#####§;»:¨ ¨:»;§#####
##§;:¨¨¨¨¨ ¨¨¨¨¨:;§##
#@;»»:¨¨¨¨ ¨¨¨¨:»»;@#
####@§;»:¨ ¨:»;§@####
####@§;»:¨ ¨:»;§@####
#@;»:¨¨¨¨¨ THE SKYSCRAPER THAT MOVES ¨¨¨¨¨:»;@#
####@§;»:¨ ¨:»;§@####
####@§;»:¨ TAINARON IS A BUILDING OWNED AND ¨:»;§@####
####@§;»:¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨:»;§@####
##@§§»¨¨¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨¨¨»§§@##
#@;;»¨¨¨¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨¨¨¨¨»;;@#
####@§;»:¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨:»;§@####
####@§;»:¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨:»;§@####
####@§;»:¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨:»;§@####
#@§;;»:¨¨¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨¨¨:»;;§@#
####@§;»:¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨:»;§@####
##§»:::¨¨¨ ¨¨¨:::»§##
###@§§;»:¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨:»;§§@###
####@§;»:¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨:»;§@####
#####@§;»: THE BUILDING COMES TO LIFE: IT MOVES ON :»;§@#####
#####§;»:¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨:»;§#####
##@§§§;»:¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨:»;§§§@##
####@§;»:¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨:»;§@####
#@§»:¨¨¨¨¨ VISCIOUS PHASE OF THE TAINARON ¨¨¨¨¨:»§@#
####@§;»:¨ ECOSYSTEM. ¨:»;§@####
##@@§§;»:¨ ¨:»;§§@@##
##@;:¨¨¨¨¨ THE GUESTS ARRIVING DURING THE EARLY ¨¨¨¨¨:;@##
####@§;»:¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨:»;§@####
###@;»:¨¨¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨¨:»;@###
####@§;»:¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨:»;§@####
##§§;»:¨¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨¨:»;§§##
##@@§§;»:¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨:»;§§@@##
####@§;»:¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨:»;§@####
#@§§§§;»:¨ FURTHER THAN A FEW FLOORS). ¨:»;§§§§@#
####@§;»:¨ ¨:»;§@####
####@§;»:¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨:»;§@####
#@;»¨¨¨¨¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨¨¨¨¨»;@#
#####@§;»: SAME QUALITY AS THE SURROUNDING MIST: :»;§@#####
#####§;»:¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨:»;§#####
###@@§;»:¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨:»;§@@###
##@§;;:::¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨:::;;§@##
####@§;»:¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨:»;§@####
####@§;»:¨ PERHAPS THE OUTLINE OF SOME OTHER ¨:»;§@####
####@§;»:¨ BUILDING, FAR BELOW. ¨:»;§@####
#@;:¨¨¨¨¨¨ ¨¨¨¨¨¨:;@#
####@§;»:¨ DURING THE NIGHT, AFTER TAINARON HAS ¨:»;§@####
#@;»:¨¨¨¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨¨¨¨:»;@#
####@§;»:¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨:»;§@####
####@§;»:¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨:»;§@####
####@§;»:¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨:»;§@####
#@;;»::::¨ IT'S AT THIS POINT THAT THE SECOND SET ¨::::»;;@#
##@;:¨¨¨¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨¨¨¨:;@##
##@@@§;»:¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨:»;§@@@##
#§§;:¨¨¨¨¨ ¨¨¨¨¨:;§§#
#@@;;»»»:¨ »»»»» ¨:»»»;;@@#
####@§;»:¨ ¨:»;§@####
#@@§»:¨¨¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨¨¨¨:»§@@#
#@@§;:¨¨¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨¨¨:;§@@#
####@§;»:¨ SIT IN ONE OF THE LARGE WINDOWS, ¨:»;§@####
#@@;::¨¨¨¨ LOOKING THROUGH THE MIST FOR ANY ¨¨¨¨::;@@#
#§;;:¨¨¨¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨¨¨¨:;;§#
###§;;»:¨¨ SHE TELLS ME THAT APART FROM COMING AND ¨¨:»;;§###
####@§;»:¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨:»;§@####
####@§;»:¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨:»;§@####
####@§;»:¨ ¨:»;§@####
####@§;»:¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨:»;§@####
####@§;»:¨ DEMONSTRATION OF THE EXOBUBBLE. ¨:»;§@####
##§»¨¨¨¨¨¨ ¨¨¨¨¨¨»§##
###§;;»»:¨ ¨:»»;;§###
####@§;»:¨ ¨:»;§@####
#####@§»:¨ ¨:»§@#####
#@§»¨¨¨¨¨¨ ¨¨¨¨¨¨»§@#