##@§%%:»:. .:»:%%§@##
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##@§%%:»:. .:»:%%§@##
#@§%%:»:.. ..:»:%%§@#
##@§%%:»:. .:»:%%§@##
#@§%%:»:.. THE SKYSCRAPER THAT MOVES ..:»:%%§@#
##@§%%:»:. .:»:%%§@##
#@§%%:»:.. TAINARON IS A BUILDING OWNED AND ..:»:%%§@#
##@§%%:»:. OPERATED BY AMATA TEXNOLOGIYASI PLACED .:»:%%§@##
#@§%%:»:.. CLOSED TO THE HARBOR IN MALMÖ. IT'S ..:»:%%§@#
##@§%%:»:. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .:»:%%§@##
#@§%%:»:.. UNKNOWN), DARK BLUE AND COMPLETELY ..:»:%%§@#
##@§%%:»:. RECTANGULAR. IT FEATURES NO SIGNS, .:»:%%§@##
#@§%%:»:.. LIGHTS, OR ORNAMENTS, APART FROM A ..:»:%%§@#
##@§%%:»:. HELIPAD ON TOP. MOST FLOORS HAVE .:»:%%§@##
#@§%%:»:.. EXTERIOR WALLS COMPLETELY MADE OF GLASS. ..:»:%%§@#
##@§%%:»:. .:»:%%§@##
#@§%%:»:.. IN LATE EVENINGS, SHROUDED BY MALMö'S ..:»:%%§@#
##@§%%:»:. SIGNATURE FOG ROLLING IN FROM THE SEA, .:»:%%§@##
#@§%%:»:.. THE BUILDING COMES TO LIFE: IT MOVES ON ..:»:%%§@#
##@§%%:»:. A THOUSAND ROBOTIC LEGS TO ANOTHER .:»:%%§@##
#@§%%:»:.. (SECRET) PART OF TOWN, OR PERHAPS OUT ..:»:%%§@#
##@§%%:»:. TO SEA. THIS SIGNALS A NEW AND MORE .:»:%%§@##
#@§%%:»:.. VISCIOUS PHASE OF THE TAINARON ..:»:%%§@#
##@§%%:»:. ECOSYSTEM. .:»:%%§@##
#@§%%:»:.. ..:»:%%§@#
##@§%%:»:. THE GUESTS ARRIVING DURING THE EARLY .:»:%%§@##
#@§%%:»:.. EVENING ARE TREATED TO FOOD AND DRINK, ..:»:%%§@#
##@§%%:»:. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .:»:%%§@##
#@§%%:»:.. COMFORTABLE BUT MAZE-LIKE INTERIOR ..:»:%%§@#
##@§%%:»:. STRUCTURE (THE BUILDING FEATURES A .:»:%%§@##
#@§%%:»:.. MULTITUDE OF STAIRWELLS AND ELEVATORS, ..:»:%%§@#
##@§%%:»:. PLACED SEEMINGLY AT RANDOM, NONE GOING .:»:%%§@##
#@§%%:»:.. FURTHER THAN A FEW FLOORS). ..:»:%%§@#
##@§%%:»:. .:»:%%§@##
#@§%%:»:.. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ..:»:%%§@#
##@§%%:»:. UNTIL THE AIR INSIDE HAS TAKEN ON THE .:»:%%§@##
#@§%%:»:.. SAME QUALITY AS THE SURROUNDING MIST: ..:»:%%§@#
##@§%%:»:. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .:»:%%§@##
#@§%%:»:.. DOT'S BY DOOR LOCKS AND CONTROL PANELS. ..:»:%%§@#
##@§%%:»:. IF YOU WOULD LOOK THROUGH THE WINDOWS .:»:%%§@##
#@§%%:»:.. YOU WOULD SEE THE MIST ROLLING BY, AND ..:»:%%§@#
##@§%%:»:. PERHAPS THE OUTLINE OF SOME OTHER .:»:%%§@##
#@§%%:»:.. BUILDING, FAR BELOW. ..:»:%%§@#
##@§%%:»:. .:»:%%§@##
#@§%%:»:.. DURING THE NIGHT, AFTER TAINARON HAS ..:»:%%§@#
##@§%%:»:. STARTED MOVING, THE LOWER FLOORS ARE .:»:%%§@##
#@§%%:»:.. SHUT OFF, PREVENTING ENTRY OR EXIT FOR ..:»:%%§@#
##@§%%:»:. THE GUESTS. FOOD IS NO LONGER SERVED, .:»:%%§@##
#@§%%:»:.. BUT THE DRINKS BECOME MORE EXTRAVAGANT. ..:»:%%§@#
##@§%%:»:. IT'S AT THIS POINT THAT THE SECOND SET .:»:%%§@##
#@§%%:»:.. OF GUEST ARRIVES, VIA HELICOPTER - ..:»:%%§@#
##@§%%:»:. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .:»:%%§@##
#@§%%:»:.. ..:»:%%§@#
##@§%%:»:. »»»»» .:»:%%§@##
#@§%%:»:.. ..:»:%%§@#
##@§%%:»:. IN MY DREAM I AM INVITED AS A FRIEND OF .:»:%%§@##
#@§%%:»:.. ONE OF THE SERVERS, AND THUS SAFE. WE ..:»:%%§@#
##@§%%:»:. SIT IN ONE OF THE LARGE WINDOWS, .:»:%%§@##
#@§%%:»:.. LOOKING THROUGH THE MIST FOR ANY ..:»:%%§@#
##@§%%:»:. LANDMARKS TO PIERCE THROUGH THE MIST. .:»:%%§@##
#@§%%:»:.. SHE TELLS ME THAT APART FROM COMING AND ..:»:%%§@#
##@§%%:»:. GOING FROM WORK, SHE'S NEVER SEEN THE .:»:%%§@##
#@§%%:»:.. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ..:»:%%§@#
##@§%%:»:. .:»:%%§@##
#@§%%:»:.. THE NEXT DAY I AM INVITED TO THE PUBLIC ..:»:%%§@#
##@§%%:»:. DEMONSTRATION OF THE EXOBUBBLE. .:»:%%§@##
#@§%%:»:.. ..:»:%%§@#
##@§%%:»:. .:»:%%§@##
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