#£@£%\~-¨¨ ¨¨-~\%£@£#
£@£%\~-¨¨¨ ¨¨¨-~\%£@£
#£@£%\~-¨¨ ¨¨-~\%£@£#
##£@£%\~-¨ ¨-~\%£@£##
#£@£%\~-¨¨ ¨¨-~\%£@£#
£@£%\~-¨¨¨ %%%%%%%%%% ¨¨¨-~\%£@£
#£@£%\~-¨¨ ¨¨-~\%£@£#
##£@£%\~-¨ LYRA EIGHT ¨-~\%£@£##
#£@£%\~-¨¨ ¨¨-~\%£@£#
£@£%\~-¨¨¨ ¨¨ ¨¨¨-~\%£@£
#£@£%\~-¨¨ - - ¨¨-~\%£@£#
##£@£%\~-¨ ~ ~ ¨-~\%£@£##
#£@£%\~-¨¨ \ \ ¨¨-~\%£@£#
£@£%\~-¨¨¨ % % ¨¨¨-~\%£@£
#£@£%\~-¨¨ ¨¨-~\%£@£#
##£@£%\~-¨ CAVE SCULPTER ¨-~\%£@£##
#£@£%\~-¨¨ DREAM TO CHORD TRANSLATOR ¨¨-~\%£@£#
£@£%\~-¨¨¨ ¨¨¨-~\%£@£
#£@£%\~-¨¨ EIGHT VOICED BLEEDING FORTUNE TELLER ¨¨-~\%£@£#
##£@£%\~-¨ ¨-~\%£@£##
#£@£%\~-¨¨ DUAL SELF-MODULATING DELAY LINE ¨¨-~\%£@£#
£@£%\~-¨¨¨ SWITCH FOR "TOTAL FEEDBACK" ¨¨¨-~\%£@£
#£@£%\~-¨¨ ¨¨-~\%£@£#
##£@£%\~-¨ LICK THE CONTACT PADS ¨-~\%£@£##
#£@£%\~-¨¨ ¨¨-~\%£@£#
£@£%\~-¨¨¨ % % ¨¨¨-~\%£@£
#£@£%\~-¨¨ \ \ ¨¨-~\%£@£#
##£@£%\~-¨ ~ ~ ¨-~\%£@£##
#£@£%\~-¨¨ - - ¨¨-~\%£@£#
£@£%\~-¨¨¨ ¨¨ ¨¨¨-~\%£@£
#£@£%\~-¨¨ ¨¨-~\%£@£#
##£@£%\~-¨ GEARLIST ¨ ANOTHER SYNTH ¨-~\%£@£##
#£@£%\~-¨¨ ¨¨-~\%£@£#
£@£%\~-¨¨¨ %%%%%%%%%%%%%%%%%%%%%%%%% ¨¨¨-~\%£@£
#£@£%\~-¨¨ ¨¨-~\%£@£#
##£@£%\~-¨ ¨-~\%£@£##
#£@£%\~-¨¨ ¨¨-~\%£@£#
£@£%\~-¨¨¨ ¨¨¨-~\%£@£
#£@£%\~-¨¨ ¨¨-~\%£@£#