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,~=/=££### ###££=/=~,
.,-,/^**$¤ ¤$**^/,-,.
.,-*§*#£## ##£#*§*-,.
.:-†=$¤£@@ @@£¤$=†-:.
.,¨,¨¨~%## statuette ##%~¨¨,¨,.
.,¨,-«%$@£ £@$%«-,¨,.
¨.¨¨,-\*## £@§&%§&£*&&££$¤§»~--~--»@&&§£¤£%£&£§%§§% ##*\-,¨¨.¨
.-~/$$¤#@£ $$$$$¤*¤$ £@#¤$$/~-.
.:«/=£#@#@ @#@#£=/«:.
.,¨.~**^§# forests around my childhood home. thick #§^**~.¨,.
...¨-/;&*£ pine arcades that were planted and £*&;/-¨...
.^»*§£&@&@ forgotten. wild boars roaming @&@&£§*»^.
¨~~;^†§§#@ underneath, sniffing at the ground. it @#§§†^;~~¨
¨.«*$*££## is dark and moist, the canopy having ##££*$*«.¨
¨..,,,,=%# already soaked up all the sun. #%=,,,,..¨
.,«\§§@#@# #@#@§§\«,.
.^»†*%£### there's a river passing by, from east ###£%*†»^.
--†%&&#@## to west, getting broader and deeper and ##@#&&%†--
¨-«;†££### slower as it goes. equisetum grow just ###££†;«-¨
,~~:=%@@@# where the pine hands start to let #@@@%=:~~,
,,-:§%£@@# through light, horsemint on the rocky #@@£%§:-,,
¨:=;*@¤@@# river bed. #@@¤@*;=:¨
¨,:.-\:%£¤ ¤£%:\-.:,¨
,.,,,~§†#£ ^ £#†§~,,,.,
,,.^-~\*@£ £@*\~-^.,,
,~-/*%&£&£ the riverbanks reek of magic. tonight £&£&%*/-~,
.^-;§¤@@## they had been a swampworld with sylvan ##@@¤§;-^.
,¨¨¨~~»†£# water, stone rings and floating moss. #£†»~~¨¨¨,
¨~-**%¤@£# you could've found me wallowing around #£@¤%**-~¨
¨~=;^$&@## on the southern shores until i got ##@&$^;=~¨
,,-:*$£$$¤ bitten. ¤$$£$*:-,,
.¨,.»«§%@@ @@%§«».,¨.
.~=;$$#@## but now i'm further back, on solid ##@#$$;=~.
¨~»*†¤@@@# ground, in shoulder-high grass, with an #@@@¤†*»~¨
.¨..¨¨,;$@ orange tin radio and a translucent @$;,¨¨..¨.
¨,-\*¤#### umbrella which i'm sitting on. ####¤*\-,¨
..,:~.-*&¶ ¶&*-.~:,..
,,~\$¤£@## † ##@£¤$\~,,
¨~~†*@£#@# #@#£@*†~~¨
..~\**@@## somethings moving in the grass. it's ##@@**\~..
¨-=/†£@### invisible to my eyes but i can feel ###@£†/=-¨
.~~†=£§£## through the ground just how large it is. ##£§£=†~~.
¨.~†*¤¤### ###¤¤*†~.¨
.^=:%£¤£@# the soil is muddy. i slip when trying #@£¤£%:=^.
,..»»§§*&# to get up, still looking at the #&*§§»»..,
,^=*§%§@## direction of sound rather than at my ##@§%§*=^,
,,-.*^$#§§ hands, who are busy putting things in §§#$^*.-,,
,¨¨..,†**@ my pockets. @**†,..¨¨,
.¨.¨,~=*§# #§*=~,¨.¨.
,,,,.~/=%¤ then i run east toward my home. ¤%=/~.,,,,
.,-†§§#@## ##@#§§†-,.
¨.:~~**£#@ / @#£**~~:.¨
,.,^†;*¤¤£ £¤¤*;†^,.,
¨^~†%%£@## i am not followed, and slow down in the ##@£%%†~^¨
¨,«:=*£@@@ clearing where you at first can spot @@@£*=:«,¨
,:~=~-^£§& the house, not yet really in the &§£^-~=~:,
,:-:=$@@@# backyard. from my pockets i retrieve my #@@@$=:-:,
,,.¨¨,^*@# radio (now dented) but also a small #@*^,¨¨.,,
,,=\*%#### clay figure i've never seen before. it ####%*\=,,
,,~†*£¤£## must have been laying in the wet dirt, ##£¤£*†~,,
.-=\§££@## and i must've picked it up with my ##@££§\=-.
¨.--;^$†&# other belongings. #&†$^;--.¨
¨,¨¨.~-*=& &=*-~.¨¨,¨
.,»^$%&@## it's a statuette of a girl laying naked ##@&%$^»,.
,~~=*@@### on her stomach, feet in the air, ###@@*=~~,
.,»:%§¤#@@ roughly seven centimeters long. it's @@#¤§%:»,.
..«*=£#@## freshly made, not yet completely dried. ##@#£=*«..
,,,,;†*%#¤ ¤#%*†;,,,,
..,,~-\%@# my mom is here now. i ask her for some #@%\-~,,..
¨.-=%£@@## particle board for it to dry on, but ##@@£%=-.¨
,-~:%¤@£@# she is worried and wants me to #@£@¤%:~-,
,,.,-:=£#@ throw it away. @#£=:-,.,,
.,,,~=:$£# #£$:=~,,,.
¨^»/%$#### ####$%/»^¨
.¨¨,^;*@## ##@*;^,¨¨.
¨,=\*¤@@£# #£@@¤*\=,¨
,,.::†=#¤# #¤#=†::.,,
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