,,»;=%*§&¶ ¶&§*%=;»,,
,¨.,.¨-;*@ @*;-¨.,.¨,
.~=^^£#@## ##@#£^^=~.
¨:«/§$#¶£@ @£¶#$§/«:¨
,~«/%§#@## ##@#§%/«~,
¨¨..,.^*## statuette ##*^.,..¨¨
¨,»:=@##@# #@##@=:»,¨
¨,,«^†=^¤£ $£¤$£%@@@%%%%%*§«=---»~-%¤§£%$§%%%@*£$¤$ £¤^=†^«,,¨
.-~;%%&¶## %*§*@$*%$ ##¶&%%;~-.
,-=†$§£§#¶ ¶#§£§$†=-,
,,.^..†$@# forests around my childhood home. thick #@$†..^.,,
¨,-*¤§¶@## pine arcades that were planted and ##@¶§¤*-,¨
,,-/^¤#£## forgotten. wild boars roaming ##£#¤^/-,,
.,~/†&&@@# underneath, sniffing at the ground. it #@@&&†/~,.
.¨¨¨.-~†¤£ is dark and moist, the canopy having £¤†~-.¨¨¨.
..¨:††£££# already soaked up all the sun. #£££††:¨..
,-«*†£&£@@ @@£&£†*«-,
.,-**$¤#@# there's a river passing by, from east #@#¤$**-,.
¨,-~~$=§## to west, getting broader and deeper and ##§=$~~-,¨
¨--:%£@@## slower as it goes. equisetum grow just ##@@£%:--¨
,¨.¨¨,»\£§ where the pine hands start to let §£\»,¨¨.¨,
¨..~~†%£#@ through light, horsemint on the rocky @#£%†~~..¨
,~»^*%&¤¤£ river bed. £¤¤&%*^»~,
..¨,,,-=§¤ ¤§=-,,,¨..
,,~\§&§#@# ; #@#§&§\~,,
,,«^†@#### ####@†^«,,
¨-~\$$§¶## the riverbanks reek of magic. tonight ##¶§$$\~-¨
.,=;§@¤### they had been a swampworld with sylvan ###¤@§;=,.
.:-†@£#### water, stone rings and floating moss. ####£@†-:.
.^~:$%¤#£# you could've found me wallowing around #£#¤%$:~^.
.,«/†%$£%£ on the southern shores until i got £%£$%†/«,.
.^»:†§&¶@# bitten. #@¶&§†:»^.
,..¨.«~*£@ @£*~«.¨..,
..,~=~^**@ but now i'm further back, on solid @**^~=~,..
,,=\^££¶## ground, in shoulder-high grass, with an ##¶££^\=,,
¨~~/^£&@## orange tin radio and a translucent ##@&£^/~~¨
¨,^,~/^&$¤ umbrella which i'm sitting on. ¤$&^/~,^,¨
.~~=%§&¶## ##¶&§%=~~.
¨--*†$£¶@@ : @@¶£$†*--¨
¨¨.:»=&# ##&&=»:.¨¨
,,~==#£@## somethings moving in the grass. it's ##@£#==~,,
.:-=§¤@& invisible to my eyes but i can feel #&&@¤§=-:.
.^»/%@#### through the ground just how large it is. ####@%/»^.
,.,¨,.~†£@ @£†~.,¨,.,
,,«\%£¤### the soil is muddy. i slip when trying ###¤£%\«,,
¨¨^~/$%§@& to get up, still looking at the &@§%$/~^¨¨
¨¨¨,,^=&*§ direction of sound rather than at my §*&=^,,¨¨¨
,¨../^$£## hands, who are busy putting things in ##£$^/..¨,
,^==§$@### my pockets. ###@$§==^,
¨,«/^@%$§# #§$%@^/«,¨
.,,,,.~$&£ then i run east toward my home. £&$~.,,,,.
¨-~:$&£### ###£&$:~-¨
.:~^$§££## : ##££§$^~:.
.-=;†¤@£@# #@£@¤†;=-.
¨^=;^%@£@# i am not followed, and slow down in the #@£@%^;=^¨
¨:»/%%£@## clearing where you at first can spot ##@£%%/»:¨
¨~=†%$¤### the house, not yet really in the ###¤$%†=~¨
.-»*%£#### backyard. from my pockets i retrieve my ####£%*»-.
..,,-*§%$¶ radio (now dented) but also a small ¶$%§*-,,..
.,=/§$#### clay figure i've never seen before. it ####$§/=,.
,.«^=%## must have been laying in the wet dirt, ###&%=^«.,
¨:-\%¤§@## and i must've picked it up with my ##@§¤%\-:¨
.-~/§%@# other belongings. #@#&%§/~-.
,¨¨¨¨,,:%# #%:,,¨¨¨¨,
¨¨^,=$*§%# it's a statuette of a girl laying naked #%§*$=,^¨¨
¨.-\%§¤#@# on her stomach, feet in the air, #@#¤§%\-.¨
,..¨~††%£# roughly seven centimeters long. it's #£%††~¨..,
,^~†§$%&@¶ freshly made, not yet completely dried. ¶@&%$§†~^,
.^=;%$#### ####$%;=^.
,-~:§£@¶@# my mom is here now. i ask her for some #@¶@£§:~-,
.,«/%¤#### particle board for it to dry on, but ####¤%/«,.
.:~«=\*@#£ she is worried and wants me to £#@*\=«~:.
,^«*^&£### throw it away. ###£&^*«^,
,.»==$#### ####$==».,
¨.¨.,.^«^§ §^«^.,.¨.¨
.:-\§@£### ###£@§\-:.
.-=/$%***# #***%$/=-.
,,-=/=§@ @#&§=/=-,,
,:~/§&$$## ##$$&§/~:,