###@**^-~, ,~-^**@###
##@@**^-~, ,~-^**@@##
##@@**^-~, ,~-^**@@##
##@@**^-~, ,~-^**@@##
#@@***^-~, ,~-^***@@#
@**--~,,,, the skyscraper that moves ,,,,~--**@
#@@@**^-~, ,~-^**@@@#
@@@@**^-~, tainaron is a building owned and ,~-^**@@@@
@@@@**^-~, operated by amata texnologiyasi placed ,~-^**@@@@
###@**^-~, closed to the harbor in malmÖ. it's ,~-^**@###
@*^~~,,,,, roughly sixty floors high (real number ,,,,,~~^*@
#@**^^^-~, unknown), dark blue and completely ,~-^^^**@#
##@@**^-~, rectangular. it features no signs, ,~-^**@@##
##@@**^-~, lights, or ornaments, apart from a ,~-^**@@##
##@@**^-~, helipad on top. most floors have ,~-^**@@##
@@*^^-~,,, exterior walls completely made of glass. ,,,~-^^*@@
##@@**^-~, ,~-^**@@##
#@*-~,,,,, in late evenings, shrouded by malmö's ,,,,,~-*@#
##@@**^-~, signature fog rolling in from the sea, ,~-^**@@##
@@*^^~,,,, the building comes to life: it moves on ,,,,~^^*@@
###@**^-~, a thousand robotic legs to another ,~-^**@###
@***^-,,,, (secret) part of town, or perhaps out ,,,,-^***@
###@**^-~, to sea. this signals a new and more ,~-^**@###
#@@@**^-~, viscious phase of the tainaron ,~-^**@@@#
##@@**^-~, ecosystem. ,~-^**@@##
##@@**^-~, ,~-^**@@##
###@**^-~, the guests arriving during the early ,~-^**@###
##@@**^-~, evening are treated to food and drink, ,~-^**@@##
@@****^-~, live music, beatutiful views, and a ,~-^****@@
##@@**^-~, comfortable but maze-like interior ,~-^**@@##
##@@**^-~, structure (the building features a ,~-^**@@##
@**^^~,,,, multitude of stairwells and elevators, ,,,,~^^**@
@*-,,,,,,, placed seemingly at random, none going ,,,,,,,-*@
#@@@**^-~, further than a few floors). ,~-^**@@@#
@@@*^^~,,, ,,,~^^*@@@
##@@**^-~, as time goes on, the lights slowly dim, ,~-^**@@##
@@*-,,,,,, until the air inside has taken on the ,,,,,,-*@@
@@**--,,,, same quality as the surrounding mist: ,,,,--**@@
@****^^-~, blue-gray, sprinkled with the small red ,~-^^****@
##@@**^-~, dot's by door locks and control panels. ,~-^**@@##
@@@***^-~, if you would look through the windows ,~-^***@@@
##@@**^-~, you would see the mist rolling by, and ,~-^**@@##
@@**-,,,,, perhaps the outline of some other ,,,,,-**@@
###@**^-~, building, far below. ,~-^**@###
@*^-,,,,,, ,,,,,,-^*@
##@@**^-~, during the night, after tainaron has ,~-^**@@##
#@****^-~, started moving, the lower floors are ,~-^****@#
@**^-~,,,, shut off, preventing entry or exit for ,,,,~-^**@
##@@**^-~, the guests. food is no longer served, ,~-^**@@##
##@@**^-~, but the drinks become more extravagant. ,~-^**@@##
##@@**^-~, it's at this point that the second set ,~-^**@@##
##@@**^-~, of guest arrives, via helicopter - ,~-^**@@##
@*^^-~~,,, amata texnologiyasi and their friends. ,,,~~-^^*@
@@@***^-~, ,~-^***@@@
##@@**^-~, ----- ,~-^**@@##
##@@**^-~, ,~-^**@@##
@@*^^^--~, in my dream i am invited as a friend of ,~--^^^*@@
@@*^^---~, one of the servers, and thus safe. we ,~---^^*@@
@@@*^-~,,, sit in one of the large windows, ,,,~-^*@@@
@@*---,,,, looking through the mist for any ,,,,---*@@
@*^^-,,,,, landmarks to pierce through the mist. ,,,,,-^^*@
@*^^-,,,,, she tells me that apart from coming and ,,,,,-^^*@
@**^^-~,,, going from work, she's never seen the ,,,~-^^**@
##@@**^-~, building from the outside. we both sigh. ,~-^**@@##
@*^^^---~, ,~---^^^*@
##@@**^-~, the next day i am invited to the public ,~-^**@@##
@***^^^-~, demonstration of the exobubble. ,~-^^^***@
@@@@**^-~, ,~-^**@@@@
###@@*^-~, ,~-^*@@###
##@@**^-~, ,~-^**@@##
##@@**^-~, ,~-^**@@##
@**^^--~,, ,,~--^^**@