.--\=%£¶## ##¶£%=\--.
....-\=%%£ £%%=\-....
.--\=%£¶## ##¶£%=\--.
.--\=%£¶## ##¶£%=\--.
.--\=%££¶¶ ¶¶££%=\--.
.--\=%%£¶# THE SKYSCRAPER THAT MOVES #¶£%%=\--.
.--\=%£¶## ##¶£%=\--.
....---\%£ TAINARON IS A BUILDING OWNED AND £%\---....
.--\=%£¶## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##¶£%=\--.
.--\=%£¶## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##¶£%=\--.
.--\=%%%££ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ££%%%=\--.
.--\=%£¶## UNKNOWN), DARK BLUE AND COMPLETELY ##¶£%=\--.
.----\%%£¶ RECTANGULAR. IT FEATURES NO SIGNS, ¶£%%\----.
...--\\%¶¶ LIGHTS, OR ORNAMENTS, APART FROM A ¶¶%\\--...
.--=%£¶### HELIPAD ON TOP. MOST FLOORS HAVE ###¶£%=--.
......--=£ EXTERIOR WALLS COMPLETELY MADE OF GLASS. £=--......
.--\=£¶### ###¶£=\--.
.....-\%£¶ IN LATE EVENINGS, SHROUDED BY MALMö'S ¶£%\-.....
.--\=%£¶## SIGNATURE FOG ROLLING IN FROM THE SEA, ##¶£%=\--.
....-\==%£ THE BUILDING COMES TO LIFE: IT MOVES ON £%==\-....
.--\=%£¶¶¶ A THOUSAND ROBOTIC LEGS TO ANOTHER ¶¶¶£%=\--.
.--\=%£¶## (SECRET) PART OF TOWN, OR PERHAPS OUT ##¶£%=\--.
.--\=%£¶## TO SEA. THIS SIGNALS A NEW AND MORE ##¶£%=\--.
.--\=%£¶## VISCIOUS PHASE OF THE TAINARON ##¶£%=\--.
.--\=%£### ECOSYSTEM. ###£%=\--.
.....-=%£# #£%=-.....
.----==%£¶ THE GUESTS ARRIVING DURING THE EARLY ¶£%==----.
.--\=%£¶## EVENING ARE TREATED TO FOOD AND DRINK, ##¶£%=\--.
.--\=%£¶## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##¶£%=\--.
.--\=%¶### COMFORTABLE BUT MAZE-LIKE INTERIOR ###¶%=\--.
..--\===£# STRUCTURE (THE BUILDING FEATURES A #£===\--..
....--\=£¶ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¶£=\--....
.--\=%£¶## PLACED SEEMINGLY AT RANDOM, NONE GOING ##¶£%=\--.
.--\==%£¶¶ FURTHER THAN A FEW FLOORS). ¶¶£%==\--.
.--\=%£¶## ##¶£%=\--.
.--\=%££££ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ££££%=\--.
.--\=%£¶¶¶ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¶¶¶£%=\--.
.--\===£¶# SAME QUALITY AS THE SURROUNDING MIST: #¶£===\--.
.--\=%£¶## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##¶£%=\--.
.--\=%£¶## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##¶£%=\--.
...--\%££# IF YOU WOULD LOOK THROUGH THE WINDOWS #££%\--...
.....-=£££ YOU WOULD SEE THE MIST ROLLING BY, AND £££=-.....
..--\\=%¶# PERHAPS THE OUTLINE OF SOME OTHER #¶%=\\--..
.--\=%£¶## BUILDING, FAR BELOW. ##¶£%=\--.
...---==%¶ ¶%==---...
.--\=%£££# DURING THE NIGHT, AFTER TAINARON HAS #£££%=\--.
.----\==%£ STARTED MOVING, THE LOWER FLOORS ARE £%==\----.
.--\=%£¶## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##¶£%=\--.
.--\=%£¶## THE GUESTS. FOOD IS NO LONGER SERVED, ##¶£%=\--.
.--\=%£¶## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##¶£%=\--.
.--\=%£¶## IT'S AT THIS POINT THAT THE SECOND SET ##¶£%=\--.
.--\%£¶### OF GUEST ARRIVES, VIA HELICOPTER - ###¶£%\--.
.--\====££ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ££====\--.
.--\=%£¶## ##¶£%=\--.
.--\=%£¶## ----- ##¶£%=\--.
....--\\%£ £%\\--....
.--\=%£¶## IN MY DREAM I AM INVITED AS A FRIEND OF ##¶£%=\--.
.--\=%£¶## ONE OF THE SERVERS, AND THUS SAFE. WE ##¶£%=\--.
.--\=%£¶## SIT IN ONE OF THE LARGE WINDOWS, ##¶£%=\--.
.--\=%%%%¶ LOOKING THROUGH THE MIST FOR ANY ¶%%%%=\--.
.--\=%£¶¶# LANDMARKS TO PIERCE THROUGH THE MIST. #¶¶£%=\--.
.--\\\=££¶ SHE TELLS ME THAT APART FROM COMING AND ¶££=\\\--.
.--\=%£¶## GOING FROM WORK, SHE'S NEVER SEEN THE ##¶£%=\--.
.--\=%£¶## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##¶£%=\--.
.--\=%£¶## ##¶£%=\--.
.--\=%£¶## THE NEXT DAY I AM INVITED TO THE PUBLIC ##¶£%=\--.
.--\=%£¶## DEMONSTRATION OF THE EXOBUBBLE. ##¶£%=\--.
.--\=%¶### ###¶%=\--.
.--\=%£¶## ##¶£%=\--.
.--\=%£¶## ##¶£%=\--.
.--\=%£¶## ##¶£%=\--.
.--\=%%%%¶ ¶%%%%=\--.