##@#%†:~^. .^~:†%#@##
#@#%†:~^.. ..^~:†%#@#
##@#%†:~^. .^~:†%#@##
#@#%†:~^.. ..^~:†%#@#
##@#%†:~^. .^~:†%#@##
#@#%†:~^.. THE SKYSCRAPER THAT MOVES ..^~:†%#@#
##@#%†:~^. .^~:†%#@##
#@#%†:~^.. TAINARON IS A BUILDING OWNED AND ..^~:†%#@#
##@#%†:~^. OPERATED BY AMATA TEXNOLOGIYASI PLACED .^~:†%#@##
#@#%†:~^.. CLOSED TO THE HARBOR IN MALMÖ. IT'S ..^~:†%#@#
##@#%†:~^. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .^~:†%#@##
#@#%†:~^.. UNKNOWN), DARK BLUE AND COMPLETELY ..^~:†%#@#
##@#%†:~^. RECTANGULAR. IT FEATURES NO SIGNS, .^~:†%#@##
#@#%†:~^.. LIGHTS, OR ORNAMENTS, APART FROM A ..^~:†%#@#
##@#%†:~^. HELIPAD ON TOP. MOST FLOORS HAVE .^~:†%#@##
#@#%†:~^.. EXTERIOR WALLS COMPLETELY MADE OF GLASS. ..^~:†%#@#
##@#%†:~^. .^~:†%#@##
#@#%†:~^.. IN LATE EVENINGS, SHROUDED BY MALMö'S ..^~:†%#@#
##@#%†:~^. SIGNATURE FOG ROLLING IN FROM THE SEA, .^~:†%#@##
#@#%†:~^.. THE BUILDING COMES TO LIFE: IT MOVES ON ..^~:†%#@#
##@#%†:~^. A THOUSAND ROBOTIC LEGS TO ANOTHER .^~:†%#@##
#@#%†:~^.. (SECRET) PART OF TOWN, OR PERHAPS OUT ..^~:†%#@#
##@#%†:~^. TO SEA. THIS SIGNALS A NEW AND MORE .^~:†%#@##
#@#%†:~^.. VISCIOUS PHASE OF THE TAINARON ..^~:†%#@#
##@#%†:~^. ECOSYSTEM. .^~:†%#@##
#@#%†:~^.. ..^~:†%#@#
##@#%†:~^. THE GUESTS ARRIVING DURING THE EARLY .^~:†%#@##
#@#%†:~^.. EVENING ARE TREATED TO FOOD AND DRINK, ..^~:†%#@#
##@#%†:~^. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .^~:†%#@##
#@#%†:~^.. COMFORTABLE BUT MAZE-LIKE INTERIOR ..^~:†%#@#
##@#%†:~^. STRUCTURE (THE BUILDING FEATURES A .^~:†%#@##
#@#%†:~^.. MULTITUDE OF STAIRWELLS AND ELEVATORS, ..^~:†%#@#
##@#%†:~^. PLACED SEEMINGLY AT RANDOM, NONE GOING .^~:†%#@##
#@#%†:~^.. FURTHER THAN A FEW FLOORS). ..^~:†%#@#
##@#%†:~^. .^~:†%#@##
#@#%†:~^.. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ..^~:†%#@#
##@#%†:~^. UNTIL THE AIR INSIDE HAS TAKEN ON THE .^~:†%#@##
#@#%†:~^.. SAME QUALITY AS THE SURROUNDING MIST: ..^~:†%#@#
##@#%†:~^. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .^~:†%#@##
#@#%†:~^.. DOT'S BY DOOR LOCKS AND CONTROL PANELS. ..^~:†%#@#
##@#%†:~^. IF YOU WOULD LOOK THROUGH THE WINDOWS .^~:†%#@##
#@#%†:~^.. YOU WOULD SEE THE MIST ROLLING BY, AND ..^~:†%#@#
##@#%†:~^. PERHAPS THE OUTLINE OF SOME OTHER .^~:†%#@##
#@#%†:~^.. BUILDING, FAR BELOW. ..^~:†%#@#
##@#%†:~^. .^~:†%#@##
#@#%†:~^.. DURING THE NIGHT, AFTER TAINARON HAS ..^~:†%#@#
##@#%†:~^. STARTED MOVING, THE LOWER FLOORS ARE .^~:†%#@##
#@#%†:~^.. SHUT OFF, PREVENTING ENTRY OR EXIT FOR ..^~:†%#@#
##@#%†:~^. THE GUESTS. FOOD IS NO LONGER SERVED, .^~:†%#@##
#@#%†:~^.. BUT THE DRINKS BECOME MORE EXTRAVAGANT. ..^~:†%#@#
##@#%†:~^. IT'S AT THIS POINT THAT THE SECOND SET .^~:†%#@##
#@#%†:~^.. OF GUEST ARRIVES, VIA HELICOPTER - ..^~:†%#@#
##@#%†:~^. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .^~:†%#@##
#@#%†:~^.. ..^~:†%#@#
##@#%†:~^. ~~~~~ .^~:†%#@##
#@#%†:~^.. ..^~:†%#@#
##@#%†:~^. IN MY DREAM I AM INVITED AS A FRIEND OF .^~:†%#@##
#@#%†:~^.. ONE OF THE SERVERS, AND THUS SAFE. WE ..^~:†%#@#
##@#%†:~^. SIT IN ONE OF THE LARGE WINDOWS, .^~:†%#@##
#@#%†:~^.. LOOKING THROUGH THE MIST FOR ANY ..^~:†%#@#
##@#%†:~^. LANDMARKS TO PIERCE THROUGH THE MIST. .^~:†%#@##
#@#%†:~^.. SHE TELLS ME THAT APART FROM COMING AND ..^~:†%#@#
##@#%†:~^. GOING FROM WORK, SHE'S NEVER SEEN THE .^~:†%#@##
#@#%†:~^.. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ..^~:†%#@#
##@#%†:~^. .^~:†%#@##
#@#%†:~^.. THE NEXT DAY I AM INVITED TO THE PUBLIC ..^~:†%#@#
##@#%†:~^. DEMONSTRATION OF THE EXOBUBBLE. .^~:†%#@##
#@#%†:~^.. ..^~:†%#@#
##@#%†:~^. .^~:†%#@##
#@#%†:~^.. ..^~:†%#@#
##@#%†:~^. .^~:†%#@##
#@#%†:~^.. ..^~:†%#@#