,-«\\\§@@@ @@@§\\\«-,
,-«\%§@### ###@§%\«-,
,,,,,,,«%@ @%«,,,,,,,
,-«\%§@@@# #@@@§%\«-,
,-«\%§@### ###@§%\«-,
,-«««\§§@@ THE SKYSCRAPER THAT MOVES @@§§\«««-,
,,,««\%§@# #@§%\««,,,
,-«\%§@@## TAINARON IS A BUILDING OWNED AND ##@@§%\«-,
,,,«««««%@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @%«««««,,,
,-«\%§@### CLOSED TO THE HARBOR IN MALMÖ. IT'S ###@§%\«-,
,,--\\%%@@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @@%%\\--,,
,«\%§@#### UNKNOWN), DARK BLUE AND COMPLETELY ####@§%\«,
,-«\§@#### RECTANGULAR. IT FEATURES NO SIGNS, ####@§\«-,
,,,,,,-\%@ LIGHTS, OR ORNAMENTS, APART FROM A @%\-,,,,,,
,-«\%§@### HELIPAD ON TOP. MOST FLOORS HAVE ###@§%\«-,
,--«\\\§## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##§\\\«--,
,-«\%§@### ###@§%\«-,
,,,,,«\§§@ IN LATE EVENINGS, SHROUDED BY MALMö'S @§§\«,,,,,
,«\%§@#### SIGNATURE FOG ROLLING IN FROM THE SEA, ####@§%\«,
,-«\\\%§## THE BUILDING COMES TO LIFE: IT MOVES ON ##§%\\\«-,
,-«\%§@### A THOUSAND ROBOTIC LEGS TO ANOTHER ###@§%\«-,
,,--«\\\§# (SECRET) PART OF TOWN, OR PERHAPS OUT #§\\\«--,,
,,,,,-\%@# TO SEA. THIS SIGNALS A NEW AND MORE #@%\-,,,,,
,-«\%§@### VISCIOUS PHASE OF THE TAINARON ###@§%\«-,
,-«\%%%%@# ECOSYSTEM. #@%%%%\«-,
,,,,-\%%§@ @§%%\-,,,,
,,,««\\§@# THE GUESTS ARRIVING DURING THE EARLY #@§\\««,,,
,-«\%§@### EVENING ARE TREATED TO FOOD AND DRINK, ###@§%\«-,
,-«\%§@### LIVE MUSIC, BEATUTIFUL VIEWS, AND A ###@§%\«-,
,-«\%§@### COMFORTABLE BUT MAZE-LIKE INTERIOR ###@§%\«-,
,,,,,-\%§@ STRUCTURE (THE BUILDING FEATURES A @§%\-,,,,,
,-«\%§@### MULTITUDE OF STAIRWELLS AND ELEVATORS, ###@§%\«-,
,-«%§@#### PLACED SEEMINGLY AT RANDOM, NONE GOING ####@§%«-,
,-«\%§@### FURTHER THAN A FEW FLOORS). ###@§%\«-,
,-«\%§@### ###@§%\«-,
,,,,-\%@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@%\-,,,,
,-«\%%%@## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##@%%%\«-,
,-«\%§@### SAME QUALITY AS THE SURROUNDING MIST: ###@§%\«-,
,-«\%§@### BLUE-GRAY, SPRINKLED WITH THE SMALL RED ###@§%\«-,
,-«\%§@### DOT'S BY DOOR LOCKS AND CONTROL PANELS. ###@§%\«-,
,-«\%§@### IF YOU WOULD LOOK THROUGH THE WINDOWS ###@§%\«-,
,-«\%§@### YOU WOULD SEE THE MIST ROLLING BY, AND ###@§%\«-,
,-«\%§@### PERHAPS THE OUTLINE OF SOME OTHER ###@§%\«-,
,-«\%§@### BUILDING, FAR BELOW. ###@§%\«-,
,,,,,,,«%@ @%«,,,,,,,
,-«\%§@### DURING THE NIGHT, AFTER TAINARON HAS ###@§%\«-,
,-«\%§@### STARTED MOVING, THE LOWER FLOORS ARE ###@§%\«-,
,-«\%§@### SHUT OFF, PREVENTING ENTRY OR EXIT FOR ###@§%\«-,
,-«\%%%%§@ THE GUESTS. FOOD IS NO LONGER SERVED, @§%%%%\«-,
,-«\%§@### BUT THE DRINKS BECOME MORE EXTRAVAGANT. ###@§%\«-,
,,,,--\\§# IT'S AT THIS POINT THAT THE SECOND SET #§\\--,,,,
,-«\%§§@## OF GUEST ARRIVES, VIA HELICOPTER - ##@§§%\«-,
,-«\%§@### AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ###@§%\«-,
,,,,«%%§§@ @§§%%«,,,,
,-«\%§@### ««««« ###@§%\«-,
,-«\%§@### ###@§%\«-,
,-\%§@#### IN MY DREAM I AM INVITED AS A FRIEND OF ####@§%\-,
,-«\%§@### ONE OF THE SERVERS, AND THUS SAFE. WE ###@§%\«-,
,-«\%§@### SIT IN ONE OF THE LARGE WINDOWS, ###@§%\«-,
,-«\%§@### LOOKING THROUGH THE MIST FOR ANY ###@§%\«-,
,-«\%§@### LANDMARKS TO PIERCE THROUGH THE MIST. ###@§%\«-,
,,,,-««%§# SHE TELLS ME THAT APART FROM COMING AND #§%««-,,,,
,-«\%§@### GOING FROM WORK, SHE'S NEVER SEEN THE ###@§%\«-,
,,,,,-\%%@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @%%\-,,,,,
,-«\%§@### ###@§%\«-,
,,-««\\\§# THE NEXT DAY I AM INVITED TO THE PUBLIC #§\\\««-,,
,-«\%§@### DEMONSTRATION OF THE EXOBUBBLE. ###@§%\«-,
,-«\%§@### ###@§%\«-,
,,,,-\%@@# #@@%\-,,,,
,,,,,-\%§# #§%\-,,,,,
,---««%§## ##§%««---,
,-«\%§@### ###@§%\«-,