¨^-†*$££## ##££$*†-^¨
¨.~:*££¶## ##¶££*:~.¨
,,==†$££@# #@££$†==,,
,,-:*@¶@## ##@¶@*:-,,
,,«†^%@#@# #@#@%^†«,,
¨..,~~^# statuette ##&^~~,..¨
¨^~/§§#@## ##@#§§/~^¨
..»;†%§### $%%§@¤%$%%¤%$%§¤«»»==~«=%%%££§$%¤$$%%¤$£ ###§%†;»..
,,~*†£¤#@# @$%¤&&@*§ #@#¤£†*~,,
¨,-:=¤#### ####¤=:-,¨
¨-~^†£¤@## forests around my childhood home. thick ##@¤£†^~-¨
,,~;^¤&§#@ pine arcades that were planted and @#§&¤^;~,,
...,~\*$#@ forgotten. wild boars roaming @#$*\~,...
¨:~/%%## underneath, sniffing at the ground. it ###&%%/~:¨
.,~\%*¤### is dark and moist, the canopy having ###¤*%\~,.
¨:-:§%§#@# already soaked up all the sun. #@#§%§:-:¨
¨--=^@§### ###§@^=--¨
.¨,.~»=&£# there's a river passing by, from east #£&=»~.,¨.
,...~«^%&& to west, getting broader and deeper and &&%^«~...,
¨:-/†£#¶£# slower as it goes. equisetum grow just #£¶#£†/-:¨
.¨,~~†^=§# where the pine hands start to let #§=^†~~,¨.
..,¨«»/£@£ through light, horsemint on the rocky £@£/»«¨,..
¨.¨¨~=*=†@ river bed. @†=*=~¨¨.¨
.~~=»†@£@# #@£@†»=~~.
.,.,~;/%## * ##%/;~,.,.
.^~†%¤#@@# #@@#¤%†~^.
,¨.»~-%%£@ the riverbanks reek of magic. tonight @£%%-~».¨,
.....,~^%£ they had been a swampworld with sylvan £%^~,.....
,¨,¨~^†*$& water, stone rings and floating moss. &$*†^~¨,¨,
..,-/%¤£¤£ you could've found me wallowing around £¤£¤%/-,..
.^»/*£@@#@ on the southern shores until i got @#@@£*/»^.
¨~~†^@¤#@# bitten. #@#¤@^†~~¨
.:~=%§£#@# #@#£§%=~:.
,:=:^%£@ but now i'm further back, on solid @£#&%^:=:,
,.~**@¶### ground, in shoulder-high grass, with an ###¶@**~.,
,,~;=%§$#@ orange tin radio and a translucent @#$§%=;~,,
¨~«:=$@¶## umbrella which i'm sitting on. ##¶@$=:«~¨
.~~/*&@#@# #@#@&*/~~.
.,~/%%£@¤# ^ #¤@£%%/~,.
¨,¨¨..*§£# #£§*..¨¨,¨
,¨.^,«\$@@ somethings moving in the grass. it's @@$\«,^.¨,
¨,~/*$¤@%& invisible to my eyes but i can feel &%@¤$*/~,¨
¨¨.,=^%£@@ through the ground just how large it is. @@£%^=,.¨¨
¨:~;§&¤@## ##@¤&§;~:¨
.,.^,†*¤#§ the soil is muddy. i slip when trying §#¤*†,^.,.
.~:$%##### to get up, still looking at the #####%$:~.
,,«\$%#### direction of sound rather than at my ####%$\«,,
.:=\*$£@@# hands, who are busy putting things in #@@£$*\=:.
,.-/§§@£@@ my pockets. @@£@§§/-.,
.-=*^$&§¤# #¤§&$^*=-.
.,.-*†£££# then i run east toward my home. #£££†*-.,.
.:~†§%#@## ##@#%§†~:.
,,~;§&£@£# † #£@£&§;~,,
¨-«\†£*%§# #§%*£†\«-¨
¨:==^%¤§#@ i am not followed, and slow down in the @#§¤%^==:¨
¨-===$*^$@ clearing where you at first can spot @$^*$===-¨
¨,~^§£&¶@# the house, not yet really in the #@¶&£§^~,¨
,~»;%$@### backyard. from my pockets i retrieve my ###@$%;»~,
¨~«:†§£@## radio (now dented) but also a small ##@£§†:«~¨
...,»=*&$¶ clay figure i've never seen before. it ¶$&*=»,...
¨~;§§§#### must have been laying in the wet dirt, ####§§§;~¨
,,-;%%#@## and i must've picked it up with my ##@#%%;-,,
,,~;=%&@## other belongings. ##@&%=;~,,
,.-\†$£### ###£$†\-.,
.,=*=&¤#@# it's a statuette of a girl laying naked #@#¤&=*=,.
,,~^^¤§@#@ on her stomach, feet in the air, @#@§¤^^~,,
,-«†£§£### roughly seven centimeters long. it's ###£§£†«-,
¨,=:†%#¶## freshly made, not yet completely dried. ##¶#%†:=,¨
,,~~/=*†*@ @*†*=/~~,,
,,.,*:**§£ my mom is here now. i ask her for some £§**:*,.,,
¨-=^%£@### particle board for it to dry on, but ###@£%^=-¨
¨-~*%£@£## she is worried and wants me to ##£@£%*~-¨
,-«/†£§@## throw it away. ##@§£†/«-,
,~~/%@£### ###£@%/~~,
,,==%*¤#&£ £¤*%==,,
,....:~*$¤ ¤$*~:....,
¨.~/%*§@@# #@@§*%/~.¨
¨.-»~~**¤@ @¤**~~»-.¨
,¨.,¨,== #&==,¨,.¨,