.¤¤¤.¤¤¤.. ....¤.....
¤..¤¤..¤.¤ ...¤¤.....
¤.¤.¤.¤¤¤¤ ..¤.¤....¤
¤¤¤¤¤¤.... .¤¤¤¤...¤.
.....¤.... ¤...¤..¤¤¤
....¤¤...¤ delay delay d.la# ¤ *a. , .@ ~ , ¤..¤¤.¤..¤
...¤.¤..¤¤ ¤.¤.¤¤¤.¤¤
..¤¤¤¤.¤.. ¤¤¤¤..¤¤.¤
.¤...¤¤¤.¤ ...¤.¤.¤¤¤
¤¤..¤..¤¤¤ ..¤¤¤¤¤..¤
.¤.¤¤.¤... "delay" means repetiton or likewise, .¤....¤.¤.
¤¤¤.¤¤¤..¤ but it's mainly useless without ¤¤...¤¤¤¤.
..¤¤..¤.¤. feedback, .¤..¤...¤¤
.¤.¤.¤¤¤¤. to allow the delay to eat of it's own ¤¤.¤¤..¤.¤
¤¤¤¤¤...¤¤ tail, like one of those eaty serpents. .¤¤.¤.¤¤¤¤
....¤..¤.¤ thus: it's the serpent effect! ¤.¤¤¤¤....
...¤¤.¤¤¤¤ ¤¤...¤....
..¤.¤¤...¤ it's to be revered as a creator of .¤..¤¤....
.¤¤¤.¤..¤. ambience and of space, if you treat it ¤¤.¤.¤....
¤..¤¤¤.¤¤¤ right. a somewhat more solid and .¤¤¤¤¤....
¤.¤..¤¤... slippery sibling of reverb. ¤....¤...¤
¤¤¤.¤.¤... ¤...¤¤..¤.
..¤¤¤¤¤..¤ ¤..¤.¤.¤¤¤
.¤....¤.¤. ¤.¤¤¤¤¤..¤
¤¤...¤¤¤¤. ¤¤....¤.¤¤
.¤..¤...¤¤ .¤...¤¤¤..