..=†**¤£## ##£¤**†=..
.....=†*¤# #¤*†=.....
..=†**¤£## ##£¤**†=..
..=†**£### ###£**†=..
..=†**¤£## ##£¤**†=..
....†**¤£# THE SKYSCRAPER THAT MOVES #£¤**†....
.....=***¤ ¤***=.....
..=†**£### TAINARON IS A BUILDING OWNED AND ###£**†=..
..=†**¤£## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##£¤**†=..
..=†**¤£££ CLOSED TO THE HARBOR IN MALMÖ. IT'S £££¤**†=..
......=†*¤ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¤*†=......
..====**¤£ UNKNOWN), DARK BLUE AND COMPLETELY £¤**====..
..=†**¤£## RECTANGULAR. IT FEATURES NO SIGNS, ##£¤**†=..
....==†*££ LIGHTS, OR ORNAMENTS, APART FROM A ££*†==....
......=†*£ HELIPAD ON TOP. MOST FLOORS HAVE £*†=......
......†**¤ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¤**†......
..=†**¤£## ##£¤**†=..
.......=*¤ IN LATE EVENINGS, SHROUDED BY MALMö'S ¤*=.......
..=†*****£ SIGNATURE FOG ROLLING IN FROM THE SEA, £*****†=..
..=†**¤£## THE BUILDING COMES TO LIFE: IT MOVES ON ##£¤**†=..
..=†**¤### A THOUSAND ROBOTIC LEGS TO ANOTHER ###¤**†=..
......=†*£ (SECRET) PART OF TOWN, OR PERHAPS OUT £*†=......
....==*¤¤# TO SEA. THIS SIGNALS A NEW AND MORE #¤¤*==....
..=††**¤££ VISCIOUS PHASE OF THE TAINARON ££¤**††=..
..=†**¤£## ECOSYSTEM. ##£¤**†=..
..=†****££ ££****†=..
.....==*¤# THE GUESTS ARRIVING DURING THE EARLY #¤*==.....
..=†****¤# EVENING ARE TREATED TO FOOD AND DRINK, #¤****†=..
..=†**¤£## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##£¤**†=..
..=†**¤£## COMFORTABLE BUT MAZE-LIKE INTERIOR ##£¤**†=..
..=†**¤££# STRUCTURE (THE BUILDING FEATURES A #££¤**†=..
..=†**¤£## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##£¤**†=..
..=†*****£ PLACED SEEMINGLY AT RANDOM, NONE GOING £*****†=..
..=†**¤¤¤# FURTHER THAN A FEW FLOORS). #¤¤¤**†=..
..=†**¤£## ##£¤**†=..
..=†**¤£## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##£¤**†=..
..=†**¤£## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##£¤**†=..
..=†***¤¤£ SAME QUALITY AS THE SURROUNDING MIST: £¤¤***†=..
..=†**¤£## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##£¤**†=..
..=†**¤£## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##£¤**†=..
..=†**¤£## IF YOU WOULD LOOK THROUGH THE WINDOWS ##£¤**†=..
..=††††*¤¤ YOU WOULD SEE THE MIST ROLLING BY, AND ¤¤*††††=..
..=†**¤£## PERHAPS THE OUTLINE OF SOME OTHER ##£¤**†=..
..=†**¤££# BUILDING, FAR BELOW. #££¤**†=..
.....=*¤££ ££¤*=.....
..==††*¤¤# DURING THE NIGHT, AFTER TAINARON HAS #¤¤*††==..
....=††*££ STARTED MOVING, THE LOWER FLOORS ARE ££*††=....
.....==†*¤ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¤*†==.....
....=†**¤£ THE GUESTS. FOOD IS NO LONGER SERVED, £¤**†=....
..=†**¤££# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #££¤**†=..
..=†**¤£## IT'S AT THIS POINT THAT THE SECOND SET ##£¤**†=..
..=†*¤£### OF GUEST ARRIVES, VIA HELICOPTER - ###£¤*†=..
..=†**¤£## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##£¤**†=..
.....=††*¤ ¤*††=.....
..=†**¤¤¤¤ ===== ¤¤¤¤**†=..
...=†††**¤ ¤**†††=...
......†**£ IN MY DREAM I AM INVITED AS A FRIEND OF £**†......
.....†††*¤ ONE OF THE SERVERS, AND THUS SAFE. WE ¤*†††.....
.....=†*¤# SIT IN ONE OF THE LARGE WINDOWS, #¤*†=.....
....††††*¤ LOOKING THROUGH THE MIST FOR ANY ¤*††††....
....=†***£ LANDMARKS TO PIERCE THROUGH THE MIST. £***†=....
..=†**¤£## SHE TELLS ME THAT APART FROM COMING AND ##£¤**†=..
....=††**¤ GOING FROM WORK, SHE'S NEVER SEEN THE ¤**††=....
..=†**¤£## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##£¤**†=..
..=†**¤£## ##£¤**†=..
......=†*¤ THE NEXT DAY I AM INVITED TO THE PUBLIC ¤*†=......
..=†*¤£### DEMONSTRATION OF THE EXOBUBBLE. ###£¤*†=..
...==**¤¤¤ ¤¤¤**==...
..=†**¤£## ##£¤**†=..
..=†**¤£## ##£¤**†=..
....=***¤# #¤***=....
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