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#£¤=»:.... TAINARON IS A BUILDING OWNED AND ....:»=¤£#
#&=»»..... OPERATED BY AMATA TEXNOLOGIYASI PLACED .....»»=
£¤\\»:.... CLOSED TO THE HARBOR IN MALMÖ. IT'S ....:»\\¤£
#&&=\:.... ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ....:\=&
£££&¤=\»:. UNKNOWN), DARK BLUE AND COMPLETELY .:»\=¤&£££
£&&&¤=\»:. RECTANGULAR. IT FEATURES NO SIGNS, .:»\=¤&&&£
&¤=\»..... LIGHTS, OR ORNAMENTS, APART FROM A .....»\=¤&
#£&=\\\»:. HELIPAD ON TOP. MOST FLOORS HAVE .:»\\\=&£#
#&==\:.... EXTERIOR WALLS COMPLETELY MADE OF GLASS. ....:\==
&¤====\»:. .:»\====¤&
£££&¤=\»:. IN LATE EVENINGS, SHROUDED BY MALMö'S .:»\=¤&£££
£¤=»:..... SIGNATURE FOG ROLLING IN FROM THE SEA, .....:»=¤£
##£&¤=\»:. THE BUILDING COMES TO LIFE: IT MOVES ON .:»\=¤&£##
&&¤==\::.. A THOUSAND ROBOTIC LEGS TO ANOTHER ..::\==¤&&
##£&¤=\»:. (SECRET) PART OF TOWN, OR PERHAPS OUT .:»\=¤&£##
##£&¤=\»:. TO SEA. THIS SIGNALS A NEW AND MORE .:»\=¤&£##
##£&¤=\»:. VISCIOUS PHASE OF THE TAINARON .:»\=¤&£##
&&&=»:.... ECOSYSTEM. ....:»=&&&
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#££&¤=\»:. THE GUESTS ARRIVING DURING THE EARLY .:»\=¤&££#
&¤¤==»»::. EVENING ARE TREATED TO FOOD AND DRINK, .::»»==¤¤&
£££&¤=\»:. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .:»\=¤&£££
##£&¤=\»:. COMFORTABLE BUT MAZE-LIKE INTERIOR .:»\=¤&£##
#&=»...... STRUCTURE (THE BUILDING FEATURES A ......»=
£¤=\:..... MULTITUDE OF STAIRWELLS AND ELEVATORS, .....:\=¤£
###£&¤\»:. PLACED SEEMINGLY AT RANDOM, NONE GOING .:»\¤&£###
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&&¤=\»:... AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ...:»\=¤&&
#&&&¤=\»:. UNTIL THE AIR INSIDE HAS TAKEN ON THE .:»\=¤&&
##£&¤=\»:. SAME QUALITY AS THE SURROUNDING MIST: .:»\=¤&£##
£&&&¤=\»:. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .:»\=¤&&&£
&&&¤\\:... DOT'S BY DOOR LOCKS AND CONTROL PANELS. ...:\\¤&&&
&&&¤\::::. IF YOU WOULD LOOK THROUGH THE WINDOWS .::::\¤&&&
&=»....... YOU WOULD SEE THE MIST ROLLING BY, AND .......»=&
##£&¤=\»:. PERHAPS THE OUTLINE OF SOME OTHER .:»\=¤&£##
££¤\\»::.. BUILDING, FAR BELOW. ..::»\\¤££
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&&&¤\\\»:. DURING THE NIGHT, AFTER TAINARON HAS .:»\\\¤&&&
#£&¤==\»:. STARTED MOVING, THE LOWER FLOORS ARE .:»\==¤&£#
##£&¤=\»:. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .:»\=¤&£##
&¤¤¤¤=\»:. THE GUESTS. FOOD IS NO LONGER SERVED, .:»\=¤¤¤¤&
###£&=\»:. BUT THE DRINKS BECOME MORE EXTRAVAGANT. .:»\=&£###
###&¤=\»:. IT'S AT THIS POINT THAT THE SECOND SET .:»\=¤##
#&¤¤=\:... OF GUEST ARRIVES, VIA HELICOPTER - ...:\=¤¤
##£&¤=\»:. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .:»\=¤&£##
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##£&¤=\»:. SIT IN ONE OF THE LARGE WINDOWS, .:»\=¤&£##
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##£&¤=\»:. LANDMARKS TO PIERCE THROUGH THE MIST. .:»\=¤&£##
&=\::..... SHE TELLS ME THAT APART FROM COMING AND .....::\=&
##£&¤=\»:. GOING FROM WORK, SHE'S NEVER SEEN THE .:»\=¤&£##
&¤¤\»..... BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .....»\¤¤&
###£&¤=\:. .:\=¤&£###
&==\:..... THE NEXT DAY I AM INVITED TO THE PUBLIC .....:\==&
##£&¤=\»:. DEMONSTRATION OF THE EXOBUBBLE. .:»\=¤&£##
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