,.~*%£@# #@#&£%*~.,
,,,,~*£& #&&£*~,,,,
,.~*%£@# #@#&£%*~.,
,,,,,~*£&@ @&£*~,,,,,
,,,~~%%%%& &%%%%~~,,,
,.~*%£@# the skyscraper that moves #@#&£%*~.,
,.~*%£@# #@#&£%*~.,
,,,,~%%££# tainaron is a building owned and #££%%~,,,,
,.~*%£## operated by amata texnologiyasi placed ###&£%*~.,
,.~*%£@# closed to the harbor in malmÖ. it's #@#&£%*~.,
,.~*%£## roughly sixty floors high (real number ###&£%*~.,
,.~*%£#@## unknown), dark blue and completely ##@#£%*~.,
,.~*%£&@## rectangular. it features no signs, ##@&£%*~.,
,.~*%£@# lights, or ornaments, apart from a #@#&£%*~.,
,.~*%£## helipad on top. most floors have ###&£%*~.,
,.~*%£&# exterior walls completely made of glass. ##&&£%*~.,
,,,,.~%%£# #£%%~.,,,,
,.~*%£@# in late evenings, shrouded by malmö's #@#&£%*~.,
,,,,,.~%%& signature fog rolling in from the sea, &%%~.,,,,,
,.~*%£#@ the building comes to life: it moves on @##&£%*~.,
,.~*%£#@ a thousand robotic legs to another @##&£%*~.,
,.~*%£@# (secret) part of town, or perhaps out #@#&£%*~.,
,,,,~*££ to sea. this signals a new and more #&££*~,,,,
,,,,.~%££# viscious phase of the tainaron #££%~.,,,,
,.~*%£&# ecosystem. ##&&£%*~.,
,,,,~~%# ##&%~~,,,,
,,,.**%%%& the guests arriving during the early &%%%**.,,,
,.~*%£## evening are treated to food and drink, ###&£%*~.,
,.~*%£&@## live music, beatutiful views, and a ##@&£%*~.,
,.~*%£@# comfortable but maze-like interior #@#&£%*~.,
,.~*%£@# structure (the building features a #@#&£%*~.,
,.~**%££ multitude of stairwells and elevators, #&££%**~.,
,.~*%£@# placed seemingly at random, none going #@#&£%*~.,
,.~*£@## further than a few floors). ##@#&£*~.,
,.~*%£## ###&£%*~.,
,.~*%£@# as time goes on, the lights slowly dim, #@#&£%*~.,
,,,,~~~% until the air inside has taken on the #&%~~~,,,,
,.~***%%£# same quality as the surrounding mist: #£%%***~.,
,.~*%£#@ blue-gray, sprinkled with the small red @##&£%*~.,
,,,,,.~% dot's by door locks and control panels. #&%~.,,,,,
,,.~~%£££# if you would look through the windows #£££%~~.,,
,.~*%£@# you would see the mist rolling by, and #@#&£%*~.,
,.~*%£&&&@ perhaps the outline of some other @&&&£%*~.,
,..~~*%££& building, far below. &££%*~~..,
,,,..~~*£& &£*~~..,,,
,.~*%£@# during the night, after tainaron has #@#&£%*~.,
,.~*%£@@ started moving, the lower floors are @@#&£%*~.,
,.~*%£@# shut off, preventing entry or exit for #@#&£%*~.,
,.~*%£&@## the guests. food is no longer served, ##@&£%*~.,
,.~*%@## but the drinks become more extravagant. ##@#&%*~.,
,,,..*££#@ it's at this point that the second set @#££*..,,,
,.~*%£@# of guest arrives, via helicopter - #@#&£%*~.,
,,,..**££& amata texnologiyasi and their friends. &££**..,,,
,,,,,.**£# #£**.,,,,,
,.~*%£@# ~~~~~ #@#&£%*~.,
,.~*%£££&& &&£££%*~.,
,.~~***££& in my dream i am invited as a friend of &££***~~.,
,.~*%£@# one of the servers, and thus safe. we #@#&£%*~.,
,,,,,,~% sit in one of the large windows, #&%~,,,,,,
,.~*%£@# looking through the mist for any #@#&£%*~.,
,.~*%£&@## landmarks to pierce through the mist. ##@&£%*~.,
,.~*%£#@## she tells me that apart from coming and ##@#£%*~.,
,.~*%£@# going from work, she's never seen the #@#&£%*~.,
,..~~*%£&@ building from the outside. we both sigh. @&£%*~~..,
,,,,,,~*£& &£*~,,,,,,
,.~*%£@# the next day i am invited to the public #@#&£%*~.,
,,,,,..*£# demonstration of the exobubble. #£*..,,,,,
,.~*%£@# #@#&£%*~.,
,.~*%£@# #@#&£%*~.,
,.~*%£&& #&&&£%*~.,
,,,,,.*% #&%*.,,,,,
,.~*%£&@## ##@&£%*~.,