...^~†*$¤£ £¤$*†~^...
....^~†*$¤ ¤$*†~^....
.....^~†*$ $*†~^.....
......^~†* *†~^......
.......^~† †~^.......
......^~†* THE SKYSCRAPER THAT MOVES *†~^......
.....^~†*$ $*†~^.....
....^~†*$¤ TAINARON IS A BUILDING OWNED AND ¤$*†~^....
...^~†*$¤£ OPERATED BY AMATA TEXNOLOGIYASI PLACED £¤$*†~^...
..^~†*$¤£# CLOSED TO THE HARBOR IN MALMÖ. IT'S #£¤$*†~^..
.^~†*$¤£## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##£¤$*†~^.
..^~†*$¤£# UNKNOWN), DARK BLUE AND COMPLETELY #£¤$*†~^..
...^~†*$¤£ RECTANGULAR. IT FEATURES NO SIGNS, £¤$*†~^...
....^~†*$¤ LIGHTS, OR ORNAMENTS, APART FROM A ¤$*†~^....
.....^~†*$ HELIPAD ON TOP. MOST FLOORS HAVE $*†~^.....
......^~†* EXTERIOR WALLS COMPLETELY MADE OF GLASS. *†~^......
.......^~† †~^.......
......^~†* IN LATE EVENINGS, SHROUDED BY MALMö'S *†~^......
.....^~†*$ SIGNATURE FOG ROLLING IN FROM THE SEA, $*†~^.....
....^~†*$¤ THE BUILDING COMES TO LIFE: IT MOVES ON ¤$*†~^....
...^~†*$¤£ A THOUSAND ROBOTIC LEGS TO ANOTHER £¤$*†~^...
..^~†*$¤£# (SECRET) PART OF TOWN, OR PERHAPS OUT #£¤$*†~^..
.^~†*$¤£## TO SEA. THIS SIGNALS A NEW AND MORE ##£¤$*†~^.
..^~†*$¤£# VISCIOUS PHASE OF THE TAINARON #£¤$*†~^..
...^~†*$¤£ ECOSYSTEM. £¤$*†~^...
....^~†*$¤ ¤$*†~^....
.....^~†*$ THE GUESTS ARRIVING DURING THE EARLY $*†~^.....
......^~†* EVENING ARE TREATED TO FOOD AND DRINK, *†~^......
.......^~† LIVE MUSIC, BEATUTIFUL VIEWS, AND A †~^.......
......^~†* COMFORTABLE BUT MAZE-LIKE INTERIOR *†~^......
.....^~†*$ STRUCTURE (THE BUILDING FEATURES A $*†~^.....
....^~†*$¤ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¤$*†~^....
...^~†*$¤£ PLACED SEEMINGLY AT RANDOM, NONE GOING £¤$*†~^...
..^~†*$¤£# FURTHER THAN A FEW FLOORS). #£¤$*†~^..
.^~†*$¤£## ##£¤$*†~^.
..^~†*$¤£# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #£¤$*†~^..
...^~†*$¤£ UNTIL THE AIR INSIDE HAS TAKEN ON THE £¤$*†~^...
....^~†*$¤ SAME QUALITY AS THE SURROUNDING MIST: ¤$*†~^....
.....^~†*$ BLUE-GRAY, SPRINKLED WITH THE SMALL RED $*†~^.....
......^~†* DOT'S BY DOOR LOCKS AND CONTROL PANELS. *†~^......
.......^~† IF YOU WOULD LOOK THROUGH THE WINDOWS †~^.......
......^~†* YOU WOULD SEE THE MIST ROLLING BY, AND *†~^......
.....^~†*$ PERHAPS THE OUTLINE OF SOME OTHER $*†~^.....
....^~†*$¤ BUILDING, FAR BELOW. ¤$*†~^....
...^~†*$¤£ £¤$*†~^...
..^~†*$¤£# DURING THE NIGHT, AFTER TAINARON HAS #£¤$*†~^..
.^~†*$¤£## STARTED MOVING, THE LOWER FLOORS ARE ##£¤$*†~^.
..^~†*$¤£# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #£¤$*†~^..
...^~†*$¤£ THE GUESTS. FOOD IS NO LONGER SERVED, £¤$*†~^...
....^~†*$¤ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¤$*†~^....
.....^~†*$ IT'S AT THIS POINT THAT THE SECOND SET $*†~^.....
......^~†* OF GUEST ARRIVES, VIA HELICOPTER - *†~^......
.......^~† AMATA TEXNOLOGIYASI AND THEIR FRIENDS. †~^.......
......^~†* *†~^......
.....^~†*$ ~~~~~ $*†~^.....
....^~†*$¤ ¤$*†~^....
...^~†*$¤£ IN MY DREAM I AM INVITED AS A FRIEND OF £¤$*†~^...
..^~†*$¤£# ONE OF THE SERVERS, AND THUS SAFE. WE #£¤$*†~^..
.^~†*$¤£## SIT IN ONE OF THE LARGE WINDOWS, ##£¤$*†~^.
..^~†*$¤£# LOOKING THROUGH THE MIST FOR ANY #£¤$*†~^..
...^~†*$¤£ LANDMARKS TO PIERCE THROUGH THE MIST. £¤$*†~^...
....^~†*$¤ SHE TELLS ME THAT APART FROM COMING AND ¤$*†~^....
.....^~†*$ GOING FROM WORK, SHE'S NEVER SEEN THE $*†~^.....
......^~†* BUILDING FROM THE OUTSIDE. WE BOTH SIGH. *†~^......
.......^~† †~^.......
......^~†* THE NEXT DAY I AM INVITED TO THE PUBLIC *†~^......
.....^~†*$ DEMONSTRATION OF THE EXOBUBBLE. $*†~^.....
....^~†*$¤ ¤$*†~^....
...^~†*$¤£ £¤$*†~^...
..^~†*$¤£# #£¤$*†~^..
.^~†*$¤£## ##£¤$*†~^.
..^~†*$¤£# #£¤$*†~^..