¨¨¨^-**$ #&$**-^¨¨¨
¨¨¨¨^-**$& &$**-^¨¨¨¨
¨¨¨¨¨^-**$ $**-^¨¨¨¨¨
¨¨¨¨¨¨^-** **-^¨¨¨¨¨¨
¨¨¨¨¨¨¨^-* *-^¨¨¨¨¨¨¨
¨¨¨¨¨¨^-** THE SKYSCRAPER THAT MOVES **-^¨¨¨¨¨¨
¨¨¨¨¨^-**$ $**-^¨¨¨¨¨
¨¨¨¨^-**$& TAINARON IS A BUILDING OWNED AND &$**-^¨¨¨¨
¨¨¨^-**$ OPERATED BY AMATA TEXNOLOGIYASI PLACED #&$**-^¨¨¨
¨¨^-**$# CLOSED TO THE HARBOR IN MALMÖ. IT'S ##&$**-^¨¨
¨^-**$## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ###&$**-^¨
¨¨^-**$# UNKNOWN), DARK BLUE AND COMPLETELY ##&$**-^¨¨
¨¨¨^-**$ RECTANGULAR. IT FEATURES NO SIGNS, #&$**-^¨¨¨
¨¨¨¨^-**$& LIGHTS, OR ORNAMENTS, APART FROM A &$**-^¨¨¨¨
¨¨¨¨¨^-**$ HELIPAD ON TOP. MOST FLOORS HAVE $**-^¨¨¨¨¨
¨¨¨¨¨¨^-** EXTERIOR WALLS COMPLETELY MADE OF GLASS. **-^¨¨¨¨¨¨
¨¨¨¨¨¨¨^-* *-^¨¨¨¨¨¨¨
¨¨¨¨¨¨^-** IN LATE EVENINGS, SHROUDED BY MALMö'S **-^¨¨¨¨¨¨
¨¨¨¨¨^-**$ SIGNATURE FOG ROLLING IN FROM THE SEA, $**-^¨¨¨¨¨
¨¨¨¨^-**$& THE BUILDING COMES TO LIFE: IT MOVES ON &$**-^¨¨¨¨
¨¨¨^-**$ A THOUSAND ROBOTIC LEGS TO ANOTHER #&$**-^¨¨¨
¨¨^-**$# (SECRET) PART OF TOWN, OR PERHAPS OUT ##&$**-^¨¨
¨^-**$## TO SEA. THIS SIGNALS A NEW AND MORE ###&$**-^¨
¨¨^-**$# VISCIOUS PHASE OF THE TAINARON ##&$**-^¨¨
¨¨¨^-**$ ECOSYSTEM. #&$**-^¨¨¨
¨¨¨¨^-**$& &$**-^¨¨¨¨
¨¨¨¨¨^-**$ THE GUESTS ARRIVING DURING THE EARLY $**-^¨¨¨¨¨
¨¨¨¨¨¨^-** EVENING ARE TREATED TO FOOD AND DRINK, **-^¨¨¨¨¨¨
¨¨¨¨¨¨¨^-* LIVE MUSIC, BEATUTIFUL VIEWS, AND A *-^¨¨¨¨¨¨¨
¨¨¨¨¨¨^-** COMFORTABLE BUT MAZE-LIKE INTERIOR **-^¨¨¨¨¨¨
¨¨¨¨¨^-**$ STRUCTURE (THE BUILDING FEATURES A $**-^¨¨¨¨¨
¨¨¨¨^-**$& MULTITUDE OF STAIRWELLS AND ELEVATORS, &$**-^¨¨¨¨
¨¨¨^-**$ PLACED SEEMINGLY AT RANDOM, NONE GOING #&$**-^¨¨¨
¨¨^-**$# FURTHER THAN A FEW FLOORS). ##&$**-^¨¨
¨^-**$## ###&$**-^¨
¨¨^-**$# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##&$**-^¨¨
¨¨¨^-**$ UNTIL THE AIR INSIDE HAS TAKEN ON THE #&$**-^¨¨¨
¨¨¨¨^-**$& SAME QUALITY AS THE SURROUNDING MIST: &$**-^¨¨¨¨
¨¨¨¨¨^-**$ BLUE-GRAY, SPRINKLED WITH THE SMALL RED $**-^¨¨¨¨¨
¨¨¨¨¨¨^-** DOT'S BY DOOR LOCKS AND CONTROL PANELS. **-^¨¨¨¨¨¨
¨¨¨¨¨¨¨^-* IF YOU WOULD LOOK THROUGH THE WINDOWS *-^¨¨¨¨¨¨¨
¨¨¨¨¨¨^-** YOU WOULD SEE THE MIST ROLLING BY, AND **-^¨¨¨¨¨¨
¨¨¨¨¨^-**$ PERHAPS THE OUTLINE OF SOME OTHER $**-^¨¨¨¨¨
¨¨¨¨^-**$& BUILDING, FAR BELOW. &$**-^¨¨¨¨
¨¨¨^-**$ #&$**-^¨¨¨
¨¨^-**$# DURING THE NIGHT, AFTER TAINARON HAS ##&$**-^¨¨
¨^-**$## STARTED MOVING, THE LOWER FLOORS ARE ###&$**-^¨
¨¨^-**$# SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##&$**-^¨¨
¨¨¨^-**$ THE GUESTS. FOOD IS NO LONGER SERVED, #&$**-^¨¨¨
¨¨¨¨^-**$& BUT THE DRINKS BECOME MORE EXTRAVAGANT. &$**-^¨¨¨¨
¨¨¨¨¨^-**$ IT'S AT THIS POINT THAT THE SECOND SET $**-^¨¨¨¨¨
¨¨¨¨¨¨^-** OF GUEST ARRIVES, VIA HELICOPTER - **-^¨¨¨¨¨¨
¨¨¨¨¨¨¨^-* AMATA TEXNOLOGIYASI AND THEIR FRIENDS. *-^¨¨¨¨¨¨¨
¨¨¨¨¨¨^-** **-^¨¨¨¨¨¨
¨¨¨¨¨^-**$ ----- $**-^¨¨¨¨¨
¨¨¨¨^-**$& &$**-^¨¨¨¨
¨¨¨^-**$ IN MY DREAM I AM INVITED AS A FRIEND OF #&$**-^¨¨¨
¨¨^-**$# ONE OF THE SERVERS, AND THUS SAFE. WE ##&$**-^¨¨
¨^-**$## SIT IN ONE OF THE LARGE WINDOWS, ###&$**-^¨
¨¨^-**$# LOOKING THROUGH THE MIST FOR ANY ##&$**-^¨¨
¨¨¨^-**$ LANDMARKS TO PIERCE THROUGH THE MIST. #&$**-^¨¨¨
¨¨¨¨^-**$& SHE TELLS ME THAT APART FROM COMING AND &$**-^¨¨¨¨
¨¨¨¨¨^-**$ GOING FROM WORK, SHE'S NEVER SEEN THE $**-^¨¨¨¨¨
¨¨¨¨¨¨^-** BUILDING FROM THE OUTSIDE. WE BOTH SIGH. **-^¨¨¨¨¨¨
¨¨¨¨¨¨¨^-* *-^¨¨¨¨¨¨¨
¨¨¨¨¨¨^-** THE NEXT DAY I AM INVITED TO THE PUBLIC **-^¨¨¨¨¨¨
¨¨¨¨¨^-**$ DEMONSTRATION OF THE EXOBUBBLE. $**-^¨¨¨¨¨
¨¨¨¨^-**$& &$**-^¨¨¨¨
¨¨¨^-**$ #&$**-^¨¨¨
¨¨^-**$# ##&$**-^¨¨
¨^-**$## ###&$**-^¨
¨¨^-**$# ##&$**-^¨¨