...#.#.### #..#..#.##
#..#####.. .#.##.###.
##.#....#. .###.##..#
..###...## ##..##.#.#
#.#..#..#. ..#.#.####
.###.##.## THE SKYSCRAPER THAT MOVES ..#####...
.#..##.##. ..#....#..
.##.#.##.# TAINARON IS A BUILDING OWNED AND #.##...##.
.#.####.## OPERATED BY AMATA TEXNOLOGIYASI PLACED ###.#..#.#
####...##. CLOSED TO THE HARBOR IN MALMÖ. IT'S ...###.###
....#..#.# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ...#..##..
....##.### UNKNOWN), DARK BLUE AND COMPLETELY ...##.#.#.
....#.##.. RECTANGULAR. IT FEATURES NO SIGNS, #..#.#####
#...###.#. LIGHTS, OR ORNAMENTS, APART FROM A .#.###....
##..#..### HELIPAD ON TOP. MOST FLOORS HAVE ####..#...
#.#.##.#.. EXTERIOR WALLS COMPLETELY MADE OF GLASS. ....#.##..
#####.###. #...###.#.
#....##..# IN LATE EVENINGS, SHROUDED BY MALMö'S ##..#..###
.#...#.#.# SIGNATURE FOG ROLLING IN FROM THE SEA, #.#.##.#..
.##..##### THE BUILDING COMES TO LIFE: IT MOVES ON #####.###.
.#.#.#.... A THOUSAND ROBOTIC LEGS TO ANOTHER .....##..#
#######... (SECRET) PART OF TOWN, OR PERHAPS OUT .....#.#.#
.......#.. TO SEA. THIS SIGNALS A NEW AND MORE #....#####
#......##. VISCIOUS PHASE OF THE TAINARON .#...#....
##.....#.# ECOSYSTEM. ###..##...
#.#....### #..#.#.#..
####...#.. THE GUESTS ARRIVING DURING THE EARLY .#.######.
#...#..##. EVENING ARE TREATED TO FOOD AND DRINK, ####.....#
.#..##.#.# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #...#....#
###.#.#### COMFORTABLE BUT MAZE-LIKE INTERIOR .#..##...#
...####... STRUCTURE (THE BUILDING FEATURES A ###.#.#..#
#..#...#.. MULTITUDE OF STAIRWELLS AND ELEVATORS, #..#####.#
.#.##..##. PLACED SEEMINGLY AT RANDOM, NONE GOING .#.#....##
####.#.#.# FURTHER THAN A FEW FLOORS). #####...#.
#...###### #....#..##
.#..#..... AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .#...##.#.
.##.##.... UNTIL THE AIR INSIDE HAS TAKEN ON THE .##..#.###
##.##.#... SAME QUALITY AS THE SURROUNDING MIST: .#.#.###..
#.##.###.. BLUE-GRAY, SPRINKLED WITH THE SMALL RED ######..#.
###.##..#. DOT'S BY DOOR LOCKS AND CONTROL PANELS. ......#.##
...##.#.## IF YOU WOULD LOOK THROUGH THE WINDOWS ......###.
...#.####. YOU WOULD SEE THE MIST ROLLING BY, AND ......#..#
#..###...# PERHAPS THE OUTLINE OF SOME OTHER #.....##.#
.#.#..#..# BUILDING, FAR BELOW. ##....#.##
#####.##.# ..#...###.
#....##.## DURING THE NIGHT, AFTER TAINARON HAS #.##..#..#
.#...#.##. STARTED MOVING, THE LOWER FLOORS ARE ###.#.##.#
###..###.# SHUT OFF, PREVENTING ENTRY OR EXIT FOR ...####.##
...#.#..## THE GUESTS. FOOD IS NO LONGER SERVED, ...#...##.
...####.#. BUT THE DRINKS BECOME MORE EXTRAVAGANT. #..##..#.#
#..#...### IT'S AT THIS POINT THAT THE SECOND SET .#.#.#.###
.#.##..#.. OF GUEST ARRIVES, VIA HELICOPTER - ########..
.###.#.##. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ........#.
.#..####.# ........##
###.#...## ~~~~~ #.......#.
#..###..#. .#......##
.#.#..#.## IN MY DREAM I AM INVITED AS A FRIEND OF ###.....#.
.####.###. ONE OF THE SERVERS, AND THUS SAFE. WE #..#....##
##...##..# SIT IN ONE OF THE LARGE WINDOWS, .#.##...#.
#.#..#.#.# LOOKING THROUGH THE MIST FOR ANY ####.#..##
.###.##### LANDMARKS TO PIERCE THROUGH THE MIST. #...###.#.
.#..##.... SHE TELLS ME THAT APART FROM COMING AND .#..#..###
###.#.#... GOING FROM WORK, SHE'S NEVER SEEN THE .##.##.#..
#..#####.. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .#.##.###.
##.#....#. .###.##..#
..###...## THE NEXT DAY I AM INVITED TO THE PUBLIC ##..##.#.#
#.#..#..#. DEMONSTRATION OF THE EXOBUBBLE. ..#.#.####
.###.##.## ..#####...
.#..##.##. ..#....#..
.##.#.##.# #.##...##.
.#.####.## ###.#..#.#
####...##. ...###.###