¨~»/$¤¤¶## ##¶¤¤$/»~¨
¨¨¨¨~/$¤¶¶ ¶¶¤$/~¨¨¨¨
¨~»/$¤¤¶## ##¶¤¤$/»~¨
¨~»/$¤¤¶## ##¶¤¤$/»~¨
¨¨¨¨¨¨»$¤# #¤$»¨¨¨¨¨¨
¨~»/$¤¤¶## THE SKYSCRAPER THAT MOVES ##¶¤¤$/»~¨
¨¨¨~/$¤¤¤¶ ¶¤¤¤$/~¨¨¨
¨~»/$¤¤¶## TAINARON IS A BUILDING OWNED AND ##¶¤¤$/»~¨
¨~»/$¤¤¶## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##¶¤¤$/»~¨
¨¨¨¨¨¨~/$¤ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¤$/~¨¨¨¨¨¨
¨~»/$¤¤¶## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##¶¤¤$/»~¨
¨¨¨¨¨¨~/¤¶ UNKNOWN), DARK BLUE AND COMPLETELY ¶¤/~¨¨¨¨¨¨
¨~»/$¤¤¶## RECTANGULAR. IT FEATURES NO SIGNS, ##¶¤¤$/»~¨
¨~»/$¤¤¶## LIGHTS, OR ORNAMENTS, APART FROM A ##¶¤¤$/»~¨
¨~»/$¤¤¤¤¤ HELIPAD ON TOP. MOST FLOORS HAVE ¤¤¤¤¤$/»~¨
¨~»/$¤¤¤¶¶ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¶¶¤¤¤$/»~¨
¨~»/$¤¤¶## ##¶¤¤$/»~¨
¨¨¨~~///¤¤ IN LATE EVENINGS, SHROUDED BY MALMö'S ¤¤///~~¨¨¨
¨¨¨~»/¤¤¶¶ SIGNATURE FOG ROLLING IN FROM THE SEA, ¶¶¤¤/»~¨¨¨
¨¨¨~//$$¤¶ THE BUILDING COMES TO LIFE: IT MOVES ON ¶¤$$//~¨¨¨
¨~»/$¤¤¶## A THOUSAND ROBOTIC LEGS TO ANOTHER ##¶¤¤$/»~¨
¨~»/$¤¤### (SECRET) PART OF TOWN, OR PERHAPS OUT ###¤¤$/»~¨
¨¨¨¨¨~»»$¤ TO SEA. THIS SIGNALS A NEW AND MORE ¤$»»~¨¨¨¨¨
¨~»/$¤¤¶## VISCIOUS PHASE OF THE TAINARON ##¶¤¤$/»~¨
¨¨¨¨¨¨~/¤¶ ECOSYSTEM. ¶¤/~¨¨¨¨¨¨
¨~»/$¤¤¶## ##¶¤¤$/»~¨
¨¨¨¨¨¨»/$¤ THE GUESTS ARRIVING DURING THE EARLY ¤$/»¨¨¨¨¨¨
¨~»/$¤¤¶## EVENING ARE TREATED TO FOOD AND DRINK, ##¶¤¤$/»~¨
¨¨¨¨~/$¤¶# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #¶¤$/~¨¨¨¨
¨~»/$¤¶### COMFORTABLE BUT MAZE-LIKE INTERIOR ###¶¤$/»~¨
¨~»/$¤¤¤¤¶ STRUCTURE (THE BUILDING FEATURES A ¶¤¤¤¤$/»~¨
¨~»/$¤¤¤¤¤ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¤¤¤¤¤$/»~¨
¨~»/$¤¤¤¤# PLACED SEEMINGLY AT RANDOM, NONE GOING #¤¤¤¤$/»~¨
¨~»/$¤¤¶## FURTHER THAN A FEW FLOORS). ##¶¤¤$/»~¨
¨~»///$¤¤# #¤¤$///»~¨
¨~»/$¤¤¶## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##¶¤¤$/»~¨
¨~»/$¤¤¶## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##¶¤¤$/»~¨
¨¨¨~/$¤¤¤¤ SAME QUALITY AS THE SURROUNDING MIST: ¤¤¤¤$/~¨¨¨
¨~»/$¤¤¶## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##¶¤¤$/»~¨
¨~»/$¤¤¶## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##¶¤¤$/»~¨
¨~»/$¤¤¶## IF YOU WOULD LOOK THROUGH THE WINDOWS ##¶¤¤$/»~¨
¨¨¨¨~~/$¤¶ YOU WOULD SEE THE MIST ROLLING BY, AND ¶¤$/~~¨¨¨¨
¨~»/$¤¤¶## PERHAPS THE OUTLINE OF SOME OTHER ##¶¤¤$/»~¨
¨¨¨¨¨»$¤¶¶ BUILDING, FAR BELOW. ¶¶¤$»¨¨¨¨¨
¨¨¨~/$$¤¤¶ ¶¤¤$$/~¨¨¨
¨~»/$¤¤¶## DURING THE NIGHT, AFTER TAINARON HAS ##¶¤¤$/»~¨
¨¨¨¨¨¨~/¤¤ STARTED MOVING, THE LOWER FLOORS ARE ¤¤/~¨¨¨¨¨¨
¨~»/$¤¶### SHUT OFF, PREVENTING ENTRY OR EXIT FOR ###¶¤$/»~¨
¨¨~~~~»$¤¶ THE GUESTS. FOOD IS NO LONGER SERVED, ¶¤$»~~~~¨¨
¨¨¨¨¨»/$¤# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #¤$/»¨¨¨¨¨
¨~»/$¤¤¶## IT'S AT THIS POINT THAT THE SECOND SET ##¶¤¤$/»~¨
¨~»/$¤¤¶## OF GUEST ARRIVES, VIA HELICOPTER - ##¶¤¤$/»~¨
¨¨¨¨¨»$$¤¤ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¤¤$$»¨¨¨¨¨
¨~»/$¤¤¶## ##¶¤¤$/»~¨
¨~»/$¤¤¤¤¶ »»»»» ¶¤¤¤¤$/»~¨
¨¨¨»»»»/¤¶ ¶¤/»»»»¨¨¨
¨~»/$¤¤¶## IN MY DREAM I AM INVITED AS A FRIEND OF ##¶¤¤$/»~¨
¨¨¨¨~~/$¤¶ ONE OF THE SERVERS, AND THUS SAFE. WE ¶¤$/~~¨¨¨¨
¨~»/$¤¤¶## SIT IN ONE OF THE LARGE WINDOWS, ##¶¤¤$/»~¨
¨~»/$¤¤¶## LOOKING THROUGH THE MIST FOR ANY ##¶¤¤$/»~¨
¨~»/$¤¤¶## LANDMARKS TO PIERCE THROUGH THE MIST. ##¶¤¤$/»~¨
¨¨¨¨~~/$$¤ SHE TELLS ME THAT APART FROM COMING AND ¤$$/~~¨¨¨¨
¨¨¨¨¨~»/¤¶ GOING FROM WORK, SHE'S NEVER SEEN THE ¶¤/»~¨¨¨¨¨
¨~»/$¤¤### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ###¤¤$/»~¨
¨¨¨~~»$$¤¶ ¶¤$$»~~¨¨¨
¨~»/$¤¤¶## THE NEXT DAY I AM INVITED TO THE PUBLIC ##¶¤¤$/»~¨
¨¨¨¨¨¨»$¤# DEMONSTRATION OF THE EXOBUBBLE. #¤$»¨¨¨¨¨¨
¨~»/$¤¤¶## ##¶¤¤$/»~¨
¨~»»»//$¤¤ ¤¤$//»»»~¨
¨~»/$¤¤¶## ##¶¤¤$/»~¨
¨¨¨¨~»»$¤# #¤$»»~¨¨¨¨
¨¨¨¨¨»/$¤# #¤$/»¨¨¨¨¨