,-^%$&¶@## ##@¶&$%^-,
,,-^%$&¶@# #@¶&$%^-,,
,,,-^%$&¶@ @¶&$%^-,,,
,,,,-^%$&¶ ¶&$%^-,,,,
,,,-^%$&¶@ @¶&$%^-,,,
,,-^%$&¶@# @@@@ ##### #@¶&$%^-,,
,-^%$&¶@## tape dream ##@¶&$%^-,
,,-^%$&¶@# #### @@@@@ #@¶&$%^-,,
,,,-^%$&¶@ @¶&$%^-,,,
,,,,-^%$&¶ for storing music on. also data but ¶&$%^-,,,,
,,,-^%$&¶@ at this point in time that's not @¶&$%^-,,,
,,-^%$&¶@# really important i think. #@¶&$%^-,,
,-^%$&¶@## ##@¶&$%^-,
,,-^%$&¶@# #@¶&$%^-,,
,,,-^%$&¶@ ^^^^^^^^ types of tape ^^^^^^^^ @¶&$%^-,,,
,,,,-^%$&¶ ¶&$%^-,,,,
,,,-^%$&¶@ class i - "bad" iron @¶&$%^-,,,
,,-^%$&¶@# class ii - good chromium #@¶&$%^-,,
,-^%$&¶@## class iii - bad iron part two ##@¶&$%^-,
,,-^%$&¶@# class iv - dangerous metals #@¶&$%^-,,
,,,-^%$&¶@ @¶&$%^-,,,
,,,,-^%$&¶ rumors exist about a secret class v tape ¶&$%^-,,,,
,,,-^%$&¶@ that is actually useful. @¶&$%^-,,,
,,-^%$&¶@# #@¶&$%^-,,
,-^%$&¶@## ^^ bias ^^ ##@¶&$%^-,
,,-^%$&¶@# #@¶&$%^-,,
,,,-^%$&¶@ class i uses one hundred and twenty @¶&$%^-,,,
,,,,-^%$&¶ micro-something while the others all ¶&$%^-,,,,
,,,-^%$&¶@ use seventy of the same unit. @¶&$%^-,,,
,,-^%$&¶@# #@¶&$%^-,,
,-^%$&¶@## ##@¶&$%^-,
,,-^%$&¶@# %%%%%%%%% aha and %%%%%%%%% #@¶&$%^-,,
,,,-^%$&¶@ @¶&$%^-,,,
,,,,-^%$&¶ class iv is apparently too strong to ¶&$%^-,,,,
,,,-^%$&¶@ be used on class i players. it will @¶&$%^-,,,
,,-^%$&¶@# sound too lound and it cannot be #@¶&$%^-,,
,-^%$&¶@## completely erased. this is very well. ##@¶&$%^-,
,,-^%$&¶@# maybe some wonderful blending effects #@¶&$%^-,,
,,,-^%$&¶@ could be achieved? @¶&$%^-,,,
,,,,-^%$&¶ ¶&$%^-,,,,
,,,-^%$&¶@ they also gnaw at the tape heads a bit @¶&$%^-,,,
,,-^%$&¶@# better than earlier tape types. #@¶&$%^-,,
,-^%$&¶@## ##@¶&$%^-,
,,-^%$&¶@# #@¶&$%^-,,
,,,-^%$&¶@ ^^^^^^^^ artifacts ^^^^^^^^ @¶&$%^-,,,
,,,,-^%$&¶ ¶&$%^-,,,,
,,,-^%$&¶@ good tapes are decent and have a good @¶&$%^-,,,
,,-^%$&¶@# high frequency presence, bad tapes are #@¶&$%^-,,
,-^%$&¶@## lofi if not outright bad. idk, i kinda ##@¶&$%^-,
,,-^%$&¶@# like it. #@¶&$%^-,,
,,,-^%$&¶@ @¶&$%^-,,,
,,,,-^%$&¶ bias loss: if you forget the bias who ¶&$%^-,,,,
,,,-^%$&¶@ knows whats even on there anymore @¶&$%^-,,,
,,-^%$&¶@# #@¶&$%^-,,
,-^%$&¶@## flutter: kinda quick pitch variations. ##@¶&$%^-,
,,-^%$&¶@# beautiful, wonderful, extraordinary. #@¶&$%^-,,
,,,-^%$&¶@ @¶&$%^-,,,
,,,,-^%$&¶ wow: a slower flutter, usually several ¶&$%^-,,,,
,,,-^%$&¶@ seconds long. what up. both of these @¶&$%^-,,,
,,-^%$&¶@# increase when tape speed decreases. #@¶&$%^-,,
,-^%$&¶@## ##@¶&$%^-,
,,-^%$&¶@# print through: tapes rub sound on each #@¶&$%^-,,
,,,-^%$&¶@ other if theyre alone for too long @¶&$%^-,,,
,,,,-^%$&¶ ¶&$%^-,,,,
,,,-^%$&¶@ @¶&$%^-,,,
,,-^%$&¶@# #@¶&$%^-,,
,-^%$&¶@## ##@¶&$%^-,
,,-^%$&¶@# #@¶&$%^-,,
,,,-^%$&¶@ @¶&$%^-,,,