IS NO LONGER SERVED, ,~;$%@@###
##@@%$;~,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,~;$%@@##
#@@%$;~,,, IT'S AT THIS POINT THAT THE SECOND SET ,,,~;$%@@#
##@@%$;~,, OF GUEST ARRIVES, VIA HELICOPTER - ,,~;$%@@##
###@@%$;~, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,~;$%@@###
##@@%$;~,, ,,~;$%@@##
#@@%$;~,,, ~~~~~ ,,,~;$%@@#
##@@%$;~,, ,,~;$%@@##
###@@%$;~, IN MY DREAM I AM INVITED AS A FRIEND OF ,~;$%@@###
##@@%$;~,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,~;$%@@##
#@@%$;~,,, SIT IN ONE OF THE LARGE WINDOWS, ,,,~;$%@@#
##@@%$;~,, LOOKING THROUGH THE MIST FOR ANY ,,~;$%@@##
###@@%$;~, LANDMARKS TO PIERCE THROUGH THE MIST. ,~;$%@@###
##@@%$;~,, SHE TELLS ME THAT APART FROM COMING AND ,,~;$%@@##
#@@%$;~,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,~;$%@@#
##@@%$;~,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,~;$%@@##
###@@%$;~, ,~;$%@@###
##@@%$;~,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,~;$%@@##
#@@%$;~,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,~;$%@@#
##@@%$;~,, ,,~;$%@@##
###@@%$;~, ,~;$%@@###
##@@%$;~,, ,,~;$%@@##
#@@%$;~,,, ,,,~;$%@@#
##@@%$;~,, ,,~;$%@@##