%%%%%%%%
%%%% %%%%
%% %%
% %
% %
% the glass factory. %
% %
% %
%% %%
%%%% %%%%
%%%%%%%%
###@%%;=,. several centuries after it had last .,=;%%@###
##@%%;=,.. belonged to us, we went on an outing to ..,=;%%@##
#@%%;=,... the glass factory that bore our family ...,=;%%@#
@%%;=,.... name. it had changed owners many times ....,=;%%@
#@%%;=,... since our ancestors death, and then ...,=;%%@#
##@%%;=,.. stood abandoned for a long while. ..,=;%%@##
###@%%;=,. finally, the natural end station for .,=;%%@###
##@%%;=,.. the buildings that survive: a museum, ..,=;%%@##
#@%%;=,... and a gift shop. ...,=;%%@#
@%%;=,.... ....,=;%%@
#@%%;=,... there's a long time since my family ...,=;%%@#
##@%%;=,.. made anything. by many, we would be ..,=;%%@##
###@%%;=,. considered poor. .,=;%%@###
##@%%;=,.. ..,=;%%@##
#@%%;=,... there are two main factory buildings, ...,=;%%@#
@%%;=,.... domed things of several floors, made in ....,=;%%@
#@%%;=,... yellow brick. large but narrow windows, ...,=;%%@#
##@%%;=,.. reminescent of some cathedral. ..,=;%%@##
###@%%;=,. custom-made glass, of course, large and .,=;%%@###
##@%%;=,.. leaded, and ashen. a bit too dark to be ..,=;%%@##
#@%%;=,... practical. on the eastern building, ...,=;%%@#
@%%;=,.... some are shattered. ....,=;%%@
#@%%;=,... ...,=;%%@#
##@%%;=,.. the other one is publicly open. there's ..,=;%%@##
###@%%;=,. a museum, with wax figures of my great .,=;%%@###
##@%%;=,.. great great grandfather, or something. ..,=;%%@##
#@%%;=,... various tools (or replicas) laid out on ...,=;%%@#
@%%;=,.... tables, with explaining texts. a lot of ....,=;%%@
#@%%;=,... glass of varying thickness. ...,=;%%@#
##@%%;=,.. ..,=;%%@##
###@%%;=,. %% .,=;%%@###
##@%%;=,.. %% %% ..,=;%%@##
#@%%;=,... ======= % % ======= ...,=;%%@#
@%%;=,.... %% %% ....,=;%%@
#@%%;=,... %% ...,=;%%@#
##@%%;=,.. ..,=;%%@##
###@%%;=,. i quickly sneak out, and climb into the .,=;%%@###
##@%%;=,.. other building. the contrast is ..,=;%%@##
#@%%;=,... overwhelming. it must have stood ...,=;%%@#
@%%;=,.... derelict for a long time, windows ....,=;%%@
#@%%;=,... broken, metallic trash and pools of ...,=;%%@#
##@%%;=,.. dark glass all over the floor. no ..,=;%%@##
###@%%;=,. electric lights, but i can see by the .,=;%%@###
##@%%;=,.. light that shines in wherever the dark ..,=;%%@##
#@%%;=,... windows are missing a pane. ...,=;%%@#
@%%;=,.... ....,=;%%@
#@%%;=,... however, the greatest difference is the ...,=;%%@#
##@%%;=,.. higher floors: this building has none. ..,=;%%@##
###@%%;=,. it is one massive hall, stretching away .,=;%%@###
##@%%;=,.. infinitely above me. somewhere up there ..,=;%%@##
#@%%;=,... is some great iron latticework, from ...,=;%%@#
@%%;=,.... where chains are suspended, and parts ....,=;%%@
#@%%;=,... of machinery has been falling down. ...,=;%%@#
##@%%;=,.. ..,=;%%@##
###@%%;=,. there is, in the middle of the great .,=;%%@###
##@%%;=,.. hall, a thin spiral staircase that ..,=;%%@##
#@%%;=,... leads up there. i sneak over there, and ...,=;%%@#
@%%;=,.... take a few reluctant steps. after just ....,=;%%@
#@%%;=,... a revolution, i notice that for each ...,=;%%@#
##@%%;=,.. step the building starts to glow, the ..,=;%%@##
###@%%;=,. bricks turning a dark red, and then .,=;%%@###
##@%%;=,.. orange, all the piled up debree being ..,=;%%@##
#@%%;=,... lit from behind. ...,=;%%@#
@%%;=,.... ....,=;%%@
#@%%;=,... i stop ready to run down and out, but ...,=;%%@#
##@%%;=,.. there's someone else on the staircase ..,=;%%@##
###@%%;=,. with me now, pressed close. he's .,=;%%@###
##@%%;=,.. looking like me, short hair and thin ..,=;%%@##
#@%%;=,... arms, but with ears from some animal, ...,=;%%@#
@%%;=,.... and more disturbingly, completely made ....,=;%%@
#@%%;=,... of dark liquid glass. ...,=;%%@#
##@%%;=,.. ..,=;%%@##
###@%%;=,. %% .,=;%%@###
##@%%;=,.. %% %% ..,=;%%@##
#@%%;=,... ======= % % ======= ...,=;%%@#
@%%;=,.... %% %% ....,=;%%@
#@%%;=,... %% ...,=;%%@#
##@%%;=,.. ..,=;%%@##
###@%%;=,. my fear holds me in place while he .,=;%%@###
##@%%;=,.. starts operating levers and dials set ..,=;%%@##
#@%%;=,... in the center of the staircase. slowly, ...,=;%%@#
@%%;=,.... it starts spinning, circling upwards. ....,=;%%@
#@%%;=,... it's an elevator! i start to run ...,=;%%@#
##@%%;=,.. downwards, but now the liquid boy ..,=;%%@##
###@%%;=,. creature grabs hold of me. i try to .,=;%%@###
##@%%;=,.. shake him off, but he's too strong, and ..,=;%%@##
#@%%;=,... pulls me back up beside him. ...,=;%%@#
@%%;=,.... ....,=;%%@
#@%%;=,... this time, i turn angry instead. what ...,=;%%@#
##@%%;=,.. the hell? who is this guy, acting like ..,=;%%@##
###@%%;=,. this? i reach out my free arm and slam .,=;%%@###
##@%%;=,.. a random lever. some metal bar is ..,=;%%@##
#@%%;=,... suddenly released between us, hitting ...,=;%%@#
@%%;=,.... him on the arm, forcing my release. i ....,=;%%@
#@%%;=,... shove him off of me, and he falls into ...,=;%%@#
##@%%;=,.. the levers, messing them up. ..,=;%%@##
###@%%;=,. immediately, a thin rusty chainmail .,=;%%@###
##@%%;=,.. curtain is dropped around me. but the ..,=;%%@##
#@%%;=,... elevator also speeds up significantly. ...,=;%%@#
@%%;=,.... ....,=;%%@
#@%%;=,... the walls are flaring now, yellow, ...,=;%%@#
##@%%;=,.. white, almost blue. i close my eyes and ..,=;%%@##
###@%%;=,. curl into a ball. but then, the glass .,=;%%@###
##@%%;=,.. boy screams, a piercing sound that ..,=;%%@##
#@%%;=,... forces my eyes back open. i watch as he ...,=;%%@#
@%%;=,.... becomes too liquid, his body pooling ....,=;%%@
#@%%;=,... down in his now massive tail, and the ...,=;%%@#
##@%%;=,.. tip of it suddenly breaks of in a glass ..,=;%%@##
###@%%;=,. drop that falls toward the factory .,=;%%@###
##@%%;=,.. floor. ..,=;%%@##
#@%%;=,... ...,=;%%@#
@%%;=,.... he's crawling on the stairs, unable to ....,=;%%@
#@%%;=,... keep his body upright. can't reach the ...,=;%%@#
##@%%;=,.. levers, claws at my chainmail cage, ..,=;%%@##
###@%%;=,. while his body is turning into dark .,=;%%@###
##@%%;=,.. pearls. finally, he's lost too much of ..,=;%%@##
#@%%;=,... himself and the scream is cut short. ...,=;%%@#
@%%;=,.... the last of him rains down. ....,=;%%@
#@%%;=,... ...,=;%%@#
##@%%;=,.. i still can't reach the levers from ..,=;%%@##
###@%%;=,. within my cage. looking up, i try to .,=;%%@###
##@%%;=,.. make out the ceiling, but it's all a ..,=;%%@##
#@%%;=,... whirling sea of colours. below me glows ...,=;%%@#
@%%;=,.... the hellfire of the factory walls, but ....,=;%%@
#@%%;=,... very faint. i sit down, curl back up, ...,=;%%@#
##@%%;=,.. become still. ..,=;%%@##
###@%%;=,. .,=;%%@###
##@%%;=,.. %% ..,=;%%@##
#@%%;=,... %% %% ...,=;%%@#
@%%;=,.... ======= % % ======= ....,=;%%@
#@%%;=,... %% %% ...,=;%%@#
##@%%;=,.. %% ..,=;%%@##
###@%%;=,. .,=;%%@###
##@%%;=,.. a large clunk shakes my entire body, ..,=;%%@##
#@%%;=,... and snaps me back into reality. i'm ...,=;%%@#
@%%;=,.... back at the factory floor, but the ....,=;%%@
#@%%;=,... stairs are still moving slightly, ...,=;%%@#
##@%%;=,.. clicking in place, carrying me the last ..,=;%%@##
###@%%;=,. few centimeters. i came from below, .,=;%%@###
##@%%;=,.. somehow. the chainmail is retracted, ..,=;%%@##
#@%%;=,... and i slowly dismount the stairs. ...,=;%%@#
@%%;=,.... ....,=;%%@
#@%%;=,... shaking and crying, i make my way over ...,=;%%@#
##@%%;=,.. the factory floor, wading through dark ..,=;%%@##
###@%%;=,. glass marbles. a quick glance down, and .,=;%%@###
##@%%;=,.. i see there's something faint inside ..,=;%%@##
#@%%;=,... them. embryos? are these eggs? ...,=;%%@#
@%%;=,.... ....,=;%%@
#@%%;=,... i shudder, and climb back out. ...,=;%%@#
%%
%% %%
% %
%% %%
%%