##,,,#,,,, ##,,,,##,,
#,#,,##,,, ,,#,,,#,#,
####,#,#,, #,##,,####
,,,,#####, ,##,#,#,,,
,,,,#,,,,# ,#,#####,,
,,,,##,,,# THE SKYSCRAPER THAT MOVES ####,,,,#,
,,,,#,#,,# #,,,#,,,##
#,,,####,# TAINARON IS A BUILDING OWNED AND ,#,,##,,#,
##,,#,,,## OPERATED BY AMATA TEXNOLOGIYASI PLACED ###,#,#,##
,,#,##,,#, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,######,
,,###,#,## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #,,#,,,,,#
#,#,,####, UNKNOWN), DARK BLUE AND COMPLETELY ##,##,,,,#
,###,#,,,# RECTANGULAR. IT FEATURES NO SIGNS, ,,##,#,,,#
##,,###,,# LIGHTS, OR ORNAMENTS, APART FROM A #,#,###,,#
,,#,#,,#,# HELIPAD ON TOP. MOST FLOORS HAVE ,####,,#,#
#,####,### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##,,,#,###
,##,,,##,, ,,#,,###,,
,#,#,,#,#, IN LATE EVENINGS, SHROUDED BY MALMö'S #,##,#,,#,
,####,#### SIGNATURE FOG ROLLING IN FROM THE SEA, ,##,###,##
##,,,##,,, THE BUILDING COMES TO LIFE: IT MOVES ON ##,##,,##,
#,#,,#,#,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,##,#,#,#
,###,####, (SECRET) PART OF TOWN, OR PERHAPS OUT #,#,######
##,,##,,,# TO SEA. THIS SIGNALS A NEW AND MORE #####,,,,,
#,#,#,#,,# VISCIOUS PHASE OF THE TAINARON #,,,,#,,,,
########,# ECOSYSTEM. ##,,,##,,,
#,,,,,,,## #,#,,#,#,,
##,,,,,,#, THE GUESTS ARRIVING DURING THE EARLY ####,####,
#,#,,,,,## EVENING ARE TREATED TO FOOD AND DRINK, #,,,##,,,#
,###,,,,#, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##,,#,#,,#
##,,#,,,## COMFORTABLE BUT MAZE-LIKE INTERIOR #,#,####,#
,,#,##,,#, STRUCTURE (THE BUILDING FEATURES A ,####,,,##
#,###,#,## MULTITUDE OF STAIRWELLS AND ELEVATORS, ,#,,,#,,#,
###,,####, PLACED SEEMINGLY AT RANDOM, NONE GOING ###,,##,##
,,,#,#,,,# FURTHER THAN A FEW FLOORS). ,,,#,#,##,
,,,####,,# ,,,#####,#
#,,#,,,#,# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,,#,,,,##
,#,##,,### UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,##,,,#,
,###,#,#,, SAME QUALITY AS THE SURROUNDING MIST: #,,#,#,,##
##,,#####, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,#,####,#,
#,#,#,,,,# DOT'S BY DOOR LOCKS AND CONTROL PANELS. ####,,,###
,#####,,,# IF YOU WOULD LOOK THROUGH THE WINDOWS ,,,,#,,#,,
,#,,,,#,,# YOU WOULD SEE THE MIST ROLLING BY, AND ,,,,##,##,
,##,,,##,# PERHAPS THE OUTLINE OF SOME OTHER ,,,,#,##,#
##,#,,#,## BUILDING, FAR BELOW. ,,,,###,##
,,###,###, #,,,#,,##,
,,#,,##,,# DURING THE NIGHT, AFTER TAINARON HAS ##,,##,#,#
#,##,#,#,# STARTED MOVING, THE LOWER FLOORS ARE #,#,#,####
,##,###### SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,######,,,
,#,##,,,,, THE GUESTS. FOOD IS NO LONGER SERVED, ,#,,,,,#,,
,###,#,,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ###,,,,##,
,#,,###,,, IT'S AT THIS POINT THAT THE SECOND SET #,,#,,,#,#
###,#,,#,, OF GUEST ARRIVES, VIA HELICOPTER - ,#,##,,###
,,,###,##, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ####,#,#,,
,,,#,,##,# ,,,,#####,
,,,##,#,## ----- #,,,#,,,,#
#,,#,####, ##,,##,,,#
,#,###,,,# IN MY DREAM I AM INVITED AS A FRIEND OF #,#,#,#,,#
####,,#,,# ONE OF THE SERVERS, AND THUS SAFE. WE ,#######,#
,,,,#,##,# SIT IN ONE OF THE LARGE WINDOWS, ##,,,,,,##
#,,,###,## LOOKING THROUGH THE MIST FOR ANY ,,#,,,,,#,
##,,#,,##, LANDMARKS TO PIERCE THROUGH THE MIST. ,,##,,,,##
,,#,##,#,# SHE TELLS ME THAT APART FROM COMING AND ,,#,#,,,#,
,,###,#### GOING FROM WORK, SHE'S NEVER SEEN THE ,,####,,##
#,#,,##,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,#,,,#,#,
####,#,#,, #,##,,####
,,,,#####, THE NEXT DAY I AM INVITED TO THE PUBLIC ,##,#,#,,,
,,,,#,,,,# DEMONSTRATION OF THE EXOBUBBLE. ,#,#####,,
,,,,##,,,# ####,,,,#,
,,,,#,#,,# #,,,#,,,##
#,,,####,# ,#,,##,,#,
##,,#,,,## ###,#,#,##
,,#,##,,#, ,,,######,