.~\*£#£### ###£#£*\~.
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.:~†^££@## ##@££^†~:.
¨.¨¨,~^%@¶ ¶@%^~,¨¨.¨
¨-~;§$¤@## ##@¤$§;~-¨
..¨.^~*%#@ statuette @#%*~^.¨..
.-~\^&£### ###£&^\~-.
.,»=%§§£@# &%@%$*%%£*§*§@§$==-»~===%@$%£%$£%%¤$%*$¤ #@£§§%=»,.
.^»/†%¤$#£ ££$§&$¤*$ £#$¤%†/»^.
..«**£@£@@ @@£@£**«..
...«~:%=£§ forests around my childhood home. thick §£=%:~«...
,»:†%§£@## pine arcades that were planted and ##@£§%†:»,
,,~†*=**#@ forgotten. wild boars roaming @#**=*†~,,
...,~:†¤$# underneath, sniffing at the ground. it #$¤†:~,...
.,~=%@&@## is dark and moist, the canopy having ##@&@%=~,.
,.«\%¤£### already soaked up all the sun. ###£¤%\«.,
¨,«†*$¤¶@# #@¶¤$*†«,¨
,.¨-^:†*@£ there's a river passing by, from east £@*†:^-¨.,
¨,¨¨,¨~=@@ to west, getting broader and deeper and @@=~¨,¨¨,¨
.¨¨,~^\%*# slower as it goes. equisetum grow just #*%\^~,¨¨.
¨~~=$@§£## where the pine hands start to let ##£§@$=~~¨
.~~;§@##@# through light, horsemint on the rocky #@##@§;~~.
,-«\*££¶@# river bed. #@¶££*\«-,
.,~/%%¤### ###¤%%/~,.
.¨.~»=§=$& * &$=§=»~.¨.
¨.»;**§¤£# #£¤§**;».¨
..~††&¤£$¶ the riverbanks reek of magic. tonight ¶$£¤&††~..
,.,,¨»=*@# they had been a swampworld with sylvan #@*=»¨,,.,
.~~/%§@@## water, stone rings and floating moss. ##@@§%/~~.
.,~~::¤*#& you could've found me wallowing around *¤::~~,.
,^~/%¤¤### on the southern shores until i got ###¤¤%/~^,
..¨,¨,~^£@ bitten. @£^~,¨,¨..
.-«:*@## ##@#&*:«-.
,,~^^%££## but now i'm further back, on solid ##££%^^~,,
¨^~†*£#@## ground, in shoulder-high grass, with an ##@#£*†~^¨
.,-†£&¶### orange tin radio and a translucent ###¶&£†-,.
¨,-=*@&£#@ umbrella which i'm sitting on. @#£&@*=-,¨
.,-†%%&@## ##@&%%†-,.
,.~†^/^££# \ #££^/^†~.,
..¨,,*;§£# #£§;*,,¨..
.,=\†§££## somethings moving in the grass. it's ##££§†\=,.
,~«=*$£@## invisible to my eyes but i can feel ##@£$*=«~,
¨-»;†£¤@## through the ground just how large it is. ##@¤£†;»-¨
,.,^/††@&¤ ¤&@††/^,.,
,.«;^$#### the soil is muddy. i slip when trying ####$^;«.,
..»:†$@# to get up, still looking at the #@#&$†:»..
¨~=:†*#@## direction of sound rather than at my ##@#*†:=~¨
,,,-//^£§# hands, who are busy putting things in #§£^//-,,,
.-~**¤#@## my pockets. ##@#¤**~-.
¨.»†*$£¶@# #@¶£$*†».¨
¨.«†*$¤£@# then i run east toward my home. #@£¤$*†«.¨
,^-=*$#@#@ @#@#$*=-^,
.^-*$@¤@## † ##@¤@$*-^.
¨.=\$¤#### ####¤$\=.¨
,....¨¨-%& i am not followed, and slow down in the &%-¨¨....,
¨,¨.-\=¶ clearing where you at first can spot ¶#&=\-.¨,¨
,.,^*;%&@# the house, not yet really in the #@&%;*^,.,
¨:-;^$#@## backyard. from my pockets i retrieve my ##@#$^;-:¨
.,-/§*£$¶# radio (now dented) but also a small #¶$£*§/-,.
.^~:†%§@#@ clay figure i've never seen before. it @#@§%†:~^.
¨~=;*£@¶## must have been laying in the wet dirt, ##¶@£*;=~¨
¨--†*††£§& and i must've picked it up with my &§£††*†--¨
¨:-†%£&@@# other belongings. #@@&£%†-:¨
¨,,.~«=§&@ @&§=«~.,,¨
.¨,,-=**@¶ it's a statuette of a girl laying naked ¶@**=-,,¨.
,.,.~%%%@@ on her stomach, feet in the air, @@%%%~.,.,
,.,^\=£*&@ roughly seven centimeters long. it's @&*£=\^,.,
,~~;%¤#@@@ freshly made, not yet completely dried. @@@#¤%;~~,
,~==§&&¶## ##¶&&§==~,
.,~^*§@£#@ my mom is here now. i ask her for some @#£@§*^~,.
.^==^£@@## particle board for it to dry on, but ##@@£^==^.
¨~~=%¤¤&§# she is worried and wants me to #§&¤¤%=~~¨
,,==:/§££§ throw it away. §££§/:==,,
.^«=%&&¤@# #@¤&&%=«^.
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¨,.,^,^^&& &&^^,^,.,¨
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