.:»^*&## ###&&*^»:.
.:»^^**# ##&**^^»:.
....»^^& #&&^^»....
..:::»*# ##&*»:::..
.:»^*&&# ##&&&*^»:.
...:::»**& THE SKYSCRAPER THAT MOVES &**»:::...
.:»^&### ####&&^»:.
......»^*& TAINARON IS A BUILDING OWNED AND &*^»......
.:»^*&## OPERATED BY AMATA TEXNOLOGIYASI PLACED ###&&*^»:.
......:^ CLOSED TO THE HARBOR IN MALMÖ. IT'S #&^:......
.....:^*&& ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER &&*^:.....
.:»^*### UNKNOWN), DARK BLUE AND COMPLETELY ####&*^»:.
..:::»*&&& RECTANGULAR. IT FEATURES NO SIGNS, &&&*»:::..
.:»^*&&# LIGHTS, OR ORNAMENTS, APART FROM A ##&&&*^»:.
.:»^**** HELIPAD ON TOP. MOST FLOORS HAVE #&****^»:.
.:»^*&## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###&&*^»:.
.:»^*&## ###&&*^»:.
.:»^*&## IN LATE EVENINGS, SHROUDED BY MALMö'S ###&&*^»:.
.:»^*&## SIGNATURE FOG ROLLING IN FROM THE SEA, ###&&*^»:.
......»* THE BUILDING COMES TO LIFE: IT MOVES ON #&*»......
....»*&& A THOUSAND ROBOTIC LEGS TO ANOTHER #&&&*»....
..:»^^*# (SECRET) PART OF TOWN, OR PERHAPS OUT ##&*^^»:..
.:»^*&## TO SEA. THIS SIGNALS A NEW AND MORE ###&&*^»:.
.:»^*&## VISCIOUS PHASE OF THE TAINARON ###&&*^»:.
.:»^*&## ECOSYSTEM. ###&&*^»:.
.:::^*&& #&&&*^:::.
....:^&&&& THE GUESTS ARRIVING DURING THE EARLY &&&&^:....
.:»^*&## EVENING ARE TREATED TO FOOD AND DRINK, ###&&*^»:.
.::::^*# LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##&*^::::.
.:»^*&## COMFORTABLE BUT MAZE-LIKE INTERIOR ###&&*^»:.
.......»*& STRUCTURE (THE BUILDING FEATURES A &*».......
.:»^*&## MULTITUDE OF STAIRWELLS AND ELEVATORS, ###&&*^»:.
....:^*& PLACED SEEMINGLY AT RANDOM, NONE GOING #&&*^:....
.:»^*&## FURTHER THAN A FEW FLOORS). ###&&*^»:.
....:»*# ##&*»:....
.:»^*&## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###&&*^»:.
.:»^*&## UNTIL THE AIR INSIDE HAS TAKEN ON THE ###&&*^»:.
.:»^*&## SAME QUALITY AS THE SURROUNDING MIST: ###&&*^»:.
.:»^*&## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ###&&*^»:.
.:»^*&&# DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##&&&*^»:.
.:»^*&## IF YOU WOULD LOOK THROUGH THE WINDOWS ###&&*^»:.
.:»^^**# YOU WOULD SEE THE MIST ROLLING BY, AND ##&**^^»:.
.:»^*&## PERHAPS THE OUTLINE OF SOME OTHER ###&&*^»:.
.:»^*&## BUILDING, FAR BELOW. ###&&*^»:.
..::»»»*&& &&*»»»::..
.:»^*&## DURING THE NIGHT, AFTER TAINARON HAS ###&&*^»:.
.....»^^ STARTED MOVING, THE LOWER FLOORS ARE #&^^».....
.:»^*&## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ###&&*^»:.
.:»^*&## THE GUESTS. FOOD IS NO LONGER SERVED, ###&&*^»:.
......»* BUT THE DRINKS BECOME MORE EXTRAVAGANT. #&*»......
.:»^*&## IT'S AT THIS POINT THAT THE SECOND SET ###&&*^»:.
.:»^*&&& OF GUEST ARRIVES, VIA HELICOPTER - #&&&&*^»:.
.:»^*&## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ###&&*^»:.
.....::^*& &*^::.....
.:»^*&## »»»»» ###&&*^»:.
.:»^*&## ###&&*^»:.
.:»^^*** IN MY DREAM I AM INVITED AS A FRIEND OF #&***^^»:.
.....:^& ONE OF THE SERVERS, AND THUS SAFE. WE #&&^:.....
.:»^*&## SIT IN ONE OF THE LARGE WINDOWS, ###&&*^»:.
.:»^*&## LOOKING THROUGH THE MIST FOR ANY ###&&*^»:.
.:»^*&## LANDMARKS TO PIERCE THROUGH THE MIST. ###&&*^»:.
.....»»**& SHE TELLS ME THAT APART FROM COMING AND &**»».....
.:»^*&## GOING FROM WORK, SHE'S NEVER SEEN THE ###&&*^»:.
.:»^*&## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ###&&*^»:.
.:»^*&## ###&&*^»:.
.:»^*### THE NEXT DAY I AM INVITED TO THE PUBLIC ####&*^»:.
.:»^*&## DEMONSTRATION OF THE EXOBUBBLE. ###&&*^»:.
..:»»»^*&& &&*^»»»:..
.:»^*&## ###&&*^»:.
.:»^*&## ###&&*^»:.
.:»^*&&&&& &&&&&*^»:.
.....»»* #&*»».....