,,,,,,:†@¶ ¶@†:,,,,,,
,,,,,,:†¤¶ ¶¤†:,,,,,,
,,,,,»:†@@ @@†:»,,,,,
,,»:†¤@¶@@ @@¶@¤†:»,,
,,»:†††¤@@ @@¤†††:»,,
,,»:†¤@¶@# THE SKYSCRAPER THAT MOVES #@¶@¤†:»,,
,,,,,»»»†@ @†»»»,,,,,
,,,,,,:†@@ TAINARON IS A BUILDING OWNED AND @@†:,,,,,,
,,»:†¤@@## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##@@¤†:»,,
,,,»::¤¤@¶ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¶@¤¤::»,,,
,»:†¤@¶@## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##@¶@¤†:»,
,,»:†¤@¶@# UNKNOWN), DARK BLUE AND COMPLETELY #@¶@¤†:»,,
,,»:†¤@@## RECTANGULAR. IT FEATURES NO SIGNS, ##@@¤†:»,,
,,»:†¤¤@@@ LIGHTS, OR ORNAMENTS, APART FROM A @@@¤¤†:»,,
,,»:†¤@¶@@ HELIPAD ON TOP. MOST FLOORS HAVE @@¶@¤†:»,,
,,,»:†¤¤¶¶ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¶¶¤¤†:»,,,
,,,,,:¤¤¤@ @¤¤¤:,,,,,
,,,,::†@¶¶ IN LATE EVENINGS, SHROUDED BY MALMö'S ¶¶@†::,,,,
,,»:†¤@¶@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@¶@¤†:»,,
,,»:†¤@¶## THE BUILDING COMES TO LIFE: IT MOVES ON ##¶@¤†:»,,
,,,,,»†¤@¶ A THOUSAND ROBOTIC LEGS TO ANOTHER ¶@¤†»,,,,,
,,»:†¤@¶@# (SECRET) PART OF TOWN, OR PERHAPS OUT #@¶@¤†:»,,
,,,,,,,:¤¶ TO SEA. THIS SIGNALS A NEW AND MORE ¶¤:,,,,,,,
,,»:†¤@@## VISCIOUS PHASE OF THE TAINARON ##@@¤†:»,,
,,»:†@¶@## ECOSYSTEM. ##@¶@†:»,,
,,»:†¤@¶@@ @@¶@¤†:»,,
,,»:†¤@¶@# THE GUESTS ARRIVING DURING THE EARLY #@¶@¤†:»,,
,,,,»:¤¤@¶ EVENING ARE TREATED TO FOOD AND DRINK, ¶@¤¤:»,,,,
,,»:†¤@¶@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@¶@¤†:»,,
,,»:†¤@¶@@ COMFORTABLE BUT MAZE-LIKE INTERIOR @@¶@¤†:»,,
,,»:†¤@¶@# STRUCTURE (THE BUILDING FEATURES A #@¶@¤†:»,,
,,,,,,:†¤@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @¤†:,,,,,,
,,»:†¤@¶@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@¶@¤†:»,,
,,,,,,»††@ FURTHER THAN A FEW FLOORS). @††»,,,,,,
,,»»:†††¤@ @¤†††:»»,,
,,»:†¤¶@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@¶¤†:»,,
,,,,,,::¤@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @¤::,,,,,,
,,,,,,:†@@ SAME QUALITY AS THE SURROUNDING MIST: @@†:,,,,,,
,,,,»†††@@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @@†††»,,,,
,,»:†¤@¶@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@¶@¤†:»,,
,,,,::†††@ IF YOU WOULD LOOK THROUGH THE WINDOWS @†††::,,,,
,,»:†@¶@## YOU WOULD SEE THE MIST ROLLING BY, AND ##@¶@†:»,,
,,»:†¤@¶@# PERHAPS THE OUTLINE OF SOME OTHER #@¶@¤†:»,,
,,»::†¤@@@ BUILDING, FAR BELOW. @@@¤†::»,,
,,,,»†¤¤@@ @@¤¤†»,,,,
,,,,»†¤@@@ DURING THE NIGHT, AFTER TAINARON HAS @@@¤†»,,,,
,,»:†¤@¶@# STARTED MOVING, THE LOWER FLOORS ARE #@¶@¤†:»,,
,,»»::†¤¶@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @¶¤†::»»,,
,»:†¤@¶@## THE GUESTS. FOOD IS NO LONGER SERVED, ##@¶@¤†:»,
,,»:†¤@¶@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@¶@¤†:»,,
,,»:†¤@¶@@ IT'S AT THIS POINT THAT THE SECOND SET @@¶@¤†:»,,
,,,,,,»»†@ OF GUEST ARRIVES, VIA HELICOPTER - @†»»,,,,,,
,,:†¤@¶@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##@¶@¤†:,,
,,»:†@¶@## ##@¶@†:»,,
,,,,,,:††@ »»»»» @††:,,,,,,
,,»:†¤@¶@# #@¶@¤†:»,,
,,,»:††¤@@ IN MY DREAM I AM INVITED AS A FRIEND OF @@¤††:»,,,
,,»:::¤¤¤¶ ONE OF THE SERVERS, AND THUS SAFE. WE ¶¤¤¤:::»,,
,,»:†¤@¶@# SIT IN ONE OF THE LARGE WINDOWS, #@¶@¤†:»,,
,,»:†¤@¶@# LOOKING THROUGH THE MIST FOR ANY #@¶@¤†:»,,
,,,,,,::¤@ LANDMARKS TO PIERCE THROUGH THE MIST. @¤::,,,,,,
,,»:†¤@¶@# SHE TELLS ME THAT APART FROM COMING AND #@¶@¤†:»,,
,,»:†¤@@@@ GOING FROM WORK, SHE'S NEVER SEEN THE @@@@¤†:»,,
,,»:†¤@¶@@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @@¶@¤†:»,,
,,,,,:::†@ @†:::,,,,,
,,»:†¤@¶@@ THE NEXT DAY I AM INVITED TO THE PUBLIC @@¶@¤†:»,,
,,,,,,:††@ DEMONSTRATION OF THE EXOBUBBLE. @††:,,,,,,
,,,,,:††@@ @@††:,,,,,
,,»:†¤@¶## ##¶@¤†:»,,
,,»:†¤@¶@# #@¶@¤†:»,,
,,,,,»::¤¶ ¶¤::»,,,,,
,,»:::¤@¶¶ ¶¶@¤:::»,,