.:=;*&@# #@#&&*;=:.
..:=;*&@ @#&&*;=:..
...:=;*& #&&*;=:...
..:=;*&@ @#&&*;=:..
.:=;*&@# #@#&&*;=:.
..:=;*&@ the skyscraper that moves @#&&*;=:..
...:=;*& #&&*;=:...
..:=;*&@ tainaron is a building owned and @#&&*;=:..
.:=;*&@# operated by amata texnologiyasi placed #@#&&*;=:.
..:=;*&@ closed to the harbor in malmÖ. it's @#&&*;=:..
...:=;*& roughly sixty floors high (real number #&&*;=:...
..:=;*&@ unknown), dark blue and completely @#&&*;=:..
.:=;*&@# rectangular. it features no signs, #@#&&*;=:.
..:=;*&@ lights, or ornaments, apart from a @#&&*;=:..
...:=;*& helipad on top. most floors have #&&*;=:...
..:=;*&@ exterior walls completely made of glass. @#&&*;=:..
.:=;*&@# #@#&&*;=:.
..:=;*&@ in late evenings, shrouded by malmö's @#&&*;=:..
...:=;*& signature fog rolling in from the sea, #&&*;=:...
..:=;*&@ the building comes to life: it moves on @#&&*;=:..
.:=;*&@# a thousand robotic legs to another #@#&&*;=:.
..:=;*&@ (secret) part of town, or perhaps out @#&&*;=:..
...:=;*& to sea. this signals a new and more #&&*;=:...
..:=;*&@ viscious phase of the tainaron @#&&*;=:..
.:=;*&@# ecosystem. #@#&&*;=:.
..:=;*&@ @#&&*;=:..
...:=;*& the guests arriving during the early #&&*;=:...
..:=;*&@ evening are treated to food and drink, @#&&*;=:..
.:=;*&@# live music, beatutiful views, and a #@#&&*;=:.
..:=;*&@ comfortable but maze-like interior @#&&*;=:..
...:=;*& structure (the building features a #&&*;=:...
..:=;*&@ multitude of stairwells and elevators, @#&&*;=:..
.:=;*&@# placed seemingly at random, none going #@#&&*;=:.
..:=;*&@ further than a few floors). @#&&*;=:..
...:=;*& #&&*;=:...
..:=;*&@ as time goes on, the lights slowly dim, @#&&*;=:..
.:=;*&@# until the air inside has taken on the #@#&&*;=:.
..:=;*&@ same quality as the surrounding mist: @#&&*;=:..
...:=;*& blue-gray, sprinkled with the small red #&&*;=:...
..:=;*&@ dot's by door locks and control panels. @#&&*;=:..
.:=;*&@# if you would look through the windows #@#&&*;=:.
..:=;*&@ you would see the mist rolling by, and @#&&*;=:..
...:=;*& perhaps the outline of some other #&&*;=:...
..:=;*&@ building, far below. @#&&*;=:..
.:=;*&@# #@#&&*;=:.
..:=;*&@ during the night, after tainaron has @#&&*;=:..
...:=;*& started moving, the lower floors are #&&*;=:...
..:=;*&@ shut off, preventing entry or exit for @#&&*;=:..
.:=;*&@# the guests. food is no longer served, #@#&&*;=:.
..:=;*&@ but the drinks become more extravagant. @#&&*;=:..
...:=;*& it's at this point that the second set #&&*;=:...
..:=;*&@ of guest arrives, via helicopter - @#&&*;=:..
.:=;*&@# amata texnologiyasi and their friends. #@#&&*;=:.
..:=;*&@ @#&&*;=:..
...:=;*& ===== #&&*;=:...
..:=;*&@ @#&&*;=:..
.:=;*&@# in my dream i am invited as a friend of #@#&&*;=:.
..:=;*&@ one of the servers, and thus safe. we @#&&*;=:..
...:=;*& sit in one of the large windows, #&&*;=:...
..:=;*&@ looking through the mist for any @#&&*;=:..
.:=;*&@# landmarks to pierce through the mist. #@#&&*;=:.
..:=;*&@ she tells me that apart from coming and @#&&*;=:..
...:=;*& going from work, she's never seen the #&&*;=:...
..:=;*&@ building from the outside. we both sigh. @#&&*;=:..
.:=;*&@# #@#&&*;=:.
..:=;*&@ the next day i am invited to the public @#&&*;=:..
...:=;*& demonstration of the exobubble. #&&*;=:...
..:=;*&@ @#&&*;=:..
.:=;*&@# #@#&&*;=:.
..:=;*&@ @#&&*;=:..
...:=;*& #&&*;=:...
..:=;*&@ @#&&*;=:..