.#..#..#.. #.###.##.#
###.##.##. .##..##.##
...##.##.# .#.#.#.##.
...#.##.## .#######.#
#..###.##. ##......##
.#.#..##.# THE SKYSCRAPER THAT MOVES ..#.....#.
.####.#.## ..##....##
##...####. TAINARON IS A BUILDING OWNED AND #.#.#...#.
#.#..#...# OPERATED BY AMATA TEXNOLOGIYASI PLACED ######..##
.###.##..# CLOSED TO THE HARBOR IN MALMÖ. IT'S ......#.#.
.#..##.#.# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #.....####
###.#.#### UNKNOWN), DARK BLUE AND COMPLETELY .#....#...
#..####... RECTANGULAR. IT FEATURES NO SIGNS, ###...##..
##.#...#.. LIGHTS, OR ORNAMENTS, APART FROM A ...#..#.#.
#.###..##. HELIPAD ON TOP. MOST FLOORS HAVE #..##.####
.##..#.#.# EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##.#.##...
.#.#.##### #.####.#..
.#####.... IN LATE EVENINGS, SHROUDED BY MALMö'S .##...###.
.#....#... SIGNATURE FOG ROLLING IN FROM THE SEA, ##.#..#..#
###...##.. THE BUILDING COMES TO LIFE: IT MOVES ON ..###.##.#
...#..#.#. A THOUSAND ROBOTIC LEGS TO ANOTHER #.#..##.##
#..##.#### (SECRET) PART OF TOWN, OR PERHAPS OUT ####.#.##.
##.#.##... TO SEA. THIS SIGNALS A NEW AND MORE #...####.#
..####.#.. VISCIOUS PHASE OF THE TAINARON ##..#...##
#.#...###. ECOSYSTEM. #.#.##..#.
####..#..# .####.#.##
....#.##.# THE GUESTS ARRIVING DURING THE EARLY ##...####.
....###.## EVENING ARE TREATED TO FOOD AND DRINK, #.#..#...#
#...#..##. LIVE MUSIC, BEATUTIFUL VIEWS, AND A ####.##..#
.#..##.#.# COMFORTABLE BUT MAZE-LIKE INTERIOR ....##.#.#
###.#.#### STRUCTURE (THE BUILDING FEATURES A #...#.####
...####... MULTITUDE OF STAIRWELLS AND ELEVATORS, ##..###...
...#...#.. PLACED SEEMINGLY AT RANDOM, NONE GOING #.#.#..#..
...##..##. FURTHER THAN A FEW FLOORS). .#####.##.
...#.#.#.# ##....##.#
#..####### AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ..#...#.##
.#.#...... UNTIL THE AIR INSIDE HAS TAKEN ON THE ..##..###.
.####..... SAME QUALITY AS THE SURROUNDING MIST: ..#.#.#..#
##...#.... BLUE-GRAY, SPRINKLED WITH THE SMALL RED ..######.#
..#..##... DOT'S BY DOOR LOCKS AND CONTROL PANELS. #.#.....##
#.##.#.#.. IF YOU WOULD LOOK THROUGH THE WINDOWS .###....#.
###.#####. YOU WOULD SEE THE MIST ROLLING BY, AND .#..#...##
...##....# PERHAPS THE OUTLINE OF SOME OTHER ###.##..#.
...#.#...# BUILDING, FAR BELOW. ...##.#.##
#..####..# #..#.####.
##.#...#.# DURING THE NIGHT, AFTER TAINARON HAS ##.###...#
..###..### STARTED MOVING, THE LOWER FLOORS ARE ..##..#..#
#.#..#.#.. SHUT OFF, PREVENTING ENTRY OR EXIT FOR ..#.#.##.#
.###.####. THE GUESTS. FOOD IS NO LONGER SERVED, ..#####.##
##..##...# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #.#....##.
#.#.#.#..# IT'S AT THIS POINT THAT THE SECOND SET ####...#.#
.#######.# OF GUEST ARRIVES, VIA HELICOPTER - ....#..###
##......## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #...##.#..
#.#.....#. ##..#.###.
####....## ----- ..#.###..#
....#...#. #.###..#.#
#...##..## IN MY DREAM I AM INVITED AS A FRIEND OF .##..#.###
.#..#.#.#. ONE OF THE SERVERS, AND THUS SAFE. WE .#.#.###..
.##.###### SIT IN ONE OF THE LARGE WINDOWS, .#####..#.
.#.##..... LOOKING THROUGH THE MIST FOR ANY .#....#.##
####.#.... LANDMARKS TO PIERCE THROUGH THE MIST. .##...###.
#...###... SHE TELLS ME THAT APART FROM COMING AND ##.#..#..#
.#..#..#.. GOING FROM WORK, SHE'S NEVER SEEN THE #.###.##.#
###.##.##. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .##..##.##
...##.##.# .#.#.#.##.
...#.##.## THE NEXT DAY I AM INVITED TO THE PUBLIC .#######.#
#..###.##. DEMONSTRATION OF THE EXOBUBBLE. ##......##
.#.#..##.# ..#.....#.
.####.#.## ..##....##
##...####. #.#.#...#.
#.#..#...# ######..##
.###.##..# ......#.#.