.&.&.&.&&& .&&&..&&&.
&&.&.&..&& ..&&.&.&&.
.&.&.&.&.& .&.&.&..&.
&&.&.&.&.. .&.&.&.&&.
.&.&.&.&.& .&.&.&..&.
&&.&.&.&.. #### ##### .&.&.&.&&.
.&.&.&.&.& TAPE DREAM .&.&.&..&.
&&.&.&.&.. #### ##### .&.&.&.&&.
.&.&.&.&.& .&.&.&..&.
&&.&.&.&.. FOR STORING MUSIC ON. ALSO DATA BUT .&.&.&.&&.
.&.&.&.&.& AT THIS POINT IN TIME THAT'S NOT .&.&.&..&.
&&.&.&.&.. REALLY IMPORTANT I THINK. .&.&.&.&&.
.&.&.&.&.& .&.&.&..&.
&&.&.&.&.. .&.&.&.&&.
.&.&.&.&.& †††††††† TYPES OF TAPE †††††††† .&.&.&..&.
&&.&.&.&.. .&.&.&.&&.
.&.&.&.&.& CLASS I - "BAD" IRON .&.&.&..&.
&&.&.&.&.. CLASS II - GOOD CHROMIUM .&.&.&.&&.
.&.&.&.&.& CLASS III - BAD IRON PART TWO .&.&.&..&.
&&.&.&.&.. CLASS IV - DANGEROUS METALS .&.&.&.&&.
.&.&.&.&.& .&.&.&..&.
&&.&.&.&.. RUMORS EXIST ABOUT A SECRET CLASS V TAPE .&.&.&.&&.
.&.&.&.&.& THAT IS ACTUALLY USEFUL. .&.&.&..&.
&&.&.&.&.. .&.&.&.&&.
.&.&.&.&.& †† BIAS †† .&.&.&..&.
&&.&.&.&.. .&.&.&.&&.
.&.&.&.&.& CLASS I USES ONE HUNDRED AND TWENTY .&.&.&..&.
&&.&.&.&.. MICRO-SOMETHING WHILE THE OTHERS ALL .&.&.&.&&.
.&.&.&.&.& USE SEVENTY OF THE SAME UNIT. .&.&.&..&.
&&.&.&.&.. .&.&.&.&&.
.&.&.&.&.& .&.&.&..&.
&&.&.&.&.. ========= AHA AND ========= .&.&.&.&&.
.&.&.&.&.& .&.&.&..&.
&&.&.&.&.. CLASS IV IS APPARENTLY TOO STRONG TO .&.&.&.&&.
.&.&.&.&.& BE USED ON CLASS I PLAYERS. IT WILL .&.&.&..&.
&&.&.&.&.. SOUND TOO LOUND AND IT CANNOT BE .&.&.&.&&.
.&.&.&.&.& COMPLETELY ERASED. THIS IS VERY WELL. .&.&.&..&.
&&.&.&.&.. MAYBE SOME WONDERFUL BLENDING EFFECTS .&.&.&.&&.
.&.&.&.&.& COULD BE ACHIEVED? .&.&.&..&.
&&.&.&.&.. .&.&.&.&&.
.&.&.&.&.& THEY ALSO GNAW AT THE TAPE HEADS A BIT .&.&.&..&.
&&.&.&.&.. BETTER THAN EARLIER TAPE TYPES. .&.&.&.&&.
.&.&.&.&.& .&.&.&..&.
&&.&.&.&.. .&.&.&.&&.
.&.&.&.&.& †††††††† ARTIFACTS †††††††† .&.&.&..&.
&&.&.&.&.. .&.&.&.&&.
.&.&.&.&.& GOOD TAPES ARE DECENT AND HAVE A GOOD .&.&.&..&.
&&.&.&.&.. HIGH FREQUENCY PRESENCE, BAD TAPES ARE .&.&.&.&&.
.&.&.&.&.& LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA .&.&.&..&.
&&.&.&.&.. LIKE IT. .&.&.&.&&.
.&.&.&.&.& .&.&.&..&.
&&.&.&.&.. BIAS LOSS: IF YOU FORGET THE BIAS WHO .&.&.&.&&.
.&.&.&.&.& KNOWS WHATS EVEN ON THERE ANYMORE .&.&.&..&.
&&.&.&.&.. .&.&.&.&&.
.&.&.&.&.& FLUTTER: KINDA QUICK PITCH VARIATIONS. .&.&.&..&.
&&.&.&.&.. BEAUTIFUL, WONDERFUL, EXTRAORDINARY. .&.&.&.&&.
.&.&.&.&.& .&.&.&..&.
&&.&.&.&.. WOW: A SLOWER FLUTTER, USUALLY SEVERAL .&.&.&.&&.
.&.&.&.&.& SECONDS LONG. WHAT UP. BOTH OF THESE .&.&.&..&.
&&.&.&.&.. INCREASE WHEN TAPE SPEED DECREASES. .&.&.&.&&.
.&.&.&.&.& .&.&.&..&.
&&.&.&.&.. PRINT THROUGH: TAPES RUB SOUND ON EACH .&.&.&.&&.
.&.&.&.&.& OTHER IF THEYRE ALONE FOR TOO LONG .&.&.&..&.
&&.&.&.&.. .&.&.&.&&.
.&.&.&.&.& .&.&.&..&.
&&.&.&.&.. .&.&.&.&&.
.&.&.&.&.& .&.&.&..&.
&&.&.&.&.. .&.&.&.&&.
.&.&.&.&.& .&.&.&..&.