&§*«,,,,,, ,,,,,,«*§&
§*«,,,,,,, ,,,,,,,«*§
*«,,,,,,,, ,,,,,,,,«*
«,,,,,,,,, ,,,,,,,,,«
*«,,,,,,,, ,,,,,,,,«*
§*«,,,,,,, THE SKYSCRAPER THAT MOVES ,,,,,,,«*§
&§*«,,,,,, ,,,,,,«*§&
@&§*«,,,,, TAINARON IS A BUILDING OWNED AND ,,,,,«*§&@
@@&§*«,,,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,,,«*§&@@
#@@&§*«,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,«*§&@@#
##@@&§*«,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,«*§&@@##
#@@&§*«,,, UNKNOWN), DARK BLUE AND COMPLETELY ,,,«*§&@@#
@@&§*«,,,, RECTANGULAR. IT FEATURES NO SIGNS, ,,,,«*§&@@
@&§*«,,,,, LIGHTS, OR ORNAMENTS, APART FROM A ,,,,,«*§&@
&§*«,,,,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,,,,«*§&
§*«,,,,,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,,,,,«*§
*«,,,,,,,, ,,,,,,,,«*
«,,,,,,,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,,,,,,,«
*«,,,,,,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,,,,,,«*
§*«,,,,,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,,,,,,«*§
&§*«,,,,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,,,,«*§&
@&§*«,,,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,,,«*§&@
@@&§*«,,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,,«*§&@@
#@@&§*«,,, VISCIOUS PHASE OF THE TAINARON ,,,«*§&@@#
##@@&§*«,, ECOSYSTEM. ,,«*§&@@##
#@@&§*«,,, ,,,«*§&@@#
@@&§*«,,,, THE GUESTS ARRIVING DURING THE EARLY ,,,,«*§&@@
@&§*«,,,,, EVENING ARE TREATED TO FOOD AND DRINK, ,,,,,«*§&@
&§*«,,,,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,,,,«*§&
§*«,,,,,,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,,,,,,«*§
*«,,,,,,,, STRUCTURE (THE BUILDING FEATURES A ,,,,,,,,«*
«,,,,,,,,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,,,,,,,,«
*«,,,,,,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,,,,,,«*
§*«,,,,,,, FURTHER THAN A FEW FLOORS). ,,,,,,,«*§
&§*«,,,,,, ,,,,,,«*§&
@&§*«,,,,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,,,,«*§&@
@@&§*«,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,«*§&@@
#@@&§*«,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,«*§&@@#
##@@&§*«,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,«*§&@@##
#@@&§*«,,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,,«*§&@@#
@@&§*«,,,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,,,«*§&@@
@&§*«,,,,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,,,,«*§&@
&§*«,,,,,, PERHAPS THE OUTLINE OF SOME OTHER ,,,,,,«*§&
§*«,,,,,,, BUILDING, FAR BELOW. ,,,,,,,«*§
*«,,,,,,,, ,,,,,,,,«*
«,,,,,,,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,,,,,,,«
*«,,,,,,,, STARTED MOVING, THE LOWER FLOORS ARE ,,,,,,,,«*
§*«,,,,,,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,,,,,,«*§
&§*«,,,,,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,,,,,«*§&
@&§*«,,,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,,,«*§&@
@@&§*«,,,, IT'S AT THIS POINT THAT THE SECOND SET ,,,,«*§&@@
#@@&§*«,,, OF GUEST ARRIVES, VIA HELICOPTER - ,,,«*§&@@#
##@@&§*«,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,«*§&@@##
#@@&§*«,,, ,,,«*§&@@#
@@&§*«,,,, ««««« ,,,,«*§&@@
@&§*«,,,,, ,,,,,«*§&@
&§*«,,,,,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,,,,,«*§&
§*«,,,,,,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,,,,,,«*§
*«,,,,,,,, SIT IN ONE OF THE LARGE WINDOWS, ,,,,,,,,«*
«,,,,,,,,, LOOKING THROUGH THE MIST FOR ANY ,,,,,,,,,«
*«,,,,,,,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,,,,,,,«*
§*«,,,,,,, SHE TELLS ME THAT APART FROM COMING AND ,,,,,,,«*§
&§*«,,,,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,,,,«*§&
@&§*«,,,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,,«*§&@
@@&§*«,,,, ,,,,«*§&@@
#@@&§*«,,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,«*§&@@#
##@@&§*«,, DEMONSTRATION OF THE EXOBUBBLE. ,,«*§&@@##
#@@&§*«,,, ,,,«*§&@@#
@@&§*«,,,, ,,,,«*§&@@
@&§*«,,,,, ,,,,,«*§&@
&§*«,,,,,, ,,,,,,«*§&
§*«,,,,,,, ,,,,,,,«*§