.,~=%*§@## ##@§*%=~,.
..,~=%*§@# #@§*%=~,..
.,~=%*§@## ##@§*%=~,.
..,~=%*§@# #@§*%=~,..
.,~=%*§@## ##@§*%=~,.
..,~=%*§@# THE SKYSCRAPER THAT MOVES #@§*%=~,..
.,~=%*§@## ##@§*%=~,.
..,~=%*§@# TAINARON IS A BUILDING OWNED AND #@§*%=~,..
.,~=%*§@## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##@§*%=~,.
..,~=%*§@# CLOSED TO THE HARBOR IN MALMÖ. IT'S #@§*%=~,..
.,~=%*§@## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##@§*%=~,.
..,~=%*§@# UNKNOWN), DARK BLUE AND COMPLETELY #@§*%=~,..
.,~=%*§@## RECTANGULAR. IT FEATURES NO SIGNS, ##@§*%=~,.
..,~=%*§@# LIGHTS, OR ORNAMENTS, APART FROM A #@§*%=~,..
.,~=%*§@## HELIPAD ON TOP. MOST FLOORS HAVE ##@§*%=~,.
..,~=%*§@# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #@§*%=~,..
.,~=%*§@## ##@§*%=~,.
..,~=%*§@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@§*%=~,..
.,~=%*§@## SIGNATURE FOG ROLLING IN FROM THE SEA, ##@§*%=~,.
..,~=%*§@# THE BUILDING COMES TO LIFE: IT MOVES ON #@§*%=~,..
.,~=%*§@## A THOUSAND ROBOTIC LEGS TO ANOTHER ##@§*%=~,.
..,~=%*§@# (SECRET) PART OF TOWN, OR PERHAPS OUT #@§*%=~,..
.,~=%*§@## TO SEA. THIS SIGNALS A NEW AND MORE ##@§*%=~,.
..,~=%*§@# VISCIOUS PHASE OF THE TAINARON #@§*%=~,..
.,~=%*§@## ECOSYSTEM. ##@§*%=~,.
..,~=%*§@# #@§*%=~,..
.,~=%*§@## THE GUESTS ARRIVING DURING THE EARLY ##@§*%=~,.
..,~=%*§@# EVENING ARE TREATED TO FOOD AND DRINK, #@§*%=~,..
.,~=%*§@## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##@§*%=~,.
..,~=%*§@# COMFORTABLE BUT MAZE-LIKE INTERIOR #@§*%=~,..
.,~=%*§@## STRUCTURE (THE BUILDING FEATURES A ##@§*%=~,.
..,~=%*§@# MULTITUDE OF STAIRWELLS AND ELEVATORS, #@§*%=~,..
.,~=%*§@## PLACED SEEMINGLY AT RANDOM, NONE GOING ##@§*%=~,.
..,~=%*§@# FURTHER THAN A FEW FLOORS). #@§*%=~,..
.,~=%*§@## ##@§*%=~,.
..,~=%*§@# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #@§*%=~,..
.,~=%*§@## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##@§*%=~,.
..,~=%*§@# SAME QUALITY AS THE SURROUNDING MIST: #@§*%=~,..
.,~=%*§@## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##@§*%=~,.
..,~=%*§@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@§*%=~,..
.,~=%*§@## IF YOU WOULD LOOK THROUGH THE WINDOWS ##@§*%=~,.
..,~=%*§@# YOU WOULD SEE THE MIST ROLLING BY, AND #@§*%=~,..
.,~=%*§@## PERHAPS THE OUTLINE OF SOME OTHER ##@§*%=~,.
..,~=%*§@# BUILDING, FAR BELOW. #@§*%=~,..
.,~=%*§@## ##@§*%=~,.
..,~=%*§@# DURING THE NIGHT, AFTER TAINARON HAS #@§*%=~,..
.,~=%*§@## STARTED MOVING, THE LOWER FLOORS ARE ##@§*%=~,.
..,~=%*§@# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #@§*%=~,..
.,~=%*§@## THE GUESTS. FOOD IS NO LONGER SERVED, ##@§*%=~,.
..,~=%*§@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@§*%=~,..
.,~=%*§@## IT'S AT THIS POINT THAT THE SECOND SET ##@§*%=~,.
..,~=%*§@# OF GUEST ARRIVES, VIA HELICOPTER - #@§*%=~,..
.,~=%*§@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##@§*%=~,.
..,~=%*§@# #@§*%=~,..
.,~=%*§@## ~~~~~ ##@§*%=~,.
..,~=%*§@# #@§*%=~,..
.,~=%*§@## IN MY DREAM I AM INVITED AS A FRIEND OF ##@§*%=~,.
..,~=%*§@# ONE OF THE SERVERS, AND THUS SAFE. WE #@§*%=~,..
.,~=%*§@## SIT IN ONE OF THE LARGE WINDOWS, ##@§*%=~,.
..,~=%*§@# LOOKING THROUGH THE MIST FOR ANY #@§*%=~,..
.,~=%*§@## LANDMARKS TO PIERCE THROUGH THE MIST. ##@§*%=~,.
..,~=%*§@# SHE TELLS ME THAT APART FROM COMING AND #@§*%=~,..
.,~=%*§@## GOING FROM WORK, SHE'S NEVER SEEN THE ##@§*%=~,.
..,~=%*§@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@§*%=~,..
.,~=%*§@## ##@§*%=~,.
..,~=%*§@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@§*%=~,..
.,~=%*§@## DEMONSTRATION OF THE EXOBUBBLE. ##@§*%=~,.
..,~=%*§@# #@§*%=~,..
.,~=%*§@## ##@§*%=~,.
..,~=%*§@# #@§*%=~,..
.,~=%*§@## ##@§*%=~,.
..,~=%*§@# #@§*%=~,..