¨.¨¨.~%¤ #&¤%~.¨¨.¨
.:-††=†$%& &%$†=††-:.
,,-/^%&@## ##@&%^/-,,
,.=/%$#£## ##£#$%/=.,
,.,¨~*%$## ##$%*~¨,.,
¨^»†=£@¶## statuette ##¶@£=†»^¨
¨~^:,/£¤¤# #¤¤£/,:^~¨
,:~\*§%%§@ %@£§£¤££%%$¤§@£$=---~~«-*$%£$&%&$%&$$$*¤ @§%%§*\~:,
,,,,,/*¤¤¶ *%%$*$%$* ¶¤¤*/,,,,,
¨,,~«»*;£# #£;*»«~,,¨
.¨,~«=$££# forests around my childhood home. thick #££$=«~,¨.
.¨,¨^~-=§¶ pine arcades that were planted and ¶§=-~^¨,¨.
¨¨,^,:*%$# forgotten. wild boars roaming #$%*:,^,¨¨
¨,¨,,\^$%@ underneath, sniffing at the ground. it @%$^\,,¨,¨
.,.¨¨==¤#@ is dark and moist, the canopy having @#¤==¨¨.,.
¨-«=~~^&@@ already soaked up all the sun. @@&^~~=«-¨
,:~:§$&@#@ @#@&$§:~:,
¨:~†^@#@ there's a river passing by, from east @#@#&^†~:¨
,~»\^£&¶## to west, getting broader and deeper and ##¶&£^\»~,
.:»†=$## slower as it goes. equisetum grow just ###&$=†»:.
.¨.:~\%&$£ where the pine hands start to let £$&%\~:.¨.
¨,¨:~\¤£*@ through light, horsemint on the rocky @*£¤\~:¨,¨
¨:=†$@¤£@# river bed. #@£¤@$†=:¨
¨-~:*££¶## ##¶££*:~-¨
.,»\*¤@¶£# ^ #£¶@¤*\»,.
.-~:^%§@££ ££@§%^:~-.
,,-:%¤@£@# the riverbanks reek of magic. tonight #@£@¤%:-,,
.¨¨,-%£¤#§ they had been a swampworld with sylvan §#¤£%-,¨¨.
,.¨,~«^§$¶ water, stone rings and floating moss. ¶$§^«~,¨.,
¨.,¨~\£%¤# you could've found me wallowing around #¤%£\~¨,.¨
¨,¨,¨.\%¤# on the southern shores until i got #¤%\.¨,¨,¨
,¨.«»:\%¤§ bitten. §¤%\:»«.¨,
¨¨¨.~,/=*¶ ¶*=/,~.¨¨¨
.,.:=-†% but now i'm further back, on solid #&%†-=:.,.
....-;:&@# ground, in shoulder-high grass, with an #@&:;-....
¨.,,==%^## orange tin radio and a translucent ##^%==,,.¨
,.~=*£&@§@ umbrella which i'm sitting on. @§@&£*=~.,
.,,«-†%^£# #£^%†-«,,.
,,¨,=$£%#@ ^ @#%£$=,¨,,
,..~~*=*=# #=*=*~~..,
¨,.~~%$£#@ somethings moving in the grass. it's @#£$%~~.,¨
,,~*%#@# invisible to my eyes but i can feel #@##&%*~,,
,.¨,¨.«;%# through the ground just how large it is. #%;«.¨,¨.,
,,,¨,~«$&¶ ¶&$«~,¨,,,
.-~*§&¤### the soil is muddy. i slip when trying ###¤&§*~-.
¨^~:%%§@@# to get up, still looking at the #@@§%%:~^¨
.,~:*%£@## direction of sound rather than at my ##@£%*:~,.
.¨¨,«\*%§£ hands, who are busy putting things in £§%*\«,¨¨.
,~~/*%@# my pockets. #@#&%*/~~,
,-«=%¤@@@# #@@@¤%=«-,
.,«==:†§¤# then i run east toward my home. #¤§†:==«,.
¨-~;*§§¤## ##¤§§*;~-¨
.~=;**@# \ #@#&**;=~.
.:-\%%£##@ @##£%%\-:.
¨.-*%%@@@# i am not followed, and slow down in the #@@@%%*-.¨
,-=†££@### clearing where you at first can spot ###@££†=-,
,¨^,^†\*&¤ the house, not yet really in the ¤&*\†^,^¨,
,.»;$$&£## backyard. from my pockets i retrieve my ##£&$$;».,
,,,^-%^§£# radio (now dented) but also a small #£§^%-^,,,
.^»††£¤#@# clay figure i've never seen before. it #@#¤£††»^.
..=;†*£### must have been laying in the wet dirt, ###£*†;=..
..¨..»^*¤@ and i must've picked it up with my @¤*^»..¨..
¨,,¨-~;§¤¤ other belongings. ¤¤§;~-¨,,¨
,,~:=§¤&@@ @@&¤§=:~,,
.~==§%£### it's a statuette of a girl laying naked ###£%§==~.
,¨,,,=*@&¶ on her stomach, feet in the air, ¶&@*=,,,¨,
¨.¨¨,.~$@£ roughly seven centimeters long. it's £@$~.,¨¨.¨
,.,,^~=*£# freshly made, not yet completely dried. #£*=~^,,.,
¨.,¨,;*#§@ @§#*;,¨,.¨
¨~~:=@¤@## my mom is here now. i ask her for some ##@¤@=:~~¨
¨,,¨:\\¤§£ particle board for it to dry on, but £§¤\\:¨,,¨
.,=†^%## she is worried and wants me to ###&%^†=,.
¨^»:^^%§£# throw it away. #£§%^^:»^¨
,,~/\/%@@# #@@%/\/~,,
¨¨,.,~:£*§ §*£:~,.,¨¨
,:»†*### ####&*†»:,
.,-:%£¤##@ @##¤£%:-,.
.:-†%£@### ###@£%†-:.
,^=\†*¤@£# #£@¤*†\=^,