¨,~~//$### ###$//~~,¨
¨,~/$$###£ £###$$/~,¨
¨¨¨¨,~//$£ £$//~,¨¨¨¨
¨¨,~~$$$££ ££$$$~~,¨¨
¨¨¨¨~~/$## ##$/~~¨¨¨¨
¨,~/$$#£## THE SKYSCRAPER THAT MOVES ##£#$$/~,¨
¨¨¨¨¨,/$## ##$/,¨¨¨¨¨
¨,~//$$$$# TAINARON IS A BUILDING OWNED AND #$$$$//~,¨
¨¨¨¨~//$#£ OPERATED BY AMATA TEXNOLOGIYASI PLACED £#$//~¨¨¨¨
¨,~/$$#£## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##£#$$/~,¨
¨,~/$$#### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ####$$/~,¨
¨,~/$$#£## UNKNOWN), DARK BLUE AND COMPLETELY ##£#$$/~,¨
¨¨¨¨¨,~$$£ RECTANGULAR. IT FEATURES NO SIGNS, £$$~,¨¨¨¨¨
¨,~/$$#££# LIGHTS, OR ORNAMENTS, APART FROM A #££#$$/~,¨
¨,~/$$$$## HELIPAD ON TOP. MOST FLOORS HAVE ##$$$$/~,¨
¨,~/$$#£## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##£#$$/~,¨
¨¨¨¨~/$$## ##$$/~¨¨¨¨
¨,~/$$#£## IN LATE EVENINGS, SHROUDED BY MALMö'S ##£#$$/~,¨
¨¨¨,,/$$£# SIGNATURE FOG ROLLING IN FROM THE SEA, #£$$/,,¨¨¨
¨,~/$$#££# THE BUILDING COMES TO LIFE: IT MOVES ON #££#$$/~,¨
¨¨,,~$$### A THOUSAND ROBOTIC LEGS TO ANOTHER ###$$~,,¨¨
¨¨¨¨¨~$### (SECRET) PART OF TOWN, OR PERHAPS OUT ###$~¨¨¨¨¨
¨,~/$$#£## TO SEA. THIS SIGNALS A NEW AND MORE ##£#$$/~,¨
¨¨¨¨~~$#£# VISCIOUS PHASE OF THE TAINARON #£#$~~¨¨¨¨
¨,~/$$#£## ECOSYSTEM. ##£#$$/~,¨
¨¨¨¨¨~//$# #$//~¨¨¨¨¨
¨,~/$$#£## THE GUESTS ARRIVING DURING THE EARLY ##£#$$/~,¨
¨,~/$#£### EVENING ARE TREATED TO FOOD AND DRINK, ###£#$/~,¨
¨,~/$$#£## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##£#$$/~,¨
¨¨¨¨¨¨,/$# COMFORTABLE BUT MAZE-LIKE INTERIOR #$/,¨¨¨¨¨¨
¨¨¨,///$££ STRUCTURE (THE BUILDING FEATURES A ££$///,¨¨¨
¨,~/$$#£## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##£#$$/~,¨
¨,~/$$#£## PLACED SEEMINGLY AT RANDOM, NONE GOING ##£#$$/~,¨
¨,~/$$#### FURTHER THAN A FEW FLOORS). ####$$/~,¨
¨,~/$$#£## ##£#$$/~,¨
¨,~/$$#£## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##£#$$/~,¨
¨¨¨¨,~$$££ UNTIL THE AIR INSIDE HAS TAKEN ON THE ££$$~,¨¨¨¨
¨,~/$$#£££ SAME QUALITY AS THE SURROUNDING MIST: £££#$$/~,¨
¨,~/$$#£## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##£#$$/~,¨
¨,~/$$#£## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##£#$$/~,¨
¨,~/$$#### IF YOU WOULD LOOK THROUGH THE WINDOWS ####$$/~,¨
¨,~/$$£### YOU WOULD SEE THE MIST ROLLING BY, AND ###£$$/~,¨
¨¨¨¨,,/$$£ PERHAPS THE OUTLINE OF SOME OTHER £$$/,,¨¨¨¨
¨,~/$$##£# BUILDING, FAR BELOW. #£##$$/~,¨
¨,~/$$#£## ##£#$$/~,¨
¨,~/$$#£## DURING THE NIGHT, AFTER TAINARON HAS ##£#$$/~,¨
¨¨¨¨¨,~~$# STARTED MOVING, THE LOWER FLOORS ARE #$~~,¨¨¨¨¨
¨,~/$$#£## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##£#$$/~,¨
¨,~/$$#£## THE GUESTS. FOOD IS NO LONGER SERVED, ##£#$$/~,¨
¨,~/$$#£## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##£#$$/~,¨
¨,~/$$#£## IT'S AT THIS POINT THAT THE SECOND SET ##£#$$/~,¨
¨,~/$$#£## OF GUEST ARRIVES, VIA HELICOPTER - ##£#$$/~,¨
¨¨¨¨¨¨~$#£ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. £#$~¨¨¨¨¨¨
¨,~/$$#££# #££#$$/~,¨
¨¨¨¨~$$$$# ~~~~~ #$$$$~¨¨¨¨
¨,~/$$#£## ##£#$$/~,¨
¨,~/$$#£## IN MY DREAM I AM INVITED AS A FRIEND OF ##£#$$/~,¨
¨,~/$$$### ONE OF THE SERVERS, AND THUS SAFE. WE ###$$$/~,¨
¨,~/$$#£££ SIT IN ONE OF THE LARGE WINDOWS, £££#$$/~,¨
¨,~/$$#£## LOOKING THROUGH THE MIST FOR ANY ##£#$$/~,¨
¨,~/$$$$## LANDMARKS TO PIERCE THROUGH THE MIST. ##$$$$/~,¨
¨¨¨¨¨~$$## SHE TELLS ME THAT APART FROM COMING AND ##$$~¨¨¨¨¨
¨¨¨,,/$#££ GOING FROM WORK, SHE'S NEVER SEEN THE ££#$/,,¨¨¨
¨,~/$$#£## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##£#$$/~,¨
¨,~/$$#£## ##£#$$/~,¨
¨,~///$$#£ THE NEXT DAY I AM INVITED TO THE PUBLIC £#$$///~,¨
¨,~/$$#£## DEMONSTRATION OF THE EXOBUBBLE. ##£#$$/~,¨
¨,~/$$#£## ##£#$$/~,¨
¨¨¨¨¨~~$$£ £$$~~¨¨¨¨¨
¨,~/$$£### ###£$$/~,¨
¨,~/$$#£## ##£#$$/~,¨
¨,~/$$#£## ##£#$$/~,¨