,.¨,.-=^*¤ ¤*^=-.,¨.,
,.,,,.«^%# #%^«.,,,.,
..,.,,;§%¤ ¤%§;,,.,..
,.=;*£§¶## ##¶§£*;=.,
.,~=§%##@# #@##%§=~,.
,~«^*¤¤### statuette ###¤¤*^«~,
..,.==/††& &††/==.,..
¨,=;^%§#@# @@$%*$¤@$@&%$¤$&»-~~~«=«$@*%$¤%§$%££§&£* #@#§%^;=,¨
..~:†§&¶## ¤%*%¤&$@§ ##¶&§†:~..
,^~:%%@@## ##@@%%:~^,
,.«;^£#### forests around my childhood home. thick ####£^;«.,
.,,-~»\§&§ pine arcades that were planted and §&§\»~-,,.
¨,=*=£§@## forgotten. wild boars roaming ##@§£=*=,¨
¨¨..^^»$ underneath, sniffing at the ground. it #&$»^^..¨¨
,,»*=%@£@# is dark and moist, the canopy having #@£@%=*»,,
.~«†%$¤@## already soaked up all the sun. ##@¤$%†«~.
¨¨,,¨.-§=§ §=§-.¨,,¨¨
.,«/=%£¤§# there's a river passing by, from east #§¤£%=/«,.
..~=$§&@## to west, getting broader and deeper and ##@&§$=~..
,:~;†£§### slower as it goes. equisetum grow just ###§£†;~:,
.:=/$*£### where the pine hands start to let ###£*$/=:.
¨..¨¨:/^§@ through light, horsemint on the rocky @§^/:¨¨..¨
.,-;^$§@## river bed. ##@§$^;-,.
,..¨¨^~»†& &†»~^¨¨..,
,,»*§£@### / ###@£§*»,,
.,=*†££### ###££†*=,.
.~-^§§§¶@# the riverbanks reek of magic. tonight #@¶§§§^-~.
.~«\^%¤£#£ they had been a swampworld with sylvan £#£¤%^\«~.
.^~=%%#### water, stone rings and floating moss. ####%%=~^.
.,~††£&£## you could've found me wallowing around ##£&£††~,.
.,~†*$@##@ on the southern shores until i got @##@$*†~,.
¨¨,¨,,~†¤& bitten. &¤†~,,¨,¨¨
.,«^%&¤@@# #@@¤&%^«,.
.-=^:†^=$£ but now i'm further back, on solid £$=^†:^=-.
..,.,.«†£# ground, in shoulder-high grass, with an #£†«.,.,..
¨,~^§££@## orange tin radio and a translucent ##@££§^~,¨
¨,-††$@### umbrella which i'm sitting on. ###@$††-,¨
..,,~:/$§£ £§$/:~,,..
.....,*^$# = #$^*,.....
.,.,,¨-*£# #£*-¨,,.,.
,,~;:$$##@ somethings moving in the grass. it's @##$$:;~,,
.:«\†*¤### invisible to my eyes but i can feel ###¤*†\«:.
,:~:$$£@## through the ground just how large it is. ##@£$$:~:,
,.--»%%§¤£ £¤§%%»--.,
¨,-;=£¤@## the soil is muddy. i slip when trying ##@¤£=;-,¨
.~~*†£@@## to get up, still looking at the ##@@£†*~~.
,,==^%@@## direction of sound rather than at my ##@@%^==,,
¨...,.*$¶# hands, who are busy putting things in #¶$*.,...¨
,,.¨.^=#@# my pockets. #@#=^.¨.,,
..~†*£@@¤# #¤@@£*†~..
,~~==§§@#@ then i run east toward my home. @#@§§==~~,
.¨,¨,==&£@ @£&==,¨,¨.
.¨.«~†^$*£ / £*$^†~«.¨.
¨^~/%@££## ##££@%/~^¨
¨,¨..»;$$¶ i am not followed, and slow down in the ¶$$;»..¨,¨
,-«^§*#£## clearing where you at first can spot ##£#*§^«-,
,,.,¨»=$§& the house, not yet really in the &§$=»¨,.,,
,«*%&§#@## backyard. from my pockets i retrieve my ##@#§&%*«,
,:=;%£¤#@# radio (now dented) but also a small #@#¤£%;=:,
¨...,.†:%£ clay figure i've never seen before. it £%:†.,...¨
,,¨.:;=&*& must have been laying in the wet dirt, &*&=;:.¨,,
¨,¨,-~=$@# and i must've picked it up with my #@$=~-,¨,¨
¨,«†^*§@@# other belongings. #@@§*^†«,¨
¨-~†$%§¶## ##¶§%$†~-¨
¨,.,¨:†$£# it's a statuette of a girl laying naked #£$†:¨,.,¨
,,..¨,»†*# on her stomach, feet in the air, #*†»,¨..,,
¨,..,:&*#@ roughly seven centimeters long. it's @#*&:,..,¨
.,»/†@§### freshly made, not yet completely dried. ###§@†/»,.
.¨,.¨,¨=*# #*=¨,¨.,¨.
.:~†*$§@## my mom is here now. i ask her for some ##@§$*†~:.
¨,==*†§¤$@ particle board for it to dry on, but @$¤§†*==,¨
.,-:=*@£## she is worried and wants me to ##£@*=:-,.
,..,.-†*¤@ throw it away. @¤*†-.,..,
¨~~^$%¤### ###¤%$^~~¨
,,~;†$¤@@@ @@@¤$†;~,,
,.~-.»*†§§ §§†*».-~.,
¨,¨¨¨=»;%@ @%;»=¨¨¨,¨
,,=/†&@### ###@&†/=,,
...,»»=%£@ @£%=»»,...