,,,,,,,.=* *=.,,,,,,,
,,,,,,.=*§ §*=.,,,,,,
,,,,,.=*§£ £§*=.,,,,,
,,,,.=*§£§ §£§*=.,,,,
,,,.=*§£§# #§£§*=.,,,
,,.=*§£§## THE SKYSCRAPER THAT MOVES ##§£§*=.,,
,.=*§£§### ###§£§*=.,
,,.=*§£§## TAINARON IS A BUILDING OWNED AND ##§£§*=.,,
,,,.=*§£§# OPERATED BY AMATA TEXNOLOGIYASI PLACED #§£§*=.,,,
,,,,.=*§£§ CLOSED TO THE HARBOR IN MALMÖ. IT'S §£§*=.,,,,
,,,,,.=*§£ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER £§*=.,,,,,
,,,,,,.=*§ UNKNOWN), DARK BLUE AND COMPLETELY §*=.,,,,,,
,,,,,,,.=* RECTANGULAR. IT FEATURES NO SIGNS, *=.,,,,,,,
,,,,,,,,.= LIGHTS, OR ORNAMENTS, APART FROM A =.,,,,,,,,
,,,,,,,,,. HELIPAD ON TOP. MOST FLOORS HAVE .,,,,,,,,,
,,,,,,,,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,,,,,,,,
,,,,,,,,,. .,,,,,,,,,
,,,,,,,,.= IN LATE EVENINGS, SHROUDED BY MALMö'S =.,,,,,,,,
,,,,,,,.=* SIGNATURE FOG ROLLING IN FROM THE SEA, *=.,,,,,,,
,,,,,,.=*§ THE BUILDING COMES TO LIFE: IT MOVES ON §*=.,,,,,,
,,,,,.=*§£ A THOUSAND ROBOTIC LEGS TO ANOTHER £§*=.,,,,,
,,,,.=*§£§ (SECRET) PART OF TOWN, OR PERHAPS OUT §£§*=.,,,,
,,,.=*§£§# TO SEA. THIS SIGNALS A NEW AND MORE #§£§*=.,,,
,,.=*§£§## VISCIOUS PHASE OF THE TAINARON ##§£§*=.,,
,.=*§£§### ECOSYSTEM. ###§£§*=.,
,,.=*§£§## ##§£§*=.,,
,,,.=*§£§# THE GUESTS ARRIVING DURING THE EARLY #§£§*=.,,,
,,,,.=*§£§ EVENING ARE TREATED TO FOOD AND DRINK, §£§*=.,,,,
,,,,,.=*§£ LIVE MUSIC, BEATUTIFUL VIEWS, AND A £§*=.,,,,,
,,,,,,.=*§ COMFORTABLE BUT MAZE-LIKE INTERIOR §*=.,,,,,,
,,,,,,,.=* STRUCTURE (THE BUILDING FEATURES A *=.,,,,,,,
,,,,,,,,.= MULTITUDE OF STAIRWELLS AND ELEVATORS, =.,,,,,,,,
,,,,,,,,,. PLACED SEEMINGLY AT RANDOM, NONE GOING .,,,,,,,,,
,,,,,,,,,, FURTHER THAN A FEW FLOORS). ,,,,,,,,,,
,,,,,,,,,. .,,,,,,,,,
,,,,,,,,.= AS TIME GOES ON, THE LIGHTS SLOWLY DIM, =.,,,,,,,,
,,,,,,,.=* UNTIL THE AIR INSIDE HAS TAKEN ON THE *=.,,,,,,,
,,,,,,.=*§ SAME QUALITY AS THE SURROUNDING MIST: §*=.,,,,,,
,,,,,.=*§£ BLUE-GRAY, SPRINKLED WITH THE SMALL RED £§*=.,,,,,
,,,,.=*§£§ DOT'S BY DOOR LOCKS AND CONTROL PANELS. §£§*=.,,,,
,,,.=*§£§# IF YOU WOULD LOOK THROUGH THE WINDOWS #§£§*=.,,,
,,.=*§£§## YOU WOULD SEE THE MIST ROLLING BY, AND ##§£§*=.,,
,.=*§£§### PERHAPS THE OUTLINE OF SOME OTHER ###§£§*=.,
,,.=*§£§## BUILDING, FAR BELOW. ##§£§*=.,,
,,,.=*§£§# #§£§*=.,,,
,,,,.=*§£§ DURING THE NIGHT, AFTER TAINARON HAS §£§*=.,,,,
,,,,,.=*§£ STARTED MOVING, THE LOWER FLOORS ARE £§*=.,,,,,
,,,,,,.=*§ SHUT OFF, PREVENTING ENTRY OR EXIT FOR §*=.,,,,,,
,,,,,,,.=* THE GUESTS. FOOD IS NO LONGER SERVED, *=.,,,,,,,
,,,,,,,,.= BUT THE DRINKS BECOME MORE EXTRAVAGANT. =.,,,,,,,,
,,,,,,,,,. IT'S AT THIS POINT THAT THE SECOND SET .,,,,,,,,,
,,,,,,,,,, OF GUEST ARRIVES, VIA HELICOPTER - ,,,,,,,,,,
,,,,,,,,,. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .,,,,,,,,,
,,,,,,,,.= =.,,,,,,,,
,,,,,,,.=* ===== *=.,,,,,,,
,,,,,,.=*§ §*=.,,,,,,
,,,,,.=*§£ IN MY DREAM I AM INVITED AS A FRIEND OF £§*=.,,,,,
,,,,.=*§£§ ONE OF THE SERVERS, AND THUS SAFE. WE §£§*=.,,,,
,,,.=*§£§# SIT IN ONE OF THE LARGE WINDOWS, #§£§*=.,,,
,,.=*§£§## LOOKING THROUGH THE MIST FOR ANY ##§£§*=.,,
,.=*§£§### LANDMARKS TO PIERCE THROUGH THE MIST. ###§£§*=.,
,,.=*§£§## SHE TELLS ME THAT APART FROM COMING AND ##§£§*=.,,
,,,.=*§£§# GOING FROM WORK, SHE'S NEVER SEEN THE #§£§*=.,,,
,,,,.=*§£§ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. §£§*=.,,,,
,,,,,.=*§£ £§*=.,,,,,
,,,,,,.=*§ THE NEXT DAY I AM INVITED TO THE PUBLIC §*=.,,,,,,
,,,,,,,.=* DEMONSTRATION OF THE EXOBUBBLE. *=.,,,,,,,
,,,,,,,,.= =.,,,,,,,,
,,,,,,,,,. .,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,. .,,,,,,,,,
,,,,,,,,.= =.,,,,,,,,