#@¶@§†~,.. ..,~†§@¶@#
##@¶@§†~,. .,~†§@¶@##
#@¶@§†~,.. ..,~†§@¶@#
@¶@§†~,... ...,~†§@¶@
#@¶@§†~,.. ..,~†§@¶@#
##@¶@§†~,. THE SKYSCRAPER THAT MOVES .,~†§@¶@##
#@¶@§†~,.. ..,~†§@¶@#
@¶@§†~,... TAINARON IS A BUILDING OWNED AND ...,~†§@¶@
#@¶@§†~,.. OPERATED BY AMATA TEXNOLOGIYASI PLACED ..,~†§@¶@#
##@¶@§†~,. CLOSED TO THE HARBOR IN MALMÖ. IT'S .,~†§@¶@##
#@¶@§†~,.. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ..,~†§@¶@#
@¶@§†~,... UNKNOWN), DARK BLUE AND COMPLETELY ...,~†§@¶@
#@¶@§†~,.. RECTANGULAR. IT FEATURES NO SIGNS, ..,~†§@¶@#
##@¶@§†~,. LIGHTS, OR ORNAMENTS, APART FROM A .,~†§@¶@##
#@¶@§†~,.. HELIPAD ON TOP. MOST FLOORS HAVE ..,~†§@¶@#
@¶@§†~,... EXTERIOR WALLS COMPLETELY MADE OF GLASS. ...,~†§@¶@
#@¶@§†~,.. ..,~†§@¶@#
##@¶@§†~,. IN LATE EVENINGS, SHROUDED BY MALMö'S .,~†§@¶@##
#@¶@§†~,.. SIGNATURE FOG ROLLING IN FROM THE SEA, ..,~†§@¶@#
@¶@§†~,... THE BUILDING COMES TO LIFE: IT MOVES ON ...,~†§@¶@
#@¶@§†~,.. A THOUSAND ROBOTIC LEGS TO ANOTHER ..,~†§@¶@#
##@¶@§†~,. (SECRET) PART OF TOWN, OR PERHAPS OUT .,~†§@¶@##
#@¶@§†~,.. TO SEA. THIS SIGNALS A NEW AND MORE ..,~†§@¶@#
@¶@§†~,... VISCIOUS PHASE OF THE TAINARON ...,~†§@¶@
#@¶@§†~,.. ECOSYSTEM. ..,~†§@¶@#
##@¶@§†~,. .,~†§@¶@##
#@¶@§†~,.. THE GUESTS ARRIVING DURING THE EARLY ..,~†§@¶@#
@¶@§†~,... EVENING ARE TREATED TO FOOD AND DRINK, ...,~†§@¶@
#@¶@§†~,.. LIVE MUSIC, BEATUTIFUL VIEWS, AND A ..,~†§@¶@#
##@¶@§†~,. COMFORTABLE BUT MAZE-LIKE INTERIOR .,~†§@¶@##
#@¶@§†~,.. STRUCTURE (THE BUILDING FEATURES A ..,~†§@¶@#
@¶@§†~,... MULTITUDE OF STAIRWELLS AND ELEVATORS, ...,~†§@¶@
#@¶@§†~,.. PLACED SEEMINGLY AT RANDOM, NONE GOING ..,~†§@¶@#
##@¶@§†~,. FURTHER THAN A FEW FLOORS). .,~†§@¶@##
#@¶@§†~,.. ..,~†§@¶@#
@¶@§†~,... AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ...,~†§@¶@
#@¶@§†~,.. UNTIL THE AIR INSIDE HAS TAKEN ON THE ..,~†§@¶@#
##@¶@§†~,. SAME QUALITY AS THE SURROUNDING MIST: .,~†§@¶@##
#@¶@§†~,.. BLUE-GRAY, SPRINKLED WITH THE SMALL RED ..,~†§@¶@#
@¶@§†~,... DOT'S BY DOOR LOCKS AND CONTROL PANELS. ...,~†§@¶@
#@¶@§†~,.. IF YOU WOULD LOOK THROUGH THE WINDOWS ..,~†§@¶@#
##@¶@§†~,. YOU WOULD SEE THE MIST ROLLING BY, AND .,~†§@¶@##
#@¶@§†~,.. PERHAPS THE OUTLINE OF SOME OTHER ..,~†§@¶@#
@¶@§†~,... BUILDING, FAR BELOW. ...,~†§@¶@
#@¶@§†~,.. ..,~†§@¶@#
##@¶@§†~,. DURING THE NIGHT, AFTER TAINARON HAS .,~†§@¶@##
#@¶@§†~,.. STARTED MOVING, THE LOWER FLOORS ARE ..,~†§@¶@#
@¶@§†~,... SHUT OFF, PREVENTING ENTRY OR EXIT FOR ...,~†§@¶@
#@¶@§†~,.. THE GUESTS. FOOD IS NO LONGER SERVED, ..,~†§@¶@#
##@¶@§†~,. BUT THE DRINKS BECOME MORE EXTRAVAGANT. .,~†§@¶@##
#@¶@§†~,.. IT'S AT THIS POINT THAT THE SECOND SET ..,~†§@¶@#
@¶@§†~,... OF GUEST ARRIVES, VIA HELICOPTER - ...,~†§@¶@
#@¶@§†~,.. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ..,~†§@¶@#
##@¶@§†~,. .,~†§@¶@##
#@¶@§†~,.. ~~~~~ ..,~†§@¶@#
@¶@§†~,... ...,~†§@¶@
#@¶@§†~,.. IN MY DREAM I AM INVITED AS A FRIEND OF ..,~†§@¶@#
##@¶@§†~,. ONE OF THE SERVERS, AND THUS SAFE. WE .,~†§@¶@##
#@¶@§†~,.. SIT IN ONE OF THE LARGE WINDOWS, ..,~†§@¶@#
@¶@§†~,... LOOKING THROUGH THE MIST FOR ANY ...,~†§@¶@
#@¶@§†~,.. LANDMARKS TO PIERCE THROUGH THE MIST. ..,~†§@¶@#
##@¶@§†~,. SHE TELLS ME THAT APART FROM COMING AND .,~†§@¶@##
#@¶@§†~,.. GOING FROM WORK, SHE'S NEVER SEEN THE ..,~†§@¶@#
@¶@§†~,... BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ...,~†§@¶@
#@¶@§†~,.. ..,~†§@¶@#
##@¶@§†~,. THE NEXT DAY I AM INVITED TO THE PUBLIC .,~†§@¶@##
#@¶@§†~,.. DEMONSTRATION OF THE EXOBUBBLE. ..,~†§@¶@#
@¶@§†~,... ...,~†§@¶@
#@¶@§†~,.. ..,~†§@¶@#
##@¶@§†~,. .,~†§@¶@##
#@¶@§†~,.. ..,~†§@¶@#
@¶@§†~,... ...,~†§@¶@