,,@@@,,@,, @,,,@@,,,,
@,,@,,,,,@ ,,@,,,,@@@
,,,,,@@@,, @,,,@@,,@@
,@@@,,@,,, ,,@,,,,,,,
,,@,,,,,@@ @,,,@@@@@@
,,,,@@@,,, THE SKYSCRAPER THAT MOVES ,,@,,@@@@,
@@@,,@,,@@ ,,,,,,@@,,
,@,,,,,,,@ TAINARON IS A BUILDING OWNED AND @@@@@,,,,,
,,,@@@@@,, OPERATED BY AMATA TEXNOLOGIYASI PLACED @@@@,,@@@@
,@,,@@@,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,@@,,,,@@,
,,,,,@,,@@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,,,@@,,,,
@@@@,,,,,@ UNKNOWN), DARK BLUE AND COMPLETELY @@@,,,,@@@
@@@,,@@@,, RECTANGULAR. IT FEATURES NO SIGNS, @@,,@@,,@@
@@,,,,@,,@ LIGHTS, OR ORNAMENTS, APART FROM A @,,,,,,,,@
@,,@@,,,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,@@@@@@,,
,,,,,,@@@, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,@@@@,,,
@@@@@,,@,, @@,,@@,,@@
@@@@,,,,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,,,,,,,@
@@@,,@@@@@ SIGNATURE FOG ROLLING IN FROM THE SEA, @@@@@@@@,,
,@,,,,@@@@ THE BUILDING COMES TO LIFE: IT MOVES ON @@@@@@@,,,
,,,@@,,@@@ A THOUSAND ROBOTIC LEGS TO ANOTHER @@@@@@,,@@
,@,,,,,,@@ (SECRET) PART OF TOWN, OR PERHAPS OUT ,@@@@,,,,,
,,,@@@@,,@ TO SEA. THIS SIGNALS A NEW AND MORE ,,@@,,@@@@
,@,,@@,,,, VISCIOUS PHASE OF THE TAINARON @,,,,,,@@,
,,,,,,,@@, ECOSYSTEM. ,,@@@@,,,,
@@@@@@,,,, ,,,@@,,@@@
@@@@@,,@@, THE GUESTS ARRIVING DURING THE EARLY @@,,,,,,@@
@@@@,,,,,, EVENING ARE TREATED TO FOOD AND DRINK, ,,,@@@@,,@
@@@,,@@@@@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @@,,@@,,,,
,@,,,,@@@@ COMFORTABLE BUT MAZE-LIKE INTERIOR @,,,,,,@@,
,,,@@,,@@@ STRUCTURE (THE BUILDING FEATURES A ,,@@@@,,,,
@@,,,,,,@@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @,,@@,,@@@
@,,@@@@,,@ PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,,,,,,@@
,,,,@@,,,, FURTHER THAN A FEW FLOORS). @@@@@@@,,@
,@@,,,,@@@ @@@@@@,,,,
,,,,@@,,@@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @@@@@,,@@@
,@@,,,,,,@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @@@@,,,,@,
,,,,@@@@,, SAME QUALITY AS THE SURROUNDING MIST: @@@,,@@,,,
@@@,,@@,,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED @@,,,,,,@@
@@,,,,,,@@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,,@@@@,,@
@,,@@@@,,@ IF YOU WOULD LOOK THROUGH THE WINDOWS @@,,@@,,,,
,,,,@@,,,, YOU WOULD SEE THE MIST ROLLING BY, AND @,,,,,,@@,
@@@,,,,@@@ PERHAPS THE OUTLINE OF SOME OTHER ,,@@@@,,,,
,@,,@@,,@, BUILDING, FAR BELOW. @,,@@,,@@,
,,,,,,,,,, ,,,,,,,,,,
@@@@@@@@@@ DURING THE NIGHT, AFTER TAINARON HAS @@@@@@@@@@
@@@@@@@@@@ STARTED MOVING, THE LOWER FLOORS ARE @@@@@@@@@@
@@@@@@@@@@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @@@@@@@@@@
@@@@@@@@@@ THE GUESTS. FOOD IS NO LONGER SERVED, @@@@@@@@@@
@@@@@@@@@@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @@@@@@@@@@
@@@@@@@@@@ IT'S AT THIS POINT THAT THE SECOND SET @@@@@@@@@@
@@@@@@@@@@ OF GUEST ARRIVES, VIA HELICOPTER - @@@@@@@@@@
@@@@@@@@@@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @@@@@@@@@@
@@@@@@@@@@ @@@@@@@@@@
@@@@@@@@@@ ~~~~~ @@@@@@@@@@
@@@@@@@@@@ @@@@@@@@@@
@@@@@@@@@@ IN MY DREAM I AM INVITED AS A FRIEND OF @@@@@@@@@@
@@@@@@@@@@ ONE OF THE SERVERS, AND THUS SAFE. WE @@@@@@@@@@
@@@@@@@@@@ SIT IN ONE OF THE LARGE WINDOWS, @@@@@@@@@@
@@@@@@@@@@ LOOKING THROUGH THE MIST FOR ANY @@@@@@@@@@
@@@@@@@@@@ LANDMARKS TO PIERCE THROUGH THE MIST. @@@@@@@@@@
@@@@@@@@@@ SHE TELLS ME THAT APART FROM COMING AND @@@@@@@@@@
@@@@@@@@@@ GOING FROM WORK, SHE'S NEVER SEEN THE @@@@@@@@@@
@@@@@@@@@@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @@@@@@@@@@
@@@@@@@@@@ @@@@@@@@@@
@@@@@@@@@@ THE NEXT DAY I AM INVITED TO THE PUBLIC @@@@@@@@@@
@@@@@@@@@@ DEMONSTRATION OF THE EXOBUBBLE. @@@@@@@@@@
@@@@@@@@@@ @@@@@@@@@@
@@@@@@@@@@ @@@@@@@@@@
@@@@@@@@@@ @@@@@@@@@@
@@@@@@@@@@ @@@@@@@@@@
@@@@@@@@@@ @@@@@@@@@@