......,=\= =\=,......
.......,=\ \=,.......
......,=\= =\=,......
.....,=\=* *=\=,.....
....,=\=*& &*=\=,....
...,=\=* THE SKYSCRAPER THAT MOVES #&*=\=,...
..,=\=*# ##&*=\=,..
.,=\=*## TAINARON IS A BUILDING OWNED AND ###&*=\=,.
..,=\=*# OPERATED BY AMATA TEXNOLOGIYASI PLACED ##&*=\=,..
...,=\=* CLOSED TO THE HARBOR IN MALMÖ. IT'S #&*=\=,...
....,=\=*& ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER &*=\=,....
.....,=\=* UNKNOWN), DARK BLUE AND COMPLETELY *=\=,.....
......,=\= RECTANGULAR. IT FEATURES NO SIGNS, =\=,......
.......,=\ LIGHTS, OR ORNAMENTS, APART FROM A \=,.......
......,=\= HELIPAD ON TOP. MOST FLOORS HAVE =\=,......
.....,=\=* EXTERIOR WALLS COMPLETELY MADE OF GLASS. *=\=,.....
....,=\=*& &*=\=,....
...,=\=* IN LATE EVENINGS, SHROUDED BY MALMö'S #&*=\=,...
..,=\=*# SIGNATURE FOG ROLLING IN FROM THE SEA, ##&*=\=,..
.,=\=*## THE BUILDING COMES TO LIFE: IT MOVES ON ###&*=\=,.
..,=\=*# A THOUSAND ROBOTIC LEGS TO ANOTHER ##&*=\=,..
...,=\=* (SECRET) PART OF TOWN, OR PERHAPS OUT #&*=\=,...
....,=\=*& TO SEA. THIS SIGNALS A NEW AND MORE &*=\=,....
.....,=\=* VISCIOUS PHASE OF THE TAINARON *=\=,.....
......,=\= ECOSYSTEM. =\=,......
.......,=\ \=,.......
......,=\= THE GUESTS ARRIVING DURING THE EARLY =\=,......
.....,=\=* EVENING ARE TREATED TO FOOD AND DRINK, *=\=,.....
....,=\=*& LIVE MUSIC, BEATUTIFUL VIEWS, AND A &*=\=,....
...,=\=* COMFORTABLE BUT MAZE-LIKE INTERIOR #&*=\=,...
..,=\=*# STRUCTURE (THE BUILDING FEATURES A ##&*=\=,..
.,=\=*## MULTITUDE OF STAIRWELLS AND ELEVATORS, ###&*=\=,.
..,=\=*# PLACED SEEMINGLY AT RANDOM, NONE GOING ##&*=\=,..
...,=\=* FURTHER THAN A FEW FLOORS). #&*=\=,...
....,=\=*& &*=\=,....
.....,=\=* AS TIME GOES ON, THE LIGHTS SLOWLY DIM, *=\=,.....
......,=\= UNTIL THE AIR INSIDE HAS TAKEN ON THE =\=,......
.......,=\ SAME QUALITY AS THE SURROUNDING MIST: \=,.......
......,=\= BLUE-GRAY, SPRINKLED WITH THE SMALL RED =\=,......
.....,=\=* DOT'S BY DOOR LOCKS AND CONTROL PANELS. *=\=,.....
....,=\=*& IF YOU WOULD LOOK THROUGH THE WINDOWS &*=\=,....
...,=\=* YOU WOULD SEE THE MIST ROLLING BY, AND #&*=\=,...
..,=\=*# PERHAPS THE OUTLINE OF SOME OTHER ##&*=\=,..
.,=\=*## BUILDING, FAR BELOW. ###&*=\=,.
..,=\=*# ##&*=\=,..
...,=\=* DURING THE NIGHT, AFTER TAINARON HAS #&*=\=,...
....,=\=*& STARTED MOVING, THE LOWER FLOORS ARE &*=\=,....
.....,=\=* SHUT OFF, PREVENTING ENTRY OR EXIT FOR *=\=,.....
......,=\= THE GUESTS. FOOD IS NO LONGER SERVED, =\=,......
.......,=\ BUT THE DRINKS BECOME MORE EXTRAVAGANT. \=,.......
......,=\= IT'S AT THIS POINT THAT THE SECOND SET =\=,......
.....,=\=* OF GUEST ARRIVES, VIA HELICOPTER - *=\=,.....
....,=\=*& AMATA TEXNOLOGIYASI AND THEIR FRIENDS. &*=\=,....
...,=\=* #&*=\=,...
..,=\=*# ===== ##&*=\=,..
.,=\=*## ###&*=\=,.
..,=\=*# IN MY DREAM I AM INVITED AS A FRIEND OF ##&*=\=,..
...,=\=* ONE OF THE SERVERS, AND THUS SAFE. WE #&*=\=,...
....,=\=*& SIT IN ONE OF THE LARGE WINDOWS, &*=\=,....
.....,=\=* LOOKING THROUGH THE MIST FOR ANY *=\=,.....
......,=\= LANDMARKS TO PIERCE THROUGH THE MIST. =\=,......
.......,=\ SHE TELLS ME THAT APART FROM COMING AND \=,.......
......,=\= GOING FROM WORK, SHE'S NEVER SEEN THE =\=,......
.....,=\=* BUILDING FROM THE OUTSIDE. WE BOTH SIGH. *=\=,.....
....,=\=*& &*=\=,....
...,=\=* THE NEXT DAY I AM INVITED TO THE PUBLIC #&*=\=,...
..,=\=*# DEMONSTRATION OF THE EXOBUBBLE. ##&*=\=,..
.,=\=*## ###&*=\=,.
..,=\=*# ##&*=\=,..
...,=\=* #&*=\=,...
....,=\=*& &*=\=,....
.....,=\=* *=\=,.....