.^«\=@§### ###§@=\«^.
..^«\=@§## ##§@=\«^..
...^«\=@§# #§@=\«^...
....^«\=@§ §@=\«^....
.....^«\=@ @=\«^.....
......^«\= THE SKYSCRAPER THAT MOVES =\«^......
.......^«\ \«^.......
........^« TAINARON IS A BUILDING OWNED AND «^........
.........^ OPERATED BY AMATA TEXNOLOGIYASI PLACED ^.........
........^« CLOSED TO THE HARBOR IN MALMÖ. IT'S «^........
.......^«\ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER \«^.......
......^«\= UNKNOWN), DARK BLUE AND COMPLETELY =\«^......
.....^«\=@ RECTANGULAR. IT FEATURES NO SIGNS, @=\«^.....
....^«\=@§ LIGHTS, OR ORNAMENTS, APART FROM A §@=\«^....
...^«\=@§# HELIPAD ON TOP. MOST FLOORS HAVE #§@=\«^...
..^«\=@§## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##§@=\«^..
.^«\=@§### ###§@=\«^.
..^«\=@§## IN LATE EVENINGS, SHROUDED BY MALMö'S ##§@=\«^..
...^«\=@§# SIGNATURE FOG ROLLING IN FROM THE SEA, #§@=\«^...
....^«\=@§ THE BUILDING COMES TO LIFE: IT MOVES ON §@=\«^....
.....^«\=@ A THOUSAND ROBOTIC LEGS TO ANOTHER @=\«^.....
......^«\= (SECRET) PART OF TOWN, OR PERHAPS OUT =\«^......
.......^«\ TO SEA. THIS SIGNALS A NEW AND MORE \«^.......
........^« VISCIOUS PHASE OF THE TAINARON «^........
.........^ ECOSYSTEM. ^.........
........^« «^........
.......^«\ THE GUESTS ARRIVING DURING THE EARLY \«^.......
......^«\= EVENING ARE TREATED TO FOOD AND DRINK, =\«^......
.....^«\=@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @=\«^.....
....^«\=@§ COMFORTABLE BUT MAZE-LIKE INTERIOR §@=\«^....
...^«\=@§# STRUCTURE (THE BUILDING FEATURES A #§@=\«^...
..^«\=@§## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##§@=\«^..
.^«\=@§### PLACED SEEMINGLY AT RANDOM, NONE GOING ###§@=\«^.
..^«\=@§## FURTHER THAN A FEW FLOORS). ##§@=\«^..
...^«\=@§# #§@=\«^...
....^«\=@§ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, §@=\«^....
.....^«\=@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @=\«^.....
......^«\= SAME QUALITY AS THE SURROUNDING MIST: =\«^......
.......^«\ BLUE-GRAY, SPRINKLED WITH THE SMALL RED \«^.......
........^« DOT'S BY DOOR LOCKS AND CONTROL PANELS. «^........
.........^ IF YOU WOULD LOOK THROUGH THE WINDOWS ^.........
........^« YOU WOULD SEE THE MIST ROLLING BY, AND «^........
.......^«\ PERHAPS THE OUTLINE OF SOME OTHER \«^.......
......^«\= BUILDING, FAR BELOW. =\«^......
.....^«\=@ @=\«^.....
....^«\=@§ DURING THE NIGHT, AFTER TAINARON HAS §@=\«^....
...^«\=@§# STARTED MOVING, THE LOWER FLOORS ARE #§@=\«^...
..^«\=@§## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##§@=\«^..
.^«\=@§### THE GUESTS. FOOD IS NO LONGER SERVED, ###§@=\«^.
..^«\=@§## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##§@=\«^..
...^«\=@§# IT'S AT THIS POINT THAT THE SECOND SET #§@=\«^...
....^«\=@§ OF GUEST ARRIVES, VIA HELICOPTER - §@=\«^....
.....^«\=@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @=\«^.....
......^«\= =\«^......
.......^«\ ««««« \«^.......
........^« «^........
.........^ IN MY DREAM I AM INVITED AS A FRIEND OF ^.........
........^« ONE OF THE SERVERS, AND THUS SAFE. WE «^........
.......^«\ SIT IN ONE OF THE LARGE WINDOWS, \«^.......
......^«\= LOOKING THROUGH THE MIST FOR ANY =\«^......
.....^«\=@ LANDMARKS TO PIERCE THROUGH THE MIST. @=\«^.....
....^«\=@§ SHE TELLS ME THAT APART FROM COMING AND §@=\«^....
...^«\=@§# GOING FROM WORK, SHE'S NEVER SEEN THE #§@=\«^...
..^«\=@§## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##§@=\«^..
.^«\=@§### ###§@=\«^.
..^«\=@§## THE NEXT DAY I AM INVITED TO THE PUBLIC ##§@=\«^..
...^«\=@§# DEMONSTRATION OF THE EXOBUBBLE. #§@=\«^...
....^«\=@§ §@=\«^....
.....^«\=@ @=\«^.....
......^«\= =\«^......
.......^«\ \«^.......
........^« «^........