£¤%$:-,... ...,-:$%¤£
#£¤%$:-,.. ..,-:$%¤£#
##£¤%$:-,. .,-:$%¤£##
#£¤%$:-,.. ..,-:$%¤£#
£¤%$:-,... ...,-:$%¤£
¤%$:-,.... THE SKYSCRAPER THAT MOVES ....,-:$%¤
%$:-,..... .....,-:$%
$:-,...... TAINARON IS A BUILDING OWNED AND ......,-:$
%$:-,..... OPERATED BY AMATA TEXNOLOGIYASI PLACED .....,-:$%
¤%$:-,.... CLOSED TO THE HARBOR IN MALMÖ. IT'S ....,-:$%¤
£¤%$:-,... ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ...,-:$%¤£
#£¤%$:-,.. UNKNOWN), DARK BLUE AND COMPLETELY ..,-:$%¤£#
##£¤%$:-,. RECTANGULAR. IT FEATURES NO SIGNS, .,-:$%¤£##
#£¤%$:-,.. LIGHTS, OR ORNAMENTS, APART FROM A ..,-:$%¤£#
£¤%$:-,... HELIPAD ON TOP. MOST FLOORS HAVE ...,-:$%¤£
¤%$:-,.... EXTERIOR WALLS COMPLETELY MADE OF GLASS. ....,-:$%¤
%$:-,..... .....,-:$%
$:-,...... IN LATE EVENINGS, SHROUDED BY MALMö'S ......,-:$
%$:-,..... SIGNATURE FOG ROLLING IN FROM THE SEA, .....,-:$%
¤%$:-,.... THE BUILDING COMES TO LIFE: IT MOVES ON ....,-:$%¤
£¤%$:-,... A THOUSAND ROBOTIC LEGS TO ANOTHER ...,-:$%¤£
#£¤%$:-,.. (SECRET) PART OF TOWN, OR PERHAPS OUT ..,-:$%¤£#
##£¤%$:-,. TO SEA. THIS SIGNALS A NEW AND MORE .,-:$%¤£##
#£¤%$:-,.. VISCIOUS PHASE OF THE TAINARON ..,-:$%¤£#
£¤%$:-,... ECOSYSTEM. ...,-:$%¤£
¤%$:-,.... ....,-:$%¤
%$:-,..... THE GUESTS ARRIVING DURING THE EARLY .....,-:$%
$:-,...... EVENING ARE TREATED TO FOOD AND DRINK, ......,-:$
%$:-,..... LIVE MUSIC, BEATUTIFUL VIEWS, AND A .....,-:$%
¤%$:-,.... COMFORTABLE BUT MAZE-LIKE INTERIOR ....,-:$%¤
£¤%$:-,... STRUCTURE (THE BUILDING FEATURES A ...,-:$%¤£
#£¤%$:-,.. MULTITUDE OF STAIRWELLS AND ELEVATORS, ..,-:$%¤£#
##£¤%$:-,. PLACED SEEMINGLY AT RANDOM, NONE GOING .,-:$%¤£##
#£¤%$:-,.. FURTHER THAN A FEW FLOORS). ..,-:$%¤£#
£¤%$:-,... ...,-:$%¤£
¤%$:-,.... AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ....,-:$%¤
%$:-,..... UNTIL THE AIR INSIDE HAS TAKEN ON THE .....,-:$%
$:-,...... SAME QUALITY AS THE SURROUNDING MIST: ......,-:$
%$:-,..... BLUE-GRAY, SPRINKLED WITH THE SMALL RED .....,-:$%
¤%$:-,.... DOT'S BY DOOR LOCKS AND CONTROL PANELS. ....,-:$%¤
£¤%$:-,... IF YOU WOULD LOOK THROUGH THE WINDOWS ...,-:$%¤£
#£¤%$:-,.. YOU WOULD SEE THE MIST ROLLING BY, AND ..,-:$%¤£#
##£¤%$:-,. PERHAPS THE OUTLINE OF SOME OTHER .,-:$%¤£##
#£¤%$:-,.. BUILDING, FAR BELOW. ..,-:$%¤£#
£¤%$:-,... ...,-:$%¤£
¤%$:-,.... DURING THE NIGHT, AFTER TAINARON HAS ....,-:$%¤
%$:-,..... STARTED MOVING, THE LOWER FLOORS ARE .....,-:$%
$:-,...... SHUT OFF, PREVENTING ENTRY OR EXIT FOR ......,-:$
%$:-,..... THE GUESTS. FOOD IS NO LONGER SERVED, .....,-:$%
¤%$:-,.... BUT THE DRINKS BECOME MORE EXTRAVAGANT. ....,-:$%¤
£¤%$:-,... IT'S AT THIS POINT THAT THE SECOND SET ...,-:$%¤£
#£¤%$:-,.. OF GUEST ARRIVES, VIA HELICOPTER - ..,-:$%¤£#
##£¤%$:-,. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .,-:$%¤£##
#£¤%$:-,.. ..,-:$%¤£#
£¤%$:-,... ----- ...,-:$%¤£
¤%$:-,.... ....,-:$%¤
%$:-,..... IN MY DREAM I AM INVITED AS A FRIEND OF .....,-:$%
$:-,...... ONE OF THE SERVERS, AND THUS SAFE. WE ......,-:$
%$:-,..... SIT IN ONE OF THE LARGE WINDOWS, .....,-:$%
¤%$:-,.... LOOKING THROUGH THE MIST FOR ANY ....,-:$%¤
£¤%$:-,... LANDMARKS TO PIERCE THROUGH THE MIST. ...,-:$%¤£
#£¤%$:-,.. SHE TELLS ME THAT APART FROM COMING AND ..,-:$%¤£#
##£¤%$:-,. GOING FROM WORK, SHE'S NEVER SEEN THE .,-:$%¤£##
#£¤%$:-,.. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ..,-:$%¤£#
£¤%$:-,... ...,-:$%¤£
¤%$:-,.... THE NEXT DAY I AM INVITED TO THE PUBLIC ....,-:$%¤
%$:-,..... DEMONSTRATION OF THE EXOBUBBLE. .....,-:$%
$:-,...... ......,-:$
%$:-,..... .....,-:$%
¤%$:-,.... ....,-:$%¤
£¤%$:-,... ...,-:$%¤£
#£¤%$:-,.. ..,-:$%¤£#