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#£§;-.¨¨¨¨ THE SKYSCRAPER THAT MOVES ¨¨¨¨.-;§£#
£§;-.¨¨¨¨¨ ¨¨¨¨¨.-;§£
#£§;-.¨¨¨¨ TAINARON IS A BUILDING OWNED AND ¨¨¨¨.-;§£#
@#£§;-.¨¨¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨¨¨.-;§£#@
#@#£§;-.¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨.-;§£#@#
##@#£§;-.¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨.-;§£#@##
#@#£§;-.¨¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨¨.-;§£#@#
@#£§;-.¨¨¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨¨¨.-;§£#@
#£§;-.¨¨¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨¨¨.-;§£#
£§;-.¨¨¨¨¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨¨¨¨¨.-;§£
#£§;-.¨¨¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨¨¨.-;§£#
@#£§;-.¨¨¨ ¨¨¨.-;§£#@
#@#£§;-.¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨¨.-;§£#@#
##@#£§;-.¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨.-;§£#@##
#@#£§;-.¨¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨¨.-;§£#@#
@#£§;-.¨¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨¨.-;§£#@
#£§;-.¨¨¨¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨¨¨¨.-;§£#
£§;-.¨¨¨¨¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨¨¨¨¨.-;§£
#£§;-.¨¨¨¨ VISCIOUS PHASE OF THE TAINARON ¨¨¨¨.-;§£#
@#£§;-.¨¨¨ ECOSYSTEM. ¨¨¨.-;§£#@
#@#£§;-.¨¨ ¨¨.-;§£#@#
##@#£§;-.¨ THE GUESTS ARRIVING DURING THE EARLY ¨.-;§£#@##
#@#£§;-.¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨.-;§£#@#
@#£§;-.¨¨¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨¨.-;§£#@
#£§;-.¨¨¨¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨¨¨¨.-;§£#
£§;-.¨¨¨¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨¨¨¨.-;§£
#£§;-.¨¨¨¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨¨¨¨.-;§£#
@#£§;-.¨¨¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨¨.-;§£#@
#@#£§;-.¨¨ FURTHER THAN A FEW FLOORS). ¨¨.-;§£#@#
##@#£§;-.¨ ¨.-;§£#@##
#@#£§;-.¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨¨.-;§£#@#
@#£§;-.¨¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨¨.-;§£#@
#£§;-.¨¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨¨.-;§£#
£§;-.¨¨¨¨¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨¨¨¨.-;§£
#£§;-.¨¨¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨¨¨.-;§£#
@#£§;-.¨¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨¨¨.-;§£#@
#@#£§;-.¨¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨¨.-;§£#@#
##@#£§;-.¨ PERHAPS THE OUTLINE OF SOME OTHER ¨.-;§£#@##
#@#£§;-.¨¨ BUILDING, FAR BELOW. ¨¨.-;§£#@#
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#£§;-.¨¨¨¨ DURING THE NIGHT, AFTER TAINARON HAS ¨¨¨¨.-;§£#
£§;-.¨¨¨¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨¨¨¨.-;§£
#£§;-.¨¨¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨¨¨.-;§£#
@#£§;-.¨¨¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨¨¨.-;§£#@
#@#£§;-.¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨.-;§£#@#
##@#£§;-.¨ IT'S AT THIS POINT THAT THE SECOND SET ¨.-;§£#@##
#@#£§;-.¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨.-;§£#@#
@#£§;-.¨¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨.-;§£#@
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#@#£§;-.¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨.-;§£#@#
##@#£§;-.¨ SIT IN ONE OF THE LARGE WINDOWS, ¨.-;§£#@##
#@#£§;-.¨¨ LOOKING THROUGH THE MIST FOR ANY ¨¨.-;§£#@#
@#£§;-.¨¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨¨.-;§£#@
#£§;-.¨¨¨¨ SHE TELLS ME THAT APART FROM COMING AND ¨¨¨¨.-;§£#
£§;-.¨¨¨¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨¨¨¨.-;§£
#£§;-.¨¨¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨¨¨.-;§£#
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#@#£§;-.¨¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨.-;§£#@#
##@#£§;-.¨ DEMONSTRATION OF THE EXOBUBBLE. ¨.-;§£#@##
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