##£@$§†-:, ,:-†§$@£##
#£@$§†-:,, ,,:-†§$@£#
##£@$§†-:, ,:-†§$@£##
#£@$§†-:,, ,,:-†§$@£#
##£@$§†-:, ,:-†§$@£##
#£@$§†-:,, THE SKYSCRAPER THAT MOVES ,,:-†§$@£#
##£@$§†-:, ,:-†§$@£##
#£@$§†-:,, TAINARON IS A BUILDING OWNED AND ,,:-†§$@£#
##£@$§†-:, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,:-†§$@£##
#£@$§†-:,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,:-†§$@£#
##£@$§†-:, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,:-†§$@£##
#£@$§†-:,, UNKNOWN), DARK BLUE AND COMPLETELY ,,:-†§$@£#
##£@$§†-:, RECTANGULAR. IT FEATURES NO SIGNS, ,:-†§$@£##
#£@$§†-:,, LIGHTS, OR ORNAMENTS, APART FROM A ,,:-†§$@£#
##£@$§†-:, HELIPAD ON TOP. MOST FLOORS HAVE ,:-†§$@£##
#£@$§†-:,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,:-†§$@£#
##£@$§†-:, ,:-†§$@£##
#£@$§†-:,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,:-†§$@£#
##£@$§†-:, SIGNATURE FOG ROLLING IN FROM THE SEA, ,:-†§$@£##
#£@$§†-:,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,:-†§$@£#
##£@$§†-:, A THOUSAND ROBOTIC LEGS TO ANOTHER ,:-†§$@£##
#£@$§†-:,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,:-†§$@£#
##£@$§†-:, TO SEA. THIS SIGNALS A NEW AND MORE ,:-†§$@£##
#£@$§†-:,, VISCIOUS PHASE OF THE TAINARON ,,:-†§$@£#
##£@$§†-:, ECOSYSTEM. ,:-†§$@£##
#£@$§†-:,, ,,:-†§$@£#
##£@$§†-:, THE GUESTS ARRIVING DURING THE EARLY ,:-†§$@£##
#£@$§†-:,, EVENING ARE TREATED TO FOOD AND DRINK, ,,:-†§$@£#
##£@$§†-:, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,:-†§$@£##
#£@$§†-:,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,:-†§$@£#
##£@$§†-:, STRUCTURE (THE BUILDING FEATURES A ,:-†§$@£##
#£@$§†-:,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,:-†§$@£#
##£@$§†-:, PLACED SEEMINGLY AT RANDOM, NONE GOING ,:-†§$@£##
#£@$§†-:,, FURTHER THAN A FEW FLOORS). ,,:-†§$@£#
##£@$§†-:, ,:-†§$@£##
#£@$§†-:,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,:-†§$@£#
##£@$§†-:, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,:-†§$@£##
#£@$§†-:,, SAME QUALITY AS THE SURROUNDING MIST: ,,:-†§$@£#
##£@$§†-:, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,:-†§$@£##
#£@$§†-:,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,:-†§$@£#
##£@$§†-:, IF YOU WOULD LOOK THROUGH THE WINDOWS ,:-†§$@£##
#£@$§†-:,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,:-†§$@£#
##£@$§†-:, PERHAPS THE OUTLINE OF SOME OTHER ,:-†§$@£##
#£@$§†-:,, BUILDING, FAR BELOW. ,,:-†§$@£#
##£@$§†-:, ,:-†§$@£##
#£@$§†-:,, DURING THE NIGHT, AFTER TAINARON HAS ,,:-†§$@£#
##£@$§†-:, STARTED MOVING, THE LOWER FLOORS ARE ,:-†§$@£##
#£@$§†-:,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,:-†§$@£#
##£@$§†-:, THE GUESTS. FOOD IS NO LONGER SERVED, ,:-†§$@£##
#£@$§†-:,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,:-†§$@£#
##£@$§†-:, IT'S AT THIS POINT THAT THE SECOND SET ,:-†§$@£##
#£@$§†-:,, OF GUEST ARRIVES, VIA HELICOPTER - ,,:-†§$@£#
##£@$§†-:, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,:-†§$@£##
#£@$§†-:,, ,,:-†§$@£#
##£@$§†-:, ----- ,:-†§$@£##
#£@$§†-:,, ,,:-†§$@£#
##£@$§†-:, IN MY DREAM I AM INVITED AS A FRIEND OF ,:-†§$@£##
#£@$§†-:,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,:-†§$@£#
##£@$§†-:, SIT IN ONE OF THE LARGE WINDOWS, ,:-†§$@£##
#£@$§†-:,, LOOKING THROUGH THE MIST FOR ANY ,,:-†§$@£#
##£@$§†-:, LANDMARKS TO PIERCE THROUGH THE MIST. ,:-†§$@£##
#£@$§†-:,, SHE TELLS ME THAT APART FROM COMING AND ,,:-†§$@£#
##£@$§†-:, GOING FROM WORK, SHE'S NEVER SEEN THE ,:-†§$@£##
#£@$§†-:,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,:-†§$@£#
##£@$§†-:, ,:-†§$@£##
#£@$§†-:,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,:-†§$@£#
##£@$§†-:, DEMONSTRATION OF THE EXOBUBBLE. ,:-†§$@£##
#£@$§†-:,, ,,:-†§$@£#
##£@$§†-:, ,:-†§$@£##
#£@$§†-:,, ,,:-†§$@£#
##£@$§†-:, ,:-†§$@£##
#£@$§†-:,, ,,:-†§$@£#