..,~/**¤@# #@¤**/~,..
...,~/**¤@ @¤**/~,...
..,~/**¤@# #@¤**/~,..
.,~/**¤@## ##@¤**/~,.
..,~/**¤@# #@¤**/~,..
...,~/**¤@ the skyscraper that moves @¤**/~,...
..,~/**¤@# #@¤**/~,..
.,~/**¤@## tainaron is a building owned and ##@¤**/~,.
..,~/**¤@# operated by amata texnologiyasi placed #@¤**/~,..
...,~/**¤@ closed to the harbor in malmÖ. it's @¤**/~,...
..,~/**¤@# roughly sixty floors high (real number #@¤**/~,..
.,~/**¤@## unknown), dark blue and completely ##@¤**/~,.
..,~/**¤@# rectangular. it features no signs, #@¤**/~,..
...,~/**¤@ lights, or ornaments, apart from a @¤**/~,...
..,~/**¤@# helipad on top. most floors have #@¤**/~,..
.,~/**¤@## exterior walls completely made of glass. ##@¤**/~,.
..,~/**¤@# #@¤**/~,..
...,~/**¤@ in late evenings, shrouded by malmö's @¤**/~,...
..,~/**¤@# signature fog rolling in from the sea, #@¤**/~,..
.,~/**¤@## the building comes to life: it moves on ##@¤**/~,.
..,~/**¤@# a thousand robotic legs to another #@¤**/~,..
...,~/**¤@ (secret) part of town, or perhaps out @¤**/~,...
..,~/**¤@# to sea. this signals a new and more #@¤**/~,..
.,~/**¤@## viscious phase of the tainaron ##@¤**/~,.
..,~/**¤@# ecosystem. #@¤**/~,..
...,~/**¤@ @¤**/~,...
..,~/**¤@# the guests arriving during the early #@¤**/~,..
.,~/**¤@## evening are treated to food and drink, ##@¤**/~,.
..,~/**¤@# live music, beatutiful views, and a #@¤**/~,..
...,~/**¤@ comfortable but maze-like interior @¤**/~,...
..,~/**¤@# structure (the building features a #@¤**/~,..
.,~/**¤@## multitude of stairwells and elevators, ##@¤**/~,.
..,~/**¤@# placed seemingly at random, none going #@¤**/~,..
...,~/**¤@ further than a few floors). @¤**/~,...
..,~/**¤@# #@¤**/~,..
.,~/**¤@## as time goes on, the lights slowly dim, ##@¤**/~,.
..,~/**¤@# until the air inside has taken on the #@¤**/~,..
...,~/**¤@ same quality as the surrounding mist: @¤**/~,...
..,~/**¤@# blue-gray, sprinkled with the small red #@¤**/~,..
.,~/**¤@## dot's by door locks and control panels. ##@¤**/~,.
..,~/**¤@# if you would look through the windows #@¤**/~,..
...,~/**¤@ you would see the mist rolling by, and @¤**/~,...
..,~/**¤@# perhaps the outline of some other #@¤**/~,..
.,~/**¤@## building, far below. ##@¤**/~,.
..,~/**¤@# #@¤**/~,..
...,~/**¤@ during the night, after tainaron has @¤**/~,...
..,~/**¤@# started moving, the lower floors are #@¤**/~,..
.,~/**¤@## shut off, preventing entry or exit for ##@¤**/~,.
..,~/**¤@# the guests. food is no longer served, #@¤**/~,..
...,~/**¤@ but the drinks become more extravagant. @¤**/~,...
..,~/**¤@# it's at this point that the second set #@¤**/~,..
.,~/**¤@## of guest arrives, via helicopter - ##@¤**/~,.
..,~/**¤@# amata texnologiyasi and their friends. #@¤**/~,..
...,~/**¤@ @¤**/~,...
..,~/**¤@# ~~~~~ #@¤**/~,..
.,~/**¤@## ##@¤**/~,.
..,~/**¤@# in my dream i am invited as a friend of #@¤**/~,..
...,~/**¤@ one of the servers, and thus safe. we @¤**/~,...
..,~/**¤@# sit in one of the large windows, #@¤**/~,..
.,~/**¤@## looking through the mist for any ##@¤**/~,.
..,~/**¤@# landmarks to pierce through the mist. #@¤**/~,..
...,~/**¤@ she tells me that apart from coming and @¤**/~,...
..,~/**¤@# going from work, she's never seen the #@¤**/~,..
.,~/**¤@## building from the outside. we both sigh. ##@¤**/~,.
..,~/**¤@# #@¤**/~,..
...,~/**¤@ the next day i am invited to the public @¤**/~,...
..,~/**¤@# demonstration of the exobubble. #@¤**/~,..
.,~/**¤@## ##@¤**/~,.
..,~/**¤@# #@¤**/~,..
...,~/**¤@ @¤**/~,...
..,~/**¤@# #@¤**/~,..
.,~/**¤@## ##@¤**/~,.