##@§=;-:¨¨ ¨¨:-;=§@##
###@§=;-:¨ ¨:-;=§@###
##@§=;-:¨¨ ¨¨:-;=§@##
#@§=;-:¨¨¨ ¨¨¨:-;=§@#
@§=;-:¨¨¨¨ ¨¨¨¨:-;=§@
§=;-:¨¨¨¨¨ THE SKYSCRAPER THAT MOVES ¨¨¨¨¨:-;=§
=;-:¨¨¨¨¨¨ ¨¨¨¨¨¨:-;=
§=;-:¨¨¨¨¨ TAINARON IS A BUILDING OWNED AND ¨¨¨¨¨:-;=§
@§=;-:¨¨¨¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨¨¨¨:-;=§@
#@§=;-:¨¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨¨:-;=§@#
##@§=;-:¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨¨:-;=§@##
###@§=;-:¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨:-;=§@###
##@§=;-:¨¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨¨:-;=§@##
#@§=;-:¨¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨¨:-;=§@#
@§=;-:¨¨¨¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨¨¨¨:-;=§@
§=;-:¨¨¨¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨¨¨¨:-;=§
=;-:¨¨¨¨¨¨ ¨¨¨¨¨¨:-;=
§=;-:¨¨¨¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨¨¨¨¨:-;=§
@§=;-:¨¨¨¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨¨¨¨:-;=§@
#@§=;-:¨¨¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨¨¨:-;=§@#
##@§=;-:¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨:-;=§@##
###@§=;-:¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨:-;=§@###
##@§=;-:¨¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨¨:-;=§@##
#@§=;-:¨¨¨ VISCIOUS PHASE OF THE TAINARON ¨¨¨:-;=§@#
@§=;-:¨¨¨¨ ECOSYSTEM. ¨¨¨¨:-;=§@
§=;-:¨¨¨¨¨ ¨¨¨¨¨:-;=§
=;-:¨¨¨¨¨¨ THE GUESTS ARRIVING DURING THE EARLY ¨¨¨¨¨¨:-;=
§=;-:¨¨¨¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨¨¨¨:-;=§
@§=;-:¨¨¨¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨¨¨:-;=§@
#@§=;-:¨¨¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨¨¨:-;=§@#
##@§=;-:¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨:-;=§@##
###@§=;-:¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨:-;=§@###
##@§=;-:¨¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨:-;=§@##
#@§=;-:¨¨¨ FURTHER THAN A FEW FLOORS). ¨¨¨:-;=§@#
@§=;-:¨¨¨¨ ¨¨¨¨:-;=§@
§=;-:¨¨¨¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨¨¨¨¨:-;=§
=;-:¨¨¨¨¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨¨¨¨¨:-;=
§=;-:¨¨¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨¨¨:-;=§
@§=;-:¨¨¨¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨¨¨:-;=§@
#@§=;-:¨¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨¨:-;=§@#
##@§=;-:¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨¨:-;=§@##
###@§=;-:¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨:-;=§@###
##@§=;-:¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨:-;=§@##
#@§=;-:¨¨¨ BUILDING, FAR BELOW. ¨¨¨:-;=§@#
@§=;-:¨¨¨¨ ¨¨¨¨:-;=§@
§=;-:¨¨¨¨¨ DURING THE NIGHT, AFTER TAINARON HAS ¨¨¨¨¨:-;=§
=;-:¨¨¨¨¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨¨¨¨¨:-;=
§=;-:¨¨¨¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨¨¨¨:-;=§
@§=;-:¨¨¨¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨¨¨¨:-;=§@
#@§=;-:¨¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨¨:-;=§@#
##@§=;-:¨¨ IT'S AT THIS POINT THAT THE SECOND SET ¨¨:-;=§@##
###@§=;-:¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨:-;=§@###
##@§=;-:¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨:-;=§@##
#@§=;-:¨¨¨ ¨¨¨:-;=§@#
@§=;-:¨¨¨¨ ----- ¨¨¨¨:-;=§@
§=;-:¨¨¨¨¨ ¨¨¨¨¨:-;=§
=;-:¨¨¨¨¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨¨¨¨¨¨:-;=
§=;-:¨¨¨¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨¨¨¨:-;=§
@§=;-:¨¨¨¨ SIT IN ONE OF THE LARGE WINDOWS, ¨¨¨¨:-;=§@
#@§=;-:¨¨¨ LOOKING THROUGH THE MIST FOR ANY ¨¨¨:-;=§@#
##@§=;-:¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨:-;=§@##
###@§=;-:¨ SHE TELLS ME THAT APART FROM COMING AND ¨:-;=§@###
##@§=;-:¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨:-;=§@##
#@§=;-:¨¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨¨:-;=§@#
@§=;-:¨¨¨¨ ¨¨¨¨:-;=§@
§=;-:¨¨¨¨¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨¨¨¨:-;=§
=;-:¨¨¨¨¨¨ DEMONSTRATION OF THE EXOBUBBLE. ¨¨¨¨¨¨:-;=
§=;-:¨¨¨¨¨ ¨¨¨¨¨:-;=§
@§=;-:¨¨¨¨ ¨¨¨¨:-;=§@
#@§=;-:¨¨¨ ¨¨¨:-;=§@#
##@§=;-:¨¨ ¨¨:-;=§@##
###@§=;-:¨ ¨:-;=§@###