,,-/§£@£## ##£@£§/-,,
,,-/§@£### ###£@§/-,,
,,-/§£@£## ##£@£§/-,,
,,,,,,--§@ @§--,,,,,,
,,-/§£@£## ##£@£§/-,,
,,-/§£££@# the skyscraper that moves #@£££§/-,,
,,-/§£@£## ##£@£§/-,,
,,-/§£@£## tainaron is a building owned and ##£@£§/-,,
,,-/§£@@@# operated by amata texnologiyasi placed #@@@£§/-,,
,,-/§£@£## closed to the harbor in malmÖ. it's ##£@£§/-,,
,,-/§£@£## roughly sixty floors high (real number ##£@£§/-,,
,,----§@@@ unknown), dark blue and completely @@@§----,,
,,,,,,,/££ rectangular. it features no signs, ££/,,,,,,,
,,-/§£@### lights, or ornaments, apart from a ###@£§/-,,
,,-/§£@£## helipad on top. most floors have ##£@£§/-,,
,,,,///§@@ exterior walls completely made of glass. @@§///,,,,
,,-/§£@£££ £££@£§/-,,
,,----/§@@ in late evenings, shrouded by malmö's @@§/----,,
,,-/§££@@# signature fog rolling in from the sea, #@@££§/-,,
,,-/§££££# the building comes to life: it moves on #££££§/-,,
,,,,,-§§££ a thousand robotic legs to another ££§§-,,,,,
,,-/§£@£## (secret) part of town, or perhaps out ##£@£§/-,,
,,-/§£@£## to sea. this signals a new and more ##£@£§/-,,
,,,,//§@££ viscious phase of the tainaron ££@§//,,,,
,,,,--§££# ecosystem. #££§--,,,,
,,-/§£@£## ##£@£§/-,,
,,-////££# the guests arriving during the early #££////-,,
,,,,,/§£££ evening are treated to food and drink, £££§/,,,,,
,,,,,/§@££ live music, beatutiful views, and a ££@§/,,,,,
,,-/§£@£## comfortable but maze-like interior ##£@£§/-,,
,,-//§£@@@ structure (the building features a @@@£§//-,,
,,-/§£@£## multitude of stairwells and elevators, ##£@£§/-,,
,,-/§§§£@# placed seemingly at random, none going #@£§§§/-,,
,-/§£@£### further than a few floors). ###£@£§/-,
,,,,,,,-§@ @§-,,,,,,,
,,-/§£@£## as time goes on, the lights slowly dim, ##£@£§/-,,
,,,,,-/§@# until the air inside has taken on the #@§/-,,,,,
,,-/§£@£## same quality as the surrounding mist: ##£@£§/-,,
,,,,,,-§£@ blue-gray, sprinkled with the small red @£§-,,,,,,
,,-/§£@£## dot's by door locks and control panels. ##£@£§/-,,
,,-/§£@£## if you would look through the windows ##£@£§/-,,
,,-/§£@£## you would see the mist rolling by, and ##£@£§/-,,
,,-/§£@£## perhaps the outline of some other ##£@£§/-,,
,,,,,,-§§@ building, far below. @§§-,,,,,,
,,,,-§££@£ £@££§-,,,,
,,-/§£@£## during the night, after tainaron has ##£@£§/-,,
,,,,---§@£ started moving, the lower floors are £@§---,,,,
,,,,,,/§£@ shut off, preventing entry or exit for @£§/,,,,,,
,,-/§£@£££ the guests. food is no longer served, £££@£§/-,,
,,,,,-/§@# but the drinks become more extravagant. #@§/-,,,,,
,,,,/§£@@£ it's at this point that the second set £@@£§/,,,,
,,-/§£@£## of guest arrives, via helicopter - ##£@£§/-,,
,,-/§£@£## amata texnologiyasi and their friends. ##£@£§/-,,
,,-/§£@££# #££@£§/-,,
,,-/§£@£## ----- ##£@£§/-,,
,,,--§£@@@ @@@£§--,,,
,,,,,/§£@@ in my dream i am invited as a friend of @@£§/,,,,,
,,,,,,,/£@ one of the servers, and thus safe. we @£/,,,,,,,
,,-/§£@£## sit in one of the large windows, ##£@£§/-,,
,,-§£@£### looking through the mist for any ###£@£§-,,
,,-/§£@£## landmarks to pierce through the mist. ##£@£§/-,,
,,,,,,,/££ she tells me that apart from coming and ££/,,,,,,,
,,-/§£@£## going from work, she's never seen the ##£@£§/-,,
,,-/§£@### building from the outside. we both sigh. ###@£§/-,,
,,,--§§§@£ £@§§§--,,,
,,,-//§@££ the next day i am invited to the public ££@§//-,,,
,,,,,,/£@@ demonstration of the exobubble. @@£/,,,,,,
,,,,--§@@£ £@@§--,,,,
,,,,-/££££ ££££/-,,,,
,,-/§££### ###££§/-,,
,,,,,,-/££ ££/-,,,,,,
,,,,,,-§££ ££§-,,,,,,