##£#§*:«.. ..«:*§#£##
#@#$%†~,., ,.,~†%$#@#
##@£%$\»,¨ ¨,»\$%£@##
#####§%=-. .-=%§#####
##££&^;»,, ,,»;^&££##
@@@¤$\-¨¨, statuette ,¨¨-\$¤@@@
#@@@$†*«¨. .¨«*†$@@@#
#####@†^=, £$¤§&%&%%*%$&$$§«»-~~=~~&§%@*¤¤£*%$%&&£% ,=^†@#####
##@#¤†/~¨. ¤£§&%%$££ .¨~/†¤#@##
@@§$*:-,¨. .¨,-:*$§@@
#@#£§%*»,. forests around my childhood home. thick .,»*%§£#@#
##@#§$%†~. pine arcades that were planted and .~†%$§#@##
##@§£*†«.¨ forgotten. wild boars roaming ¨.«†*£§@##
@#&%$/~,., underneath, sniffing at the ground. it ,.,~/$%@
##¶#*$:~., is dark and moist, the canopy having ,.~:$*#¶##
##@¶£%$/~¨ already soaked up all the sun. ¨~/$%£¶@##
##¶£*%^~¨, ,¨~^%*£¶##
##¤%%*~¨,, there's a river passing by, from east ,,¨~*%%¤##
##@§¤*/-.¨ to west, getting broader and deeper and ¨.-/*¤§@##
#####*%*~. slower as it goes. equisetum grow just .~*%*#####
##£&*%=~.¨ where the pine hands start to let ¨.~=%*&£##
###%$;=¨., through light, horsemint on the rocky ,.¨=;$%###
###§*%*=.. river bed. ..=*%*§###
###£&&*†~, ,~†*&&£###
##@#$§/~¨, / ,¨~/§$#@##
@#££=^»¨¨, ,¨¨»^=££#@
##¶§%$/«.. the riverbanks reek of magic. tonight ..«/$%§¶##
##@#@%%:=¨ they had been a swampworld with sylvan ¨=:%%@#@##
##@&&=*~¨, water, stone rings and floating moss. ,¨~*=&&@##
@#&$†:»¨¨. you could've found me wallowing around .¨¨»:†$@
#@¶#&††«,. on the southern shores until i got .,«††¶@#
###@#%*\«, bitten. ,«\*%#@###
###@$*:»,, ,,»:*$@###
#@¤*§*~.¨¨ but now i'm further back, on solid ¨¨.~*§*¤@#
#@#@$††~,¨ ground, in shoulder-high grass, with an ¨,~††$@#@#
###£¤$$†«. orange tin radio and a translucent .«†$$¤£###
#@@¤@%:»., umbrella which i'm sitting on. ,.»:%@¤@@#
#@@%††~,¨. .¨,~††%@@#
##¶&$%:«¨¨ / ¨¨«:%$&¶##
####@$=/«¨ ¨«/=$@####
#@@§§*^~,¨ somethings moving in the grass. it's ¨,~^*§§@@#
#@¤$%;-.,, invisible to my eyes but i can feel ,,.-;%$¤@#
#@@&*^†~., through the ground just how large it is. ,.~†^*&@@#
####£¤%†=, ,=†%¤£####
##¶§$=†-¨. the soil is muddy. i slip when trying .¨-†=$§¶##
##&%$*«..¨ to get up, still looking at the ¨..«*$%#
##£§%$†-¨. direction of sound rather than at my .¨-†$%§£##
###£§%§/~, hands, who are busy putting things in ,~/§%§£###
#@#@$=^«., my pockets. ,.«^=$@#@#
@#£*%^«,,¨ ¨,,«^%*£#@
#@##¤§;-,¨ then i run east toward my home. ¨,-;§¤##@#
###@¤&%:». .»:%&¤@###
##@§$§/=.. ; ..=/§$§@##
#@¤£%†~... ...~†%£¤@#
#@£¤%$;»¨¨ i am not followed, and slow down in the ¨¨»;$%¤£@#
####&%$†=, clearing where you at first can spot ,=†$%###
##@&$§*~.. the house, not yet really in the ..~*§$&@##
###£%†-.., backyard. from my pockets i retrieve my ,..-†%£###
####$§*~,¨ radio (now dented) but also a small ¨,~*§$####
###£&&*†~. clay figure i've never seen before. it .~†*&&£###
##¶£%$†-¨, must have been laying in the wet dirt, ,¨-†$%£¶##
@££$%*~.¨¨ and i must've picked it up with my ¨¨.~*%$££@
###£$=:-,, other belongings. ,,-:=$£###
####£%**-. .-**%£####
##¶§£$;».. it's a statuette of a girl laying naked ..»;$£§¶##
#@#¤*†~,¨, on her stomach, feet in the air, ,¨,~†*¤#@#
##@#&$/«., roughly seven centimeters long. it's ,.«/$@##
###£¤@*;~, freshly made, not yet completely dried. ,~;*@¤£###
####$%==,. .,==%$####
#@£$$=~.¨. my mom is here now. i ask her for some .¨.~=$$£@#
#@@¤¤$:=,, particle board for it to dry on, but ,,=:$¤¤@@#
##@@@¤%;-. she is worried and wants me to .-;%¤@@@##
##@§@**».¨ throw it away. ¨.»**@§@##
#@@%%:-,,. .,,-:%%@@#
##¶§$^:~., ,.~:^$§¶##
###£#&§/~. .~/§£###
#@#£%=\«,, ,,«\=%£#@#
##@$%*~.¨¨ ¨¨.~*%$@##
##@#¤§†«,, ,,«†§¤#@##