,~«/$$$%%¤ ¤%%$$$/«~,
,~«/$%¤#@# #@#¤%$/«~,
,~«/$%¤¤¤# #¤¤¤%$/«~,
,,~~««$%¤@ @¤%$««~~,,
,~«/$%¤#@# #@#¤%$/«~,
,~«/$%¤#@# @@@@ ##### #@#¤%$/«~,
,,,,«««/%¤ tape dream ¤%/«««,,,,
,~«/$%¤¤¤¤ #### @@@@@ ¤¤¤¤%$/«~,
,,,~«$$%## ##%$$«~,,,
,~«/%¤#@## for storing music on. also data but ##@#¤%/«~,
,~«////%## at this point in time that's not ##%////«~,
,~«/$%¤#@# really important i think. #@#¤%$/«~,
,,,,,~~/%# #%/~~,,,,,
,,,,«//$%¤ ¤%$//«,,,,
,~«/$%¤¤¤¤ //////// types of tape //////// ¤¤¤¤%$/«~,
,~«/$%¤#@# #@#¤%$/«~,
,~«/$¤#@## class i - "bad" iron ##@#¤$/«~,
,,,,«///%# class ii - good chromium #%///«,,,,
,~«/$%¤#@@ class iii - bad iron part two @@#¤%$/«~,
,~«//$$¤## class iv - dangerous metals ##¤$$//«~,
,~«/$%¤##@ @##¤%$/«~,
,~«$%¤#@## rumors exist about a secret class v tape ##@#¤%$«~,
,~«/$%¤#@# that is actually useful. #@#¤%$/«~,
,~«/$%¤### ###¤%$/«~,
,~«/$%¤#@# // bias // #@#¤%$/«~,
,~«/$%¤#@# #@#¤%$/«~,
,,,,,,«$%# class i uses one hundred and twenty #%$«,,,,,,
,~~~///%¤¤ micro-something while the others all ¤¤%///~~~,
,,,,,,«$¤@ use seventy of the same unit. @¤$«,,,,,,
,,,,,,,«$¤ ¤$«,,,,,,,
,~~««/$$¤# #¤$$/««~~,
,~«/$%¤@## $$$$$$$$$ aha and $$$$$$$$$ ##@¤%$/«~,
,~«/$%%¤#@ @#¤%%$/«~,
,~«/$%¤#@# class iv is apparently too strong to #@#¤%$/«~,
,~«/$%¤#@# be used on class i players. it will #@#¤%$/«~,
,,,,,«$%#@ sound too lound and it cannot be @#%$«,,,,,
,~«/$%¤### completely erased. this is very well. ###¤%$/«~,
,~«/$%¤#@# maybe some wonderful blending effects #@#¤%$/«~,
,~«/$%¤#@# could be achieved? #@#¤%$/«~,
,,,~///%#@ @#%///~,,,
,,,,~/$$%¤ they also gnaw at the tape heads a bit ¤%$$/~,,,,
,~«/$%¤##@ better than earlier tape types. @##¤%$/«~,
,~~«//$$%¤ ¤%$$//«~~,
,,~~««/%¤¤ ¤¤%/««~~,,
,,,,,«$%%# //////// artifacts //////// #%%$«,,,,,
,~«/$%¤#@# #@#¤%$/«~,
,~«/$%¤### good tapes are decent and have a good ###¤%$/«~,
,,,,~~/%¤# high frequency presence, bad tapes are #¤%/~~,,,,
,,,,,,~/$¤ lofi if not outright bad. idk, i kinda ¤$/~,,,,,,
,~«/$%¤#@# like it. #@#¤%$/«~,
,~/$%¤#@## ##@#¤%$/~,
,~«/$%¤#@@ bias loss: if you forget the bias who @@#¤%$/«~,
,~«/$%¤#@# knows whats even on there anymore #@#¤%$/«~,
,,,,,~««$¤ ¤$««~,,,,,
,~«//$$%¤¤ flutter: kinda quick pitch variations. ¤¤%$$//«~,
,~«/$%¤#@# beautiful, wonderful, extraordinary. #@#¤%$/«~,
,~«/$%¤#@# #@#¤%$/«~,
,~«/$%¤@## wow: a slower flutter, usually several ##@¤%$/«~,
,~«/$%¤#@@ seconds long. what up. both of these @@#¤%$/«~,
,~«/$%¤### increase when tape speed decreases. ###¤%$/«~,
,,,,~~«/%¤ ¤%/«~~,,,,
,,,,~//$$¤ print through: tapes rub sound on each ¤$$//~,,,,
,~«/$%¤¤## other if theyre alone for too long ##¤¤%$/«~,
,~«/$%¤### ###¤%$/«~,
,~«/$%¤#@@ @@#¤%$/«~,
,,,,~«/$$¤ ¤$$/«~,,,,
,~«/$%¤#@# #@#¤%$/«~,
,,,,«///$¤ ¤$///«,,,,
,~«/$%¤#@@ @@#¤%$/«~,