#@£&§^~,.. ..,~^§&£@#
##@£&§^~,. .,~^§&£@##
#@£&§^~,.. ..,~^§&£@#
@£&§^~,... ...,~^§&£@
£&§^~,.... ....,~^§&£
&§^~,..... THE SKYSCRAPER THAT MOVES .....,~^§&
§^~,...... ......,~^§
^~,....... TAINARON IS A BUILDING OWNED AND .......,~^
~,........ OPERATED BY AMATA TEXNOLOGIYASI PLACED ........,~
,......... CLOSED TO THE HARBOR IN MALMÖ. IT'S .........,
.......... ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ..........
,......... UNKNOWN), DARK BLUE AND COMPLETELY .........,
~,........ RECTANGULAR. IT FEATURES NO SIGNS, ........,~
^~,....... LIGHTS, OR ORNAMENTS, APART FROM A .......,~^
§^~,...... HELIPAD ON TOP. MOST FLOORS HAVE ......,~^§
&§^~,..... EXTERIOR WALLS COMPLETELY MADE OF GLASS. .....,~^§&
£&§^~,.... ....,~^§&£
@£&§^~,... IN LATE EVENINGS, SHROUDED BY MALMö'S ...,~^§&£@
#@£&§^~,.. SIGNATURE FOG ROLLING IN FROM THE SEA, ..,~^§&£@#
##@£&§^~,. THE BUILDING COMES TO LIFE: IT MOVES ON .,~^§&£@##
#@£&§^~,.. A THOUSAND ROBOTIC LEGS TO ANOTHER ..,~^§&£@#
@£&§^~,... (SECRET) PART OF TOWN, OR PERHAPS OUT ...,~^§&£@
£&§^~,.... TO SEA. THIS SIGNALS A NEW AND MORE ....,~^§&£
&§^~,..... VISCIOUS PHASE OF THE TAINARON .....,~^§&
§^~,...... ECOSYSTEM. ......,~^§
^~,....... .......,~^
~,........ THE GUESTS ARRIVING DURING THE EARLY ........,~
,......... EVENING ARE TREATED TO FOOD AND DRINK, .........,
.......... LIVE MUSIC, BEATUTIFUL VIEWS, AND A ..........
,......... COMFORTABLE BUT MAZE-LIKE INTERIOR .........,
~,........ STRUCTURE (THE BUILDING FEATURES A ........,~
^~,....... MULTITUDE OF STAIRWELLS AND ELEVATORS, .......,~^
§^~,...... PLACED SEEMINGLY AT RANDOM, NONE GOING ......,~^§
&§^~,..... FURTHER THAN A FEW FLOORS). .....,~^§&
£&§^~,.... ....,~^§&£
@£&§^~,... AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ...,~^§&£@
#@£&§^~,.. UNTIL THE AIR INSIDE HAS TAKEN ON THE ..,~^§&£@#
##@£&§^~,. SAME QUALITY AS THE SURROUNDING MIST: .,~^§&£@##
#@£&§^~,.. BLUE-GRAY, SPRINKLED WITH THE SMALL RED ..,~^§&£@#
@£&§^~,... DOT'S BY DOOR LOCKS AND CONTROL PANELS. ...,~^§&£@
£&§^~,.... IF YOU WOULD LOOK THROUGH THE WINDOWS ....,~^§&£
&§^~,..... YOU WOULD SEE THE MIST ROLLING BY, AND .....,~^§&
§^~,...... PERHAPS THE OUTLINE OF SOME OTHER ......,~^§
^~,....... BUILDING, FAR BELOW. .......,~^
~,........ ........,~
,......... DURING THE NIGHT, AFTER TAINARON HAS .........,
.......... STARTED MOVING, THE LOWER FLOORS ARE ..........
,......... SHUT OFF, PREVENTING ENTRY OR EXIT FOR .........,
~,........ THE GUESTS. FOOD IS NO LONGER SERVED, ........,~
^~,....... BUT THE DRINKS BECOME MORE EXTRAVAGANT. .......,~^
§^~,...... IT'S AT THIS POINT THAT THE SECOND SET ......,~^§
&§^~,..... OF GUEST ARRIVES, VIA HELICOPTER - .....,~^§&
£&§^~,.... AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ....,~^§&£
@£&§^~,... ...,~^§&£@
#@£&§^~,.. ~~~~~ ..,~^§&£@#
##@£&§^~,. .,~^§&£@##
#@£&§^~,.. IN MY DREAM I AM INVITED AS A FRIEND OF ..,~^§&£@#
@£&§^~,... ONE OF THE SERVERS, AND THUS SAFE. WE ...,~^§&£@
£&§^~,.... SIT IN ONE OF THE LARGE WINDOWS, ....,~^§&£
&§^~,..... LOOKING THROUGH THE MIST FOR ANY .....,~^§&
§^~,...... LANDMARKS TO PIERCE THROUGH THE MIST. ......,~^§
^~,....... SHE TELLS ME THAT APART FROM COMING AND .......,~^
~,........ GOING FROM WORK, SHE'S NEVER SEEN THE ........,~
,......... BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .........,
.......... ..........
,......... THE NEXT DAY I AM INVITED TO THE PUBLIC .........,
~,........ DEMONSTRATION OF THE EXOBUBBLE. ........,~
^~,....... .......,~^
§^~,...... ......,~^§
&§^~,..... .....,~^§&
£&§^~,.... ....,~^§&£
@£&§^~,... ...,~^§&£@