,,,,»^**£# #£**^»,,,,
,,,,»»^*£# #£*^»»,,,,
,,»=^*£@## ##@£*^=»,,
,,»=^*£### ###£*^=»,,
,,»=^*@### ###@*^=»,,
,,»=^*£@## #### ##### ##@£*^=»,,
,,»=^*£@## TAPE DREAM ##@£*^=»,,
,,»»»=^**£ #### ##### £**^=»»»,,
,,»=^*£@## ##@£*^=»,,
,,»=*£@### FOR STORING MUSIC ON. ALSO DATA BUT ###@£*=»,,
,,»=^*@### AT THIS POINT IN TIME THAT'S NOT ###@*^=»,,
,,»===^^*@ REALLY IMPORTANT I THINK. @*^^===»,,
,,»==^^£££ £££^^==»,,
,,,,,,,»^£ £^»,,,,,,,
,,»=^*£@## ======== TYPES OF TAPE ======== ##@£*^=»,,
,,»=^^*£@# #@£*^^=»,,
,,»=^*£@## CLASS I - "BAD" IRON ##@£*^=»,,
,,»=^*£@## CLASS II - GOOD CHROMIUM ##@£*^=»,,
,,,,,,=*@# CLASS III - BAD IRON PART TWO #@*=,,,,,,
,,»=^*£@## CLASS IV - DANGEROUS METALS ##@£*^=»,,
,,,,,,»=*@ @*=»,,,,,,
,,,,,»=**£ RUMORS EXIST ABOUT A SECRET CLASS V TAPE £**=»,,,,,
,,,,»^^*£# THAT IS ACTUALLY USEFUL. #£*^^»,,,,
,,,,,»=^*£ £*^=»,,,,,
,,»=^*£@## == BIAS == ##@£*^=»,,
,,»=^*£@## ##@£*^=»,,
,,»=^*£@## CLASS I USES ONE HUNDRED AND TWENTY ##@£*^=»,,
,,»=^*£@## MICRO-SOMETHING WHILE THE OTHERS ALL ##@£*^=»,,
,,,,,,,»^£ USE SEVENTY OF THE SAME UNIT. £^»,,,,,,,
,,,,,,»=*@ @*=»,,,,,,
,,»=^*£@## ##@£*^=»,,
,,,,,==**@ ^^^^^^^^^ AHA AND ^^^^^^^^^ @**==,,,,,
,,»=^*£@## ##@£*^=»,,
,,»=^*£@## CLASS IV IS APPARENTLY TOO STRONG TO ##@£*^=»,,
,,»=*£@### BE USED ON CLASS I PLAYERS. IT WILL ###@£*=»,,
,,,,,»»^*£ SOUND TOO LOUND AND IT CANNOT BE £*^»»,,,,,
,,,,,,»^£@ COMPLETELY ERASED. THIS IS VERY WELL. @£^»,,,,,,
,,,,,»^**@ MAYBE SOME WONDERFUL BLENDING EFFECTS @**^»,,,,,
,,,,»=^*£@ COULD BE ACHIEVED? @£*^=»,,,,
,,»=^^^^£@ @£^^^^=»,,
,,,,,,»^*£ THEY ALSO GNAW AT THE TAPE HEADS A BIT £*^»,,,,,,
,,»=^*£@## BETTER THAN EARLIER TAPE TYPES. ##@£*^=»,,
,,»=^*£££@ @£££*^=»,,
,,»=^*£@## ##@£*^=»,,
,,,,,,»=^£ ======== ARTIFACTS ======== £^=»,,,,,,
,,»===**£# #£**===»,,
,,»=^*@### GOOD TAPES ARE DECENT AND HAVE A GOOD ###@*^=»,,
,,»=^^*££@ HIGH FREQUENCY PRESENCE, BAD TAPES ARE @££*^^=»,,
,,»=^*£@## LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ##@£*^=»,,
,,,,,»^^££ LIKE IT. ££^^»,,,,,
,,,,,»»^££ ££^»»,,,,,
,,,,»==*£@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @£*==»,,,,
,,,,,,=**@ KNOWS WHATS EVEN ON THERE ANYMORE @**=,,,,,,
,,»=^*£@## ##@£*^=»,,
,,»»==^**£ FLUTTER: KINDA QUICK PITCH VARIATIONS. £**^==»»,,
,,»=^*£@## BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ##@£*^=»,,
,,»=^*£@## ##@£*^=»,,
,,,,,=*£@# WOW: A SLOWER FLUTTER, USUALLY SEVERAL #@£*=,,,,,
,,»=^*£@## SECONDS LONG. WHAT UP. BOTH OF THESE ##@£*^=»,,
,,»=^*£@## INCREASE WHEN TAPE SPEED DECREASES. ##@£*^=»,,
,,,,,»^^*£ £*^^»,,,,,
,,,,,,»=*@ PRINT THROUGH: TAPES RUB SOUND ON EACH @*=»,,,,,,
,,»=^*£@## OTHER IF THEYRE ALONE FOR TOO LONG ##@£*^=»,,
,,»=^^***@ @***^^=»,,
,,»=^*£@## ##@£*^=»,,
,,»=^*£@@@ @@@£*^=»,,
,,»=^*£@## ##@£*^=»,,
,,,,»»==^£ £^==»»,,,,
,,,,,,,=^£ £^=,,,,,,,