.---::$$£¶ ¶£$$::---.
.-------$¤ ¤$-------.
.--:$£¤¶@# #@¶¤£$:--.
.....-:$¤@ @¤$:-.....
.--:$£¤¶@@ @@¶¤£$:--.
....-::££¶ THE SKYSCRAPER THAT MOVES ¶££::-....
.--:$£¤¶@# #@¶¤£$:--.
...---$£¶¶ TAINARON IS A BUILDING OWNED AND ¶¶£$---...
....--:££¶ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¶££:--....
.......-$¤ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¤$-.......
.--:$£¤¶¶¶ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¶¶¶¤£$:--.
.....--:£¤ UNKNOWN), DARK BLUE AND COMPLETELY ¤£:--.....
.--:$¤¶@## RECTANGULAR. IT FEATURES NO SIGNS, ##@¶¤$:--.
.--:$£¤¶@# LIGHTS, OR ORNAMENTS, APART FROM A #@¶¤£$:--.
.--:$£¤¶## HELIPAD ON TOP. MOST FLOORS HAVE ##¶¤£$:--.
....---:$¤ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¤$:---....
....-$$$¤@ @¤$$$-....
.--:$£¤¶@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@¶¤£$:--.
.--:$£¤¶@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@¶¤£$:--.
....---:$¤ THE BUILDING COMES TO LIFE: IT MOVES ON ¤$:---....
.--:$£¤¶@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@¶¤£$:--.
.--:$£¤¶@# (SECRET) PART OF TOWN, OR PERHAPS OUT #@¶¤£$:--.
.--:$£¤¶## TO SEA. THIS SIGNALS A NEW AND MORE ##¶¤£$:--.
..--::$£¶¶ VISCIOUS PHASE OF THE TAINARON ¶¶£$::--..
..----$£¤¶ ECOSYSTEM. ¶¤£$----..
.....-:$¤¶ ¶¤$:-.....
.....-:£¤@ THE GUESTS ARRIVING DURING THE EARLY @¤£:-.....
.--:$£¤¶@# EVENING ARE TREATED TO FOOD AND DRINK, #@¶¤£$:--.
....-:$£¤@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @¤£$:-....
.--:$£¤¶@# COMFORTABLE BUT MAZE-LIKE INTERIOR #@¶¤£$:--.
.--:$£¶@## STRUCTURE (THE BUILDING FEATURES A ##@¶£$:--.
--:$£¤¶@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##@¶¤£$:--
.--:$£¤¶@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@¶¤£$:--.
....-:$£¤¤ FURTHER THAN A FEW FLOORS). ¤¤£$:-....
......-$£¶ ¶£$-......
.--:$£¤¶@@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @@¶¤£$:--.
.....-$$£¤ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¤£$$-.....
.--$£¤¶@## SAME QUALITY AS THE SURROUNDING MIST: ##@¶¤£$--.
.--:$£¤¶¶¶ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¶¶¶¤£$:--.
.--:$£¤¶@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@¶¤£$:--.
.--:$£¤¶@@ IF YOU WOULD LOOK THROUGH THE WINDOWS @@¶¤£$:--.
.--:$£¤¶@# YOU WOULD SEE THE MIST ROLLING BY, AND #@¶¤£$:--.
...--$$¤¤¶ PERHAPS THE OUTLINE OF SOME OTHER ¶¤¤$$--...
.--:$£¤¶## BUILDING, FAR BELOW. ##¶¤£$:--.
.--:$£¤¶@# #@¶¤£$:--.
.....--:£¶ DURING THE NIGHT, AFTER TAINARON HAS ¶£:--.....
...----$¤¤ STARTED MOVING, THE LOWER FLOORS ARE ¤¤$----...
.....---$¤ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¤$---.....
.--:$£¤¶@# THE GUESTS. FOOD IS NO LONGER SERVED, #@¶¤£$:--.
....--:$$¤ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¤$$:--....
.....---$¤ IT'S AT THIS POINT THAT THE SECOND SET ¤$---.....
.....-::£¤ OF GUEST ARRIVES, VIA HELICOPTER - ¤£::-.....
.--:$£¤¶## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##¶¤£$:--.
.--:$£¤¶@# #@¶¤£$:--.
....--$$$¤ ----- ¤$$$--....
.....-::$¤ ¤$::-.....
.....--:$¤ IN MY DREAM I AM INVITED AS A FRIEND OF ¤$:--.....
..---:$¤¤¤ ONE OF THE SERVERS, AND THUS SAFE. WE ¤¤¤$:---..
....--::£¤ SIT IN ONE OF THE LARGE WINDOWS, ¤£::--....
.--:$£¤¶@# LOOKING THROUGH THE MIST FOR ANY #@¶¤£$:--.
.--:$£¤¶@# LANDMARKS TO PIERCE THROUGH THE MIST. #@¶¤£$:--.
.--:$£¤¤¤¤ SHE TELLS ME THAT APART FROM COMING AND ¤¤¤¤£$:--.
.--:$££¤¤@ GOING FROM WORK, SHE'S NEVER SEEN THE @¤¤££$:--.
......-$¤¤ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¤¤$-......
....-::$¤¤ ¤¤$::-....
.--:$£¤¶@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@¶¤£$:--.
.--:$£¤¶@@ DEMONSTRATION OF THE EXOBUBBLE. @@¶¤£$:--.
.--:$£¤@## ##@¤£$:--.
.--:$£££¶¶ ¶¶£££$:--.
....-:$£¶¶ ¶¶£$:-....
.--:$£¤¶## ##¶¤£$:--.
.--:$£¤¶¶@ @¶¶¤£$:--.