¨.=/%§§§§§ §§§§§%/=.¨
¨¨¨¨¨./%§@ @§%/.¨¨¨¨¨
¨.=/%§§@## ##@§§%/=.¨
¨.=/%§§@## ##@§§%/=.¨
¨¨¨¨./%§§§ §§§%/.¨¨¨¨
¨¨¨¨¨¨=%§@ THE SKYSCRAPER THAT MOVES @§%=¨¨¨¨¨¨
¨.=/%§§@## ##@§§%/=.¨
¨¨..../§@# TAINARON IS A BUILDING OWNED AND #@§/....¨¨
¨.=/%%%§§@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @§§%%%/=.¨
¨.=/%§§@## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##@§§%/=.¨
¨.=/%§§§§@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @§§§§%/=.¨
¨.=/%§§§§# UNKNOWN), DARK BLUE AND COMPLETELY #§§§§%/=.¨
¨¨¨¨¨.//%§ RECTANGULAR. IT FEATURES NO SIGNS, §%//.¨¨¨¨¨
¨.=/%§§@## LIGHTS, OR ORNAMENTS, APART FROM A ##@§§%/=.¨
¨.=/%§§@## HELIPAD ON TOP. MOST FLOORS HAVE ##@§§%/=.¨
¨.=/%§§@## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##@§§%/=.¨
¨.=/%§§@## ##@§§%/=.¨
¨.=/%§§§§§ IN LATE EVENINGS, SHROUDED BY MALMö'S §§§§§%/=.¨
¨¨¨¨¨¨./§§ SIGNATURE FOG ROLLING IN FROM THE SEA, §§/.¨¨¨¨¨¨
¨..../%%§§ THE BUILDING COMES TO LIFE: IT MOVES ON §§%%/....¨
.=/%§§@### A THOUSAND ROBOTIC LEGS TO ANOTHER ###@§§%/=.
¨¨¨¨¨=%§§§ (SECRET) PART OF TOWN, OR PERHAPS OUT §§§%=¨¨¨¨¨
¨.=/%§§@## TO SEA. THIS SIGNALS A NEW AND MORE ##@§§%/=.¨
¨¨¨¨¨=//§§ VISCIOUS PHASE OF THE TAINARON §§//=¨¨¨¨¨
¨¨.==/§§@# ECOSYSTEM. #@§§/==.¨¨
¨.=/%§§@## ##@§§%/=.¨
¨.=/%%§§§# THE GUESTS ARRIVING DURING THE EARLY #§§§%%/=.¨
¨.=/%§§@## EVENING ARE TREATED TO FOOD AND DRINK, ##@§§%/=.¨
¨.=/%§§@@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@@§§%/=.¨
¨¨¨¨¨¨¨=%§ COMFORTABLE BUT MAZE-LIKE INTERIOR §%=¨¨¨¨¨¨¨
¨¨¨¨.=%§§§ STRUCTURE (THE BUILDING FEATURES A §§§%=.¨¨¨¨
¨¨..==%§§@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @§§%==..¨¨
¨.=/%§§§§@ PLACED SEEMINGLY AT RANDOM, NONE GOING @§§§§%/=.¨
¨.=/%§§@## FURTHER THAN A FEW FLOORS). ##@§§%/=.¨
¨¨¨===%%§§ §§%%===¨¨¨
¨.=/%§§@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@§§%/=.¨
¨.=///§§§§ UNTIL THE AIR INSIDE HAS TAKEN ON THE §§§§///=.¨
¨¨¨¨.==%§§ SAME QUALITY AS THE SURROUNDING MIST: §§%==.¨¨¨¨
¨.=/%§§@## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##@§§%/=.¨
¨.=/%§§@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@§§%/=.¨
¨.=%§§@### IF YOU WOULD LOOK THROUGH THE WINDOWS ###@§§%=.¨
¨.=/%§§@## YOU WOULD SEE THE MIST ROLLING BY, AND ##@§§%/=.¨
¨.=/%§§@## PERHAPS THE OUTLINE OF SOME OTHER ##@§§%/=.¨
¨¨¨¨.=%§§@ BUILDING, FAR BELOW. @§§%=.¨¨¨¨
¨¨¨¨.=/%§@ @§%/=.¨¨¨¨
¨.=/%§§### DURING THE NIGHT, AFTER TAINARON HAS ###§§%/=.¨
¨.=/%§@### STARTED MOVING, THE LOWER FLOORS ARE ###@§%/=.¨
¨¨¨=/%%§@@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @@§%%/=¨¨¨
¨.=/%§§@@@ THE GUESTS. FOOD IS NO LONGER SERVED, @@@§§%/=.¨
¨.=/%§§§@@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @@§§§%/=.¨
¨.=/%§§@## IT'S AT THIS POINT THAT THE SECOND SET ##@§§%/=.¨
¨¨¨¨.=/§§@ OF GUEST ARRIVES, VIA HELICOPTER - @§§/=.¨¨¨¨
¨.=/%§§@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##@§§%/=.¨
¨.=/%%§§§# #§§§%%/=.¨
¨.=/%§§§@# ===== #@§§§%/=.¨
¨.=/%§§§§@ @§§§§%/=.¨
¨¨¨¨.//%§@ IN MY DREAM I AM INVITED AS A FRIEND OF @§%//.¨¨¨¨
¨.=/%§§§§§ ONE OF THE SERVERS, AND THUS SAFE. WE §§§§§%/=.¨
¨¨¨¨¨¨=%§@ SIT IN ONE OF THE LARGE WINDOWS, @§%=¨¨¨¨¨¨
¨¨¨¨..=%§§ LOOKING THROUGH THE MIST FOR ANY §§%=..¨¨¨¨
¨.=/%§§@## LANDMARKS TO PIERCE THROUGH THE MIST. ##@§§%/=.¨
¨.=/%§§@## SHE TELLS ME THAT APART FROM COMING AND ##@§§%/=.¨
¨.=/%§§@## GOING FROM WORK, SHE'S NEVER SEEN THE ##@§§%/=.¨
¨¨¨¨../%§§ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. §§%/..¨¨¨¨
¨¨¨¨¨¨./§§ §§/.¨¨¨¨¨¨
¨.=/%§§@## THE NEXT DAY I AM INVITED TO THE PUBLIC ##@§§%/=.¨
¨¨¨.//%§§@ DEMONSTRATION OF THE EXOBUBBLE. @§§%//.¨¨¨
¨.=/§§@### ###@§§/=.¨
¨.=/%§§@## ##@§§%/=.¨
¨.=/%§§@@@ @@@§§%/=.¨
¨.=/%§§@@@ @@@§§%/=.¨
¨.=/%§§@## ##@§§%/=.¨