,,,,,/*¤@@ @@¤*/,,,,,
,,=/*§¤@## ##@¤§*/=,,
,,=/*§¤@## ##@¤§*/=,,
,,=/*§¤@## ##@¤§*/=,,
,,=*§¤@### ###@¤§*=,,
,,==/***¤@ THE SKYSCRAPER THAT MOVES @¤***/==,,
,,=*§¤@### ###@¤§*=,,
,,=/*§¤@## TAINARON IS A BUILDING OWNED AND ##@¤§*/=,,
,,,===/*§@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @§*/===,,,
,,=/*§¤### CLOSED TO THE HARBOR IN MALMÖ. IT'S ###¤§*/=,,
,,=/*§¤@@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@@¤§*/=,,
,,=/*§¤@## UNKNOWN), DARK BLUE AND COMPLETELY ##@¤§*/=,,
,,=/*§@### RECTANGULAR. IT FEATURES NO SIGNS, ###@§*/=,,
,,,==***§@ LIGHTS, OR ORNAMENTS, APART FROM A @§***==,,,
,,=/*§¤@@# HELIPAD ON TOP. MOST FLOORS HAVE #@@¤§*/=,,
,,=/*§¤¤@# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #@¤¤§*/=,,
,,=/****¤¤ ¤¤****/=,,
,,====/§¤# IN LATE EVENINGS, SHROUDED BY MALMö'S #¤§/====,,
,,=/*§¤@## SIGNATURE FOG ROLLING IN FROM THE SEA, ##@¤§*/=,,
,,=/*§¤@## THE BUILDING COMES TO LIFE: IT MOVES ON ##@¤§*/=,,
,,,,,,,/§@ A THOUSAND ROBOTIC LEGS TO ANOTHER @§/,,,,,,,
,,=/*§¤@## (SECRET) PART OF TOWN, OR PERHAPS OUT ##@¤§*/=,,
,,,,,,/**¤ TO SEA. THIS SIGNALS A NEW AND MORE ¤**/,,,,,,
,,=/*§¤@## VISCIOUS PHASE OF THE TAINARON ##@¤§*/=,,
,,=/***¤@@ ECOSYSTEM. @@¤***/=,,
,,=//*§§@@ @@§§*//=,,
,,=/*§¤@@# THE GUESTS ARRIVING DURING THE EARLY #@@¤§*/=,,
,,=/**§§§¤ EVENING ARE TREATED TO FOOD AND DRINK, ¤§§§**/=,,
,,=/*§¤@## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##@¤§*/=,,
,,,,,/§¤@# COMFORTABLE BUT MAZE-LIKE INTERIOR #@¤§/,,,,,
,,=/*§¤@## STRUCTURE (THE BUILDING FEATURES A ##@¤§*/=,,
,,,,//*¤@@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @@¤*//,,,,
,,,,,//*§¤ PLACED SEEMINGLY AT RANDOM, NONE GOING ¤§*//,,,,,
,,,,==/§¤@ FURTHER THAN A FEW FLOORS). @¤§/==,,,,
,,,,,=/§§@ @§§/=,,,,,
,,=/*§¤@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@¤§*/=,,
,,,,,,/*§@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @§*/,,,,,,
,,=/*§¤@## SAME QUALITY AS THE SURROUNDING MIST: ##@¤§*/=,,
,,,,,,=*¤# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #¤*=,,,,,,
,,=/*§¤@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@¤§*/=,,
,,=/*§¤@## IF YOU WOULD LOOK THROUGH THE WINDOWS ##@¤§*/=,,
,,=/*§¤@## YOU WOULD SEE THE MIST ROLLING BY, AND ##@¤§*/=,,
,,=/*§¤@## PERHAPS THE OUTLINE OF SOME OTHER ##@¤§*/=,,
,,=/*§¤@## BUILDING, FAR BELOW. ##@¤§*/=,,
,,,,,,=*§@ @§*=,,,,,,
,,,,,/*§¤@ DURING THE NIGHT, AFTER TAINARON HAS @¤§*/,,,,,
,,=/*§¤@## STARTED MOVING, THE LOWER FLOORS ARE ##@¤§*/=,,
,,=/*§§§§@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @§§§§*/=,,
,,,,,,,/§¤ THE GUESTS. FOOD IS NO LONGER SERVED, ¤§/,,,,,,,
,,=/*§¤@## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##@¤§*/=,,
,,=/*§¤@## IT'S AT THIS POINT THAT THE SECOND SET ##@¤§*/=,,
,,=/*§¤@## OF GUEST ARRIVES, VIA HELICOPTER - ##@¤§*/=,,
,,=/*§¤@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##@¤§*/=,,
,,=/*§¤@## ##@¤§*/=,,
,,,,/*§§§¤ ===== ¤§§§*/,,,,
,,=/*§¤@## ##@¤§*/=,,
,,,,,=*§@# IN MY DREAM I AM INVITED AS A FRIEND OF #@§*=,,,,,
,,,,,/§§¤@ ONE OF THE SERVERS, AND THUS SAFE. WE @¤§§/,,,,,
,,=/*§¤@## SIT IN ONE OF THE LARGE WINDOWS, ##@¤§*/=,,
,,,,==**¤@ LOOKING THROUGH THE MIST FOR ANY @¤**==,,,,
,,=/*§¤@## LANDMARKS TO PIERCE THROUGH THE MIST. ##@¤§*/=,,
,,,,,/*§¤¤ SHE TELLS ME THAT APART FROM COMING AND ¤¤§*/,,,,,
,,,,,,=/§@ GOING FROM WORK, SHE'S NEVER SEEN THE @§/=,,,,,,
,,====//*¤ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¤*//====,,
,,=/*§¤@## ##@¤§*/=,,
,,,,,,/*§¤ THE NEXT DAY I AM INVITED TO THE PUBLIC ¤§*/,,,,,,
,,,,,//*§@ DEMONSTRATION OF THE EXOBUBBLE. @§*//,,,,,
,,=/*§¤### ###¤§*/=,,
,,,,,,,/§¤ ¤§/,,,,,,,
,,=/*§¤@## ##@¤§*/=,,
,,,,,=//§@ @§//=,,,,,
,,=/*§¤@## ##@¤§*/=,,