,,-~/%*§£@ @£§*%/~-,,
¨,,,~/$§#£ £#§$/~,,,¨
..:~;%¤@## ##@¤%;~:..
,:~^†$@#@# #@#@$†^~:,
.¨:==*£#¶@ @¶#£*==:¨.
¨.,~=\^*§¶ statuette ¶§*^\=~,.¨
..--:^%#¶@ @¶#%^:--..
,--^=¤## £%¤$¤&%%$@§%%@$£«-«»»»~~¤£%§&§$£§$$$%¤$$ ###&¤=^--,
,,-«;$@§£# $£%*£%$$% #£§@$;«-,,
,,¨--*%% #&%%*--¨,,
¨¨~»/*$&¶@ forests around my childhood home. thick @¶&$*/»~¨¨
,^=*†£##@# pine arcades that were planted and #@##£†*=^,
¨¨:«^*%&@# forgotten. wild boars roaming #@&%*^«:¨¨
¨,,^=^*¤@¶ underneath, sniffing at the ground. it ¶@¤*^=^,,¨
¨¨~-:*%##@ is dark and moist, the canopy having @##%*:-~¨¨
,,=:*$§@@# already soaked up all the sun. #@@§$*:=,,
,,.-\%%¤¶@ @¶¤%%\-.,,
.¨.-=^^£¤# there's a river passing by, from east #¤£^^=-.¨.
.¨:-;=¤£@# to west, getting broader and deeper and #@£¤=;-:¨.
,,=\=$£### slower as it goes. equisetum grow just ###£$=\=,,
.¨^~^=££@# where the pine hands start to let #@££=^~^¨.
..,,~^*%§@ through light, horsemint on the rocky @§%*^~,,..
..,=\%*§@@ river bed. @@§*%\=,..
,.»==&@#@# #@#@&==».,
..~-:*$# † ##&$*:-~..
,,¨:»;=@¤# #¤@=;»:¨,,
,,^«/$££#@ the riverbanks reek of magic. tonight @#££$/«^,,
.,~^%$¤#@# they had been a swampworld with sylvan #@#¤$%^~,.
,..»/*%#@# water, stone rings and floating moss. #@#%*/»..,
,,..~/**¤# you could've found me wallowing around #¤**/~..,,
¨¨~=/^£££# on the southern shores until i got #£££^/=~¨¨
.-=†%@## bitten. ##@#&%†=-.
,.,~;^£@@# #@@£^;~,.,
,,,^«*†&§# but now i'm further back, on solid #§&†*«^,,,
,,,-†§$£¶@ ground, in shoulder-high grass, with an @¶£$§†-,,,
¨^~=†$@### orange tin radio and a translucent ###@$†=~^¨
.,,~*%*&@@ umbrella which i'm sitting on. @@&*%*~,,.
,.,.-^%$&£ £&$%^-.,.,
¨.:~:%§#@# * #@#§%:~:.¨
,-=/%$@### ###@$%/=-,
¨¨,-**@&@# somethings moving in the grass. it's #@&@**-,¨¨
,...~;=$§@ invisible to my eyes but i can feel @§$=;~...,
¨,:~^*%### through the ground just how large it is. ###%*^~:,¨
¨,»^*$§@## ##@§$*^»,¨
.¨,-/*%@¶# the soil is muddy. i slip when trying #¶@%*/-,¨.
,..^~;^¤§@ to get up, still looking at the @§¤^;~^..,
.,,»=$££¶# direction of sound rather than at my #¶££$=»,,.
¨:=†§$@### hands, who are busy putting things in ###@$§†=:¨
,,^-=%%¤¶# my pockets. #¶¤%%=-^,,
.,,.~;=&§@ @§&=;~.,,.
,.,«/=$£## then i run east toward my home. ##£$=/«,.,
.,~^%*@### ###@*%^~,.
.,:~:%¶@ ; @¶#&%:~:,.
...,~=$%§¶ ¶§%$=~,...
.,~-=*$£## i am not followed, and slow down in the ##£$*=-~,.
,^«\^£&@## clearing where you at first can spot ##@&£^\«^,
¨,,~^%%### the house, not yet really in the ###%%^~,,¨
¨.,~-^*$&@ backyard. from my pockets i retrieve my @&$*^-~,.¨
¨.--^§%§## radio (now dented) but also a small ##§%§^--.¨
,,~\%£¤@@# clay figure i've never seen before. it #@@¤£%\~,,
,,.-\=*&@@ must have been laying in the wet dirt, @@&*=\-.,,
¨..-=;%¤§# and i must've picked it up with my #§¤%;=-..¨
,.:»\†&@¶# other belongings. #¶@&†\»:.,
,-»;*@¤@## ##@¤@*;»-,
..-»=%%§¶@ it's a statuette of a girl laying naked @¶§%%=»-..
..¨,-/*£§# on her stomach, feet in the air, #§£*/-,¨..
.,:«^*§¤£# roughly seven centimeters long. it's #£¤§*^«:,.
..-†*$#@@# freshly made, not yet completely dried. #@@#$*†-..
.,:~†=%&£# #£&%=†~:,.
,.,:~:=&¤£ my mom is here now. i ask her for some £¤&=:~:,.,
.,:-;†@#@# particle board for it to dry on, but #@#@†;-:,.
.,~\%%£@## she is worried and wants me to ##@£%%\~,.
,,-=**&£@@ throw it away. @@£&**=-,,
...:=/%$@@ @@$%/=:...
,¨--=*@# #@#&*=--¨,
,,~^†$§£@# #@£§$†^~,,
.,.~†=$££# #££$=†~.,.
,.,:~;§§#£ £#§§;~:,.,
¨¨,=†*$§¶# #¶§$*†=,¨¨