...^~†*$¤£                                          £¤$*†~^...
....^~†*$¤                                          ¤$*†~^....
.....^~†*$                                          $*†~^.....
......^~†*                                          *†~^......
.......^~†                                          †~^.......
......^~†*         THE SKYSCRAPER THAT MOVES        *†~^......
.....^~†*$                                          $*†~^.....
....^~†*$¤ TAINARON   IS   A   BUILDING  OWNED  AND ¤$*†~^....
...^~†*$¤£  OPERATED BY AMATA TEXNOLOGIYASI PLACED  £¤$*†~^...
..^~†*$¤£# CLOSED TO  THE  HARBOR  IN  MALMÖ.  IT'S #£¤$*†~^..
.^~†*$¤£## ROUGHLY SIXTY  FLOORS HIGH (REAL  NUMBER ##£¤$*†~^.
..^~†*$¤£#    UNKNOWN), DARK BLUE AND COMPLETELY    #£¤$*†~^..
...^~†*$¤£    RECTANGULAR. IT FEATURES NO SIGNS,    £¤$*†~^...
....^~†*$¤ LIGHTS,  OR  ORNAMENTS,  APART   FROM  A ¤$*†~^....
.....^~†*$ HELIPAD  ON   TOP.   MOST   FLOORS  HAVE $*†~^.....
......^~†* EXTERIOR WALLS COMPLETELY MADE OF GLASS. *†~^......
.......^~†                                          †~^.......
......^~†* IN  LATE  EVENINGS, SHROUDED BY  MALMö'S *†~^......
.....^~†*$ SIGNATURE FOG ROLLING IN  FROM THE  SEA, $*†~^.....
....^~†*$¤ THE BUILDING COMES TO LIFE: IT MOVES  ON ¤$*†~^....
...^~†*$¤£ A  THOUSAND  ROBOTIC  LEGS   TO  ANOTHER £¤$*†~^...
..^~†*$¤£# (SECRET) PART  OF TOWN, OR  PERHAPS  OUT #£¤$*†~^..
.^~†*$¤£## TO SEA.  THIS  SIGNALS  A  NEW  AND MORE ##£¤$*†~^.
..^~†*$¤£#      VISCIOUS PHASE OF THE TAINARON      #£¤$*†~^..
...^~†*$¤£                ECOSYSTEM.                £¤$*†~^...
....^~†*$¤                                          ¤$*†~^....
.....^~†*$ THE  GUESTS  ARRIVING  DURING THE  EARLY $*†~^.....
......^~†* EVENING  ARE TREATED  TO FOOD AND DRINK, *†~^......
.......^~† LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A †~^.......
......^~†*    COMFORTABLE BUT MAZE-LIKE INTERIOR    *†~^......
.....^~†*$    STRUCTURE (THE BUILDING FEATURES A    $*†~^.....
....^~†*$¤  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ¤$*†~^....
...^~†*$¤£ PLACED  SEEMINGLY AT RANDOM, NONE  GOING £¤$*†~^...
..^~†*$¤£#       FURTHER THAN A FEW FLOORS).        #£¤$*†~^..
.^~†*$¤£##                                          ##£¤$*†~^.
..^~†*$¤£# AS TIME GOES ON, THE  LIGHTS SLOWLY DIM, #£¤$*†~^..
...^~†*$¤£ UNTIL THE  AIR INSIDE HAS  TAKEN ON  THE £¤$*†~^...
....^~†*$¤ SAME  QUALITY  AS  THE SURROUNDING MIST: ¤$*†~^....
.....^~†*$ BLUE-GRAY,  SPRINKLED WITH THE SMALL RED $*†~^.....
......^~†* DOT'S BY DOOR LOCKS AND CONTROL  PANELS. *†~^......
.......^~† IF  YOU  WOULD LOOK  THROUGH THE WINDOWS †~^.......
......^~†* YOU WOULD SEE THE  MIST  ROLLING BY, AND *†~^......
.....^~†*$ PERHAPS   THE  OUTLINE  OF  SOME   OTHER $*†~^.....
....^~†*$¤           BUILDING, FAR BELOW.           ¤$*†~^....
...^~†*$¤£                                          £¤$*†~^...
..^~†*$¤£# DURING  THE  NIGHT, AFTER  TAINARON  HAS #£¤$*†~^..
.^~†*$¤£## STARTED  MOVING, THE  LOWER  FLOORS  ARE ##£¤$*†~^.
..^~†*$¤£# SHUT OFF, PREVENTING  ENTRY OR EXIT  FOR #£¤$*†~^..
...^~†*$¤£ THE  GUESTS. FOOD IS NO  LONGER  SERVED, £¤$*†~^...
....^~†*$¤ BUT  THE DRINKS BECOME MORE EXTRAVAGANT. ¤$*†~^....
.....^~†*$ IT'S  AT THIS POINT THAT  THE SECOND SET $*†~^.....
......^~†* OF  GUEST   ARRIVES,  VIA  HELICOPTER  - *†~^......
.......^~†  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  †~^.......
......^~†*                                          *†~^......
.....^~†*$                  ~~~~~                   $*†~^.....
....^~†*$¤                                          ¤$*†~^....
...^~†*$¤£ IN MY DREAM  I AM INVITED AS A FRIEND OF £¤$*†~^...
..^~†*$¤£# ONE  OF THE SERVERS,  AND THUS  SAFE. WE #£¤$*†~^..
.^~†*$¤£## SIT  IN  ONE  OF   THE  LARGE   WINDOWS, ##£¤$*†~^.
..^~†*$¤£# LOOKING  THROUGH   THE  MIST   FOR   ANY #£¤$*†~^..
...^~†*$¤£ LANDMARKS  TO  PIERCE THROUGH THE  MIST. £¤$*†~^...
....^~†*$¤ SHE TELLS ME  THAT APART FROM COMING AND ¤$*†~^....
.....^~†*$ GOING FROM WORK,  SHE'S  NEVER  SEEN THE $*†~^.....
......^~†* BUILDING FROM THE OUTSIDE. WE BOTH SIGH. *†~^......
.......^~†                                          †~^.......
......^~†* THE NEXT DAY I  AM INVITED TO THE PUBLIC *†~^......
.....^~†*$     DEMONSTRATION OF THE EXOBUBBLE.      $*†~^.....
....^~†*$¤                                          ¤$*†~^....
...^~†*$¤£                                          £¤$*†~^...
..^~†*$¤£#                                          #£¤$*†~^..
.^~†*$¤£##                                          ##£¤$*†~^.
..^~†*$¤£#                                          #£¤$*†~^..