.~»*†$@#@# #@#@$†*»~.
...~***$$# #$$***~...
.~»*†$$$@# #@$$$†*»~.
.~»*†$@@## ##@@$†*»~.
.~»*†$#@## ##@#$†*»~.
.~»*†$@@## THE SKYSCRAPER THAT MOVES ##@@$†*»~.
.~»*†$@#@# #@#@$†*»~.
.~»*†$@#@# TAINARON IS A BUILDING OWNED AND #@#@$†*»~.
.....~~*†@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @†*~~.....
.~»*†$@#@# CLOSED TO THE HARBOR IN MALMÖ. IT'S #@#@$†*»~.
....»†$$## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##$$†»....
.~»*†$@#@@ UNKNOWN), DARK BLUE AND COMPLETELY @@#@$†*»~.
...~~*††@@ RECTANGULAR. IT FEATURES NO SIGNS, @@††*~~...
.~»*†$#@## LIGHTS, OR ORNAMENTS, APART FROM A ##@#$†*»~.
.....~*†$@ HELIPAD ON TOP. MOST FLOORS HAVE @$†*~.....
...»»*$@## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##@$*»»...
.~»*†$@@## ##@@$†*»~.
.~»*†$@#@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@#@$†*»~.
.~»*†@#@## SIGNATURE FOG ROLLING IN FROM THE SEA, ##@#@†*»~.
.....»*$## THE BUILDING COMES TO LIFE: IT MOVES ON ##$*».....
.~»*†$@#@@ A THOUSAND ROBOTIC LEGS TO ANOTHER @@#@$†*»~.
......»†@@ (SECRET) PART OF TOWN, OR PERHAPS OUT @@†»......
.~»*†$@#@# TO SEA. THIS SIGNALS A NEW AND MORE #@#@$†*»~.
.~»*†$@#@# VISCIOUS PHASE OF THE TAINARON #@#@$†*»~.
....»†$$$@ ECOSYSTEM. @$$$†»....
.~»****†$@ @$†****»~.
.~»*†$@#@# THE GUESTS ARRIVING DURING THE EARLY #@#@$†*»~.
......»†@# EVENING ARE TREATED TO FOOD AND DRINK, #@†»......
.~»**††@@@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @@@††**»~.
.....»††@@ COMFORTABLE BUT MAZE-LIKE INTERIOR @@††».....
.~»*†$@@@@ STRUCTURE (THE BUILDING FEATURES A @@@@$†*»~.
.~»*†$@#@# MULTITUDE OF STAIRWELLS AND ELEVATORS, #@#@$†*»~.
.~»*†$@#@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@#@$†*»~.
.~»*†$#@## FURTHER THAN A FEW FLOORS). ##@#$†*»~.
.~»*†$@### ###@$†*»~.
.~»*†$@#@@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @@#@$†*»~.
.....~*†$@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @$†*~.....
.~»*†$@#@# SAME QUALITY AS THE SURROUNDING MIST: #@#@$†*»~.
......»*†@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @†*»......
.~»*†$@@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@@$†*»~.
.~»†$@#@## IF YOU WOULD LOOK THROUGH THE WINDOWS ##@#@$†»~.
.~»*†$@#@# YOU WOULD SEE THE MIST ROLLING BY, AND #@#@$†*»~.
..~~»»*$@@ PERHAPS THE OUTLINE OF SOME OTHER @@$*»»~~..
....»*†@## BUILDING, FAR BELOW. ##@†*»....
...~»»»†$# #$†»»»~...
.~»*†$@#@# DURING THE NIGHT, AFTER TAINARON HAS #@#@$†*»~.
.~»*†$@#@# STARTED MOVING, THE LOWER FLOORS ARE #@#@$†*»~.
.~»**††$## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##$††**»~.
.~»*†††$@# THE GUESTS. FOOD IS NO LONGER SERVED, #@$†††*»~.
.~»*†$@#@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@#@$†*»~.
...~*†$@#@ IT'S AT THIS POINT THAT THE SECOND SET @#@$†*~...
......»††@ OF GUEST ARRIVES, VIA HELICOPTER - @††»......
.~»*†$@### AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ###@$†*»~.
.~»*†$@#@# #@#@$†*»~.
...~~»†$@@ »»»»» @@$†»~~...
...~~~*$@# #@$*~~~...
.~»*†$@### IN MY DREAM I AM INVITED AS A FRIEND OF ###@$†*»~.
....~»††@@ ONE OF THE SERVERS, AND THUS SAFE. WE @@††»~....
.~»*†$@### SIT IN ONE OF THE LARGE WINDOWS, ###@$†*»~.
.~~»**††$@ LOOKING THROUGH THE MIST FOR ANY @$††**»~~.
.~»*†$@#@# LANDMARKS TO PIERCE THROUGH THE MIST. #@#@$†*»~.
.....~~*$# SHE TELLS ME THAT APART FROM COMING AND #$*~~.....
.~»*†$@#@# GOING FROM WORK, SHE'S NEVER SEEN THE #@#@$†*»~.
.....»»††@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @††»».....
.....»»»†@ @†»»».....
.~»*†$@#@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@#@$†*»~.
.~»*†$@#@# DEMONSTRATION OF THE EXOBUBBLE. #@#@$†*»~.
.~»*†$@#@# #@#@$†*»~.
.~»*†$@#@# #@#@$†*»~.
.~»*†$@@## ##@@$†*»~.
.~»*†$@#@@ @@#@$†*»~.
.~»*†$@@## ##@@$†*»~.