§£*****=,, ,,=*****£§
##@§£**=,, ,,=**£§@##
@££*=,,,,, ,,,,,=*££@
##@§£**=,, ,,=**£§@##
###§£**=,, ,,=**£§###
§££*==,,,, THE SKYSCRAPER THAT MOVES ,,,,==*££§
##@§£**=,, ,,=**£§@##
@§§£**=,,, TAINARON IS A BUILDING OWNED AND ,,,=**£§§@
§§§**=,,,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,,,=**§§§
§£**=,,,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,,,=**£§
§§*==,,,,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,,,,==*§§
§**=,,,,,, UNKNOWN), DARK BLUE AND COMPLETELY ,,,,,,=**§
##@§£**=,, RECTANGULAR. IT FEATURES NO SIGNS, ,,=**£§@##
#@@§£**=,, LIGHTS, OR ORNAMENTS, APART FROM A ,,=**£§@@#
#@@§£**=,, HELIPAD ON TOP. MOST FLOORS HAVE ,,=**£§@@#
#§**=,,,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,,,=**§#
§**,,,,,,, ,,,,,,,**§
##@§£**=,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,=**£§@##
@§§£*,,,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,,,*£§§@
@££*=,,,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,,,,=*££@
##@§£**=,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,=**£§@##
@@@§£**=,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,=**£§@@@
##@§£**=,, TO SEA. THIS SIGNALS A NEW AND MORE ,,=**£§@##
§**=,,,,,, VISCIOUS PHASE OF THE TAINARON ,,,,,,=**§
##@§£**=,, ECOSYSTEM. ,,=**£§@##
@§***=,,,, ,,,,=***§@
##@§£**=,, THE GUESTS ARRIVING DURING THE EARLY ,,=**£§@##
##@§£**=,, EVENING ARE TREATED TO FOOD AND DRINK, ,,=**£§@##
###@§**=,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,=**§@###
##@§£**=,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,=**£§@##
#@££***=,, STRUCTURE (THE BUILDING FEATURES A ,,=***££@#
@@£££**=,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,=**£££@@
###§£**=,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,=**£§###
§£*,,,,,,, FURTHER THAN A FEW FLOORS). ,,,,,,,*£§
@££*=,,,,, ,,,,,=*££@
##@§£**=,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,=**£§@##
§*====,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,====*§
§£*=,,,,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,,,,=*£§
#@§§£**=,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,=**£§§@#
@§£*=,,,,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,,,,=*£§@
##@§£**=,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,=**£§@##
##@§£**=,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,=**£§@##
##@§£**=,, PERHAPS THE OUTLINE OF SOME OTHER ,,=**£§@##
###§£**=,, BUILDING, FAR BELOW. ,,=**£§###
#@§££**=,, ,,=**££§@#
##@§£**=,, DURING THE NIGHT, AFTER TAINARON HAS ,,=**£§@##
##@§£**=,, STARTED MOVING, THE LOWER FLOORS ARE ,,=**£§@##
#§£**===,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,===**£§#
§****,,,,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,,,,****§
##@§£**=,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,=**£§@##
##@§£**=,, IT'S AT THIS POINT THAT THE SECOND SET ,,=**£§@##
##@§£**=,, OF GUEST ARRIVES, VIA HELICOPTER - ,,=**£§@##
##@§£**=,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,=**£§@##
##@§£**=,, ,,=**£§@##
§§*****=,, ===== ,,=*****§§
##@§£**=,, ,,=**£§@##
@@£**,,,,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,,,,**£@@
##@§£**=,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,=**£§@##
@£*,,,,,,, SIT IN ONE OF THE LARGE WINDOWS, ,,,,,,,*£@
§***=,,,,, LOOKING THROUGH THE MIST FOR ANY ,,,,,=***§
§££*=,,,,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,,,,=*££§
##@§£**=,, SHE TELLS ME THAT APART FROM COMING AND ,,=**£§@##
§£****==,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,==****£§
#§****==,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,==****§#
##@§£**=,, ,,=**£§@##
@@§££**=,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,=**££§@@
###@§**=,, DEMONSTRATION OF THE EXOBUBBLE. ,,=**§@###
##@§£**=,, ,,=**£§@##
@£*=,,,,,, ,,,,,,=*£@
###§£**=,, ,,=**£§###
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