.,~*^£@#@# #@#@£^*~,.
..,~*^£@#@ @#@£^*~,..
...,~*^£@# #@£^*~,...
..,~*^£@#@ @#@£^*~,..
.,~*^£@#@# #@#@£^*~,.
..,~*^£@#@ THE SKYSCRAPER THAT MOVES @#@£^*~,..
...,~*^£@# #@£^*~,...
..,~*^£@#@ TAINARON IS A BUILDING OWNED AND @#@£^*~,..
.,~*^£@#@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@#@£^*~,.
..,~*^£@#@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @#@£^*~,..
...,~*^£@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@£^*~,...
..,~*^£@#@ UNKNOWN), DARK BLUE AND COMPLETELY @#@£^*~,..
.,~*^£@#@# RECTANGULAR. IT FEATURES NO SIGNS, #@#@£^*~,.
..,~*^£@#@ LIGHTS, OR ORNAMENTS, APART FROM A @#@£^*~,..
...,~*^£@# HELIPAD ON TOP. MOST FLOORS HAVE #@£^*~,...
..,~*^£@#@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @#@£^*~,..
.,~*^£@#@# #@#@£^*~,.
..,~*^£@#@ IN LATE EVENINGS, SHROUDED BY MALMö'S @#@£^*~,..
...,~*^£@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@£^*~,...
..,~*^£@#@ THE BUILDING COMES TO LIFE: IT MOVES ON @#@£^*~,..
.,~*^£@#@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@#@£^*~,.
..,~*^£@#@ (SECRET) PART OF TOWN, OR PERHAPS OUT @#@£^*~,..
...,~*^£@# TO SEA. THIS SIGNALS A NEW AND MORE #@£^*~,...
..,~*^£@#@ VISCIOUS PHASE OF THE TAINARON @#@£^*~,..
.,~*^£@#@# ECOSYSTEM. #@#@£^*~,.
..,~*^£@#@ @#@£^*~,..
...,~*^£@# THE GUESTS ARRIVING DURING THE EARLY #@£^*~,...
..,~*^£@#@ EVENING ARE TREATED TO FOOD AND DRINK, @#@£^*~,..
.,~*^£@#@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@#@£^*~,.
..,~*^£@#@ COMFORTABLE BUT MAZE-LIKE INTERIOR @#@£^*~,..
...,~*^£@# STRUCTURE (THE BUILDING FEATURES A #@£^*~,...
..,~*^£@#@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @#@£^*~,..
.,~*^£@#@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@#@£^*~,.
..,~*^£@#@ FURTHER THAN A FEW FLOORS). @#@£^*~,..
...,~*^£@# #@£^*~,...
..,~*^£@#@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @#@£^*~,..
.,~*^£@#@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@#@£^*~,.
..,~*^£@#@ SAME QUALITY AS THE SURROUNDING MIST: @#@£^*~,..
...,~*^£@# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #@£^*~,...
..,~*^£@#@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. @#@£^*~,..
.,~*^£@#@# IF YOU WOULD LOOK THROUGH THE WINDOWS #@#@£^*~,.
..,~*^£@#@ YOU WOULD SEE THE MIST ROLLING BY, AND @#@£^*~,..
...,~*^£@# PERHAPS THE OUTLINE OF SOME OTHER #@£^*~,...
..,~*^£@#@ BUILDING, FAR BELOW. @#@£^*~,..
.,~*^£@#@# #@#@£^*~,.
..,~*^£@#@ DURING THE NIGHT, AFTER TAINARON HAS @#@£^*~,..
...,~*^£@# STARTED MOVING, THE LOWER FLOORS ARE #@£^*~,...
..,~*^£@#@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @#@£^*~,..
.,~*^£@#@# THE GUESTS. FOOD IS NO LONGER SERVED, #@#@£^*~,.
..,~*^£@#@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @#@£^*~,..
...,~*^£@# IT'S AT THIS POINT THAT THE SECOND SET #@£^*~,...
..,~*^£@#@ OF GUEST ARRIVES, VIA HELICOPTER - @#@£^*~,..
.,~*^£@#@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@#@£^*~,.
..,~*^£@#@ @#@£^*~,..
...,~*^£@# ~~~~~ #@£^*~,...
..,~*^£@#@ @#@£^*~,..
.,~*^£@#@# IN MY DREAM I AM INVITED AS A FRIEND OF #@#@£^*~,.
..,~*^£@#@ ONE OF THE SERVERS, AND THUS SAFE. WE @#@£^*~,..
...,~*^£@# SIT IN ONE OF THE LARGE WINDOWS, #@£^*~,...
..,~*^£@#@ LOOKING THROUGH THE MIST FOR ANY @#@£^*~,..
.,~*^£@#@# LANDMARKS TO PIERCE THROUGH THE MIST. #@#@£^*~,.
..,~*^£@#@ SHE TELLS ME THAT APART FROM COMING AND @#@£^*~,..
...,~*^£@# GOING FROM WORK, SHE'S NEVER SEEN THE #@£^*~,...
..,~*^£@#@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @#@£^*~,..
.,~*^£@#@# #@#@£^*~,.
..,~*^£@#@ THE NEXT DAY I AM INVITED TO THE PUBLIC @#@£^*~,..
...,~*^£@# DEMONSTRATION OF THE EXOBUBBLE. #@£^*~,...
..,~*^£@#@ @#@£^*~,..
.,~*^£@#@# #@#@£^*~,.
..,~*^£@#@ @#@£^*~,..
...,~*^£@# #@£^*~,...
..,~*^£@#@ @#@£^*~,..