@§%^~~,,,, ,,,,~~^%§@
#@@§%%^~-, ,-~^%%§@@#
#@@§%%^~-, ,-~^%%§@@#
#@@§%%^~-, ,-~^%%§@@#
@@@§%%^~-, ,-~^%%§@@@
@§§%^~,,,, delay delay d,la@ § %a, - ,@ ~ - ,,,,~^%§§@
#@@§%%^~-, ,-~^%%§@@#
@@@§%%^~-, ,-~^%%§@@@
§%%%~--,,, ,,,--~%%%§
§%^~-,,,,, ,,,,,-~^%§
@@@§%%^~-, "delay" means repetiton or likewise, ,-~^%%§@@@
@§%%%~,,,, but it's mainly useless without ,,,,~%%%§@
#@@§%%^~-, feedback, ,-~^%%§@@#
#@@§%%^~-, to allow the delay to eat of it's own ,-~^%%§@@#
@%%~,,,,,, tail, like one of those eaty serpents. ,,,,,,~%%@
@@@§%%^~-, thus: it's the serpent effect! ,-~^%%§@@@
#@@§%%^~-, ,-~^%%§@@#
@@%%%%^~-, it's to be revered as a creator of ,-~^%%%%@@
§§%^^--,,, ambience and of space, if you treat it ,,,--^^%§§
@@@§%%^~-, right. a somewhat more solid and ,-~^%%§@@@
#@@§%%^~-, slippery sibling of reverb. ,-~^%%§@@#
#@@§%%^~-, ,-~^%%§@@#
@@%%^~-,,, ,,,-~^%%@@
§%%~,,,,,, ,,,,,,~%%§
@@@§%%^~-, ,-~^%%§@@@
@@@§%%^~-, ,-~^%%§@@@