,,=/%*££@#                                          #@££*%/=,,
,,=/%*££££                                          ££££*%/=,,
,,=/%*££££                                          ££££*%/=,,
,,=/%*££@#                                          #@££*%/=,,
,,=/%*££@#                                          #@££*%/=,,
,,,,,///*£          ,,,,%%@# växjö #@%%,,,,         £*///,,,,,
,,=/%*££@#                                          #@££*%/=,,
,,=/%*££@# the apartment smells of old  coffee  and #@££*%/=,,
,,=/%*££££ sweeteners. i  don't know  how  i let it ££££*%/=,,
,,=/%**££@ get  like  this.  it's  not intentional. @££**%/=,,
,,=/%***£@                                          @£***%/=,,
,,=/%*££@# i wear  yellow  tinted glasses. the room #@££*%/=,,
,,=/%*££@# changes shape a lot.  right  now there's #@££*%/=,,
,,,,,,//*£ a   blue  sofa  with   yellow  seams.  i £*//,,,,,,
,,=/%*£££@     experiment with different colored    @£££*%/=,,
,,,===%%££       lights. i'm learning things.       ££%%===,,,
,,,,/%%*££                                          ££*%%/,,,,
,,=/%*££@# my thoughts  are revolving around  time, #@££*%/=,,
,,=/%*££££ and the perception of it. can i  make it ££££*%/=,,
,,,,,,=%*£ rigid? if i really want  to,  can i make £*%=,,,,,,
,,=/%*££££ it feel  like  there is  enough  of  it? ££££*%/=,,
,,,,,,/*££    also, and maybe, ultimately, more     ££*/,,,,,,
,,=/%*£@## important - can i  make it  feel like it ##@£*%/=,,
,,=/%*£££@             doesn't matter?              @£££*%/=,,
,,=/%*££@#                                          #@££*%/=,,
,,=/%*££@#                                          #@££*%/=,,
,,,,,,/%*£                                          £*%/,,,,,,
,,=/%*££@#                                          #@££*%/=,,
,,=/%*££@@                                          @@££*%/=,,