.~=††%#@## ##@#%††=~.
¨,.~*=££## ##££=*~.,¨
.,«^%%¶@## ##@¶%%^«,.
.,-~^§%### ###%§^~-,.
,,~;^%¶@## ##@¶%^;~,,
...»:^%£@# statuette #@£%^:»...
¨,»†*£#@## ##@#£*†»,¨
,,^=^†%@## £¤££*$£££¤¤$§%@@»«~»~»«~£$¤*%&$£§@@&%$§§ ##@%†^=^,,
¨,»^=&@### £@%@£$%£& ###@&=^»,¨
...~*%@@## ##@@%*~...
,~~^^%@@## forests around my childhood home. thick ##@@%^^~~,
,¨-=\%§¶## pine arcades that were planted and ##¶§%\=-¨,
,~«:§%¶### forgotten. wild boars roaming ###¶%§:«~,
.,,~*=££## underneath, sniffing at the ground. it ##££=*~,,.
.,~:^@£### is dark and moist, the canopy having ###£@^:~,.
¨,~=/§%@## already soaked up all the sun. ##@%§/=~,¨
.,=/$@¶### ###¶@$/=,.
¨,.=/†§¶## there's a river passing by, from east ##¶§†/=.,¨
¨,»=*$@@## to west, getting broader and deeper and ##@@$*=»,¨
..,»*^$### slower as it goes. equisetum grow just ###$^*»,..
.:«/§*#@## where the pine hands start to let ##@#*§/«:.
¨,^=^**£@# through light, horsemint on the rocky #@£**^=^,¨
,~«=%¤@### river bed. ###@¤%=«~,
¨¨,~:*%@@# #@@%*:~,¨¨
.:-=%§¶### : ###¶§%=-:.
,,.-\%&@## ##@&%\-.,,
.:-\†@## the riverbanks reek of magic. tonight ##@#&†\-:.
¨,.»^$§### they had been a swampworld with sylvan ###§$^».,¨
..=\$@@### water, stone rings and floating moss. ###@@$\=..
.¨:-†$$£## you could've found me wallowing around ##£$$†-:¨.
¨-»^†£@@## on the southern shores until i got ##@@£†^»-¨
,¨~~*†@@@# bitten. #@@@†*~~¨,
.,~\%$#### ####$%\~,.
¨,^~\§¤### but now i'm further back, on solid ###¤§\~^,¨
¨~=;^### ground, in shoulder-high grass, with an ####&^;=~¨
,.:»\%%¶@# orange tin radio and a translucent #@¶%%\»:.,
.:~^%&@### umbrella which i'm sitting on. ###@&%^~:.
,¨^~\†*#@# #@#*†\~^¨,
¨^»*%§#### ^ ####§%*»^¨
¨,-«;$§¶## ##¶§$;«-,¨
¨.~/$*#### somethings moving in the grass. it's ####*$/~.¨
.¨-~†*£@@# invisible to my eyes but i can feel #@@£*†~-¨.
¨:-\*$#### through the ground just how large it is. ####$*\-:¨
¨.-~/*&£## ##£&*/~-.¨
¨,~†%&@@## the soil is muddy. i slip when trying ##@@&%†~,¨
,¨-»*^*@## to get up, still looking at the ##@*^*»-¨,
,,=/%$@### direction of sound rather than at my ###@$%/=,,
..-~=$$¶@# hands, who are busy putting things in #@¶$$=~-..
¨:«^%@#@## my pockets. ##@#@%^«:¨
.¨~=:%¤@## ##@¤%:=~¨.
..-**£#### then i run east toward my home. ####£**-..
.,:-;^## ###&^;-:,.
¨:~;%*£@## : ##@£*%;~:¨
,¨:=†^%@## ##@%^†=:¨,
,^~;$$£### i am not followed, and slow down in the ###£$$;~^,
,.-«†^§£@# clearing where you at first can spot #@£§^†«-.,
.^»^$$@### the house, not yet really in the ###@$$^»^.
,,,-\=%@## backyard. from my pockets i retrieve my ##@%=\-,,,
.,-/*$£@## radio (now dented) but also a small ##@£$*/-,.
,¨^=*=@@## clay figure i've never seen before. it ##@@=*=^¨,
¨~~;^&£### must have been laying in the wet dirt, ###£&^;~~¨
¨¨.~/%%@## and i must've picked it up with my ##@%%/~.¨¨
¨^~/^%£@## other belongings. ##@£%^/~^¨
,,~-^=£#@# #@#£=^-~,,
,~«/§§#@## it's a statuette of a girl laying naked ##@#§§/«~,
,¨,~=*££## on her stomach, feet in the air, ##££*=~,¨,
¨,«\^¤@### roughly seven centimeters long. it's ###@¤^\«,¨
¨,,-:$§£## freshly made, not yet completely dried. ##£§$:-,,¨
¨,=/*£#### ####£*/=,¨
.,-=/†£### my mom is here now. i ask her for some ###£†/=-,.
¨,~*^§#### particle board for it to dry on, but ####§^*~,¨
¨.,~\=%@## she is worried and wants me to ##@%=\~,.¨
.~«^†*@@## throw it away. ##@@*†^«~.
¨¨~=/*$£## ##£$*/=~¨¨
..»†§%@### ###@%§†»..
¨,,=:§%@@# #@@%§:=,,¨
¨~~:=%¶@## ##@¶%=:~~¨
..,=\§£@@# #@@£§\=,..
.,»/%*@### ###@*%/»,.