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#.#.....#.                                          .#.#.#..#.
#.#....##.                                          .#.#.#.##.
#.#...#.#.                                          .#.#.#..#.
#.#..##.#.             @ DREAM PALACE @             .#.#.#.##.
#.#.#.#.#.             , ----- ------ ,             .#.#.#..#.
#.#.#.#.#.             @ ..... ...... @             .#.#.#.##.
#.#.#.#.#.             = ..... ...... =             .#.#.#..#.
#.#.#.#.#.             , ..... ...... ,             .#.#.#.##.
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#.#.#.#.#.             . ..... ...... .             .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#. NOT ACTUALLY  A PALACE. A COTTAGE IN THE .#.#.#..#.
#.#.#.#.#.  WOODS (TEMPERATE CLIMATE, RAINS EVERY   .#.#.#.##.
#.#.#.#.#. OTHER   DAY,  SPRINGS  AND  STREAMS  AND .#.#.#..#.
#.#.#.#.#.   MYSTERIOUS IRON AND STONE ARTIFACTS,   .#.#.#.##.
#.#.#.#.#.    BIRDLAND-ISH ETERNAL SPRING (LATE     .#.#.#..#.
#.#.#.#.#.                 SPRING))                 .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#.                     «                    .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#. I WAKE  UP EVERY MORNING AT SIX AM. IT'S .#.#.#.##.
#.#.#.#.#. DARK,  AND THE STARS  ARE  OUT, BUT  THE .#.#.#..#.
#.#.#.#.#. SUN  IS  ABOUT TO RISE.  ITS A LONG DAY, .#.#.#.##.
#.#.#.#.#. BEFORE  IT  FADES  TO  NIGHT AGAIN,  AND .#.#.#..#.
#.#.#.#.#. THEN  IT  STAYS SO UNTIL I FALL  ASLEEP. .#.#.#.##.
#.#.#.#.#. IT  DOESN'T  RISE  UNLESS  I'VE  HAD  MY .#.#.#..#.
#.#.#.#.#.                 DREAMS.                  .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#.                     =                    .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#. IN THIS COTTAGE THERE'S  A  LOT OF RADIO .#.#.#.##.
#.#.#.#.#.   EQUIPMENT, SOUND STUFF, SYNTHS, TAPE   .#.#.#..#.
#.#.#.#.#. PLAYERS. PEN AND PAPER, BOOKS,  CAMERAS, .#.#.#.##.
#.#.#.#.#. MIRRORS, PRISMS, AND VARIOUS  THINGS  TO .#.#.#..#.
#.#.#.#.#. DO  ART WITH. THE FRIDGE  IS FILLED WITH .#.#.#.##.
#.#.#.#.#. DIFFERET FOODS, ALL OF  THEM INTRIGUING, .#.#.#..#.
#.#.#.#.#.              SLIGHTLY WEIRD.             .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#.                    #                     .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#. I HAVE FRIENDS  - THERE'S  A CAT,  AND A .#.#.#.##.
#.#.#.#.#. DOG  (WHO  IS  RIDICOLOUSLY   LARGE  AND .#.#.#..#.
#.#.#.#.#. WANTS TO BE THE BIG SPOON). I LISTEN  TO .#.#.#.##.
#.#.#.#.#. THE SHORTWAVE RADIO, AND  TRANSMIT A BIT .#.#.#..#.
#.#.#.#.#. MYSELF,  SONGS  AND  POETRY,  AND  FOUND .#.#.#.##.
#.#.#.#.#. SOUNDS FROM  THE FOREST. THE OTHERS TELL .#.#.#..#.
#.#.#.#.#. OF THEIR LIVES, PLAY THE GUITAR FOR  ME, .#.#.#.##.
#.#.#.#.#. AND  TELL  TALES  OF  THE  OLD  WORLD. I .#.#.#..#.
#.#.#.#.#.      CONSIDER THEM FRIENDS AS WELL.      .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#.                    #                     .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#. MOST IMPORTANTLY, THERE'S  A TWO  SQUARE .#.#.#.##.
#.#.#.#.#. METER  AREA ON  THE  FLOOR WHERE  I  CAN .#.#.#..#.
#.#.#.#.#. "SAVE" THINGS.  WHATEVER I PUT  IN  HERE .#.#.#.##.
#.#.#.#.#. WILL  NOT BE  AFFECTED  BY  THE  NIGHTLY .#.#.#..#.
#.#.#.#.#.   RESET. EVERYTHING ELSE, HOWEVER, IS    .#.#.#.##.
#.#.#.#.#.     COMPLETELY RESET OVERNIGHT: SYNTH    .#.#.#..#.
#.#.#.#.#.  PATCHES REMOVED, FOOD UNEATEN, WOUNDS   .#.#.#.##.
#.#.#.#.#. HEALED,  AND  WHEREVER AND  WHENEVER I'D .#.#.#..#.
#.#.#.#.#. FALL ASLEEP  I'D  ALWAYS  WAKE UP  FULLY .#.#.#.##.
#.#.#.#.#. RESTED  IN  MY  BED.  SOMETIMES  THERE'S .#.#.#..#.
#.#.#.#.#. ACCIDENTS  WHERE   I   LOSE   STUFF   BY .#.#.#.##.
#.#.#.#.#. FORGETTING  TO  PUT THEM  IN THE SQUARE. .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#.                     .                    .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#. AT  NIGHT,  I  HAVE  DEMI-LUCID   DREAMS .#.#.#..#.
#.#.#.#.#. WHERE THE SPIRITS  OF THE  FOREST AROUND .#.#.#.##.
#.#.#.#.#. THE  COTTAGE TRIES TO COMMUNICATE. HERE, .#.#.#..#.
#.#.#.#.#. IT'S  NOT  ENDLESS  BUT  CONNECTED TO  A .#.#.#.##.
#.#.#.#.#. LARGE  SPRAWLING  CITY,  WHERE  MY RADIO .#.#.#..#.
#.#.#.#.#. FRIENDS  LIVE. WE  GO EXPLORING TOGETHER .#.#.#.##.
#.#.#.#.#. - THINGS ARE DEEP AND DARK -  BUT UNLIKE .#.#.#..#.
#.#.#.#.#. ME,  THEY NEVER REMEMBER DURING THE DAY. .#.#.#.##.
#.#.#.#.#. THIS  IS A  MYSTERY  WE  OFTEN  DISCUSS. .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.