,,»**%%%%& &%%%%**»,,
,,»*%@&@## ##@&@%*»,,
,,,,,»*@&& &&@*»,,,,,
,,»*@&@### ###@&@*»,,
,,»*%@&&&& &&&&@%*»,,
,,,,,,,*%& THE SKYSCRAPER THAT MOVES &%*,,,,,,,
,,,,,,,»%& &%»,,,,,,,
,,,,,,»*@@ TAINARON IS A BUILDING OWNED AND @@*»,,,,,,
,,»*%@&@## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##@&@%*»,,
,,»*%@@### CLOSED TO THE HARBOR IN MALMÖ. IT'S ###@@%*»,,
,,»***@&@@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @@&@***»,,
,,,,»***@& UNKNOWN), DARK BLUE AND COMPLETELY &@***»,,,,
,,»*@&@### RECTANGULAR. IT FEATURES NO SIGNS, ###@&@*»,,
,,,,,,»*@& LIGHTS, OR ORNAMENTS, APART FROM A &@*»,,,,,,
,,»*%@&@## HELIPAD ON TOP. MOST FLOORS HAVE ##@&@%*»,,
,,»*%@&### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###&@%*»,,
,,,,,»»%&& &&%»»,,,,,
,,,,,**%&@ IN LATE EVENINGS, SHROUDED BY MALMö'S @&%**,,,,,
,,»*%@&### SIGNATURE FOG ROLLING IN FROM THE SEA, ###&@%*»,,
,,»*%&@### THE BUILDING COMES TO LIFE: IT MOVES ON ###@&%*»,,
,,»*%@&@## A THOUSAND ROBOTIC LEGS TO ANOTHER ##@&@%*»,,
,,»*%@&@## (SECRET) PART OF TOWN, OR PERHAPS OUT ##@&@%*»,,
,,»*%@&@## TO SEA. THIS SIGNALS A NEW AND MORE ##@&@%*»,,
,,»*%@&@## VISCIOUS PHASE OF THE TAINARON ##@&@%*»,,
,,»*%@&### ECOSYSTEM. ###&@%*»,,
,,»*%@&@## ##@&@%*»,,
,,»*%@&@## THE GUESTS ARRIVING DURING THE EARLY ##@&@%*»,,
,,,,,,,*@@ EVENING ARE TREATED TO FOOD AND DRINK, @@*,,,,,,,
,,,,»»*@@& LIVE MUSIC, BEATUTIFUL VIEWS, AND A &@@*»»,,,,
,,»*%@&@## COMFORTABLE BUT MAZE-LIKE INTERIOR ##@&@%*»,,
,,,,,,»*@& STRUCTURE (THE BUILDING FEATURES A &@*»,,,,,,
,,»*%@&@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##@&@%*»,,
,,,,,,*@&& PLACED SEEMINGLY AT RANDOM, NONE GOING &&@*,,,,,,
,,»*%@&@## FURTHER THAN A FEW FLOORS). ##@&@%*»,,
,,,,,**@@@ @@@**,,,,,
,,»*%@&### AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###&@%*»,,
,,»**%@&&& UNTIL THE AIR INSIDE HAS TAKEN ON THE &&&@%**»,,
,,»*%@&@## SAME QUALITY AS THE SURROUNDING MIST: ##@&@%*»,,
,,»*%@&@## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##@&@%*»,,
,,»*%@&@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@&@%*»,,
,,»*%@&@## IF YOU WOULD LOOK THROUGH THE WINDOWS ##@&@%*»,,
,,»*%@&@## YOU WOULD SEE THE MIST ROLLING BY, AND ##@&@%*»,,
,,»*%@&@## PERHAPS THE OUTLINE OF SOME OTHER ##@&@%*»,,
,,,,,*@@@& BUILDING, FAR BELOW. &@@@*,,,,,
,,»*%@&@## ##@&@%*»,,
,,,,,,»%@@ DURING THE NIGHT, AFTER TAINARON HAS @@%»,,,,,,
,,,,,**%&@ STARTED MOVING, THE LOWER FLOORS ARE @&%**,,,,,
,,,,»%%&&@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @&&%%»,,,,
,,,,,»*%@& THE GUESTS. FOOD IS NO LONGER SERVED, &@%*»,,,,,
,,»*%@&@## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##@&@%*»,,
,,»*%@&@## IT'S AT THIS POINT THAT THE SECOND SET ##@&@%*»,,
,,»*%@@&&& OF GUEST ARRIVES, VIA HELICOPTER - &&&@@%*»,,
,,»*%@&@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##@&@%*»,,
,,,,****@& &@****,,,,
,,»*%@&@@@ »»»»» @@@&@%*»,,
,,»*%@&@## ##@&@%*»,,
,,»*%@&@## IN MY DREAM I AM INVITED AS A FRIEND OF ##@&@%*»,,
,,,»*%%&&# ONE OF THE SERVERS, AND THUS SAFE. WE #&&%%*»,,,
,,,,,*%@&@ SIT IN ONE OF THE LARGE WINDOWS, @&@%*,,,,,
,,»%@&@### LOOKING THROUGH THE MIST FOR ANY ###@&@%»,,
,,,,,,»%@@ LANDMARKS TO PIERCE THROUGH THE MIST. @@%»,,,,,,
,,»*%@&@## SHE TELLS ME THAT APART FROM COMING AND ##@&@%*»,,
,,,,,**@@& GOING FROM WORK, SHE'S NEVER SEEN THE &@@**,,,,,
,,»*%@&@## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##@&@%*»,,
,,»*%@&@## ##@&@%*»,,
,,»*%@&@## THE NEXT DAY I AM INVITED TO THE PUBLIC ##@&@%*»,,
,,,,,»*@@@ DEMONSTRATION OF THE EXOBUBBLE. @@@*»,,,,,
,,*%@&@### ###@&@%*,,
,,»*%@&### ###&@%*»,,
,,»*%@&@## ##@&@%*»,,
,,»*%@&@@# #@@&@%*»,,
,,,,,,»%&& &&%»,,,,,,