@¤$««..... .....««$¤@
@¤$$/«^... ...^«/$$¤@
@@¤¤$$/«^. .^«/$$¤¤@@
¤$$$//^... ...^//$$$¤
#@@¤$$/«^. .^«/$$¤@@#
#@@¤$$/«^. THE SKYSCRAPER THAT MOVES .^«/$$¤@@#
@¤$$/^.... ....^/$$¤@
##@@¤$$/^. TAINARON IS A BUILDING OWNED AND .^/$$¤@@##
@¤$«...... OPERATED BY AMATA TEXNOLOGIYASI PLACED ......«$¤@
##@¤$$/«^. CLOSED TO THE HARBOR IN MALMÖ. IT'S .^«/$$¤@##
#@@¤$$/«^. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .^«/$$¤@@#
¤$$$/«^... UNKNOWN), DARK BLUE AND COMPLETELY ...^«/$$$¤
@$/^...... RECTANGULAR. IT FEATURES NO SIGNS, ......^/$@
@¤¤$$««... LIGHTS, OR ORNAMENTS, APART FROM A ...««$$¤¤@
##@@¤$$/«^ HELIPAD ON TOP. MOST FLOORS HAVE ^«/$$¤@@##
¤$/«^..... EXTERIOR WALLS COMPLETELY MADE OF GLASS. .....^«/$¤
@@¤$$$/«^. .^«/$$$¤@@
#@@¤$$/«^. IN LATE EVENINGS, SHROUDED BY MALMö'S .^«/$$¤@@#
##@¤$$/«^. SIGNATURE FOG ROLLING IN FROM THE SEA, .^«/$$¤@##
@¤¤¤$$/«^. THE BUILDING COMES TO LIFE: IT MOVES ON .^«/$$¤¤¤@
##@¤$$/«^. A THOUSAND ROBOTIC LEGS TO ANOTHER .^«/$$¤@##
@@¤$$$/«^. (SECRET) PART OF TOWN, OR PERHAPS OUT .^«/$$$¤@@
#@@¤$$/«^. TO SEA. THIS SIGNALS A NEW AND MORE .^«/$$¤@@#
#@@¤$$/«^. VISCIOUS PHASE OF THE TAINARON .^«/$$¤@@#
##@@$$/«^. ECOSYSTEM. .^«/$$@@##
#@@¤$$/«^. .^«/$$¤@@#
@¤¤¤$$/«^. THE GUESTS ARRIVING DURING THE EARLY .^«/$$¤¤¤@
#@@¤$$/«^. EVENING ARE TREATED TO FOOD AND DRINK, .^«/$$¤@@#
##@¤$$/«^. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .^«/$$¤@##
##@@¤$$/«^ COMFORTABLE BUT MAZE-LIKE INTERIOR ^«/$$¤@@##
@¤$««««^^. STRUCTURE (THE BUILDING FEATURES A .^^««««$¤@
##@¤$$/«^. MULTITUDE OF STAIRWELLS AND ELEVATORS, .^«/$$¤@##
¤¤¤¤$$/«^. PLACED SEEMINGLY AT RANDOM, NONE GOING .^«/$$¤¤¤¤
¤$//«^.... FURTHER THAN A FEW FLOORS). ....^«//$¤
¤¤$$««.... ....««$$¤¤
##@¤$$/«^. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .^«/$$¤@##
¤$$«««««^. UNTIL THE AIR INSIDE HAS TAKEN ON THE .^«««««$$¤
#@@¤$$/«^. SAME QUALITY AS THE SURROUNDING MIST: .^«/$$¤@@#
#@@¤$$/«^. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .^«/$$¤@@#
##@¤$$/«^. DOT'S BY DOOR LOCKS AND CONTROL PANELS. .^«/$$¤@##
@$/«...... IF YOU WOULD LOOK THROUGH THE WINDOWS ......«/$@
##@@¤$$/«^ YOU WOULD SEE THE MIST ROLLING BY, AND ^«/$$¤@@##
@@@¤$$/«^. PERHAPS THE OUTLINE OF SOME OTHER .^«/$$¤@@@
#@@¤$$/«^. BUILDING, FAR BELOW. .^«/$$¤@@#
##@¤$$/«^. .^«/$$¤@##
@@@¤$$/«^. DURING THE NIGHT, AFTER TAINARON HAS .^«/$$¤@@@
#@@¤$$/«^. STARTED MOVING, THE LOWER FLOORS ARE .^«/$$¤@@#
#@@¤$$/«^. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .^«/$$¤@@#
#@@¤$$/«^. THE GUESTS. FOOD IS NO LONGER SERVED, .^«/$$¤@@#
@¤$/^..... BUT THE DRINKS BECOME MORE EXTRAVAGANT. .....^/$¤@
@@@¤$$/«^. IT'S AT THIS POINT THAT THE SECOND SET .^«/$$¤@@@
##@@$$/«^. OF GUEST ARRIVES, VIA HELICOPTER - .^«/$$@@##
##@¤$$/«^. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .^«/$$¤@##
¤$$/«^.... ....^«/$$¤
@¤$$$$/«^. ««««« .^«/$$$$¤@
@@$//«^... ...^«//$@@
@$$/^..... IN MY DREAM I AM INVITED AS A FRIEND OF .....^/$$@
@¤$$«..... ONE OF THE SERVERS, AND THUS SAFE. WE .....«$$¤@
@@$/«..... SIT IN ONE OF THE LARGE WINDOWS, .....«/$@@
@@$$$$/«^. LOOKING THROUGH THE MIST FOR ANY .^«/$$$$@@
#@@¤$$/«^. LANDMARKS TO PIERCE THROUGH THE MIST. .^«/$$¤@@#
¤$/^...... SHE TELLS ME THAT APART FROM COMING AND ......^/$¤
@¤$«...... GOING FROM WORK, SHE'S NEVER SEEN THE ......«$¤@
#@@¤$$/«^. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .^«/$$¤@@#
#@@¤$$/«^. .^«/$$¤@@#
#@@¤$$/«^. THE NEXT DAY I AM INVITED TO THE PUBLIC .^«/$$¤@@#
#@@¤$$/«^. DEMONSTRATION OF THE EXOBUBBLE. .^«/$$¤@@#
@¤$$$$/«^. .^«/$$$$¤@
¤$«....... .......«$¤
##@@¤$$/^. .^/$$¤@@##
@¤$//«^... ...^«//$¤@
#@@¤$$/«^. .^«/$$¤@@#