,,,==^*%#@                                          @#%*^==,,,
,,,,,,^%@@                                          @@%^,,,,,,
,,====*#@@                                          @@#*====,,
,,,,,,,^%#                                          #%^,,,,,,,
,,=^*%#@@#                                          #@@#%*^=,,
,,,,^^*#@@         THE SKYSCRAPER THAT MOVES        @@#*^^,,,,
,,,,,,^**#                                          #**^,,,,,,
,,,,=*%%@@ TAINARON   IS   A  BUILDING   OWNED  AND @@%%*=,,,,
,,,,^^^%#@  OPERATED BY AMATA TEXNOLOGIYASI PLACED  @#%^^^,,,,
,,,,,==^%@ CLOSED TO  THE  HARBOR  IN  MALMÖ.  IT'S @%^==,,,,,
,,=^*%#@@# ROUGHLY  SIXTY FLOORS HIGH  (REAL NUMBER #@@#%*^=,,
,,,,,,^*#@    UNKNOWN), DARK BLUE AND COMPLETELY    @#*^,,,,,,
,,,,===^%#    RECTANGULAR. IT FEATURES NO SIGNS,    #%^===,,,,
,,,,,===*# LIGHTS,  OR  ORNAMENTS,  APART  FROM   A #*===,,,,,
,,=^*%@@## HELIPAD  ON   TOP.   MOST   FLOORS  HAVE ##@@%*^=,,
,,=^***%%# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #%%***^=,,
,,=^*%#@##                                          ##@#%*^=,,
,,,,,^%##@ IN  LATE  EVENINGS, SHROUDED BY  MALMö'S @##%^,,,,,
,,=^*%%#@@ SIGNATURE FOG ROLLING IN  FROM  THE SEA, @@#%%*^=,,
,,=^*%#@@# THE  BUILDING COMES TO LIFE: IT MOVES ON #@@#%*^=,,
,,,==***#@ A  THOUSAND   ROBOTIC  LEGS  TO  ANOTHER @#***==,,,
,,=^*%#@@# (SECRET) PART OF  TOWN, OR  PERHAPS  OUT #@@#%*^=,,
,,,,,^*##@ TO SEA.  THIS  SIGNALS  A  NEW  AND MORE @##*^,,,,,
,,=^***#@@      VISCIOUS PHASE OF THE TAINARON      @@#***^=,,
,,,,,,=*%@                ECOSYSTEM.                @%*=,,,,,,
,,,==*%%##                                          ##%%*==,,,
,,=^*%#@@# THE  GUESTS  ARRIVING  DURING  THE EARLY #@@#%*^=,,
,,=^*%#@@@ EVENING ARE TREATED  TO  FOOD AND DRINK, @@@#%*^=,,
,,=^*%#@@@ LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A @@@#%*^=,,
,,=^*%#@@@    COMFORTABLE BUT MAZE-LIKE INTERIOR    @@@#%*^=,,
,,=^*****#    STRUCTURE (THE BUILDING FEATURES A    #*****^=,,
,,=^*%#@##  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ##@#%*^=,,
,,=^**%%@@ PLACED  SEEMINGLY AT  RANDOM, NONE GOING @@%%**^=,,
,,=^*%#@##        FURTHER THAN A FEW FLOORS).       ##@#%*^=,,
,,=^*%#@@#                                          #@@#%*^=,,
,,=^*%#@@@ AS TIME  GOES ON, THE LIGHTS SLOWLY DIM, @@@#%*^=,,
,,=^*%#@@# UNTIL  THE AIR  INSIDE HAS TAKEN  ON THE #@@#%*^=,,
,,=^*%#@@# SAME  QUALITY AS THE  SURROUNDING  MIST: #@@#%*^=,,
,,=^*%#@@@ BLUE-GRAY, SPRINKLED WITH THE SMALL  RED @@@#%*^=,,
,,=^*%#@@@ DOT'S BY DOOR LOCKS  AND CONTROL PANELS. @@@#%*^=,,
,,=^*#@@## IF  YOU WOULD LOOK  THROUGH THE  WINDOWS ##@@#*^=,,
,,,,^*%#@@ YOU WOULD  SEE THE MIST  ROLLING BY, AND @@#%*^,,,,
,,=^*%#@@# PERHAPS  THE   OUTLINE   OF  SOME  OTHER #@@#%*^=,,
,,=^*%#@@@           BUILDING, FAR BELOW.           @@@#%*^=,,
,,,=^**%@@                                          @@%**^=,,,
,,,,,,,^%@ DURING  THE NIGHT,  AFTER  TAINARON  HAS @%^,,,,,,,
,,^*%#@@## STARTED  MOVING, THE  LOWER  FLOORS  ARE ##@@#%*^,,
,,=^*%#@@# SHUT OFF, PREVENTING ENTRY OR  EXIT  FOR #@@#%*^=,,
,,,=^^%#@@ THE  GUESTS. FOOD  IS NO  LONGER SERVED, @@#%^^=,,,
,,=^*%#@## BUT THE DRINKS  BECOME MORE EXTRAVAGANT. ##@#%*^=,,
,,,,,^*### IT'S AT  THIS POINT  THAT THE SECOND SET ###*^,,,,,
,,,,,,^**# OF   GUEST  ARRIVES,  VIA  HELICOPTER  - #**^,,,,,,
,,,,,^^*##  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ##*^^,,,,,
,,=^*%#@@@                                          @@@#%*^=,,
,,=^^^%%##                   =====                  ##%%^^^=,,
,,=^^^%#@@                                          @@#%^^^=,,
,,=^*%##@@ IN MY DREAM I  AM INVITED AS A FRIEND OF @@##%*^=,,
,,,,,,^*%# ONE  OF THE SERVERS, AND  THUS  SAFE. WE #%*^,,,,,,
,,=^*%#@@# SIT   IN  ONE   OF  THE  LARGE  WINDOWS, #@@#%*^=,,
,,=^*%#@@# LOOKING   THROUGH   THE  MIST   FOR  ANY #@@#%*^=,,
,,=^*%#@@@ LANDMARKS TO  PIERCE  THROUGH  THE MIST. @@@#%*^=,,
,,=^*%#@@# SHE  TELLS ME THAT APART FROM COMING AND #@@#%*^=,,
,,=^*%#@@# GOING FROM WORK,  SHE'S  NEVER SEEN  THE #@@#%*^=,,
,,=^*%#@@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@@#%*^=,,
,,=^*%#@@#                                          #@@#%*^=,,
,,=^*%#@@# THE NEXT DAY I AM INVITED  TO THE PUBLIC #@@#%*^=,,
,,,,==**#@      DEMONSTRATION OF THE EXOBUBBLE.     @#**==,,,,
,,=^*%#@@#                                          #@@#%*^=,,
,,=^*%#@##                                          ##@#%*^=,,
,,,,,^*%%#                                          #%%*^,,,,,
,,==^^^*%@                                          @%*^^^==,,
,,,,^^^*#@                                          @#*^^^,,,,