####&$^~,, ,,~^$&####
##£#&$^~,, ,,~^$&#£##
####&$^~,, ,,~^$&####
###£&$^~,, ,,~^$&£###
#&&&^^,,,, ,,,,^^&&&#
##£#&$^~,, THE SKYSCRAPER THAT MOVES ,,~^$&#£##
##£#&$^~,, ,,~^$&#£##
##£#&$^~,, TAINARON IS A BUILDING OWNED AND ,,~^$&#£##
##£#&$^~,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,~^$&#£##
####&$^~,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,~^$&####
#&&^,,,,,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,,,,,^&&#
£#$~,,,,,, UNKNOWN), DARK BLUE AND COMPLETELY ,,,,,,~$#£
£#&^~~,,,, RECTANGULAR. IT FEATURES NO SIGNS, ,,,,~~^&#£
#££#&$^~,, LIGHTS, OR ORNAMENTS, APART FROM A ,,~^$&#££#
###&^~~,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,~~^&###
##$~,,,,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,,,,~$##
##£#&$^~,, ,,~^$&#£##
£#$~~,,,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,,,~~$#£
##£#&$^~,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,~^$&#£##
£&^~~,,,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,,,,~~^&£
##£#&$^~,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,~^$&#£##
£££#&$^~,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,~^$&#£££
##&&^,,,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,,,^&&##
##£#&$^~,, VISCIOUS PHASE OF THE TAINARON ,,~^$&#£##
##£#&$^~,, ECOSYSTEM. ,,~^$&#£##
#££#&$^~,, ,,~^$&#££#
####&$^~,, THE GUESTS ARRIVING DURING THE EARLY ,,~^$&####
##£#&$^~,, EVENING ARE TREATED TO FOOD AND DRINK, ,,~^$&#£##
##£#&$^~,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,~^$&#£##
£&$^~,,,,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,,,,~^$&£
#&&&^,,,,, STRUCTURE (THE BUILDING FEATURES A ,,,,,^&&&#
####&$^~,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,~^$&####
##$^~,,,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,,,~^$##
####&$^~,, FURTHER THAN A FEW FLOORS). ,,~^$&####
£&$~,,,,,, ,,,,,,~$&£
#&^^,,,,,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,,,,,^^&#
#$$~,,,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,,,~$$#
##£#&$^~,, SAME QUALITY AS THE SURROUNDING MIST: ,,~^$&#£##
£###&$^~,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,~^$&###£
##£#&$^~,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,~^$&#£##
##£#&$^~,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,~^$&#£##
##£#&$^~,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,~^$&#£##
£&&$~,,,,, PERHAPS THE OUTLINE OF SOME OTHER ,,,,,~$&&£
##£#&$^~,, BUILDING, FAR BELOW. ,,~^$&#£##
##$$~,,,,, ,,,,,~$$##
####&$^~,, DURING THE NIGHT, AFTER TAINARON HAS ,,~^$&####
##£#&$^~,, STARTED MOVING, THE LOWER FLOORS ARE ,,~^$&#£##
##£#&$^~,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,~^$&#£##
£##$^^~,,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,,~^^$##£
#&^^~~,,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,,~~^^&#
£&$^~,,,,, IT'S AT THIS POINT THAT THE SECOND SET ,,,,,~^$&£
##£#&$^~,, OF GUEST ARRIVES, VIA HELICOPTER - ,,~^$&#£##
£&^^^^,,,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,,,^^^^&£
££&^,,,,,, ,,,,,,^&££
£&&^^^~,,, ~~~~~ ,,,~^^^&&£
##&$~,,,,, ,,,,,~$&##
#$~,,,,,,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,,,,,,~$#
###&&$^~,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,~^$&&###
####&$^~,, SIT IN ONE OF THE LARGE WINDOWS, ,,~^$&####
###&&$^~,, LOOKING THROUGH THE MIST FOR ANY ,,~^$&&###
##£#&$^~,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,~^$&#£##
##&&$^~,,, SHE TELLS ME THAT APART FROM COMING AND ,,,~^$&&##
##£#&$^~,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,~^$&#£##
##£#&$^~,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,~^$&#£##
##£#&$^~,, ,,~^$&#£##
£&&&$~,,,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,,~$&&&£
£££#&$^~,, DEMONSTRATION OF THE EXOBUBBLE. ,,~^$&#£££
£&^^^^~~,, ,,~~^^^^&£
###£#&$~,, ,,~$&#£###
##£#&$^~,, ,,~^$&#£##
##£#&$^~,, ,,~^$&#£##
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