.¤@,¨¨.,.# ¨,§@¨..¨.,
,¨,.@@@£,. ,¨,.,#@@#¤
.&§¨,#£¨¨@ §&£¤¨,@¤#.
...,.,..¨. £#£,¨.,@¨,
£¤@@¤#¤&§£ ¤§¨¨##,..#
&&&£¤&£§§& statuette @¨.¨,¨.&¨.
.§#@¤§¤#&¤ .¨###£,.,.
¨¨¤¤@§§#§& %£&§$£@$£%%£¤&*%~=~=~«~«£¤@§&%&¤@£$£$£&@ £..@¤..@£#
.,,@¤£¤£ *$¤*&&¤£$ ¨.,¨¨¨¨¨#.
&&..£&£@£@ &&£##@§,¨.
.,.¨,#£§@£ forests around my childhood home. thick ££@@@§,.§.
¤££&..¤&§£ pine arcades that were planted and .@§@&¨..¨,
,#£,.,¨¤¤£ forgotten. wild boars roaming ,¨£#¨,£§&.
¨..,¤¤¨¨ underneath, sniffing at the ground. it §¨¨.¨,¨¤¨¨
&&£.,¨,.,# is dark and moist, the canopy having ¨,&&§¤...§
§&.,§§§§,¨ already soaked up all the sun. £.,&§,,@¨,
.¨..¨§§¨,¤ ,¨..,¨.¨..
&§¤¤,¨,... there's a river passing by, from east &¤§¤§£§#
¤&&¨¨##§£# to west, getting broader and deeper and ¤#£§¤§@§
¤§,,¨,###@ slower as it goes. equisetum grow just @¤§¤&@¤§¤§
£¨,#&¨.££¤ where the pine hands start to let £@#£@¤¤@
¨,,,¨...&£ through light, horsemint on the rocky .#&&@£#&¤&
,£§¤§#&..@ river bed. ,.#¤&&£¨
..¤§#@,¨¨, .,¨£¤@§¤¨¨
#¨.¤#,¨£@§ † #§¨.§£&,¨¤
..,.,¨,.¤# ¨¨.,,@,...
@§¤¤¤¨,& the riverbanks reek of magic. tonight §¤§#.¨¨§#¤
££@@§#¨.¨¨ they had been a swampworld with sylvan #.,£¨¨¤#
§£###,.@#£ water, stone rings and floating moss. §¤,¨.¨.,,£
@§&¤.¨,,¤@ you could've found me wallowing around .,.@&&££..
,££,¨£#..& on the southern shores until i got ##¨¨@§#,.¨
¨.¨.,,.¨¨, bitten. ¨.¨,.&,.¤@
.§§@&&¤@#. @#@£¨¨,,,.
¨,£&&£¨. but now i'm further back, on solid &¤¤.,£¤#¤¤
.¨.£#¤§¨.. ground, in shoulder-high grass, with an £@.¨¨¨&§&.
£&¨,££..£& orange tin radio and a translucent @.,@¤¨,¤¨¨
,¨.¨,.¨..¨ umbrella which i'm sitting on. .,,..¨,¨¨.
#¤#£¤##&@¤ @&§@£@#£&¤
@@§£&£#£§£ † ¤@¤§&¤@§
#£§££§¤@@& @#@£¤¤§&¤&
&@£&@§¤§#§ somethings moving in the grass. it's ¤#¤#§¤@¤
¤&¤##£#£#§ invisible to my eyes but i can feel §£@##&@§¤&
#§#&¤£@§§§ through the ground just how large it is. &@¤¤@£¤&&§
#@¤@¤§@@£& §@@§@¤£§@@
£&@#¤£¤£££ the soil is muddy. i slip when trying £@¤##¤£#§£
¤@&@#&£&§@ to get up, still looking at the @§&¤##&§§@
@&§¤@¤#@¤@ direction of sound rather than at my #£££¤#£##£
£#¤§¤¤¤§@# hands, who are busy putting things in £&&&@££§£#
#@¤£§¤@¤§¤ my pockets. ¤£@£@£&¤§£
@&£§¤§£¤¤& ££#@¤&
&§£¤@@#& then i run east toward my home. &@¤&£¤#£@&
¤&§#&£¤§£& @#@#&£#£¤&
&¤&§&§¤#@& / £@@§&&¤@&@
&§@¤§££&¤¤ ¤@&£&@&§@@
&¤£§#@££§£ i am not followed, and slow down in the &£§§§@&¤
¤@@##£¤¤## clearing where you at first can spot ¤#&£££@££¤
¤#&&&£££&& the house, not yet really in the #¤§#@§§#§@
@§§#£@&£@@ backyard. from my pockets i retrieve my §@@&§&§&§¤
&§§@§#@§§¤ radio (now dented) but also a small £#£##¤&§#£
£#¤£¤@¤@ clay figure i've never seen before. it @§@¤¤¤#@¤@
&¤@@£@§¤&§ must have been laying in the wet dirt, &£@£¤£@@&&
¤£§@@§§§@@ and i must've picked it up with my £§&&£#@&
&¤@£§££@§¤ other belongings. #&£@&&@¤&§
#&§¤&@§@££ ¤#&@£¤
#§@&@&¤¤ it's a statuette of a girl laying naked §&£§£¤&¤£@
¤@#£§¤¤¤ on her stomach, feet in the air, @#¤££@¤£¤@
¤&@§#@£&¤@ roughly seven centimeters long. it's @£¤£@¤¤&
£@@#¤£§£ freshly made, not yet completely dried. §£¤§#§
§¤@@£##£## §@#£¤@&@£§
&@#££&££@§ my mom is here now. i ask her for some £¤£¤§¤¤£§&
@§@§¤£@£&¤ particle board for it to dry on, but ¤§¤§¤#§££§
#@¤#&@##&¤ she is worried and wants me to ¤£@£#£
&§§§@#¤& throw it away. @&£&£@@#@£
§££¤§#§& @£@§@£§@£#
£££&&£££@# #@¤#&&£#§§
§§£§¤#£§ §§##£##¤§¤
&@£&§#§# &&¤£¤£##£#
#&£§§§##££ §#¤§&@#&¤§
@&§&&@§##¤ £#§#§£#§¤&