##¤@*/~,,, ,,,~/*@¤##
#¤@*/~,,,, ,,,,~/*@¤#
##¤@*/~,,, ,,,~/*@¤##
###¤@*/~,, ,,~/*@¤###
##¤@*/~,,, ,,,~/*@¤##
#¤@*/~,,,, THE SKYSCRAPER THAT MOVES ,,,,~/*@¤#
##¤@*/~,,, ,,,~/*@¤##
###¤@*/~,, TAINARON IS A BUILDING OWNED AND ,,~/*@¤###
##¤@*/~,,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,,~/*@¤##
#¤@*/~,,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,,~/*@¤#
##¤@*/~,,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,,~/*@¤##
###¤@*/~,, UNKNOWN), DARK BLUE AND COMPLETELY ,,~/*@¤###
##¤@*/~,,, RECTANGULAR. IT FEATURES NO SIGNS, ,,,~/*@¤##
#¤@*/~,,,, LIGHTS, OR ORNAMENTS, APART FROM A ,,,,~/*@¤#
##¤@*/~,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,~/*@¤##
###¤@*/~,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,~/*@¤###
##¤@*/~,,, ,,,~/*@¤##
#¤@*/~,,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,,~/*@¤#
##¤@*/~,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,~/*@¤##
###¤@*/~,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,~/*@¤###
##¤@*/~,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,~/*@¤##
#¤@*/~,,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,,~/*@¤#
##¤@*/~,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,~/*@¤##
###¤@*/~,, VISCIOUS PHASE OF THE TAINARON ,,~/*@¤###
##¤@*/~,,, ECOSYSTEM. ,,,~/*@¤##
#¤@*/~,,,, ,,,,~/*@¤#
##¤@*/~,,, THE GUESTS ARRIVING DURING THE EARLY ,,,~/*@¤##
###¤@*/~,, EVENING ARE TREATED TO FOOD AND DRINK, ,,~/*@¤###
##¤@*/~,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,~/*@¤##
#¤@*/~,,,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,,,~/*@¤#
##¤@*/~,,, STRUCTURE (THE BUILDING FEATURES A ,,,~/*@¤##
###¤@*/~,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,~/*@¤###
##¤@*/~,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,~/*@¤##
#¤@*/~,,,, FURTHER THAN A FEW FLOORS). ,,,,~/*@¤#
##¤@*/~,,, ,,,~/*@¤##
###¤@*/~,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,~/*@¤###
##¤@*/~,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,~/*@¤##
#¤@*/~,,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,,~/*@¤#
##¤@*/~,,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,,~/*@¤##
###¤@*/~,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,~/*@¤###
##¤@*/~,,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,,~/*@¤##
#¤@*/~,,,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,,,~/*@¤#
##¤@*/~,,, PERHAPS THE OUTLINE OF SOME OTHER ,,,~/*@¤##
###¤@*/~,, BUILDING, FAR BELOW. ,,~/*@¤###
##¤@*/~,,, ,,,~/*@¤##
#¤@*/~,,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,,~/*@¤#
##¤@*/~,,, STARTED MOVING, THE LOWER FLOORS ARE ,,,~/*@¤##
###¤@*/~,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,~/*@¤###
##¤@*/~,,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,,~/*@¤##
#¤@*/~,,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,,~/*@¤#
##¤@*/~,,, IT'S AT THIS POINT THAT THE SECOND SET ,,,~/*@¤##
###¤@*/~,, OF GUEST ARRIVES, VIA HELICOPTER - ,,~/*@¤###
##¤@*/~,,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,,~/*@¤##
#¤@*/~,,,, ,,,,~/*@¤#
##¤@*/~,,, ~~~~~ ,,,~/*@¤##
###¤@*/~,, ,,~/*@¤###
##¤@*/~,,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,,~/*@¤##
#¤@*/~,,,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,,,~/*@¤#
##¤@*/~,,, SIT IN ONE OF THE LARGE WINDOWS, ,,,~/*@¤##
###¤@*/~,, LOOKING THROUGH THE MIST FOR ANY ,,~/*@¤###
##¤@*/~,,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,,~/*@¤##
#¤@*/~,,,, SHE TELLS ME THAT APART FROM COMING AND ,,,,~/*@¤#
##¤@*/~,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,~/*@¤##
###¤@*/~,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,~/*@¤###
##¤@*/~,,, ,,,~/*@¤##
#¤@*/~,,,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,,~/*@¤#
##¤@*/~,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,~/*@¤##
###¤@*/~,, ,,~/*@¤###
##¤@*/~,,, ,,,~/*@¤##
#¤@*/~,,,, ,,,,~/*@¤#
##¤@*/~,,, ,,,~/*@¤##
###¤@*/~,, ,,~/*@¤###