..,¨,¨.,¨. .,,,,,¨¨.¨
@£#¤#§§@£@ &&&&@#&@£¤
¤££&£§£&@. #§&@&£&§&£
££&§££,¨ ¤¤@£££#§§#
§#£#£#@¨¨& &@@¤##¤&§@
@§¤#@&¨.,, statuette £¤#@£#@###
§§###.¨#§¨ ¤&&@@@£&
§§@¤,¨.¨,, $££%$$££$&$§§%£§-~~~«~»~@*£$$*%£$@£$$§£* §@@@¤@#@
##§.,@&¤§@ ££&¤&$@£$ .§@#§#§#¤#
@£..¨,¤§£§ .¨¤@@#¤#£&
§..¤&..@££ forests around my childhood home. thick £,.@&§#£¤#
.,,¨.¨.,@@ pine arcades that were planted and ,.¨.@§§£¤#
,@££&&¤.,& forgotten. wild boars roaming §##,,§#£#.
¨,§@£¤.¨,, underneath, sniffing at the ground. it @#,.,¨#§..
§,,¤£,.¤§. is dark and moist, the canopy having #.¨£@,..¨&
.¨.¨.,¨.,¨ already soaked up all the sun. ¨,,¨.¨§¤.¨
£¤£&@&§@ §¤@£§,.¨.&
¤@¤@§@&¤££ there's a river passing by, from east §£&¤¨¨@#.,
,§@£¤§£#@. to west, getting broader and deeper and ¨¤&,¨..,,¨
,¨§§¤&§¤.. slower as it goes. equisetum grow just ,,¨,@§&£&£
,..§££&¨,£ where the pine hands start to let ¤¤&¨,@@¨
@£..§§..,¨ through light, horsemint on the rocky §#¨.,,@@.,
,.,.,,,¤£, river bed. £¨.¤£..,.,
@#@¤§@.,.. ,,..¨¨£@§#
§§£¤§..@££ / .¤¤£§.¨¤§&
&¤&&¨..¨@# .¨&§,..¨£#
§§£¨.£#,,@ the riverbanks reek of magic. tonight ,.,,¨£&¨¨§
#§,¨.,,... they had been a swampworld with sylvan §§£@¨.....
...&¤§§£@@ water, stone rings and floating moss. .¤£,.§¤¤¤.
£¤.¨§@§@§£ you could've found me wallowing around ,¨,.¨¨§¤,¨
,,.,¨@§¤&@ on the southern shores until i got §&&¤@¨,¨.,
¤£#§¨¨#§§§ bitten. ¤¤¤§,.¤£@#
&&§.¨.¨¤@, &¤#.,..&@@
@@..¤§,.., but now i'm further back, on solid ££,,@&¨.¤&
@¨.,,.¨&&¨ ground, in shoulder-high grass, with an ¤,,....¨¨&
¨¨£&&&,¨.¨ orange tin radio and a translucent ¨¨§#@@§¤¨,
§¨¨#§¨¨&£# umbrella which i'm sitting on. .¨,@&£#,¨¤
...¨¨¨.¨&& @&,.§&,.,.
¤§@£@¨,¨ ; ¤...,,¨&&£
&§#§,,&§ ,.§#££.,#&
§¤@&@¨,,¨¤ somethings moving in the grass. it's ¨.,@@¨.,.¤
#¤£@¨¨¤£., invisible to my eyes but i can feel #¤.,,.@&¨.
,@&¨,,¨.¨& through the ground just how large it is. ¨¨.@&..,.¨
....¤@£&,, ¨¨¨¨£@§¤
,§#..@@,,£ the soil is muddy. i slip when trying #¨¨#&,,¤§.
¨...¨,¨¨,¨ to get up, still looking at the ..,¨.,¨,,,
@¤#§@#@§¤£ direction of sound rather than at my &&§#§@£&@&
@£¤#¤&&@£& hands, who are busy putting things in &¤#¤§££@&£
@££###¤& my pockets. #&¤&&¤#&§@
@¤§¤&§¤¤@# &¤##@£###@
¤¤&&¤§##§# then i run east toward my home. ¤&§&¤¤§#§&
¤¤@@§¤&@§@ ££@#@#@£@#
§££@¤@¤§#& \ §§@£¤§@&&£
@§##@@§§¤# &¤£@&@¤@@#
#¤£@#@@£§& i am not followed, and slow down in the &£§§&@&§
&¤&@£##¤#£ clearing where you at first can spot #£§¤&@#@
&¤§£#@#£#& the house, not yet really in the #§@£&£####
#@&¤@£§&&¤ backyard. from my pockets i retrieve my §£@£££@§&§
£§&¤&@£§@# radio (now dented) but also a small £@#@§#£@&&
¤&§@#@@@¤# clay figure i've never seen before. it #@@§&&¤§@#
§§#£@£§#¤@ must have been laying in the wet dirt, ###£¤&§&&¤
§@¤¤&&¤&&@ and i must've picked it up with my ¤¤&£§¤££
#§¤&@£@@#& other belongings. @£@@#££¤§#
&¤#§#££§#@ ¤#£¤#£¤§&@
&&£#¤@§¤ it's a statuette of a girl laying naked ¤##§£#££
&&£§&£#¤#¤ on her stomach, feet in the air, ¤&£¤££§£§&
¤&&@¤#&@@¤ roughly seven centimeters long. it's @¤£¤#§§£
¤£¤#§&£@&£ freshly made, not yet completely dried. ¤£§&&&§&¤§
¤#¤¤¤@£#§# &§#¤§@£@@¤
#@££#&§&§@ my mom is here now. i ask her for some §&£¤##£##£
@§§@#£@#¤# particle board for it to dry on, but &&¤§&@££#@
&£&@#¤@@££ she is worried and wants me to ##¤&£##¤§¤
§¤¤@£@£§@£ throw it away. @£#§&§£@#£
£§@@&£¤@¤£ §§#@&¤§##&
§§&§§§£& @@&£@#&£§#
¤#£¤§§##£@ @&@#@¤§&@&
#§&§@@&@§@ §§##£¤¤¤@&
#¤¤§&§&&&¤ &§££££§£
@@¤¤#£¤#£§ #£@#&&¤¤¤&