¨,~\%&§@## ##@§&%\~,¨
¨¨¨¨~~\&§# #§&\~~¨¨¨¨
¨,~\%§@### ###@§%\~,¨
¨,~\%&§@## ##@§&%\~,¨
¨¨¨¨~~~%&§ §&%~~~¨¨¨¨
¨¨¨~~%&&§§ THE SKYSCRAPER THAT MOVES §§&&%~~¨¨¨
¨¨¨¨¨~\%%§ §%%\~¨¨¨¨¨
¨,~\%&§@## TAINARON IS A BUILDING OWNED AND ##@§&%\~,¨
¨¨¨¨,,\&@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@&\,,¨¨¨¨
¨,~\%&§@## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##@§&%\~,¨
¨,,~~~\%§# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #§%\~~~,,¨
¨,~\%&§### UNKNOWN), DARK BLUE AND COMPLETELY ###§&%\~,¨
¨,~\%&§### RECTANGULAR. IT FEATURES NO SIGNS, ###§&%\~,¨
¨,~\%&§§§# LIGHTS, OR ORNAMENTS, APART FROM A #§§§&%\~,¨
¨,~\\%&&@# HELIPAD ON TOP. MOST FLOORS HAVE #@&&%\\~,¨
¨¨¨¨,,\%§§ EXTERIOR WALLS COMPLETELY MADE OF GLASS. §§%\,,¨¨¨¨
¨¨¨~\\%&&@ @&&%\\~¨¨¨
¨,~\%&§### IN LATE EVENINGS, SHROUDED BY MALMö'S ###§&%\~,¨
¨¨¨¨¨¨~\%§ SIGNATURE FOG ROLLING IN FROM THE SEA, §%\~¨¨¨¨¨¨
¨¨¨¨~\&§§@ THE BUILDING COMES TO LIFE: IT MOVES ON @§§&\~¨¨¨¨
¨¨¨¨¨~\\&@ A THOUSAND ROBOTIC LEGS TO ANOTHER @&\\~¨¨¨¨¨
¨,~\%&§@## (SECRET) PART OF TOWN, OR PERHAPS OUT ##@§&%\~,¨
¨,~\%&§@## TO SEA. THIS SIGNALS A NEW AND MORE ##@§&%\~,¨
¨¨¨,,\&§@# VISCIOUS PHASE OF THE TAINARON #@§&\,,¨¨¨
¨,~\%&§@## ECOSYSTEM. ##@§&%\~,¨
¨,~\%&§@@@ @@@§&%\~,¨
¨,~\%&§§§§ THE GUESTS ARRIVING DURING THE EARLY §§§§&%\~,¨
¨¨¨¨¨,~%§# EVENING ARE TREATED TO FOOD AND DRINK, #§%~,¨¨¨¨¨
¨¨¨¨,~\\%§ LIVE MUSIC, BEATUTIFUL VIEWS, AND A §%\\~,¨¨¨¨
¨¨¨¨¨,~\%§ COMFORTABLE BUT MAZE-LIKE INTERIOR §%\~,¨¨¨¨¨
¨¨¨¨¨¨~\&§ STRUCTURE (THE BUILDING FEATURES A §&\~¨¨¨¨¨¨
¨¨¨¨¨¨~%§@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @§%~¨¨¨¨¨¨
¨,~\%&§@## PLACED SEEMINGLY AT RANDOM, NONE GOING ##@§&%\~,¨
¨¨¨¨~~%%§@ FURTHER THAN A FEW FLOORS). @§%%~~¨¨¨¨
¨,~\%&§@@@ @@@§&%\~,¨
¨,~\%&§@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@§&%\~,¨
¨¨¨¨¨~%&@@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @@&%~¨¨¨¨¨
¨,~\%&§@## SAME QUALITY AS THE SURROUNDING MIST: ##@§&%\~,¨
¨,~\%&§@@@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @@@§&%\~,¨
¨,~\%&§@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@§&%\~,¨
¨¨¨¨¨,\%§§ IF YOU WOULD LOOK THROUGH THE WINDOWS §§%\,¨¨¨¨¨
¨¨¨,~%&&§# YOU WOULD SEE THE MIST ROLLING BY, AND #§&&%~,¨¨¨
¨,~\%&§§§@ PERHAPS THE OUTLINE OF SOME OTHER @§§§&%\~,¨
¨,,~~~~\&§ BUILDING, FAR BELOW. §&\~~~~,,¨
¨,~\\\\%§@ @§%\\\\~,¨
¨,~\%&§@## DURING THE NIGHT, AFTER TAINARON HAS ##@§&%\~,¨
¨¨¨¨¨~\&&§ STARTED MOVING, THE LOWER FLOORS ARE §&&\~¨¨¨¨¨
¨,~\%&§@## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##@§&%\~,¨
¨¨¨¨,~%&@# THE GUESTS. FOOD IS NO LONGER SERVED, #@&%~,¨¨¨¨
¨¨¨¨¨,\&&§ BUT THE DRINKS BECOME MORE EXTRAVAGANT. §&&\,¨¨¨¨¨
¨,~\%&§@## IT'S AT THIS POINT THAT THE SECOND SET ##@§&%\~,¨
¨,~\%§@### OF GUEST ARRIVES, VIA HELICOPTER - ###@§%\~,¨
¨,~\%&§§§# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #§§§&%\~,¨
¨,~\%&§§@# #@§§&%\~,¨
¨,~\%&§@## ~~~~~ ##@§&%\~,¨
¨,~\&§@### ###@§&\~,¨
¨,~\%&@### IN MY DREAM I AM INVITED AS A FRIEND OF ###@&%\~,¨
¨¨,,\%&&§§ ONE OF THE SERVERS, AND THUS SAFE. WE §§&&%\,,¨¨
¨,~\%&§@## SIT IN ONE OF THE LARGE WINDOWS, ##@§&%\~,¨
¨,~\%&§@## LOOKING THROUGH THE MIST FOR ANY ##@§&%\~,¨
¨,~\%&§@## LANDMARKS TO PIERCE THROUGH THE MIST. ##@§&%\~,¨
¨¨¨¨¨¨~\%§ SHE TELLS ME THAT APART FROM COMING AND §%\~¨¨¨¨¨¨
¨,~\%&§§@# GOING FROM WORK, SHE'S NEVER SEEN THE #@§§&%\~,¨
¨,~\%&§@## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##@§&%\~,¨
¨,,,~~%%&@ @&%%~~,,,¨
¨,~\%&§@@@ THE NEXT DAY I AM INVITED TO THE PUBLIC @@@§&%\~,¨
¨¨¨¨¨~%&&@ DEMONSTRATION OF THE EXOBUBBLE. @&&%~¨¨¨¨¨
¨¨¨¨,,~%&@ @&%~,,¨¨¨¨
¨¨¨¨,\\&§@ @§&\\,¨¨¨¨
¨,~\%%%§@@ @@§%%%\~,¨
¨¨¨¨¨¨,\&§ §&\,¨¨¨¨¨¨
¨,~\%&§@## ##@§&%\~,¨