##@¶&£%:,, ,,:%£&¶@##
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#@¶&£%:=,, ,,=:%£&¶@#
#@¶&£%:=,, ,,=:%£&¶@#
@¶¶&£%:=,, ,,=:%£&¶¶@
&&£%=,,,,, THE SKYSCRAPER THAT MOVES ,,,,,=%£&&
@¶¶&£%:=,, ,,=:%£&¶¶@
#@¶&£%:=,, TAINARON IS A BUILDING OWNED AND ,,=:%£&¶@#
#@¶&£%:=,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,=:%£&¶@#
¶£££%%:=,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,=:%%£££¶
¶¶£:==,,,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,,,==:£¶¶
#@¶&£%:=,, UNKNOWN), DARK BLUE AND COMPLETELY ,,=:%£&¶@#
&%%%%::=,, RECTANGULAR. IT FEATURES NO SIGNS, ,,=::%%%%&
&&£££%:=,, LIGHTS, OR ORNAMENTS, APART FROM A ,,=:%£££&&
¶&&&£%:=,, HELIPAD ON TOP. MOST FLOORS HAVE ,,=:%£&&&¶
#@¶&£%:=,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,=:%£&¶@#
&£:,,,,,,, ,,,,,,,:£&
##@¶&£%:=, IN LATE EVENINGS, SHROUDED BY MALMö'S ,=:%£&¶@##
@¶&%%===,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,===%%&¶@
#@¶&£%:=,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,=:%£&¶@#
¶¶££%==,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,==%££¶¶
&%:,,,,,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,,,,,:%&
&&%:==,,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,,==:%&&
@@¶&£%:=,, VISCIOUS PHASE OF THE TAINARON ,,=:%£&¶@@
&%:::=,,,, ECOSYSTEM. ,,,,=:::%&
&%:,,,,,,, ,,,,,,,:%&
@&&£:==,,, THE GUESTS ARRIVING DURING THE EARLY ,,,==:£&&@
##@&£%:=,, EVENING ARE TREATED TO FOOD AND DRINK, ,,=:%£&@##
¶££%=,,,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,,,=%££¶
@&££:==,,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,,==:££&@
##¶&£%:=,, STRUCTURE (THE BUILDING FEATURES A ,,=:%£&¶##
#@¶&£%:=,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,=:%£&¶@#
&££:==,,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,,==:££&
#@¶&£%:=,, FURTHER THAN A FEW FLOORS). ,,=:%£&¶@#
@@¶&£%:=,, ,,=:%£&¶@@
##@¶&£%:=, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,=:%£&¶@##
&££££%:=,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,=:%££££&
##@¶&£%:=, SAME QUALITY AS THE SURROUNDING MIST: ,=:%£&¶@##
#@¶&£%:=,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,=:%£&¶@#
¶££££%:=,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,=:%££££¶
##@¶&%:=,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,=:%&¶@##
@&&££%:=,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,=:%££&&@
@¶¶&£%:=,, PERHAPS THE OUTLINE OF SOME OTHER ,,=:%£&¶¶@
&&£:=,,,,, BUILDING, FAR BELOW. ,,,,,=:£&&
@@¶&£%:=,, ,,=:%£&¶@@
#@¶&£%:=,, DURING THE NIGHT, AFTER TAINARON HAS ,,=:%£&¶@#
#@¶&£%:=,, STARTED MOVING, THE LOWER FLOORS ARE ,,=:%£&¶@#
¶££::,,,,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,,,,::££¶
@¶££:=,,,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,,,=:££¶@
&£::,,,,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,,,,::£&
&%=,,,,,,, IT'S AT THIS POINT THAT THE SECOND SET ,,,,,,,=%&
&&£%====,, OF GUEST ARRIVES, VIA HELICOPTER - ,,====%£&&
#@¶&£%:=,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,=:%£&¶@#
&£::=,,,,, ,,,,,=::£&
&&££%:=,,, ===== ,,,=:%££&&
¶&%::,,,,, ,,,,,::%&¶
&£££%%:=,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,=:%%£££&
#@¶&£%:=,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,=:%£&¶@#
&£:,,,,,,, SIT IN ONE OF THE LARGE WINDOWS, ,,,,,,,:£&
#@¶&£%:=,, LOOKING THROUGH THE MIST FOR ANY ,,=:%£&¶@#
&%=,,,,,,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,,,,,,=%&
#@¶&£%:=,, SHE TELLS ME THAT APART FROM COMING AND ,,=:%£&¶@#
#@¶&£%:=,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,=:%£&¶@#
#@¶&£%:=,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,=:%£&¶@#
@&&%::,,,, ,,,,::%&&@
&£££%=,,,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,,=%£££&
&£::,,,,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,,,,::£&
&%=,,,,,,, ,,,,,,,=%&
#@¶&£%:=,, ,,=:%£&¶@#
#@¶&£%:=,, ,,=:%£&¶@#
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