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,-«^*£§£## THE SKYSCRAPER THAT MOVES ##£§£*^«-,
,-«^*££§£# #£§££*^«-,
,-«^*££### TAINARON IS A BUILDING OWNED AND ###££*^«-,
,,,,-«^*§£ OPERATED BY AMATA TEXNOLOGIYASI PLACED £§*^«-,,,,
,,,-«^*£§# CLOSED TO THE HARBOR IN MALMÖ. IT'S #§£*^«-,,,
,-«^*££### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ###££*^«-,
,,,,,-^*§# UNKNOWN), DARK BLUE AND COMPLETELY #§*^-,,,,,
,-«^*£§£## RECTANGULAR. IT FEATURES NO SIGNS, ##£§£*^«-,
,-«^*£§£## LIGHTS, OR ORNAMENTS, APART FROM A ##£§£*^«-,
,-«^*£§£## HELIPAD ON TOP. MOST FLOORS HAVE ##£§£*^«-,
,,,,,,-^*§ EXTERIOR WALLS COMPLETELY MADE OF GLASS. §*^-,,,,,,
,,,,,,-«*§ §*«-,,,,,,
,-«^*£§£## IN LATE EVENINGS, SHROUDED BY MALMö'S ##£§£*^«-,
,-«^*£§£## SIGNATURE FOG ROLLING IN FROM THE SEA, ##£§£*^«-,
,,,-^**£££ THE BUILDING COMES TO LIFE: IT MOVES ON £££**^-,,,
,-«^*£§§£# A THOUSAND ROBOTIC LEGS TO ANOTHER #£§§£*^«-,
,,,,,--^££ (SECRET) PART OF TOWN, OR PERHAPS OUT ££^--,,,,,
,-«^*££### TO SEA. THIS SIGNALS A NEW AND MORE ###££*^«-,
,-«^*£§£## VISCIOUS PHASE OF THE TAINARON ##£§£*^«-,
,,,,,-^£§£ ECOSYSTEM. £§£^-,,,,,
,-«^*£§£## ##£§£*^«-,
,-«^*£§£## THE GUESTS ARRIVING DURING THE EARLY ##£§£*^«-,
,,,««««*§§ EVENING ARE TREATED TO FOOD AND DRINK, §§*««««,,,
,-«^*£§£## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##£§£*^«-,
,-«^*£££££ COMFORTABLE BUT MAZE-LIKE INTERIOR £££££*^«-,
,-«^*£§£## STRUCTURE (THE BUILDING FEATURES A ##£§£*^«-,
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,,,,-^^£§£ £§£^^-,,,,
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,,,-«**£§§ DOT'S BY DOOR LOCKS AND CONTROL PANELS. §§£**«-,,,
,-«^*£§£## IF YOU WOULD LOOK THROUGH THE WINDOWS ##£§£*^«-,
,-«^*£§£## YOU WOULD SEE THE MIST ROLLING BY, AND ##£§£*^«-,
,,,,,««^£§ PERHAPS THE OUTLINE OF SOME OTHER §£^««,,,,,
,-«^*£§### BUILDING, FAR BELOW. ###§£*^«-,
,,,,,,-^££ ££^-,,,,,,
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,-«^**££££ STARTED MOVING, THE LOWER FLOORS ARE ££££**^«-,
,-«^*£§£## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##£§£*^«-,
,,,,«««*££ THE GUESTS. FOOD IS NO LONGER SERVED, ££*«««,,,,
,,,,-««*§# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #§*««-,,,,
,,,--^**§# IT'S AT THIS POINT THAT THE SECOND SET #§**^--,,,
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,-«^^***§# ONE OF THE SERVERS, AND THUS SAFE. WE #§***^^«-,
,,,,,««**§ SIT IN ONE OF THE LARGE WINDOWS, §**««,,,,,
,-«^*£§£## LOOKING THROUGH THE MIST FOR ANY ##£§£*^«-,
,,,,-^**§# LANDMARKS TO PIERCE THROUGH THE MIST. #§**^-,,,,
,-«^*£££££ SHE TELLS ME THAT APART FROM COMING AND £££££*^«-,
,-«^*££§££ GOING FROM WORK, SHE'S NEVER SEEN THE ££§££*^«-,
,,,,,«^^£§ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. §£^^«,,,,,
,,,-«*££§# #§££*«-,,,
,,,,««^*££ THE NEXT DAY I AM INVITED TO THE PUBLIC ££*^««,,,,
,-«^*£§£## DEMONSTRATION OF THE EXOBUBBLE. ##£§£*^«-,
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