....@..@.. @.@...@.@@
@....@..@. ...@....@@
@@....@..@ ....@...@.
@@@....@.. .....@....
@.@@....@. ......@...
..@@@....@ THE SKYSCRAPER THAT MOVES .......@..
..@.@@.... ........@.
....@@@... TAINARON IS A BUILDING OWNED AND .........@
@...@.@@.. OPERATED BY AMATA TEXNOLOGIYASI PLACED ..........
.@....@@@. CLOSED TO THE HARBOR IN MALMÖ. IT'S ..........
..@...@.@@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ..........
...@....@@ UNKNOWN), DARK BLUE AND COMPLETELY @.........
....@...@. RECTANGULAR. IT FEATURES NO SIGNS, .@........
.....@.... LIGHTS, OR ORNAMENTS, APART FROM A ..@.......
......@... HELIPAD ON TOP. MOST FLOORS HAVE @..@......
.......@.. EXTERIOR WALLS COMPLETELY MADE OF GLASS. @@..@.....
........@. @@@..@....
.........@ IN LATE EVENINGS, SHROUDED BY MALMö'S @.@@..@...
.......... SIGNATURE FOG ROLLING IN FROM THE SEA, ..@@@..@..
.......... THE BUILDING COMES TO LIFE: IT MOVES ON ..@.@@..@.
.......... A THOUSAND ROBOTIC LEGS TO ANOTHER @...@@@..@
@......... (SECRET) PART OF TOWN, OR PERHAPS OUT .@..@.@@..
.@........ TO SEA. THIS SIGNALS A NEW AND MORE ..@...@@@.
..@....... VISCIOUS PHASE OF THE TAINARON ...@..@.@@
@..@...... ECOSYSTEM. ....@...@@
@@..@..... @....@..@.
@@@..@.... THE GUESTS ARRIVING DURING THE EARLY @@....@...
@.@@..@... EVENING ARE TREATED TO FOOD AND DRINK, .@@....@..
..@@@..@.. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .@@@....@.
..@.@@..@. COMFORTABLE BUT MAZE-LIKE INTERIOR .@.@@....@
@...@@@..@ STRUCTURE (THE BUILDING FEATURES A ...@@@....
.@..@.@@.. MULTITUDE OF STAIRWELLS AND ELEVATORS, ...@.@@...
..@...@@@. PLACED SEEMINGLY AT RANDOM, NONE GOING @....@@@..
...@..@.@@ FURTHER THAN A FEW FLOORS). .@...@.@@.
....@...@@ ..@....@@@
@....@..@. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ...@...@.@
@@....@... UNTIL THE AIR INSIDE HAS TAKEN ON THE @...@....@
.@@....@.. SAME QUALITY AS THE SURROUNDING MIST: .@...@...@
.@@@....@. BLUE-GRAY, SPRINKLED WITH THE SMALL RED ..@...@...
.@.@@....@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. @..@...@..
...@@@.... IF YOU WOULD LOOK THROUGH THE WINDOWS @@..@...@.
...@.@@... YOU WOULD SEE THE MIST ROLLING BY, AND @@@..@...@
@....@@@.. PERHAPS THE OUTLINE OF SOME OTHER @.@@..@...
.@...@.@@. BUILDING, FAR BELOW. ..@@@..@..
..@....@@@ ..@.@@..@.
...@...@.@ DURING THE NIGHT, AFTER TAINARON HAS @...@@@..@
@...@....@ STARTED MOVING, THE LOWER FLOORS ARE .@..@.@@..
.@...@...@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ..@...@@@.
..@...@... THE GUESTS. FOOD IS NO LONGER SERVED, @..@..@.@@
@..@...@.. BUT THE DRINKS BECOME MORE EXTRAVAGANT. .@..@...@@
@@..@...@. IT'S AT THIS POINT THAT THE SECOND SET ..@..@..@.
@@@..@...@ OF GUEST ARRIVES, VIA HELICOPTER - ...@..@...
@.@@..@... AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ....@..@..
..@@@..@.. @....@..@.
..@.@@..@. ~~~~~ @@....@..@
@...@@@..@ @@@....@..
.@..@.@@.. IN MY DREAM I AM INVITED AS A FRIEND OF @.@@....@.
..@...@@@. ONE OF THE SERVERS, AND THUS SAFE. WE ..@@@....@
@..@..@.@@ SIT IN ONE OF THE LARGE WINDOWS, ..@.@@....
.@..@...@@ LOOKING THROUGH THE MIST FOR ANY ....@@@...
..@..@..@. LANDMARKS TO PIERCE THROUGH THE MIST. @...@.@@..
...@..@... SHE TELLS ME THAT APART FROM COMING AND .@....@@@.
....@..@.. GOING FROM WORK, SHE'S NEVER SEEN THE ..@...@.@@
@....@..@. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ...@....@@
@@....@..@ ....@...@.
@@@....@.. THE NEXT DAY I AM INVITED TO THE PUBLIC .....@....
@.@@....@. DEMONSTRATION OF THE EXOBUBBLE. ......@...
..@@@....@ .......@..
..@.@@.... ........@.
....@@@... .........@
@...@.@@.. ..........
.@....@@@. ..........