,¨¨,@§.,., ,.,.,¨¨¨¨#
,#¤¨,.,@@@ £¤#£@£,,
,¨,.¤¤..¤. ¤§§#£&&¨¨§
¨§&¨,¨..¨, £¤£@#£¨..,
.¨¨.@§¤#@, ¤£&§&¨,£@@
.#@¨¨#£§,. statuette #§£§¨¨¨,£¨
,,¨¨..@..# §@§¨,£@¨,¨
&&&§¤¨,,,. $&£%§%*£$$£%¤@%%~~=~~~~-*£*%%§£*§%$$$@§§ #¤,....,@@
@@#§..¤@¤¤ $£%£$*¤¤¤ @..§&@@¨¨£
§&@.,,,¤§£ ¨,,,&@.¨,,
,&¨,&£¨,£¨ forests around my childhood home. thick ,¤#,,,¨£@,
,..,.,,.¨. pine arcades that were planted and ¨.,.&@..,,
¤@@£&££&¤& forgotten. wild boars roaming ¤§¤¨.¨.#§#
£@#¤¤#£££@ underneath, sniffing at the ground. it @£¨,&£¨¨#£
#£¤¤§§#£ is dark and moist, the canopy having ¨.,,.....@
#§§&&&&&££ already soaked up all the sun. §§@££@¤¤,¨
¨£§#¤¤@¤£¨ .&@@#@§¨.,
,¨§§@£¤¤,¨ there's a river passing by, from east ..#¤&£.¨¤¤
..¨#§#&,¨¨ to west, getting broader and deeper and ,,¨&§,,...
£§,,##.,£¤ slower as it goes. equisetum grow just §§,..¨£¤£#
&,.,,..,.# where the pine hands start to let ¨.¨..¤#@
.¨¤&&£#@¨. through light, horsemint on the rocky #¤¨..,¨,@@
..¨£&¨,¨ river bed. #¨¨##¨,,
§@,,@§.¨§& ,¨¨¨@¤..@§
@.¨¨.¨.,,¨ = @¤#¨.,.¨,@
,,&&¤#&&¤& ££¨¨§@¤#,,
¤.¨¤@¤¤§&, the riverbanks reek of magic. tonight ¨¨.,,§£.,¤
¨.¨¨¤£¤&¨. they had been a swampworld with sylvan @¤§§,,.,,.
£&£¨.&£,.. water, stone rings and floating moss. §§¤¨¨§£#£@
£§¨¨,¨¨.¤¤ you could've found me wallowing around §#,,¨.£§#¤
¤,.#£¤¤,¨£ on the southern shores until i got ¤.,£@,,¤¤#
,¨.¨##..¨¨ bitten. ,¨.¨,¨.¨#£
.¤£,,¨.£&@ @@@§£¤§.,¨
¨¨..£&,,@@ but now i'm further back, on solid @£§§&£,,&£
.@&¨¨¨¨..¨ ground, in shoulder-high grass, with an @#£¤#,....
¨¨,.@§£££¤ orange tin radio and a translucent @¤¤£.,¤###
.§¤..@£@#. umbrella which i'm sitting on. ££§..,.@@.
,,¨¨,.¤&¨. @@¨¨§@,¨,,
@@¤§§,¨.,, ; ,.¨,,.,§¤¤
&¤#¤.¨&£&¤ &@¤@¤£..&&
£§¤.,,,£¤@ somethings moving in the grass. it's ¨§£§£,..¨£
£&¨,£&,¨ invisible to my eyes but i can feel ¨.@§¨.£@.¨
,,..,,,.., through the ground just how large it is. ¨.¨¨,¨¨.¨¨
¤§##&&§¤ §¤§¤£&£&
##§&£¤§§#& the soil is muddy. i slip when trying &@£§###£&¤
@##&£¤§§§§ to get up, still looking at the ¤#§@¤#§#&@
£&§#@§¤£## direction of sound rather than at my £&£§@#£§££
#§§@##&@¤¤ hands, who are busy putting things in &§#@§###
@##&&£¤# my pockets. ££¤&&£§&
£§@#&&¤§¤£ #£¤#@#£¤¤£
§§§¤£¤&§££ then i run east toward my home. £#¤@£¤¤¤£&
¤@¤£&§¤¤#§ ¤¤§£¤@&@
¤£#¤¤££& \ @£#@¤§£¤
§£#§¤#@£@# ##¤§£¤@@§#
§§£&¤¤§#&& i am not followed, and slow down in the #&§£@¤&££#
£&¤§@&§@@§ clearing where you at first can spot @&£¤¤&&¤##
&§£&@¤&£§§ the house, not yet really in the ##&@@#@@§&
@£&@§§&@#¤ backyard. from my pockets i retrieve my ¤§&§§@@§£¤
§§##¤§££## radio (now dented) but also a small £§#&§&§¤£@
£@§§&&¤#@£ clay figure i've never seen before. it §£@#&§#&§#
#§&&&¤@&¤§ must have been laying in the wet dirt, ##@#§&@£
§##@£§&@££ and i must've picked it up with my ¤£§¤¤£&@@£
@§@#&@¤&££ other belongings. £¤£££@@#¤&
§@@§@@£§¤& &£¤£¤§&&&&
£#£#§#@@§& it's a statuette of a girl laying naked £¤@#¤§£@§&
§££#@¤£¤£¤ on her stomach, feet in the air, §@@¤§@¤&¤#
£##@£#£@§£ roughly seven centimeters long. it's #£§#¤@##§&
#¤&@£¤@£§¤ freshly made, not yet completely dried. ¤@§§&@§§
§§#¤§§@£@§ #@¤&@§§#£¤
@#¤§£&££&¤ my mom is here now. i ask her for some §¤§@§¤£¤
£§£¤§@@# particle board for it to dry on, but £@&¤@@&¤&¤
§#£#@£&&&£ she is worried and wants me to £§§@£&@£
#§@#&¤¤£§£ throw it away. §¤¤#§£####
#&&£#§#&£& ##££§§&§¤¤
#£¤§@#£#¤§ ##@@§@£¤£§
@£¤§§§¤@§¤ #&£¤£§§§
&££#¤£££¤¤ £@&§@#&&
£#&@¤¤@¤#£ ¤£¤¤@@¤&@¤
@§&@¤¤#@## #@£¤¤@£#@#