¨.,¨¨...¨, ¨.,,,¤&,,.
@¤§¤&@§#§, .@§@,,¨.#£
@¤#&@§.. .,§,,¤¤¨,¤
#£#¤¤#£,¨¨ ¨,¨¨¨.,¨.,
.§#§.¨£@ #¤§#§#@#¤.
,,¤§£¨,,.¤ statuette £#¤§¤#§@..
§.¨@¨.#§,. ¤&&&£¤&,,&
¨.¨,..,.¨, £$%&¤%£&§$%@*%£&~~=~~~»~*$%$£*£&$@&*$%** #£§¤@§¨..¨
@¤@&¤£§@ &&¤&&§*£§ §¤@§§..¤£&
#§¤&££¤@&¨ §#¤¤.,¨.§¤
&§@§#¤¤@., forests around my childhood home. thick £#¤,.##.¨¤
¤##&§#@¨,. pine arcades that were planted and ¨§¨¨,,.¨.¨
¨¤£§&£¨¨#£ forgotten. wild boars roaming ,.,¤¤@¤£¤,
,¨&¤£¨..,¨ underneath, sniffing at the ground. it .£.,@&§£.,
£¨,¤,,§@££ is dark and moist, the canopy having ,¨¨,¨#@.,£
,¨.¨.¨,&&¤ already soaked up all the sun. @£§@¨¨¨¨..
&@@££¤,¨@@ ##&¨.@££§¤
§§¤§&,..¨, there's a river passing by, from east @#.,..&&£§
@@@£¨.§¤£@ to west, getting broader and deeper and &.¨£&,,£¤£
¤§#.¨,,@#. slower as it goes. equisetum grow just ,,..,,,¨§§
§#.¨§£¨..¨ where the pine hands start to let £§¤¤§@#..&
@¨¨¨.,¨&§¨ through light, horsemint on the rocky @¤@£&£,¨.,
.¨#¤£&¨,¨, river bed. §£#.¨§£¨
¤¨¨.¨£¤& &@@#,¨..¨¨
,.,,¨¨,,£& ^ ¤@&.¨¤£#§¨
£¤§§£#§¨,# ¤§.,¨.&&¨,
¨&@§&¤.,.. the riverbanks reek of magic. tonight #.,,,,.,
,¨§¤@,,¤£¨ they had been a swampworld with sylvan ...,.¨¤@@#
¨.¨&,¨.,¨, water, stone rings and floating moss. .¤@§#.¨£§¨
@¤¨.¨£¤&@¤ you could've found me wallowing around ¨,¤&.,.¨,.
,,.&¨.@¤£¤ on the southern shores until i got #¨,.¨§£&¤.
@#..¨,¨@£, bitten. ¨,§@,,##,.
,,¨£&@¨... £¨,.,.,,,¨
£¤¨.¤.¨£&¤ but now i'm further back, on solid .,@&££@@&§
£..¨.¨.¨¤& ground, in shoulder-high grass, with an ,.¨¤£§&§@#
,¨§§@&§,.§ orange tin radio and a translucent @§,¨¤¤#&&§
¨,¨@¤#¨¨¨. umbrella which i'm sitting on. ¤¨¨¨,§#,
@£,¨&.¨@§. ,¨&@¨¨¤#,,
.,.,....., : ,.¨.,¨,,,,
£@&¤£§#£§@ ¤££#&@@&§¤
&££¤@@#& somethings moving in the grass. it's §§§@§#&§@¤
##£¤#§#§§@ invisible to my eyes but i can feel £§&&&££¤@&
£££#@§§¤£¤ through the ground just how large it is. ¤§@#£#§¤£§
&§@#&&&&¤@ §¤@£&&§¤#¤
@#£££§#£@# the soil is muddy. i slip when trying §¤§§£¤@£¤#
¤¤&§@#&§ to get up, still looking at the #@£§£@@&
@§&@##@§¤& direction of sound rather than at my @#@@£¤&¤
@&¤§#£&&£¤ hands, who are busy putting things in &&¤@@#¤¤
@§&££££&&& my pockets. §¤§@##
&@#@@¤£¤§¤ §&¤£§&§£&¤
¤&§¤#££@@@ then i run east toward my home. #££¤@£¤@
£&§&§¤&£§& §£¤&¤@#£
@¤£¤##&¤ : £¤&§@¤££¤&
£#&&£@¤#&¤ ¤@£§#¤@£¤&
§###&&§&£§ i am not followed, and slow down in the ¤#¤¤¤@&££§
&§#§@&£¤&@ clearing where you at first can spot #&@&£££¤@&
#£&&¤¤@# the house, not yet really in the ¤§¤@@&££££
@#¤&@§&§¤£ backyard. from my pockets i retrieve my @¤@&£££¤
£§#¤££&@ radio (now dented) but also a small ¤#&¤¤@#&¤£
&§§@¤@¤£¤& clay figure i've never seen before. it §@£#¤@#&
#¤@&§£@¤@£ must have been laying in the wet dirt, @££#¤¤##££
@#§£&§£&§@ and i must've picked it up with my &§&¤@#¤#££
&§@&§£§¤ other belongings. &¤§¤##§&£¤
§£¤@@§£¤ ¤§£¤@##@##
&§#@@§&¤ it's a statuette of a girl laying naked ####¤@&§§§
&§§##§§¤§§ on her stomach, feet in the air, &§¤&@#@££¤
£@¤#@£@¤@£ roughly seven centimeters long. it's §@£@£#¤##¤
£§¤¤§§@@ freshly made, not yet completely dried. £¤@@§§#@
#£&§§¤#@§£ ##@#£@#¤##
@@&¤&&§# my mom is here now. i ask her for some ¤#£@£§
@¤#¤#¤@#@@ particle board for it to dry on, but &¤¤£&£§§#£
§¤#@&§§§&¤ she is worried and wants me to #¤&@§#£@
##¤¤@¤@§¤# throw it away. §£&§#@¤#¤@
¤£#@#££#§& £££¤£££¤#£
@#&@£¤¤¤#& £#£&§##&
§£§@&@@##¤ @#@@£#§§#§
£§@##£@£#& @§@¤@¤@@
@@&§@&&¤#§ §¤£#¤&¤£&§
#@¤&§¤£@&§ §£#¤@¤§§@¤