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¨~=/^£@### ###@£^/=~¨
¨~=/^£@### THE SKYSCRAPER THAT MOVES ###@£^/=~¨
¨~=/^£@### ###@£^/=~¨
¨¨¨¨¨¨=^@@ TAINARON IS A BUILDING OWNED AND @@^=¨¨¨¨¨¨
¨~=/^£@### OPERATED BY AMATA TEXNOLOGIYASI PLACED ###@£^/=~¨
¨~=/^£@### CLOSED TO THE HARBOR IN MALMÖ. IT'S ###@£^/=~¨
¨~=/^£@### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ###@£^/=~¨
¨¨¨~=/^@@@ UNKNOWN), DARK BLUE AND COMPLETELY @@@^/=~¨¨¨
¨¨¨¨~~=^@# RECTANGULAR. IT FEATURES NO SIGNS, #@^=~~¨¨¨¨
¨~=/^£££@@ LIGHTS, OR ORNAMENTS, APART FROM A @@£££^/=~¨
¨~=/^£@### HELIPAD ON TOP. MOST FLOORS HAVE ###@£^/=~¨
¨~=/^££££# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #££££^/=~¨
¨~=/^£@### ###@£^/=~¨
¨~=/^££@@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@@££^/=~¨
¨¨¨¨¨=^^£@ SIGNATURE FOG ROLLING IN FROM THE SEA, @£^^=¨¨¨¨¨
¨~=/^£@### THE BUILDING COMES TO LIFE: IT MOVES ON ###@£^/=~¨
¨~==/^^@@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@@^^/==~¨
¨¨¨¨~=//^@ (SECRET) PART OF TOWN, OR PERHAPS OUT @^//=~¨¨¨¨
¨~=/^£@### TO SEA. THIS SIGNALS A NEW AND MORE ###@£^/=~¨
¨¨¨¨==/£## VISCIOUS PHASE OF THE TAINARON ##£/==¨¨¨¨
¨~=/^£@### ECOSYSTEM. ###@£^/=~¨
¨~=/^£@### ###@£^/=~¨
¨¨~==/££@# THE GUESTS ARRIVING DURING THE EARLY #@££/==~¨¨
¨~=/^£@### EVENING ARE TREATED TO FOOD AND DRINK, ###@£^/=~¨
¨~=/^£@@@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@@@£^/=~¨
¨~=/^£@### COMFORTABLE BUT MAZE-LIKE INTERIOR ###@£^/=~¨
¨~=/^££££# STRUCTURE (THE BUILDING FEATURES A #££££^/=~¨
¨~=/^£@### MULTITUDE OF STAIRWELLS AND ELEVATORS, ###@£^/=~¨
¨¨¨¨¨=^££@ PLACED SEEMINGLY AT RANDOM, NONE GOING @££^=¨¨¨¨¨
¨~=/^£@### FURTHER THAN A FEW FLOORS). ###@£^/=~¨
¨¨¨¨~/^@@# #@@^/~¨¨¨¨
¨~=/^^£££@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @£££^^/=~¨
¨¨¨¨¨¨¨=^@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @^=¨¨¨¨¨¨¨
¨¨¨¨~/^£@@ SAME QUALITY AS THE SURROUNDING MIST: @@£^/~¨¨¨¨
¨¨¨¨¨¨¨=^@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @^=¨¨¨¨¨¨¨
¨~=/^£@### DOT'S BY DOOR LOCKS AND CONTROL PANELS. ###@£^/=~¨
¨¨¨~~/^^@# IF YOU WOULD LOOK THROUGH THE WINDOWS #@^^/~~¨¨¨
¨~=/^^^@## YOU WOULD SEE THE MIST ROLLING BY, AND ##@^^^/=~¨
¨~====^^@# PERHAPS THE OUTLINE OF SOME OTHER #@^^====~¨
¨~=/^£@### BUILDING, FAR BELOW. ###@£^/=~¨
¨~=/^£@@## ##@@£^/=~¨
¨~=/^£@### DURING THE NIGHT, AFTER TAINARON HAS ###@£^/=~¨
¨~===/^@@# STARTED MOVING, THE LOWER FLOORS ARE #@@^/===~¨
¨¨¨¨=//^@# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #@^//=¨¨¨¨
¨~=/^£@### THE GUESTS. FOOD IS NO LONGER SERVED, ###@£^/=~¨
¨¨¨¨¨==/£@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @£/==¨¨¨¨¨
¨¨¨¨~==^@# IT'S AT THIS POINT THAT THE SECOND SET #@^==~¨¨¨¨
¨~=/^£@### OF GUEST ARRIVES, VIA HELICOPTER - ###@£^/=~¨
¨~=/^£@### AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ###@£^/=~¨
¨~=/^£@### ###@£^/=~¨
¨¨¨¨¨=^@## ===== ##@^=¨¨¨¨¨
¨~=/^£@### ###@£^/=~¨
¨~=/^£@### IN MY DREAM I AM INVITED AS A FRIEND OF ###@£^/=~¨
¨¨¨¨~~=/£@ ONE OF THE SERVERS, AND THUS SAFE. WE @£/=~~¨¨¨¨
¨~===^^@@# SIT IN ONE OF THE LARGE WINDOWS, #@@^^===~¨
¨¨¨¨¨¨¨=^@ LOOKING THROUGH THE MIST FOR ANY @^=¨¨¨¨¨¨¨
¨~=/^£@### LANDMARKS TO PIERCE THROUGH THE MIST. ###@£^/=~¨
¨~=/^£@### SHE TELLS ME THAT APART FROM COMING AND ###@£^/=~¨
¨~=/^£@### GOING FROM WORK, SHE'S NEVER SEEN THE ###@£^/=~¨
¨¨¨¨¨~/£## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##£/~¨¨¨¨¨
¨~=/^£@### ###@£^/=~¨
¨¨¨¨~//^£@ THE NEXT DAY I AM INVITED TO THE PUBLIC @£^//~¨¨¨¨
¨¨¨~~==/^@ DEMONSTRATION OF THE EXOBUBBLE. @^/==~~¨¨¨
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