.@..@...@. .@..@.....
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.@.@@.@.@. @..@@.@...
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.@..@@.... ..@@@@..@.
.@@.@.@... @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ @.@...@.@@
@@.@@@@@.. @ buildings, towers in the "golden @ @@@@..@@@.
@.@@....@. @ bay" (everything made of sandstone). @ ....@.@..@
.@@.@...@@ @ five particular houses fourty @ ....@@@@.@
@@.@@@..@. @ stories tall, hundred meters apart, @ ....@...@@
..@@..@.@@ @ in a slight arc inwards. @ ....@@..@.
..@.@.@@@. @ @ ....@.@.@@
@.@@@@@..@ @ between two mountains; to the right @ ....@@@@@.
@@@....@.@ @ and left the city climbs quickly. @ ....@....@
...@...@@@ @ the right plateau hosts a lush and @ ....@@...@
@..@@..@.. @ shaded garden which morphs into a @ @...@.@..@
.@.@.@.@@. @ terrace overlooking the sea and @ @@..@@@@.@
@@@@@@@@.@ @ the buildings. @ @.@.@...@@
........@@ @ @ @@@@@@..@.
........@. @ to the left the houses climb @ @.....@.@@
@.......@@ @ similarly but a lot of tunnels and @ @@....@@@.
@@......@. @ halls have been dug from the @ ..@...@..@
..@.....@@ @ mountain. some houses stand @ ..@@..@@.@
@.@@....@. @ completely "inside". because of cave @ @.@.@.@.@@
.@@.@...@@ @ conditions the lower floors here @ .@@@@@@@@.
.@.@@@..@. @ are covered in dark algae that the @ .@.......@
@@@@..@.@@ @ city long ago stopped trying to @ @@@......@
....@.@@@. @ remove. establishments use neon @ ...@.....@
@...@@@..@ @ signs as an accent to the dark. @ ...@@....@
.@..@..@.@ @ there's a casino. @ ...@.@...@
@@@.@@.@@@ @ there's an internet cafe. @ @..@@@@..@
...@@.@@.. @ @ .@.@...@.@
@..@.@@.@. @ most people living here have long @ @@@@@..@@@
.@.@@@.@@@ @ snouts and big ears. all space is @ .....@.@..
.@@@..@@.. @ shared (few rooms have locks or @ .....@@@@.
.@..@.@.@. @ even doors). interior design is @ .....@...@
@@@.@@@@@@ @ mostly art nouveau and made @ @....@@..@
...@@..... @ out of copper. @ .@...@.@.@
@..@.@.... @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ .@@..@@@@@
.@.@@@@... .@.@.@....
.@@@...@.. .@@@@@@...
.@..@..@@. @@.....@..
.@@.@@.@.@ @.@....@@.
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