..~*†£&@## ##@&£†*~..
....*†£& #&&£†*....
..~*†£&@## ##@&£†*~..
.....*††£@ @£††*.....
..~*†£&@## ##@&£†*~..
..~*†£&@## the skyscraper that moves ##@&£†*~..
..~**†£££& &£££†**~..
..~*†£&&@# tainaron is a building owned and #@&&£†*~..
.....~†† operated by amata texnologiyasi placed #&††~.....
....~††£&@ closed to the harbor in malmÖ. it's @&£††~....
..~*†£&@## roughly sixty floors high (real number ##@&£†*~..
..~*†£&@## unknown), dark blue and completely ##@&£†*~..
..~~~~*†£@ rectangular. it features no signs, @£†*~~~~..
.....~†&&& lights, or ornaments, apart from a &&&†~.....
..~*†£&@## helipad on top. most floors have ##@&£†*~..
.....~*†&@ exterior walls completely made of glass. @&†*~.....
..~*†£&@## ##@&£†*~..
..~*†£&@## in late evenings, shrouded by malmö's ##@&£†*~..
..~*†£&@## signature fog rolling in from the sea, ##@&£†*~..
.....~~†£@ the building comes to life: it moves on @£†~~.....
.....~††&& a thousand robotic legs to another &&††~.....
..~*†††&@# (secret) part of town, or perhaps out #@&†††*~..
......**†& to sea. this signals a new and more &†**......
..~*†£&@## viscious phase of the tainaron ##@&£†*~..
.....*†£@@ ecosystem. @@£†*.....
.....~†£&& &&£†~.....
......~*£& the guests arriving during the early &£*~......
....*††£&@ evening are treated to food and drink, @&£††*....
..~*†£&@## live music, beatutiful views, and a ##@&£†*~..
..~*†£&@## comfortable but maze-like interior ##@&£†*~..
..~**†††&@ structure (the building features a @&†††**~..
..~****££@ multitude of stairwells and elevators, @££****~..
......~*£& placed seemingly at random, none going &£*~......
..~*†£&@## further than a few floors). ##@&£†*~..
..~*†£&@## ##@&£†*~..
..~*†£@### as time goes on, the lights slowly dim, ###@£†*~..
..~*†£&@## until the air inside has taken on the ##@&£†*~..
..~*†£&@## same quality as the surrounding mist: ##@&£†*~..
.~*†£&@### blue-gray, sprinkled with the small red ###@&£†*~.
..~*†£&@## dot's by door locks and control panels. ##@&£†*~..
..~*††£&&& if you would look through the windows &&&£††*~..
..~*†£&&&@ you would see the mist rolling by, and @&&&£†*~..
.......*†& perhaps the outline of some other &†*.......
..~*†£&&@@ building, far below. @@&&£†*~..
..~*†£&@## ##@&£†*~..
....~†££ during the night, after tainaron has #&££†~....
..~*†£&@@@ started moving, the lower floors are @@@&£†*~..
..~*†£&@## shut off, preventing entry or exit for ##@&£†*~..
..~*†£&@## the guests. food is no longer served, ##@&£†*~..
....~**†&@ but the drinks become more extravagant. @&†**~....
..~*†£&@## it's at this point that the second set ##@&£†*~..
..~**†££&& of guest arrives, via helicopter - &&££†**~..
..~*††£££& amata texnologiyasi and their friends. &£££††*~..
..~*†£&@## ##@&£†*~..
....**†££@ ~~~~~ @££†**....
.......*†& &†*.......
.......~†& in my dream i am invited as a friend of &†~.......
..~*†£&@## one of the servers, and thus safe. we ##@&£†*~..
..~~~††&@# sit in one of the large windows, #@&††~~~..
.~*†£&@### looking through the mist for any ###@&£†*~.
..~*†£&@## landmarks to pierce through the mist. ##@&£†*~..
..~*†£&@## she tells me that apart from coming and ##@&£†*~..
......*†&@ going from work, she's never seen the @&†*......
..~*†£&@## building from the outside. we both sigh. ##@&£†*~..
...~***££@ @££***~...
..~*†£&@@@ the next day i am invited to the public @@@&£†*~..
..~*†£&& demonstration of the exobubble. #&&&£†*~..
....**££&& &&££**....
..~**††††& &††††**~..
..~*†£&@## ##@&£†*~..
..*†£&@### ###@&£†*..
..~*†£&@## ##@&£†*~..