@.@@..@@.@ .@@@.@@...
@@.@.@.@@. @..@@.@..@
.@@@@@@.@@ @.@.@@@.@.
@.....@@.. @@@@..@@@.
@....@.@.@ ...@.@..@@
@...@@@@@. THE SKYSCRAPER THAT MOVES ..@@@@.@..
@..@....@@ .@...@@@.@
@.@@...@.@ TAINARON IS A BUILDING OWNED AND @@..@..@@.
@@.@..@@@@ OPERATED BY AMATA TEXNOLOGIYASI PLACED .@.@@.@.@@
.@@@.@.... CLOSED TO THE HARBOR IN MALMÖ. IT'S @@@.@@@@..
@..@@@.... ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ..@@...@..
@.@..@.... UNKNOWN), DARK BLUE AND COMPLETELY .@.@..@@.@
@@@.@@...@ RECTANGULAR. IT FEATURES NO SIGNS, @@@@.@.@@.
..@@.@..@@ LIGHTS, OR ORNAMENTS, APART FROM A ...@@@@.@@
.@.@@@.@.@ HELIPAD ON TOP. MOST FLOORS HAVE ..@...@@.@
@@@..@@@@@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. .@@..@.@@@
..@.@....@ @.@.@@@...
.@@@@...@. IN LATE EVENINGS, SHROUDED BY MALMö'S @@@@..@...
@...@..@@. SIGNATURE FOG ROLLING IN FROM THE SEA, ...@.@@...
@..@@.@.@@ THE BUILDING COMES TO LIFE: IT MOVES ON ..@@@.@..@
@.@.@@@@.@ A THOUSAND ROBOTIC LEGS TO ANOTHER .@..@@@.@.
@@@@...@@@ (SECRET) PART OF TOWN, OR PERHAPS OUT @@.@..@@@@
...@..@... TO SEA. THIS SIGNALS A NEW AND MORE .@@@.@....
..@@.@@..@ VISCIOUS PHASE OF THE TAINARON @..@@@....
.@.@@.@.@@ ECOSYSTEM. @.@..@....
@@@.@@@@.@ @@@.@@....
..@@...@@@ THE GUESTS ARRIVING DURING THE EARLY ..@@.@...@
.@.@..@..@ EVENING ARE TREATED TO FOOD AND DRINK, .@.@@@..@@
@@@@.@@.@@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @@@..@.@.@
...@@.@@.. COMFORTABLE BUT MAZE-LIKE INTERIOR ..@.@@@@@.
..@.@@.@.@ STRUCTURE (THE BUILDING FEATURES A .@@@....@.
.@@@.@@@@. MULTITUDE OF STAIRWELLS AND ELEVATORS, @..@...@@.
@..@@...@@ PLACED SEEMINGLY AT RANDOM, NONE GOING @.@@..@.@.
@.@.@..@.@ FURTHER THAN A FEW FLOORS). @@.@.@@@@@
@@@@@.@@@. .@@@@.....
....@@..@@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @...@....@
...@.@.@.. UNTIL THE AIR INSIDE HAS TAKEN ON THE @..@@...@@
..@@@@@@.@ SAME QUALITY AS THE SURROUNDING MIST: @.@.@..@.@
.@.....@@@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @@@@@.@@@@
@@....@... DOT'S BY DOOR LOCKS AND CONTROL PANELS. ....@@...@
.@...@@... IF YOU WOULD LOOK THROUGH THE WINDOWS ...@.@..@.
@@..@.@..@ YOU WOULD SEE THE MIST ROLLING BY, AND ..@@@@.@@.
.@.@@@@.@@ PERHAPS THE OUTLINE OF SOME OTHER .@...@@.@@
@@@...@@.. BUILDING, FAR BELOW. @@..@.@@.@
..@..@.@.. .@.@@@.@@.
.@@.@@@@.. DURING THE NIGHT, AFTER TAINARON HAS @@@..@@.@.
@.@@...@.@ STARTED MOVING, THE LOWER FLOORS ARE ..@.@.@@@.
@@.@..@@@. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .@@@@@..@@
.@@@.@..@. THE GUESTS. FOOD IS NO LONGER SERVED, @....@.@..
@..@@@.@@@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @...@@@@..
@.@..@@... IT'S AT THIS POINT THAT THE SECOND SET @..@...@.@
@@@.@.@... OF GUEST ARRIVES, VIA HELICOPTER - @.@@..@@@.
..@@@@@..@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @@.@.@..@@
.@....@.@@ .@@@@@.@.@
@@...@@@.@ ~~~~~ @....@@@@@
.@..@..@@. @...@.....
@@.@@.@.@. IN MY DREAM I AM INVITED AS A FRIEND OF @..@@.....
.@@.@@@@@@ ONE OF THE SERVERS, AND THUS SAFE. WE @.@.@....@
@.@@...... SIT IN ONE OF THE LARGE WINDOWS, @@@@@...@@
@@.@.....@ LOOKING THROUGH THE MIST FOR ANY ....@..@..
.@@@....@@ LANDMARKS TO PIERCE THROUGH THE MIST. ...@@.@@.@
@..@...@.. SHE TELLS ME THAT APART FROM COMING AND ..@.@@.@@@
@.@@..@@.@ GOING FROM WORK, SHE'S NEVER SEEN THE .@@@.@@...
@@.@.@.@@. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @..@@.@..@
.@@@@@@.@@ @.@.@@@.@.
@.....@@.. THE NEXT DAY I AM INVITED TO THE PUBLIC @@@@..@@@.
@....@.@.@ DEMONSTRATION OF THE EXOBUBBLE. ...@.@..@@
@...@@@@@. ..@@@@.@..
@..@....@@ .@...@@@.@
@.@@...@.@ @@..@..@@.
@@.@..@@@@ .@.@@.@.@@
.@@@.@.... @@@.@@@@..