,-«*§@## ###&@§*«-,
,,=§$##@## ##@##$§=,,
¨,..~--:%@ @%:--~..,¨
,,,~-=/**# #**/=-~,,,
¨.»*%$&$*# #*$&$%*».¨
¨--^**@### statuette ###@**^--¨
,,=\%@§@## ##@§@%\=,,
¨,-=%*†%£§ %$%@¤&%£§$$§%*&¤~~~»~--=@*%*%%$£&%£$$£%% §£%†*%=-,¨
¨:=†%$¤@## £$$¤$$$&$ ##@¤$%†=:¨
.,»/§§#££@ @££#§§/»,.
,~.~-=^@¤# forests around my childhood home. thick #¤@^=-~.~,
,:=*%$#¶## pine arcades that were planted and ##¶#$%*=:,
¨~=\**@@## forgotten. wild boars roaming ##@@**\=~¨
¨¨,¨~~~*^£ underneath, sniffing at the ground. it £^*~~~¨,¨¨
,.,,~\^£## is dark and moist, the canopy having ##£^\~,,.,
.--;^¤@§£§ already soaked up all the sun. §£§@¤^;--.
¨.,.~~=£$@ @$£=~~.,.¨
.,,,,»%#@# there's a river passing by, from east #@#%»,,,,.
.~=\†££¶## to west, getting broader and deeper and ##¶££†\=~.
.,.,~~=*%& slower as it goes. equisetum grow just &%*=~~,.,.
¨,»:§£££## where the pine hands start to let ##£££§:»,¨
¨:=†$£#@## through light, horsemint on the rocky ##@#£$†=:¨
,.¨¨:^^:%@ river bed. @%:^^:¨¨.,
,,-†=%@@## ##@@%=†-,,
...,:*$§#£ = £#§$*:,...
.,~;*%&@## ##@&%*;~,.
,,«=%$&@@# the riverbanks reek of magic. tonight #@@&$%=«,,
,¨¨¨¨,~:@@ they had been a swampworld with sylvan @@:~,¨¨¨¨,
¨..,.^^:%¤ water, stone rings and floating moss. ¤%:^^.,..¨
,^=\^£¤### you could've found me wallowing around ###¤£^\=^,
¨,~;%%@#¶# on the southern shores until i got #¶#@%%;~,¨
.^=;$&¤@## bitten. ##@¤&$;=^.
.,¨,.;*£££ £££*;.,¨,.
¨--$&¤@@## but now i'm further back, on solid ##@@¤&$--¨
.,,,=~*£@@ ground, in shoulder-high grass, with an @@£*~=,,,.
,~~^*@£§## orange tin radio and a translucent ##§£@*^~~,
.,¨,~†$¤#@ umbrella which i'm sitting on. @#¤$†~,¨,.
,..,::†= #&=†::,..,
¨,-=*$@### * ###@$*=-,¨
¨.¨,,«\*@# #@*\«,,¨.¨
...,.¨¨~*£ somethings moving in the grass. it's £*~¨¨.,...
.~~\$%%¤¤@ invisible to my eyes but i can feel @¤¤%%$\~~.
,,=†=§¤£## through the ground just how large it is. ##£¤§=†=,,
.-«;§£§### ###§£§;«-.
,,¨¨¨~,:*@ the soil is muddy. i slip when trying @*:,~¨¨¨,,
¨.~†%*&£## to get up, still looking at the ##£&*%†~.¨
,.,.¨,†&£@ direction of sound rather than at my @£&†,¨.,.,
,,»†%@¤### hands, who are busy putting things in ###¤@%†»,,
¨.,.^--=§§ my pockets. §§=--^.,.¨
.~-†=§@### ###@§=†-~.
,,-;*£¤### then i run east toward my home. ###¤£*;-,,
,.=*%%@¶## ##¶@%%*=.,
.:-^*$## \ ###&$*^-:.
¨.~:^*@¤#& ¤@*^:~.¨
.^~^§&@### i am not followed, and slow down in the ###@&§^~^.
,¨.,¨.«*§@ clearing where you at first can spot @§*«.¨,.¨,
..~†%@#@@# the house, not yet really in the #@@#@%†~..
..~=%%§£## backyard. from my pockets i retrieve my ##£§%%=~..
.^-†^@#¶## radio (now dented) but also a small ##¶#@^†-^.
,~~\^¤£@## clay figure i've never seen before. it ##@£¤^\~~,
.¨:--«/%¤@ must have been laying in the wet dirt, @¤%/«--:¨.
,¨,~«;%$¤@ and i must've picked it up with my @¤$%;«~,¨,
¨,,.,.»*§# other belongings. #§*».,.,,¨
¨.~\§@&¶@# #@¶&@§\~.¨
¨,~/*¤$&@@ it's a statuette of a girl laying naked @@&$¤*/~,¨
,.~;*¤&£## on her stomach, feet in the air, ##£&¤*;~.,
.:~\=@§£## roughly seven centimeters long. it's ##£§@=\~:.
¨^=;§%§£## freshly made, not yet completely dried. ##£§%§;=^¨
,,¨,-=%§## ##§%=-,¨,,
,¨¨¨»~§§@@ my mom is here now. i ask her for some @@§§~»¨¨¨,
.,=†%*££ particle board for it to dry on, but #&££*%†=,.
¨.¨¨,==@## she is worried and wants me to ##@==,¨¨.¨
¨^-**¤¤### throw it away. ###¤¤**-^¨
.-«\%§@£## ##£@§%\«-.
¨,»\†/$§@£ £@§$/†\»,¨
.:~*$*@¶## ##¶@*$*~:.
,,«=§$£#@# #@#£$§=«,,
,,=\†%#@@# #@@#%†\=,,
,¨¨¨¨,«†@¤ ¤@†«,¨¨¨¨,