,:~/=¤§@@# #@@§¤=/~:,
,:~/=¤§§@@ @@§§¤=/~:,
,:~/=§@@## ##@@§=/~:,
,:~/=¤§@@# #@@§¤=/~:,
,,,::~/=§§ §§=/~::,,,
,:~/=¤§@@# THE SKYSCRAPER THAT MOVES #@@§¤=/~:,
,,,:~/=¤@@ @@¤=/~:,,,
,:~/=¤§@@# TAINARON IS A BUILDING OWNED AND #@@§¤=/~:,
,:~/=¤§@@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@@§¤=/~:,
,,,,,:/=§@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @§=/:,,,,,
,:~/=¤§@@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@@§¤=/~:,
,,,:/=¤¤¤@ UNKNOWN), DARK BLUE AND COMPLETELY @¤¤¤=/:,,,
,:~~/==¤§§ RECTANGULAR. IT FEATURES NO SIGNS, §§¤==/~~:,
,,,,,:~=§@ LIGHTS, OR ORNAMENTS, APART FROM A @§=~:,,,,,
,:~///¤¤¤@ HELIPAD ON TOP. MOST FLOORS HAVE @¤¤¤///~:,
,:~/=¤§§@@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @@§§¤=/~:,
,,,,:///=§ §=///:,,,,
,,,,,~=§@@ IN LATE EVENINGS, SHROUDED BY MALMö'S @@§=~,,,,,
,,,,,:/=¤@ SIGNATURE FOG ROLLING IN FROM THE SEA, @¤=/:,,,,,
,:~/=¤@@## THE BUILDING COMES TO LIFE: IT MOVES ON ##@@¤=/~:,
,::~~===§§ A THOUSAND ROBOTIC LEGS TO ANOTHER §§===~~::,
,,,~~~//¤@ (SECRET) PART OF TOWN, OR PERHAPS OUT @¤//~~~,,,
,:~/=¤§@@# TO SEA. THIS SIGNALS A NEW AND MORE #@@§¤=/~:,
,,,,,::/¤@ VISCIOUS PHASE OF THE TAINARON @¤/::,,,,,
,:~/=¤§§@@ ECOSYSTEM. @@§§¤=/~:,
,,,,,:~=¤§ §¤=~:,,,,,
,,,,:~=¤§@ THE GUESTS ARRIVING DURING THE EARLY @§¤=~:,,,,
,:~/=¤§@@# EVENING ARE TREATED TO FOOD AND DRINK, #@@§¤=/~:,
,,,,:/¤¤@@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @@¤¤/:,,,,
,:~/=¤§@@@ COMFORTABLE BUT MAZE-LIKE INTERIOR @@@§¤=/~:,
,:::/====§ STRUCTURE (THE BUILDING FEATURES A §====/:::,
,,,,,::/¤@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @¤/::,,,,,
,:~/=¤§@@@ PLACED SEEMINGLY AT RANDOM, NONE GOING @@@§¤=/~:,
,,,,:~=¤@@ FURTHER THAN A FEW FLOORS). @@¤=~:,,,,
,:~/=¤§@## ##@§¤=/~:,
,:~///==§§ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, §§==///~:,
,:~/=¤§@## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##@§¤=/~:,
,:~/=¤§@## SAME QUALITY AS THE SURROUNDING MIST: ##@§¤=/~:,
,,,,::/==§ BLUE-GRAY, SPRINKLED WITH THE SMALL RED §==/::,,,,
,:~/=¤§@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@§¤=/~:,
,:~/=¤§@@# IF YOU WOULD LOOK THROUGH THE WINDOWS #@@§¤=/~:,
,:~/=¤§@@# YOU WOULD SEE THE MIST ROLLING BY, AND #@@§¤=/~:,
,:~/=¤§@@@ PERHAPS THE OUTLINE OF SOME OTHER @@@§¤=/~:,
,:~/=¤§@@# BUILDING, FAR BELOW. #@@§¤=/~:,
,:~~~~/¤@@ @@¤/~~~~:,
,:~/=¤§§§§ DURING THE NIGHT, AFTER TAINARON HAS §§§§¤=/~:,
,:~/=¤§@@@ STARTED MOVING, THE LOWER FLOORS ARE @@@§¤=/~:,
,,,,,:/¤§@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @§¤/:,,,,,
,,,,,:~/¤§ THE GUESTS. FOOD IS NO LONGER SERVED, §¤/~:,,,,,
,,,,:~=§@@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @@§=~:,,,,
,:~/=¤§@@# IT'S AT THIS POINT THAT THE SECOND SET #@@§¤=/~:,
,:::~=¤§§@ OF GUEST ARRIVES, VIA HELICOPTER - @§§¤=~:::,
,:~/=¤§@@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@@§¤=/~:,
,,,,,,,~=§ §=~,,,,,,,
,:~/=¤§@@# ~~~~~ #@@§¤=/~:,
,:~/=¤§@## ##@§¤=/~:,
,,,:://¤§@ IN MY DREAM I AM INVITED AS A FRIEND OF @§¤//::,,,
,:~/=¤§@## ONE OF THE SERVERS, AND THUS SAFE. WE ##@§¤=/~:,
,:~/=¤§@@@ SIT IN ONE OF THE LARGE WINDOWS, @@@§¤=/~:,
,:~/=¤§@@# LOOKING THROUGH THE MIST FOR ANY #@@§¤=/~:,
,:~/=¤§@@# LANDMARKS TO PIERCE THROUGH THE MIST. #@@§¤=/~:,
,:~/=¤§@@# SHE TELLS ME THAT APART FROM COMING AND #@@§¤=/~:,
,:~/=¤§@@@ GOING FROM WORK, SHE'S NEVER SEEN THE @@@§¤=/~:,
,:::/==¤§§ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. §§¤==/:::,
,,,,:/=§§@ @§§=/:,,,,
,,,,,~/¤§@ THE NEXT DAY I AM INVITED TO THE PUBLIC @§¤/~,,,,,
,,,,,,~=¤@ DEMONSTRATION OF THE EXOBUBBLE. @¤=~,,,,,,
,:~/=¤§@@# #@@§¤=/~:,
,,,~//¤¤§@ @§¤¤//~,,,
,:~/=¤§@@@ @@@§¤=/~:,
,:~/=¤§@@# #@@§¤=/~:,
,:~/==¤§§@ @§§¤==/~:,