@££=†††~-. .-~†††=££@
#@@£§=†~-. .-~†=§£@@#
#@@£§=†~-. .-~†=§£@@#
@£=†~~.... ....~~†=£@
##@£§=†~-. .-~†=§£@##
@@§†~-.... THE SKYSCRAPER THAT MOVES ....-~†§@@
£§=~...... ......~=§£
@@@£§=†~-. TAINARON IS A BUILDING OWNED AND .-~†=§£@@@
@£=†-..... OPERATED BY AMATA TEXNOLOGIYASI PLACED .....-†=£@
@§==†~---. CLOSED TO THE HARBOR IN MALMÖ. IT'S .---~†==§@
£§§††~-... ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ...-~††§§£
£§§==††~-. UNKNOWN), DARK BLUE AND COMPLETELY .-~††==§§£
££=~...... RECTANGULAR. IT FEATURES NO SIGNS, ......~=££
£=~~-..... LIGHTS, OR ORNAMENTS, APART FROM A .....-~~=£
#@@£§=†~-. HELIPAD ON TOP. MOST FLOORS HAVE .-~†=§£@@#
££=†-..... EXTERIOR WALLS COMPLETELY MADE OF GLASS. .....-†=££
@§§=~--... ...--~=§§@
#@@£§=†~-. IN LATE EVENINGS, SHROUDED BY MALMö'S .-~†=§£@@#
@@@£§=†~-. SIGNATURE FOG ROLLING IN FROM THE SEA, .-~†=§£@@@
#@@£§=†~-. THE BUILDING COMES TO LIFE: IT MOVES ON .-~†=§£@@#
##@@§=†~-. A THOUSAND ROBOTIC LEGS TO ANOTHER .-~†=§@@##
#@@£§=†~-. (SECRET) PART OF TOWN, OR PERHAPS OUT .-~†=§£@@#
#@@£§=†~-. TO SEA. THIS SIGNALS A NEW AND MORE .-~†=§£@@#
#@@£§=†~-. VISCIOUS PHASE OF THE TAINARON .-~†=§£@@#
£=~--..... ECOSYSTEM. .....--~=£
##@£§=†~-. .-~†=§£@##
##@£§=†~-. THE GUESTS ARRIVING DURING THE EARLY .-~†=§£@##
##@@£§=†-. EVENING ARE TREATED TO FOOD AND DRINK, .-†=§£@@##
@£££§=†~-. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .-~†=§£££@
##@£§=†~-. COMFORTABLE BUT MAZE-LIKE INTERIOR .-~†=§£@##
££=~-..... STRUCTURE (THE BUILDING FEATURES A .....-~=££
££§††---.. MULTITUDE OF STAIRWELLS AND ELEVATORS, ..---††§££
@§=~-..... PLACED SEEMINGLY AT RANDOM, NONE GOING .....-~=§@
@@@£§=†~-. FURTHER THAN A FEW FLOORS). .-~†=§£@@@
@@@£§=†~-. .-~†=§£@@@
@§††-..... AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .....-††§@
@@@£§=†~-. UNTIL THE AIR INSIDE HAS TAKEN ON THE .-~†=§£@@@
@@@£§=†~-. SAME QUALITY AS THE SURROUNDING MIST: .-~†=§£@@@
££££§=†~-. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .-~†=§££££
#@@£§=†~-. DOT'S BY DOOR LOCKS AND CONTROL PANELS. .-~†=§£@@#
@£§=~..... IF YOU WOULD LOOK THROUGH THE WINDOWS .....~=§£@
@£=~-..... YOU WOULD SEE THE MIST ROLLING BY, AND .....-~=£@
££££§=†~-. PERHAPS THE OUTLINE OF SOME OTHER .-~†=§££££
@@§==†-... BUILDING, FAR BELOW. ...-†==§@@
@@§=~..... .....~=§@@
@@@£§=†~-. DURING THE NIGHT, AFTER TAINARON HAS .-~†=§£@@@
£===†~~~-. STARTED MOVING, THE LOWER FLOORS ARE .-~~~†===£
#@@£§=†~-. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .-~†=§£@@#
£=~-...... THE GUESTS. FOOD IS NO LONGER SERVED, ......-~=£
#@@£§=†~-. BUT THE DRINKS BECOME MORE EXTRAVAGANT. .-~†=§£@@#
#@@£§=†~-. IT'S AT THIS POINT THAT THE SECOND SET .-~†=§£@@#
£§=†††~... OF GUEST ARRIVES, VIA HELICOPTER - ...~†††=§£
#@@£§=†~-. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .-~†=§£@@#
@££§§=†~-. .-~†=§§££@
@@£§§=†~-. ~~~~~ .-~†=§§£@@
@@@£§=†~-. .-~†=§£@@@
@@§=~---.. IN MY DREAM I AM INVITED AS A FRIEND OF ..---~=§@@
##@£§=†~-. ONE OF THE SERVERS, AND THUS SAFE. WE .-~†=§£@##
@£§§=††~-. SIT IN ONE OF THE LARGE WINDOWS, .-~††=§§£@
@§§††~-... LOOKING THROUGH THE MIST FOR ANY ...-~††§§@
@§†-...... LANDMARKS TO PIERCE THROUGH THE MIST. ......-†§@
££§§==†~-. SHE TELLS ME THAT APART FROM COMING AND .-~†==§§££
@@@£§=†~-. GOING FROM WORK, SHE'S NEVER SEEN THE .-~†=§£@@@
££§=~-.... BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ....-~=§££
#@@£§=†~-. .-~†=§£@@#
#@@£§=†~-. THE NEXT DAY I AM INVITED TO THE PUBLIC .-~†=§£@@#
@§§§§=†~-. DEMONSTRATION OF THE EXOBUBBLE. .-~†=§§§§@
##@£§=†~-. .-~†=§£@##
££§†-..... .....-†§££
£==††~~... ...~~††==£
@@@£§=†~-. .-~†=§£@@@
#@@£§=†~-. .-~†=§£@@#