¨~=/**¤£## ##£¤**/=~¨
.:«/=*¤¶## ##¶¤*=/«:.
.^=†*&@@## ##@@&*†=^.
¨-»=^@¤¶@# #@¶¤@^=»-¨
¨:«=^*¤£## ##£¤*^=«:¨
¨.,¨.=%§&£ statuette £&§%=.¨,.¨
,,,¨,.~»%@ @%»~.,¨,,,
.^«^=§£§&@ @@&¤£¤$*£$¤*£%*¤~==~~«~=&£§$$§*¤§%£¤£@%§ @&§£§=^«^.
¨^~*^&&¶## %$%*£@£*£ ##¶&&^*~^¨
¨,..--^%&@ @&%^--..,¨
.,»†§#£@## forests around my childhood home. thick ##@£#§†»,.
¨,^-†^:§@£ pine arcades that were planted and £@§:^†-^,¨
¨.=;§&@@## forgotten. wild boars roaming ##@@&§;=.¨
¨-=/=%#¶## underneath, sniffing at the ground. it ##¶#%=/=-¨
,.,¨.~«»$¤ is dark and moist, the canopy having ¤$»«~.¨,.,
¨.¨,«/*@## already soaked up all the sun. ##@*/«,¨.¨
¨,¨.,.-/$# #$/-.,.¨,¨
,,.,~*§¤#£ there's a river passing by, from east £#¤§*~,.,,
..=/*%%%@# to west, getting broader and deeper and #@%%%*/=..
¨,,~«^§$## slower as it goes. equisetum grow just ##$§^«~,,¨
,.~==%&¶@# where the pine hands start to let #@¶&%==~.,
,,.,,/=$@# through light, horsemint on the rocky #@$=/,,.,,
.,-\%&&£## river bed. ##£&&%\-,.
,,,»=\=£#£ £#£=\=»,,,
¨,.,..*$§¤ / ¤§$*..,.,¨
¨,¨¨^-;=&& &&=;-^¨¨,¨
¨¨¨.¨~*^£@ the riverbanks reek of magic. tonight @£^*~¨.¨¨¨
.~-;%§£### they had been a swampworld with sylvan ###£§%;-~.
,,=/=%§@## water, stone rings and floating moss. ##@§%=/=,,
,~^-\/$£§# you could've found me wallowing around #§£$/\-^~,
.^~†§@@£## on the southern shores until i got ##£@@§†~^.
,:=†¤§@### bitten. ###@§¤†=:,
¨,=^†%#@## ##@#%†^=,¨
,,«\%@§#¶# but now i'm further back, on solid #¶#§@%\«,,
.:~**##### ground, in shoulder-high grass, with an #####**~:.
¨.-*†### orange tin radio and a translucent ####&†*-.¨
¨,-*†&@£@# umbrella which i'm sitting on. #@£@&†*-,¨
,.«^§£#@@# #@@#£§^«.,
,,«†*%£¤@@ = @@¤£%*†«,,
¨¨,¨.¨~«$§ §$«~¨.¨,¨¨
,^~**§¶@## somethings moving in the grass. it's ##@¶§**~^,
,~=;§¤## invisible to my eyes but i can feel ###&¤§;=~,
¨~»:*%%%@# through the ground just how large it is. #@%%%*:»~¨
¨-«~-«†#&@ @†«-~«-¨
.:»/†£*%¶@ the soil is muddy. i slip when trying @¶%*£†/»:.
.:«†%@§@## to get up, still looking at the ##@§@%†«:.
..~\%%&¶## direction of sound rather than at my ##¶&%%\~..
.~»:$%££## hands, who are busy putting things in ##££%$:»~.
,~*^%¤£### my pockets. ###£¤%^*~,
.»^%$§£### ###£§$%^».
.¨¨,**;^£# then i run east toward my home. #£^;**,¨¨.
¨:~**@#### ####@**~:¨
,-/†§§#### \ ####§§†/-,
,,,,-«%&&& &&&%«-,,,,
¨^«:$%¤@#£ i am not followed, and slow down in the £#@¤%$:«^¨
.-»\†$#@## clearing where you at first can spot ##@#$†\»-.
,.«;†%#@## the house, not yet really in the ##@#%†;«.,
,.,..¨»;*£ backyard. from my pockets i retrieve my £*;»¨..,.,
,-»^*$¤¶## radio (now dented) but also a small ##¶¤$*^»-,
.,.~-:\*## clay figure i've never seen before. it ##*\:-~.,.
,.-*%§¤##@ must have been laying in the wet dirt, @##¤§%*-.,
¨.¨¨.«$†¤§ and i must've picked it up with my §¤†$«.¨¨.¨
.,~~~~*^¤¤ other belongings. ¤¤^*~~~~,.
.~-^*&&£## ##£&&*^-~.
¨,¨¨.¨=:@@ it's a statuette of a girl laying naked @@:=¨.¨¨,¨
..¨,»^*=%@ on her stomach, feet in the air, @%=*^»,¨..
,,~/†£@£## roughly seven centimeters long. it's ##£@£†/~,,
,,~/=£¤### freshly made, not yet completely dried. ###¤£=/~,,
.¨.,.:;/&& &&/;:.,.¨.
¨-~;%@@### my mom is here now. i ask her for some ###@@%;~-¨
.¨,.~\^£¶@ particle board for it to dry on, but @¶£^\~.,¨.
,,.,,,,~=# she is worried and wants me to #=~,,,,.,,
¨.,,^†£§¤# throw it away. #¤§£†^,,.¨
.,~^*¤¤¶@# #@¶¤¤*^~,.
¨,~/%¤&¶## ##¶&¤%/~,¨
¨.«:§@¤¶## ##¶¤@§:«.¨
¨¨,...~\§& &§\~...,¨¨
..~^*@#@## ##@#@*^~..
.,.¨-=^£§# #§£^=-¨.,.