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@@@.@@...@ ¶@@¶¶@@¶¶@@¶¶@@¶¶@@¶¶@@¶¶@@¶¶@@¶¶@@¶¶@@¶ .@.@@@.@..
..@@.@..@. @ buildings, towers in the "golden @ @@@..@@@.@
.@.@@@.@@@ @ bay" (everything made of sandstone). @ ..@.@..@@@
@@@..@@... ¶ five particular houses fourty ¶ .@@@@.@..@
..@.@.@..@ ¶ stories tall, hundred meters apart, ¶ @...@@@.@.
.@@@@@@.@@ @ in a slight arc inwards. @ @..@..@@@.
@.....@@.@ @ @ @.@@.@..@.
@....@.@@@ ¶ between two mountains; to the right ¶ @@.@@@.@@@
@...@@@..@ ¶ and left the city climbs quickly. ¶ .@@..@@...
@..@..@.@. @ the right plateau hosts a lush and @ @.@.@.@..@
@.@@.@@@@. @ shaded garden which morphs into a @ @@@@@@@.@.
@@.@@...@@ ¶ terrace overlooking the sea and ¶ ......@@@@
.@@.@..@.. ¶ the buildings. ¶ .....@....
@.@@@.@@.. @ @ ....@@....
@@..@@.@.@ @ to the left the houses climb @ ...@.@...@
.@.@.@@@@. ¶ similarly but a lot of tunnels and ¶ ..@@@@..@.
@@@@@...@. ¶ halls have been dug from the ¶ .@...@.@@.
....@..@@@ @ mountain. some houses stand @ @@..@@@.@@
...@@.@... @ completely "inside". because of cave @ .@.@..@@.@
..@.@@@... ¶ conditions the lower floors here ¶ @@@@.@.@@@
.@@@..@... ¶ are covered in dark algae that the ¶ ...@@@@..@
@..@.@@..@ @ city long ago stopped trying to @ ..@...@.@@
@.@@@.@.@. @ remove. establishments use neon @ .@@..@@@..
@@..@@@@@@ ¶ signs as an accent to the dark. ¶ @.@.@..@.@
.@.@.....@ ¶ there's a casino. ¶ @@@@@.@@@.
@@@@....@. @ there's an internet cafe. @ ....@@..@.
...@...@@@ @ @ ...@.@.@@@
..@@..@..@ ¶ most people living here have long ¶ ..@@@@@..@
.@.@.@@.@@ ¶ snouts and big ears. all space is ¶ .@....@.@@
@@@@@.@@.. @ shared (few rooms have locks or @ @@...@@@.@
....@@.@.@ @ even doors). interior design is @ .@..@..@@.
...@.@@@@. ¶ mostly art nouveau and made ¶ @@.@@.@.@.
..@@@...@@ ¶ out of copper. ¶ .@@.@@@@@.
.@..@..@.@ @@¶¶@@¶¶@@¶¶@@¶¶@@¶¶¶¶@@¶¶@@¶¶@@¶¶@@¶¶@@ @.@@....@.
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