,~-*†$#@@# #@@#$†*-~,
,,..¨¨^*@# #@*^¨¨..,,
¨.~:%*§¶@# #@¶§*%:~.¨
¨--\^£¤#@# #@#¤£^\--¨
¨:~:†$§### ###§$†:~:¨
¨~=\%¤£@## statuette ##@£¤%\=~¨
.,,~\†%£@# #@£%†\~,,.
¨^=^†¤#@@# £$§£¤%¤%£$&££¤&$-»~~««=~£&%%&*§£*$£%$*££ #@@#¤†^=^¨
.,¨,,«;%£# %$£*£&%&§ #£%;«,,¨,.
¨,,¨~=*%&£ £&%*=~¨,,¨
¨,=†$¤#### forests around my childhood home. thick ####¤$†=,¨
.,~/*@## pine arcades that were planted and ###&@*/~,.
.,¨..-†=§£ forgotten. wild boars roaming £§=†-..¨,.
,¨,,,~:%&@ underneath, sniffing at the ground. it @&%:~,,,¨,
.~«;§$@#@# is dark and moist, the canopy having #@#@$§;«~.
¨~=:=&¤@@# already soaked up all the sun. #@@¤&=:=~¨
¨:=*^¤¤#@@ @@#¤¤^*=:¨
.,,.¨»*@#@ there's a river passing by, from east @#@*»¨.,,.
¨~=\^&@@## to west, getting broader and deeper and ##@@&^\=~¨
.¨¨:;*/*@# slower as it goes. equisetum grow just #@*/*;:¨¨.
,,~;%§## where the pine hands start to let ###&§%;~,,
,-~;*$*£¶# through light, horsemint on the rocky #¶£*$*;~-,
¨¨,.¨¨-»$¤ river bed. ¤$»-¨¨.,¨¨
,-«:%§@¶@@ @@¶@§%:«-,
,¨¨.,==$#@ / @#$==,.¨¨,
¨,~/%%¤### ###¤%%/~,¨
,¨.~\\†#@# the riverbanks reek of magic. tonight #@#†\\~.¨,
...«†/¤¤@# they had been a swampworld with sylvan #@¤¤/†«...
.,...,\:&@ water, stone rings and floating moss. @&:\,...,.
,,~\*¤¤### you could've found me wallowing around ###¤¤*\~,,
¨:-/=@£#@# on the southern shores until i got #@#£@=/-:¨
,¨¨.»:$££¶ bitten. ¶££$:».¨¨,
¨.,.-,-^*& &*^-,-.,.¨
.¨¨~~:^@££ but now i'm further back, on solid ££@^:~~¨¨.
¨:»^†%£### ground, in shoulder-high grass, with an ###£%†^»:¨
¨,~*^£@# orange tin radio and a translucent #@#&£^*~,¨
,:=^%&£@## umbrella which i'm sitting on. ##@£&%^=:,
.,,.,=†%¤¶ ¶¤%†=,.,,.
¨,¨.,;;%£@ / @£%;;,.¨,¨
,,,,.:~†## ##†~:.,,,,
.:~*%£§£## somethings moving in the grass. it's ##£§£%*~:.
..,,.:«%¤@ invisible to my eyes but i can feel @¤%«:.,,..
¨¨¨¨::%§¶@ through the ground just how large it is. @¶§%::¨¨¨¨
,,=^^&@### ###@&^^=,,
.,.¨,,«*§# the soil is muddy. i slip when trying #§*«,,¨.,.
..~:*£§@@# to get up, still looking at the #@@§£*:~..
.,-\%@@@## direction of sound rather than at my ##@@@%\-,.
,-=/=£#### hands, who are busy putting things in ####£=/=-,
,.=\§@§£## my pockets. ##£§@§\=.,
,:«:=£¤### ###¤£=:«:,
,^=:†%£@## then i run east toward my home. ##@£%†:=^,
.^=†=*¤¶## ##¶¤*=†=^.
.¨,¨-*$@¶# † #¶@$*-¨,¨.
..~^%%## ###&%%^~..
,,:^;/&£#@ i am not followed, and slow down in the @#£&/;^:,,
.,¨.¨~*\%# clearing where you at first can spot #%\*~¨.¨,.
,,-††%@@## the house, not yet really in the ##@@%††-,,
,..¨.~^$ backyard. from my pockets i retrieve my #&$^~.¨..,
¨¨,..»»†§@ radio (now dented) but also a small @§†»»..,¨¨
¨^~=$%&@## clay figure i've never seen before. it ##@&%$=~^¨
¨.¨,;††§@# must have been laying in the wet dirt, #@§††;,¨.¨
,,==*$*¤£@ and i must've picked it up with my @£¤*$*==,,
..~**¤§#@# other belongings. #@#§¤**~..
¨,=:†£## ##£#&†:=,¨
,-~=\$*%$@ it's a statuette of a girl laying naked @$%*$\=~-,
,:»†*%^&&& on her stomach, feet in the air, &&&^%*†»:,
¨,«;§¤#@## roughly seven centimeters long. it's ##@#¤§;«,¨
,~~††%££## freshly made, not yet completely dried. ##££%††~~,
,¨¨,.,~†£¶ ¶£†~,.,¨¨,
,:~^*§*%#£ my mom is here now. i ask her for some £#%*§*^~:,
¨,,:~^=:¤@ particle board for it to dry on, but @¤:=^~:,,¨
¨,.-~=***§ she is worried and wants me to §***=~-.,¨
.,~\^$££## throw it away. ##££$^\~,.
¨^~**&££@# #@££&**~^¨
¨.¨¨,«*@§§ §§@*«,¨¨.¨
,:«=^£#@## ##@#£^=«:,
..-:%$§@## ##@§$%:-..
.~~/*$¤¶## ##¶¤$*/~~.
,:=/=%@### ###@%=/=:,