@##==^^^,, ,,^^^==##@
##&=;^,,,, ,,,,^;=&##
@@##&=;=^, ,^=;=&##@@
@###&=;=^, ,^=;=&###@
#===,,,,,, ,,,,,,===#
#@##&=;=^, delay delay d,la@ # =a, ^ ,# = ^ ,^=;=&##@#
####&=;=^, ,^=;=&####
#@##&=;=^, ,^=;=&##@#
#@##&=;=^, ,^=;=&##@#
##&====^,, ,,^====&##
##@#&=;=^, "delay" means repetiton or likewise, ,^=;=&#@##
@#&;=,,,,, but it's mainly useless without ,,,,,=;&#@
#@##&=;=^, feedback, ,^=;=&##@#
#===;=,,,, to allow the delay to eat of it's own ,,,,=;===#
@###&=;=^, tail, like one of those eaty serpents. ,^=;=&###@
####&=;=^, thus: it's the serpent effect! ,^=;=&####
@#==^,,,,, ,,,,,^==#@
@@##&=;=^, it's to be revered as a creator of ,^=;=&##@@
#@##&=;=^, ambience and of space, if you treat it ,^=;=&##@#
@#&;=^^^^, right. a somewhat more solid and ,^^^^=;&#@
#@##&=;=^, slippery sibling of reverb. ,^=;=&##@#
#@##&=;=^, ,^=;=&##@#
@#&;;=,,,, ,,,,=;;&#@
#&===^^,,, ,,,^^===&#
#@##&=;=^, ,^=;=&##@#
#&&===^,,, ,,,^===&&#