,,,,,***=# #=***,,,,,
,,-*=§###@ @###§=*-,,
,,-*=§##@# #@##§=*-,,
,,-***=§§# #§§=***-,,
,,-*=§##@# #@##§=*-,,
,-*=§##@## THE SKYSCRAPER THAT MOVES ##@##§=*-,
,,-*=§##@# #@##§=*-,,
,,,,-*§### TAINARON IS A BUILDING OWNED AND ###§*-,,,,
,,-*=§##@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@##§=*-,,
,,,,,--=#@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @#=--,,,,,
,,,,*==§§# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #§§==*,,,,
,,,,,-=### UNKNOWN), DARK BLUE AND COMPLETELY ###=-,,,,,
,,,,---*=# RECTANGULAR. IT FEATURES NO SIGNS, #=*---,,,,
,,,,-*=§#@ LIGHTS, OR ORNAMENTS, APART FROM A @#§=*-,,,,
,,-*=§#### HELIPAD ON TOP. MOST FLOORS HAVE ####§=*-,,
,,,,,,,*§# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #§*,,,,,,,
,,,,,,,-=# #=-,,,,,,,
,,,,,,-=## IN LATE EVENINGS, SHROUDED BY MALMö'S ##=-,,,,,,
,,-*=§#### SIGNATURE FOG ROLLING IN FROM THE SEA, ####§=*-,,
,,,,--=§#@ THE BUILDING COMES TO LIFE: IT MOVES ON @#§=--,,,,
,,,,,,,-=# A THOUSAND ROBOTIC LEGS TO ANOTHER #=-,,,,,,,
,,-*=§##@# (SECRET) PART OF TOWN, OR PERHAPS OUT #@##§=*-,,
,,,,,,,*§# TO SEA. THIS SIGNALS A NEW AND MORE #§*,,,,,,,
,,,--*§§§# VISCIOUS PHASE OF THE TAINARON #§§§*--,,,
,,,,--=##@ ECOSYSTEM. @##=--,,,,
,,-*=§##@@ @@##§=*-,,
,,,,-==### THE GUESTS ARRIVING DURING THE EARLY ###==-,,,,
,,,,,,,*=# EVENING ARE TREATED TO FOOD AND DRINK, #=*,,,,,,,
,,,--=§### LIVE MUSIC, BEATUTIFUL VIEWS, AND A ###§=--,,,
,,,--===## COMFORTABLE BUT MAZE-LIKE INTERIOR ##===--,,,
,,-*=§#@## STRUCTURE (THE BUILDING FEATURES A ##@#§=*-,,
,,-*=§###@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @###§=*-,,
,,-*=§##@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@##§=*-,,
,,-*=§§§## FURTHER THAN A FEW FLOORS). ##§§§=*-,,
,,-*=§##@@ @@##§=*-,,
,,-*=§##@# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #@##§=*-,,
,,,,,-*=#@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @#=*-,,,,,
,,,---*=§# SAME QUALITY AS THE SURROUNDING MIST: #§=*---,,,
,,,,,,*§#@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @#§*,,,,,,
,,-*=§#@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@#§=*-,,
,,-*=§#@## IF YOU WOULD LOOK THROUGH THE WINDOWS ##@#§=*-,,
,,-*=§##@# YOU WOULD SEE THE MIST ROLLING BY, AND #@##§=*-,,
,,,,-===#@ PERHAPS THE OUTLINE OF SOME OTHER @#===-,,,,
,,,,,,,-=# BUILDING, FAR BELOW. #=-,,,,,,,
,,-*=§##@# #@##§=*-,,
,,-*=§#### DURING THE NIGHT, AFTER TAINARON HAS ####§=*-,,
,,-*=§##@@ STARTED MOVING, THE LOWER FLOORS ARE @@##§=*-,,
,,,,--=§§# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #§§=--,,,,
,,,,,-==§# THE GUESTS. FOOD IS NO LONGER SERVED, #§==-,,,,,
,,-*===§#@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @#§===*-,,
,,-*=§##@# IT'S AT THIS POINT THAT THE SECOND SET #@##§=*-,,
,,-*=##@## OF GUEST ARRIVES, VIA HELICOPTER - ##@##=*-,,
,,-*=§##@@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @@##§=*-,,
,,-*=§##@# #@##§=*-,,
,,-*=§#@## ----- ##@#§=*-,,
,,-*===##@ @##===*-,,
,,-*==§§## IN MY DREAM I AM INVITED AS A FRIEND OF ##§§==*-,,
,,-*=§##@@ ONE OF THE SERVERS, AND THUS SAFE. WE @@##§=*-,,
,,-*=§#### SIT IN ONE OF THE LARGE WINDOWS, ####§=*-,,
,,,,,**§§# LOOKING THROUGH THE MIST FOR ANY #§§**,,,,,
,,-**==### LANDMARKS TO PIERCE THROUGH THE MIST. ###==**-,,
,,-**===## SHE TELLS ME THAT APART FROM COMING AND ##===**-,,
,,,--==§§# GOING FROM WORK, SHE'S NEVER SEEN THE #§§==--,,,
,,-*=§#### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ####§=*-,,
,,-*=§##@# #@##§=*-,,
,,,,,,-==# THE NEXT DAY I AM INVITED TO THE PUBLIC #==-,,,,,,
,,,,,,,-=# DEMONSTRATION OF THE EXOBUBBLE. #=-,,,,,,,
,,-*=§#@## ##@#§=*-,,
,,-*=§##@# #@##§=*-,,
,,,,*==##@ @##==*,,,,
,,,,,-=### ###=-,,,,,
,,-*=§##@# #@##§=*-,,