¨¨¨¨»\%&@# #@&%\»¨¨¨¨
¨--»»\\$&@ @&$\\»»--¨
¨-»\%$&@## ##@&$%\»-¨
¨-»\%$&@## ##@&$%\»-¨
¨¨¨¨»»\$&@ @&$\»»¨¨¨¨
¨-»\%$&& THE SKYSCRAPER THAT MOVES #&&&$%\»-¨
¨¨¨¨¨»»%&& &&%»»¨¨¨¨¨
¨-»\%$&@## TAINARON IS A BUILDING OWNED AND ##@&$%\»-¨
¨-»\%$&@## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##@&$%\»-¨
¨¨¨-»\$& CLOSED TO THE HARBOR IN MALMÖ. IT'S #&&$\»-¨¨¨
¨-»\\\$$@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@$$\\\»-¨
¨¨¨¨¨¨»\$& UNKNOWN), DARK BLUE AND COMPLETELY &$\»¨¨¨¨¨¨
¨¨¨¨¨-»\$@ RECTANGULAR. IT FEATURES NO SIGNS, @$\»-¨¨¨¨¨
¨-»\%$$$&& LIGHTS, OR ORNAMENTS, APART FROM A &&$$$%\»-¨
¨-»\%$&@## HELIPAD ON TOP. MOST FLOORS HAVE ##@&$%\»-¨
¨--»»%%% EXTERIOR WALLS COMPLETELY MADE OF GLASS. #&%%%»»--¨
¨-»\%$&@## ##@&$%\»-¨
¨¨¨¨¨»\%$@ IN LATE EVENINGS, SHROUDED BY MALMö'S @$%\»¨¨¨¨¨
¨-»\%&@### SIGNATURE FOG ROLLING IN FROM THE SEA, ###@&%\»-¨
¨-»\%$&&&& THE BUILDING COMES TO LIFE: IT MOVES ON &&&&$%\»-¨
¨¨¨¨¨-\% A THOUSAND ROBOTIC LEGS TO ANOTHER #&%\-¨¨¨¨¨
¨¨¨¨-\%&&& (SECRET) PART OF TOWN, OR PERHAPS OUT &&&%\-¨¨¨¨
¨-»»\\\%&& TO SEA. THIS SIGNALS A NEW AND MORE &&%\\\»»-¨
¨-»\%$&@## VISCIOUS PHASE OF THE TAINARON ##@&$%\»-¨
¨-»\%$&@## ECOSYSTEM. ##@&$%\»-¨
¨¨¨¨¨»%%&& &&%%»¨¨¨¨¨
¨-»\%$$$@# THE GUESTS ARRIVING DURING THE EARLY #@$$$%\»-¨
¨-»\%$&@## EVENING ARE TREATED TO FOOD AND DRINK, ##@&$%\»-¨
¨-»\%$&@@@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @@@&$%\»-¨
¨¨¨---\$ COMFORTABLE BUT MAZE-LIKE INTERIOR #&$\---¨¨¨
¨¨¨¨»%$&@@ STRUCTURE (THE BUILDING FEATURES A @@&$%»¨¨¨¨
¨¨¨¨¨¨-»%& MULTITUDE OF STAIRWELLS AND ELEVATORS, &%»-¨¨¨¨¨¨
¨-»\%$&@## PLACED SEEMINGLY AT RANDOM, NONE GOING ##@&$%\»-¨
¨-»\%$&@## FURTHER THAN A FEW FLOORS). ##@&$%\»-¨
¨-»\%$&@## ##@&$%\»-¨
¨-»\%$$&&& AS TIME GOES ON, THE LIGHTS SLOWLY DIM, &&&$$%\»-¨
¨-»\%$&@@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@@&$%\»-¨
¨¨¨¨¨-\$@@ SAME QUALITY AS THE SURROUNDING MIST: @@$\-¨¨¨¨¨
¨-»\%$&@## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##@&$%\»-¨
¨-»»»\$$&& DOT'S BY DOOR LOCKS AND CONTROL PANELS. &&$$\»»»-¨
¨-»\%$&@## IF YOU WOULD LOOK THROUGH THE WINDOWS ##@&$%\»-¨
¨¨¨¨»%%% YOU WOULD SEE THE MIST ROLLING BY, AND #&%%%»¨¨¨¨
¨-»\%$&@## PERHAPS THE OUTLINE OF SOME OTHER ##@&$%\»-¨
¨¨¨¨¨-\$$& BUILDING, FAR BELOW. &$$\-¨¨¨¨¨
¨¨¨¨¨-\$$@ @$$\-¨¨¨¨¨
¨-»\%$$&@@ DURING THE NIGHT, AFTER TAINARON HAS @@&$$%\»-¨
¨-»\%$## STARTED MOVING, THE LOWER FLOORS ARE ###&$%\»-¨
¨¨¨¨-\\$$@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @$$\\-¨¨¨¨
¨¨¨¨-\$$$& THE GUESTS. FOOD IS NO LONGER SERVED, &$$$\-¨¨¨¨
¨¨¨¨--\%$@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @$%\--¨¨¨¨
¨-»\%$&@## IT'S AT THIS POINT THAT THE SECOND SET ##@&$%\»-¨
¨-»\%$&@## OF GUEST ARRIVES, VIA HELICOPTER - ##@&$%\»-¨
¨-»\%$&@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##@&$%\»-¨
¨-»\%$&@## ##@&$%\»-¨
¨-»\%$&@## »»»»» ##@&$%\»-¨
¨-»\%$&@## ##@&$%\»-¨
¨¨¨¨--»% IN MY DREAM I AM INVITED AS A FRIEND OF #&%»--¨¨¨¨
¨-»\%$$$@@ ONE OF THE SERVERS, AND THUS SAFE. WE @@$$$%\»-¨
¨-»»»%%$&& SIT IN ONE OF THE LARGE WINDOWS, &&$%%»»»-¨
¨-»\%$&@## LOOKING THROUGH THE MIST FOR ANY ##@&$%\»-¨
¨---»»%&&@ LANDMARKS TO PIERCE THROUGH THE MIST. @&&%»»---¨
¨-»\%$&@## SHE TELLS ME THAT APART FROM COMING AND ##@&$%\»-¨
¨-»\%$&@## GOING FROM WORK, SHE'S NEVER SEEN THE ##@&$%\»-¨
¨-»\%$&& BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #&&&$%\»-¨
¨-»\%$&@## ##@&$%\»-¨
¨¨¨--»\%&@ THE NEXT DAY I AM INVITED TO THE PUBLIC @&%\»--¨¨¨
¨-»\%$&&&@ DEMONSTRATION OF THE EXOBUBBLE. @&&&$%\»-¨
¨¨¨¨¨¨»%&@ @&%»¨¨¨¨¨¨
¨-»\%$&@## ##@&$%\»-¨
¨¨¨¨--»\%& &%\»--¨¨¨¨
¨-»\%$&@## ##@&$%\»-¨
¨-»\%$&@## ##@&$%\»-¨