,:«:%&&@## ##@&&%:«:,
,:«:%&&@## ##@&&%:«:,
,:«:%&&@## ##@&&%:«:,
,:«:%&&@## ##@&&%:«:,
,,::::&&&& &&&&::::,,
,:«:%&&@@# #### ##### #@@&&%:«:,
,:«:%&&@## TAPE DREAM ##@&&%:«:,
,:«:%&&&&& #### ##### &&&&&%:«:,
,:«:%&&&@@ @@&&&%:«:,
,:«:%&&@## FOR STORING MUSIC ON. ALSO DATA BUT ##@&&%:«:,
,:«:%&&&@# AT THIS POINT IN TIME THAT'S NOT #@&&&%:«:,
,:«:%&&@## REALLY IMPORTANT I THINK. ##@&&%:«:,
,,,::::%&& &&%::::,,,
,:«:%&&@## ##@&&%:«:,
,,,,,«%&@# :::::::: TYPES OF TAPE :::::::: #@&%«,,,,,
,:«:%&&@## ##@&&%:«:,
,,,,««%&&@ CLASS I - "BAD" IRON @&&%««,,,,
,:«:%&&@## CLASS II - GOOD CHROMIUM ##@&&%:«:,
,,,,:::%%& CLASS III - BAD IRON PART TWO &%%:::,,,,
,:«:%&&@## CLASS IV - DANGEROUS METALS ##@&&%:«:,
,:«:%&&@## ##@&&%:«:,
:«:%&&@### RUMORS EXIST ABOUT A SECRET CLASS V TAPE ###@&&%:«:
,:«:%&&@## THAT IS ACTUALLY USEFUL. ##@&&%:«:,
,,,::::%&# #&%::::,,,
,:«:%&&@@@ :: BIAS :: @@@&&%:«:,
,:«:%&&&@# #@&&&%:«:,
,,:««:::&@ CLASS I USES ONE HUNDRED AND TWENTY @&:::««:,,
,,,,,:::&& MICRO-SOMETHING WHILE THE OTHERS ALL &&:::,,,,,
,:«:%&&@## USE SEVENTY OF THE SAME UNIT. ##@&&%:«:,
,:«:%&&@## ##@&&%:«:,
,:«:%&&@## ##@&&%:«:,
,,,::::&&& %%%%%%%%% AHA AND %%%%%%%%% &&&::::,,,
,:«:%&&@@@ @@@&&%:«:,
,:«:%&&@## CLASS IV IS APPARENTLY TOO STRONG TO ##@&&%:«:,
,,,,::«:&& BE USED ON CLASS I PLAYERS. IT WILL &&:«::,,,,
,:«:%&&@## SOUND TOO LOUND AND IT CANNOT BE ##@&&%:«:,
,,,,,«:&&& COMPLETELY ERASED. THIS IS VERY WELL. &&&:«,,,,,
,:«:%&&@## MAYBE SOME WONDERFUL BLENDING EFFECTS ##@&&%:«:,
,:«:%&&@## COULD BE ACHIEVED? ##@&&%:«:,
,:«:%&&&&@ @&&&&%:«:,
,:«:%&&@## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##@&&%:«:,
,:«:%&&@## BETTER THAN EARLIER TAPE TYPES. ##@&&%:«:,
,,,«««%&&@ @&&%«««,,,
,,,,:::%%& &%%:::,,,,
,:«:%&&### :::::::: ARTIFACTS :::::::: ###&&%:«:,
,:«:::%&@@ @@&%:::«:,
,,,::%%%&# GOOD TAPES ARE DECENT AND HAVE A GOOD #&%%%::,,,
,:«:%&&@## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ##@&&%:«:,
,,,:««%&&& LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA &&&%««:,,,
,:«:%&&&&@ LIKE IT. @&&&&%:«:,
,:«:%&@### ###@&%:«:,
,:«:%&&@## BIAS LOSS: IF YOU FORGET THE BIAS WHO ##@&&%:«:,
,,,,,,::%& KNOWS WHATS EVEN ON THERE ANYMORE &%::,,,,,,
,:«:%&&@## ##@&&%:«:,
,,,,:::%&& FLUTTER: KINDA QUICK PITCH VARIATIONS. &&%:::,,,,
,,,,,,,«%& BEAUTIFUL, WONDERFUL, EXTRAORDINARY. &%«,,,,,,,
,,,,«««:%& &%:«««,,,,
,:«:%&&@## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##@&&%:«:,
,,,,«::%&# SECONDS LONG. WHAT UP. BOTH OF THESE #&%::«,,,,
,,,,,«:%&& INCREASE WHEN TAPE SPEED DECREASES. &&%:«,,,,,
,:«:%&&@## ##@&&%:«:,
,,,,:«%%&@ PRINT THROUGH: TAPES RUB SOUND ON EACH @&%%«:,,,,
,:«:%&&@## OTHER IF THEYRE ALONE FOR TOO LONG ##@&&%:«:,
,:«:%&@### ###@&%:«:,
,:«:%&&@## ##@&&%:«:,
,:«:%&&@## ##@&&%:«:,
,:«:%&&@## ##@&&%:«:,
,:«:%&&@## ##@&&%:«:,
,:«:&&@### ###@&&:«:,