#@@@%=\=,, ,,=\=%@@@#
##@@%=\=,, ,,=\=%@@##
@@@%\\\=,, ,,=\\\%@@@
###@%=\=,, ,,=\=%@###
###@%=\=,, ,,=\=%@###
###@%=\=,, THE SKYSCRAPER THAT MOVES ,,=\=%@###
#@%\,,,,,, ,,,,,,\%@#
###@%=\=,, TAINARON IS A BUILDING OWNED AND ,,=\=%@###
##@===,,,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,,,===@##
@==,,,,,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,,,,,==@
###@%=\=,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,=\=%@###
###@%=\=,, UNKNOWN), DARK BLUE AND COMPLETELY ,,=\=%@###
#%==,,,,,, RECTANGULAR. IT FEATURES NO SIGNS, ,,,,,,==%#
@===,,,,,, LIGHTS, OR ORNAMENTS, APART FROM A ,,,,,,===@
###@%=\=,, HELIPAD ON TOP. MOST FLOORS HAVE ,,=\=%@###
@%%\,,,,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,,,,\%%@
###@%=\=,, ,,=\=%@###
@==,,,,,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,,,,,==@
#@==,,,,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,,,,==@#
###@%=\=,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,=\=%@###
@=\,,,,,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,,,,,\=@
###@%=\=,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,=\=%@###
#@@%=\=,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,=\=%@@#
###@%=\=,, VISCIOUS PHASE OF THE TAINARON ,,=\=%@###
#@%%%=\=,, ECOSYSTEM. ,,=\=%%%@#
#%%\,,,,,, ,,,,,,\%%#
###@%=\=,, THE GUESTS ARRIVING DURING THE EARLY ,,=\=%@###
#@@%\\\=,, EVENING ARE TREATED TO FOOD AND DRINK, ,,=\\\%@@#
###@%=\=,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,=\=%@###
@%====\=,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,=\====%@
###@%=\=,, STRUCTURE (THE BUILDING FEATURES A ,,=\=%@###
##%\\,,,,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,,,,\\%##
###@%=\=,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,=\=%@###
###@%=\=,, FURTHER THAN A FEW FLOORS). ,,=\=%@###
###@%=\=,, ,,=\=%@###
###@%=\=,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,=\=%@###
##@=\,,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,,\=@##
@%\\\===,, SAME QUALITY AS THE SURROUNDING MIST: ,,===\\\%@
###@%=\=,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,=\=%@###
#%\,,,,,,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,,,,,,\%#
##%====,,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,,====%##
@@@@%=\=,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,=\=%@@@@
###@%=\=,, PERHAPS THE OUTLINE OF SOME OTHER ,,=\=%@###
@===,,,,,, BUILDING, FAR BELOW. ,,,,,,===@
###@%=\=,, ,,=\=%@###
@@%%==,,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,,==%%@@
###@%=\=,, STARTED MOVING, THE LOWER FLOORS ARE ,,=\=%@###
#@@==\=,,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,,=\==@@#
###@%=\=,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,=\=%@###
@%=\====,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,====\=%@
##@@%=\=,, IT'S AT THIS POINT THAT THE SECOND SET ,,=\=%@@##
###@%=\=,, OF GUEST ARRIVES, VIA HELICOPTER - ,,=\=%@###
##%\=,,,,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,,,,=\%##
@===,,,,,, ,,,,,,===@
##@==\\=,, ===== ,,=\\==@##
#%%\,,,,,, ,,,,,,\%%#
###@%=\=,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,=\=%@###
#@%%\\\=,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,=\\\%%@#
###@%=\=,, SIT IN ONE OF THE LARGE WINDOWS, ,,=\=%@###
##%=\,,,,, LOOKING THROUGH THE MIST FOR ANY ,,,,,\=%##
@%=\,,,,,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,,,,,\=%@
###@%=\=,, SHE TELLS ME THAT APART FROM COMING AND ,,=\=%@###
##@@%=\=,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,=\=%@@##
###@%=\=,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,=\=%@###
####%=\=,, ,,=\=%####
###@%=\=,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,=\=%@###
###@%=\=,, DEMONSTRATION OF THE EXOBUBBLE. ,,=\=%@###
@@=\\=,,,, ,,,,=\\=@@
###@%=\=,, ,,=\=%@###
###@%=\=,, ,,=\=%@###
@==\,,,,,, ,,,,,,\==@
#@==,,,,,, ,,,,,,==@#