.@...@.@.@ .@@@.@@...
.@@..@@@@@ @@..@@.@..
.@.@.@.... ..@.@.@@@.
.@@@@@@... @.@@@@@..@
@@.....@.. .@@....@.@
..@....@@. THE SKYSCRAPER THAT MOVES .@.@...@@@
@.@@...@.@ .@@@@..@..
@@@.@..@@@ TAINARON IS A BUILDING OWNED AND @@...@.@@.
@..@@@.@.. OPERATED BY AMATA TEXNOLOGIYASI PLACED @.@..@@@.@
.@.@..@@@. CLOSED TO THE HARBOR IN MALMÖ. IT'S @@@@.@..@@
@@@@@.@..@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @...@@@.@.
@....@@@.@ UNKNOWN), DARK BLUE AND COMPLETELY .@..@..@@@
.@...@..@@ RECTANGULAR. IT FEATURES NO SIGNS, .@@.@@.@..
.@@..@@.@. LIGHTS, OR ORNAMENTS, APART FROM A .@.@@.@@@.
.@.@.@.@@@ HELIPAD ON TOP. MOST FLOORS HAVE .@@@.@@..@
@@@@@@@@.. EXTERIOR WALLS COMPLETELY MADE OF GLASS. @@..@@.@.@
........@. @.@.@.@@@@
@.......@@ IN LATE EVENINGS, SHROUDED BY MALMö'S @@@@@@@...
@@......@. SIGNATURE FOG ROLLING IN FROM THE SEA, @......@..
@.@.....@@ THE BUILDING COMES TO LIFE: IT MOVES ON @@.....@@.
@@@@....@. A THOUSAND ROBOTIC LEGS TO ANOTHER @.@....@.@
....@...@@ (SECRET) PART OF TOWN, OR PERHAPS OUT .@@@...@@@
@...@@..@. TO SEA. THIS SIGNALS A NEW AND MORE @@..@..@..
@@..@.@.@@ VISCIOUS PHASE OF THE TAINARON @.@.@@.@@.
@.@.@@@@@. ECOSYSTEM. @@@@@.@@.@
.@@@@....@ @....@@.@@
@@...@...@ THE GUESTS ARRIVING DURING THE EARLY @@...@.@@.
@.@..@@..@ EVENING ARE TREATED TO FOOD AND DRINK, @.@..@@@.@
.@@@.@.@.@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @@@@.@..@@
@@..@@@@@@ COMFORTABLE BUT MAZE-LIKE INTERIOR ....@@@.@.
@.@.@..... STRUCTURE (THE BUILDING FEATURES A @...@..@@@
.@@@@@.... MULTITUDE OF STAIRWELLS AND ELEVATORS, @@..@@.@..
.@....@... PLACED SEEMINGLY AT RANDOM, NONE GOING @.@.@.@@@.
.@@...@@.. FURTHER THAN A FEW FLOORS). @@@@@@@..@
@@.@..@.@. @......@.@
..@@@.@@@@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @@.....@@@
@.@..@@... UNTIL THE AIR INSIDE HAS TAKEN ON THE @.@....@..
@@@@.@.@.. SAME QUALITY AS THE SURROUNDING MIST: .@@@...@@.
@...@@@@@. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .@..@..@.@
.@..@....@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. .@@.@@.@@@
@@@.@@...@ IF YOU WOULD LOOK THROUGH THE WINDOWS .@.@@.@@..
@..@@.@..@ YOU WOULD SEE THE MIST ROLLING BY, AND .@@@.@@.@.
@@.@.@@@.@ PERHAPS THE OUTLINE OF SOME OTHER .@..@@.@@@
..@@@@..@@ BUILDING, FAR BELOW. .@@.@.@@..
..@...@.@. @@.@@@@.@.
..@@..@@@@ DURING THE NIGHT, AFTER TAINARON HAS ..@@...@@@
@.@.@.@... STARTED MOVING, THE LOWER FLOORS ARE ..@.@..@..
@@@@@@@@.. SHUT OFF, PREVENTING ENTRY OR EXIT FOR ..@@@@.@@.
@.......@. THE GUESTS. FOOD IS NO LONGER SERVED, ..@...@@.@
.@......@@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @.@@..@.@@
@@@.....@. IT'S AT THIS POINT THAT THE SECOND SET .@@.@.@@@.
@..@....@@ OF GUEST ARRIVES, VIA HELICOPTER - .@.@@@@..@
.@.@@...@. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .@@@...@.@
@@@@.@..@@ .@..@..@@@
....@@@.@. ----- @@@.@@.@..
....@..@@@ @..@@.@@@.
....@@.@.. IN MY DREAM I AM INVITED AS A FRIEND OF @@.@.@@..@
@...@.@@@. ONE OF THE SERVERS, AND THUS SAFE. WE ..@@@@.@.@
.@..@@@..@ SIT IN ONE OF THE LARGE WINDOWS, @.@...@@@@
@@@.@..@.@ LOOKING THROUGH THE MIST FOR ANY @@@@..@...
@..@@@.@@@ LANDMARKS TO PIERCE THROUGH THE MIST. ....@.@@..
@@.@..@@.. SHE TELLS ME THAT APART FROM COMING AND ....@@@.@.
@.@@@.@.@. GOING FROM WORK, SHE'S NEVER SEEN THE @...@..@@@
.@@..@@@@@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @@..@@.@..
.@.@.@.... ..@.@.@@@.
.@@@@@@... THE NEXT DAY I AM INVITED TO THE PUBLIC @.@@@@@..@
@@.....@.. DEMONSTRATION OF THE EXOBUBBLE. .@@....@.@
..@....@@. .@.@...@@@
@.@@...@.@ .@@@@..@..
@@@.@..@@@ @@...@.@@.
@..@@@.@.. @.@..@@@.@
.@.@..@@@. @@@@.@..@@