¨~*†§@@@##                                          ##@@@§†*~¨
¨¨~*†§@@@#                                          #@@@§†*~¨¨
¨~*†§@@@##                                          ##@@@§†*~¨
¨¨~*†§@@@#                                          #@@@§†*~¨¨
¨~*†§@@@##                                          ##@@@§†*~¨
¨¨~*†§@@@#        THE SKYSCRAPER THAT MOVES         #@@@§†*~¨¨
¨~*†§@@@##                                          ##@@@§†*~¨
¨¨~*†§@@@# TAINARON   IS  A   BUILDING  OWNED   AND #@@@§†*~¨¨
¨~*†§@@@##  OPERATED BY AMATA TEXNOLOGIYASI PLACED  ##@@@§†*~¨
¨¨~*†§@@@# CLOSED TO  THE  HARBOR  IN  MALMÖ.  IT'S #@@@§†*~¨¨
¨~*†§@@@## ROUGHLY SIXTY FLOORS  HIGH  (REAL NUMBER ##@@@§†*~¨
¨¨~*†§@@@#    UNKNOWN), DARK BLUE AND COMPLETELY    #@@@§†*~¨¨
¨~*†§@@@##    RECTANGULAR. IT FEATURES NO SIGNS,    ##@@@§†*~¨
¨¨~*†§@@@# LIGHTS,   OR  ORNAMENTS,  APART  FROM  A #@@@§†*~¨¨
¨~*†§@@@## HELIPAD  ON   TOP.   MOST  FLOORS   HAVE ##@@@§†*~¨
¨¨~*†§@@@# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #@@@§†*~¨¨
¨~*†§@@@##                                          ##@@@§†*~¨
¨¨~*†§@@@# IN  LATE  EVENINGS, SHROUDED BY  MALMö'S #@@@§†*~¨¨
¨~*†§@@@## SIGNATURE FOG  ROLLING IN FROM  THE SEA, ##@@@§†*~¨
¨¨~*†§@@@# THE BUILDING COMES TO LIFE: IT MOVES  ON #@@@§†*~¨¨
¨~*†§@@@## A  THOUSAND  ROBOTIC   LEGS  TO  ANOTHER ##@@@§†*~¨
¨¨~*†§@@@# (SECRET)  PART  OF TOWN, OR  PERHAPS OUT #@@@§†*~¨¨
¨~*†§@@@## TO SEA. THIS  SIGNALS  A  NEW  AND  MORE ##@@@§†*~¨
¨¨~*†§@@@#      VISCIOUS PHASE OF THE TAINARON      #@@@§†*~¨¨
¨~*†§@@@##                ECOSYSTEM.                ##@@@§†*~¨
¨¨~*†§@@@#                                          #@@@§†*~¨¨
¨~*†§@@@## THE  GUESTS  ARRIVING  DURING THE  EARLY ##@@@§†*~¨
¨¨~*†§@@@# EVENING ARE TREATED TO FOOD  AND  DRINK, #@@@§†*~¨¨
¨~*†§@@@## LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ##@@@§†*~¨
¨¨~*†§@@@#    COMFORTABLE BUT MAZE-LIKE INTERIOR    #@@@§†*~¨¨
¨~*†§@@@##    STRUCTURE (THE BUILDING FEATURES A    ##@@@§†*~¨
¨¨~*†§@@@#  MULTITUDE OF STAIRWELLS AND ELEVATORS,  #@@@§†*~¨¨
¨~*†§@@@## PLACED SEEMINGLY  AT  RANDOM, NONE GOING ##@@@§†*~¨
¨¨~*†§@@@#        FURTHER THAN A FEW FLOORS).       #@@@§†*~¨¨
¨~*†§@@@##                                          ##@@@§†*~¨
¨¨~*†§@@@# AS TIME GOES ON, THE  LIGHTS SLOWLY DIM, #@@@§†*~¨¨
¨~*†§@@@## UNTIL THE  AIR INSIDE HAS  TAKEN ON  THE ##@@@§†*~¨
¨¨~*†§@@@# SAME QUALITY AS  THE  SURROUNDING  MIST: #@@@§†*~¨¨
¨~*†§@@@## BLUE-GRAY, SPRINKLED WITH THE  SMALL RED ##@@@§†*~¨
¨¨~*†§@@@# DOT'S BY DOOR LOCKS AND  CONTROL PANELS. #@@@§†*~¨¨
¨~*†§@@@## IF  YOU WOULD LOOK  THROUGH THE  WINDOWS ##@@@§†*~¨
¨¨~*†§@@@# YOU  WOULD SEE THE  MIST ROLLING BY, AND #@@@§†*~¨¨
¨~*†§@@@## PERHAPS  THE   OUTLINE  OF  SOME   OTHER ##@@@§†*~¨
¨¨~*†§@@@#           BUILDING, FAR BELOW.           #@@@§†*~¨¨
¨~*†§@@@##                                          ##@@@§†*~¨
¨¨~*†§@@@# DURING THE  NIGHT,  AFTER  TAINARON  HAS #@@@§†*~¨¨
¨~*†§@@@## STARTED  MOVING,  THE  LOWER FLOORS  ARE ##@@@§†*~¨
¨¨~*†§@@@# SHUT  OFF,  PREVENTING ENTRY OR EXIT FOR #@@@§†*~¨¨
¨~*†§@@@## THE  GUESTS. FOOD IS NO  LONGER  SERVED, ##@@@§†*~¨
¨¨~*†§@@@# BUT THE DRINKS BECOME  MORE EXTRAVAGANT. #@@@§†*~¨¨
¨~*†§@@@## IT'S AT THIS POINT THAT  THE SECOND  SET ##@@@§†*~¨
¨¨~*†§@@@# OF  GUEST  ARRIVES,  VIA  HELICOPTER   - #@@@§†*~¨¨
¨~*†§@@@##  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ##@@@§†*~¨
¨¨~*†§@@@#                                          #@@@§†*~¨¨
¨~*†§@@@##                  ~~~~~                   ##@@@§†*~¨
¨¨~*†§@@@#                                          #@@@§†*~¨¨
¨~*†§@@@## IN MY  DREAM I AM INVITED AS A FRIEND OF ##@@@§†*~¨
¨¨~*†§@@@# ONE  OF  THE SERVERS,  AND THUS SAFE. WE #@@@§†*~¨¨
¨~*†§@@@## SIT  IN  ONE   OF   THE  LARGE  WINDOWS, ##@@@§†*~¨
¨¨~*†§@@@# LOOKING  THROUGH   THE   MIST  FOR   ANY #@@@§†*~¨¨
¨~*†§@@@## LANDMARKS TO PIERCE  THROUGH  THE  MIST. ##@@@§†*~¨
¨¨~*†§@@@# SHE TELLS ME  THAT APART FROM COMING AND #@@@§†*~¨¨
¨~*†§@@@## GOING FROM  WORK,  SHE'S NEVER  SEEN THE ##@@@§†*~¨
¨¨~*†§@@@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@@@§†*~¨¨
¨~*†§@@@##                                          ##@@@§†*~¨
¨¨~*†§@@@# THE NEXT DAY I  AM INVITED TO THE PUBLIC #@@@§†*~¨¨
¨~*†§@@@##      DEMONSTRATION OF THE EXOBUBBLE.     ##@@@§†*~¨
¨¨~*†§@@@#                                          #@@@§†*~¨¨
¨~*†§@@@##                                          ##@@@§†*~¨
¨¨~*†§@@@#                                          #@@@§†*~¨¨
¨~*†§@@@##                                          ##@@@§†*~¨
¨¨~*†§@@@#                                          #@@@§†*~¨¨