.¤¤.¤..... ¤¤..¤¤.¤¤¤
¤¤.¤¤¤.... ..¤.¤.¤¤..
¤.¤¤..¤... ¤.¤¤¤¤¤.¤.
¤¤¤.¤.¤¤.. ¤¤¤....¤¤¤
...¤¤¤¤.¤. ...¤...¤..
...¤...¤¤¤ @@@@ ##### ...¤¤..¤¤.
...¤¤..¤.. TAPE DREAM ¤..¤.¤.¤.¤
¤..¤.¤.¤¤. #### @@@@@ ¤¤.¤¤¤¤¤¤¤
.¤.¤¤¤¤¤.¤ ¤.¤¤......
.¤¤¤....¤¤ FOR STORING MUSIC ON. ALSO DATA BUT .¤¤.¤.....
.¤..¤...¤. AT THIS POINT IN TIME THAT'S NOT .¤.¤¤¤....
.¤¤.¤¤..¤¤ REALLY IMPORTANT I THINK. ¤¤¤¤..¤...
.¤.¤¤.¤.¤. ¤...¤.¤¤..
.¤¤¤.¤¤¤¤¤ ¤¤..¤¤¤.¤.
.¤..¤¤.... ******** TYPES OF TAPE ******** ..¤.¤..¤¤¤
¤¤¤.¤.¤... ..¤¤¤¤.¤..
¤..¤¤¤¤¤.. CLASS I - "BAD" IRON ..¤...¤¤¤.
¤¤.¤....¤. CLASS II - GOOD CHROMIUM ..¤¤..¤..¤
..¤¤¤...¤¤ CLASS III - BAD IRON PART TWO ¤.¤.¤.¤¤.¤
¤.¤..¤..¤. CLASS IV - DANGEROUS METALS ¤¤¤¤¤¤¤.¤¤
.¤¤¤.¤¤.¤¤ .......¤¤.
.¤..¤¤.¤¤. RUMORS EXIST ABOUT A SECRET CLASS V TAPE .......¤.¤
¤¤¤.¤.¤¤.¤ THAT IS ACTUALLY USEFUL. ¤......¤¤¤
...¤¤¤¤.¤¤ ¤¤.....¤..
...¤...¤¤. ** BIAS ** ..¤....¤¤.
...¤¤..¤.¤ ..¤¤...¤.¤
¤..¤.¤.¤¤¤ CLASS I USES ONE HUNDRED AND TWENTY ..¤.¤..¤¤¤
.¤.¤¤¤¤¤.. MICRO-SOMETHING WHILE THE OTHERS ALL ..¤¤¤¤.¤..
.¤¤¤....¤. USE SEVENTY OF THE SAME UNIT. ¤.¤...¤¤¤.
.¤..¤...¤¤ .¤¤¤..¤..¤
¤¤¤.¤¤..¤. ¤¤..¤.¤¤.¤
...¤¤.¤.¤¤ ********* AHA AND ********* ¤.¤.¤¤¤.¤¤
¤..¤.¤¤¤¤. .¤¤¤¤..¤¤.
¤¤.¤¤¤...¤ CLASS IV IS APPARENTLY TOO STRONG TO ¤¤...¤.¤.¤
..¤¤..¤..¤ BE USED ON CLASS I PLAYERS. IT WILL ..¤..¤¤¤¤¤
¤.¤.¤.¤¤.¤ SOUND TOO LOUND AND IT CANNOT BE ..¤¤.¤....
¤¤¤¤¤¤¤.¤¤ COMPLETELY ERASED. THIS IS VERY WELL. ¤.¤.¤¤¤...
¤......¤¤. MAYBE SOME WONDERFUL BLENDING EFFECTS ¤¤¤¤¤..¤..
¤¤.....¤.¤ COULD BE ACHIEVED? ¤....¤.¤¤.
¤.¤....¤¤¤ ¤¤...¤¤¤.¤
.¤¤¤...¤.. THEY ALSO GNAW AT THE TAPE HEADS A BIT ..¤..¤..¤¤
¤¤..¤..¤¤. BETTER THAN EARLIER TAPE TYPES. ..¤¤.¤¤.¤.
¤.¤.¤¤.¤.¤ ..¤.¤¤.¤¤¤
.¤¤¤¤.¤¤¤¤ ..¤¤¤.¤¤..
.¤...¤¤... ******** ARTIFACTS ******** ..¤..¤¤.¤.
.¤¤..¤.¤.. ¤.¤¤.¤.¤¤¤
¤¤.¤.¤¤¤¤. GOOD TAPES ARE DECENT AND HAVE A GOOD ¤¤¤.¤¤¤¤..
¤.¤¤¤¤...¤ HIGH FREQUENCY PRESENCE, BAD TAPES ARE ...¤¤...¤.
¤¤¤...¤..¤ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ...¤.¤..¤¤
...¤..¤¤.¤ LIKE IT. ...¤¤¤¤.¤.
...¤¤.¤.¤¤ ...¤...¤¤¤
¤..¤.¤¤¤¤. BIAS LOSS: IF YOU FORGET THE BIAS WHO ¤..¤¤..¤..
¤¤.¤¤¤...¤ KNOWS WHATS EVEN ON THERE ANYMORE .¤.¤.¤.¤¤.
¤.¤¤..¤..¤ ¤¤¤¤¤¤¤¤.¤
.¤¤.¤.¤¤.¤ FLUTTER: KINDA QUICK PITCH VARIATIONS. ........¤¤
¤¤.¤¤¤¤.¤¤ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ¤.......¤.
¤.¤¤...¤¤. .¤......¤¤
.¤¤.¤..¤.¤ WOW: A SLOWER FLUTTER, USUALLY SEVERAL .¤¤.....¤.
.¤.¤¤¤.¤¤¤ SECONDS LONG. WHAT UP. BOTH OF THESE ¤¤.¤....¤¤
¤¤¤¤..¤¤.. INCREASE WHEN TAPE SPEED DECREASES. ..¤¤¤...¤.
¤...¤.¤.¤. ¤.¤..¤..¤¤
.¤..¤¤¤¤¤¤ PRINT THROUGH: TAPES RUB SOUND ON EACH .¤¤¤.¤¤.¤.
.¤¤.¤..... OTHER IF THEYRE ALONE FOR TOO LONG ¤¤..¤¤.¤¤¤
¤¤.¤¤¤.... ..¤.¤.¤¤..
¤.¤¤..¤... ¤.¤¤¤¤¤.¤.
¤¤¤.¤.¤¤.. ¤¤¤....¤¤¤
...¤¤¤¤.¤. ...¤...¤..
...¤...¤¤¤ ...¤¤..¤¤.
...¤¤..¤.. ¤..¤.¤.¤.¤