.,.,.¨~%&¶ ¶&%~¨.,.,.
¨-=^$%§### ###§%$^=-¨
¨.«††^%@ #&@%^††«.¨
.¨,¨,~%*$# #$*%~,¨,¨.
,^~\%¤@@§# #§@@¤%\~^,
¨.¨,¨~^£%# statuette #%£^~¨,¨.¨
,¨,¨¨,«*%§ §%*«,¨¨,¨,
¨.~:*§¤#@# £¤£%*§&%$*%£§$&$«--«~--«%£¤§£¤§@@¤$£%&%% #@#¤§*:~.¨
.,:~^:^†¤# ¤@**@¤$§* #¤†^:^~:,.
,.«=%$£@#@ @#@£$%=«.,
~~:=$@#@## forests around my childhood home. thick ##@#@$=:~~
..~;%@*£¤@ pine arcades that were planted and @¤£*@%;~..
.,»†*$££#¶ forgotten. wild boars roaming ¶#££$*†»,.
,^-=*§*%@¶ underneath, sniffing at the ground. it ¶@%*§*=-^,
.¨,,-::=%# is dark and moist, the canopy having #%=::-,,¨.
..»=*$#¶## already soaked up all the sun. ##¶#$*=»..
,,..,,;:¤# #¤:;,,..,,
¨¨,.-^*$&¶ there's a river passing by, from east ¶&$*^-.,¨¨
¨~«:§*%£## to west, getting broader and deeper and ##£%*§:«~¨
,~-/:^†@## slower as it goes. equisetum grow just ##@†^:/-~,
.~~†%*£@§# where the pine hands start to let #§@£*%†~~.
..=^†%## through light, horsemint on the rocky ###&%†^=..
..~=~=*%£# river bed. #£%*=~=~..
,,.,,«*¤§¶ ¶§¤*«,,.,,
.-=:*%£¶## = ##¶£%*:=-.
¨¨.¨¨¨^~§# #§~^¨¨¨.¨¨
,¨,¨,-~%#@ the riverbanks reek of magic. tonight @#%~-,¨,¨,
,.,¨¨,«$$¤ they had been a swampworld with sylvan ¤$$«,¨¨,.,
,~»:*&¤### water, stone rings and floating moss. ###¤&*:»~,
.-«;*%£@## you could've found me wallowing around ##@£%*;«-.
.~~=§%@¶@# on the southern shores until i got #@¶@%§=~~.
.~~:†&¶@## bitten. ##@¶&†:~~.
.,~/*@@@## ##@@@*/~,.
¨^»:*£¶@## but now i'm further back, on solid ##@¶£*:»^¨
.,«^*$¤£## ground, in shoulder-high grass, with an ##£¤$*^«,.
.,-*%%@¤@£ orange tin radio and a translucent £@¤@%%*-,.
.,~^$$£¶@# umbrella which i'm sitting on. #@¶£$$^~,.
,,..-\^†@# #@†^\-..,,
.,-†§££#£@ = @£#££§†-,.
.,¨¨,==£@& &@£==,¨¨,.
.,«^§££¶## somethings moving in the grass. it's ##¶££§^«,.
,,..--~:*£ invisible to my eyes but i can feel £*:~--..,,
¨~-^†§#£## through the ground just how large it is. ##£#§†^-~¨
..,.~*†@%& &%@†*~.,..
.~«^^@#@## the soil is muddy. i slip when trying ##@#@^^«~.
.-~**%@£ to get up, still looking at the #&£@%**~-.
..»;=£¤¶@# direction of sound rather than at my #@¶¤£=;»..
¨¨.¨,\\££# hands, who are busy putting things in #££\\,¨.¨¨
¨:~/*$§£@# my pockets. #@£§$*/~:¨
¨,.¨¨«§†%# #%†§«¨¨.,¨
,.,..~%££# then i run east toward my home. #££%~..,.,
..,.¨:=$¤¶ ¶¤$=:¨.,..
¨.=/*§&@#@ ^ @#@&§*/=.¨
..¨,,*§£%# #%£§*,,¨..
..-=*%¤### i am not followed, and slow down in the ###¤%*=-..
...¨.»=*%& clearing where you at first can spot &%*=».¨...
,¨.^,~*% the house, not yet really in the #&%*~,^.¨,
,.~:*¤¤#@# backyard. from my pockets i retrieve my #@#¤¤*:~.,
¨¨¨.¨»-$¤@ radio (now dented) but also a small @¤$-»¨.¨¨¨
¨~^,«=/\ clay figure i've never seen before. it #&\/=«,^~¨
.~~*^%£@## must have been laying in the wet dirt, ##@£%^*~~.
¨^~:*@@@@# and i must've picked it up with my #@@@@*:~^¨
,.-^§@£### other belongings. ###£@§^-.,
,-«\^*¤### ###¤*^\«-,
,.~*=£## it's a statuette of a girl laying naked ###&£=*~.,
,^«^=¤###@ on her stomach, feet in the air, @###¤=^«^,
¨¨,,,.,«§¤ roughly seven centimeters long. it's ¤§«,.,,,¨¨
.,~†%@£#@# freshly made, not yet completely dried. #@#£@%†~,.
,.=*££@@## ##@@££*=.,
¨-=*%$¤### my mom is here now. i ask her for some ###¤$%*=-¨
¨~~†*@¤¶@# particle board for it to dry on, but #@¶¤@*†~~¨
.-»:=@£@@# she is worried and wants me to #@@£@=:»-.
,.~:*§#### throw it away. ####§*:~.,
,,=\*%#@¶@ @¶@#%*\=,,
¨~«*%@£### ###£@%*«~¨
¨~~:%&@#£# #£#@&%:~~¨
¨,=;§*#££@ @££#*§;=,¨
¨,»^^&@@## ##@@&^^»,¨
.¨¨,¨~:§$# #$§:~¨,¨¨.