.##..##.#. ####...#.#
..#.#.#.#. .###..##.#
.##.#.#.#. ..##.#.#.#
..#.#.#.#. .#.#.#.#.#
.##.#.#.#. .#.#.#.#.#
..#.#.#.#. A DYSTOPIAN MC DONALDS TOILET STEALS MY .#.#.#.#.#
.##.#.#.#. AGENCY. TOO MUCH AGENCY ALREADY IN THIS .#.#.#.#.#
..#.#.#.#. ROOM. SATURATED. I CAN ONLY DO WHAT IT .#.#.#.#.#
.##.#.#.#. WANTS IN THE WAY IT WANTS. .#.#.#.#.#
..#.#.#.#. .#.#.#.#.#
.##.#.#.#. ~ † ~ ~ † ~ ~ † ~ .#.#.#.#.#
..#.#.#.#. .#.#.#.#.#
.##.#.#.#. BUT: IN A MIRACOLOUS FRACTION OF A .#.#.#.#.#
..#.#.#.#. SECOND, ITS TRUE THOUGHTS SLIP THROUGH .#.#.#.#.#
.##.#.#.#. TO ME, PREVIOUSLY UNHEARD EVEN BY ITS .#.#.#.#.#
..#.#.#.#. BUILDERS (THE ROOM WAS THOUGHT TO BE .#.#.#.#.#
.##.#.#.#. WITHOUT CONSCIOUSNESS). .#.#.#.#.#
..#.#.#.#. .#.#.#.#.#
.##.#.#.#. THE ROOM THINKS ABOUT CREATURES LYING .#.#.#.#.#
..#.#.#.#. DOWN, GOING OFF TO SLEEP, MAKING .#.#.#.#.#
.##.#.#.#. THEMSELVES COMFORTABLE FIRST... IS THIS .#.#.#.#.#
..#.#.#.#. ONLY OPTIMIZING A RESTING POSITION FOR .#.#.#.#.#
.##.#.#.#. THE BODY? OR IS THERE ANOTHER WILL .#.#.#.#.#
..#.#.#.#. INVOLVED? .#.#.#.#.#
.##.#.#.#. .#.#.#.#.#
..#.#.#.#. A DARK LISTENING TAKING PLACE, .#.#.#.#.#
.##.#.#.#. A SILENT CONCERT. .#.#.#.#.#
..#.#.#.#. .#.#.#.#.#
.##.#.#.#. IS THERE ANOTHER DESIRE INJECTED AT .#.#.#.#.#
..#.#.#.#. HYPNAGOGIA? SOMETHING FROM THE OTHER .#.#.#.#.#
.##.#.#.#. SIDE, GUIDING THEM, .#.#.#.#.#
..#.#.#.#. ARRANGING THEIR BODIES. .#.#.#.#.#
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..#.#.#.#. .#.#.#.#.#
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