,,=:*&§@## ##@§&*:=,,
,,,=:*&§@# #@§&*:=,,,
,,=:*&§@## ##@§&*:=,,
,,,=:*&§@# #@§&*:=,,,
,,=:*&§@## ##@§&*:=,,
,,,=:*&§@# the last song on side b (and to some #@§&*:=,,,
,,=:*&§@## extent the first song on side a) talks ##@§&*:=,,
,,,=:*&§@# for the whole album, not just their #@§&*:=,,,
,,=:*&§@## side. the last song on side b is ##@§&*:=,,
,,,=:*&§@# probably the most important #@§&*:=,,,
,,=:*&§@## opportunity, the most charged slot. ##@§&*:=,,
,,,=:*&§@# #@§&*:=,,,
,,=:*&§@## ,@#@, ##@§&*:=,,
,,,=:*&§@# #@§&*:=,,,
,,=:*&§@## the album is a singularity, an anomaly ##@§&*:=,,
,,,=:*&§@# in spacetime, a creature that knows #@§&*:=,,,
,,=:*&§@## exactly how beautiful it is. ##@§&*:=,,
,,,=:*&§@# , #@§&*:=,,,
,,=:*&§@## and the thing is: it sees itself in ##@§&*:=,,
,,,=:*&§@# three d. it knows that it's dying. #@§&*:=,,,
,,=:*&§@## ##@§&*:=,,
,,,=:*&§@# **&&**&&**&&**&&**&§§&**&&**&&**&&**&&** #@§&*:=,,,
,,=:*&§@## ##@§&*:=,,
,,,=:*&§@# , dolphins and cats , #@§&*:=,,,
,,=:*&§@## bring us ##@§&*:=,,
,,,=:*&§@# , flowers and honey , #@§&*:=,,,
,,=:*&§@## ##@§&*:=,,
,,,=:*&§@# , dolphins and cats , #@§&*:=,,,
,,=:*&§@## bring us ##@§&*:=,,
,,,=:*&§@# , fairies and bees , #@§&*:=,,,
,,=:*&§@## ##@§&*:=,,
,,,=:*&§@# our boat is afloat #@§&*:=,,,
,,=:*&§@## on a surface of lilies ##@§&*:=,,
,,,=:*&§@# , dolphins and cats , #@§&*:=,,,
,,=:*&§@## drag us down ##@§&*:=,,
,,,=:*&§@# ,=* underneath *=, #@§&*:=,,,
,,=:*&§@## ##@§&*:=,,
,,,=:*&§@# **&&**&&**&&**&&**&§§&**&&**&&**&&**&&** #@§&*:=,,,
,,=:*&§@## ##@§&*:=,,
,,,=:*&§@# side a is foresty, and side b might #@§&*:=,,,
,,=:*&§@## be lizardy. but the last song is full ##@§&*:=,,
,,,=:*&§@# of space. #@§&*:=,,,
,,=:*&§@## ##@§&*:=,,
,,,=:*&§@# #@§&*:=,,,
,,=:*&§@## ##@§&*:=,,
,,,=:*&§@# #@§&*:=,,,
,,=:*&§@## ##@§&*:=,,