.#.#.##.#. ##.#.##..#
######.### ..####.#.#
......##.. ..#...####
#.....#.#. #.##..#...
##....#### ###.#.##..
#.#...#... THE SKYSCRAPER THAT MOVES #..####.#.
####..##.. .#.#...###
....#.#.#. TAINARON IS A BUILDING OWNED AND .####..#..
....###### OPERATED BY AMATA TEXNOLOGIYASI PLACED ##...#.##.
....#..... CLOSED TO THE HARBOR IN MALMÖ. IT'S #.#..###.#
#...##.... ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .###.#..##
.#..#.#... UNKNOWN), DARK BLUE AND COMPLETELY .#..###.#.
.##.####.. RECTANGULAR. IT FEATURES NO SIGNS, .##.#..###
##.##...#. LIGHTS, OR ORNAMENTS, APART FROM A .#.###.#..
#.##.#..## HELIPAD ON TOP. MOST FLOORS HAVE ####..###.
###.###.#. EXTERIOR WALLS COMPLETELY MADE OF GLASS. #...#.#..#
...##..### ##..####.#
#..#.#.#.. IN LATE EVENINGS, SHROUDED BY MALMö'S ..#.#...##
.#.######. SIGNATURE FOG ROLLING IN FROM THE SEA, #.####..#.
.###.....# THE BUILDING COMES TO LIFE: IT MOVES ON ###...#.##
##..#....# A THOUSAND ROBOTIC LEGS TO ANOTHER #..#..###.
#.#.##...# (SECRET) PART OF TOWN, OR PERHAPS OUT .#.##.#..#
.####.#..# TO SEA. THIS SIGNALS A NEW AND MORE ####.###.#
##...###.# VISCIOUS PHASE OF THE TAINARON #...##..##
..#..#..## ECOSYSTEM. .#..#.#.#.
..##.##.#. .##.######
#.#.##.### THE GUESTS ARRIVING DURING THE EARLY ##.##.....
#####.##.. EVENING ARE TREATED TO FOOD AND DRINK, #.##.#....
#....##.#. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .##.###...
##...#.### COMFORTABLE BUT MAZE-LIKE INTERIOR ##.##..#..
#.#..###.. STRUCTURE (THE BUILDING FEATURES A ..##.#.##.
####.#..#. MULTITUDE OF STAIRWELLS AND ELEVATORS, #.#.####.#
....###.## PLACED SEEMINGLY AT RANDOM, NONE GOING .####...##
#...#..##. FURTHER THAN A FEW FLOORS). ##...#..#.
##..##.#.# #.#..##.##
..#.#.#### AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ####.#.##.
..#####... UNTIL THE AIR INSIDE HAS TAKEN ON THE ....####.#
#.#....#.. SAME QUALITY AS THE SURROUNDING MIST: ....#...##
.###...##. BLUE-GRAY, SPRINKLED WITH THE SMALL RED #...##..#.
.#..#..#.# DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##..#.#.##
###.##.### IF YOU WOULD LOOK THROUGH THE WINDOWS #.#.#####.
#..##.##.. YOU WOULD SEE THE MIST ROLLING BY, AND .####....#
.#.#.##.#. PERHAPS THE OUTLINE OF SOME OTHER .#...#...#
######.### BUILDING, FAR BELOW. .##..##..#
......##.. ##.#.#.#.#
#.....#.#. DURING THE NIGHT, AFTER TAINARON HAS ..########
.#....#### STARTED MOVING, THE LOWER FLOORS ARE #.#.......
.##...#... SHUT OFF, PREVENTING ENTRY OR EXIT FOR ####......
.#.#..##.. THE GUESTS. FOOD IS NO LONGER SERVED, ....#.....
.####.#.#. BUT THE DRINKS BECOME MORE EXTRAVAGANT. ....##....
.#...##### IT'S AT THIS POINT THAT THE SECOND SET ....#.#...
.##..#.... OF GUEST ARRIVES, VIA HELICOPTER - #...####..
.#.#.##... AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .#..#...#.
.#####.#.. ###.##..##
##....###. »»»»» ...##.#.#.
#.#...#..# #..#.#####
.###..##.# IN MY DREAM I AM INVITED AS A FRIEND OF ##.###....
.#..#.#.## ONE OF THE SERVERS, AND THUS SAFE. WE ..##..#...
.##.#####. SIT IN ONE OF THE LARGE WINDOWS, ..#.#.##..
.#.##....# LOOKING THROUGH THE MIST FOR ANY ..#####.#.
.###.#...# LANDMARKS TO PIERCE THROUGH THE MIST. ..#....###
##..###..# SHE TELLS ME THAT APART FROM COMING AND ..##...#..
#.#.#..#.# GOING FROM WORK, SHE'S NEVER SEEN THE ..#.#..##.
######.### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ..####.#.#
......##.. ..#...####
#.....#.#. THE NEXT DAY I AM INVITED TO THE PUBLIC #.##..#...
##....#### DEMONSTRATION OF THE EXOBUBBLE. ###.#.##..
#.#...#... #..####.#.
####..##.. .#.#...###
....#.#.#. .####..#..
....###### ##...#.##.
....#..... #.#..###.#