,,,,,,,.~/                                          /~.,,,,,,,
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,,,,,.~/†£                                          £†/~.,,,,,
,,,,.~/†£@                                          @£†/~.,,,,
,,,.~/†£@@                                          @@£†/~.,,,
,,.~/†£@@#          ,,,,††## VäXJö ##††,,,,         #@@£†/~.,,
,.~/†£@@##                                          ##@@£†/~.,
,,.~/†£@@# THE APARTMENT  SMELLS OF OLD COFFEE  AND #@@£†/~.,,
,,,.~/†£@@ SWEETENERS. I DON'T  KNOW HOW  I  LET IT @@£†/~.,,,
,,,,.~/†£@ GET  LIKE  THIS. IT'S  NOT  INTENTIONAL. @£†/~.,,,,
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,,,,,,.~/† I WEAR YELLOW TINTED GLASSES.  THE  ROOM †/~.,,,,,,
,,,,,,,.~/ CHANGES  SHAPE A  LOT. RIGHT NOW THERE'S /~.,,,,,,,
,,,,,,,,.~ A  BLUE   SOFA  WITH  YELLOW   SEAMS.  I ~.,,,,,,,,
,,,,,,,,,.    EXPERIMENT WITH DIFFERENT COLORED     .,,,,,,,,,
,,,,,,,,,,       LIGHTS. I'M LEARNING THINGS.       ,,,,,,,,,,
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,,,,,,,,.~ MY THOUGHTS  ARE REVOLVING  AROUND TIME, ~.,,,,,,,,
,,,,,,,.~/ AND THE PERCEPTION OF IT. CAN I  MAKE IT /~.,,,,,,,
,,,,,,.~/† RIGID? IF I  REALLY WANT TO,  CAN I MAKE †/~.,,,,,,
,,,,,.~/†£ IT  FEEL LIKE  THERE  IS ENOUGH  OF  IT? £†/~.,,,,,
,,,,.~/†£@    ALSO, AND MAYBE, ULTIMATELY, MORE     @£†/~.,,,,
,,,.~/†£@@ IMPORTANT - CAN I MAKE  IT FEEL LIKE  IT @@£†/~.,,,
,,.~/†£@@#             DOESN'T MATTER?              #@@£†/~.,,
,.~/†£@@##                                          ##@@£†/~.,
,,.~/†£@@#                                          #@@£†/~.,,
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