,,,,***%£@ @£%***,,,,
,,,,,,,*%¶ ¶%*,,,,,,,
,,-*%%£¶@# #@¶£%%*-,,
,,-*%%£¶@# #@¶£%%*-,,
,,-*%%£¶@# #@¶£%%*-,,
,,-*%%£¶@# the skyscraper that moves #@¶£%%*-,,
,,-*%%£¶@# #@¶£%%*-,,
,,-*%%£¶@@ tainaron is a building owned and @@¶£%%*-,,
,,-*%%£@## operated by amata texnologiyasi placed ##@£%%*-,,
,,,,-*%%%£ closed to the harbor in malmÖ. it's £%%%*-,,,,
,,-*%%£¶@# roughly sixty floors high (real number #@¶£%%*-,,
,,-*%%££¶¶ unknown), dark blue and completely ¶¶££%%*-,,
,,,,**%%%¶ rectangular. it features no signs, ¶%%%**,,,,
,,-*%%%££¶ lights, or ornaments, apart from a ¶££%%%*-,,
,,-*%%£¶## helipad on top. most floors have ##¶£%%*-,,
,,-*%%£¶@# exterior walls completely made of glass. #@¶£%%*-,,
,,,--*%%%¶ ¶%%%*--,,,
,,,,-**%%£ in late evenings, shrouded by malmö's £%%**-,,,,
,,,,,,,*%£ signature fog rolling in from the sea, £%*,,,,,,,
,,-*%%¶@## the building comes to life: it moves on ##@¶%%*-,,
,,-*%%£@## a thousand robotic legs to another ##@£%%*-,,
,,-*%%£¶## (secret) part of town, or perhaps out ##¶£%%*-,,
,,-*%%£¶@@ to sea. this signals a new and more @@¶£%%*-,,
,,-*%%£¶¶¶ viscious phase of the tainaron ¶¶¶£%%*-,,
,,-*%%££¶¶ ecosystem. ¶¶££%%*-,,
,,-*%%£¶@# #@¶£%%*-,,
,,*%%£¶@## the guests arriving during the early ##@¶£%%*,,
,,-*%%£¶@# evening are treated to food and drink, #@¶£%%*-,,
,,-***%£¶¶ live music, beatutiful views, and a ¶¶£%***-,,
,,,,,,-*%¶ comfortable but maze-like interior ¶%*-,,,,,,
,,,,--%%£¶ structure (the building features a ¶£%%--,,,,
,,-*%%£@## multitude of stairwells and elevators, ##@£%%*-,,
,,-*%%£@## placed seemingly at random, none going ##@£%%*-,,
,,-*%%%%£¶ further than a few floors). ¶£%%%%*-,,
,,-*%%£¶@# #@¶£%%*-,,
,,,,,-%%£¶ as time goes on, the lights slowly dim, ¶£%%-,,,,,
,,-*%%£¶## until the air inside has taken on the ##¶£%%*-,,
,,-*%%%££¶ same quality as the surrounding mist: ¶££%%%*-,,
,,---%%%%¶ blue-gray, sprinkled with the small red ¶%%%%---,,
,,-*%%£¶## dot's by door locks and control panels. ##¶£%%*-,,
,,-*%%£¶@# if you would look through the windows #@¶£%%*-,,
,,,,,-*%%£ you would see the mist rolling by, and £%%*-,,,,,
,,,,,,*%%£ perhaps the outline of some other £%%*,,,,,,
,,-*%%£¶@# building, far below. #@¶£%%*-,,
,,-*%%££££ ££££%%*-,,
,,-***%£¶@ during the night, after tainaron has @¶£%***-,,
,,-*%%£¶@@ started moving, the lower floors are @@¶£%%*-,,
,,-*%%£¶@# shut off, preventing entry or exit for #@¶£%%*-,,
,,,,**%%££ the guests. food is no longer served, ££%%**,,,,
,,,,--*%¶@ but the drinks become more extravagant. @¶%*--,,,,
,,-*%%£¶@@ it's at this point that the second set @@¶£%%*-,,
,,-*%%£¶@# of guest arrives, via helicopter - #@¶£%%*-,,
,,,,-**%££ amata texnologiyasi and their friends. ££%**-,,,,
,,-*%%££¶¶ ¶¶££%%*-,,
,,-*%%¶@## ----- ##@¶%%*-,,
,,-*%%%£¶¶ ¶¶£%%%*-,,
,,-*%%£¶@# in my dream i am invited as a friend of #@¶£%%*-,,
,,-*%%£¶@# one of the servers, and thus safe. we #@¶£%%*-,,
,,,,,-%%¶@ sit in one of the large windows, @¶%%-,,,,,
,,-*%%£¶@# looking through the mist for any #@¶£%%*-,,
,,,,,,,-%£ landmarks to pierce through the mist. £%-,,,,,,,
,,-*%£¶@## she tells me that apart from coming and ##@¶£%*-,,
,,,,,,,*%¶ going from work, she's never seen the ¶%*,,,,,,,
,,-*%%£¶@# building from the outside. we both sigh. #@¶£%%*-,,
,,--***%£¶ ¶£%***--,,
,,,,,*%%££ the next day i am invited to the public ££%%*,,,,,
,,-*%%££¶¶ demonstration of the exobubble. ¶¶££%%*-,,
,,-*%%££££ ££££%%*-,,
,,,,-%%%££ ££%%%-,,,,
,,,,,,*%%¶ ¶%%*,,,,,,
,,-*%%£¶¶¶ ¶¶¶£%%*-,,
,,-*%%££¶@ @¶££%%*-,,