,,,~~\\$$£ £$$\\~~,,,
,,~\$$£@## ##@£$$\~,,
,,~\$$@£@@ @@£@$$\~,,
,,,,,,~\$@ @$\~,,,,,,
,,~\$$@£@# #@£@$$\~,,
,,~\$$@@@@ THE SKYSCRAPER THAT MOVES @@@@$$\~,,
,,,~~\$$@@ @@$$\~~,,,
,,~\$$@£@# TAINARON IS A BUILDING OWNED AND #@£@$$\~,,
,,~\$$@£@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@£@$$\~,,
,,,,,,\$$@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @$$\,,,,,,
,,~\$$@£@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@£@$$\~,,
,,,,,~\$$@ UNKNOWN), DARK BLUE AND COMPLETELY @$$\~,,,,,
,,~\$$@£@@ RECTANGULAR. IT FEATURES NO SIGNS, @@£@$$\~,,
,,,,,,~$$@ LIGHTS, OR ORNAMENTS, APART FROM A @$$~,,,,,,
,,~\$$@£@# HELIPAD ON TOP. MOST FLOORS HAVE #@£@$$\~,,
,,,~\\$@@£ EXTERIOR WALLS COMPLETELY MADE OF GLASS. £@@$\\~,,,
,,~\$$$$£@ @£$$$$\~,,
,,,,,~~\$@ IN LATE EVENINGS, SHROUDED BY MALMö'S @$\~~,,,,,
,,~\$$@£££ SIGNATURE FOG ROLLING IN FROM THE SEA, £££@$$\~,,
,,,,,,\$@£ THE BUILDING COMES TO LIFE: IT MOVES ON £@$\,,,,,,
,,~\$$@£@@ A THOUSAND ROBOTIC LEGS TO ANOTHER @@£@$$\~,,
,,,,~\$$@@ (SECRET) PART OF TOWN, OR PERHAPS OUT @@$$\~,,,,
,,~\$$@£@@ TO SEA. THIS SIGNALS A NEW AND MORE @@£@$$\~,,
,,~\$$@£@# VISCIOUS PHASE OF THE TAINARON #@£@$$\~,,
,,,,,,~$$£ ECOSYSTEM. £$$~,,,,,,
,,~\$$$$@£ £@$$$$\~,,
,,~\$$$$@£ THE GUESTS ARRIVING DURING THE EARLY £@$$$$\~,,
,,~\$$@£@# EVENING ARE TREATED TO FOOD AND DRINK, #@£@$$\~,,
,,~\$$@£@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@£@$$\~,,
,,~\$$@£@# COMFORTABLE BUT MAZE-LIKE INTERIOR #@£@$$\~,,
,,,,~\\$$£ STRUCTURE (THE BUILDING FEATURES A £$$\\~,,,,
,,,,,\$$@@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @@$$\,,,,,
,,,,,,,\$@ PLACED SEEMINGLY AT RANDOM, NONE GOING @$\,,,,,,,
,,~\$$@£@# FURTHER THAN A FEW FLOORS). #@£@$$\~,,
,,~\$$@££@ @££@$$\~,,
,,~\$@£@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@£@$\~,,
,,~\$$$$$@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @$$$$$\~,,
,,~\$$@£@# SAME QUALITY AS THE SURROUNDING MIST: #@£@$$\~,,
,,~\$$@£@# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #@£@$$\~,,
,,,,,,,~$@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. @$~,,,,,,,
,,~\$$@£@# IF YOU WOULD LOOK THROUGH THE WINDOWS #@£@$$\~,,
,,~\$$@£@# YOU WOULD SEE THE MIST ROLLING BY, AND #@£@$$\~,,
,,~\$$@£@# PERHAPS THE OUTLINE OF SOME OTHER #@£@$$\~,,
,,~\$$@£@# BUILDING, FAR BELOW. #@£@$$\~,,
,,~\$$@£@# #@£@$$\~,,
,,~\$@£@## DURING THE NIGHT, AFTER TAINARON HAS ##@£@$\~,,
,,~\$$@£@# STARTED MOVING, THE LOWER FLOORS ARE #@£@$$\~,,
,,,,~\\$$@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @$$\\~,,,,
,,~\$$@£@# THE GUESTS. FOOD IS NO LONGER SERVED, #@£@$$\~,,
,,,,,~\$$@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @$$\~,,,,,
,,~\$$@£@# IT'S AT THIS POINT THAT THE SECOND SET #@£@$$\~,,
,,,,\\\$$@ OF GUEST ARRIVES, VIA HELICOPTER - @$$\\\,,,,
,,,,,~$$$@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @$$$~,,,,,
,,,,~~\\$@ @$\\~~,,,,
,,~\$$@£@# ~~~~~ #@£@$$\~,,
,,~\$$$$$@ @$$$$$\~,,
,,~\$$@£@# IN MY DREAM I AM INVITED AS A FRIEND OF #@£@$$\~,,
,,~\$$@£@# ONE OF THE SERVERS, AND THUS SAFE. WE #@£@$$\~,,
,,~\$$@@@@ SIT IN ONE OF THE LARGE WINDOWS, @@@@$$\~,,
,,~\$$@£@@ LOOKING THROUGH THE MIST FOR ANY @@£@$$\~,,
,,~\$$@£££ LANDMARKS TO PIERCE THROUGH THE MIST. £££@$$\~,,
,,~\$$@@## SHE TELLS ME THAT APART FROM COMING AND ##@@$$\~,,
,,~\$@£@## GOING FROM WORK, SHE'S NEVER SEEN THE ##@£@$\~,,
,,~\$$@£@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@£@$$\~,,
,,~\$$@£@# #@£@$$\~,,
,,,,,~\$@£ THE NEXT DAY I AM INVITED TO THE PUBLIC £@$\~,,,,,
,,,,,,\\$@ DEMONSTRATION OF THE EXOBUBBLE. @$\\,,,,,,
,,,~\\$$$@ @$$$\\~,,,
,~\$$@£@## ##@£@$$\~,
,,~\$$@£@# #@£@$$\~,,
,,,,\\\$@£ £@$\\\,,,,
,,~\\$$$$@ @$$$$\\~,,