¨,==\\*&@@                                          @@&*\\==,¨
¨¨¨¨¨¨,\*&                                          &*\,¨¨¨¨¨¨
¨,=\*$&@##                                          ##@&$*\=,¨
¨¨¨,=\*&&#                                          #&&*\=,¨¨¨
¨,=\***&@@                                          @@&***\=,¨
¨¨¨¨¨¨,\$&         THE SKYSCRAPER THAT MOVES        &$\,¨¨¨¨¨¨
¨,=\*$&@##                                          ##@&$*\=,¨
¨,=*$&@### TAINARON   IS  A   BUILDING  OWNED   AND ###@&$*=,¨
¨,=\*$&&@#  OPERATED BY AMATA TEXNOLOGIYASI PLACED  #@&&$*\=,¨
¨¨¨¨¨,\\$@ CLOSED  TO  THE  HARBOR  IN  MALMÖ. IT'S @$\\,¨¨¨¨¨
¨,=\*$&@## ROUGHLY  SIXTY FLOORS  HIGH (REAL NUMBER ##@&$*\=,¨
¨,=\\\\$$@    UNKNOWN), DARK BLUE AND COMPLETELY    @$$\\\\=,¨
¨,=\*$&@##    RECTANGULAR. IT FEATURES NO SIGNS,    ##@&$*\=,¨
¨,=\*$&&@@ LIGHTS,  OR  ORNAMENTS,  APART   FROM  A @@&&$*\=,¨
¨¨¨,,=\**& HELIPAD   ON  TOP.  MOST   FLOORS   HAVE &**\=,,¨¨¨
¨,=\*$&@## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##@&$*\=,¨
¨,=\*$&@##                                          ##@&$*\=,¨
¨,=\*$&@## IN LATE  EVENINGS, SHROUDED  BY  MALMö'S ##@&$*\=,¨
¨,=\*$&@## SIGNATURE  FOG ROLLING IN FROM  THE SEA, ##@&$*\=,¨
¨¨¨,,\$$&@ THE BUILDING COMES TO LIFE: IT  MOVES ON @&$$\,,¨¨¨
¨,=\*$&@## A  THOUSAND  ROBOTIC   LEGS  TO  ANOTHER ##@&$*\=,¨
¨¨¨¨=\\*$& (SECRET)  PART OF  TOWN, OR  PERHAPS OUT &$*\\=¨¨¨¨
¨¨¨¨¨=\$&# TO SEA.  THIS  SIGNALS A  NEW  AND  MORE #&$\=¨¨¨¨¨
¨¨¨¨¨¨,\$@      VISCIOUS PHASE OF THE TAINARON      @$\,¨¨¨¨¨¨
¨¨¨,,\\**&                ECOSYSTEM.                &**\\,,¨¨¨
¨¨¨¨,=\$@@                                          @@$\=,¨¨¨¨
¨,=\*$&@## THE  GUESTS  ARRIVING  DURING THE  EARLY ##@&$*\=,¨
¨,=\*$&@## EVENING  ARE TREATED  TO FOOD AND DRINK, ##@&$*\=,¨
¨,=\*$@### LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ###@$*\=,¨
¨¨¨¨=\\*&#    COMFORTABLE BUT MAZE-LIKE INTERIOR    #&*\\=¨¨¨¨
¨,=\**$$&@    STRUCTURE (THE BUILDING FEATURES A    @&$$**\=,¨
¨,=\*$&@##  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ##@&$*\=,¨
¨¨,==***&@ PLACED  SEEMINGLY AT  RANDOM, NONE GOING @&***==,¨¨
¨,=\*$$&&@        FURTHER THAN A FEW FLOORS).       @&&$$*\=,¨
¨,=\*$&@##                                          ##@&$*\=,¨
¨,=\*$&@## AS  TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@&$*\=,¨
¨,=\*$&@## UNTIL THE AIR  INSIDE HAS  TAKEN ON  THE ##@&$*\=,¨
¨,=\*$$$&& SAME  QUALITY  AS  THE SURROUNDING MIST: &&$$$*\=,¨
¨,=\*$&@## BLUE-GRAY,  SPRINKLED WITH THE SMALL RED ##@&$*\=,¨
¨,=\*$&@## DOT'S  BY DOOR LOCKS AND CONTROL PANELS. ##@&$*\=,¨
¨¨¨¨,\***& IF  YOU WOULD  LOOK  THROUGH THE WINDOWS &***\,¨¨¨¨
¨,=\*$&@@# YOU WOULD SEE  THE  MIST ROLLING BY, AND #@@&$*\=,¨
¨,=\*$&@## PERHAPS  THE  OUTLINE  OF   SOME   OTHER ##@&$*\=,¨
¨,=\*$&@##           BUILDING, FAR BELOW.           ##@&$*\=,¨
¨¨¨¨¨=\$$&                                          &$$\=¨¨¨¨¨
¨,=\*$&@## DURING  THE NIGHT,  AFTER  TAINARON  HAS ##@&$*\=,¨
¨¨¨,,\\\$& STARTED MOVING,  THE  LOWER  FLOORS  ARE &$\\\,,¨¨¨
¨,=\*$&@## SHUT OFF,  PREVENTING ENTRY  OR EXIT FOR ##@&$*\=,¨
¨,=\*$&@## THE GUESTS.  FOOD IS  NO  LONGER SERVED, ##@&$*\=,¨
¨,=\\*$$&@ BUT THE  DRINKS BECOME MORE EXTRAVAGANT. @&$$*\\=,¨
¨,=\*$&@## IT'S AT  THIS POINT THAT  THE SECOND SET ##@&$*\=,¨
¨,=\*$&@## OF  GUEST   ARRIVES,  VIA  HELICOPTER  - ##@&$*\=,¨
¨,=\*$&@##  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ##@&$*\=,¨
¨,=\*$&@##                                          ##@&$*\=,¨
¨¨¨¨,=***&                  =====                   &***=,¨¨¨¨
¨,=\*&@###                                          ###@&*\=,¨
¨¨¨,===*&& IN MY DREAM I AM INVITED AS A  FRIEND OF &&*===,¨¨¨
¨,=\***&@@ ONE OF THE  SERVERS,  AND  THUS SAFE. WE @@&***\=,¨
¨¨¨¨¨¨=*$& SIT  IN   ONE  OF   THE  LARGE  WINDOWS, &$*=¨¨¨¨¨¨
¨,=\*$&@## LOOKING  THROUGH   THE   MIST   FOR  ANY ##@&$*\=,¨
¨,=\*$&@## LANDMARKS TO  PIERCE  THROUGH THE  MIST. ##@&$*\=,¨
¨=\*$&@### SHE TELLS ME  THAT APART FROM COMING AND ###@&$*\=¨
¨¨¨¨¨=\*$& GOING FROM  WORK,  SHE'S NEVER SEEN  THE &$*\=¨¨¨¨¨
¨,=\**$$@@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @@$$**\=,¨
¨,=\*$&@##                                          ##@&$*\=,¨
¨¨¨¨¨,=*$& THE  NEXT DAY I AM INVITED TO THE PUBLIC &$*=,¨¨¨¨¨
¨,=\*$&@##     DEMONSTRATION OF THE EXOBUBBLE.      ##@&$*\=,¨
¨¨¨¨¨=*$@@                                          @@$*=¨¨¨¨¨
¨,=\*$&@##                                          ##@&$*\=,¨
¨,=\*$&@##                                          ##@&$*\=,¨
¨,=\*$&@##                                          ##@&$*\=,¨
¨,=\*$&@##                                          ##@&$*\=,¨