,-=^†%£@@# #@@£%†^=-,
,-=^^^†%@# #@%†^^^=-,
-=^†%£@### ###@£%†^=-
,-=^†%£@## ##@£%†^=-,
,,,,,=†£@@ @@£†=,,,,,
,-=^†%£@## THE SKYSCRAPER THAT MOVES ##@£%†^=-,
,,,,=^†%%£ £%%†^=,,,,
,-=^†%£@## TAINARON IS A BUILDING OWNED AND ##@£%†^=-,
,-=====^†£ OPERATED BY AMATA TEXNOLOGIYASI PLACED £†^=====-,
,-=^†%£@## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##@£%†^=-,
,-=^†%£@## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##@£%†^=-,
,---^††††£ UNKNOWN), DARK BLUE AND COMPLETELY £††††^---,
,,,----^%@ RECTANGULAR. IT FEATURES NO SIGNS, @%^----,,,
,,,,==^%%£ LIGHTS, OR ORNAMENTS, APART FROM A £%%^==,,,,
,-=^†%£@## HELIPAD ON TOP. MOST FLOORS HAVE ##@£%†^=-,
,-^†%£@### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###@£%†^-,
,-=^†%£@## ##@£%†^=-,
,,--^^†%£@ IN LATE EVENINGS, SHROUDED BY MALMö'S @£%†^^--,,
,,,,,=^††£ SIGNATURE FOG ROLLING IN FROM THE SEA, £††^=,,,,,
,,,,,,=^%£ THE BUILDING COMES TO LIFE: IT MOVES ON £%^=,,,,,,
,,,,==†%%@ A THOUSAND ROBOTIC LEGS TO ANOTHER @%%†==,,,,
,-=^††%%@@ (SECRET) PART OF TOWN, OR PERHAPS OUT @@%%††^=-,
,-=^†%£@## TO SEA. THIS SIGNALS A NEW AND MORE ##@£%†^=-,
,-=^†%£@## VISCIOUS PHASE OF THE TAINARON ##@£%†^=-,
,-=^†%£@## ECOSYSTEM. ##@£%†^=-,
,,,,--=^†£ £†^=--,,,,
,-=^†%%£@# THE GUESTS ARRIVING DURING THE EARLY #@£%%†^=-,
,-=^%£@### EVENING ARE TREATED TO FOOD AND DRINK, ###@£%^=-,
,-=^†%£@## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##@£%†^=-,
,-=^†%£@@# COMFORTABLE BUT MAZE-LIKE INTERIOR #@@£%†^=-,
,-=^†%£@## STRUCTURE (THE BUILDING FEATURES A ##@£%†^=-,
,-=^†%£@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##@£%†^=-,
,,,,-^†%%£ PLACED SEEMINGLY AT RANDOM, NONE GOING £%%†^-,,,,
,,,,--=^†£ FURTHER THAN A FEW FLOORS). £†^=--,,,,
,-==^†††£@ @£†††^==-,
,-=^†%£@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@£%†^=-,
,-=^†%£@@@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @@@£%†^=-,
,,,,,=†£@# SAME QUALITY AS THE SURROUNDING MIST: #@£†=,,,,,
,-=^†%£@## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##@£%†^=-,
,,,-^^^%%£ DOT'S BY DOOR LOCKS AND CONTROL PANELS. £%%^^^-,,,
,-=^†%£@## IF YOU WOULD LOOK THROUGH THE WINDOWS ##@£%†^=-,
,-=^†%£### YOU WOULD SEE THE MIST ROLLING BY, AND ###£%†^=-,
,----^%%£@ PERHAPS THE OUTLINE OF SOME OTHER @£%%^----,
,-=^†%£@## BUILDING, FAR BELOW. ##@£%†^=-,
,-=^†%£@## ##@£%†^=-,
,-=^†%£### DURING THE NIGHT, AFTER TAINARON HAS ###£%†^=-,
,-=^†%£@@@ STARTED MOVING, THE LOWER FLOORS ARE @@@£%†^=-,
,-=^†%££££ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ££££%†^=-,
,,,--=††£@ THE GUESTS. FOOD IS NO LONGER SERVED, @£††=--,,,
,-=^†%£@@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@@£%†^=-,
,,,,,-=†££ IT'S AT THIS POINT THAT THE SECOND SET ££†=-,,,,,
,---^^††%@ OF GUEST ARRIVES, VIA HELICOPTER - @%††^^---,
,-=^†%£@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##@£%†^=-,
,-=^†%£@## ##@£%†^=-,
,,,,,=†††£ ===== £†††=,,,,,
,-=^†%£@## ##@£%†^=-,
,,,,,=†%@# IN MY DREAM I AM INVITED AS A FRIEND OF #@%†=,,,,,
,,,,,-^%£@ ONE OF THE SERVERS, AND THUS SAFE. WE @£%^-,,,,,
,,,,-^%£@@ SIT IN ONE OF THE LARGE WINDOWS, @@£%^-,,,,
,-=^†%£@## LOOKING THROUGH THE MIST FOR ANY ##@£%†^=-,
,-=^†%£@## LANDMARKS TO PIERCE THROUGH THE MIST. ##@£%†^=-,
,-=^†%£@## SHE TELLS ME THAT APART FROM COMING AND ##@£%†^=-,
,-=^†%£@## GOING FROM WORK, SHE'S NEVER SEEN THE ##@£%†^=-,
,,,,,-^%%@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @%%^-,,,,,
,-=^†%£@## ##@£%†^=-,
,-=^†%£@## THE NEXT DAY I AM INVITED TO THE PUBLIC ##@£%†^=-,
,-=^†%£@## DEMONSTRATION OF THE EXOBUBBLE. ##@£%†^=-,
,-=^†%£@## ##@£%†^=-,
,,,,,-^%%@ @%%^-,,,,,
,-=^†%£@## ##@£%†^=-,
,,,,-^%%@# #@%%^-,,,,
,,,,,=††£# #£††=,,,,,