@#¤$\»»^.. ..^»»\$¤#@
#¤=»^..... .....^»=¤#
@##¤$=\»^. .^»\=$¤##@
¤¤¤¤$=\»^. .^»\=$¤¤¤¤
#@#¤$=\»^. .^»\=$¤#@#
#@#¤$=\»^. THE SKYSCRAPER THAT MOVES .^»\=$¤#@#
#@#¤$=\»^. .^»\=$¤#@#
#$$$=».... TAINARON IS A BUILDING OWNED AND ....»=$$$#
@¤$$\\^^.. OPERATED BY AMATA TEXNOLOGIYASI PLACED ..^^\\$$¤@
#¤====\»^. CLOSED TO THE HARBOR IN MALMÖ. IT'S .^»\====¤#
#$=\^..... ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .....^\=$#
##$$$=\»^. UNKNOWN), DARK BLUE AND COMPLETELY .^»\=$$$##
@##¤$=\»^. RECTANGULAR. IT FEATURES NO SIGNS, .^»\=$¤##@
#@#¤$=\»^. LIGHTS, OR ORNAMENTS, APART FROM A .^»\=$¤#@#
##@¤$=\»^. HELIPAD ON TOP. MOST FLOORS HAVE .^»\=$¤@##
#@#¤$=\»^. EXTERIOR WALLS COMPLETELY MADE OF GLASS. .^»\=$¤#@#
@¤$=\^^... ...^^\=$¤@
#¤¤¤$=\»^. IN LATE EVENINGS, SHROUDED BY MALMö'S .^»\=$¤¤¤#
###¤$=\»^. SIGNATURE FOG ROLLING IN FROM THE SEA, .^»\=$¤###
¤==»...... THE BUILDING COMES TO LIFE: IT MOVES ON ......»==¤
#@#¤$=\»^. A THOUSAND ROBOTIC LEGS TO ANOTHER .^»\=$¤#@#
¤¤==»..... (SECRET) PART OF TOWN, OR PERHAPS OUT .....»==¤¤
#@#¤$=\»^. TO SEA. THIS SIGNALS A NEW AND MORE .^»\=$¤#@#
@#¤$\»»... VISCIOUS PHASE OF THE TAINARON ...»»\$¤#@
#@#¤$=\»^. ECOSYSTEM. .^»\=$¤#@#
#$=»»..... .....»»=$#
#@#¤$=\»^. THE GUESTS ARRIVING DURING THE EARLY .^»\=$¤#@#
##@¤$=\»^. EVENING ARE TREATED TO FOOD AND DRINK, .^»\=$¤@##
#@#¤$=\»^. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .^»\=$¤#@#
#@#¤$=\»^. COMFORTABLE BUT MAZE-LIKE INTERIOR .^»\=$¤#@#
¤=»»^..... STRUCTURE (THE BUILDING FEATURES A .....^»»=¤
#@#¤$=\»^. MULTITUDE OF STAIRWELLS AND ELEVATORS, .^»\=$¤#@#
##@¤$=\»^. PLACED SEEMINGLY AT RANDOM, NONE GOING .^»\=$¤@##
¤¤¤===\»^. FURTHER THAN A FEW FLOORS). .^»\===¤¤¤
¤¤¤$\\\»^. .^»\\\$¤¤¤
##@¤$=\»^. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .^»\=$¤@##
#@#¤$=\»^. UNTIL THE AIR INSIDE HAS TAKEN ON THE .^»\=$¤#@#
###¤$=\»^. SAME QUALITY AS THE SURROUNDING MIST: .^»\=$¤###
###¤$=\»^. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .^»\=$¤###
¤==\»^.... DOT'S BY DOOR LOCKS AND CONTROL PANELS. ....^»\==¤
@¤¤$==\»^. IF YOU WOULD LOOK THROUGH THE WINDOWS .^»\==$¤¤@
#@#¤$=\»^. YOU WOULD SEE THE MIST ROLLING BY, AND .^»\=$¤#@#
#¤=»^..... PERHAPS THE OUTLINE OF SOME OTHER .....^»=¤#
@@#¤$=\»^. BUILDING, FAR BELOW. .^»\=$¤#@@
#@#¤$=\»^. .^»\=$¤#@#
##¤¤$=\»^. DURING THE NIGHT, AFTER TAINARON HAS .^»\=$¤¤##
¤¤=\\^.... STARTED MOVING, THE LOWER FLOORS ARE ....^\\=¤¤
#@#¤$=\»^. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .^»\=$¤#@#
@¤=»^..... THE GUESTS. FOOD IS NO LONGER SERVED, .....^»=¤@
¤$$\\»^... BUT THE DRINKS BECOME MORE EXTRAVAGANT. ...^»\\$$¤
#@#¤$=\»^. IT'S AT THIS POINT THAT THE SECOND SET .^»\=$¤#@#
#@#¤$=\»^. OF GUEST ARRIVES, VIA HELICOPTER - .^»\=$¤#@#
#@#¤$=\»^. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .^»\=$¤#@#
#$\»^..... .....^»\$#
###¤$=\»^. »»»»» .^»\=$¤###
@#¤¤$=\»^. .^»\=$¤¤#@
#@#¤$=\»^. IN MY DREAM I AM INVITED AS A FRIEND OF .^»\=$¤#@#
@#¤¤$=\»^. ONE OF THE SERVERS, AND THUS SAFE. WE .^»\=$¤¤#@
@@#¤$=\»^. SIT IN ONE OF THE LARGE WINDOWS, .^»\=$¤#@@
@@#¤$=\»^. LOOKING THROUGH THE MIST FOR ANY .^»\=$¤#@@
@#$$$=\»^. LANDMARKS TO PIERCE THROUGH THE MIST. .^»\=$$$#@
@@#¤$=\»^. SHE TELLS ME THAT APART FROM COMING AND .^»\=$¤#@@
##@#$=\»^. GOING FROM WORK, SHE'S NEVER SEEN THE .^»\=$#@##
#@#¤$=\»^. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .^»\=$¤#@#
#$\»^^^... ...^^^»\$#
@¤¤=»..... THE NEXT DAY I AM INVITED TO THE PUBLIC .....»=¤¤@
#@#¤$=\»^. DEMONSTRATION OF THE EXOBUBBLE. .^»\=$¤#@#
#$$$\»»^.. ..^»»\$$$#
@@#¤$=\»^. .^»\=$¤#@@
¤=»»^..... .....^»»=¤
@¤$=»».... ....»»=$¤@
#¤=»»».... ....»»»=¤#