..~;*&£### ###£&*;~..
,¨:=:=§### ###§=:=:¨,
,^~/§### ####&§/~^,
¨¨,=*%%#@# #@#%%*=,¨¨
,:=†*£#### ####£*†=:,
,.,-†%££@# statuette #@££%†-,.,
,.»†§$£@## ##@£$§†».,
¨,^==%@@## £@&$%*%%£%*%%¤*%=«~»~~-~£¤%*£@*&¤*§%£$$§ ##@@%==^,¨
,.»=%%@### %%§$§£*&% ###@%%=».,
.¨.==$§¶## ##¶§$==.¨.
.:~††&£### forests around my childhood home. thick ###£&††~:.
,¨:«†^§@## pine arcades that were planted and ##@§^†«:¨,
,^~**@@### forgotten. wild boars roaming ###@@**~^,
,.,»/*%¶## underneath, sniffing at the ground. it ##¶%*/»,.,
,:==§$#### is dark and moist, the canopy having ####$§==:,
¨.-»†%@# already soaked up all the sun. #@#&%†»-.¨
.:«;†$£@## ##@£$†;«:.
,.~~/^$@## there's a river passing by, from east ##@$^/~~.,
,:-;†&£@## to west, getting broader and deeper and ##@£&†;-:,
,.:«†*$@@# slower as it goes. equisetum grow just #@@$*†«:.,
.~~^§*#### where the pine hands start to let ####*§^~~.
.¨,-/%£@## through light, horsemint on the rocky ##@£%/-,¨.
,,-/^$@### river bed. ###@$^/-,,
,.:~:%£### ###£%:~:.,
.~~=†§£@## ; ##@£§†=~~.
,..«/=%£@# #@£%=/«..,
¨~~†%*@### the riverbanks reek of magic. tonight ###@*%†~~¨
..,-=*$@## they had been a swampworld with sylvan ##@$*=-,..
,,-†$%@@## water, stone rings and floating moss. ##@@%$†-,,
,,,=:*@#@# you could've found me wallowing around #@#@*:=,,,
.--;†*£### on the southern shores until i got ###£*†;--.
,.^~=%&@@# bitten. #@@&%=~^.,
.^~††£#### ####£††~^.
¨.~-†§*£@# but now i'm further back, on solid #@£*§†-~.¨
¨~~/%£#### ground, in shoulder-high grass, with an ####£%/~~¨
,¨.-:*## orange tin radio and a translucent ###&*:-.¨,
.,~/$%@### umbrella which i'm sitting on. ###@%$/~,.
.,~==*£### ###£*==~,.
¨^«\†£#@## ^ ##@#£†\«^¨
.,-»*=£¶@# #@¶£=*»-,.
.,-*%$#### somethings moving in the grass. it's ####$%*-,.
,.~«**&£@# invisible to my eyes but i can feel #@£&**«~.,
,^-:^$£@## through the ground just how large it is. ##@£$^:-^,
..-«*§*### ###*§*«-..
..»\^@¶### the soil is muddy. i slip when trying ###¶@^\»..
¨..»\*$¶## to get up, still looking at the ##¶$*\»..¨
¨~=^†£@@## direction of sound rather than at my ##@@£†^=~¨
.¨-«;%## hands, who are busy putting things in ###&%;«-¨.
¨,»^=%£@## my pockets. ##@£%=^»,¨
,¨^~;%¤#@# #@#¤%;~^¨,
¨,»†*¤£### then i run east toward my home. ###£¤*†»,¨
¨.:~**%@## ##@%**~:.¨
¨^~†=$#### \ ####$=†~^¨
..:»:^£### ###£^:»:..
,-»==§@@## i am not followed, and slow down in the ##@@§==»-,
,..=/†$### clearing where you at first can spot ###$†/=..,
¨^~\%£#@## the house, not yet really in the ##@#£%\~^¨
¨¨-~:*£### backyard. from my pockets i retrieve my ###£*:~-¨¨
¨.-\%@¶### radio (now dented) but also a small ###¶@%\-.¨
..~~†%%#@# clay figure i've never seen before. it #@#%%†~~..
,.«;†%@### must have been laying in the wet dirt, ###@%†;«.,
.¨^~/%*@## and i must've picked it up with my ##@*%/~^¨.
.-»\=$#### other belongings. ####$=\»-.
,,:=†^%@@# #@@%^†=:,,
.^~:*£@### it's a statuette of a girl laying naked ###@£*:~^.
.¨,«\%£### on her stomach, feet in the air, ###£%\«,¨.
,-«\*£#### roughly seven centimeters long. it's ####£*\«-,
...-†*%@## freshly made, not yet completely dried. ##@%*†-...
.^-:%$#### ####$%:-^.
,.~-^*$@## my mom is here now. i ask her for some ##@$*^-~.,
.,~;§$@@## particle board for it to dry on, but ##@@$§;~,.
,¨^~/=%@## she is worried and wants me to ##@%=/~^¨,
.,~^**#@## throw it away. ##@#**^~,.
¨.~~*§¤### ###¤§*~~.¨
,.»\*£#### ####£*\».,
¨¨,~:=££## ##££=:~,¨¨
¨^-:%&¶### ###¶&%:-^¨
¨.-«;$*£## ##£*$;«-.¨
¨.«/†%#### ####%†/«.¨