,,,==^*%#@ @#%*^==,,,
,,,,,,^%@@ @@%^,,,,,,
,,====*#@@ @@#*====,,
,,,,,,,^%# #%^,,,,,,,
,,=^*%#@@# #@@#%*^=,,
,,,,^^*#@@ THE SKYSCRAPER THAT MOVES @@#*^^,,,,
,,,,,,^**# #**^,,,,,,
,,,,=*%%@@ TAINARON IS A BUILDING OWNED AND @@%%*=,,,,
,,,,^^^%#@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @#%^^^,,,,
,,,,,==^%@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @%^==,,,,,
,,=^*%#@@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@@#%*^=,,
,,,,,,^*#@ UNKNOWN), DARK BLUE AND COMPLETELY @#*^,,,,,,
,,,,===^%# RECTANGULAR. IT FEATURES NO SIGNS, #%^===,,,,
,,,,,===*# LIGHTS, OR ORNAMENTS, APART FROM A #*===,,,,,
,,=^*%@@## HELIPAD ON TOP. MOST FLOORS HAVE ##@@%*^=,,
,,=^***%%# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #%%***^=,,
,,=^*%#@## ##@#%*^=,,
,,,,,^%##@ IN LATE EVENINGS, SHROUDED BY MALMö'S @##%^,,,,,
,,=^*%%#@@ SIGNATURE FOG ROLLING IN FROM THE SEA, @@#%%*^=,,
,,=^*%#@@# THE BUILDING COMES TO LIFE: IT MOVES ON #@@#%*^=,,
,,,==***#@ A THOUSAND ROBOTIC LEGS TO ANOTHER @#***==,,,
,,=^*%#@@# (SECRET) PART OF TOWN, OR PERHAPS OUT #@@#%*^=,,
,,,,,^*##@ TO SEA. THIS SIGNALS A NEW AND MORE @##*^,,,,,
,,=^***#@@ VISCIOUS PHASE OF THE TAINARON @@#***^=,,
,,,,,,=*%@ ECOSYSTEM. @%*=,,,,,,
,,,==*%%## ##%%*==,,,
,,=^*%#@@# THE GUESTS ARRIVING DURING THE EARLY #@@#%*^=,,
,,=^*%#@@@ EVENING ARE TREATED TO FOOD AND DRINK, @@@#%*^=,,
,,=^*%#@@@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @@@#%*^=,,
,,=^*%#@@@ COMFORTABLE BUT MAZE-LIKE INTERIOR @@@#%*^=,,
,,=^*****# STRUCTURE (THE BUILDING FEATURES A #*****^=,,
,,=^*%#@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##@#%*^=,,
,,=^**%%@@ PLACED SEEMINGLY AT RANDOM, NONE GOING @@%%**^=,,
,,=^*%#@## FURTHER THAN A FEW FLOORS). ##@#%*^=,,
,,=^*%#@@# #@@#%*^=,,
,,=^*%#@@@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @@@#%*^=,,
,,=^*%#@@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@@#%*^=,,
,,=^*%#@@# SAME QUALITY AS THE SURROUNDING MIST: #@@#%*^=,,
,,=^*%#@@@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @@@#%*^=,,
,,=^*%#@@@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. @@@#%*^=,,
,,=^*#@@## IF YOU WOULD LOOK THROUGH THE WINDOWS ##@@#*^=,,
,,,,^*%#@@ YOU WOULD SEE THE MIST ROLLING BY, AND @@#%*^,,,,
,,=^*%#@@# PERHAPS THE OUTLINE OF SOME OTHER #@@#%*^=,,
,,=^*%#@@@ BUILDING, FAR BELOW. @@@#%*^=,,
,,,=^**%@@ @@%**^=,,,
,,,,,,,^%@ DURING THE NIGHT, AFTER TAINARON HAS @%^,,,,,,,
,,^*%#@@## STARTED MOVING, THE LOWER FLOORS ARE ##@@#%*^,,
,,=^*%#@@# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #@@#%*^=,,
,,,=^^%#@@ THE GUESTS. FOOD IS NO LONGER SERVED, @@#%^^=,,,
,,=^*%#@## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##@#%*^=,,
,,,,,^*### IT'S AT THIS POINT THAT THE SECOND SET ###*^,,,,,
,,,,,,^**# OF GUEST ARRIVES, VIA HELICOPTER - #**^,,,,,,
,,,,,^^*## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##*^^,,,,,
,,=^*%#@@@ @@@#%*^=,,
,,=^^^%%## ===== ##%%^^^=,,
,,=^^^%#@@ @@#%^^^=,,
,,=^*%##@@ IN MY DREAM I AM INVITED AS A FRIEND OF @@##%*^=,,
,,,,,,^*%# ONE OF THE SERVERS, AND THUS SAFE. WE #%*^,,,,,,
,,=^*%#@@# SIT IN ONE OF THE LARGE WINDOWS, #@@#%*^=,,
,,=^*%#@@# LOOKING THROUGH THE MIST FOR ANY #@@#%*^=,,
,,=^*%#@@@ LANDMARKS TO PIERCE THROUGH THE MIST. @@@#%*^=,,
,,=^*%#@@# SHE TELLS ME THAT APART FROM COMING AND #@@#%*^=,,
,,=^*%#@@# GOING FROM WORK, SHE'S NEVER SEEN THE #@@#%*^=,,
,,=^*%#@@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@@#%*^=,,
,,=^*%#@@# #@@#%*^=,,
,,=^*%#@@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@@#%*^=,,
,,,,==**#@ DEMONSTRATION OF THE EXOBUBBLE. @#**==,,,,
,,=^*%#@@# #@@#%*^=,,
,,=^*%#@## ##@#%*^=,,
,,,,,^*%%# #%%*^,,,,,
,,==^^^*%@ @%*^^^==,,
,,,,^^^*#@ @#*^^^,,,,