#@£¤§†/«,,                                          ,,«/†§¤£@#
@¤§/««,,,,                                          ,,,,««/§¤@
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¤¤¤†††/«,,                                          ,,«/†††¤¤¤
#@£¤§†/«,,                                          ,,«/†§¤£@#
¤¤††††/«,,        THE SKYSCRAPER THAT MOVES         ,,«/††††¤¤
##£¤§†/«,,                                          ,,«/†§¤£##
¤¤¤†††/«,, TAINARON   IS  A  BUILDING   OWNED   AND ,,«/†††¤¤¤
¤§/««,,,,,  OPERATED BY AMATA TEXNOLOGIYASI PLACED  ,,,,,««/§¤
£§§††««,,, CLOSED  TO  THE  HARBOR  IN  MALMÖ. IT'S ,,,««††§§£
£§§/««,,,, ROUGHLY SIXTY  FLOORS  HIGH (REAL NUMBER ,,,,««/§§£
#@£¤§†/«,,    UNKNOWN), DARK BLUE AND COMPLETELY    ,,«/†§¤£@#
#@£¤§†/«,,    RECTANGULAR. IT FEATURES NO SIGNS,    ,,«/†§¤£@#
#@£¤§†/«,, LIGHTS,  OR  ORNAMENTS,   APART  FROM  A ,,«/†§¤£@#
#@£¤§†/«,, HELIPAD   ON  TOP.  MOST   FLOORS   HAVE ,,«/†§¤£@#
¤†///«,,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,,«///†¤
££¤¤§†/«,,                                          ,,«/†§¤¤££
¤§†/«,,,,, IN  LATE EVENINGS,  SHROUDED  BY MALMö'S ,,,,,«/†§¤
#@£¤§†/«,, SIGNATURE  FOG ROLLING  IN FROM THE SEA, ,,«/†§¤£@#
#@£¤§†/«,, THE BUILDING COMES  TO LIFE: IT MOVES ON ,,«/†§¤£@#
£££¤§†/«,, A  THOUSAND  ROBOTIC  LEGS  TO   ANOTHER ,,«/†§¤£££
¤§†«««,,,, (SECRET)  PART  OF TOWN,  OR PERHAPS OUT ,,,,«««†§¤
@£¤¤§†/«,, TO  SEA. THIS  SIGNALS  A NEW  AND  MORE ,,«/†§¤¤£@
#@£¤§†/«,,      VISCIOUS PHASE OF THE TAINARON      ,,«/†§¤£@#
£§////«,,,                ECOSYSTEM.                ,,,«////§£
££§§//«,,,                                          ,,,«//§§££
#@£¤§†/«,, THE  GUESTS  ARRIVING DURING  THE  EARLY ,,«/†§¤£@#
£¤¤¤§†/«,, EVENING ARE  TREATED  TO FOOD AND DRINK, ,,«/†§¤¤¤£
##@£¤§†/,, LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ,,/†§¤£@##
£§//«,,,,,    COMFORTABLE BUT MAZE-LIKE INTERIOR    ,,,,,«//§£
£££¤§†/«,,    STRUCTURE (THE BUILDING FEATURES A    ,,«/†§¤£££
@¤††/«,,,,  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ,,,,«/††¤@
¤†««,,,,,, PLACED  SEEMINGLY AT  RANDOM, NONE GOING ,,,,,,««†¤
##@¤§†/«,,        FURTHER THAN A FEW FLOORS).       ,,«/†§¤@##
#@£¤§†/«,,                                          ,,«/†§¤£@#
#@£¤§†/«,, AS TIME  GOES ON, THE LIGHTS SLOWLY DIM, ,,«/†§¤£@#
£¤††««,,,, UNTIL THE AIR INSIDE  HAS  TAKEN ON  THE ,,,,««††¤£
@£§/«,,,,, SAME QUALITY  AS THE  SURROUNDING  MIST: ,,,,,«/§£@
##£¤§†/«,, BLUE-GRAY,  SPRINKLED WITH THE SMALL RED ,,«/†§¤£##
@¤¤§§†/«,, DOT'S  BY DOOR LOCKS AND CONTROL PANELS. ,,«/†§§¤¤@
@££¤§†/«,, IF YOU  WOULD  LOOK  THROUGH THE WINDOWS ,,«/†§¤££@
£§†/,,,,,, YOU WOULD SEE  THE  MIST ROLLING BY, AND ,,,,,,/†§£
#@£¤§†/«,, PERHAPS  THE   OUTLINE  OF   SOME  OTHER ,,«/†§¤£@#
#@£¤§†/«,,           BUILDING, FAR BELOW.           ,,«/†§¤£@#
@@£¤§†/«,,                                          ,,«/†§¤£@@
¤¤†«,,,,,, DURING THE  NIGHT,  AFTER  TAINARON  HAS ,,,,,,«†¤¤
#@£¤§†/«,, STARTED MOVING,  THE  LOWER  FLOORS  ARE ,,«/†§¤£@#
#@£¤§†/«,, SHUT  OFF, PREVENTING ENTRY OR  EXIT FOR ,,«/†§¤£@#
#@£¤§†/«,, THE  GUESTS.  FOOD IS  NO LONGER SERVED, ,,«/†§¤£@#
#@£¤§†/«,, BUT THE DRINKS BECOME  MORE EXTRAVAGANT. ,,«/†§¤£@#
£££¤§†/«,, IT'S AT THIS POINT THAT  THE  SECOND SET ,,«/†§¤£££
£¤†/,,,,,, OF  GUEST   ARRIVES,  VIA  HELICOPTER  - ,,,,,,/†¤£
@¤§§§†/«,,  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ,,«/†§§§¤@
£§§†«,,,,,                                          ,,,,,«†§§£
¤¤¤§††/«,,                  «««««                   ,,«/††§¤¤¤
##£¤§†/«,,                                          ,,«/†§¤£##
£¤§/,,,,,, IN MY DREAM I  AM INVITED AS A FRIEND OF ,,,,,,/§¤£
##@£§†/«,, ONE OF THE SERVERS,  AND  THUS SAFE.  WE ,,«/†§£@##
¤¤††«,,,,, SIT  IN   ONE   OF  THE  LARGE  WINDOWS, ,,,,,«††¤¤
#@£¤§†/«,, LOOKING  THROUGH   THE   MIST   FOR  ANY ,,«/†§¤£@#
@@£¤§†/«,, LANDMARKS  TO PIERCE  THROUGH  THE MIST. ,,«/†§¤£@@
£¤§†««,,,, SHE TELLS ME THAT APART FROM  COMING AND ,,,,««†§¤£
##£¤§†/«,, GOING FROM WORK, SHE'S  NEVER  SEEN  THE ,,«/†§¤£##
#@£¤§†/«,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,«/†§¤£@#
£££¤§†/«,,                                          ,,«/†§¤£££
#@£¤§†/«,, THE NEXT DAY  I AM INVITED TO THE PUBLIC ,,«/†§¤£@#
#@£¤§†/«,,     DEMONSTRATION OF THE EXOBUBBLE.      ,,«/†§¤£@#
@@£¤§†/«,,                                          ,,«/†§¤£@@
£¤§§§†/«,,                                          ,,«/†§§§¤£
#@£¤§†/«,,                                          ,,«/†§¤£@#
#@£¤§†/«,,                                          ,,«/†§¤£@#
#@£¤§†/«,,                                          ,,«/†§¤£@#