¨,..¨,¨.¨¨ ¨,¨¨..¨.§@
.§£¤¤@§¨ §#¤@@@@,..
,¨¤¤###&¨, @¤¤£@#,¨¤@
¨¨¨£&..¨ @#£¤£,.¨.¨
§§.,§£..§@ ¤£§£¨.¤£&&
&¨¨...¨..£ statuette ¤¤¤¨..,@§#
,.£&§&£¤.¨ ¤#,.¤@¨,@§
.¨,¤£&&..@ ¤§&§*§§$&%£*%%%§»«-»»~«=%&$$$§%§*&£@¤§&£ ..¨,,.¨¨..
§&,.§@¨..¨ &%%&%£@@§ §§&@¤£££#&
¤..¨,¨¨, §#@#@§££&§
..£§£§.,., forests around my childhood home. thick ¤@¤£§¤§£&@
¨.,£§.,@&§ pine arcades that were planted and #@§£@§¤¤§.
#¤,..,¨¨@& forgotten. wild boars roaming §¤&£&&¤¤¨,
,¨¨§@@¤¨¨¨ underneath, sniffing at the ground. it ¤§¤¤§£#,¨.
#&¨,@#¨,@# is dark and moist, the canopy having @£###&..@£
§.,,,,,..¨ already soaked up all the sun. ,§@@§..,.&
.,#@&¤¤§#& ¨.§£..@&..
@.,##@££ there's a river passing by, from east ,,.....¨.&
,,¨.#@£#¤# to west, getting broader and deeper and #££@#§@#,¨
§#£,¨¤§&¤¤ slower as it goes. equisetum grow just .#&&£§@.,#
&£,,,.#¤¤. where the pine hands start to let ,.&@¤#,,¨¨
¨..§§.¨¤¨. through light, horsemint on the rocky ¨.¨&§¨¨&§,
@&...¨,..@ river bed. @@,¨¨¨,.¨.
,¨.§&£&&.¨ ,.,##@§£#¨
#£¨.§£¤,,§ = §¤¨,§¤#¤..
.¨¨¨¨@.¨¨¨ &..¨,£¤¨¨¨
@§¤¤.¨¨&£. the riverbanks reek of magic. tonight ,¨#@.,..#£
¤§@¨¨#.,¨. they had been a swampworld with sylvan ¤.,.¨¤@,¨@
¤£¨.¨,,£&. water, stone rings and floating moss. ,.£&¨,¨¨,.
,,.#&¤¨,¨, you could've found me wallowing around £¨..,¤§@#¨
£§¨,@¨.§£, on the southern shores until i got .¨#@¨¨£§,.
.¨,,,,.¨.. bitten. ,,¨¨.¨¨,,,
¤&¤¤¤§#§¤# @#&&@@#@¤#
£¤£¤£@#§£¤ but now i'm further back, on solid &£§¤¤¤@§
¤@§§¤£&@&§ ground, in shoulder-high grass, with an &£#@¤§¤§@£
@#¤&@£§£¤§ orange tin radio and a translucent @&&@£@&&§§
@§¤§##@£¤£ umbrella which i'm sitting on. ¤#§¤£¤#¤@§
@£##&¤¤#£& £§@@¤@£##£
£¤£#£¤§¤ * ¤¤£&¤£@#
§¤§¤£&&£&& £#£¤#@§£¤£
£§¤&&££&£§ somethings moving in the grass. it's §§&&¤£#&§&
§@§#@@#¤#§ invisible to my eyes but i can feel ¤£@¤£§£&
§§¤¤§&@&££ through the ground just how large it is. &£@&£&§##§
§###£§§§&@ ¤@£¤¤£¤@@£
§£&£@££¤ the soil is muddy. i slip when trying £&&&@&¤£#§
&§#&¤#@§&£ to get up, still looking at the £§#¤#£§£££
¤§#@#¤¤@## direction of sound rather than at my ##@£@§¤#£¤
#@#§@&§¤&£ hands, who are busy putting things in #&¤§##§#@&
@&&¤¤£§@¤£ my pockets. ¤£&@&££§#¤
@@£¤£¤#¤¤§ @§@&§£§@
§@&@&§¤# then i run east toward my home. @@£§#¤£§§£
&§&@&££&£# #&£@#¤§£¤#
¤¤&&@@§& \ @£§@##¤§
#&@¤£@##&¤ #&§&&§£§
§§££¤£¤§§& i am not followed, and slow down in the #&@¤&§#¤@¤
&££¤&§§#£& clearing where you at first can spot £&@§#&£¤#£
¤£££§&££§£ the house, not yet really in the §&£££§@@#£
£¤¤#£&£&§§ backyard. from my pockets i retrieve my §§&£§£@@§&
&&£##¤#§ radio (now dented) but also a small @@@§£§¤#¤¤
@@¤@#@§§#£ clay figure i've never seen before. it ¤§¤£#&&¤¤£
§§§&§§@¤#§ must have been laying in the wet dirt, £§#&¤¤#&
£&&£§@§@£§ and i must've picked it up with my #@@##¤£§¤@
¤§@¤@§@&¤# other belongings. £#§£@§#£&&
¤§@¤@##¤&@ @@§#£@¤&
#¤#¤¤£¤¤@£ it's a statuette of a girl laying naked §§§£##¤#&@
&§#&&££&§¤ on her stomach, feet in the air, £¤@@#§§¤##
@§§@££@¤£& roughly seven centimeters long. it's &@£§§£&&
§££&£&§§¤§ freshly made, not yet completely dried. §#£¤¤@§#¤@
§@&££§&£#¤ @@£§£§@§&¤
¤&&££¤§£ my mom is here now. i ask her for some ¤#§#£¤##
#&&£§¤£@¤£ particle board for it to dry on, but #@£@#&¤£§£
@¤&&¤@###£ she is worried and wants me to @#@£§##&£@
£§@&£¤¤&§§ throw it away. §@£&¤@&§¤@
§&&£@¤#¤@@ @£§£@#££
##¤@££@¤£& £§¤@§@&&
&§§@#§@£@@ ##§@§§¤¤#¤
£&&&&&&§ £@¤#£@§§
£@&£¤£¤@££ §§£#¤£&@£&
¤£¤§¤@&¤ #&&§#&¤§¤#