¨¨¨¨¨,«:*&                                          &*:«,¨¨¨¨¨
¨¨¨¨,«:*&#                                          #&*:«,¨¨¨¨
¨¨¨,«:*&#@                                          @#&*:«,¨¨¨
¨¨,«:*&#@#                                          #@#&*:«,¨¨
¨,«:*&#@##                                          ##@#&*:«,¨
¨¨,«:*&#@#        THE SKYSCRAPER THAT MOVES         #@#&*:«,¨¨
¨¨¨,«:*&#@                                          @#&*:«,¨¨¨
¨¨¨¨,«:*&# TAINARON   IS  A  BUILDING   OWNED   AND #&*:«,¨¨¨¨
¨¨¨¨¨,«:*&  OPERATED BY AMATA TEXNOLOGIYASI PLACED  &*:«,¨¨¨¨¨
¨¨¨¨¨¨,«:* CLOSED  TO THE  HARBOR  IN  MALMÖ.  IT'S *:«,¨¨¨¨¨¨
¨¨¨¨¨¨¨,«: ROUGHLY SIXTY FLOORS  HIGH  (REAL NUMBER :«,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,«    UNKNOWN), DARK BLUE AND COMPLETELY    «,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨,    RECTANGULAR. IT FEATURES NO SIGNS,    ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ LIGHTS,  OR   ORNAMENTS,  APART  FROM  A ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ HELIPAD   ON   TOP.  MOST   FLOORS  HAVE ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨,                                          ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,« IN  LATE EVENINGS,  SHROUDED  BY MALMö'S «,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,«: SIGNATURE FOG ROLLING  IN FROM THE  SEA, :«,¨¨¨¨¨¨¨
¨¨¨¨¨¨,«:* THE BUILDING COMES  TO LIFE: IT MOVES ON *:«,¨¨¨¨¨¨
¨¨¨¨¨,«:*& A   THOUSAND  ROBOTIC  LEGS  TO  ANOTHER &*:«,¨¨¨¨¨
¨¨¨¨,«:*&# (SECRET)  PART OF  TOWN, OR PERHAPS  OUT #&*:«,¨¨¨¨
¨¨¨,«:*&#@ TO  SEA.  THIS  SIGNALS  A NEW  AND MORE @#&*:«,¨¨¨
¨¨,«:*&#@#      VISCIOUS PHASE OF THE TAINARON      #@#&*:«,¨¨
¨,«:*&#@##                ECOSYSTEM.                ##@#&*:«,¨
¨¨,«:*&#@#                                          #@#&*:«,¨¨
¨¨¨,«:*&#@ THE  GUESTS  ARRIVING DURING  THE  EARLY @#&*:«,¨¨¨
¨¨¨¨,«:*&# EVENING  ARE  TREATED TO FOOD AND DRINK, #&*:«,¨¨¨¨
¨¨¨¨¨,«:*& LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A &*:«,¨¨¨¨¨
¨¨¨¨¨¨,«:*    COMFORTABLE BUT MAZE-LIKE INTERIOR    *:«,¨¨¨¨¨¨
¨¨¨¨¨¨¨,«:    STRUCTURE (THE BUILDING FEATURES A    :«,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,«  MULTITUDE OF STAIRWELLS AND ELEVATORS,  «,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, PLACED SEEMINGLY  AT RANDOM, NONE  GOING ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨       FURTHER THAN A FEW FLOORS).        ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ AS TIME GOES ON,  THE LIGHTS SLOWLY DIM, ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, UNTIL  THE AIR  INSIDE  HAS TAKEN ON THE ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,« SAME QUALITY  AS  THE  SURROUNDING MIST: «,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,«: BLUE-GRAY, SPRINKLED WITH THE SMALL  RED :«,¨¨¨¨¨¨¨
¨¨¨¨¨¨,«:* DOT'S BY DOOR  LOCKS AND CONTROL PANELS. *:«,¨¨¨¨¨¨
¨¨¨¨¨,«:*& IF YOU  WOULD  LOOK THROUGH THE  WINDOWS &*:«,¨¨¨¨¨
¨¨¨¨,«:*&# YOU  WOULD SEE THE MIST ROLLING  BY, AND #&*:«,¨¨¨¨
¨¨¨,«:*&#@ PERHAPS  THE   OUTLINE   OF  SOME  OTHER @#&*:«,¨¨¨
¨¨,«:*&#@#           BUILDING, FAR BELOW.           #@#&*:«,¨¨
¨,«:*&#@##                                          ##@#&*:«,¨
¨¨,«:*&#@# DURING  THE  NIGHT,  AFTER  TAINARON HAS #@#&*:«,¨¨
¨¨¨,«:*&#@ STARTED  MOVING, THE  LOWER  FLOORS  ARE @#&*:«,¨¨¨
¨¨¨¨,«:*&# SHUT OFF,  PREVENTING ENTRY  OR EXIT FOR #&*:«,¨¨¨¨
¨¨¨¨¨,«:*& THE GUESTS.  FOOD IS  NO LONGER  SERVED, &*:«,¨¨¨¨¨
¨¨¨¨¨¨,«:* BUT THE DRINKS  BECOME MORE EXTRAVAGANT. *:«,¨¨¨¨¨¨
¨¨¨¨¨¨¨,«: IT'S AT THIS POINT  THAT THE SECOND  SET :«,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,« OF   GUEST  ARRIVES,  VIA  HELICOPTER  - «,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨,  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨                  «««««                   ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, IN MY DREAM I AM  INVITED AS A FRIEND OF ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,« ONE OF  THE SERVERS, AND  THUS SAFE.  WE «,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,«: SIT  IN   ONE   OF  THE  LARGE  WINDOWS, :«,¨¨¨¨¨¨¨
¨¨¨¨¨¨,«:* LOOKING  THROUGH   THE  MIST   FOR   ANY *:«,¨¨¨¨¨¨
¨¨¨¨¨,«:*& LANDMARKS TO  PIERCE  THROUGH THE  MIST. &*:«,¨¨¨¨¨
¨¨¨¨,«:*&# SHE TELLS ME THAT  APART FROM COMING AND #&*:«,¨¨¨¨
¨¨¨,«:*&#@ GOING  FROM  WORK, SHE'S NEVER SEEN  THE @#&*:«,¨¨¨
¨¨,«:*&#@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@#&*:«,¨¨
¨,«:*&#@##                                          ##@#&*:«,¨
¨¨,«:*&#@# THE NEXT  DAY I AM INVITED TO THE PUBLIC #@#&*:«,¨¨
¨¨¨,«:*&#@      DEMONSTRATION OF THE EXOBUBBLE.     @#&*:«,¨¨¨
¨¨¨¨,«:*&#                                          #&*:«,¨¨¨¨
¨¨¨¨¨,«:*&                                          &*:«,¨¨¨¨¨
¨¨¨¨¨¨,«:*                                          *:«,¨¨¨¨¨¨
¨¨¨¨¨¨¨,«:                                          :«,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,«                                          «,¨¨¨¨¨¨¨¨