¨^-:$¤&@## ##@&¤$:-^¨
.,~=;%*§£@ @£§*%;=~,.
,-~*$@## ###&@$*~-,
¨.-«†*§@£# #£@§*†«-.¨
.:~\*££¶@# #@¶££*\~:.
,.-~†=£££# statuette #£££=†~-.,
.,«†%¤¤¶## ##¶¤¤%†«,.
¨,:-\^&£@# %¤&$$£%%$&%$£@%%~~~~=~-~$$£*£¤§@£%@*§§$& #@£&^\-:,¨
..~\%&@# £§§*$%$$$ #@#&&%\~..
...«;§&¤#@ @#¤&§;«...
¨,~/*$&£@# forests around my childhood home. thick #@£&$*/~,¨
.,.~*§§§@@ pine arcades that were planted and @@§§§*~.,.
.~«†=$@£## forgotten. wild boars roaming ##£@$=†«~.
¨¨:-/%$§@# underneath, sniffing at the ground. it #@§$%/-:¨¨
¨.»^$%#¶## is dark and moist, the canopy having ##¶#%$^».¨
¨.:«\§$@## already soaked up all the sun. ##@$§\«:.¨
¨,-^*§£### ###£§*^-,¨
.¨~-*%§@#@ there's a river passing by, from east @#@§%*-~¨.
,^»†%%@@## to west, getting broader and deeper and ##@@%%†»^,
,,-«/†£¤@# slower as it goes. equisetum grow just #@¤£†/«-,,
¨^~;§§#¶@# where the pine hands start to let #@¶#§§;~^¨
..^-:%%@#@ through light, horsemint on the rocky @#@%%:-^..
,~~^§¤&@## river bed. ##@&¤§^~~,
.,^-:*£&£# #£&£*:-^,.
,.-;†$#¶## \ ##¶#$†;-.,
,.,~^**§£# #£§**^~,.,
.,~=†%@### the riverbanks reek of magic. tonight ###@%†=~,.
,,,-:%£#¶# they had been a swampworld with sylvan #¶#£%:-,,,
.,~\*£&£@# water, stone rings and floating moss. #@£&£*\~,.
¨,~»\*£&¶@ you could've found me wallowing around @¶&£*\»~,¨
¨^~:**¤@## on the southern shores until i got ##@¤**:~^¨
¨,~-*%¤&£# bitten. #£&¤%*-~,¨
..~†=*£### ###£*=†~..
¨,^~*^*#@# but now i'm further back, on solid #@#*^*~^,¨
,,-^*%¤£## ground, in shoulder-high grass, with an ##£¤%*^-,,
.,,-†*@¤@# orange tin radio and a translucent #@¤@*†-,,.
,,~\%*#£## umbrella which i'm sitting on. ##£#*%\~,,
¨,,»=%¤#£# #£#¤%=»,,¨
¨-==†@£@## * ##@£@†==-¨
.¨.»^=%§@@ @@§%=^».¨.
,,»**£#@@# somethings moving in the grass. it's #@@#£**»,,
¨¨^=:$£##@ invisible to my eyes but i can feel @##£$:=^¨¨
.,~/*$¤£## through the ground just how large it is. ##£¤$*/~,.
,.^~/^&§## ##§&^/~^.,
,~==§@¤@## the soil is muddy. i slip when trying ##@¤@§==~,
..,-;†%@## to get up, still looking at the ##@%†;-,..
¨-=;$££@## direction of sound rather than at my ##@££$;=-¨
,¨,~*=£### hands, who are busy putting things in ###£=*~,¨,
¨,«*=$§@@# my pockets. #@@§$=*«,¨
,¨^»/§$# ##&$§/»^¨,
,:«^%*¤@## then i run east toward my home. ##@¤*%^«:,
¨.,~^§@&£@ @£&@§^~,.¨
¨~~^%$¤£@# ; #@£¤$%^~~¨
...~/§*&@# #@&*§/~...
.-»;%%&@## i am not followed, and slow down in the ##@&%%;»-.
.¨^~*$*£¶# clearing where you at first can spot #¶£*$*~^¨.
¨.~/*%@¶## the house, not yet really in the ##¶@%*/~.¨
,,.~;*£&@# backyard. from my pockets i retrieve my #@&£*;~.,,
,:~*†%#@@# radio (now dented) but also a small #@@#%†*~:,
...«/%%#@# clay figure i've never seen before. it #@#%%/«...
.-~**$§@## must have been laying in the wet dirt, ##@§$**~-.
¨.:~†^$@¶# and i must've picked it up with my #¶@$^†~:.¨
¨,»=§£&@## other belongings. ##@&£§=»,¨
,.--=$&¤¶# #¶¤&$=--.,
.~»:$%£¶@# it's a statuette of a girl laying naked #@¶£%$:»~.
..--^%@&@# on her stomach, feet in the air, #@&@%^--..
¨:-†$@¤#@# roughly seven centimeters long. it's #@#¤@$†-:¨
..,~=§£@## freshly made, not yet completely dried. ##@£§=~,..
.:~^†¤££## ##££¤†^~:.
,¨.~†*§@@# my mom is here now. i ask her for some #@@§*†~.¨,
.:»/%@&£@# particle board for it to dry on, but #@£&@%/»:.
¨.^~;*@&@# she is worried and wants me to #@&@*;~^.¨
.-=*†¤@@@# throw it away. #@@@¤†*=-.
¨,,=^†&@## ##@&†^=,,¨
,:»^§§#£## ##£#§§^»:,
.¨-«\**§#@ @#§**\«-¨.
¨,«=^%@£## ##£@%^=«,¨
,¨~~**$@£# #£@$**~~¨,
..~**%@£## ##£@%**~..