###&%$:~,. .,~:$%##
#&%$:,.... ....,:$%
###&%$:~,. .,~:$%##
###&%$:~,. .,~:$%##
###&%$:~,. .,~:$%##
###&%$:~,. THE SKYSCRAPER THAT MOVES .,~:$%##
###&%$:~,. .,~:$%##
###&%$:~,. TAINARON IS A BUILDING OWNED AND .,~:$%##
###&%$:~,. OPERATED BY AMATA TEXNOLOGIYASI PLACED .,~:$%##
#&%$:~.... CLOSED TO THE HARBOR IN MALMÖ. IT'S ....~:$%
&$$:~..... ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .....~:$$&
&$$~,..... UNKNOWN), DARK BLUE AND COMPLETELY .....,~$$&
&%$~...... RECTANGULAR. IT FEATURES NO SIGNS, ......~$%&
&%:~...... LIGHTS, OR ORNAMENTS, APART FROM A ......~:%&
#&&%$~~... HELIPAD ON TOP. MOST FLOORS HAVE ...~~$%&
#%%$::~,,. EXTERIOR WALLS COMPLETELY MADE OF GLASS. .,,~::$%%#
###&%$:~,. .,~:$%##
#&%:,,.... IN LATE EVENINGS, SHROUDED BY MALMö'S ....,,:%
###&%$:~,. SIGNATURE FOG ROLLING IN FROM THE SEA, .,~:$%##
#%:,...... THE BUILDING COMES TO LIFE: IT MOVES ON ......,:%#
####%$:~,. A THOUSAND ROBOTIC LEGS TO ANOTHER .,~:$%####
###&%$:~,. (SECRET) PART OF TOWN, OR PERHAPS OUT .,~:$%##
###&%$:~,. TO SEA. THIS SIGNALS A NEW AND MORE .,~:$%##
###&%$:~,. VISCIOUS PHASE OF THE TAINARON .,~:$%##
&$$~~..... ECOSYSTEM. .....~~$$&
###&%$:~,. .,~:$%##
##&&%$:~,. THE GUESTS ARRIVING DURING THE EARLY .,~:$%&#
###&%$:~,. EVENING ARE TREATED TO FOOD AND DRINK, .,~:$%##
#&&%$$:~,. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .,~:$$%&
&$:~,,,... COMFORTABLE BUT MAZE-LIKE INTERIOR ...,,,~:$&
&%:,...... STRUCTURE (THE BUILDING FEATURES A ......,:%&
###&%$:~,. MULTITUDE OF STAIRWELLS AND ELEVATORS, .,~:$%##
#&$:,..... PLACED SEEMINGLY AT RANDOM, NONE GOING .....,:$
#&&&%$:~,. FURTHER THAN A FEW FLOORS). .,~:$%&&
&$~....... .......~$&
#&%%%$:~,. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .,~:$%%%
#&&$$$:~,. UNTIL THE AIR INSIDE HAS TAKEN ON THE .,~:$$$&
#&&&%$:~,. SAME QUALITY AS THE SURROUNDING MIST: .,~:$%&&
###&%$:~,. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .,~:$%##
###&%$:~,. DOT'S BY DOOR LOCKS AND CONTROL PANELS. .,~:$%##
###&%$:~,. IF YOU WOULD LOOK THROUGH THE WINDOWS .,~:$%##
#%$::,.... YOU WOULD SEE THE MIST ROLLING BY, AND ....,::$%#
####&%$:,. PERHAPS THE OUTLINE OF SOME OTHER .,:$%###
###&%$:~,. BUILDING, FAR BELOW. .,~:$%##
&&&$~,.... ....,~$&&&
###&%$:~,. DURING THE NIGHT, AFTER TAINARON HAS .,~:$%##
###&%$:~,. STARTED MOVING, THE LOWER FLOORS ARE .,~:$%##
###&%$:~,. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .,~:$%##
#&&%$::~,. THE GUESTS. FOOD IS NO LONGER SERVED, .,~::$%&
###&%$:~,. BUT THE DRINKS BECOME MORE EXTRAVAGANT. .,~:$%##
###&%$:~,. IT'S AT THIS POINT THAT THE SECOND SET .,~:$%##
###&%$:~,. OF GUEST ARRIVES, VIA HELICOPTER - .,~:$%##
###&%$:~,. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .,~:$%##
###&%$:~,. .,~:$%##
##%$$$:~,. ~~~~~ .,~:$$$%##
###&%$:~,. .,~:$%##
#%:,,..... IN MY DREAM I AM INVITED AS A FRIEND OF .....,,:%#
#&&&%$:~,. ONE OF THE SERVERS, AND THUS SAFE. WE .,~:$%&&
###&%$:~,. SIT IN ONE OF THE LARGE WINDOWS, .,~:$%##
#&$:~..... LOOKING THROUGH THE MIST FOR ANY .....~:$
##&&%$:~,. LANDMARKS TO PIERCE THROUGH THE MIST. .,~:$%&#
###&%$:~,. SHE TELLS ME THAT APART FROM COMING AND .,~:$%##
###&%$:~,. GOING FROM WORK, SHE'S NEVER SEEN THE .,~:$%##
###&%$:~,. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .,~:$%##
#&%%%$:~,. .,~:$%%%
&$::,..... THE NEXT DAY I AM INVITED TO THE PUBLIC .....,::$&
###&%$:~,. DEMONSTRATION OF THE EXOBUBBLE. .,~:$%##
###&%$:~,. .,~:$%##
###&%$:~,. .,~:$%##
####&%:~,. .,~:%###
###&%$:~,. .,~:$%##
#&%$~,.... ....,~$%