.^-;*%&###                                          ###&%*;-^.
.^--;;*%##                                          ##%*;;--^.
.^-;*%&###                                          ###&%*;-^.
.^-;*%&###                                          ###&%*;-^.
.^-;*%&###                                          ###&%*;-^.
.^-;*%&&&#          ART SCHOOL HOUSE DREAM.         #&&&%*;-^.
.^-;*%&###                                          ###&%*;-^.
.^-;*%&###        #------------------------#        ###&%*;-^.
.^-;*%&###                                          ###&%*;-^.
.^-;*%&### SLIGHTLY UPTOWN ON A GRASSY HILL LIES  A ###&%*;-^.
..^^-*%%&#    LARGE REPURPOSED INSTITUTION. IT'S    #&%%*-^^..
....--**%& SEVERAL  FLOORS,  A  FEW HUNDRED  METERS &%**--....
.....-***&       WIDE. MADE OF YELLOW BRICKS.       &***-.....
.^-;***&&&                                          &&&***;-^.
.^-;*%&&&&  COMBINED NIGHTCLUB, CAFE, GALLERY, ART  &&&&%*;-^.
....^--**& SCHOOL.  IT'S  ALWAYS OPEN, PEOPLE  COME &**--^....
.^-;*%&### AND GO. THE BASEMENT IS  DEEPER THAN YOU ###&%*;-^.
.^-;;;%%&&               WOULD GUESS.               &&%%;;;-^.
.^-;*%####                                          ####%*;-^.
...---;%## IT'S MESSY. I'VE SPREAD MY  THINGS  OVER ##%;---...
.^-;*%%&&#             SEVERAL FLOORS,              #&&%%*;-^.
.-;*%&####                                          ####&%*;-.
.^-;*%%%&# AND DUE TO A FEW  MANY  BEERS  AND  SOME #&%%%*;-^.
.^-;***%## SECRET  RIVALRIES,  I  DECIDE  I  SHOULD ##%***;-^.
....-*%%## LEAVE.   BUT   WHERE  ARE   MY  SHOES... ##%%*-....
....^;**%#                                          #%**;^....
.^-;*%&###      #--- (LOOKING FOR SHOES) ---#       ###&%*;-^.
...^----*&                                          &*----^...
...^-*%%%# AFTER  A  WHILE THEY APPEAR ON MY  FEET. #%%%*-^...
...^^;%&##                   OK.                    ##&%;^^...
....^;%%##                                          ##%%;^....
.^-;*%%%&# I'M CRYING OF  JOY, I HUG A  FRIEND  AND #&%%%*;-^.
.^-;*%&### IT'S  GOOD,  WE'RE  CLOSE  NOW,  HE  CAN ###&%*;-^.
.^-;*%&### SMELL  ME  (ALL  ACCORDING   TO   PLAN). ###&%*;-^.
.^-;*%&###                                          ###&%*;-^.
.^-;*%&### I FIND OUT WHO  RUINED  MY PAINTINGS AND ###&%*;-^.
.^-;*%&### I  PULL HER  HAIR. SHE CRIES  FROM  PAIN ###&%*;-^.
...-;;%%%&       BUT DOES NOT BEG FORGIVENESS.      &%%%;;-...
.^-;*%&###                                          ###&%*;-^.
......^;%#       #--- (IN THE BACKGROUND) ---#      #%;^......
.^-;*%&###                                          ###&%*;-^.
.^-;*%&### SUNSET,  ORANGE  AND  PINK,  CITY  IS  A ###&%*;-^.
.^-;*%&###     BLACK CUTOUT. THERE'S FIRES AND      ###&%*;-^.
....^--*&#         EXPLOSIONS ON THE GROUND.        #&*--^....
.^;*%&####                                          ####&%*;^.
.^-;;**%&# "THE  NEW WAY  OF  SHIPPING IRON -  WITH #&%**;;-^.
......^;%& THE  RAILGUN. THE IRON  SLAG  IS SHOT AT &%;^......
.....-;%&& THREE  HUNDRED AND  THIRTY  THREE METERS &&%;-.....
.^-;*%&### PER SECOND, AND AT THE RECEIVING END  AN ###&%*;-^.
.....-;%%& EIGHT   SQUARE  METER  WOODEN   CUBE  IS &%%;-.....
.^-;*%&###        LAUNCHED TO INTERCEPT IT."        ###&%*;-^.
.....-***&                                          &***-.....
....^;%&&# IT  LOOKS  LIKE  INTERSTELLAR  WAR.  THE #&&%;^....
....-;;%&# WOODEN BLOCK  SHATTER  INTO  HUNDREDS OF #&%;;-....
.^-;*%&###                  WANDS.                  ###&%*;-^.
.^-;%&####                                          ####&%;-^.
.^-;*%&###        #------------------------#        ###&%*;-^.
.^-;*%&###                                          ###&%*;-^.
.^-;*%&### # HOUSE DREAM ;  RAILGUN ;  STRUCTURE  # ###&%*;-^.
.^-;*%&###          # INSTITUTION ; MAZE #          ###&%*;-^.
.....-**&&                                          &&**-.....
.^-;*%&&&#                                          #&&&%*;-^.
...^;;;%&#                                          #&%;;;^...
.^-;*%&###                                          ###&%*;-^.
.....^;;%&                                          &%;;^.....