.#.......#                                          .#..##..##
.#......#.                                          .#.#.#.#.#
.#.....##.                                          .#.#.#.#.#
.#....#.#.                                          .#.#.#.#.#
.#...##.#.                                          .#.#.#.#.#
.#..#.#.#.         the skyscraper that moves        .#.#.#.#.#
.#.##.#.#.                                          .#.#.#.#.#
.#..#.#.#. tainaron   is  a  building   owned   and .#.#.#.#.#
.#.##.#.#.  operated by amata texnologiyasi placed  .#.#.#.#.#
.#..#.#.#. closed  to  the  harbor  in  malmÖ. it's .#.#.#.#.#
.#.##.#.#. roughly  sixty  floors high (real number .#.#.#.#.#
.#..#.#.#.    unknown), dark blue and completely    .#.#.#.#.#
.#.##.#.#.    rectangular. it features no signs,    .#.#.#.#.#
.#..#.#.#. lights,   or  ornaments,  apart  from  a .#.#.#.#.#
.#.##.#.#. helipad   on   top.  most  floors   have .#.#.#.#.#
.#..#.#.#. exterior walls completely made of glass. .#.#.#.#.#
.#.##.#.#.                                          .#.#.#.#.#
.#..#.#.#. in late  evenings,  shrouded by  malmö's .#.#.#.#.#
.#.##.#.#. signature fog rolling in  from the  sea, .#.#.#.#.#
.#..#.#.#. the  building comes to life: it moves on .#.#.#.#.#
.#.##.#.#. a  thousand  robotic   legs  to  another .#.#.#.#.#
.#..#.#.#. (secret) part of  town, or  perhaps  out .#.#.#.#.#
.#.##.#.#. to sea.  this signals  a  new  and  more .#.#.#.#.#
.#..#.#.#.      viscious phase of the tainaron      .#.#.#.#.#
.#.##.#.#.                ecosystem.                .#.#.#.#.#
.#..#.#.#.                                          .#.#.#.#.#
.#.##.#.#. the  guests  arriving  during the  early .#.#.#.#.#
.#..#.#.#. evening are treated to food  and  drink, .#.#.#.#.#
.#.##.#.#. live  music,  beatutiful  views,  and  a .#.#.#.#.#
.#..#.#.#.    comfortable but maze-like interior    .#.#.#.#.#
.#.##.#.#.    structure (the building features a    .#.#.#.#.#
.#..#.#.#.  multitude of stairwells and elevators,  .#.#.#.#.#
.#.##.#.#. placed  seemingly at random, none  going .#.#.#.#.#
.#..#.#.#.       further than a few floors).        .#.#.#.#.#
.#.##.#.#.                                          .#.#.#.#.#
.#..#.#.#. as time goes on, the lights slowly  dim, .#.#.#.#.#
.#.##.#.#. until  the air  inside has taken on  the .#.#.#.#.#
.#..#.#.#. same quality  as the  surrounding  mist: .#.#.#.#.#
.#.##.#.#. blue-gray, sprinkled with the  small red .#.#.#.#.#
.#..#.#.#. dot's by door locks and control  panels. .#.#.#.#.#
.#.##.#.#. if you  would  look  through the windows .#.#.#.#.#
.#..#.#.#. you  would see  the mist rolling by, and .#.#.#.#.#
.#.##.#.#. perhaps  the   outline  of  some   other .#.#.#.#.#
.#..#.#.#.           building, far below.           .#.#.#.#.#
.#.##.#.#.                                          .#.#.#.#.#
.#..#.#.#. during  the  night,  after  tainaron has .#.#.#.#.#
.#.##.#.#. started  moving,  the  lower  floors are .#.#.#.#.#
.#..#.#.#. shut  off,  preventing entry or exit for .#.#.#.#.#
.#.##.#.#. the  guests.  food is no longer  served, .#.#.#.#.#
.#..#.#.#. but the drinks  become more extravagant. .#.#.#.#.#
.#.##.#.#. it's at this  point that  the second set .#.#.#.#.#
.#..#.#.#. of   guest  arrives,  via  helicopter  - .#.#.#.#.#
.#.##.#.#.  amata texnologiyasi and their friends.  .#.#.#.#.#
.#..#.#.#.                                          .#.#.#.#.#
.#.##.#.#.                  «««««                   .#.#.#.#.#
.#..#.#.#.                                          .#.#.#.#.#
.#.##.#.#. in my dream i  am invited as a friend of .#.#.#.#.#
.#..#.#.#. one of the servers, and  thus  safe.  we .#.#.#.#.#
.#.##.#.#. sit   in  one   of  the  large  windows, .#.#.#.#.#
.#..#.#.#. looking  through  the   mist   for   any .#.#.#.#.#
.#.##.#.#. landmarks  to  pierce  through the mist. .#.#.#.#.#
.#..#.#.#. she tells me  that apart from coming and .#.#.#.#.#
.#.##.#.#. going  from work, she's  never  seen the .#.#.#.#.#
.#..#.#.#. building from the outside. we both sigh. .#.#.#.#.#
.#.##.#.#.                                          .#.#.#.#.#
.#..#.#.#. the next day i am invited  to the public .#.#.#.#.#
.#.##.#.#.     demonstration of the exobubble.      .#.#.#.#.#
.#..#.#.#.                                          .#.#.#.#.#
.#.##.#.#.                                          .#.#.#.#.#
.#..#.#.#.                                          .#.#.#.#.#
.#.##.#.#.                                          .#.#.#.#.#
.#..#.#.#.                                          .#.#.#.#.#