,,,,,»§§*§ §*§§»,,,,,
,~»\§*§@## ##@§*§\»~,
,,,»»»»§§@ @§§»»»»,,,
,~»\§*§@## ##@§*§\»~,
,~»\§*§### ###§*§\»~,
,~»\§*§@## THE SKYSCRAPER THAT MOVES ##@§*§\»~,
,~»\\§§§*§ §*§§§\\»~,
,»\§*§@### TAINARON IS A BUILDING OWNED AND ###@§*§\»,
,,,,,»§*@@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @@*§»,,,,,
,~»\§*§@## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##@§*§\»~,
,,,,,»§§§# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #§§§»,,,,,
,~»\§*§@## UNKNOWN), DARK BLUE AND COMPLETELY ##@§*§\»~,
,,,~»\\**§ RECTANGULAR. IT FEATURES NO SIGNS, §**\\»~,,,
,~»\§*§@@# LIGHTS, OR ORNAMENTS, APART FROM A #@@§*§\»~,
,,,,~~\§§@ HELIPAD ON TOP. MOST FLOORS HAVE @§§\~~,,,,
,,~~\\§§§# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #§§§\\~~,,
,~»\§*§@## ##@§*§\»~,
,,,,~\§§@@ IN LATE EVENINGS, SHROUDED BY MALMö'S @@§§\~,,,,
,,,,~\*§@@ SIGNATURE FOG ROLLING IN FROM THE SEA, @@§*\~,,,,
,,,,,,~\§§ THE BUILDING COMES TO LIFE: IT MOVES ON §§\~,,,,,,
,~»\§*§@## A THOUSAND ROBOTIC LEGS TO ANOTHER ##@§*§\»~,
,,,~»\§§§§ (SECRET) PART OF TOWN, OR PERHAPS OUT §§§§\»~,,,
,,,,~~\*§§ TO SEA. THIS SIGNALS A NEW AND MORE §§*\~~,,,,
,,~»»§**§# VISCIOUS PHASE OF THE TAINARON #§**§»»~,,
,~»\§*§@@@ ECOSYSTEM. @@@§*§\»~,
,~~~\§**§# #§**§\~~~,
,~»\§*§@## THE GUESTS ARRIVING DURING THE EARLY ##@§*§\»~,
,~»\§*§@@@ EVENING ARE TREATED TO FOOD AND DRINK, @@@§*§\»~,
,~»\§*§@## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##@§*§\»~,
,~»\§*§§§# COMFORTABLE BUT MAZE-LIKE INTERIOR #§§§*§\»~,
,~»\§*§@## STRUCTURE (THE BUILDING FEATURES A ##@§*§\»~,
,,,~»§§§@# MULTITUDE OF STAIRWELLS AND ELEVATORS, #@§§§»~,,,
,~»\§**§§@ PLACED SEEMINGLY AT RANDOM, NONE GOING @§§**§\»~,
,~»\§*§@## FURTHER THAN A FEW FLOORS). ##@§*§\»~,
,~»\§*§@## ##@§*§\»~,
,~»\§*§@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@§*§\»~,
,~»\§*§@## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##@§*§\»~,
,,,,,»\*§§ SAME QUALITY AS THE SURROUNDING MIST: §§*\»,,,,,
,~»»\§§§*@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @*§§§\»»~,
,,,,~~\§§§ DOT'S BY DOOR LOCKS AND CONTROL PANELS. §§§\~~,,,,
,~»\§*§@## IF YOU WOULD LOOK THROUGH THE WINDOWS ##@§*§\»~,
,,,,,~\*@@ YOU WOULD SEE THE MIST ROLLING BY, AND @@*\~,,,,,
,~»»\§§**@ PERHAPS THE OUTLINE OF SOME OTHER @**§§\»»~,
,~»\§*§@## BUILDING, FAR BELOW. ##@§*§\»~,
,,,~»\***§ §***\»~,,,
,~»»»»\§§@ DURING THE NIGHT, AFTER TAINARON HAS @§§\»»»»~,
,~»\§*§@## STARTED MOVING, THE LOWER FLOORS ARE ##@§*§\»~,
,,,,,~»§*§ SHUT OFF, PREVENTING ENTRY OR EXIT FOR §*§»~,,,,,
,~»\§§§§§@ THE GUESTS. FOOD IS NO LONGER SERVED, @§§§§§\»~,
,~»\§*§@@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@@§*§\»~,
,~»\§*§@## IT'S AT THIS POINT THAT THE SECOND SET ##@§*§\»~,
,~»\§*§@## OF GUEST ARRIVES, VIA HELICOPTER - ##@§*§\»~,
,,,,,,»§*§ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. §*§»,,,,,,
,~»\§**§@@ @@§**§\»~,
,,~~»\\*§# »»»»» #§*\\»~~,,
,~»\§*§@## ##@§*§\»~,
,,,,,,,»§§ IN MY DREAM I AM INVITED AS A FRIEND OF §§»,,,,,,,
,~»\§*§@## ONE OF THE SERVERS, AND THUS SAFE. WE ##@§*§\»~,
,~~~~»\\*@ SIT IN ONE OF THE LARGE WINDOWS, @*\\»~~~~,
,,,~~»\\*§ LOOKING THROUGH THE MIST FOR ANY §*\\»~~,,,
,~»\§*@### LANDMARKS TO PIERCE THROUGH THE MIST. ###@*§\»~,
,~»\\\*§§@ SHE TELLS ME THAT APART FROM COMING AND @§§*\\\»~,
,~»\§*§@## GOING FROM WORK, SHE'S NEVER SEEN THE ##@§*§\»~,
,~»\§*§@## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##@§*§\»~,
,~»\§*§@## ##@§*§\»~,
,~»\§*§@## THE NEXT DAY I AM INVITED TO THE PUBLIC ##@§*§\»~,
,~»\§*§@## DEMONSTRATION OF THE EXOBUBBLE. ##@§*§\»~,
,~»\§*§@## ##@§*§\»~,
,~»\§*§@## ##@§*§\»~,
,~»\*§@### ###@§*\»~,
,~»\§*§@## ##@§*§\»~,
,~»\§§@### ###@§§\»~,