,,-†@&@### ###@&@†-,,
,~=^§*##@# #@##*§^=~,
.:«\=&¤@## ##@¤&=\«:.
,.»;%££@#@ @#@££%;».,
,.¨^»*†£§¤ ¤§£†*»^¨.,
¨¨.¨.:==&@ statuette @&==:.¨.¨¨
¨,...,-=&§ §&=-,...,¨
,-«:=£#### $§@£*&$£¤§£@£££%=~«-~«=~¤*$$$§$%@&$$£&%¤ ####£=:«-,
.^«:^†£$¤@ §@*$%%$%¤ @¤$£†^:«^.
¨^~*§@#### ####@§*~^¨
¨^=/==$@ forests around my childhood home. thick @#&$==/=^¨
¨:~\§¤¤$%# pine arcades that were planted and #%$¤¤§\~:¨
¨^-^$&£@## forgotten. wild boars roaming ##@£&$^-^¨
¨.¨-:†%%¤§ underneath, sniffing at the ground. it §¤%%†:-¨.¨
¨-=^†*@£#¶ is dark and moist, the canopy having ¶#£@*†^=-¨
¨¨¨:^-%$#@ already soaked up all the sun. @#$%-^:¨¨¨
¨~~;%$&£## ##£&$%;~~¨
,:«;*&@### there's a river passing by, from east ###@&*;«:,
,.=†*@¤@## to west, getting broader and deeper and ##@¤@*†=.,
,-»/%%#¶## slower as it goes. equisetum grow just ##¶#%%/»-,
.~-†*¤&@## where the pine hands start to let ##@&¤*†-~.
¨,»†^%¤¤## through light, horsemint on the rocky ##¤¤%^†»,¨
.¨..¨--*#¤ river bed. ¤#*--¨..¨.
,..,.¨,-$¤ ¤$-,¨.,..,
.^~\=%§£@# † #@£§%=\~^.
,-»/*%#### ####%*/»-,
¨,»†§*§%†@ the riverbanks reek of magic. tonight @†%§*§†»,¨
..,,,.¨~*£ they had been a swampworld with sylvan £*~¨.,,,..
,¨¨¨¨,~^§@ water, stone rings and floating moss. @§^~,¨¨¨¨,
.,=:$*&@## you could've found me wallowing around ##@&*$:=,.
.....;%# on the southern shores until i got ##&%;.....
.,=;%%&£@# bitten. #@£&%%;=,.
¨,==§¤@£@# #@£@¤§==,¨
,.,¨,-†£@# but now i'm further back, on solid #@£†-,¨,.,
..,¨,-*^§£ ground, in shoulder-high grass, with an £§^*-,¨,..
..»=§%§@£# orange tin radio and a translucent #£@§%§=»..
.,¨..:~=£@ umbrella which i'm sitting on. @£=~:..¨,.
.~«;*&@@## ##@@&*;«~.
,.~=*£## \ ##£#&*=~.,
.-~\*&@£## ##£@&*\~-.
,,-†%§£@## somethings moving in the grass. it's ##@£§%†-,,
,..¨,~\%%# invisible to my eyes but i can feel #%%\~,¨..,
.-»:*¤#### through the ground just how large it is. ####¤*:»-.
,~»/§%## ###&%§/»~,
,,~†%%§### the soil is muddy. i slip when trying ###§%%†~,,
¨,==%*§@## to get up, still looking at the ##@§*%==,¨
¨,,¨-=*§@£ direction of sound rather than at my £@§*=-¨,,¨
,^::»\£££# hands, who are busy putting things in #£££\»::^,
.:»/*£§@@# my pockets. #@@§£*/»:.
,..,.«^¤ #&¤^«.,..,
¨.=;§@@##@ then i run east toward my home. @##@@§;=.¨
..,,==%@ #&@%==,,..
,:~/*%@### \ ###@%*/~:,
¨,==*†*&@& &@&*†*==,¨
,^~==##### i am not followed, and slow down in the #####==~^,
.,~,,~«=$# clearing where you at first can spot #$=«~,,~,.
,¨.=^^%$¤# the house, not yet really in the #¤$%^^=.¨,
¨,~†%¤@@@# backyard. from my pockets i retrieve my #@@@¤%†~,¨
,,-^†§@£## radio (now dented) but also a small ##£@§†^-,,
.^=††*$&££ clay figure i've never seen before. it ££&$*††=^.
¨..,.»%*¤§ must have been laying in the wet dirt, §¤*%».,..¨
:=\†£¤@### and i must've picked it up with my ###@¤£†\=:
.¨,¨,,-\%& other belongings. &%\-,,¨,¨.
¨.,¨.,,-*& &*-,,.¨,.¨
,~=;://%&¤ it's a statuette of a girl laying naked ¤&%//:;=~,
¨-~\§$§### on her stomach, feet in the air, ###§$§\~-¨
,,«/*&§£## roughly seven centimeters long. it's ##£§&*/«,,
,~»††£@#@# freshly made, not yet completely dried. #@#@£††»~,
¨.,:-=*%¶# #¶%*=-:,.¨
.¨¨,.,*=&¤ my mom is here now. i ask her for some ¤&=*,.,¨¨.
,¨..»§§@## particle board for it to dry on, but ##@§§»..¨,
,,--»;$¤£@ she is worried and wants me to @£¤$;»--,,
¨,~«*†%%#@ throw it away. @#%%†*«~,¨
,~=:$$§¶## ##¶§$$:=~,
..»:*&&&@@ @@&&&*:»..
¨,-^%$@@@¶ ¶@@@$%^-,¨
¨~«^^@&@## ##@&@^^«~¨
,,»/^£#### ####£^/»,,
¨^»†%$¤@## ##@¤$%†»^¨