¨.¨¨,,,.¨§ ,¨¨,.¨¨&
¨@&§@&§#.. ¨#¤&¤£.,@,
¨,£¤§@&¨¨@ .,&¤§,¨.,.
@.,£&¤.¨.. ¨,,@¨.&£#&
.¨,.&,.##@ @£¨..¨¨#¤@
¨@¤.,¨¨,#@ statuette ¤¨.#§§.,@,
.¨,¨#¤@.¨£ .,,,¤¨,¨¨,
£¨¨#¨,., $£§*$%$&%££$%$¤$»«=-~=»»$*$££$&$%£@%%¤%% ¨@¤...£@£@
@¤.¨¨,.¤#, %@£*%%%$@ .,.¨£¨,£@¤
&¨,&£&.,.¨ ¨¨¨.,,§&
,,¨¨@¨¨£#¤ forests around my childhood home. thick .¨..#,¨£
¨&¤,...¨§¤ pine arcades that were planted and ¤§§..¤,..¨
..,,£#@..¨ forgotten. wild boars roaming #¤.¨¨,¨#&@
,#&¨.&,¨§¤ underneath, sniffing at the ground. it ¨¨¨&.¨#.
.¨,,¨,,¨,@ is dark and moist, the canopy having #¤.¨&¨,,¨¨
@@§§£@¤£¨¨ already soaked up all the sun. ,¨¨,.¨§#££
£§@¤@§&¨,, @§££§,,£#£
£§§££&.¨@& there's a river passing by, from east @@£¤,.,,#£
&§¤¤¤.,.¨¤ to west, getting broader and deeper and ¤£#,.£#.,#
@£§§,,§@., slower as it goes. equisetum grow just ¨&,,¨¨.,.,
¨§¤¨.,¨,,£ where the pine hands start to let ¨¨¨§##§¤§.
¨.,.#£#¤,. through light, horsemint on the rocky @&,,#££#,,
£¨.§¤.¨, river bed. &,.¨¨@&,.&
§#.,..¨.&¤ ¨¨&¤¨¨¨¨,.
¨¨.£@¤&¨.# * #.¨,,@£#&.
#¤..@&¨... ,,&&,¨£&¨,
¨.¨¨¨¨.#§, the riverbanks reek of magic. tonight &,.,¨,,¨¨¨
@@#£@£¨¨¨, they had been a swampworld with sylvan ,¨#£§&§#@@
§#¤¤¤,,@&§ water, stone rings and floating moss. ,..§§£&@&§
&£¤£,¨.,¤§ you could've found me wallowing around ¤@,.¤¤&¤
£¤#¨.#§.,, on the southern shores until i got @,,¨.¤#&£¤
#£,,.¨.¨&£ bitten. ,,&£¨.¤&&§
£¨.@&§#,¨& ¤,¨,,¨¨§@#
,¨,,#@,¨¨¨ but now i'm further back, on solid ,,&&¤£.¨££
¨§&,,,,§£& ground, in shoulder-high grass, with an £¨¨£¤.¨¨¨,
¨.¨¨@#¨.@§ orange tin radio and a translucent .¨....§£##
,§#.¨.¨.¨# umbrella which i'm sitting on. .¤#@§¨¨¤@,
.,,¨&&¤¤¨¨ .,§£.,¨..¨
#££,¨§£¨.. = @..,,§¤¤¤#
@@¨..¨.,@# .¨@#¨¨§£§&
§,.#&££,,¨ somethings moving in the grass. it's ¤¨,.,¨,#@@
¨...£#.¨§£ invisible to my eyes but i can feel ¨¨¤¤&@,¨£¤
,&£.¨¨,¨.@ through the ground just how large it is. .¨,£¤¨¨..,
...,@§&£,. &£¨.,.@££§
¨§@,,££¨,£ the soil is muddy. i slip when trying £.,¤@.,&£,
¨,,,¨..¨,, to get up, still looking at the ,¨.¨..,¨¨¨
&¤#§@# direction of sound rather than at my ¤¤@§£&§£@#
@£&¤#&&§¤§ hands, who are busy putting things in £¤¤¤#&
@@#§#@¤§§§ my pockets. £¤&¤§§@¤§§
#¤&¤&£@@§# &¤&¤¤£&¤£&
&£&¤&¤&&¤# then i run east toward my home. £§@&@&@¤¤&
##§&&@@@ §#@#¤¤§£
&@#£@§¤¤&@ ^ §§#§§&@@
¤§£¤#&&§§§ §¤&&££¤&&&
&££&&§#¤£¤ i am not followed, and slow down in the @&¤&§¤§@#£
§¤£¤¤§&@¤§ clearing where you at first can spot £@§#&&@@§¤
¤&¤&§@£#&@ the house, not yet really in the £##¤&§##
&¤£§§¤§¤&@ backyard. from my pockets i retrieve my @§§¤£¤&£#&
§§£&££§§#¤ radio (now dented) but also a small ¤£¤§#£&&
§@¤££¤&§¤# clay figure i've never seen before. it &£@£#£££&£
&£@#¤¤#&¤@ must have been laying in the wet dirt, §&£#§&&¤@&
£¤@£#£¤@ and i must've picked it up with my #@@£&&&@&&
¤@@#§#§¤ other belongings. £#¤£¤¤§¤
£#¤§£#@£&£ &@£@§#§##£
@&§£@@#§#¤ it's a statuette of a girl laying naked @&&££¤§@£§
£#¤@@&£¤@£ on her stomach, feet in the air, §¤¤#@&&§#@
@¤@#&¤&£ roughly seven centimeters long. it's ¤§¤£@#£§££
#@¤§¤@£§£@ freshly made, not yet completely dried. #&&@@£§@§#
@££¤¤@@£¤§ #@£¤#¤#£&@
@¤¤£&§ my mom is here now. i ask her for some ¤@@@¤#¤£#¤
&&@§&£¤&@¤ particle board for it to dry on, but §&@£§@&¤&&
@¤@&¤&§¤£§ she is worried and wants me to &@&&¤§@#
§#@#£§¤§£& throw it away. #£&§&£§@
&@##£§¤##@ &¤@##&££
§¤¤#@@§££§ £¤£§£@§¤¤¤
¤¤#§#£¤#£§ £@#££#¤@&§
§@#£¤¤££&£ §££##¤@¤##
¤§&@§§§§¤# ¤&£§@@§&
@¤¤¤§#¤§§£ ¤¤£¤§§§@#&