##@£*%:--. .--:%*£@##
###@*%:--. .--:%*@###
@£%%:--... ...--:%%£@
££*:-----. .-----:*££
##@£*%:--. .--:%*£@##
££*%---... THE SKYSCRAPER THAT MOVES ...---%*££
#£%%--.... ....--%%£#
£***:--... TAINARON IS A BUILDING OWNED AND ...--:***£
£*%---.... OPERATED BY AMATA TEXNOLOGIYASI PLACED ....---%*£
##@£*%:--. CLOSED TO THE HARBOR IN MALMÖ. IT'S .--:%*£@##
##@£*%:--. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .--:%*£@##
##@£*%:--. UNKNOWN), DARK BLUE AND COMPLETELY .--:%*£@##
#££%::-... RECTANGULAR. IT FEATURES NO SIGNS, ...-::%££#
£%-----... LIGHTS, OR ORNAMENTS, APART FROM A ...-----%£
£%:--..... HELIPAD ON TOP. MOST FLOORS HAVE .....--:%£
##@£*%:--. EXTERIOR WALLS COMPLETELY MADE OF GLASS. .--:%*£@##
@£%%%-.... ....-%%%£@
@£££*%:--. IN LATE EVENINGS, SHROUDED BY MALMö'S .--:%*£££@
##@£*%:--. SIGNATURE FOG ROLLING IN FROM THE SEA, .--:%*£@##
##@£*%:--. THE BUILDING COMES TO LIFE: IT MOVES ON .--:%*£@##
##@£*%:--. A THOUSAND ROBOTIC LEGS TO ANOTHER .--:%*£@##
##@£*%:--. (SECRET) PART OF TOWN, OR PERHAPS OUT .--:%*£@##
##@£*%:--. TO SEA. THIS SIGNALS A NEW AND MORE .--:%*£@##
##@£*%:--. VISCIOUS PHASE OF THE TAINARON .--:%*£@##
##@£*%:--. ECOSYSTEM. .--:%*£@##
@@*:-..... .....-:*@@
###£*%:--. THE GUESTS ARRIVING DURING THE EARLY .--:%*£###
@£££*%:--. EVENING ARE TREATED TO FOOD AND DRINK, .--:%*£££@
##@£*%:--. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .--:%*£@##
##@£*%:--. COMFORTABLE BUT MAZE-LIKE INTERIOR .--:%*£@##
##@£*%:--. STRUCTURE (THE BUILDING FEATURES A .--:%*£@##
##@£*%:--. MULTITUDE OF STAIRWELLS AND ELEVATORS, .--:%*£@##
##@£*%:--. PLACED SEEMINGLY AT RANDOM, NONE GOING .--:%*£@##
@**:--.... FURTHER THAN A FEW FLOORS). ....--:**@
###@*%:--. .--:%*@###
#@*%::---. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .---::%*@#
##@£*%:--. UNTIL THE AIR INSIDE HAS TAKEN ON THE .--:%*£@##
@£££*%:--. SAME QUALITY AS THE SURROUNDING MIST: .--:%*£££@
###£*%:--. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .--:%*£###
#£*%%-.... DOT'S BY DOOR LOCKS AND CONTROL PANELS. ....-%%*£#
###@£*:--. IF YOU WOULD LOOK THROUGH THE WINDOWS .--:*£@###
@£%:-..... YOU WOULD SEE THE MIST ROLLING BY, AND .....-:%£@
#£*%:-.... PERHAPS THE OUTLINE OF SOME OTHER ....-:%*£#
##@£*%:--. BUILDING, FAR BELOW. .--:%*£@##
@£*%---... ...---%*£@
##@£*%:--. DURING THE NIGHT, AFTER TAINARON HAS .--:%*£@##
##@£*%:--. STARTED MOVING, THE LOWER FLOORS ARE .--:%*£@##
###@*%:--. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .--:%*@###
##@£*%:--. THE GUESTS. FOOD IS NO LONGER SERVED, .--:%*£@##
##@£*%:--. BUT THE DRINKS BECOME MORE EXTRAVAGANT. .--:%*£@##
@*%-----.. IT'S AT THIS POINT THAT THE SECOND SET ..-----%*@
##@£*%:--. OF GUEST ARRIVES, VIA HELICOPTER - .--:%*£@##
###@£*%--. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .--%*£@###
@@@£*%:--. .--:%*£@@@
@@££*%:--. ----- .--:%*££@@
##@£*%:--. .--:%*£@##
@@£*%%:--. IN MY DREAM I AM INVITED AS A FRIEND OF .--:%%*£@@
£%:--..... ONE OF THE SERVERS, AND THUS SAFE. WE .....--:%£
###£*%:--. SIT IN ONE OF THE LARGE WINDOWS, .--:%*£###
@£%---.... LOOKING THROUGH THE MIST FOR ANY ....---%£@
###£*%:--. LANDMARKS TO PIERCE THROUGH THE MIST. .--:%*£###
##@£*%:--. SHE TELLS ME THAT APART FROM COMING AND .--:%*£@##
###@£*%--. GOING FROM WORK, SHE'S NEVER SEEN THE .--%*£@###
@*:::--... BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ...--:::*@
##@£*%:--. .--:%*£@##
###@*%:--. THE NEXT DAY I AM INVITED TO THE PUBLIC .--:%*@###
££££*%:--. DEMONSTRATION OF THE EXOBUBBLE. .--:%*££££
@*%-...... ......-%*@
###@*%:--. .--:%*@###
#@@£*%:--. .--:%*£@@#
##@£*%:--. .--:%*£@##
@@*::---.. ..---::*@@