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† the glass factory. †
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##££&†/»^, several centuries after it had last ,^»/†&££##
#££&†/»^,, belonged to us, we went on an outing to ,,^»/†&££#
##££&†/»^, the glass factory that bore our family ,^»/†&££##
#££&†/»^,, name. it had changed owners many times ,,^»/†&££#
##££&†/»^, since our ancestors death, and then ,^»/†&££##
#££&†/»^,, stood abandoned for a long while. ,,^»/†&££#
##££&†/»^, finally, the natural end station for ,^»/†&££##
#££&†/»^,, the buildings that survive: a museum, ,,^»/†&££#
##££&†/»^, and a gift shop. ,^»/†&££##
#££&†/»^,, ,,^»/†&££#
##££&†/»^, there's a long time since my family ,^»/†&££##
#££&†/»^,, made anything. by many, we would be ,,^»/†&££#
##££&†/»^, considered poor. ,^»/†&££##
#££&†/»^,, ,,^»/†&££#
##££&†/»^, there are two main factory buildings, ,^»/†&££##
#££&†/»^,, domed things of several floors, made in ,,^»/†&££#
##££&†/»^, yellow brick. large but narrow windows, ,^»/†&££##
#££&†/»^,, reminescent of some cathedral. ,,^»/†&££#
##££&†/»^, custom-made glass, of course, large and ,^»/†&££##
#££&†/»^,, leaded, and ashen. a bit too dark to be ,,^»/†&££#
##££&†/»^, practical. on the eastern building, ,^»/†&££##
#££&†/»^,, some are shattered. ,,^»/†&££#
##££&†/»^, ,^»/†&££##
#££&†/»^,, the other one is publicly open. there's ,,^»/†&££#
##££&†/»^, a museum, with wax figures of my great ,^»/†&££##
#££&†/»^,, great great grandfather, or something. ,,^»/†&££#
##££&†/»^, various tools (or replicas) laid out on ,^»/†&££##
#££&†/»^,, tables, with explaining texts. a lot of ,,^»/†&££#
##££&†/»^, glass of varying thickness. ,^»/†&££##
#££&†/»^,, ,,^»/†&££#
##££&†/»^, †† ,^»/†&££##
#££&†/»^,, †† †† ,,^»/†&££#
##££&†/»^, »»»»»»» † † »»»»»»» ,^»/†&££##
#££&†/»^,, †† †† ,,^»/†&££#
##££&†/»^, †† ,^»/†&££##
#££&†/»^,, ,,^»/†&££#
##££&†/»^, i quickly sneak out, and climb into the ,^»/†&££##
#££&†/»^,, other building. the contrast is ,,^»/†&££#
##££&†/»^, overwhelming. it must have stood ,^»/†&££##
#££&†/»^,, derelict for a long time, windows ,,^»/†&££#
##££&†/»^, broken, metallic trash and pools of ,^»/†&££##
#££&†/»^,, dark glass all over the floor. no ,,^»/†&££#
##££&†/»^, electric lights, but i can see by the ,^»/†&££##
#££&†/»^,, light that shines in wherever the dark ,,^»/†&££#
##££&†/»^, windows are missing a pane. ,^»/†&££##
#££&†/»^,, ,,^»/†&££#
##££&†/»^, however, the greatest difference is the ,^»/†&££##
#££&†/»^,, higher floors: this building has none. ,,^»/†&££#
##££&†/»^, it is one massive hall, stretching away ,^»/†&££##
#££&†/»^,, infinitely above me. somewhere up there ,,^»/†&££#
##££&†/»^, is some great iron latticework, from ,^»/†&££##
#££&†/»^,, where chains are suspended, and parts ,,^»/†&££#
##££&†/»^, of machinery has been falling down. ,^»/†&££##
#££&†/»^,, ,,^»/†&££#
##££&†/»^, there is, in the middle of the great ,^»/†&££##
#££&†/»^,, hall, a thin spiral staircase that ,,^»/†&££#
##££&†/»^, leads up there. i sneak over there, and ,^»/†&££##
#££&†/»^,, take a few reluctant steps. after just ,,^»/†&££#
##££&†/»^, a revolution, i notice that for each ,^»/†&££##
#££&†/»^,, step the building starts to glow, the ,,^»/†&££#
##££&†/»^, bricks turning a dark red, and then ,^»/†&££##
#££&†/»^,, orange, all the piled up debree being ,,^»/†&££#
##££&†/»^, lit from behind. ,^»/†&££##
#££&†/»^,, ,,^»/†&££#
##££&†/»^, i stop ready to run down and out, but ,^»/†&££##
#££&†/»^,, there's someone else on the staircase ,,^»/†&££#
##££&†/»^, with me now, pressed close. he's ,^»/†&££##
#££&†/»^,, looking like me, short hair and thin ,,^»/†&££#
##££&†/»^, arms, but with ears from some animal, ,^»/†&££##
#££&†/»^,, and more disturbingly, completely made ,,^»/†&££#
##££&†/»^, of dark liquid glass. ,^»/†&££##
#££&†/»^,, ,,^»/†&££#
##££&†/»^, †† ,^»/†&££##
#££&†/»^,, †† †† ,,^»/†&££#
##££&†/»^, »»»»»»» † † »»»»»»» ,^»/†&££##
#££&†/»^,, †† †† ,,^»/†&££#
##££&†/»^, †† ,^»/†&££##
#££&†/»^,, ,,^»/†&££#
##££&†/»^, my fear holds me in place while he ,^»/†&££##
#££&†/»^,, starts operating levers and dials set ,,^»/†&££#
##££&†/»^, in the center of the staircase. slowly, ,^»/†&££##
#££&†/»^,, it starts spinning, circling upwards. ,,^»/†&££#
##££&†/»^, it's an elevator! i start to run ,^»/†&££##
#££&†/»^,, downwards, but now the liquid boy ,,^»/†&££#
##££&†/»^, creature grabs hold of me. i try to ,^»/†&££##
#££&†/»^,, shake him off, but he's too strong, and ,,^»/†&££#
##££&†/»^, pulls me back up beside him. ,^»/†&££##
#££&†/»^,, ,,^»/†&££#
##££&†/»^, this time, i turn angry instead. what ,^»/†&££##
#££&†/»^,, the hell? who is this guy, acting like ,,^»/†&££#
##££&†/»^, this? i reach out my free arm and slam ,^»/†&££##
#££&†/»^,, a random lever. some metal bar is ,,^»/†&££#
##££&†/»^, suddenly released between us, hitting ,^»/†&££##
#££&†/»^,, him on the arm, forcing my release. i ,,^»/†&££#
##££&†/»^, shove him off of me, and he falls into ,^»/†&££##
#££&†/»^,, the levers, messing them up. ,,^»/†&££#
##££&†/»^, immediately, a thin rusty chainmail ,^»/†&££##
#££&†/»^,, curtain is dropped around me. but the ,,^»/†&££#
##££&†/»^, elevator also speeds up significantly. ,^»/†&££##
#££&†/»^,, ,,^»/†&££#
##££&†/»^, the walls are flaring now, yellow, ,^»/†&££##
#££&†/»^,, white, almost blue. i close my eyes and ,,^»/†&££#
##££&†/»^, curl into a ball. but then, the glass ,^»/†&££##
#££&†/»^,, boy screams, a piercing sound that ,,^»/†&££#
##££&†/»^, forces my eyes back open. i watch as he ,^»/†&££##
#££&†/»^,, becomes too liquid, his body pooling ,,^»/†&££#
##££&†/»^, down in his now massive tail, and the ,^»/†&££##
#££&†/»^,, tip of it suddenly breaks of in a glass ,,^»/†&££#
##££&†/»^, drop that falls toward the factory ,^»/†&££##
#££&†/»^,, floor. ,,^»/†&££#
##££&†/»^, ,^»/†&££##
#££&†/»^,, he's crawling on the stairs, unable to ,,^»/†&££#
##££&†/»^, keep his body upright. can't reach the ,^»/†&££##
#££&†/»^,, levers, claws at my chainmail cage, ,,^»/†&££#
##££&†/»^, while his body is turning into dark ,^»/†&££##
#££&†/»^,, pearls. finally, he's lost too much of ,,^»/†&££#
##££&†/»^, himself and the scream is cut short. ,^»/†&££##
#££&†/»^,, the last of him rains down. ,,^»/†&££#
##££&†/»^, ,^»/†&££##
#££&†/»^,, i still can't reach the levers from ,,^»/†&££#
##££&†/»^, within my cage. looking up, i try to ,^»/†&££##
#££&†/»^,, make out the ceiling, but it's all a ,,^»/†&££#
##££&†/»^, whirling sea of colours. below me glows ,^»/†&££##
#££&†/»^,, the hellfire of the factory walls, but ,,^»/†&££#
##££&†/»^, very faint. i sit down, curl back up, ,^»/†&££##
#££&†/»^,, become still. ,,^»/†&££#
##££&†/»^, ,^»/†&££##
#££&†/»^,, †† ,,^»/†&££#
##££&†/»^, †† †† ,^»/†&££##
#££&†/»^,, »»»»»»» † † »»»»»»» ,,^»/†&££#
##££&†/»^, †† †† ,^»/†&££##
#££&†/»^,, †† ,,^»/†&££#
##££&†/»^, ,^»/†&££##
#££&†/»^,, a large clunk shakes my entire body, ,,^»/†&££#
##££&†/»^, and snaps me back into reality. i'm ,^»/†&££##
#££&†/»^,, back at the factory floor, but the ,,^»/†&££#
##££&†/»^, stairs are still moving slightly, ,^»/†&££##
#££&†/»^,, clicking in place, carrying me the last ,,^»/†&££#
##££&†/»^, few centimeters. i came from below, ,^»/†&££##
#££&†/»^,, somehow. the chainmail is retracted, ,,^»/†&££#
##££&†/»^, and i slowly dismount the stairs. ,^»/†&££##
#££&†/»^,, ,,^»/†&££#
##££&†/»^, shaking and crying, i make my way over ,^»/†&££##
#££&†/»^,, the factory floor, wading through dark ,,^»/†&££#
##££&†/»^, glass marbles. a quick glance down, and ,^»/†&££##
#££&†/»^,, i see there's something faint inside ,,^»/†&££#
##££&†/»^, them. embryos? are these eggs? ,^»/†&££##
#££&†/»^,, ,,^»/†&££#
##££&†/»^, i shudder, and climb back out. ,^»/†&££##
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