@.,.,§@¨¨, ¨..¨.....¤
¨¨£&,¨¨¨#¤ &¤¤¤&@@£¨,
#¨,.,£#,¨& ,£§@&,,&
¨.#@¨.,.,, ,.££,,..
¤¨..¨££#£, ,¨,#@¨¨#£§
.¨¤§¨,£@., statuette §£,,..,,§#
¨,,.,.¨¨,¨ §¨.&&¤#.¨¨
£§£§#@@£&¤ @$£$£$$**&$&*@$£~«~~~=~-&£@&@%¤£*§¤*¤¤%$ ¨,¨,#&.¨
##¤@##§#§@ &@*@%$£@¤ #£¤¨¨,.,,#
§&&£@££. &&.¨¤#&&,.
.£§¤#&£§,, forests around my childhood home. thick §,¨..&@¨¨,
¨¨££¤&£,¨. pine arcades that were planted and ¨.§¤¨,¨¨££
¨¨¨@§&,.£# forgotten. wild boars roaming ,.¨,.#£,,,
¤&,.£...,# underneath, sniffing at the ground. it #§¨,,.&@
£,¨¨¨¨@§., is dark and moist, the canopy having ¤¤&..#@.¨£
.¨§§§¨¨¨,¨ already soaked up all the sun. ,¨,,¨,¨.
§,¨&.¨#&£¤ ¨¨¨§£§@&§§
¨¨,,¨,¨¤§# there's a river passing by, from east £§,.¤¤¤§
,¤££@§..¤¤ to west, getting broader and deeper and ,,.¨,&¤@§¨
,.###,¨,.& slower as it goes. equisetum grow just ¤¤§£,¨#&,,
@¨,@,,§#., where the pine hands start to let ,&£¨,¨¨¨.§
,,¨...¨,,, through light, horsemint on the rocky ..¨.¤#§§,.
&§@@@&@£¤£ river bed. #&§,¨&§..§
@£#£@£§£@, £@..,,...,
¨§§¤#§#£,, = &¨.@#@#§@,
,,&§¤@§¨.# ¨¨¨,@§§§,,
&,,&&@¨,., the riverbanks reek of magic. tonight ¤#£..§@.¨#
¨.,.§.¨£@# they had been a swampworld with sylvan §@.¨¨,¨..¨
£¤@,..,.§£ water, stone rings and floating moss. ..¨#§§##£#
¤@,,#£¤,.¤ you could've found me wallowing around ¤@,.&§##@£
@.¨¨.§,,,, on the southern shores until i got £,¨,,§##@@
,.§£,¨.¤@. bitten. .,§£¨.#§£@
¨,,,¨@.,., ¤,.¨..¨¤¤,
#@&&...£&& but now i'm further back, on solid ,¨#§#£,..,
.@#¨.§.,@£ ground, in shoulder-high grass, with an &.¨&§,¨@§.
...¨,,,¨¨, orange tin radio and a translucent ,,¨¨¨.¨,,¨
£#&§§¤&£§£ umbrella which i'm sitting on. @§@£@¤£@
§@£##@#¤@¤ ¤£##¤@#§
¤¤&££§#§ ^ £@¤&&¤#£
@#@§£&§#££ §&@£&§§¤§¤
¤£&&§&£§ somethings moving in the grass. it's §§¤£@¤£@§¤
§&¤£¤£&£ invisible to my eyes but i can feel £££@¤#&@¤@
§@¤§#§¤@£# through the ground just how large it is. §§¤§#§§@
&§&¤@@&&£# £&@§#§£§§£
£¤&@¤¤£&§& the soil is muddy. i slip when trying ¤#&¤¤&&@&¤
@@&¤#§@¤§§ to get up, still looking at the §@¤&&@#¤#£
¤££#@& direction of sound rather than at my ££§§@#§¤##
£££&&¤£@£@ hands, who are busy putting things in £#&@#&£#¤#
£#¤§§£§&@# my pockets. #§@¤@&@&
&¤££#§#£§@ §&&§@§§&@¤
§¤#&§¤@@## then i run east toward my home. ¤@¤¤§£@£
#&§§§#§&¤@ £#¤@@££§
@§#¤£#§@ ; @§&£&¤@¤
£#@§£§@£@£ #@§&¤&@¤@¤
#£§¤@&¤&@@ i am not followed, and slow down in the £@#£&£§@
§£§§£#&# clearing where you at first can spot @&§¤@¤#§¤¤
#£&£§¤¤&£@ the house, not yet really in the @¤££§@¤@@&
#§¤#@&§£@& backyard. from my pockets i retrieve my @@@@§&@@£#
@¤£§§¤#§#£ radio (now dented) but also a small @&&¤#@¤#
##§£@&@§£§ clay figure i've never seen before. it @§@£&@#£&@
##&@¤&@§## must have been laying in the wet dirt, &£§£££&§¤&
@#¤@£@§¤ and i must've picked it up with my £¤§#£#
##§#£¤£¤¤& other belongings. §#@###¤&
#@¤§@§¤@#¤ #§#@¤¤¤§&@
§¤#§&¤@&¤& it's a statuette of a girl laying naked #§£&¤§&@
§§£¤@&&§@£ on her stomach, feet in the air, ¤£¤£@#@#&§
¤@§¤&@#&&§ roughly seven centimeters long. it's £§¤&¤§####
¤¤§&#£#£ freshly made, not yet completely dried. ####£#§¤@§
&§£#§&§&&& &¤¤§¤@¤¤
§&&&¤¤¤¤ my mom is here now. i ask her for some ¤£&@&£@££§
#¤@#¤#§@¤@ particle board for it to dry on, but §§§#@¤££#¤
#&¤&£#£¤£# she is worried and wants me to £@¤@&@¤£¤@
¤£££#§¤§&£ throw it away. §§§§##¤&&@
§£&&¤@&££@ &£&@#£&§
@#¤#@§§£¤£ ¤¤£¤@§&¤@#
@&&¤£&@@ ¤§&£&£¤@&&
#&@#¤§#¤ ¤#§¤&§£#¤&
@§#&¤¤§#¤& ¤¤£&¤@#@£§
@£§&££§£&£ ¤§@§£#@¤&&