,..,¨¨.¨¨@ ,,,§,¨.,¨,
##¤§£§&&.. §¤,¨,§¤&@£
#£@@§@¤,.@ §¨.§,,&@@¤
@§££¤¤¨,¨¨ .¨.,¨¨.§&£
¤§¤§§.,&@£ ,§£&£&¨.@&
@@¤¤,¨¨,#£ statuette .¨&£§,.,.§
§&§,,@¤.¨§ @¨.§,¨§§¨¨
.#,,¨,.,.. $%%&@£@%@£$%$%%$~««=~»~~$§%*%$§*¤¤@@§$%§ ,,¨¨¨,.¨¨.
,¨.&&¤@¤§@ %&$£§%§¤& §§#&¤§@&&@
¨§¨¨¤&&&&§ #&¤&§¤¤¤§¨
,,..¨@@££¤ forests around my childhood home. thick ¨&@§#£¤#..
#@¤£.¨#§§¤ pine arcades that were planted and ,¨#@&&@.,#
£@#¨¨¨¨#¤. forgotten. wild boars roaming @.¨¤¤@,¨¨¨
.£,¨##¨,,, underneath, sniffing at the ground. it ...¨¤..@¤.
.¨,¨..¨§§¨ is dark and moist, the canopy having ¨@&,¨,¨¨,,
##&&¤¤.¨¨, already soaked up all the sun. ,.,,@§§¤§¤
##§##.¨£#¤ #,,#£¤£§
@@¤&.,,,¤£ there's a river passing by, from east ¤§,¨.¨#§&¤
£§#¨¨&£,¨£ to west, getting broader and deeper and §.¨¤#,,&@&
&¤...¨¨.., slower as it goes. equisetum grow just ,¨¨.¨.¨¨&¤
§,,@@§&¤£. where the pine hands start to let .@&¤&@&.,¤
,,,.#&&@,. through light, horsemint on the rocky ¨¨#£§£.,..
¤#@.,£§.¨. river bed. §,,¨¨£#§
#£..,.¨¨&¤ .¨¨¨¨¨,,££
#,¨#&@#¨.@ = ,&&£§@§.¨§
¨,¨¨@#¨.,. ..@#¤§,,,,
§,¨..£¤& the riverbanks reek of magic. tonight ...&@,.#§¤
¤@¨¨§&..£# they had been a swampworld with sylvan ££.¨,¨¨¨¤@
#,¨¨¨¨.¨,, water, stone rings and floating moss. .,.&@§£,,§
.¨¤@#&@§£@ you could've found me wallowing around #&,,£@.¨..
¤..¤¤£@£&£ on the southern shores until i got £¨,¨¨,¨@
¨.,,@#£@&@ bitten. ¨¨@@§&.¨#§
.,¨£##¤, ¤,.##,.¨¨,
,,.¨..&§,¨ but now i'm further back, on solid ,¨¨¨¨¨@¤&§
.§§##.¨.¨§ ground, in shoulder-high grass, with an .#@@¤.¨¤£,
.¨@&.¨#&,, orange tin radio and a translucent ,,£@¨,.¨.¨
&,¨..,,.,& umbrella which i'm sitting on. #¨¨.¨&§@¤&
,.§@&@£#.. ¨¨@¤,¨¤&¤#
..,§#&@,¨. \ £,,¨¨¨.#&,
£#¨¨@§,.#& ,.§@&§¨,¨.
,.,,,....& somethings moving in the grass. it's ¨¨,§£,.#&,
#£#§@&§&¨, invisible to my eyes but i can feel §@.¨¨¨,,¨.
.£#££#£¨,¤ through the ground just how large it is. @.¨@#¤£££,
..@¤&¤,¨,. ¨..,¤&§§.,
#¨¨&§.,¤§. the soil is muddy. i slip when trying ,&¤,¨£@..@
.,¨,,¨..,. to get up, still looking at the ¨¨¨¨,.,,,.
#@£&§&&¤§& direction of sound rather than at my §¤££§¤#£@£
@&§#¤§@# hands, who are busy putting things in §¤¤#§§&@
§&£§£&&¤£§ my pockets. £¤¤&@£¤§£@
§§¤¤@¤¤#£# #¤£¤¤££££#
@£#¤#££&§# then i run east toward my home. &#¤@&&
££§¤@&&£&¤ #§¤@&£§&@£
££&§£@¤&¤§ / @@£§¤£¤£§£
#£¤@&£¤#£@ ¤#¤§¤#£¤¤#
¤££#&£§#@@ i am not followed, and slow down in the #£¤#££#@#§
£§¤#£&@@¤¤ clearing where you at first can spot §§£#§#¤£¤&
§¤§@##&£ the house, not yet really in the #££¤@@@¤¤£
¤£§§£¤@&¤@ backyard. from my pockets i retrieve my @§&&£§@#§#
##@@£¤£§#@ radio (now dented) but also a small #§#¤¤@&@#§
£&¤#¤&§@ clay figure i've never seen before. it £¤¤£@£@§#&
£¤§@£#&&&@ must have been laying in the wet dirt, §#@@§£¤#
§#§#&@###@ and i must've picked it up with my &@@¤#@£¤£¤
§@§&¤£&£¤# other belongings. #¤¤&§¤#¤££
¤&§#§@£#£@ #§¤@§@&@&£
#§#§&£@¤§¤ it's a statuette of a girl laying naked £@&¤¤¤##&@
£@£&@@@# on her stomach, feet in the air, #@#@§¤¤£
§¤##&@&§ roughly seven centimeters long. it's £@¤#£¤¤£§@
#&@§¤¤§@@@ freshly made, not yet completely dried. ££&¤&£§&¤&
£&£&£@@§ ££#&££##@£
§&&¤¤#&¤@§ my mom is here now. i ask her for some @#@##@£@¤§
@&@£¤#@£§# particle board for it to dry on, but @&§§§#§£#@
§#@§££§& she is worried and wants me to £#£&£&§§£&
§@@£#@££ throw it away. ¤#&@@##£&@
#¤#&£@#§@§ £§@&£&£@#£
§@¤#§§&¤ §@@#&§#@
§##&£&@§¤& §¤#£¤&¤##¤
¤##§&§&§ &£@&£§§£&&
&@&¤§§@§ £§£§@#¤§¤&
§#§@£££¤&§ §&¤§@@§#