,~»=*&@£@@ @@£@&*=»~,
,,,~~=**&£ £&**=~~,,,
,~»=*&@£@@ @@£@&*=»~,
,~»=*&@@## ##@@&*=»~,
,~»=*&@£@# #@£@&*=»~,
,~»=*&£@## THE SKYSCRAPER THAT MOVES ##@£&*=»~,
,~»=*&@£@# #@£@&*=»~,
,~»=*&@£@# TAINARON IS A BUILDING OWNED AND #@£@&*=»~,
,~»=*&@£@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@£@&*=»~,
,~»=*&@£## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##£@&*=»~,
,~»=*&@@@£ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER £@@@&*=»~,
,,,,,,~=&@ UNKNOWN), DARK BLUE AND COMPLETELY @&=~,,,,,,
,,,,,~=&@£ RECTANGULAR. IT FEATURES NO SIGNS, £@&=~,,,,,
,~»=*&@£@# LIGHTS, OR ORNAMENTS, APART FROM A #@£@&*=»~,
,,,,,»*@£@ HELIPAD ON TOP. MOST FLOORS HAVE @£@*»,,,,,
,~~~»==&££ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ££&==»~~~,
,,,»»**&&£ £&&**»»,,,
,,,,,»*@£@ IN LATE EVENINGS, SHROUDED BY MALMö'S @£@*»,,,,,
,,,,~~=&£@ SIGNATURE FOG ROLLING IN FROM THE SEA, @£&=~~,,,,
,~»=*&@£@# THE BUILDING COMES TO LIFE: IT MOVES ON #@£@&*=»~,
,~»»»==*&@ A THOUSAND ROBOTIC LEGS TO ANOTHER @&*==»»»~,
,~»=*&@£££ (SECRET) PART OF TOWN, OR PERHAPS OUT £££@&*=»~,
,,,,,,~=*@ TO SEA. THIS SIGNALS A NEW AND MORE @*=~,,,,,,
,,,,,~=*&@ VISCIOUS PHASE OF THE TAINARON @&*=~,,,,,
,~»=*&@£@# ECOSYSTEM. #@£@&*=»~,
,~»=*&@£@# #@£@&*=»~,
,,,»»=*&££ THE GUESTS ARRIVING DURING THE EARLY ££&*=»»,,,
,~»=*&@£@# EVENING ARE TREATED TO FOOD AND DRINK, #@£@&*=»~,
,,,,~~»=&@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @&=»~~,,,,
,,,,,~=&&@ COMFORTABLE BUT MAZE-LIKE INTERIOR @&&=~,,,,,
,,,,,,,»*@ STRUCTURE (THE BUILDING FEATURES A @*»,,,,,,,
,~»=*&@£££ MULTITUDE OF STAIRWELLS AND ELEVATORS, £££@&*=»~,
,,,,~~=&££ PLACED SEEMINGLY AT RANDOM, NONE GOING ££&=~~,,,,
,~»=*&@£@@ FURTHER THAN A FEW FLOORS). @@£@&*=»~,
,,,~»=**&£ £&**=»~,,,
,,,,~=&&£@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @£&&=~,,,,
,,,~=**@££ UNTIL THE AIR INSIDE HAS TAKEN ON THE ££@**=~,,,
,~»=*&@£@# SAME QUALITY AS THE SURROUNDING MIST: #@£@&*=»~,
,~»=*&@££@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @££@&*=»~,
,~»=*&@@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@@&*=»~,
,,,,,,»*@£ IF YOU WOULD LOOK THROUGH THE WINDOWS £@*»,,,,,,
,~»=*&@£@# YOU WOULD SEE THE MIST ROLLING BY, AND #@£@&*=»~,
,~»=*&@£@# PERHAPS THE OUTLINE OF SOME OTHER #@£@&*=»~,
,~»=*&@£## BUILDING, FAR BELOW. ##£@&*=»~,
,,,,»==**@ @**==»,,,,
,~»=*&@£@# DURING THE NIGHT, AFTER TAINARON HAS #@£@&*=»~,
,~»=====&£ STARTED MOVING, THE LOWER FLOORS ARE £&=====»~,
,~»=*&@£@@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @@£@&*=»~,
,,,,,~»*@@ THE GUESTS. FOOD IS NO LONGER SERVED, @@*»~,,,,,
,~»=*&@££@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @££@&*=»~,
,~»=&@£@## IT'S AT THIS POINT THAT THE SECOND SET ##@£@&=»~,
,~»=*@£@## OF GUEST ARRIVES, VIA HELICOPTER - ##@£@*=»~,
,,,,»==&@@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @@&==»,,,,
,~»=*&@@## ##@@&*=»~,
,,,,,,,»*@ »»»»» @*»,,,,,,,
,~»=*&@£@# #@£@&*=»~,
,,,,,»=**@ IN MY DREAM I AM INVITED AS A FRIEND OF @**=»,,,,,
,~»=*&@££@ ONE OF THE SERVERS, AND THUS SAFE. WE @££@&*=»~,
,~»=*&@£@# SIT IN ONE OF THE LARGE WINDOWS, #@£@&*=»~,
,~»=*&@£@# LOOKING THROUGH THE MIST FOR ANY #@£@&*=»~,
,,,,~==&&@ LANDMARKS TO PIERCE THROUGH THE MIST. @&&==~,,,,
,~»=*&@£@# SHE TELLS ME THAT APART FROM COMING AND #@£@&*=»~,
,~»=*&@£@# GOING FROM WORK, SHE'S NEVER SEEN THE #@£@&*=»~,
,~»=*&@£@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@£@&*=»~,
,~»=*&@£@# #@£@&*=»~,
,~»===*&@@ THE NEXT DAY I AM INVITED TO THE PUBLIC @@&*===»~,
,~»=*&@@## DEMONSTRATION OF THE EXOBUBBLE. ##@@&*=»~,
,~~»==**@£ £@**==»~~,
,~»=*&@£@# #@£@&*=»~,
,~»=*&@£@# #@£@&*=»~,
,~=*&@£@## ##@£@&*=~,
,~~»==*@£@ @£@*==»~~,