##£¤*§*~.¨ ¨.~*§*¤£##
###£¤§*~.¨ ¨.~*§¤£###
##£¤*§*~.¨ ¨.~*§*¤£##
£¤*§~.¨¨¨¨ ¨¨¨¨.~§*¤£
£££¤*§*~.¨ ¨.~*§*¤£££
##£¤*§*~.¨ # ¨.~*§*¤£##
##£¤*§*~.¨ ¨LIZARDRY ¨.~*§*¤£##
¤§~..¨¨¨¨¨ ~ £ #£ ### ################## ¨¨¨¨¨..~§¤
##£¤*§*~.¨ ## THE ART OF C.NNECTING ¨.~*§*¤£##
££¤¤*§*~.¨ ¨ WITH THE OLD MIND ¨.~*§*¤¤££
##£¤*§*~.¨ ¨.~*§*¤£##
###£¤*§*.¨ MY MIND IS BEING SKEWED. MI ¨.*§*¤£###
#££¤*§*~.¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨.~*§*¤££#
##£¤*§*~.¨ THE SITUATION IS LITERALLY ¨.~*§*¤£##
£¤**~¨¨¨¨¨ PRESSED OUT THROUGH MY EYES, IT'S ¨¨¨¨¨~**¤£
#¤§§~¨¨¨¨¨ ECHOING LIKE ¨¨¨¨¨~§§¤#
##£¤*§*~.¨ THE SUNSET OF THE ETERNAL ¨.~*§*¤£##
££**..¨¨¨¨ OCEAN ¨¨¨¨..**££
¤¤¤§*.¨¨¨¨ PERSISTENTLY AGAINST MY EMULSION ¨¨¨¨.*§¤¤¤
##£¤*§*~.¨ ¨.~*§*¤£##
##£¤*§*~.¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨.~*§*¤£##
¤*§§§~.¨¨¨ HUMANS ARE DOING AND ABSTRACTING, ¨¨¨.~§§§*¤
##£¤*§*~.¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨.~*§*¤£##
##£¤*§*~.¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨.~*§*¤£##
###£*§*~.¨ ¨ ¨.~*§*£###
#¤§**~~¨¨¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ £££££££ ¨¨¨~~**§¤#
##£¤*§*~.¨ CONTINUOUSLY I'M CROWDING THROUGH ¨.~*§*¤£##
£¤*§§**~.¨ ¨ THE FOURTH WALL .OUTWARDS IS WHAT ¨ ¨.~**§§*¤£
£¤***.¨¨¨¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨¨¨¨.***¤£
#£***.¨¨¨¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨¨¨¨.***£#
££**§~¨¨¨¨ . . AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨¨¨¨~§**££
###¤*§*~.¨ . . DOWN IN THE DRAGONS THROAT. ¨.~*§*¤###
#¤¤¤*§*~.¨ . ¨.~*§*¤¤¤#
##£¤*§*~.¨ . ¨.~*§*¤£##
£¤§§§~~.¨¨ ¨¨.~~§§§¤£
¤¤****~¨¨¨ ¨¨¨~****¤¤
¤****§*~.¨ ¨.~*§****¤
##£¤*§*~.¨ ¨.~*§*¤£##
##£¤*§*~.¨ ¨.~*§*¤£##
¤¤¤**.¨¨¨¨ ¨¨¨¨.**¤¤¤