¨-»:=@#@## ##@#@=:»-¨
,¨:~=%%@@# #@@%%=~:¨,
,.~:$@## ###&@$:~.,
.¨,~\§$§@# #@§$§\~,¨.
,,=/%$¤@## ##@¤$%/=,,
.,.«:§§### statuette ###§§:«.,.
¨.~^%*&@## ##@&*%^~.¨
,¨^~:$@### *£$@&$&£££$@%%*%»~««-~»~§@%£%%%%§$££¤%@£ ###@$:~^¨,
.^-†%£@### *%£$£@&&$ ###@£%†-^.
¨,-~\§¤¤## ##¤¤§\~-,¨
.^-==%¤### forests around my childhood home. thick ###¤%==-^.
¨,,-*=*¤@# pine arcades that were planted and #@¤*=*-,,¨
¨,«;%£#@## forgotten. wild boars roaming ##@#£%;«,¨
.,,~†**#@# underneath, sniffing at the ground. it #@#**†~,,.
.,=*^%#### is dark and moist, the canopy having ####%^*=,.
.¨~«^%@¤@# already soaked up all the sun. #@¤@%^«~¨.
,-«/*$¤### ###¤$*/«-,
.¨:~*=*§## there's a river passing by, from east ##§*=*~:¨.
¨~==**¤### to west, getting broader and deeper and ###¤**==~¨
..-»;^@### slower as it goes. equisetum grow just ###@^;»-..
..«**£¤@## where the pine hands start to let ##@¤£**«..
¨,-=;§&@## through light, horsemint on the rocky ##@&§;=-,¨
,,»:=£&@## river bed. ##@&£=:»,,
,¨~~\**¤## ##¤**\~~¨,
.-=:*@## = ###&@*:=-.
,..~:†££@# #@££†:~..,
¨~-:$$#### the riverbanks reek of magic. tonight ####$$:-~¨
.,.~*=$¤## they had been a swampworld with sylvan ##¤$=*~.,.
¨.==^§§### water, stone rings and floating moss. ###§§^==.¨
,¨~«=*$£@# you could've found me wallowing around #@£$*=«~¨,
,^~=§@#@## on the southern shores until i got ##@#@§=~^,
..:«:%&# bitten. ##&&%:«:..
.,«**£@@## ##@@£**«,.
,.:=/*$¤## but now i'm further back, on solid ##¤$*/=:.,
¨,~††§&@## ground, in shoulder-high grass, with an ##@&§††~,¨
.¨--=%¤#@# orange tin radio and a translucent #@#¤%=--¨.
,--\^£@### umbrella which i'm sitting on. ###@£^\--,
¨..=:†$§@# #@§$†:=..¨
,,=;*¤&@## † ##@&¤*;=,,
.¨:-;*&&@# #@&&*;-:¨.
..»^**@@## somethings moving in the grass. it's ##@@**^»..
,,~-†^@# invisible to my eyes but i can feel #@#&^†-~,,
¨~~:%$@@## through the ground just how large it is. ##@@$%:~~¨
¨¨^-==§# ##&§==-^¨¨
.,-:^£§### the soil is muddy. i slip when trying ###§£^:-,.
,,~-=*£§## to get up, still looking at the ##§£*=-~,,
.^=*^@§### direction of sound rather than at my ###§@^*=^.
...-^^£### hands, who are busy putting things in ###£^^-...
¨,-/†¤¤### my pockets. ###¤¤†/-,¨
¨,^-^%&&@# #@&&%^-^,¨
,,«^†&£### then i run east toward my home. ###£&†^«,,
¨.,«†§&@@# #@@&§†«,.¨
¨,~:%§£### † ###£§%:~,¨
,¨:-:%£@## ##@£%:-:¨,
¨:==†§#### i am not followed, and slow down in the ####§†==:¨
,,:=*=%§## clearing where you at first can spot ##§%=*=:,,
.:=*%%## the house, not yet really in the ###&%%*=:.
¨..~††£¤## backyard. from my pockets i retrieve my ##¤£††~..¨
¨,~*$%¤### radio (now dented) but also a small ###¤%$*~,¨
,.^«:=*#@# clay figure i've never seen before. it #@#*=:«^.,
,--;$@## must have been laying in the wet dirt, ##@#&$;--,
,¨,»\§%£## and i must've picked it up with my ##£%§\»,¨,
..=^=%£### other belongings. ###£%=^=..
¨¨,=*§%### ###%§*=,¨¨
,,=^%@£### it's a statuette of a girl laying naked ###£@%^=,,
.¨:~:%@¤## on her stomach, feet in the air, ##¤@%:~:¨.
¨,»\*££### roughly seven centimeters long. it's ###££*\»,¨
,,^~:%%¤## freshly made, not yet completely dried. ##¤%%:~^,,
,.~*$@§### ###§@$*~.,
.¨^~††¤&@# my mom is here now. i ask her for some #@&¤††~^¨.
..«:%£@@## particle board for it to dry on, but ##@@£%:«..
,,,»:§@@## she is worried and wants me to ##@@§:»,,,
¨^~=^$## throw it away. ###&$^=~^¨
¨¨,»†*$£@# #@£$*†»,¨¨
.-~†*£#@## ##@#£*†~-.
,,,-\=£### ###£=\-,,,
.-«:§£#### ####£§:«-.
¨,,-/^§### ###§^/-,,¨
.,«;$%@@## ##@@%$;«,.