##@§@%:-:, ,:-:%@§@##
#§§%%%:-:, ,:-:%%%§§#
#§@%--::,, ,,::--%@§#
@§§%--:,,, ,,,:--%§§@
§§%%::-,,, ,,,-::%%§§
§%-::,,,,, THE SKYSCRAPER THAT MOVES ,,,,,::-%§
##@§@%:-:, ,:-:%@§@##
@§%::-,,,, TAINARON IS A BUILDING OWNED AND ,,,,-::%§@
##@§@%:-:, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,:-:%@§@##
@§%%---,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,---%%§@
##@§@%:-:, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,:-:%@§@##
##@§@%:-:, UNKNOWN), DARK BLUE AND COMPLETELY ,:-:%@§@##
@§§%:-,,,, RECTANGULAR. IT FEATURES NO SIGNS, ,,,,-:%§§@
##@§@%:-:, LIGHTS, OR ORNAMENTS, APART FROM A ,:-:%@§@##
#§§@%--,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,--%@§§#
##@§@%:-:, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,:-:%@§@##
@@%%:::,,, ,,,:::%%@@
##@§@%:-:, IN LATE EVENINGS, SHROUDED BY MALMö'S ,:-:%@§@##
§@:::,,,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,,,:::@§
##@§@%:-:, THE BUILDING COMES TO LIFE: IT MOVES ON ,:-:%@§@##
@@%%%::-:, A THOUSAND ROBOTIC LEGS TO ANOTHER ,:-::%%%@@
@@@@%::-:, (SECRET) PART OF TOWN, OR PERHAPS OUT ,:-::%@@@@
§%%%::,,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,,::%%%§
###@§@%:-: VISCIOUS PHASE OF THE TAINARON :-:%@§@###
@@%%::,,,, ECOSYSTEM. ,,,,::%%@@
@@%%%%:-:, ,:-:%%%%@@
@§§§@%:-:, THE GUESTS ARRIVING DURING THE EARLY ,:-:%@§§§@
##@§@%:-:, EVENING ARE TREATED TO FOOD AND DRINK, ,:-:%@§@##
§@@%:::,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,:::%@@§
@@:-----:, COMFORTABLE BUT MAZE-LIKE INTERIOR ,:-----:@@
§§%::::::, STRUCTURE (THE BUILDING FEATURES A ,::::::%§§
###@§%:-:, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,:-:%§@###
##@§@%:-:, PLACED SEEMINGLY AT RANDOM, NONE GOING ,:-:%@§@##
@@@@%:-,,, FURTHER THAN A FEW FLOORS). ,,,-:%@@@@
#§%::::::, ,::::::%§#
#@@%%:-:,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,:-:%%@@#
##@§@%:-:, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,:-:%@§@##
§@:-,,,,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,,,,-:@§
##@§@%:-:, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,:-:%@§@##
##@§@%:-:, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,:-:%@§@##
##@§@%:-:, IF YOU WOULD LOOK THROUGH THE WINDOWS ,:-:%@§@##
@@@::,,,,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,,,,::@@@
##@§@%:-:, PERHAPS THE OUTLINE OF SOME OTHER ,:-:%@§@##
§§%%::,,,, BUILDING, FAR BELOW. ,,,,::%%§§
§%::,,,,,, ,,,,,,::%§
@@%-:,,,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,,,:-%@@
##@§@%:-:, STARTED MOVING, THE LOWER FLOORS ARE ,:-:%@§@##
#§§§@%:-:, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,:-:%@§§§#
#§@:::,,,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,,,:::@§#
§%%::,,,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,,,::%%§
##@§@%:-:, IT'S AT THIS POINT THAT THE SECOND SET ,:-:%@§@##
#@@%--:,,, OF GUEST ARRIVES, VIA HELICOPTER - ,,,:--%@@#
##@§@%:-:, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,:-:%@§@##
§@%::,,,,, ,,,,,::%@§
@@§@@%:-:, ----- ,:-:%@@§@@
@@§%%%:-:, ,:-:%%%§@@
#@@:-,,,,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,,,,-:@@#
#§%-::,,,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,,,::-%§#
#@@@@%:-:, SIT IN ONE OF THE LARGE WINDOWS, ,:-:%@@@@#
@@%%:::,,, LOOKING THROUGH THE MIST FOR ANY ,,,:::%%@@
###@@%:-:, LANDMARKS TO PIERCE THROUGH THE MIST. ,:-:%@@###
##@§@%:-:, SHE TELLS ME THAT APART FROM COMING AND ,:-:%@§@##
§%----:,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,:----%§
##@§@%:-:, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,:-:%@§@##
§§@%::,,,, ,,,,::%@§§
§%-:::,,,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,,:::-%§
@@%--::,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,::--%@@
##@§@%:-:, ,:-:%@§@##
#§%%---,,, ,,,---%%§#
#@@@@%:-:, ,:-:%@@@@#
@@@%:---:, ,:---:%@@@
§%:-,,,,,, ,,,,,,-:%§