.¨¨../†$£¶ ¶£$†/..¨¨.
¨:«†§£¤@## ##@¤£§†«:¨
.^~/†¶## ##¶#&†/~^.
¨¨¨~«^%¤¤@ @¤¤%^«~¨¨¨
.,~:*$@@## ##@@$*:~,.
¨^-=*††%$£ statuette £$%††*=-^¨
,.¨,,-^*%¤ ¤%*^-,,¨.,
¨,.~†/%£ %$$££%$&%&£§%£$$~~-~~~-»*£*§%$£$¤££¤$@@¤ #&£%/†~.,¨
¨^~/^§###@ $@&%@$$%£ @###§^/~^¨
...,:»*#£# #£#*»:,...
,-~\*@@### forests around my childhood home. thick ###@@*\~-,
¨-«*=*¤§¶# pine arcades that were planted and #¶§¤*=*«-¨
¨~~*%%#### forgotten. wild boars roaming ####%%*~~¨
,~~:§§#@## underneath, sniffing at the ground. it ##@#§§:~~,
¨-~^%&@### is dark and moist, the canopy having ###@&%^~-¨
¨.-==£## already soaked up all the sun. ###&£==-.¨
..,.::£%§@ @§%£::.,..
¨:.~†*%%&@ there's a river passing by, from east @&%%*†~.:¨
.^~:*£¤@## to west, getting broader and deeper and ##@¤£*:~^.
,¨¨,-^$#@# slower as it goes. equisetum grow just #@#$^-,¨¨,
,,,,~*%§## where the pine hands start to let ##§%*~,,,,
,,=/%¤@@## through light, horsemint on the rocky ##@@¤%/=,,
¨.,^^=†@#@ river bed. @#@†=^^,.¨
.~»=§&@### ###@&§=»~.
,-«^†*@### † ###@*†^«-,
¨^-=†¤¤@## ##@¤¤†=-^¨
¨:«†%$££## the riverbanks reek of magic. tonight ##££$%†«:¨
.:~;=%£@## they had been a swampworld with sylvan ##@£%=;~:.
.,~:=&£@@# water, stone rings and floating moss. #@@£&=:~,.
,.¨,,.†$¤& you could've found me wallowing around &¤$†.,,¨.,
,,-=£¤¶@## on the southern shores until i got ##@¶¤£=-,,
.:»\^£¤¶## bitten. ##¶¤£^\»:.
¨.=;%%§#@# #@#§%%;=.¨
,-«†=@## but now i'm further back, on solid ##@#&=†«-,
.~~/=$§£## ground, in shoulder-high grass, with an ##£§$=/~~.
,~«:*£#### orange tin radio and a translucent ####£*:«~,
,,-†$*#### umbrella which i'm sitting on. ####*$†-,,
.,.¨-†¤¤## ##¤¤†-¨.,.
..,,,.~;*§ : §*;~.,,,..
¨.,-=«%**& &**%«=-,.¨
,,=-*^*£§¶ somethings moving in the grass. it's ¶§£*^*-=,,
,.~=§*¤@@# invisible to my eyes but i can feel #@@¤*§=~.,
,,~;$%§@#@ through the ground just how large it is. @#@§%$;~,,
,~==*%§@## ##@§%*==~,
¨¨¨=~%=$#@ the soil is muddy. i slip when trying @#$=%~=¨¨¨
¨,=/†£¤@## to get up, still looking at the ##@¤£†/=,¨
¨:-/*§£### direction of sound rather than at my ###£§*/-:¨
¨,~\%££# hands, who are busy putting things in #£#&£%\~,¨
.:~/^$*$#@ my pockets. @#$*$^/~:.
,.¨,¨¨:†§£ £§†:¨¨,¨.,
.¨..¨=†:§# then i run east toward my home. #§:†=¨..¨.
¨,~~===@£# #£@===~~,¨
,~«/%%#@## ; ##@#%%/«~,
¨.,...†¤§# #§¤†...,.¨
..«;$@#@## i am not followed, and slow down in the ##@#@$;«..
.¨:,~-$%#§ clearing where you at first can spot §#%$-~,:¨.
,~~\§¤§#§£ the house, not yet really in the £§#§¤§\~~,
..¨..¨,*$@ backyard. from my pockets i retrieve my @$*,¨..¨..
¨,«*†&£@## radio (now dented) but also a small ##@£&†*«,¨
..¨,,,~;=¤ clay figure i've never seen before. it ¤=;~,,,¨..
,.,:-^«=*£ must have been laying in the wet dirt, £*=«^-:,.,
.^=;§%&£## and i must've picked it up with my ##£&%§;=^.
,.~*§%@@## other belongings. ##@@%§*~.,
,¨.¨=-»\%@ @%\»-=¨.¨,
.^-;%$@@## it's a statuette of a girl laying naked ##@@$%;-^.
¨-~=*$## on her stomach, feet in the air, ###&$*=~-¨
,.~;=£## roughly seven centimeters long. it's ###&£=;~.,
¨~~=*@¶### freshly made, not yet completely dried. ###¶@*=~~¨
,:»/%*#@## ##@#*%/»:,
,,«\$*£### my mom is here now. i ask her for some ###£*$\«,,
.^=*$$%&£@ particle board for it to dry on, but @£&%$$*=^.
.,¨¨.,~/$¤ she is worried and wants me to ¤$/~,.¨¨,.
..-^;*%&§# throw it away. #§&%*;^-..
,.¨.,~/*¤¤ ¤¤*/~,.¨.,
¨.,,=%=*$# #$*=%=,,.¨
,,¨...~^@# #@^~...¨,,
,:~*$%^§ §#&^%$*~:,
..-=^&&¶## ##¶&&^=-..
¨¨,,,~^@## ##@^~,,,¨¨