,,,~-;†@£# #£@†;-~,,,
,,,,~-;†@£ £@†;-~,,,,
,,,,,~-;†@ @†;-~,,,,,
,,,,,,~-;† †;-~,,,,,,
,,,,,,,~-; ;-~,,,,,,,
,,,,,,,,~- THE SKYSCRAPER THAT MOVES -~,,,,,,,,
,,,,,,,,,~ ~,,,,,,,,,
,,,,,,,,,, TAINARON IS A BUILDING OWNED AND ,,,,,,,,,,
,,,,,,,,,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,,,,,,,,,
,,,,,,,,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,,,,,,,,
,,,,,,,,,~ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ~,,,,,,,,,
,,,,,,,,~- UNKNOWN), DARK BLUE AND COMPLETELY -~,,,,,,,,
,,,,,,,~-; RECTANGULAR. IT FEATURES NO SIGNS, ;-~,,,,,,,
,,,,,,~-;† LIGHTS, OR ORNAMENTS, APART FROM A †;-~,,,,,,
,,,,,~-;†@ HELIPAD ON TOP. MOST FLOORS HAVE @†;-~,,,,,
,,,,~-;†@£ EXTERIOR WALLS COMPLETELY MADE OF GLASS. £@†;-~,,,,
,,,~-;†@£# #£@†;-~,,,
,,~-;†@£## IN LATE EVENINGS, SHROUDED BY MALMö'S ##£@†;-~,,
,~-;†@£### SIGNATURE FOG ROLLING IN FROM THE SEA, ###£@†;-~,
,,~-;†@£## THE BUILDING COMES TO LIFE: IT MOVES ON ##£@†;-~,,
,,,~-;†@£# A THOUSAND ROBOTIC LEGS TO ANOTHER #£@†;-~,,,
,,,,~-;†@£ (SECRET) PART OF TOWN, OR PERHAPS OUT £@†;-~,,,,
,,,,,~-;†@ TO SEA. THIS SIGNALS A NEW AND MORE @†;-~,,,,,
,,,,,,~-;† VISCIOUS PHASE OF THE TAINARON †;-~,,,,,,
,,,,,,,~-; ECOSYSTEM. ;-~,,,,,,,
,,,,,,,,~- -~,,,,,,,,
,,,,,,,,,~ THE GUESTS ARRIVING DURING THE EARLY ~,,,,,,,,,
,,,,,,,,,, EVENING ARE TREATED TO FOOD AND DRINK, ,,,,,,,,,,
,,,,,,,,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,,,,,,,,
,,,,,,,,,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,,,,,,,,,
,,,,,,,,,~ STRUCTURE (THE BUILDING FEATURES A ~,,,,,,,,,
,,,,,,,,~- MULTITUDE OF STAIRWELLS AND ELEVATORS, -~,,,,,,,,
,,,,,,,~-; PLACED SEEMINGLY AT RANDOM, NONE GOING ;-~,,,,,,,
,,,,,,~-;† FURTHER THAN A FEW FLOORS). †;-~,,,,,,
,,,,,~-;†@ @†;-~,,,,,
,,,,~-;†@£ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, £@†;-~,,,,
,,,~-;†@£# UNTIL THE AIR INSIDE HAS TAKEN ON THE #£@†;-~,,,
,,~-;†@£## SAME QUALITY AS THE SURROUNDING MIST: ##£@†;-~,,
,~-;†@£### BLUE-GRAY, SPRINKLED WITH THE SMALL RED ###£@†;-~,
,,~-;†@£## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##£@†;-~,,
,,,~-;†@£# IF YOU WOULD LOOK THROUGH THE WINDOWS #£@†;-~,,,
,,,,~-;†@£ YOU WOULD SEE THE MIST ROLLING BY, AND £@†;-~,,,,
,,,,,~-;†@ PERHAPS THE OUTLINE OF SOME OTHER @†;-~,,,,,
,,,,,,~-;† BUILDING, FAR BELOW. †;-~,,,,,,
,,,,,,,~-; ;-~,,,,,,,
,,,,,,,,~- DURING THE NIGHT, AFTER TAINARON HAS -~,,,,,,,,
,,,,,,,,,~ STARTED MOVING, THE LOWER FLOORS ARE ~,,,,,,,,,
,,,,,,,,,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,,,,,,,,,
,,,,,,,,,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,,,,,,,,,
,,,,,,,,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,,,,,,,,
,,,,,,,,,~ IT'S AT THIS POINT THAT THE SECOND SET ~,,,,,,,,,
,,,,,,,,~- OF GUEST ARRIVES, VIA HELICOPTER - -~,,,,,,,,
,,,,,,,~-; AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ;-~,,,,,,,
,,,,,,~-;† †;-~,,,,,,
,,,,,~-;†@ ----- @†;-~,,,,,
,,,,~-;†@£ £@†;-~,,,,
,,,~-;†@£# IN MY DREAM I AM INVITED AS A FRIEND OF #£@†;-~,,,
,,~-;†@£## ONE OF THE SERVERS, AND THUS SAFE. WE ##£@†;-~,,
,~-;†@£### SIT IN ONE OF THE LARGE WINDOWS, ###£@†;-~,
,,~-;†@£## LOOKING THROUGH THE MIST FOR ANY ##£@†;-~,,
,,,~-;†@£# LANDMARKS TO PIERCE THROUGH THE MIST. #£@†;-~,,,
,,,,~-;†@£ SHE TELLS ME THAT APART FROM COMING AND £@†;-~,,,,
,,,,,~-;†@ GOING FROM WORK, SHE'S NEVER SEEN THE @†;-~,,,,,
,,,,,,~-;† BUILDING FROM THE OUTSIDE. WE BOTH SIGH. †;-~,,,,,,
,,,,,,,~-; ;-~,,,,,,,
,,,,,,,,~- THE NEXT DAY I AM INVITED TO THE PUBLIC -~,,,,,,,,
,,,,,,,,,~ DEMONSTRATION OF THE EXOBUBBLE. ~,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,~ ~,,,,,,,,,
,,,,,,,,~- -~,,,,,,,,