¨¨¨¨:-:†¤@ @¤†:-:¨¨¨¨
¨¨¨:-:†¤@# #@¤†:-:¨¨¨
¨¨:-:†¤@## ##@¤†:-:¨¨
¨:-:†¤@### ###@¤†:-:¨
¨¨:-:†¤@## ##@¤†:-:¨¨
¨¨¨:-:†¤@# THE SKYSCRAPER THAT MOVES #@¤†:-:¨¨¨
¨¨¨¨:-:†¤@ @¤†:-:¨¨¨¨
¨¨¨¨¨:-:†¤ TAINARON IS A BUILDING OWNED AND ¤†:-:¨¨¨¨¨
¨¨¨¨:-:†¤@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @¤†:-:¨¨¨¨
¨¨¨:-:†¤@# CLOSED TO THE HARBOR IN MALMÖ. IT'S #@¤†:-:¨¨¨
¨¨:-:†¤@## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##@¤†:-:¨¨
¨:-:†¤@### UNKNOWN), DARK BLUE AND COMPLETELY ###@¤†:-:¨
¨¨:-:†¤@## RECTANGULAR. IT FEATURES NO SIGNS, ##@¤†:-:¨¨
¨¨¨:-:†¤@# LIGHTS, OR ORNAMENTS, APART FROM A #@¤†:-:¨¨¨
¨¨¨¨:-:†¤@ HELIPAD ON TOP. MOST FLOORS HAVE @¤†:-:¨¨¨¨
¨¨¨¨¨:-:†¤ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¤†:-:¨¨¨¨¨
¨¨¨¨:-:†¤@ @¤†:-:¨¨¨¨
¨¨¨:-:†¤@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@¤†:-:¨¨¨
¨¨:-:†¤@## SIGNATURE FOG ROLLING IN FROM THE SEA, ##@¤†:-:¨¨
¨:-:†¤@### THE BUILDING COMES TO LIFE: IT MOVES ON ###@¤†:-:¨
¨¨:-:†¤@## A THOUSAND ROBOTIC LEGS TO ANOTHER ##@¤†:-:¨¨
¨¨¨:-:†¤@# (SECRET) PART OF TOWN, OR PERHAPS OUT #@¤†:-:¨¨¨
¨¨¨¨:-:†¤@ TO SEA. THIS SIGNALS A NEW AND MORE @¤†:-:¨¨¨¨
¨¨¨¨¨:-:†¤ VISCIOUS PHASE OF THE TAINARON ¤†:-:¨¨¨¨¨
¨¨¨¨:-:†¤@ ECOSYSTEM. @¤†:-:¨¨¨¨
¨¨¨:-:†¤@# #@¤†:-:¨¨¨
¨¨:-:†¤@## THE GUESTS ARRIVING DURING THE EARLY ##@¤†:-:¨¨
¨:-:†¤@### EVENING ARE TREATED TO FOOD AND DRINK, ###@¤†:-:¨
¨¨:-:†¤@## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##@¤†:-:¨¨
¨¨¨:-:†¤@# COMFORTABLE BUT MAZE-LIKE INTERIOR #@¤†:-:¨¨¨
¨¨¨¨:-:†¤@ STRUCTURE (THE BUILDING FEATURES A @¤†:-:¨¨¨¨
¨¨¨¨¨:-:†¤ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¤†:-:¨¨¨¨¨
¨¨¨¨:-:†¤@ PLACED SEEMINGLY AT RANDOM, NONE GOING @¤†:-:¨¨¨¨
¨¨¨:-:†¤@# FURTHER THAN A FEW FLOORS). #@¤†:-:¨¨¨
¨¨:-:†¤@## ##@¤†:-:¨¨
¨:-:†¤@### AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###@¤†:-:¨
¨¨:-:†¤@## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##@¤†:-:¨¨
¨¨¨:-:†¤@# SAME QUALITY AS THE SURROUNDING MIST: #@¤†:-:¨¨¨
¨¨¨¨:-:†¤@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @¤†:-:¨¨¨¨
¨¨¨¨¨:-:†¤ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¤†:-:¨¨¨¨¨
¨¨¨¨:-:†¤@ IF YOU WOULD LOOK THROUGH THE WINDOWS @¤†:-:¨¨¨¨
¨¨¨:-:†¤@# YOU WOULD SEE THE MIST ROLLING BY, AND #@¤†:-:¨¨¨
¨¨:-:†¤@## PERHAPS THE OUTLINE OF SOME OTHER ##@¤†:-:¨¨
¨:-:†¤@### BUILDING, FAR BELOW. ###@¤†:-:¨
¨¨:-:†¤@## ##@¤†:-:¨¨
¨¨¨:-:†¤@# DURING THE NIGHT, AFTER TAINARON HAS #@¤†:-:¨¨¨
¨¨¨¨:-:†¤@ STARTED MOVING, THE LOWER FLOORS ARE @¤†:-:¨¨¨¨
¨¨¨¨¨:-:†¤ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¤†:-:¨¨¨¨¨
¨¨¨¨:-:†¤@ THE GUESTS. FOOD IS NO LONGER SERVED, @¤†:-:¨¨¨¨
¨¨¨:-:†¤@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@¤†:-:¨¨¨
¨¨:-:†¤@## IT'S AT THIS POINT THAT THE SECOND SET ##@¤†:-:¨¨
¨:-:†¤@### OF GUEST ARRIVES, VIA HELICOPTER - ###@¤†:-:¨
¨¨:-:†¤@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##@¤†:-:¨¨
¨¨¨:-:†¤@# #@¤†:-:¨¨¨
¨¨¨¨:-:†¤@ ----- @¤†:-:¨¨¨¨
¨¨¨¨¨:-:†¤ ¤†:-:¨¨¨¨¨
¨¨¨¨:-:†¤@ IN MY DREAM I AM INVITED AS A FRIEND OF @¤†:-:¨¨¨¨
¨¨¨:-:†¤@# ONE OF THE SERVERS, AND THUS SAFE. WE #@¤†:-:¨¨¨
¨¨:-:†¤@## SIT IN ONE OF THE LARGE WINDOWS, ##@¤†:-:¨¨
¨:-:†¤@### LOOKING THROUGH THE MIST FOR ANY ###@¤†:-:¨
¨¨:-:†¤@## LANDMARKS TO PIERCE THROUGH THE MIST. ##@¤†:-:¨¨
¨¨¨:-:†¤@# SHE TELLS ME THAT APART FROM COMING AND #@¤†:-:¨¨¨
¨¨¨¨:-:†¤@ GOING FROM WORK, SHE'S NEVER SEEN THE @¤†:-:¨¨¨¨
¨¨¨¨¨:-:†¤ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¤†:-:¨¨¨¨¨
¨¨¨¨:-:†¤@ @¤†:-:¨¨¨¨
¨¨¨:-:†¤@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@¤†:-:¨¨¨
¨¨:-:†¤@## DEMONSTRATION OF THE EXOBUBBLE. ##@¤†:-:¨¨
¨:-:†¤@### ###@¤†:-:¨
¨¨:-:†¤@## ##@¤†:-:¨¨
¨¨¨:-:†¤@# #@¤†:-:¨¨¨
¨¨¨¨:-:†¤@ @¤†:-:¨¨¨¨
¨¨¨¨¨:-:†¤ ¤†:-:¨¨¨¨¨