,,#,,#,#,, #,,,#,##,,
,,##,####, ##,,###,#,
,,#,##,,,# #,#,#,,###
#,###,#,,# ######,#,,
###,,###,# ,,,,,,###,
#,,#,#,,## THE SKYSCRAPER THAT MOVES #,,,,,#,,#
,#,####,#, ##,,,,##,#
####,,,### TAINARON IS A BUILDING OWNED AND ,,#,,,#,##
,,,,#,,#,, OPERATED BY AMATA TEXNOLOGIYASI PLACED #,##,,###,
,,,,##,##, CLOSED TO THE HARBOR IN MALMÖ. IT'S ###,#,#,,#
#,,,#,##,# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,,#####,#
,#,,###,## UNKNOWN), DARK BLUE AND COMPLETELY #,,#,,,,##
###,#,,##, RECTANGULAR. IT FEATURES NO SIGNS, ##,##,,,#,
#,,###,#,# LIGHTS, OR ORNAMENTS, APART FROM A ,,##,#,,##
,#,#,,#### HELIPAD ON TOP. MOST FLOORS HAVE #,#,###,#,
,####,#,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. #####,,###
##,,,###,, #,,,,#,#,,
#,#,,#,,#, IN LATE EVENINGS, SHROUDED BY MALMö'S ##,,,####,
####,##,## SIGNATURE FOG ROLLING IN FROM THE SEA, #,#,,#,,,#
,,,,##,##, THE BUILDING COMES TO LIFE: IT MOVES ON ,###,##,,#
#,,,#,##,# A THOUSAND ROBOTIC LEGS TO ANOTHER ##,,##,#,#
,#,,###,## (SECRET) PART OF TOWN, OR PERHAPS OUT #,#,#,####
###,#,,##, TO SEA. THIS SIGNALS A NEW AND MORE ,######,,,
#,,###,#,# VISCIOUS PHASE OF THE TAINARON ##,,,,,#,,
##,#,,#### ECOSYSTEM. #,#,,,,##,
#,###,#,,, ####,,,#,#
,##,,###,, THE GUESTS ARRIVING DURING THE EARLY #,,,#,,###
##,#,#,,#, EVENING ARE TREATED TO FOOD AND DRINK, ##,,##,#,,
#,#####,## LIVE MUSIC, BEATUTIFUL VIEWS, AND A #,#,#,###,
###,,,,##, COMFORTABLE BUT MAZE-LIKE INTERIOR ,######,,#
,,,#,,,#,# STRUCTURE (THE BUILDING FEATURES A ##,,,,,#,#
#,,##,,### MULTITUDE OF STAIRWELLS AND ELEVATORS, #,#,,,,###
,#,#,#,#,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,###,,,#,,
,########, FURTHER THAN A FEW FLOORS). ##,,#,,##,
,#,,,,,,,# ,,#,##,#,#
###,,,,,,# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,###,####
,,,#,,,,,# UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,#,,##,,,
,,,##,,,,# SAME QUALITY AS THE SURROUNDING MIST: ,,##,#,#,,
,,,#,#,,,# BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,#,#####,
,,,####,,# DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,###,,,,#
#,,#,,,#,# IF YOU WOULD LOOK THROUGH THE WINDOWS ,,#,,#,,,#
,#,##,,### YOU WOULD SEE THE MIST ROLLING BY, AND ,,##,##,,#
####,#,#,, PERHAPS THE OUTLINE OF SOME OTHER #,#,##,#,#
,,,,#####, BUILDING, FAR BELOW. #####,####
#,,,#,,,,# #,,,,##,,,
##,,##,,,# DURING THE NIGHT, AFTER TAINARON HAS ##,,,#,#,,
#,#,#,#,,# STARTED MOVING, THE LOWER FLOORS ARE ,,#,,####,
########,# SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,##,#,,,#
,,,,,,,,## THE GUESTS. FOOD IS NO LONGER SERVED, ,,#,###,,#
#,,,,,,,#, BUT THE DRINKS BECOME MORE EXTRAVAGANT. #,###,,#,#
,#,,,,,,## IT'S AT THIS POINT THAT THE SECOND SET ###,,#,###
###,,,,,#, OF GUEST ARRIVES, VIA HELICOPTER - ,,,#,###,,
#,,#,,,,## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #,,###,,#,
##,##,,,#, ,#,#,,#,##
,,##,#,,## ===== ,####,###,
,,#,###,#, ##,,,##,,#
#,###,,### IN MY DREAM I AM INVITED AS A FRIEND OF #,#,,#,#,#
,##,,#,#,, ONE OF THE SERVERS, AND THUS SAFE. WE ####,#####
##,#,####, SIT IN ONE OF THE LARGE WINDOWS, #,,,##,,,,
#,####,,,# LOOKING THROUGH THE MIST FOR ANY ,#,,#,#,,,
###,,,#,,# LANDMARKS TO PIERCE THROUGH THE MIST. ,##,####,,
#,,#,,##,# SHE TELLS ME THAT APART FROM COMING AND ,#,##,,,#,
##,##,#,## GOING FROM WORK, SHE'S NEVER SEEN THE ,###,#,,##
,,##,####, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##,,###,#,
,,#,##,,,# #,#,#,,###
#,###,#,,# THE NEXT DAY I AM INVITED TO THE PUBLIC ######,#,,
###,,###,# DEMONSTRATION OF THE EXOBUBBLE. ,,,,,,###,
#,,#,#,,## #,,,,,#,,#
,#,####,#, ##,,,,##,#
####,,,### ,,#,,,#,##
,,,,#,,#,, #,##,,###,
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