¨.,,¨..¨.¨ ¨.,,¨..¨¤.
#¤@#§¤££&§ @&¤@#¤£.,,
,§¤&¤@#£ .@££¤#,.¤,
,¨#@¤@#&§& ¨.#££¨,¨,¨
#¨,@#§§§@¤ ,.,@¨,§@
,¨,.¤£@¤#£ statuette ¤#¨..,¨£&¤
.£¤¨¨£&§#§ ..,§&¤¨¨&,
¨..¨¨,##§¤ &%%%$£¤&@£&$@¤%*=»«=-~«-£§$$¤$*§%%%@$@§§ £§,¨£.,¨,¨
£#@#&..§@. *%$&$*@*$ £¨.,¨¨&¤##
£@£§,,.,,. ,,#¤#,.§¤@
¤£¤..#¤§&§ forests around my childhood home. thick .¨.§,¨..@@
@#¨¨..#£&@ pine arcades that were planted and #@¨¨.§#¨.#
@..§&¨.¤§. forgotten. wild boars roaming #,¨§¨,..,,
.,,.¨.,... underneath, sniffing at the ground. it ,¨.,.¤§£#.
¤#@§@§¤§§¤ is dark and moist, the canopy having ,##@¨,£&¨,
¨¤¤¤##¤£@¤ already soaked up all the sun. ¨¨&,¨.,.,.
.,£¤¤&&§@& &...¤£&@£@
,.,#£§@§§¤ there's a river passing by, from east ¨,§¨¨£§¤¤,
#§.,¤££@£¤ to west, getting broader and deeper and ¨,.,.¨£#.,
.,.¨.§#¤&@ slower as it goes. equisetum grow just ££¤@#¨,,¨¨
#&@£¨.#&@. where the pine hands start to let £@§#..@#&¤
@£§,¨¨,&.. through light, horsemint on the rocky @@§.,,,&
¤§,,@&¨,,& river bed. &§¨,##.¨&£
§,.....#¨. §,¨¨,¨,¨¨¤
,¨&&£@,¨.. \ .,§#§£¤#.¨
§¨,#§..@&& ¨.,¤¤#@¨,§
,.¨,,¨.¨#, the riverbanks reek of magic. tonight ¤#¨,&£,¨,,
#£&§#@#.,. they had been a swampworld with sylvan ,,...¨.¤&@
£§§££#.,§§ water, stone rings and floating moss. ¤§§§£@¨,¤§
§#&£§.¨,¨@ you could've found me wallowing around .#@&&,,¨.&
@&£§¨,#@,, on the southern shores until i got ¨¨¤@.,£@.,
¨£¤¨¨,¨,¨¨ bitten. ..,,¨,¨¨,,
,¨,.@###@& £&¤¤@¤£&
,@@¨.§&@¤§ but now i'm further back, on solid @£&£#§£#§,
,,¨¨,¨@& ground, in shoulder-high grass, with an &¤£§&¤,¨
#§§£#,,§£¤ orange tin radio and a translucent .##@#£¤,,¤
@#§@¨...£# umbrella which i'm sitting on. ,¨##£&,.¨.
.#¤¨,@¤.¨£ §,.¤§..£§,
¨.,¨,,..¨. ^ ,,¨,¨.¨¨¨,
@#&@¤§&@@@ ¤§@@§£##
¤§¤§££@&&@ somethings moving in the grass. it's @&§££#¤§&£
§§¤##£@§ invisible to my eyes but i can feel £¤&¤@&¤§
&¤¤@£&@§#@ through the ground just how large it is. &&££¤£
@¤@#@@£@&£ #£@§££§#&¤
¤¤¤@§¤£##& the soil is muddy. i slip when trying ¤&¤¤&@£#&£
@&&¤@§§§ to get up, still looking at the £¤¤¤££@&
§@¤&£¤¤& direction of sound rather than at my @¤§@&£¤###
@¤@§§¤&££¤ hands, who are busy putting things in @£¤¤@£@¤£@
£&@£§&£§ my pockets. &¤@£#@§££¤
§£§§¤&§£££ #@§@&&£&@&
¤&£@£&§£§§ then i run east toward my home. £££§#¤#@&§
¤£#&§&¤#¤@ £@¤@&¤@@¤£
£&¤§&¤#§ : #¤¤¤@¤&@§§
&§@§£@#@££ &¤¤@&&¤¤¤¤
@@¤§£¤¤&@@ i am not followed, and slow down in the &@@¤£#£§£@
£§§§@£§§@@ clearing where you at first can spot @@@§@¤&@§§
§@§&¤£¤@ the house, not yet really in the ££§§§#@@£§
#&@§§#¤¤ backyard. from my pockets i retrieve my §#¤&@#§¤£#
@§§&¤@@£¤& radio (now dented) but also a small £#§£&@§#
¤@&&¤¤¤§§& clay figure i've never seen before. it ¤#&£@§§¤#¤
¤£@#¤#£¤#£ must have been laying in the wet dirt, §@¤¤§@#£@#
@#§¤@§£§ and i must've picked it up with my £@#§#£#£§&
@&££@#£¤¤@ other belongings. @¤§¤#£#@¤¤
££#@@££#§§ #@#¤&&§&§@
§¤#@¤£§§¤§ it's a statuette of a girl laying naked #¤&@&£#£¤@
¤#@@§¤#@## on her stomach, feet in the air, ¤&&§#@§#£&
¤§££§@#&&@ roughly seven centimeters long. it's £&£¤#£¤¤@¤
#£#£££&§¤£ freshly made, not yet completely dried. @¤@¤#¤#&
§£##§§¤§¤@ §¤&&¤&&&§&
&¤#¤#££&@@ my mom is here now. i ask her for some £#§##£¤§
¤#&§¤§¤£¤& particle board for it to dry on, but @££&¤§¤@
£§@£&£@¤#@ she is worried and wants me to §§§&&¤§#¤&
&£§@£@£§§¤ throw it away. £&&¤¤§##¤£
#§§£#¤§§ ¤££¤¤&&£
£#§&£&@£§@ @¤@&&£§¤&¤
£##£§&@#¤& §#£¤¤@£§
&@##&&¤& #@@#@¤@¤
¤£§§§£¤@@£ @#£§¤£&§§¤
#§@§£&§§§£ ¤§&£§££§¤§