¨,»*†&## ###&&†*»,¨
¨¨,»*†&# ##&&†*»,¨¨
¨,»*†&## ###&&†*»,¨
¨¨,»*†&# ##&&†*»,¨¨
¨,»*†&## ###&&†*»,¨
¨¨,»*†&# delay delay d¨la@ & †a¨ , ¨# » , ##&&†*»,¨¨
¨,»*†&## ###&&†*»,¨
¨¨,»*†&# ##&&†*»,¨¨
¨,»*†&## ###&&†*»,¨
¨¨,»*†&# ##&&†*»,¨¨
¨,»*†&## "delay" means repetiton or likewise, ###&&†*»,¨
¨¨,»*†&# but it's mainly useless without ##&&†*»,¨¨
¨,»*†&## feedback, ###&&†*»,¨
¨¨,»*†&# to allow the delay to eat of it's own ##&&†*»,¨¨
¨,»*†&## tail, like one of those eaty serpents. ###&&†*»,¨
¨¨,»*†&# thus: it's the serpent effect! ##&&†*»,¨¨
¨,»*†&## ###&&†*»,¨
¨¨,»*†&# it's to be revered as a creator of ##&&†*»,¨¨
¨,»*†&## ambience and of space, if you treat it ###&&†*»,¨
¨¨,»*†&# right. a somewhat more solid and ##&&†*»,¨¨
¨,»*†&## slippery sibling of reverb. ###&&†*»,¨
¨¨,»*†&# ##&&†*»,¨¨
¨,»*†&## ###&&†*»,¨
¨¨,»*†&# ##&&†*»,¨¨
¨,»*†&## ###&&†*»,¨
¨¨,»*†&# ##&&†*»,¨¨