,@,,,,@@@@ ,,,@,@@,,@
@@,,,@,,,@ ,,@@@,@,@@
,@,,@@,,@, ,@,,@@@@,,
@@,@,@,@@@ @@,@,,,@,,
,@@@@@@,,@ ,@@@,,@@,@
@,,,,,@,@, THE SKYSCRAPER THAT MOVES @,,@,@,@@@
@,,,,@@@@, @,@@@@@,,,
@,,,@,,,@@ TAINARON IS A BUILDING OWNED AND @@,,,,@,,@
@,,@@,,@,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,@,,,@@,@,
@,@,@,@@,@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @@,,@,@@@@
@@@@@@,@@@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,@,@@@,,,,
,,,,,@@,,@ UNKNOWN), DARK BLUE AND COMPLETELY @@@,,@,,,@
,,,,@,@,@, RECTANGULAR. IT FEATURES NO SIGNS, ,,@,@@,,@@
,,,@@@@@@, LIGHTS, OR ORNAMENTS, APART FROM A ,@@@,@,@,@
,,@,,,,,@@ HELIPAD ON TOP. MOST FLOORS HAVE @,,@@@@@@@
,@@,,,,@,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. @,@,,,,,,@
@,@,,,@@,, @@@,,,,,@@
@@@,,@,@,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,@,,,,@,,
,,@,@@@@,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,@@,,,@@,@
,@@@,,,@,, THE BUILDING COMES TO LIFE: IT MOVES ON @,@,,@,@@@
@,,@,,@@,, A THOUSAND ROBOTIC LEGS TO ANOTHER @@@,@@@,,@
@,@@,@,@,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,@@,,@,@,
@@,@@@@@,, TO SEA. THIS SIGNALS A NEW AND MORE ,@,@,@@@@@
,@@,,,,@,@ VISCIOUS PHASE OF THE TAINARON @@@@@,,,,,
@,@,,,@@@@ ECOSYSTEM. ,,,,@,,,,,
@@@,,@,,,@ ,,,@@,,,,@
,,@,@@,,@@ THE GUESTS ARRIVING DURING THE EARLY ,,@,@,,,@,
,@@@,@,@,@ EVENING ARE TREATED TO FOOD AND DRINK, ,@@@@,,@@,
@,,@@@@@@, LIVE MUSIC, BEATUTIFUL VIEWS, AND A @,,,@,@,@,
@,@,,,,,@, COMFORTABLE BUT MAZE-LIKE INTERIOR @,,@@@@@@@
@@@,,,,@@, STRUCTURE (THE BUILDING FEATURES A @,@,,,,,,,
,,@,,,@,@, MULTITUDE OF STAIRWELLS AND ELEVATORS, @@@,,,,,,@
,@@,,@@@@, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,@,,,,,@@
@,@,@,,,@@ FURTHER THAN A FEW FLOORS). ,@@,,,,@,@
@@@@@,,@,, @,@,,,@@@,
,,,,@,@@,@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @@@,,@,,@@
,,,@@@,@@@ UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,@,@@,@,@
,,@,,@@,,@ SAME QUALITY AS THE SURROUNDING MIST: ,@@@,@@@@@
,@@,@,@,@@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @,,@@,,,,@
@,@@@@@@,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. @,@,@,,,@@
@@,,,,,@,@ IF YOU WOULD LOOK THROUGH THE WINDOWS @@@@@,,@,,
,@,,,,@@@, YOU WOULD SEE THE MIST ROLLING BY, AND ,,,,@,@@,@
@@,,,@,,@@ PERHAPS THE OUTLINE OF SOME OTHER ,,,@@@,@@@
,@,,@@,@,, BUILDING, FAR BELOW. ,,@,,@@,,,
@@,@,@@@,, ,@@,@,@,,,
,@@@@,,@,, DURING THE NIGHT, AFTER TAINARON HAS @,@@@@@,,@
@,,,@,@@,@ STARTED MOVING, THE LOWER FLOORS ARE @@,,,,@,@@
@,,@@@,@@@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,@,,,@@@,,
@,@,,@@,,, THE GUESTS. FOOD IS NO LONGER SERVED, @@,,@,,@,@
@@@,@,@,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,@,@@,@@@,
,,@@@@@,,@ IT'S AT THIS POINT THAT THE SECOND SET @@@,@@,,@@
,@,,,,@,@, OF GUEST ARRIVES, VIA HELICOPTER - ,,@@,@,@,@
@@,,,@@@@, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,@,@@@@@@@
,@,,@,,,@, @@@,,,,,,,
@@,@@,,@@, ~~~~~ ,,@,,,,,,,
,@@,@,@,@, ,@@,,,,,,@
@,@@@@@@@@ IN MY DREAM I AM INVITED AS A FRIEND OF @,@,,,,,@@
@@,,,,,,,, ONE OF THE SERVERS, AND THUS SAFE. WE @@@,,,,@,,
,@,,,,,,,, SIT IN ONE OF THE LARGE WINDOWS, ,,@,,,@@,@
@@,,,,,,,@ LOOKING THROUGH THE MIST FOR ANY ,@@,,@,@@@
,@,,,,,,@@ LANDMARKS TO PIERCE THROUGH THE MIST. @,@,@@@,,,
@@,,,,,@,@ SHE TELLS ME THAT APART FROM COMING AND @@@@,,@,,,
,@,,,,@@@@ GOING FROM WORK, SHE'S NEVER SEEN THE ,,,@,@@,,@
@@,,,@,,,@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,@@@,@,@@
,@,,@@,,@, ,@,,@@@@,,
@@,@,@,@@@ THE NEXT DAY I AM INVITED TO THE PUBLIC @@,@,,,@,,
,@@@@@@,,@ DEMONSTRATION OF THE EXOBUBBLE. ,@@@,,@@,@
@,,,,,@,@, @,,@,@,@@@
@,,,,@@@@, @,@@@@@,,,
@,,,@,,,@@ @@,,,,@,,@
@,,@@,,@,, ,@,,,@@,@,
@,@,@,@@,@ @@,,@,@@@@