.#.......# .#..##..##
.#......#. .#.#.#.#.#
.#.....##. .#.#.#.#.#
.#....#.#. .#.#.#.#.#
.#...##.#. .#.#.#.#.#
.#..#.#.#. the skyscraper that moves .#.#.#.#.#
.#.##.#.#. .#.#.#.#.#
.#..#.#.#. tainaron is a building owned and .#.#.#.#.#
.#.##.#.#. operated by amata texnologiyasi placed .#.#.#.#.#
.#..#.#.#. closed to the harbor in malmÖ. it's .#.#.#.#.#
.#.##.#.#. roughly sixty floors high (real number .#.#.#.#.#
.#..#.#.#. unknown), dark blue and completely .#.#.#.#.#
.#.##.#.#. rectangular. it features no signs, .#.#.#.#.#
.#..#.#.#. lights, or ornaments, apart from a .#.#.#.#.#
.#.##.#.#. helipad on top. most floors have .#.#.#.#.#
.#..#.#.#. exterior walls completely made of glass. .#.#.#.#.#
.#.##.#.#. .#.#.#.#.#
.#..#.#.#. in late evenings, shrouded by malmö's .#.#.#.#.#
.#.##.#.#. signature fog rolling in from the sea, .#.#.#.#.#
.#..#.#.#. the building comes to life: it moves on .#.#.#.#.#
.#.##.#.#. a thousand robotic legs to another .#.#.#.#.#
.#..#.#.#. (secret) part of town, or perhaps out .#.#.#.#.#
.#.##.#.#. to sea. this signals a new and more .#.#.#.#.#
.#..#.#.#. viscious phase of the tainaron .#.#.#.#.#
.#.##.#.#. ecosystem. .#.#.#.#.#
.#..#.#.#. .#.#.#.#.#
.#.##.#.#. the guests arriving during the early .#.#.#.#.#
.#..#.#.#. evening are treated to food and drink, .#.#.#.#.#
.#.##.#.#. live music, beatutiful views, and a .#.#.#.#.#
.#..#.#.#. comfortable but maze-like interior .#.#.#.#.#
.#.##.#.#. structure (the building features a .#.#.#.#.#
.#..#.#.#. multitude of stairwells and elevators, .#.#.#.#.#
.#.##.#.#. placed seemingly at random, none going .#.#.#.#.#
.#..#.#.#. further than a few floors). .#.#.#.#.#
.#.##.#.#. .#.#.#.#.#
.#..#.#.#. as time goes on, the lights slowly dim, .#.#.#.#.#
.#.##.#.#. until the air inside has taken on the .#.#.#.#.#
.#..#.#.#. same quality as the surrounding mist: .#.#.#.#.#
.#.##.#.#. blue-gray, sprinkled with the small red .#.#.#.#.#
.#..#.#.#. dot's by door locks and control panels. .#.#.#.#.#
.#.##.#.#. if you would look through the windows .#.#.#.#.#
.#..#.#.#. you would see the mist rolling by, and .#.#.#.#.#
.#.##.#.#. perhaps the outline of some other .#.#.#.#.#
.#..#.#.#. building, far below. .#.#.#.#.#
.#.##.#.#. .#.#.#.#.#
.#..#.#.#. during the night, after tainaron has .#.#.#.#.#
.#.##.#.#. started moving, the lower floors are .#.#.#.#.#
.#..#.#.#. shut off, preventing entry or exit for .#.#.#.#.#
.#.##.#.#. the guests. food is no longer served, .#.#.#.#.#
.#..#.#.#. but the drinks become more extravagant. .#.#.#.#.#
.#.##.#.#. it's at this point that the second set .#.#.#.#.#
.#..#.#.#. of guest arrives, via helicopter - .#.#.#.#.#
.#.##.#.#. amata texnologiyasi and their friends. .#.#.#.#.#
.#..#.#.#. .#.#.#.#.#
.#.##.#.#. ««««« .#.#.#.#.#
.#..#.#.#. .#.#.#.#.#
.#.##.#.#. in my dream i am invited as a friend of .#.#.#.#.#
.#..#.#.#. one of the servers, and thus safe. we .#.#.#.#.#
.#.##.#.#. sit in one of the large windows, .#.#.#.#.#
.#..#.#.#. looking through the mist for any .#.#.#.#.#
.#.##.#.#. landmarks to pierce through the mist. .#.#.#.#.#
.#..#.#.#. she tells me that apart from coming and .#.#.#.#.#
.#.##.#.#. going from work, she's never seen the .#.#.#.#.#
.#..#.#.#. building from the outside. we both sigh. .#.#.#.#.#
.#.##.#.#. .#.#.#.#.#
.#..#.#.#. the next day i am invited to the public .#.#.#.#.#
.#.##.#.#. demonstration of the exobubble. .#.#.#.#.#
.#..#.#.#. .#.#.#.#.#
.#.##.#.#. .#.#.#.#.#
.#..#.#.#. .#.#.#.#.#
.#.##.#.#. .#.#.#.#.#
.#..#.#.#. .#.#.#.#.#