,,-~*$£##@ @##£$*~-,,
,,,-~*$£## ##£$*~-,,,
,,,,-~*$£# #£$*~-,,,,
,,,-~*$£## ##£$*~-,,,
,,-~*$£##@ @##£$*~-,,
,-~*$£##@# THE SKYSCRAPER THAT MOVES #@##£$*~-,
,,-~*$£##@ @##£$*~-,,
,,,-~*$£## TAINARON IS A BUILDING OWNED AND ##£$*~-,,,
,,,,-~*$£# OPERATED BY AMATA TEXNOLOGIYASI PLACED #£$*~-,,,,
,,,-~*$£## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##£$*~-,,,
,,-~*$£##@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @##£$*~-,,
,-~*$£##@# UNKNOWN), DARK BLUE AND COMPLETELY #@##£$*~-,
,,-~*$£##@ RECTANGULAR. IT FEATURES NO SIGNS, @##£$*~-,,
,,,-~*$£## LIGHTS, OR ORNAMENTS, APART FROM A ##£$*~-,,,
,,,,-~*$£# HELIPAD ON TOP. MOST FLOORS HAVE #£$*~-,,,,
,,,-~*$£## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##£$*~-,,,
,,-~*$£##@ @##£$*~-,,
,-~*$£##@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@##£$*~-,
,,-~*$£##@ SIGNATURE FOG ROLLING IN FROM THE SEA, @##£$*~-,,
,,,-~*$£## THE BUILDING COMES TO LIFE: IT MOVES ON ##£$*~-,,,
,,,,-~*$£# A THOUSAND ROBOTIC LEGS TO ANOTHER #£$*~-,,,,
,,,-~*$£## (SECRET) PART OF TOWN, OR PERHAPS OUT ##£$*~-,,,
,,-~*$£##@ TO SEA. THIS SIGNALS A NEW AND MORE @##£$*~-,,
,-~*$£##@# VISCIOUS PHASE OF THE TAINARON #@##£$*~-,
,,-~*$£##@ ECOSYSTEM. @##£$*~-,,
,,,-~*$£## ##£$*~-,,,
,,,,-~*$£# THE GUESTS ARRIVING DURING THE EARLY #£$*~-,,,,
,,,-~*$£## EVENING ARE TREATED TO FOOD AND DRINK, ##£$*~-,,,
,,-~*$£##@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @##£$*~-,,
,-~*$£##@# COMFORTABLE BUT MAZE-LIKE INTERIOR #@##£$*~-,
,,-~*$£##@ STRUCTURE (THE BUILDING FEATURES A @##£$*~-,,
,,,-~*$£## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##£$*~-,,,
,,,,-~*$£# PLACED SEEMINGLY AT RANDOM, NONE GOING #£$*~-,,,,
,,,-~*$£## FURTHER THAN A FEW FLOORS). ##£$*~-,,,
,,-~*$£##@ @##£$*~-,,
,-~*$£##@# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #@##£$*~-,
,,-~*$£##@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @##£$*~-,,
,,,-~*$£## SAME QUALITY AS THE SURROUNDING MIST: ##£$*~-,,,
,,,,-~*$£# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #£$*~-,,,,
,,,-~*$£## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##£$*~-,,,
,,-~*$£##@ IF YOU WOULD LOOK THROUGH THE WINDOWS @##£$*~-,,
,-~*$£##@# YOU WOULD SEE THE MIST ROLLING BY, AND #@##£$*~-,
,,-~*$£##@ PERHAPS THE OUTLINE OF SOME OTHER @##£$*~-,,
,,,-~*$£## BUILDING, FAR BELOW. ##£$*~-,,,
,,,,-~*$£# #£$*~-,,,,
,,,-~*$£## DURING THE NIGHT, AFTER TAINARON HAS ##£$*~-,,,
,,-~*$£##@ STARTED MOVING, THE LOWER FLOORS ARE @##£$*~-,,
,-~*$£##@# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #@##£$*~-,
,,-~*$£##@ THE GUESTS. FOOD IS NO LONGER SERVED, @##£$*~-,,
,,,-~*$£## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##£$*~-,,,
,,,,-~*$£# IT'S AT THIS POINT THAT THE SECOND SET #£$*~-,,,,
,,,-~*$£## OF GUEST ARRIVES, VIA HELICOPTER - ##£$*~-,,,
,,-~*$£##@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @##£$*~-,,
,-~*$£##@# #@##£$*~-,
,,-~*$£##@ ~~~~~ @##£$*~-,,
,,,-~*$£## ##£$*~-,,,
,,,,-~*$£# IN MY DREAM I AM INVITED AS A FRIEND OF #£$*~-,,,,
,,,-~*$£## ONE OF THE SERVERS, AND THUS SAFE. WE ##£$*~-,,,
,,-~*$£##@ SIT IN ONE OF THE LARGE WINDOWS, @##£$*~-,,
,-~*$£##@# LOOKING THROUGH THE MIST FOR ANY #@##£$*~-,
,,-~*$£##@ LANDMARKS TO PIERCE THROUGH THE MIST. @##£$*~-,,
,,,-~*$£## SHE TELLS ME THAT APART FROM COMING AND ##£$*~-,,,
,,,,-~*$£# GOING FROM WORK, SHE'S NEVER SEEN THE #£$*~-,,,,
,,,-~*$£## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##£$*~-,,,
,,-~*$£##@ @##£$*~-,,
,-~*$£##@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@##£$*~-,
,,-~*$£##@ DEMONSTRATION OF THE EXOBUBBLE. @##£$*~-,,
,,,-~*$£## ##£$*~-,,,
,,,,-~*$£# #£$*~-,,,,
,,,-~*$£## ##£$*~-,,,
,,-~*$£##@ @##£$*~-,,
,-~*$£##@# #@##£$*~-,