##£@$§†-:,                                          ,:-†§$@£##
#£@$§†-:,,                                          ,,:-†§$@£#
##£@$§†-:,                                          ,:-†§$@£##
#£@$§†-:,,                                          ,,:-†§$@£#
##£@$§†-:,                                          ,:-†§$@£##
#£@$§†-:,,         THE SKYSCRAPER THAT MOVES        ,,:-†§$@£#
##£@$§†-:,                                          ,:-†§$@£##
#£@$§†-:,, TAINARON   IS   A  BUILDING  OWNED   AND ,,:-†§$@£#
##£@$§†-:,  OPERATED BY AMATA TEXNOLOGIYASI PLACED  ,:-†§$@£##
#£@$§†-:,, CLOSED  TO  THE HARBOR  IN  MALMÖ.  IT'S ,,:-†§$@£#
##£@$§†-:, ROUGHLY SIXTY  FLOORS  HIGH (REAL NUMBER ,:-†§$@£##
#£@$§†-:,,    UNKNOWN), DARK BLUE AND COMPLETELY    ,,:-†§$@£#
##£@$§†-:,    RECTANGULAR. IT FEATURES NO SIGNS,    ,:-†§$@£##
#£@$§†-:,, LIGHTS,  OR  ORNAMENTS,  APART  FROM   A ,,:-†§$@£#
##£@$§†-:, HELIPAD  ON   TOP.  MOST   FLOORS   HAVE ,:-†§$@£##
#£@$§†-:,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,:-†§$@£#
##£@$§†-:,                                          ,:-†§$@£##
#£@$§†-:,, IN  LATE  EVENINGS, SHROUDED  BY MALMö'S ,,:-†§$@£#
##£@$§†-:, SIGNATURE FOG ROLLING IN FROM  THE  SEA, ,:-†§$@£##
#£@$§†-:,, THE BUILDING COMES TO LIFE:  IT MOVES ON ,,:-†§$@£#
##£@$§†-:, A   THOUSAND  ROBOTIC  LEGS  TO  ANOTHER ,:-†§$@£##
#£@$§†-:,, (SECRET)  PART  OF TOWN, OR  PERHAPS OUT ,,:-†§$@£#
##£@$§†-:, TO  SEA.  THIS SIGNALS  A NEW  AND  MORE ,:-†§$@£##
#£@$§†-:,,      VISCIOUS PHASE OF THE TAINARON      ,,:-†§$@£#
##£@$§†-:,                ECOSYSTEM.                ,:-†§$@£##
#£@$§†-:,,                                          ,,:-†§$@£#
##£@$§†-:, THE  GUESTS ARRIVING  DURING  THE  EARLY ,:-†§$@£##
#£@$§†-:,, EVENING ARE  TREATED TO  FOOD AND DRINK, ,,:-†§$@£#
##£@$§†-:, LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ,:-†§$@£##
#£@$§†-:,,    COMFORTABLE BUT MAZE-LIKE INTERIOR    ,,:-†§$@£#
##£@$§†-:,    STRUCTURE (THE BUILDING FEATURES A    ,:-†§$@£##
#£@$§†-:,,  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ,,:-†§$@£#
##£@$§†-:, PLACED SEEMINGLY  AT RANDOM, NONE  GOING ,:-†§$@£##
#£@$§†-:,,       FURTHER THAN A FEW FLOORS).        ,,:-†§$@£#
##£@$§†-:,                                          ,:-†§$@£##
#£@$§†-:,, AS TIME GOES ON, THE LIGHTS  SLOWLY DIM, ,,:-†§$@£#
##£@$§†-:, UNTIL THE AIR  INSIDE  HAS TAKEN ON  THE ,:-†§$@£##
#£@$§†-:,, SAME QUALITY AS  THE  SURROUNDING  MIST: ,,:-†§$@£#
##£@$§†-:, BLUE-GRAY, SPRINKLED WITH THE SMALL  RED ,:-†§$@£##
#£@$§†-:,, DOT'S BY DOOR LOCKS  AND CONTROL PANELS. ,,:-†§$@£#
##£@$§†-:, IF YOU WOULD LOOK  THROUGH  THE  WINDOWS ,:-†§$@£##
#£@$§†-:,, YOU WOULD  SEE THE MIST ROLLING BY,  AND ,,:-†§$@£#
##£@$§†-:, PERHAPS  THE  OUTLINE  OF   SOME   OTHER ,:-†§$@£##
#£@$§†-:,,           BUILDING, FAR BELOW.           ,,:-†§$@£#
##£@$§†-:,                                          ,:-†§$@£##
#£@$§†-:,, DURING THE  NIGHT,  AFTER  TAINARON  HAS ,,:-†§$@£#
##£@$§†-:, STARTED  MOVING, THE  LOWER  FLOORS  ARE ,:-†§$@£##
#£@$§†-:,, SHUT OFF,  PREVENTING  ENTRY OR EXIT FOR ,,:-†§$@£#
##£@$§†-:, THE GUESTS.  FOOD IS  NO LONGER  SERVED, ,:-†§$@£##
#£@$§†-:,, BUT THE  DRINKS BECOME MORE EXTRAVAGANT. ,,:-†§$@£#
##£@$§†-:, IT'S AT THIS  POINT THAT THE  SECOND SET ,:-†§$@£##
#£@$§†-:,, OF   GUEST  ARRIVES,  VIA  HELICOPTER  - ,,:-†§$@£#
##£@$§†-:,  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ,:-†§$@£##
#£@$§†-:,,                                          ,,:-†§$@£#
##£@$§†-:,                  -----                   ,:-†§$@£##
#£@$§†-:,,                                          ,,:-†§$@£#
##£@$§†-:, IN MY DREAM I AM INVITED AS  A FRIEND OF ,:-†§$@£##
#£@$§†-:,, ONE OF THE SERVERS,  AND  THUS SAFE.  WE ,,:-†§$@£#
##£@$§†-:, SIT  IN  ONE  OF  THE   LARGE   WINDOWS, ,:-†§$@£##
#£@$§†-:,, LOOKING   THROUGH  THE   MIST   FOR  ANY ,,:-†§$@£#
##£@$§†-:, LANDMARKS TO  PIERCE  THROUGH  THE MIST. ,:-†§$@£##
#£@$§†-:,, SHE TELLS ME THAT APART  FROM COMING AND ,,:-†§$@£#
##£@$§†-:, GOING  FROM WORK, SHE'S NEVER  SEEN  THE ,:-†§$@£##
#£@$§†-:,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,:-†§$@£#
##£@$§†-:,                                          ,:-†§$@£##
#£@$§†-:,, THE NEXT DAY I  AM INVITED TO THE PUBLIC ,,:-†§$@£#
##£@$§†-:,     DEMONSTRATION OF THE EXOBUBBLE.      ,:-†§$@£##
#£@$§†-:,,                                          ,,:-†§$@£#
##£@$§†-:,                                          ,:-†§$@£##
#£@$§†-:,,                                          ,,:-†§$@£#
##£@$§†-:,                                          ,:-†§$@£##
#£@$§†-:,,                                          ,,:-†§$@£#