.,,.,.,,,¨ .,¨..¨,¨¨,
@¤¤&&#@& @&@&@£#¤#@
§&@#&¤#§#§ #§@£@¤¤&@&
§@¤£§&§@@. #¤§§£¤@&
¤¤££££@£,¨ §£¤¤¤£#§£@
#¤#¤#£¤.,. statuette #¤§##£§¤@¤
¤§&§£@¨.#¤ .#§@¤¤@§§¤
¤§@§¤,,.¨¨ &&$*$§&§$$&&%&£$»»--=--~*£@%%&§&*$%%@%%% ,,§¤@¤@&£§
@£&¤.¨&&¤¤ @£$%&$%@& §¨.£##&££&
§@¤.¨.¨§£§ ,...¤£§&¤£
£¤.¨&&¨¨¤¤ forests around my childhood home. thick ,@&,¨§##§§
§.,...¨,¨& pine arcades that were planted and ,,...¨¤¤§#
¨¨@¤§¤§¤,¨ forgotten. wild boars roaming @§§@&.,§§£
..¨££@¤¨¨, underneath, sniffing at the ground. it @#¨¨¨¨@.
@@,,@&.¨¤£ is dark and moist, the canopy having ¨¤£¨.&£.¨¨
¨¨,¨,.¨¨¨¨ already soaked up all the sun. ,,¨¨,,¨¨£¨
£@&&@§#§&¤ ,¤£§§#¤...
¨#¤§£@&£#& there's a river passing by, from east ¨¨§£@£¨,£¨
,¨§&§#@#§¤ to west, getting broader and deeper and #,,¤£.¨,¨¨
@¨,@#£§#£@ slower as it goes. equisetum grow just ...,.,@£
¨¨,¨¤@££ where the pine hands start to let .£#&§..&&¤
.##¨¨&¤@@. through light, horsemint on the rocky ¨.£#.¨,¨&¨
,,¨,¨,£¤.¨ river bed. #,..¨§&,¨¨
@@£¤#,,.,¨ .,@#..,¨¤§
&@#£,¨¤£¤§ ; #,,..#£,,¤
¤£¤..¨.&¤. ¨¨#§,,¨.¨¨
.@¨,¤£¨.¨¨ the riverbanks reek of magic. tonight ¤,¨.¨@##&,
¨¨¨.¨¨¨#@. they had been a swampworld with sylvan .,##¨,@¤,¨
#&§¤@#¨.,¨ water, stone rings and floating moss. £,,..¨,¨.&
£#¤£&,¨@&& you could've found me wallowing around ¨.&@@§,¨
,§@&,.,,&§ on the southern shores until i got ¨¨,£¤@§.¨,
¨,#.¨£@.¨§ bitten. #£..£&¨,§¤
.¨¨¨.¨,,,, ..,¨,.¨.¨.
¤#&§@§@#§¤ but now i'm further back, on solid #@&¤£§&¤&£
§#@¤#&£# ground, in shoulder-high grass, with an &¤£&§@¤£§§
&@¤¤&§&@ orange tin radio and a translucent £#§££§#£&&
£&¤&&§&£@& umbrella which i'm sitting on. ##§&@¤§§¤£
#¤¤¤£¤¤£§& §@§#&£&&@@
##¤@£#§¤£@ * @§§££¤@@¤@
§@£££@£# £¤§£@@¤§&§
@&&#@#¤# somethings moving in the grass. it's &&¤&§¤£##&
§&¤#@& invisible to my eyes but i can feel ¤§£&@¤§§§§
#@§@¤@¤@@§ through the ground just how large it is. @#¤####£&¤
&¤#@@£§§ §§&@@##£¤¤
&§¤¤£&§§ the soil is muddy. i slip when trying &§§££&@§£&
£§#¤§¤££&@ to get up, still looking at the #§#¤§§£#¤¤
#§##£¤§§§@ direction of sound rather than at my &@#¤§¤@@§#
#@¤@£@§@&& hands, who are busy putting things in §##@@£§&§&
§#&&§&&¤#§ my pockets. @@£¤&&§§¤¤
§§£@@£#¤&§ #£@@@##£&§
¤£¤§@#£¤¤# then i run east toward my home. §£##¤@#@&&
§¤¤¤£### ¤¤¤£&£¤¤#¤
@&¤&£¤@£££ = #@££&@§@
§&£§&£¤£#£ #&@§@#§¤
¤#££§@¤#£@ i am not followed, and slow down in the ¤¤££@@§¤¤#
§§¤£#¤¤#¤¤ clearing where you at first can spot £#&£@#¤#
¤¤&@@¤#¤@& the house, not yet really in the ¤§##¤#§@@#
#¤¤¤#¤§&@¤ backyard. from my pockets i retrieve my #¤§@§&§@
&§§£@&&¤@§ radio (now dented) but also a small &@####§@¤¤
@§§##§§#&@ clay figure i've never seen before. it #¤¤#@¤£#¤§
§£¤#§¤¤§#@ must have been laying in the wet dirt, §@##@@£&§£
@££££@£&£# and i must've picked it up with my @@&¤#££¤§#
££¤@&&¤§@¤ other belongings. #¤§£&§##@§
¤@£¤£&£¤§# #§£#&@@&
¤@@¤£§@£#& it's a statuette of a girl laying naked §#&¤#£&£
¤#@#@£¤§ on her stomach, feet in the air, ¤¤###§£§@&
£&¤#@¤&££§ roughly seven centimeters long. it's #£@&&§&¤#§
&@&¤&£@@&& freshly made, not yet completely dried. ##§£&§@&¤&
£§#§§¤§#@# ¤£@§&&@¤
#§¤@@§§§¤¤ my mom is here now. i ask her for some @#§¤§&§#§@
£&§#¤¤£¤ particle board for it to dry on, but ¤¤§§@£@£
@&&@¤#£@@¤ she is worried and wants me to £¤@£&£¤@@@
£&@££&&§ throw it away. @¤£§#¤&£
§¤@¤&&&¤¤¤ ¤¤§¤&§&&£#
@¤#¤£§@@§@ ¤@§§##§#£&
&@§£¤§¤§ @£#£@@¤@
§&§¤#§§&§# @§¤¤¤¤#@¤&
§§§@#¤§&&§ @§§¤#§&£
#@£&¤&£¤£& ££§&&£&@