,^=\$%%&&¶ ¶&&%%$\=^,
.,~^†££#@# #@#££†^~,.
.,.,.;:%§¤ ¤§%:;.,.,.
¨-~^§@#¶## ##¶#@§^~-¨
,,-.^†*$@@ @@$*†^.-,,
.^=^=§#§#@ statuette @#§#§=^=^.
¨,«;**@¶## ##¶@**;«,¨
¨,,.¨~=$£@ §@@£@£$*§*¤&%%**»=-~-~=~$%@%&¤&££*$$%&&$ @£$=~¨.,,¨
¨,,¨,«*\§@ %$%%¤$%*% @§\*«,¨,,¨
.,¨»«=§£¶@ @¶£§=«»¨,.
,:,=:\$$@¤ forests around my childhood home. thick ¤@$$\:=,:,
,.,.~^*†%@ pine arcades that were planted and @%†*^~.,.,
.^~\§££### forgotten. wild boars roaming ###££§\~^.
,¨,¨,-\§%@ underneath, sniffing at the ground. it @%§\-,¨,¨,
.¨,«†$§*#¶ is dark and moist, the canopy having ¶#*§$†«,¨.
¨,=^†@££#@ already soaked up all the sun. @#££@†^=,¨
.~~^†%§£#@ @#£§%†^~~.
,,~/%¤## there's a river passing by, from east ###&¤%/~,,
,¨,:^$£#£@ to west, getting broader and deeper and @£#£$^:,¨,
,:~\=¤#@## slower as it goes. equisetum grow just ##@#¤=\~:,
¨:«:%$&@@# where the pine hands start to let #@@&$%:«:¨
.~~*=@## through light, horsemint on the rocky ###&@=*~~.
¨...¨,,~^§ river bed. §^~,,¨...¨
..,..~*\&¤ ¤&\*~..,..
¨..,,,=%¤# = #¤%=,,,..¨
¨,¨.=««;*£ £*;««=.¨,¨
¨,.¨,,^/*£ the riverbanks reek of magic. tonight £*/^,,¨.,¨
¨^~=*§§¶## they had been a swampworld with sylvan ##¶§§*=~^¨
,,..^††§¤¶ water, stone rings and floating moss. ¶¤§††^..,,
¨:-^*&§### you could've found me wallowing around ###§&*^-:¨
.,-\†$=%&@ on the southern shores until i got @&%=$†\-,.
,,~:*§¤@@# bitten. #@@¤§*:~,,
,,~=$%§£#@ @#£§%$=~,,
¨..~~†§§## but now i'm further back, on solid ##§§†~~..¨
...,,,-^£# ground, in shoulder-high grass, with an #£^-,,,...
,,===££¤ orange tin radio and a translucent #&¤££===,,
,~«*$@§¶@@ umbrella which i'm sitting on. @@¶§@$*«~,
¨...,.-%£§ §£%-.,...¨
.¨¨.,\%¤## / ##¤%\,.¨¨.
¨,-;$%£### ###£%$;-,¨
,,»:$¤£@## somethings moving in the grass. it's ##@£¤$:»,,
¨,~:§£#@## invisible to my eyes but i can feel ##@#£§:~,¨
,-«†^*£@@# through the ground just how large it is. #@@£*^†«-,
.~~««**@¤¤ ¤¤@**««~~.
¨.=*=@§£## the soil is muddy. i slip when trying ##£§@=*=.¨
.-==%&£¶@# to get up, still looking at the #@¶£&%==-.
¨.«:$£#@## direction of sound rather than at my ##@#£$:«.¨
..,:«†††¤# hands, who are busy putting things in #¤†††«:,..
,.~:$%@£## my pockets. ##£@%$:~.,
¨,«\†&£### ###£&†\«,¨
..,,¨..:$# then i run east toward my home. #$:..¨,,..
,~=:§*@@## ##@@*§:=~,
,,»;=%&@@# ^ #@@&%=;»,,
,.¨¨:†/=## ##=/†:¨¨.,
,:-:^£## i am not followed, and slow down in the ###&£^:-:,
..¨..~-:£& clearing where you at first can spot &£:-~..¨..
.,¨.,:;%@# the house, not yet really in the #@%;:,.¨,.
,:»=%¤¤£@@ backyard. from my pockets i retrieve my @@£¤¤%=»:,
¨^=§£### radio (now dented) but also a small ####&£§=^¨
.,,~~;^*¤§ clay figure i've never seen before. it §¤*^;~~,,.
.,«:§%&¶## must have been laying in the wet dirt, ##¶&%§:«,.
,.,:;†%$@¶ and i must've picked it up with my ¶@$%†;:,.,
,:~:†£§### other belongings. ###§£†:~:,
,-«;%£@@@# #@@@£%;«-,
¨-==†&£¶## it's a statuette of a girl laying naked ##¶£&†==-¨
.^=/$$&@@# on her stomach, feet in the air, #@@&$$/=^.
.~-/*%£¶@# roughly seven centimeters long. it's #@¶£%*/-~.
,¨¨¨¨=**%@ freshly made, not yet completely dried. @%**=¨¨¨¨,
¨¨¨,~.\†*# #*†\.~,¨¨¨
,,~:*$@£¤@ my mom is here now. i ask her for some @¤£@$*:~,,
¨¨¨,¨-:*@# particle board for it to dry on, but #@*:-¨,¨¨¨
.^«^%$@@@# she is worried and wants me to #@@@$%^«^.
¨,-††%£@## throw it away. ##@£%††-,¨
¨,~:=%§¶@# #@¶§%=:~,¨
¨-=;%*¶### ###¶*%;=-¨
¨--:%^&§## ##§&^%:--¨
.,«\%%¤¶## ##¶¤%%\«,.
¨,.,¨,.:^& &^:.,¨,.,¨
.-«***£@## ##@£***«-.