,-=^†%£@@#                                          #@@£%†^=-,
,-=^^^†%@#                                          #@%†^^^=-,
-=^†%£@###                                          ###@£%†^=-
,-=^†%£@##                                          ##@£%†^=-,
,,,,,=†£@@                                          @@£†=,,,,,
,-=^†%£@##         THE SKYSCRAPER THAT MOVES        ##@£%†^=-,
,,,,=^†%%£                                          £%%†^=,,,,
,-=^†%£@## TAINARON   IS  A   BUILDING  OWNED   AND ##@£%†^=-,
,-=====^†£  OPERATED BY AMATA TEXNOLOGIYASI PLACED  £†^=====-,
,-=^†%£@## CLOSED  TO  THE  HARBOR  IN  MALMÖ. IT'S ##@£%†^=-,
,-=^†%£@## ROUGHLY  SIXTY FLOORS  HIGH (REAL NUMBER ##@£%†^=-,
,---^††††£    UNKNOWN), DARK BLUE AND COMPLETELY    £††††^---,
,,,----^%@    RECTANGULAR. IT FEATURES NO SIGNS,    @%^----,,,
,,,,==^%%£ LIGHTS,  OR  ORNAMENTS,   APART  FROM  A £%%^==,,,,
,-=^†%£@## HELIPAD   ON   TOP.  MOST  FLOORS   HAVE ##@£%†^=-,
,-^†%£@### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###@£%†^-,
,-=^†%£@##                                          ##@£%†^=-,
,,--^^†%£@ IN  LATE  EVENINGS, SHROUDED BY  MALMö'S @£%†^^--,,
,,,,,=^††£ SIGNATURE  FOG ROLLING IN  FROM THE SEA, £††^=,,,,,
,,,,,,=^%£ THE BUILDING COMES  TO LIFE: IT MOVES ON £%^=,,,,,,
,,,,==†%%@ A  THOUSAND  ROBOTIC  LEGS  TO   ANOTHER @%%†==,,,,
,-=^††%%@@ (SECRET)  PART OF TOWN,  OR PERHAPS  OUT @@%%††^=-,
,-=^†%£@## TO SEA.  THIS  SIGNALS  A  NEW AND  MORE ##@£%†^=-,
,-=^†%£@##      VISCIOUS PHASE OF THE TAINARON      ##@£%†^=-,
,-=^†%£@##                ECOSYSTEM.                ##@£%†^=-,
,,,,--=^†£                                          £†^=--,,,,
,-=^†%%£@# THE  GUESTS  ARRIVING  DURING THE  EARLY #@£%%†^=-,
,-=^%£@### EVENING ARE  TREATED TO FOOD AND  DRINK, ###@£%^=-,
,-=^†%£@## LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ##@£%†^=-,
,-=^†%£@@#    COMFORTABLE BUT MAZE-LIKE INTERIOR    #@@£%†^=-,
,-=^†%£@##    STRUCTURE (THE BUILDING FEATURES A    ##@£%†^=-,
,-=^†%£@##  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ##@£%†^=-,
,,,,-^†%%£ PLACED SEEMINGLY  AT RANDOM, NONE  GOING £%%†^-,,,,
,,,,--=^†£       FURTHER THAN A FEW FLOORS).        £†^=--,,,,
,-==^†††£@                                          @£†††^==-,
,-=^†%£@## AS TIME GOES ON, THE LIGHTS SLOWLY  DIM, ##@£%†^=-,
,-=^†%£@@@ UNTIL THE  AIR  INSIDE  HAS TAKEN ON THE @@@£%†^=-,
,,,,,=†£@# SAME  QUALITY AS  THE  SURROUNDING MIST: #@£†=,,,,,
,-=^†%£@## BLUE-GRAY, SPRINKLED WITH THE SMALL  RED ##@£%†^=-,
,,,-^^^%%£ DOT'S BY DOOR LOCKS  AND CONTROL PANELS. £%%^^^-,,,
,-=^†%£@## IF YOU  WOULD LOOK  THROUGH  THE WINDOWS ##@£%†^=-,
,-=^†%£### YOU WOULD SEE THE  MIST  ROLLING BY, AND ###£%†^=-,
,----^%%£@ PERHAPS   THE  OUTLINE  OF   SOME  OTHER @£%%^----,
,-=^†%£@##           BUILDING, FAR BELOW.           ##@£%†^=-,
,-=^†%£@##                                          ##@£%†^=-,
,-=^†%£### DURING  THE  NIGHT, AFTER  TAINARON  HAS ###£%†^=-,
,-=^†%£@@@ STARTED  MOVING,  THE LOWER  FLOORS  ARE @@@£%†^=-,
,-=^†%££££ SHUT OFF, PREVENTING  ENTRY OR  EXIT FOR ££££%†^=-,
,,,--=††£@ THE  GUESTS. FOOD  IS NO  LONGER SERVED, @£††=--,,,
,-=^†%£@@# BUT THE DRINKS BECOME  MORE EXTRAVAGANT. #@@£%†^=-,
,,,,,-=†££ IT'S  AT THIS POINT THAT THE SECOND  SET ££†=-,,,,,
,---^^††%@ OF   GUEST  ARRIVES,  VIA  HELICOPTER  - @%††^^---,
,-=^†%£@##  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ##@£%†^=-,
,-=^†%£@##                                          ##@£%†^=-,
,,,,,=†††£                  =====                   £†††=,,,,,
,-=^†%£@##                                          ##@£%†^=-,
,,,,,=†%@# IN MY DREAM I AM INVITED  AS A FRIEND OF #@%†=,,,,,
,,,,,-^%£@ ONE OF THE SERVERS, AND  THUS  SAFE.  WE @£%^-,,,,,
,,,,-^%£@@ SIT  IN   ONE  OF  THE  LARGE   WINDOWS, @@£%^-,,,,
,-=^†%£@## LOOKING   THROUGH  THE   MIST  FOR   ANY ##@£%†^=-,
,-=^†%£@## LANDMARKS  TO  PIERCE THROUGH  THE MIST. ##@£%†^=-,
,-=^†%£@## SHE TELLS ME THAT APART  FROM COMING AND ##@£%†^=-,
,-=^†%£@## GOING FROM WORK, SHE'S  NEVER  SEEN  THE ##@£%†^=-,
,,,,,-^%%@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @%%^-,,,,,
,-=^†%£@##                                          ##@£%†^=-,
,-=^†%£@## THE NEXT DAY I AM  INVITED TO THE PUBLIC ##@£%†^=-,
,-=^†%£@##      DEMONSTRATION OF THE EXOBUBBLE.     ##@£%†^=-,
,-=^†%£@##                                          ##@£%†^=-,
,,,,,-^%%@                                          @%%^-,,,,,
,-=^†%£@##                                          ##@£%†^=-,
,,,,-^%%@#                                          #@%%^-,,,,
,,,,,=††£#                                          #£††=,,,,,