.,«†=&§#@# #@#§&=†«,.
..,«†=&§#@ @#§&=†«,..
.,«†=&§#@# #@#§&=†«,.
..,«†=&§#@ @#§&=†«,..
.,«†=&§#@# #@#§&=†«,.
..,«†=&§#@ THE SKYSCRAPER THAT MOVES @#§&=†«,..
.,«†=&§#@# #@#§&=†«,.
..,«†=&§#@ TAINARON IS A BUILDING OWNED AND @#§&=†«,..
.,«†=&§#@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@#§&=†«,.
..,«†=&§#@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @#§&=†«,..
.,«†=&§#@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@#§&=†«,.
..,«†=&§#@ UNKNOWN), DARK BLUE AND COMPLETELY @#§&=†«,..
.,«†=&§#@# RECTANGULAR. IT FEATURES NO SIGNS, #@#§&=†«,.
..,«†=&§#@ LIGHTS, OR ORNAMENTS, APART FROM A @#§&=†«,..
.,«†=&§#@# HELIPAD ON TOP. MOST FLOORS HAVE #@#§&=†«,.
..,«†=&§#@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @#§&=†«,..
.,«†=&§#@# #@#§&=†«,.
..,«†=&§#@ IN LATE EVENINGS, SHROUDED BY MALMö'S @#§&=†«,..
.,«†=&§#@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@#§&=†«,.
..,«†=&§#@ THE BUILDING COMES TO LIFE: IT MOVES ON @#§&=†«,..
.,«†=&§#@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@#§&=†«,.
..,«†=&§#@ (SECRET) PART OF TOWN, OR PERHAPS OUT @#§&=†«,..
.,«†=&§#@# TO SEA. THIS SIGNALS A NEW AND MORE #@#§&=†«,.
..,«†=&§#@ VISCIOUS PHASE OF THE TAINARON @#§&=†«,..
.,«†=&§#@# ECOSYSTEM. #@#§&=†«,.
..,«†=&§#@ @#§&=†«,..
.,«†=&§#@# THE GUESTS ARRIVING DURING THE EARLY #@#§&=†«,.
..,«†=&§#@ EVENING ARE TREATED TO FOOD AND DRINK, @#§&=†«,..
.,«†=&§#@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@#§&=†«,.
..,«†=&§#@ COMFORTABLE BUT MAZE-LIKE INTERIOR @#§&=†«,..
.,«†=&§#@# STRUCTURE (THE BUILDING FEATURES A #@#§&=†«,.
..,«†=&§#@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @#§&=†«,..
.,«†=&§#@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@#§&=†«,.
..,«†=&§#@ FURTHER THAN A FEW FLOORS). @#§&=†«,..
.,«†=&§#@# #@#§&=†«,.
..,«†=&§#@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @#§&=†«,..
.,«†=&§#@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@#§&=†«,.
..,«†=&§#@ SAME QUALITY AS THE SURROUNDING MIST: @#§&=†«,..
.,«†=&§#@# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #@#§&=†«,.
..,«†=&§#@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. @#§&=†«,..
.,«†=&§#@# IF YOU WOULD LOOK THROUGH THE WINDOWS #@#§&=†«,.
..,«†=&§#@ YOU WOULD SEE THE MIST ROLLING BY, AND @#§&=†«,..
.,«†=&§#@# PERHAPS THE OUTLINE OF SOME OTHER #@#§&=†«,.
..,«†=&§#@ BUILDING, FAR BELOW. @#§&=†«,..
.,«†=&§#@# #@#§&=†«,.
..,«†=&§#@ DURING THE NIGHT, AFTER TAINARON HAS @#§&=†«,..
.,«†=&§#@# STARTED MOVING, THE LOWER FLOORS ARE #@#§&=†«,.
..,«†=&§#@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @#§&=†«,..
.,«†=&§#@# THE GUESTS. FOOD IS NO LONGER SERVED, #@#§&=†«,.
..,«†=&§#@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @#§&=†«,..
.,«†=&§#@# IT'S AT THIS POINT THAT THE SECOND SET #@#§&=†«,.
..,«†=&§#@ OF GUEST ARRIVES, VIA HELICOPTER - @#§&=†«,..
.,«†=&§#@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@#§&=†«,.
..,«†=&§#@ @#§&=†«,..
.,«†=&§#@# ««««« #@#§&=†«,.
..,«†=&§#@ @#§&=†«,..
.,«†=&§#@# IN MY DREAM I AM INVITED AS A FRIEND OF #@#§&=†«,.
..,«†=&§#@ ONE OF THE SERVERS, AND THUS SAFE. WE @#§&=†«,..
.,«†=&§#@# SIT IN ONE OF THE LARGE WINDOWS, #@#§&=†«,.
..,«†=&§#@ LOOKING THROUGH THE MIST FOR ANY @#§&=†«,..
.,«†=&§#@# LANDMARKS TO PIERCE THROUGH THE MIST. #@#§&=†«,.
..,«†=&§#@ SHE TELLS ME THAT APART FROM COMING AND @#§&=†«,..
.,«†=&§#@# GOING FROM WORK, SHE'S NEVER SEEN THE #@#§&=†«,.
..,«†=&§#@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @#§&=†«,..
.,«†=&§#@# #@#§&=†«,.
..,«†=&§#@ THE NEXT DAY I AM INVITED TO THE PUBLIC @#§&=†«,..
.,«†=&§#@# DEMONSTRATION OF THE EXOBUBBLE. #@#§&=†«,.
..,«†=&§#@ @#§&=†«,..
.,«†=&§#@# #@#§&=†«,.
..,«†=&§#@ @#§&=†«,..
.,«†=&§#@# #@#§&=†«,.
..,«†=&§#@ @#§&=†«,..