##@#%†:~^.                                          .^~:†%#@##
#@#%†:~^..                                          ..^~:†%#@#
##@#%†:~^.                                          .^~:†%#@##
#@#%†:~^..                                          ..^~:†%#@#
##@#%†:~^.                                          .^~:†%#@##
#@#%†:~^..         THE SKYSCRAPER THAT MOVES        ..^~:†%#@#
##@#%†:~^.                                          .^~:†%#@##
#@#%†:~^.. TAINARON  IS  A   BUILDING   OWNED   AND ..^~:†%#@#
##@#%†:~^.  OPERATED BY AMATA TEXNOLOGIYASI PLACED  .^~:†%#@##
#@#%†:~^.. CLOSED  TO  THE  HARBOR  IN MALMÖ.  IT'S ..^~:†%#@#
##@#%†:~^. ROUGHLY  SIXTY FLOORS HIGH  (REAL NUMBER .^~:†%#@##
#@#%†:~^..    UNKNOWN), DARK BLUE AND COMPLETELY    ..^~:†%#@#
##@#%†:~^.    RECTANGULAR. IT FEATURES NO SIGNS,    .^~:†%#@##
#@#%†:~^.. LIGHTS,  OR   ORNAMENTS,  APART  FROM  A ..^~:†%#@#
##@#%†:~^. HELIPAD   ON  TOP.   MOST  FLOORS   HAVE .^~:†%#@##
#@#%†:~^.. EXTERIOR WALLS COMPLETELY MADE OF GLASS. ..^~:†%#@#
##@#%†:~^.                                          .^~:†%#@##
#@#%†:~^.. IN  LATE EVENINGS, SHROUDED  BY  MALMö'S ..^~:†%#@#
##@#%†:~^. SIGNATURE  FOG ROLLING IN FROM THE  SEA, .^~:†%#@##
#@#%†:~^.. THE BUILDING COMES  TO LIFE: IT MOVES ON ..^~:†%#@#
##@#%†:~^. A  THOUSAND   ROBOTIC  LEGS  TO  ANOTHER .^~:†%#@##
#@#%†:~^.. (SECRET) PART  OF  TOWN, OR PERHAPS  OUT ..^~:†%#@#
##@#%†:~^. TO SEA. THIS  SIGNALS  A  NEW  AND  MORE .^~:†%#@##
#@#%†:~^..      VISCIOUS PHASE OF THE TAINARON      ..^~:†%#@#
##@#%†:~^.                ECOSYSTEM.                .^~:†%#@##
#@#%†:~^..                                          ..^~:†%#@#
##@#%†:~^. THE  GUESTS  ARRIVING DURING  THE  EARLY .^~:†%#@##
#@#%†:~^.. EVENING ARE TREATED TO FOOD  AND  DRINK, ..^~:†%#@#
##@#%†:~^. LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A .^~:†%#@##
#@#%†:~^..    COMFORTABLE BUT MAZE-LIKE INTERIOR    ..^~:†%#@#
##@#%†:~^.    STRUCTURE (THE BUILDING FEATURES A    .^~:†%#@##
#@#%†:~^..  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ..^~:†%#@#
##@#%†:~^. PLACED SEEMINGLY  AT RANDOM,  NONE GOING .^~:†%#@##
#@#%†:~^..        FURTHER THAN A FEW FLOORS).       ..^~:†%#@#
##@#%†:~^.                                          .^~:†%#@##
#@#%†:~^.. AS TIME  GOES ON, THE LIGHTS SLOWLY DIM, ..^~:†%#@#
##@#%†:~^. UNTIL THE  AIR INSIDE  HAS  TAKEN ON THE .^~:†%#@##
#@#%†:~^.. SAME QUALITY AS  THE  SURROUNDING  MIST: ..^~:†%#@#
##@#%†:~^. BLUE-GRAY, SPRINKLED  WITH THE SMALL RED .^~:†%#@##
#@#%†:~^.. DOT'S BY  DOOR LOCKS AND CONTROL PANELS. ..^~:†%#@#
##@#%†:~^. IF  YOU  WOULD  LOOK THROUGH THE WINDOWS .^~:†%#@##
#@#%†:~^.. YOU  WOULD  SEE THE MIST ROLLING BY, AND ..^~:†%#@#
##@#%†:~^. PERHAPS  THE  OUTLINE   OF  SOME   OTHER .^~:†%#@##
#@#%†:~^..           BUILDING, FAR BELOW.           ..^~:†%#@#
##@#%†:~^.                                          .^~:†%#@##
#@#%†:~^.. DURING  THE  NIGHT,  AFTER TAINARON  HAS ..^~:†%#@#
##@#%†:~^. STARTED  MOVING,  THE  LOWER FLOORS  ARE .^~:†%#@##
#@#%†:~^.. SHUT  OFF, PREVENTING  ENTRY OR EXIT FOR ..^~:†%#@#
##@#%†:~^. THE  GUESTS. FOOD  IS  NO LONGER SERVED, .^~:†%#@##
#@#%†:~^.. BUT  THE DRINKS BECOME MORE EXTRAVAGANT. ..^~:†%#@#
##@#%†:~^. IT'S AT  THIS  POINT THAT THE SECOND SET .^~:†%#@##
#@#%†:~^.. OF  GUEST   ARRIVES,  VIA  HELICOPTER  - ..^~:†%#@#
##@#%†:~^.  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  .^~:†%#@##
#@#%†:~^..                                          ..^~:†%#@#
##@#%†:~^.                   ~~~~~                  .^~:†%#@##
#@#%†:~^..                                          ..^~:†%#@#
##@#%†:~^. IN MY DREAM I AM INVITED AS  A FRIEND OF .^~:†%#@##
#@#%†:~^.. ONE  OF THE SERVERS,  AND THUS  SAFE. WE ..^~:†%#@#
##@#%†:~^. SIT  IN   ONE   OF  THE  LARGE  WINDOWS, .^~:†%#@##
#@#%†:~^.. LOOKING   THROUGH  THE   MIST  FOR   ANY ..^~:†%#@#
##@#%†:~^. LANDMARKS  TO PIERCE  THROUGH THE  MIST. .^~:†%#@##
#@#%†:~^.. SHE TELLS  ME THAT APART FROM COMING AND ..^~:†%#@#
##@#%†:~^. GOING  FROM WORK,  SHE'S NEVER  SEEN THE .^~:†%#@##
#@#%†:~^.. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ..^~:†%#@#
##@#%†:~^.                                          .^~:†%#@##
#@#%†:~^.. THE NEXT DAY I AM INVITED TO  THE PUBLIC ..^~:†%#@#
##@#%†:~^.      DEMONSTRATION OF THE EXOBUBBLE.     .^~:†%#@##
#@#%†:~^..                                          ..^~:†%#@#
##@#%†:~^.                                          .^~:†%#@##
#@#%†:~^..                                          ..^~:†%#@#
##@#%†:~^.                                          .^~:†%#@##
#@#%†:~^..                                          ..^~:†%#@#