¨@¨¨@@¨@¨@ @@@@@¨@@¨@
¨@¨@¨@¨@¨@ ¨@@@@¨¨@¨@
¨@¨@¨@¨@¨@ @¨@@@¨@@¨@
¨@¨@¨@¨@¨@ @¨¨@@¨¨@¨@
¨@¨@¨@¨@¨@ @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ THE SKYSCRAPER THAT MOVES @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ TAINARON IS A BUILDING OWNED AND @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ UNKNOWN), DARK BLUE AND COMPLETELY @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ RECTANGULAR. IT FEATURES NO SIGNS, @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ LIGHTS, OR ORNAMENTS, APART FROM A @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ HELIPAD ON TOP. MOST FLOORS HAVE @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ IN LATE EVENINGS, SHROUDED BY MALMö'S @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ SIGNATURE FOG ROLLING IN FROM THE SEA, @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ THE BUILDING COMES TO LIFE: IT MOVES ON @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ A THOUSAND ROBOTIC LEGS TO ANOTHER @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ (SECRET) PART OF TOWN, OR PERHAPS OUT @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ TO SEA. THIS SIGNALS A NEW AND MORE @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ VISCIOUS PHASE OF THE TAINARON @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ ECOSYSTEM. @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ THE GUESTS ARRIVING DURING THE EARLY @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ EVENING ARE TREATED TO FOOD AND DRINK, @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ COMFORTABLE BUT MAZE-LIKE INTERIOR @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ STRUCTURE (THE BUILDING FEATURES A @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ PLACED SEEMINGLY AT RANDOM, NONE GOING @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ FURTHER THAN A FEW FLOORS). @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ SAME QUALITY AS THE SURROUNDING MIST: @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ IF YOU WOULD LOOK THROUGH THE WINDOWS @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ YOU WOULD SEE THE MIST ROLLING BY, AND @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ PERHAPS THE OUTLINE OF SOME OTHER @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ BUILDING, FAR BELOW. @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ DURING THE NIGHT, AFTER TAINARON HAS @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ STARTED MOVING, THE LOWER FLOORS ARE @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ THE GUESTS. FOOD IS NO LONGER SERVED, @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ IT'S AT THIS POINT THAT THE SECOND SET @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ OF GUEST ARRIVES, VIA HELICOPTER - @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ ===== @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ IN MY DREAM I AM INVITED AS A FRIEND OF @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ ONE OF THE SERVERS, AND THUS SAFE. WE @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ SIT IN ONE OF THE LARGE WINDOWS, @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ LOOKING THROUGH THE MIST FOR ANY @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ LANDMARKS TO PIERCE THROUGH THE MIST. @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ SHE TELLS ME THAT APART FROM COMING AND @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ GOING FROM WORK, SHE'S NEVER SEEN THE @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ THE NEXT DAY I AM INVITED TO THE PUBLIC @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ DEMONSTRATION OF THE EXOBUBBLE. @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨@ @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ @¨@¨@¨¨@¨@