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¤%%»,..... .....,»%%¤
¤¤%%»»,... THE SKYSCRAPER THAT MOVES ...,»»%%¤¤
#§§**,.... ....,**§§#
##¤%%*,... TAINARON IS A BUILDING OWNED AND ...,*%%¤##
#@#¤§%*»,. OPERATED BY AMATA TEXNOLOGIYASI PLACED .,»*%§¤#@#
@@#¤§%*»,. CLOSED TO THE HARBOR IN MALMÖ. IT'S .,»*%§¤#@@
#@#¤§%*»,. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .,»*%§¤#@#
@@#¤§%*»,. UNKNOWN), DARK BLUE AND COMPLETELY .,»*%§¤#@@
@¤%*,,,... RECTANGULAR. IT FEATURES NO SIGNS, ...,,,*%¤@
###¤§%*»,. LIGHTS, OR ORNAMENTS, APART FROM A .,»*%§¤###
¤§*,...... HELIPAD ON TOP. MOST FLOORS HAVE ......,*§¤
@@#¤§%*»,. EXTERIOR WALLS COMPLETELY MADE OF GLASS. .,»*%§¤#@@
#@#¤§%*»,. .,»*%§¤#@#
#@#¤§%*»,. IN LATE EVENINGS, SHROUDED BY MALMö'S .,»*%§¤#@#
@##¤§%*»,. SIGNATURE FOG ROLLING IN FROM THE SEA, .,»*%§¤##@
@@#¤§%*»,. THE BUILDING COMES TO LIFE: IT MOVES ON .,»*%§¤#@@
¤¤%»,,.... A THOUSAND ROBOTIC LEGS TO ANOTHER ....,,»%¤¤
¤%%*,..... (SECRET) PART OF TOWN, OR PERHAPS OUT .....,*%%¤
#¤§**»»»,. TO SEA. THIS SIGNALS A NEW AND MORE .,»»»**§¤#
#@#¤§%*»,. VISCIOUS PHASE OF THE TAINARON .,»*%§¤#@#
##@¤§%*»,. ECOSYSTEM. .,»*%§¤@##
###¤§%*»,. .,»*%§¤###
##@#¤§*»,. THE GUESTS ARRIVING DURING THE EARLY .,»*§¤#@##
¤§%%%»»,.. EVENING ARE TREATED TO FOOD AND DRINK, ..,»»%%%§¤
#@#¤§%*»,. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .,»*%§¤#@#
#@#¤§%*»,. COMFORTABLE BUT MAZE-LIKE INTERIOR .,»*%§¤#@#
#§%%*»,... STRUCTURE (THE BUILDING FEATURES A ...,»*%%§#
#@#¤§%*»,. MULTITUDE OF STAIRWELLS AND ELEVATORS, .,»*%§¤#@#
¤¤§**»,... PLACED SEEMINGLY AT RANDOM, NONE GOING ...,»**§¤¤
¤§%»...... FURTHER THAN A FEW FLOORS). ......»%§¤
#@#¤§%*»,. .,»*%§¤#@#
###¤§%*»,. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .,»*%§¤###
#@#¤§%*»,. UNTIL THE AIR INSIDE HAS TAKEN ON THE .,»*%§¤#@#
¤¤§*,,,,.. SAME QUALITY AS THE SURROUNDING MIST: ..,,,,*§¤¤
@¤¤§§%*»,. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .,»*%§§¤¤@
##@¤§%*»,. DOT'S BY DOOR LOCKS AND CONTROL PANELS. .,»*%§¤@##
#@#¤§%*»,. IF YOU WOULD LOOK THROUGH THE WINDOWS .,»*%§¤#@#
###¤§%*»,. YOU WOULD SEE THE MIST ROLLING BY, AND .,»*%§¤###
#§§***,... PERHAPS THE OUTLINE OF SOME OTHER ...,***§§#
#§%%%%*»,. BUILDING, FAR BELOW. .,»*%%%%§#
¤%**»,,... ...,,»**%¤
#§§%%*»... DURING THE NIGHT, AFTER TAINARON HAS ...»*%%§§#
#@#¤§%*»,. STARTED MOVING, THE LOWER FLOORS ARE .,»*%§¤#@#
#@#¤§%*»,. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .,»*%§¤#@#
##¤%»»»»,. THE GUESTS. FOOD IS NO LONGER SERVED, .,»»»»%¤##
#§%»...... BUT THE DRINKS BECOME MORE EXTRAVAGANT. ......»%§#
#§*,,..... IT'S AT THIS POINT THAT THE SECOND SET .....,,*§#
@@#¤§%*»,. OF GUEST ARRIVES, VIA HELICOPTER - .,»*%§¤#@@
#@#¤§%*»,. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .,»*%§¤#@#
¤§*»,..... .....,»*§¤
#¤%»,..... »»»»» .....,»%¤#
#¤%»»..... .....»»%¤#
##@¤§%*»,. IN MY DREAM I AM INVITED AS A FRIEND OF .,»*%§¤@##
#@#¤§%*»,. ONE OF THE SERVERS, AND THUS SAFE. WE .,»*%§¤#@#
¤§**,,.... SIT IN ONE OF THE LARGE WINDOWS, ....,,**§¤
¤%%%»,.... LOOKING THROUGH THE MIST FOR ANY ....,»%%%¤
#@#¤§%*»,. LANDMARKS TO PIERCE THROUGH THE MIST. .,»*%§¤#@#
##@¤§%*»,. SHE TELLS ME THAT APART FROM COMING AND .,»*%§¤@##
##@#¤§*»,. GOING FROM WORK, SHE'S NEVER SEEN THE .,»*§¤#@##
#@#¤§%*»,. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .,»*%§¤#@#
#@#¤§%*»,. .,»*%§¤#@#
#¤%*»,.... THE NEXT DAY I AM INVITED TO THE PUBLIC ....,»*%¤#
@@#¤§%*»,. DEMONSTRATION OF THE EXOBUBBLE. .,»*%§¤#@@
#§%»»..... .....»»%§#
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