,--;%*#¶@# #@¶#*%;--,
,,--;%*#¶@ @¶#*%;--,,
,,,--;%*#¶ ¶#*%;--,,,
,,,,--;%*# #*%;--,,,,
,,,--;%*#¶ ¶#*%;--,,,
,,--;%*#¶@ THE SKYSCRAPER THAT MOVES @¶#*%;--,,
,--;%*#¶@# #@¶#*%;--,
,,--;%*#¶@ TAINARON IS A BUILDING OWNED AND @¶#*%;--,,
,,,--;%*#¶ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¶#*%;--,,,
,,,,--;%*# CLOSED TO THE HARBOR IN MALMÖ. IT'S #*%;--,,,,
,,,--;%*#¶ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¶#*%;--,,,
,,--;%*#¶@ UNKNOWN), DARK BLUE AND COMPLETELY @¶#*%;--,,
,--;%*#¶@# RECTANGULAR. IT FEATURES NO SIGNS, #@¶#*%;--,
,,--;%*#¶@ LIGHTS, OR ORNAMENTS, APART FROM A @¶#*%;--,,
,,,--;%*#¶ HELIPAD ON TOP. MOST FLOORS HAVE ¶#*%;--,,,
,,,,--;%*# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #*%;--,,,,
,,,--;%*#¶ ¶#*%;--,,,
,,--;%*#¶@ IN LATE EVENINGS, SHROUDED BY MALMö'S @¶#*%;--,,
,--;%*#¶@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@¶#*%;--,
,,--;%*#¶@ THE BUILDING COMES TO LIFE: IT MOVES ON @¶#*%;--,,
,,,--;%*#¶ A THOUSAND ROBOTIC LEGS TO ANOTHER ¶#*%;--,,,
,,,,--;%*# (SECRET) PART OF TOWN, OR PERHAPS OUT #*%;--,,,,
,,,--;%*#¶ TO SEA. THIS SIGNALS A NEW AND MORE ¶#*%;--,,,
,,--;%*#¶@ VISCIOUS PHASE OF THE TAINARON @¶#*%;--,,
,--;%*#¶@# ECOSYSTEM. #@¶#*%;--,
,,--;%*#¶@ @¶#*%;--,,
,,,--;%*#¶ THE GUESTS ARRIVING DURING THE EARLY ¶#*%;--,,,
,,,,--;%*# EVENING ARE TREATED TO FOOD AND DRINK, #*%;--,,,,
,,,--;%*#¶ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¶#*%;--,,,
,,--;%*#¶@ COMFORTABLE BUT MAZE-LIKE INTERIOR @¶#*%;--,,
,--;%*#¶@# STRUCTURE (THE BUILDING FEATURES A #@¶#*%;--,
,,--;%*#¶@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @¶#*%;--,,
,,,--;%*#¶ PLACED SEEMINGLY AT RANDOM, NONE GOING ¶#*%;--,,,
,,,,--;%*# FURTHER THAN A FEW FLOORS). #*%;--,,,,
,,,--;%*#¶ ¶#*%;--,,,
,,--;%*#¶@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @¶#*%;--,,
,--;%*#¶@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@¶#*%;--,
,,--;%*#¶@ SAME QUALITY AS THE SURROUNDING MIST: @¶#*%;--,,
,,,--;%*#¶ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¶#*%;--,,,
,,,,--;%*# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #*%;--,,,,
,,,--;%*#¶ IF YOU WOULD LOOK THROUGH THE WINDOWS ¶#*%;--,,,
,,--;%*#¶@ YOU WOULD SEE THE MIST ROLLING BY, AND @¶#*%;--,,
,--;%*#¶@# PERHAPS THE OUTLINE OF SOME OTHER #@¶#*%;--,
,,--;%*#¶@ BUILDING, FAR BELOW. @¶#*%;--,,
,,,--;%*#¶ ¶#*%;--,,,
,,,,--;%*# DURING THE NIGHT, AFTER TAINARON HAS #*%;--,,,,
,,,--;%*#¶ STARTED MOVING, THE LOWER FLOORS ARE ¶#*%;--,,,
,,--;%*#¶@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @¶#*%;--,,
,--;%*#¶@# THE GUESTS. FOOD IS NO LONGER SERVED, #@¶#*%;--,
,,--;%*#¶@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @¶#*%;--,,
,,,--;%*#¶ IT'S AT THIS POINT THAT THE SECOND SET ¶#*%;--,,,
,,,,--;%*# OF GUEST ARRIVES, VIA HELICOPTER - #*%;--,,,,
,,,--;%*#¶ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¶#*%;--,,,
,,--;%*#¶@ @¶#*%;--,,
,--;%*#¶@# ----- #@¶#*%;--,
,,--;%*#¶@ @¶#*%;--,,
,,,--;%*#¶ IN MY DREAM I AM INVITED AS A FRIEND OF ¶#*%;--,,,
,,,,--;%*# ONE OF THE SERVERS, AND THUS SAFE. WE #*%;--,,,,
,,,--;%*#¶ SIT IN ONE OF THE LARGE WINDOWS, ¶#*%;--,,,
,,--;%*#¶@ LOOKING THROUGH THE MIST FOR ANY @¶#*%;--,,
,--;%*#¶@# LANDMARKS TO PIERCE THROUGH THE MIST. #@¶#*%;--,
,,--;%*#¶@ SHE TELLS ME THAT APART FROM COMING AND @¶#*%;--,,
,,,--;%*#¶ GOING FROM WORK, SHE'S NEVER SEEN THE ¶#*%;--,,,
,,,,--;%*# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #*%;--,,,,
,,,--;%*#¶ ¶#*%;--,,,
,,--;%*#¶@ THE NEXT DAY I AM INVITED TO THE PUBLIC @¶#*%;--,,
,--;%*#¶@# DEMONSTRATION OF THE EXOBUBBLE. #@¶#*%;--,
,,--;%*#¶@ @¶#*%;--,,
,,,--;%*#¶ ¶#*%;--,,,
,,,,--;%*# #*%;--,,,,
,,,--;%*#¶ ¶#*%;--,,,
,,--;%*#¶@ @¶#*%;--,,