¨-~\$&£### ###£&$\~-¨
,....-~=¤# #¤=~-....,
,¨,--^«%£@ @£%«^--,¨,
¨¨.~»*%%&& &&%%*»~.¨¨
¨.¨.«~=%@@ @@%=~«.¨.¨
.^==^§§### statuette ###§§^==^.
.,~/%£#@## ##@#£%/~,.
,¨~:.~†*¤@ $¤%$$%%%$%%£&*$%«=~~-~»~@&&&$%&*£%£§@%£% @¤*†~.:~¨,
¨--\†$£#¤& $$$$%$¤@% &¤#£$†\--¨
,:~**%@@## ##@@%**~:,
..¨¨¨~;@¤@ forests around my childhood home. thick @¤@;~¨¨¨..
¨.;*¤@@@## pine arcades that were planted and ##@@@¤*;.¨
,.=/§£@@@# forgotten. wild boars roaming #@@@£§/=.,
,:-~/=§§$§ underneath, sniffing at the ground. it §$§§=/~-:,
¨^»/†=%%¤# is dark and moist, the canopy having #¤%%=†/»^¨
,~~/†*#@## already soaked up all the sun. ##@#*†/~~,
..=^/=§@£@ @£@§=/^=..
¨~=†*$@£## there's a river passing by, from east ##£@$*†=~¨
.-«^=§@### to west, getting broader and deeper and ###@§=^«-.
¨,-^†@@### slower as it goes. equisetum grow just ###@@†^-,¨
.,~;=$§#@# where the pine hands start to let #@#§$=;~,.
.,-;†§@§## through light, horsemint on the rocky ##§@§†;-,.
¨^«*†=*$@£ river bed. £@$*=†*«^¨
¨~»:^£@@## ##@@£^:»~¨
¨:=^*§¤#@@ : @@#¤§*^=:¨
,-«;=££### ###££=;«-,
¨^»/$§#¶## the riverbanks reek of magic. tonight ##¶#§$/»^¨
.,=†§*&@## they had been a swampworld with sylvan ##@&*§†=,.
,:=\$%@### water, stone rings and floating moss. ###@%$\=:,
,,~*%*£¶## you could've found me wallowing around ##¶£*%*~,,
,¨,.~*%¤&¤ on the southern shores until i got ¤&¤%*~.,¨,
,:~;§&§#@# bitten. #@#§&§;~:,
..¨¨¨=*§#£ £#§*=¨¨¨..
.,¨..~;^$¤ but now i'm further back, on solid ¤$^;~..¨,.
¨:~=§£@#@@ ground, in shoulder-high grass, with an @@#@£§=~:¨
,,~^†&§### orange tin radio and a translucent ###§&†^~,,
¨.,,~«$*@# umbrella which i'm sitting on. #@*$«~,,.¨
,-.~;\%%&@ @&%%\;~.-,
¨:«;†¤¤£## \ ##£¤¤†;«:¨
,,,.¨-«^£§ §£^«-¨.,,,
¨..=-«~†^# somethings moving in the grass. it's #^†~«-=..¨
,,~†*£#@ invisible to my eyes but i can feel @##&£*†~,,
¨,~»=:*=@¤ through the ground just how large it is. ¤@=*:=»~,¨
.^-†§%¤@## ##@¤%§†-^.
,,~=*=%=%£ the soil is muddy. i slip when trying £%=%=*=~,,
¨^«;%¤#@## to get up, still looking at the ##@#¤%;«^¨
.,,..-§§## direction of sound rather than at my ##§§-..,,.
,.,~*^^£## hands, who are busy putting things in ##£^^*~,.,
¨,«==§§@## my pockets. ##@§§==«,¨
,,»=%$&£¤§ §¤£&$%=»,,
¨-~;§#¶### then i run east toward my home. ###¶#§;~-¨
¨¨.,,,=%## ##%=,,,.¨¨
,.,,.~«==£ ; £==«~.,,.,
.^«/=%#### ####%=/«^.
.^«†^$@### i am not followed, and slow down in the ###@$^†«^.
..~^//;$%@ clearing where you at first can spot @%$;//^~..
.,¨..¨,^£# the house, not yet really in the #£^,¨..¨,.
.^~=*¤&§¶# backyard. from my pockets i retrieve my #¶§&¤*=~^.
¨:-^$%§@## radio (now dented) but also a small ##@§%$^-:¨
,:«:^$&%§# clay figure i've never seen before. it #§%&$^:«:,
.~»;†;*§^¤ must have been laying in the wet dirt, ¤^§*;†;»~.
¨~«==$&¶#@ and i must've picked it up with my @#¶&$==«~¨
¨.«/†¤&%&@ other belongings. @&%&¤†/«.¨
¨,¨,.=%&¤£ £¤&%=.,¨,¨
,,»^=£¤@## it's a statuette of a girl laying naked ##@¤£=^»,,
¨:=*%%¤¶@# on her stomach, feet in the air, #@¶¤%%*=:¨
,:=\$*##@# roughly seven centimeters long. it's #@##*$\=:,
,--**%*#£@ freshly made, not yet completely dried. @£#*%**--,
.:»†^$#£## ##£#$^†»:.
¨.,,,«=§¤§ my mom is here now. i ask her for some §¤§=«,,,.¨
,,,¨¨.»;=§ particle board for it to dry on, but §=;».¨¨,,,
,:~^**§### she is worried and wants me to ###§**^~:,
,,=\%%§§&@ throw it away. @&§§%%\=,,
,-~*§¤&$¤# #¤$&¤§*~-,
,,,,--^^§£ £§^^--,,,,
,:«\$£££@# #@£££$\«:,
,~=;^£#### ####£^;=~,
.:~§%@@### ###@@%§~:.
¨,-=%%#@## ##@#%%=-,¨