##£&%\~,¨¨ ¨¨,~\%&£##
###£&%\~,¨ ¨,~\%&£###
##£&%\~,¨¨ ¨¨,~\%&£##
#£&%\~,¨¨¨ ¨¨¨,~\%&£#
£&%\~,¨¨¨¨ ¨¨¨¨,~\%&£
&%\~,¨¨¨¨¨ THE SKYSCRAPER THAT MOVES ¨¨¨¨¨,~\%&
%\~,¨¨¨¨¨¨ ¨¨¨¨¨¨,~\%
\~,¨¨¨¨¨¨¨ TAINARON IS A BUILDING OWNED AND ¨¨¨¨¨¨¨,~\
~,¨¨¨¨¨¨¨¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨¨¨¨¨¨¨¨,~
,¨¨¨¨¨¨¨¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨¨¨¨¨¨¨¨,
¨¨¨¨¨¨¨¨¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨¨¨¨¨¨¨¨¨¨
,¨¨¨¨¨¨¨¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨¨¨¨¨¨¨¨,
~,¨¨¨¨¨¨¨¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨¨¨¨¨¨¨¨,~
\~,¨¨¨¨¨¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨¨¨¨¨¨,~\
%\~,¨¨¨¨¨¨ ¨¨¨¨¨¨,~\%
&%\~,¨¨¨¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨¨¨¨¨,~\%&
£&%\~,¨¨¨¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨¨¨¨,~\%&£
#£&%\~,¨¨¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨¨¨,~\%&£#
##£&%\~,¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨,~\%&£##
###£&%\~,¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨,~\%&£###
##£&%\~,¨¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨¨,~\%&£##
#£&%\~,¨¨¨ VISCIOUS PHASE OF THE TAINARON ¨¨¨,~\%&£#
£&%\~,¨¨¨¨ ECOSYSTEM. ¨¨¨¨,~\%&£
&%\~,¨¨¨¨¨ ¨¨¨¨¨,~\%&
%\~,¨¨¨¨¨¨ THE GUESTS ARRIVING DURING THE EARLY ¨¨¨¨¨¨,~\%
\~,¨¨¨¨¨¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨¨¨¨¨¨,~\
~,¨¨¨¨¨¨¨¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨¨¨¨¨¨¨,~
,¨¨¨¨¨¨¨¨¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨¨¨¨¨¨¨¨¨,
¨¨¨¨¨¨¨¨¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨¨¨¨¨¨¨¨¨
,¨¨¨¨¨¨¨¨¨ FURTHER THAN A FEW FLOORS). ¨¨¨¨¨¨¨¨¨,
~,¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨,~
\~,¨¨¨¨¨¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨¨¨¨¨¨¨,~\
%\~,¨¨¨¨¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨¨¨¨¨,~\%
&%\~,¨¨¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨¨¨,~\%&
£&%\~,¨¨¨¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨¨¨,~\%&£
#£&%\~,¨¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨¨,~\%&£#
##£&%\~,¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨¨,~\%&£##
###£&%\~,¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨,~\%&£###
##£&%\~,¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨,~\%&£##
#£&%\~,¨¨¨ BUILDING, FAR BELOW. ¨¨¨,~\%&£#
£&%\~,¨¨¨¨ ¨¨¨¨,~\%&£
&%\~,¨¨¨¨¨ DURING THE NIGHT, AFTER TAINARON HAS ¨¨¨¨¨,~\%&
%\~,¨¨¨¨¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨¨¨¨¨,~\%
\~,¨¨¨¨¨¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨¨¨¨¨¨,~\
~,¨¨¨¨¨¨¨¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨¨¨¨¨¨¨¨,~
,¨¨¨¨¨¨¨¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨¨¨¨¨¨¨¨,
¨¨¨¨¨¨¨¨¨¨ IT'S AT THIS POINT THAT THE SECOND SET ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨¨¨¨¨¨¨¨
,¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨,
~,¨¨¨¨¨¨¨¨ ~~~~~ ¨¨¨¨¨¨¨¨,~
\~,¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨,~\
%\~,¨¨¨¨¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨¨¨¨¨¨,~\%
&%\~,¨¨¨¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨¨¨¨,~\%&
£&%\~,¨¨¨¨ SIT IN ONE OF THE LARGE WINDOWS, ¨¨¨¨,~\%&£
#£&%\~,¨¨¨ LOOKING THROUGH THE MIST FOR ANY ¨¨¨,~\%&£#
##£&%\~,¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨,~\%&£##
###£&%\~,¨ SHE TELLS ME THAT APART FROM COMING AND ¨,~\%&£###
##£&%\~,¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨,~\%&£##
#£&%\~,¨¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨¨,~\%&£#
£&%\~,¨¨¨¨ ¨¨¨¨,~\%&£
&%\~,¨¨¨¨¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨¨¨¨,~\%&
%\~,¨¨¨¨¨¨ DEMONSTRATION OF THE EXOBUBBLE. ¨¨¨¨¨¨,~\%
\~,¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨,~\
~,¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨,~
,¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨,
¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨