§¨.,.,¨¨¨# .#£,.#@@§¤
,¨§#¤£., ,..,..@&§¤
,.,#¤&£¨,¤ £@§@¤,.@&,
¤@.,&§,¨., #£@#..,,.,
,.,¨.¨¨££¤ @§¤¨.£&§£.
§#¤¤@@,.#¤ statuette @§.¨.¨£§,,
¨@¤£#,¨¨,# ,..&§,.¨¨¨
¨.§§¨,#£.. $£¤$$£&%¤%§**&*$~~-«-~~~$&%$§%*@£%§@$$*@ §¤.¨¨¨@@§@
.,¨,.¨,,., %&&¤*¤$*§ ,¨.§¤,.@#¨
§#&£§£&&&@ §@¨.,,¨,¨,
.¤###@@&£¨ forests around my childhood home. thick #.,¤£@#.
,,§@¤@&§¨. pine arcades that were planted and .¨,.£&@¤.¨
@¨.£§#§¨,¤ forgotten. wild boars roaming &¤§¨.#§¨,£
..,,¤@¨¨¨, underneath, sniffing at the ground. it ¤&¨,¨,...,
@@¤,¨..§£& is dark and moist, the canopy having ..,§¤@#@&&
&£.¨¤&¨¨@& already soaked up all the sun. £#¨.@##&¤&
@¨,.¨¨..,, #¨.,.¤#¤@¤
.,#&&¤#@¤£ there's a river passing by, from east ,¨&£,.#£@&
..¨#£¤&¤@§ to west, getting broader and deeper and .,,,¨¨.#£.
§¤,,&¤@£££ slower as it goes. equisetum grow just ###@@§¨¨.¨
¨,...§#&£§ where the pine hands start to let ,#§#&...
##£§.¨&¤ through light, horsemint on the rocky .,§#,..,¨,
¨&@...¨¤§# river bed. @,¨,,#@&¤.
.,,.#£.¨#@ ,¨¤£¨,§¤.¨
@£¤.¨¨¨..¨ : .,,...,¨,£
¤¤.,#£&§£§ ¤##&§§#¤,.
,,.¨,§@¤ the riverbanks reek of magic. tonight §@#£§#@¨..
&@@¤,¨#£#& they had been a swampworld with sylvan §@¤#@§¨,@&
£&¤,,¨,@#& water, stone rings and floating moss. ¨&&££,,¨¨§
&§.,#§,¨¤& you could've found me wallowing around ¨¨¤#,.§#.,
..¨,.¨.¨.. on the southern shores until i got ,,..¨¨,,..
@#&¤§#£@#§ bitten. @#£@£#£££¤
##§&&§&@£@ £¤¤¤¤§&§&§
#@#&¤#¤§ but now i'm further back, on solid ££#&&&£§§£
¤¤§£&¤£@§& ground, in shoulder-high grass, with an §¤#&¤¤#@¤§
@¤#¤¤#&£@# orange tin radio and a translucent £¤£@@@§#&§
&§£#§&@£@& umbrella which i'm sitting on. §&¤&¤#¤¤
££&§§##@&¤ £¤&££§@£@#
#&£@¤§## ; ¤&§£#¤#¤
§@#@&¤#§&¤ #&¤@§@#§§£
&¤@§§@¤@ somethings moving in the grass. it's &&&§#££@@¤
¤£#@#@&¤¤@ invisible to my eyes but i can feel @&¤#¤&¤#£&
£@#&@#§¤ through the ground just how large it is. &@@&§¤#£##
§#¤£££@& &§#&@§§@
£@@§&§£#@§ the soil is muddy. i slip when trying @&£§§&
&§@§&@£££¤ to get up, still looking at the §&@§&&&£@¤
§¤&@¤£#@¤@ direction of sound rather than at my §§@¤@&¤#@@
§§¤@@§#@&£ hands, who are busy putting things in &¤¤#@@@#@§
@#@§¤&¤§¤# my pockets. £¤£§££££
§££§¤#&§#§ §&&&@££§§&
£§§@£§@¤#§ then i run east toward my home. ¤£@¤&¤&¤£&
£§#&@#£@#£ ¤§§¤£@§§£@
@§§&£@£# = ##§@#¤¤§££
§@§#£@@§ §¤£§¤§&&&£
#£§#£¤ i am not followed, and slow down in the §§¤@£@@#¤&
&£§&§§@£ clearing where you at first can spot #@¤@&§§#§@
##&&&£&@#& the house, not yet really in the @@§#&&¤&£¤
§£@¤@§@&£@ backyard. from my pockets i retrieve my &¤§§###¤§£
#¤&£§#&¤ radio (now dented) but also a small @¤&§&§¤¤§#
¤£§£@#¤@&£ clay figure i've never seen before. it #££#@§¤#&§
£@¤&@£ must have been laying in the wet dirt, #£@@@¤@££&
£@§¤¤@#@ and i must've picked it up with my §¤@§&&&§§&
¤@@@£@§§¤£ other belongings. #@#£#&§#@¤
&£@§&&&¤@& ££@#§£@@@§
£##@§@¤¤£¤ it's a statuette of a girl laying naked §¤¤¤@@£&
£¤@£§£&@#¤ on her stomach, feet in the air, @#¤£¤#£##§
£#@£#£@### roughly seven centimeters long. it's #£¤#&@¤#@£
£¤@&&£§#£# freshly made, not yet completely dried. £#£#&¤
¤¤#&£#§#£# ¤£&@&§£#¤§
###&§¤#¤¤§ my mom is here now. i ask her for some #@¤££@#¤@#
£@¤§§@#&¤¤ particle board for it to dry on, but §§&¤¤&£#&§
§@#@££§§@@ she is worried and wants me to §#@§@§£§§@
#§@@&£@¤ throw it away. §@£@££¤£
£@@£#@£¤§# &§§¤&@&@
@§¤¤¤#&§&@ £&¤§&¤¤¤§§
@@&@§§§£ @§@£#¤¤#&&
§¤&&£§§£ §#&¤#§£§
£§&£###§#& £&@@£@#¤
@##¤&£&¤&§ @&§###¤£&£