,.~:%£#@## ##@#£%:~.,
,,.~:%£#@# #@#£%:~.,,
,,,.~:%£#@ @#£%:~.,,,
,,,,.~:%£# #£%:~.,,,,
,,,.~:%£#@ @#£%:~.,,,
,,.~:%£#@# #### ##### #@#£%:~.,,
,.~:%£#@## Tape Dream ##@#£%:~.,
,,.~:%£#@# #### ##### #@#£%:~.,,
,,,.~:%£#@ @#£%:~.,,,
,,,,.~:%£# For Storing Music On. Also Data But #£%:~.,,,,
,,,.~:%£#@ At This Point In Time That'S Not @#£%:~.,,,
,,.~:%£#@# Really Important I Think. #@#£%:~.,,
,.~:%£#@## ##@#£%:~.,
,,.~:%£#@# #@#£%:~.,,
,,,.~:%£#@ :::::::: Types Of Tape :::::::: @#£%:~.,,,
,,,,.~:%£# #£%:~.,,,,
,,,.~:%£#@ Class I - "Bad" Iron @#£%:~.,,,
,,.~:%£#@# Class Ii - Good Chromium #@#£%:~.,,
,.~:%£#@## Class Iii - Bad Iron Part Two ##@#£%:~.,
,,.~:%£#@# Class Iv - Dangerous Metals #@#£%:~.,,
,,,.~:%£#@ @#£%:~.,,,
,,,,.~:%£# Rumors Exist About A Secret Class V Tape #£%:~.,,,,
,,,.~:%£#@ That Is Actually Useful. @#£%:~.,,,
,,.~:%£#@# #@#£%:~.,,
,.~:%£#@## :: Bias :: ##@#£%:~.,
,,.~:%£#@# #@#£%:~.,,
,,,.~:%£#@ Class I Uses One Hundred And Twenty @#£%:~.,,,
,,,,.~:%£# Micro-Something While The Others All #£%:~.,,,,
,,,.~:%£#@ Use Seventy Of The Same Unit. @#£%:~.,,,
,,.~:%£#@# #@#£%:~.,,
,.~:%£#@## ##@#£%:~.,
,,.~:%£#@# %%%%%%%%% Aha And %%%%%%%%% #@#£%:~.,,
,,,.~:%£#@ @#£%:~.,,,
,,,,.~:%£# Class Iv Is Apparently Too Strong To #£%:~.,,,,
,,,.~:%£#@ Be Used On Class I Players. It Will @#£%:~.,,,
,,.~:%£#@# Sound Too Lound And It Cannot Be #@#£%:~.,,
,.~:%£#@## Completely Erased. This Is Very Well. ##@#£%:~.,
,,.~:%£#@# Maybe Some Wonderful Blending Effects #@#£%:~.,,
,,,.~:%£#@ Could Be Achieved? @#£%:~.,,,
,,,,.~:%£# #£%:~.,,,,
,,,.~:%£#@ They Also Gnaw At The Tape Heads A Bit @#£%:~.,,,
,,.~:%£#@# Better Than Earlier Tape Types. #@#£%:~.,,
,.~:%£#@## ##@#£%:~.,
,,.~:%£#@# #@#£%:~.,,
,,,.~:%£#@ :::::::: Artifacts :::::::: @#£%:~.,,,
,,,,.~:%£# #£%:~.,,,,
,,,.~:%£#@ Good Tapes Are Decent And Have A Good @#£%:~.,,,
,,.~:%£#@# High Frequency Presence, Bad Tapes Are #@#£%:~.,,
,.~:%£#@## Lofi If Not Outright Bad. Idk, I Kinda ##@#£%:~.,
,,.~:%£#@# Like It. #@#£%:~.,,
,,,.~:%£#@ @#£%:~.,,,
,,,,.~:%£# Bias Loss: If You Forget The Bias Who #£%:~.,,,,
,,,.~:%£#@ Knows Whats Even On There Anymore @#£%:~.,,,
,,.~:%£#@# #@#£%:~.,,
,.~:%£#@## Flutter: Kinda Quick Pitch Variations. ##@#£%:~.,
,,.~:%£#@# Beautiful, Wonderful, Extraordinary. #@#£%:~.,,
,,,.~:%£#@ @#£%:~.,,,
,,,,.~:%£# Wow: A Slower Flutter, Usually Several #£%:~.,,,,
,,,.~:%£#@ Seconds Long. What Up. Both Of These @#£%:~.,,,
,,.~:%£#@# Increase When Tape Speed Decreases. #@#£%:~.,,
,.~:%£#@## ##@#£%:~.,
,,.~:%£#@# Print through: Tapes Rub Sound On Each #@#£%:~.,,
,,,.~:%£#@ Other If Theyre Alone For Too Long @#£%:~.,,,
,,,,.~:%£# #£%:~.,,,,
,,,.~:%£#@ @#£%:~.,,,
,,.~:%£#@# #@#£%:~.,,
,.~:%£#@## ##@#£%:~.,
,,.~:%£#@# #@#£%:~.,,
,,,.~:%£#@ @#£%:~.,,,