¨¨,~**¤¤## ##¤¤**~,¨¨
¨¨¨,~**¤¤# #¤¤**~,¨¨¨
¨¨¨¨,~**¤¤ ¤¤**~,¨¨¨¨
¨¨¨¨¨,~**¤ ¤**~,¨¨¨¨¨
¨¨¨¨¨¨,~** **~,¨¨¨¨¨¨
¨¨¨¨¨¨¨,~* THE SKYSCRAPER THAT MOVES *~,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, TAINARON IS A BUILDING OWNED AND ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ OPERATED BY AMATA TEXNOLOGIYASI PLACED ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,~* CLOSED TO THE HARBOR IN MALMÖ. IT'S *~,¨¨¨¨¨¨¨
¨¨¨¨¨¨,~** ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER **~,¨¨¨¨¨¨
¨¨¨¨¨,~**¤ UNKNOWN), DARK BLUE AND COMPLETELY ¤**~,¨¨¨¨¨
¨¨¨¨,~**¤¤ RECTANGULAR. IT FEATURES NO SIGNS, ¤¤**~,¨¨¨¨
¨¨¨,~**¤¤# LIGHTS, OR ORNAMENTS, APART FROM A #¤¤**~,¨¨¨
¨¨,~**¤¤## HELIPAD ON TOP. MOST FLOORS HAVE ##¤¤**~,¨¨
¨,~**¤¤### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###¤¤**~,¨
¨¨,~**¤¤## ##¤¤**~,¨¨
¨¨¨,~**¤¤# IN LATE EVENINGS, SHROUDED BY MALMö'S #¤¤**~,¨¨¨
¨¨¨¨,~**¤¤ SIGNATURE FOG ROLLING IN FROM THE SEA, ¤¤**~,¨¨¨¨
¨¨¨¨¨,~**¤ THE BUILDING COMES TO LIFE: IT MOVES ON ¤**~,¨¨¨¨¨
¨¨¨¨¨¨,~** A THOUSAND ROBOTIC LEGS TO ANOTHER **~,¨¨¨¨¨¨
¨¨¨¨¨¨¨,~* (SECRET) PART OF TOWN, OR PERHAPS OUT *~,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ TO SEA. THIS SIGNALS A NEW AND MORE ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, VISCIOUS PHASE OF THE TAINARON ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ ECOSYSTEM. ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,~* *~,¨¨¨¨¨¨¨
¨¨¨¨¨¨,~** THE GUESTS ARRIVING DURING THE EARLY **~,¨¨¨¨¨¨
¨¨¨¨¨,~**¤ EVENING ARE TREATED TO FOOD AND DRINK, ¤**~,¨¨¨¨¨
¨¨¨¨,~**¤¤ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¤¤**~,¨¨¨¨
¨¨¨,~**¤¤# COMFORTABLE BUT MAZE-LIKE INTERIOR #¤¤**~,¨¨¨
¨¨,~**¤¤## STRUCTURE (THE BUILDING FEATURES A ##¤¤**~,¨¨
¨,~**¤¤### MULTITUDE OF STAIRWELLS AND ELEVATORS, ###¤¤**~,¨
¨¨,~**¤¤## PLACED SEEMINGLY AT RANDOM, NONE GOING ##¤¤**~,¨¨
¨¨¨,~**¤¤# FURTHER THAN A FEW FLOORS). #¤¤**~,¨¨¨
¨¨¨¨,~**¤¤ ¤¤**~,¨¨¨¨
¨¨¨¨¨,~**¤ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¤**~,¨¨¨¨¨
¨¨¨¨¨¨,~** UNTIL THE AIR INSIDE HAS TAKEN ON THE **~,¨¨¨¨¨¨
¨¨¨¨¨¨¨,~* SAME QUALITY AS THE SURROUNDING MIST: *~,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ IF YOU WOULD LOOK THROUGH THE WINDOWS ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,~* YOU WOULD SEE THE MIST ROLLING BY, AND *~,¨¨¨¨¨¨¨
¨¨¨¨¨¨,~** PERHAPS THE OUTLINE OF SOME OTHER **~,¨¨¨¨¨¨
¨¨¨¨¨,~**¤ BUILDING, FAR BELOW. ¤**~,¨¨¨¨¨
¨¨¨¨,~**¤¤ ¤¤**~,¨¨¨¨
¨¨¨,~**¤¤# DURING THE NIGHT, AFTER TAINARON HAS #¤¤**~,¨¨¨
¨¨,~**¤¤## STARTED MOVING, THE LOWER FLOORS ARE ##¤¤**~,¨¨
¨,~**¤¤### SHUT OFF, PREVENTING ENTRY OR EXIT FOR ###¤¤**~,¨
¨¨,~**¤¤## THE GUESTS. FOOD IS NO LONGER SERVED, ##¤¤**~,¨¨
¨¨¨,~**¤¤# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #¤¤**~,¨¨¨
¨¨¨¨,~**¤¤ IT'S AT THIS POINT THAT THE SECOND SET ¤¤**~,¨¨¨¨
¨¨¨¨¨,~**¤ OF GUEST ARRIVES, VIA HELICOPTER - ¤**~,¨¨¨¨¨
¨¨¨¨¨¨,~** AMATA TEXNOLOGIYASI AND THEIR FRIENDS. **~,¨¨¨¨¨¨
¨¨¨¨¨¨¨,~* *~,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ ~~~~~ ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ IN MY DREAM I AM INVITED AS A FRIEND OF ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,~* ONE OF THE SERVERS, AND THUS SAFE. WE *~,¨¨¨¨¨¨¨
¨¨¨¨¨¨,~** SIT IN ONE OF THE LARGE WINDOWS, **~,¨¨¨¨¨¨
¨¨¨¨¨,~**¤ LOOKING THROUGH THE MIST FOR ANY ¤**~,¨¨¨¨¨
¨¨¨¨,~**¤¤ LANDMARKS TO PIERCE THROUGH THE MIST. ¤¤**~,¨¨¨¨
¨¨¨,~**¤¤# SHE TELLS ME THAT APART FROM COMING AND #¤¤**~,¨¨¨
¨¨,~**¤¤## GOING FROM WORK, SHE'S NEVER SEEN THE ##¤¤**~,¨¨
¨,~**¤¤### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ###¤¤**~,¨
¨¨,~**¤¤## ##¤¤**~,¨¨
¨¨¨,~**¤¤# THE NEXT DAY I AM INVITED TO THE PUBLIC #¤¤**~,¨¨¨
¨¨¨¨,~**¤¤ DEMONSTRATION OF THE EXOBUBBLE. ¤¤**~,¨¨¨¨
¨¨¨¨¨,~**¤ ¤**~,¨¨¨¨¨
¨¨¨¨¨¨,~** **~,¨¨¨¨¨¨
¨¨¨¨¨¨¨,~* *~,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, ,¨¨¨¨¨¨¨¨¨