,,,,~\\%## ##%\\~,,,,
,,,~»»\&&# #&&\»»~,,,
,~»%&#@### ###@#&%»~,
,,,,~~»%## ##%»~~,,,,
,,,~~\\%## ##%\\~~,,,
,~»\%&#@## #### ##### ##@#&%\»~,
,~»\%&#@## TAPE DREAM ##@#&%\»~,
,,,,~\&### #### ##### ###&\~,,,,
,,,»»»»%## ##%»»»»,,,
,~»\%&#@## FOR STORING MUSIC ON. ALSO DATA BUT ##@#&%\»~,
,,,,~~\%&@ AT THIS POINT IN TIME THAT'S NOT @&%\~~,,,,
,~»\%&@### REALLY IMPORTANT I THINK. ###@&%\»~,
,~»\%&#@## ##@#&%\»~,
,~»\%&#@## ##@#&%\»~,
,~»\%&#@## \\\\\\\\ TYPES OF TAPE \\\\\\\\ ##@#&%\»~,
,,,,»%&&## ##&&%»,,,,
,,,,,,»\%# CLASS I - "BAD" IRON #%\»,,,,,,
,~»\%&&&## CLASS II - GOOD CHROMIUM ##&&&%\»~,
,~»\%%%&## CLASS III - BAD IRON PART TWO ##&%%%\»~,
,~»\%&#@## CLASS IV - DANGEROUS METALS ##@#&%\»~,
,~»\%&&&## ##&&&%\»~,
,~~~»»\&#@ RUMORS EXIST ABOUT A SECRET CLASS V TAPE @#&\»»~~~,
,,,~~»\&@@ THAT IS ACTUALLY USEFUL. @@&\»~~,,,
,,,,~\\&&# #&&\\~,,,,
,~»\%&#@## \\ BIAS \\ ##@#&%\»~,
,~»\\\%### ###%\\\»~,
,~»\%&#@## CLASS I USES ONE HUNDRED AND TWENTY ##@#&%\»~,
,~»\%#@### MICRO-SOMETHING WHILE THE OTHERS ALL ###@#%\»~,
,,~~~\%%## USE SEVENTY OF THE SAME UNIT. ##%%\~~~,,
,~»\%&#@@# #@@#&%\»~,
,~»\%&###@ @###&%\»~,
,,,~»%%##@ %%%%%%%%% AHA AND %%%%%%%%% @##%%»~,,,
,,,~~~\%#@ @#%\~~~,,,
,~»\%&#@## CLASS IV IS APPARENTLY TOO STRONG TO ##@#&%\»~,
,~»\&#@### BE USED ON CLASS I PLAYERS. IT WILL ###@#&\»~,
,~»\%&#@## SOUND TOO LOUND AND IT CANNOT BE ##@#&%\»~,
,,,,~»\%## COMPLETELY ERASED. THIS IS VERY WELL. ##%\»~,,,,
,~»\\%%&&@ MAYBE SOME WONDERFUL BLENDING EFFECTS @&&%%\\»~,
,,,»»»\\&# COULD BE ACHIEVED? #&\\»»»,,,
,,,,,,»%## ##%»,,,,,,
,~»\%&#@## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##@#&%\»~,
,,,,,»%##@ BETTER THAN EARLIER TAPE TYPES. @##%»,,,,,
,,,,,,»\&@ @&\»,,,,,,
,,,,,»»»%# #%»»»,,,,,
,~»\%&&&&@ \\\\\\\\ ARTIFACTS \\\\\\\\ @&&&&%\»~,
,~»\%&#@## ##@#&%\»~,
,~»\%&#@## GOOD TAPES ARE DECENT AND HAVE A GOOD ##@#&%\»~,
,,~»\\&&## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ##&&\\»~,,
,~»\%&#@## LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ##@#&%\»~,
,~»\%&#@## LIKE IT. ##@#&%\»~,
,~»\%&&&#@ @#&&&%\»~,
,,,,,~\\%# BIAS LOSS: IF YOU FORGET THE BIAS WHO #%\\~,,,,,
,~»\%&#@@# KNOWS WHATS EVEN ON THERE ANYMORE #@@#&%\»~,
,~»\%&#### ####&%\»~,
,~»\%&##@@ FLUTTER: KINDA QUICK PITCH VARIATIONS. @@##&%\»~,
,,,,,,»\&@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @&\»,,,,,,
,,,,~~»\%# #%\»~~,,,,
,~~~»»\&@@ WOW: A SLOWER FLUTTER, USUALLY SEVERAL @@&\»»~~~,
,,,,~\%%## SECONDS LONG. WHAT UP. BOTH OF THESE ##%%\~,,,,
,~»»\\\%%# INCREASE WHEN TAPE SPEED DECREASES. #%%\\\»»~,
,,,,~~\&## ##&\~~,,,,
,,,,,~\&&@ PRINT THROUGH: TAPES RUB SOUND ON EACH @&&\~,,,,,
,~»\%&#@## OTHER IF THEYRE ALONE FOR TOO LONG ##@#&%\»~,
,,,,,,»\&# #&\»,,,,,,
,~»\%&#@## ##@#&%\»~,
,,,»»\&##@ @##&\»»,,,
,~»»»»\%&@ @&%\»»»»~,
,,,,,~\&@@ @@&\~,,,,,
,~»\%&#@## ##@#&%\»~,