,--;%*#¶@#                                          #@¶#*%;--,
,,--;%*#¶@                                          @¶#*%;--,,
,,,--;%*#¶                                          ¶#*%;--,,,
,,,,--;%*#                                          #*%;--,,,,
,,,--;%*#¶                                          ¶#*%;--,,,
,,--;%*#¶@         THE SKYSCRAPER THAT MOVES        @¶#*%;--,,
,--;%*#¶@#                                          #@¶#*%;--,
,,--;%*#¶@ TAINARON  IS  A   BUILDING   OWNED   AND @¶#*%;--,,
,,,--;%*#¶  OPERATED BY AMATA TEXNOLOGIYASI PLACED  ¶#*%;--,,,
,,,,--;%*# CLOSED  TO  THE  HARBOR  IN MALMÖ.  IT'S #*%;--,,,,
,,,--;%*#¶ ROUGHLY SIXTY  FLOORS HIGH (REAL  NUMBER ¶#*%;--,,,
,,--;%*#¶@    UNKNOWN), DARK BLUE AND COMPLETELY    @¶#*%;--,,
,--;%*#¶@#    RECTANGULAR. IT FEATURES NO SIGNS,    #@¶#*%;--,
,,--;%*#¶@ LIGHTS,  OR  ORNAMENTS,  APART  FROM   A @¶#*%;--,,
,,,--;%*#¶ HELIPAD   ON   TOP.   MOST  FLOORS  HAVE ¶#*%;--,,,
,,,,--;%*# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #*%;--,,,,
,,,--;%*#¶                                          ¶#*%;--,,,
,,--;%*#¶@ IN  LATE EVENINGS, SHROUDED  BY  MALMö'S @¶#*%;--,,
,--;%*#¶@# SIGNATURE FOG  ROLLING IN FROM THE  SEA, #@¶#*%;--,
,,--;%*#¶@ THE BUILDING  COMES TO LIFE: IT MOVES ON @¶#*%;--,,
,,,--;%*#¶ A   THOUSAND  ROBOTIC  LEGS  TO  ANOTHER ¶#*%;--,,,
,,,,--;%*# (SECRET) PART OF  TOWN,  OR PERHAPS  OUT #*%;--,,,,
,,,--;%*#¶ TO  SEA.  THIS SIGNALS  A NEW  AND  MORE ¶#*%;--,,,
,,--;%*#¶@      VISCIOUS PHASE OF THE TAINARON      @¶#*%;--,,
,--;%*#¶@#                ECOSYSTEM.                #@¶#*%;--,
,,--;%*#¶@                                          @¶#*%;--,,
,,,--;%*#¶ THE GUESTS  ARRIVING  DURING  THE  EARLY ¶#*%;--,,,
,,,,--;%*# EVENING ARE TREATED TO  FOOD AND  DRINK, #*%;--,,,,
,,,--;%*#¶ LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ¶#*%;--,,,
,,--;%*#¶@    COMFORTABLE BUT MAZE-LIKE INTERIOR    @¶#*%;--,,
,--;%*#¶@#    STRUCTURE (THE BUILDING FEATURES A    #@¶#*%;--,
,,--;%*#¶@  MULTITUDE OF STAIRWELLS AND ELEVATORS,  @¶#*%;--,,
,,,--;%*#¶ PLACED SEEMINGLY AT  RANDOM, NONE  GOING ¶#*%;--,,,
,,,,--;%*#        FURTHER THAN A FEW FLOORS).       #*%;--,,,,
,,,--;%*#¶                                          ¶#*%;--,,,
,,--;%*#¶@ AS TIME GOES  ON, THE LIGHTS SLOWLY DIM, @¶#*%;--,,
,--;%*#¶@# UNTIL  THE  AIR INSIDE HAS TAKEN  ON THE #@¶#*%;--,
,,--;%*#¶@ SAME  QUALITY  AS THE SURROUNDING  MIST: @¶#*%;--,,
,,,--;%*#¶ BLUE-GRAY, SPRINKLED WITH  THE SMALL RED ¶#*%;--,,,
,,,,--;%*# DOT'S BY DOOR  LOCKS AND CONTROL PANELS. #*%;--,,,,
,,,--;%*#¶ IF  YOU WOULD  LOOK THROUGH THE  WINDOWS ¶#*%;--,,,
,,--;%*#¶@ YOU  WOULD SEE THE MIST  ROLLING BY, AND @¶#*%;--,,
,--;%*#¶@# PERHAPS   THE  OUTLINE  OF   SOME  OTHER #@¶#*%;--,
,,--;%*#¶@           BUILDING, FAR BELOW.           @¶#*%;--,,
,,,--;%*#¶                                          ¶#*%;--,,,
,,,,--;%*# DURING  THE  NIGHT,  AFTER TAINARON  HAS #*%;--,,,,
,,,--;%*#¶ STARTED  MOVING, THE  LOWER  FLOORS  ARE ¶#*%;--,,,
,,--;%*#¶@ SHUT  OFF,  PREVENTING ENTRY OR EXIT FOR @¶#*%;--,,
,--;%*#¶@# THE  GUESTS. FOOD IS  NO  LONGER SERVED, #@¶#*%;--,
,,--;%*#¶@ BUT  THE DRINKS BECOME MORE EXTRAVAGANT. @¶#*%;--,,
,,,--;%*#¶ IT'S AT  THIS POINT THAT THE SECOND  SET ¶#*%;--,,,
,,,,--;%*# OF  GUEST  ARRIVES,   VIA  HELICOPTER  - #*%;--,,,,
,,,--;%*#¶  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ¶#*%;--,,,
,,--;%*#¶@                                          @¶#*%;--,,
,--;%*#¶@#                  -----                   #@¶#*%;--,
,,--;%*#¶@                                          @¶#*%;--,,
,,,--;%*#¶ IN MY DREAM I  AM INVITED AS A FRIEND OF ¶#*%;--,,,
,,,,--;%*# ONE OF THE  SERVERS, AND  THUS  SAFE. WE #*%;--,,,,
,,,--;%*#¶ SIT  IN  ONE   OF  THE  LARGE   WINDOWS, ¶#*%;--,,,
,,--;%*#¶@ LOOKING   THROUGH   THE  MIST   FOR  ANY @¶#*%;--,,
,--;%*#¶@# LANDMARKS  TO  PIERCE THROUGH  THE MIST. #@¶#*%;--,
,,--;%*#¶@ SHE TELLS ME THAT APART  FROM COMING AND @¶#*%;--,,
,,,--;%*#¶ GOING FROM WORK,  SHE'S NEVER  SEEN  THE ¶#*%;--,,,
,,,,--;%*# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #*%;--,,,,
,,,--;%*#¶                                          ¶#*%;--,,,
,,--;%*#¶@ THE  NEXT DAY I AM INVITED TO THE PUBLIC @¶#*%;--,,
,--;%*#¶@#      DEMONSTRATION OF THE EXOBUBBLE.     #@¶#*%;--,
,,--;%*#¶@                                          @¶#*%;--,,
,,,--;%*#¶                                          ¶#*%;--,,,
,,,,--;%*#                                          #*%;--,,,,
,,,--;%*#¶                                          ¶#*%;--,,,
,,--;%*#¶@                                          @¶#*%;--,,