¶@@§\~^,,, ,,,^~\§@@¶
##¶@§%\~^, ,^~\%§@¶##
#¶§%\~,,,, ,,,,~\%§¶#
¶@@%~^,,,, ,,,,^~%@@¶
¶¶@@§%\~^, ,^~\%§@@¶¶
¶¶§%~^,,,, THE SKYSCRAPER THAT MOVES ,,,,^~%§¶¶
##¶@§%\~^, ,^~\%§@¶##
@§§%\^,,,, TAINARON IS A BUILDING OWNED AND ,,,,^\%§§@
@§§§§%\~^, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,^~\%§§§§@
##¶@§%\~^, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,^~\%§@¶##
@§§§§%\~^, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,^~\%§§§§@
@%\\^,,,,, UNKNOWN), DARK BLUE AND COMPLETELY ,,,,,^\\%@
#@@@§%\~^, RECTANGULAR. IT FEATURES NO SIGNS, ,^~\%§@@@#
@@%~~~,,,, LIGHTS, OR ORNAMENTS, APART FROM A ,,,,~~~%@@
¶§%\\^,,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,,^\\%§¶
¶¶¶@§%\~^, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,^~\%§@¶¶¶
@%%\~~,,,, ,,,,~~\%%@
@%%\\~^,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,^~\\%%@
@@§§%~,,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,,~%§§@@
##¶@§%\~^, THE BUILDING COMES TO LIFE: IT MOVES ON ,^~\%§@¶##
@§§\~~^,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,^~~\§§@
@%~^,,,,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,,,,^~%@
@%%\\~^,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,^~\\%%@
#@@§\\\~^, VISCIOUS PHASE OF THE TAINARON ,^~\\\§@@#
##¶@§%\~^, ECOSYSTEM. ,^~\%§@¶##
##¶@§%\~^, ,^~\%§@¶##
##¶@§%\~^, THE GUESTS ARRIVING DURING THE EARLY ,^~\%§@¶##
@§%\~,,,,, EVENING ARE TREATED TO FOOD AND DRINK, ,,,,,~\%§@
¶§§\^^,,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,,^^\§§¶
##¶@§%\~^, COMFORTABLE BUT MAZE-LIKE INTERIOR ,^~\%§@¶##
@@@%\^^^,, STRUCTURE (THE BUILDING FEATURES A ,,^^^\%@@@
###¶§%\~^, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,^~\%§¶###
#¶@@§%\~^, PLACED SEEMINGLY AT RANDOM, NONE GOING ,^~\%§@@¶#
¶§%%~,,,,, FURTHER THAN A FEW FLOORS). ,,,,,~%%§¶
@@%~^,,,,, ,,,,,^~%@@
##¶@§%\~^, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,^~\%§@¶##
##¶@§%\~^, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,^~\%§@¶##
@%\\~,,,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,,,~\\%@
¶§%\~^^^,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,^^^~\%§¶
##¶@§%\~^, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,^~\%§@¶##
@§§§\\\~^, IF YOU WOULD LOOK THROUGH THE WINDOWS ,^~\\\§§§@
¶§§%%%\~^, YOU WOULD SEE THE MIST ROLLING BY, AND ,^~\%%%§§¶
##¶@§%\~^, PERHAPS THE OUTLINE OF SOME OTHER ,^~\%§@¶##
@@%\~,,,,, BUILDING, FAR BELOW. ,,,,,~\%@@
#¶¶@§%\~^, ,^~\%§@¶¶#
#¶§%\\~~^, DURING THE NIGHT, AFTER TAINARON HAS ,^~~\\%§¶#
###¶@§%\~^ STARTED MOVING, THE LOWER FLOORS ARE ^~\%§@¶###
##¶@§%\~^, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,^~\%§@¶##
##¶@§%\~^, THE GUESTS. FOOD IS NO LONGER SERVED, ,^~\%§@¶##
#¶@@§%\~^, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,^~\%§@@¶#
##¶@§%\~^, IT'S AT THIS POINT THAT THE SECOND SET ,^~\%§@¶##
###@§%\~^, OF GUEST ARRIVES, VIA HELICOPTER - ,^~\%§@###
##¶@§%\~^, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,^~\%§@¶##
@%%%%~~~^, ,^~~~%%%%@
##¶@§%\~^, ~~~~~ ,^~\%§@¶##
¶§%~^,,,,, ,,,,,^~%§¶
¶@%~^,,,,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,,,,^~%@¶
#¶@@§%\~^, ONE OF THE SERVERS, AND THUS SAFE. WE ,^~\%§@@¶#
@%%%\\^^,, SIT IN ONE OF THE LARGE WINDOWS, ,,^^\\%%%@
#@%~,,,,,, LOOKING THROUGH THE MIST FOR ANY ,,,,,,~%@#
@@%~~^,,,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,,,^~~%@@
@@%%\~,,,, SHE TELLS ME THAT APART FROM COMING AND ,,,,~\%%@@
###@§%\~^, GOING FROM WORK, SHE'S NEVER SEEN THE ,^~\%§@###
##¶@§%\~^, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,^~\%§@¶##
@§\^^^^^,, ,,^^^^^\§@
##¶@§%\~^, THE NEXT DAY I AM INVITED TO THE PUBLIC ,^~\%§@¶##
@@§%\~~~^, DEMONSTRATION OF THE EXOBUBBLE. ,^~~~\%§@@
##¶@§%\~^, ,^~\%§@¶##
¶¶§§§%\~^, ,^~\%§§§¶¶
@%%%\~^,,, ,,,^~\%%%@
@@@@§%\~^, ,^~\%§@@@@
@§%~~^,,,, ,,,,^~~%§@