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#@@££§;~:, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,:~;§££@@#
@@@££§;~:, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,:~;§££@@@
@@@££§;~:, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,:~;§££@@@
@@@££§;~:, UNKNOWN), DARK BLUE AND COMPLETELY ,:~;§££@@@
@££££§;~:, RECTANGULAR. IT FEATURES NO SIGNS, ,:~;§££££@
##@££§;~:, LIGHTS, OR ORNAMENTS, APART FROM A ,:~;§££@##
#@@££§;~:, HELIPAD ON TOP. MOST FLOORS HAVE ,:~;§££@@#
#@@££§;~:, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,:~;§££@@#
@££;~~:,,, ,,,:~~;££@
@££££§;~:, IN LATE EVENINGS, SHROUDED BY MALMö'S ,:~;§££££@
##@££§;~:, SIGNATURE FOG ROLLING IN FROM THE SEA, ,:~;§££@##
@£§;;~~~:, THE BUILDING COMES TO LIFE: IT MOVES ON ,:~~~;;§£@
##@££§;~:, A THOUSAND ROBOTIC LEGS TO ANOTHER ,:~;§££@##
@£;:,,,,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,,,,:;£@
#@@££§;~:, TO SEA. THIS SIGNALS A NEW AND MORE ,:~;§££@@#
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££§;;~~~:, ECOSYSTEM. ,:~~~;;§££
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£§§~:,,,,, THE GUESTS ARRIVING DURING THE EARLY ,,,,,:~§§£
@@@££§;~:, EVENING ARE TREATED TO FOOD AND DRINK, ,:~;§££@@@
@££§;~:::, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,:::~;§££@
@££§§~:,,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,,:~§§££@
#@@££§;~:, STRUCTURE (THE BUILDING FEATURES A ,:~;§££@@#
#@@££§;~:, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,:~;§££@@#
@£§;;:,,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,,:;;§£@
@£;;~~,,,, FURTHER THAN A FEW FLOORS). ,,,,~~;;£@
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@@@££§;~:, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,:~;§££@@@
##@@£§;~:, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,:~;§£@@##
#@@££§;~:, SAME QUALITY AS THE SURROUNDING MIST: ,:~;§££@@#
#@@££§;~:, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,:~;§££@@#
@@£§§§;~:, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,:~;§§§£@@
##@££§;~:, IF YOU WOULD LOOK THROUGH THE WINDOWS ,:~;§££@##
@@@££§;~:, YOU WOULD SEE THE MIST ROLLING BY, AND ,:~;§££@@@
@££§§~~~:, PERHAPS THE OUTLINE OF SOME OTHER ,:~~~§§££@
@££;;:,,,, BUILDING, FAR BELOW. ,,,,:;;££@
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@££££§;~:, DURING THE NIGHT, AFTER TAINARON HAS ,:~;§££££@
@££££§;~:, STARTED MOVING, THE LOWER FLOORS ARE ,:~;§££££@
£§§;;::,,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,,::;;§§£
##@££§;~:, THE GUESTS. FOOD IS NO LONGER SERVED, ,:~;§££@##
@££§;:,,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,,:;§££@
@@£§§;::,, IT'S AT THIS POINT THAT THE SECOND SET ,,::;§§£@@
@££§;~~,,, OF GUEST ARRIVES, VIA HELICOPTER - ,,,~~;§££@
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@££££§;~:, IN MY DREAM I AM INVITED AS A FRIEND OF ,:~;§££££@
##@@££§;~, ONE OF THE SERVERS, AND THUS SAFE. WE ,~;§££@@##
#@@££§;~:, SIT IN ONE OF THE LARGE WINDOWS, ,:~;§££@@#
@@@££§;~:, LOOKING THROUGH THE MIST FOR ANY ,:~;§££@@@
@@££§;:::, LANDMARKS TO PIERCE THROUGH THE MIST. ,:::;§££@@
##@@££;~:, SHE TELLS ME THAT APART FROM COMING AND ,:~;££@@##
#@@££§;~:, GOING FROM WORK, SHE'S NEVER SEEN THE ,:~;§££@@#
##@@£§;~:, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,:~;§£@@##
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@£§;:,,,,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,,,:;§£@
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