,,,~~\^@@@ @@@^\~~,,,
,,~~\^@@@# #@@@^\~~,,
,~~\^@@@## ##@@@^\~~,
,,~~\^@@@# #@@@^\~~,,
,,,~~\^@@@ @@@^\~~,,,
,,,,~~\^@@ THE SKYSCRAPER THAT MOVES @@^\~~,,,,
,,,,,~~\^@ @^\~~,,,,,
,,,,~~\^@@ TAINARON IS A BUILDING OWNED AND @@^\~~,,,,
,,,~~\^@@@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @@@^\~~,,,
,,~~\^@@@# CLOSED TO THE HARBOR IN MALMÖ. IT'S #@@@^\~~,,
,~~\^@@@## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##@@@^\~~,
,,~~\^@@@# UNKNOWN), DARK BLUE AND COMPLETELY #@@@^\~~,,
,,,~~\^@@@ RECTANGULAR. IT FEATURES NO SIGNS, @@@^\~~,,,
,,,,~~\^@@ LIGHTS, OR ORNAMENTS, APART FROM A @@^\~~,,,,
,,,,,~~\^@ HELIPAD ON TOP. MOST FLOORS HAVE @^\~~,,,,,
,,,,~~\^@@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @@^\~~,,,,
,,,~~\^@@@ @@@^\~~,,,
,,~~\^@@@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@@@^\~~,,
,~~\^@@@## SIGNATURE FOG ROLLING IN FROM THE SEA, ##@@@^\~~,
,,~~\^@@@# THE BUILDING COMES TO LIFE: IT MOVES ON #@@@^\~~,,
,,,~~\^@@@ A THOUSAND ROBOTIC LEGS TO ANOTHER @@@^\~~,,,
,,,,~~\^@@ (SECRET) PART OF TOWN, OR PERHAPS OUT @@^\~~,,,,
,,,,,~~\^@ TO SEA. THIS SIGNALS A NEW AND MORE @^\~~,,,,,
,,,,~~\^@@ VISCIOUS PHASE OF THE TAINARON @@^\~~,,,,
,,,~~\^@@@ ECOSYSTEM. @@@^\~~,,,
,,~~\^@@@# #@@@^\~~,,
,~~\^@@@## THE GUESTS ARRIVING DURING THE EARLY ##@@@^\~~,
,,~~\^@@@# EVENING ARE TREATED TO FOOD AND DRINK, #@@@^\~~,,
,,,~~\^@@@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @@@^\~~,,,
,,,,~~\^@@ COMFORTABLE BUT MAZE-LIKE INTERIOR @@^\~~,,,,
,,,,,~~\^@ STRUCTURE (THE BUILDING FEATURES A @^\~~,,,,,
,,,,~~\^@@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @@^\~~,,,,
,,,~~\^@@@ PLACED SEEMINGLY AT RANDOM, NONE GOING @@@^\~~,,,
,,~~\^@@@# FURTHER THAN A FEW FLOORS). #@@@^\~~,,
,~~\^@@@## ##@@@^\~~,
,,~~\^@@@# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #@@@^\~~,,
,,,~~\^@@@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @@@^\~~,,,
,,,,~~\^@@ SAME QUALITY AS THE SURROUNDING MIST: @@^\~~,,,,
,,,,,~~\^@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @^\~~,,,,,
,,,,~~\^@@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. @@^\~~,,,,
,,,~~\^@@@ IF YOU WOULD LOOK THROUGH THE WINDOWS @@@^\~~,,,
,,~~\^@@@# YOU WOULD SEE THE MIST ROLLING BY, AND #@@@^\~~,,
,~~\^@@@## PERHAPS THE OUTLINE OF SOME OTHER ##@@@^\~~,
,,~~\^@@@# BUILDING, FAR BELOW. #@@@^\~~,,
,,,~~\^@@@ @@@^\~~,,,
,,,,~~\^@@ DURING THE NIGHT, AFTER TAINARON HAS @@^\~~,,,,
,,,,,~~\^@ STARTED MOVING, THE LOWER FLOORS ARE @^\~~,,,,,
,,,,~~\^@@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @@^\~~,,,,
,,,~~\^@@@ THE GUESTS. FOOD IS NO LONGER SERVED, @@@^\~~,,,
,,~~\^@@@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@@@^\~~,,
,~~\^@@@## IT'S AT THIS POINT THAT THE SECOND SET ##@@@^\~~,
,,~~\^@@@# OF GUEST ARRIVES, VIA HELICOPTER - #@@@^\~~,,
,,,~~\^@@@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @@@^\~~,,,
,,,,~~\^@@ @@^\~~,,,,
,,,,,~~\^@ ~~~~~ @^\~~,,,,,
,,,,~~\^@@ @@^\~~,,,,
,,,~~\^@@@ IN MY DREAM I AM INVITED AS A FRIEND OF @@@^\~~,,,
,,~~\^@@@# ONE OF THE SERVERS, AND THUS SAFE. WE #@@@^\~~,,
,~~\^@@@## SIT IN ONE OF THE LARGE WINDOWS, ##@@@^\~~,
,,~~\^@@@# LOOKING THROUGH THE MIST FOR ANY #@@@^\~~,,
,,,~~\^@@@ LANDMARKS TO PIERCE THROUGH THE MIST. @@@^\~~,,,
,,,,~~\^@@ SHE TELLS ME THAT APART FROM COMING AND @@^\~~,,,,
,,,,,~~\^@ GOING FROM WORK, SHE'S NEVER SEEN THE @^\~~,,,,,
,,,,~~\^@@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @@^\~~,,,,
,,,~~\^@@@ @@@^\~~,,,
,,~~\^@@@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@@@^\~~,,
,~~\^@@@## DEMONSTRATION OF THE EXOBUBBLE. ##@@@^\~~,
,,~~\^@@@# #@@@^\~~,,
,,,~~\^@@@ @@@^\~~,,,
,,,,~~\^@@ @@^\~~,,,,
,,,,,~~\^@ @^\~~,,,,,
,,,,~~\^@@ @@^\~~,,,,