.....~;*## ##*;~.....
....,~*##¶ ¶##*~,....
.,~;*¤#¶## ##¶#¤*;~,.
.,~;*¤#¶## ##¶#¤*;~,.
....,~~**# #**~~,....
.,~;*¤#¶## THE SKYSCRAPER THAT MOVES ##¶#¤*;~,.
.,~;*¤#¶## ##¶#¤*;~,.
.,~;*¤#¶## TAINARON IS A BUILDING OWNED AND ##¶#¤*;~,.
.,~;*¤¶### OPERATED BY AMATA TEXNOLOGIYASI PLACED ###¶¤*;~,.
.,~~~~;¤## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##¤;~~~~,.
.,~;*¤¤#¶# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #¶#¤¤*;~,.
.,~;*¤#¶## UNKNOWN), DARK BLUE AND COMPLETELY ##¶#¤*;~,.
....~;¤##¶ RECTANGULAR. IT FEATURES NO SIGNS, ¶##¤;~....
.....,~;¤¶ LIGHTS, OR ORNAMENTS, APART FROM A ¶¤;~,.....
.....,;¤## HELIPAD ON TOP. MOST FLOORS HAVE ##¤;,.....
.,;*¤#¶### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###¶#¤*;,.
.,~;*¤#¶## ##¶#¤*;~,.
.,~;*¤#¶¶# IN LATE EVENINGS, SHROUDED BY MALMö'S #¶¶#¤*;~,.
.,~;*¤#¶## SIGNATURE FOG ROLLING IN FROM THE SEA, ##¶#¤*;~,.
.,~;*¤#¶## THE BUILDING COMES TO LIFE: IT MOVES ON ##¶#¤*;~,.
.,~;;***## A THOUSAND ROBOTIC LEGS TO ANOTHER ##***;;~,.
...,~~;¤¤# (SECRET) PART OF TOWN, OR PERHAPS OUT #¤¤;~~,...
.,~;*¤#¶## TO SEA. THIS SIGNALS A NEW AND MORE ##¶#¤*;~,.
.,~;*¤#¶## VISCIOUS PHASE OF THE TAINARON ##¶#¤*;~,.
....,;*##¶ ECOSYSTEM. ¶##*;,....
.,~;*¤#¶## ##¶#¤*;~,.
......,;¤# THE GUESTS ARRIVING DURING THE EARLY #¤;,......
......~*¤¶ EVENING ARE TREATED TO FOOD AND DRINK, ¶¤*~......
.,~;*¤#¶## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##¶#¤*;~,.
....,~~*¤¶ COMFORTABLE BUT MAZE-LIKE INTERIOR ¶¤*~~,....
.,~;;;*¤## STRUCTURE (THE BUILDING FEATURES A ##¤*;;;~,.
.,~;**¤#¶¶ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¶¶#¤**;~,.
.,~;*¤#¶## PLACED SEEMINGLY AT RANDOM, NONE GOING ##¶#¤*;~,.
.,~;*¤#¶## FURTHER THAN A FEW FLOORS). ##¶#¤*;~,.
.,~;*¤#¶## ##¶#¤*;~,.
...,~;*¤#¶ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¶#¤*;~,...
.,~;****## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##****;~,.
....~***## SAME QUALITY AS THE SURROUNDING MIST: ##***~....
.,~;*¤#### BLUE-GRAY, SPRINKLED WITH THE SMALL RED ####¤*;~,.
....,;;;*# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #*;;;,....
.,~;*¤#¶## IF YOU WOULD LOOK THROUGH THE WINDOWS ##¶#¤*;~,.
.,~;*¤#¶## YOU WOULD SEE THE MIST ROLLING BY, AND ##¶#¤*;~,.
.,~;*¤#¶## PERHAPS THE OUTLINE OF SOME OTHER ##¶#¤*;~,.
...,~~;;¤# BUILDING, FAR BELOW. #¤;;~~,...
.,,,~;¤##¶ ¶##¤;~,,,.
.,~;*¤#¶## DURING THE NIGHT, AFTER TAINARON HAS ##¶#¤*;~,.
.,~;*¤#### STARTED MOVING, THE LOWER FLOORS ARE ####¤*;~,.
.,~;*¤#¶## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##¶#¤*;~,.
....,~~*## THE GUESTS. FOOD IS NO LONGER SERVED, ##*~~,....
......,;¤# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #¤;,......
.,~;*¤#¶## IT'S AT THIS POINT THAT THE SECOND SET ##¶#¤*;~,.
.,~;*¤#¶¶# OF GUEST ARRIVES, VIA HELICOPTER - #¶¶#¤*;~,.
...,~;¤¤¤¶ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¶¤¤¤;~,...
.,~;*¤¶### ###¶¤*;~,.
.,~;*¤#¶## ~~~~~ ##¶#¤*;~,.
...,,,~~*# #*~~,,,...
.,~;*¤#¶¶# IN MY DREAM I AM INVITED AS A FRIEND OF #¶¶#¤*;~,.
.,~;*¤#¶¶¶ ONE OF THE SERVERS, AND THUS SAFE. WE ¶¶¶#¤*;~,.
.,~;*¤#### SIT IN ONE OF THE LARGE WINDOWS, ####¤*;~,.
.,~;*¤#¶## LOOKING THROUGH THE MIST FOR ANY ##¶#¤*;~,.
.,~;*¤#¶## LANDMARKS TO PIERCE THROUGH THE MIST. ##¶#¤*;~,.
.,~;*¤¶### SHE TELLS ME THAT APART FROM COMING AND ###¶¤*;~,.
.,~;*¤#¶## GOING FROM WORK, SHE'S NEVER SEEN THE ##¶#¤*;~,.
.,~;*¤#¶## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##¶#¤*;~,.
.,~;*¤#¶## ##¶#¤*;~,.
....~~~~*# THE NEXT DAY I AM INVITED TO THE PUBLIC #*~~~~....
...,~*¤¤## DEMONSTRATION OF THE EXOBUBBLE. ##¤¤*~,...
..,,;;¤¤#¶ ¶#¤¤;;,,..
.,~;***#¶# #¶#***;~,.
.....,;;¤# #¤;;,.....
....,,;*## ##*;,,....
..,,~;;¤¤¶ ¶¤¤;;~,,..