¨,~†=%&£@# #@£&%=†~,¨
¨¨,~†=%&£@ @£&%=†~,¨¨
¨¨¨,~†=%&£ £&%=†~,¨¨¨
¨¨¨¨,~†=%& &%=†~,¨¨¨¨
¨¨¨¨¨,~†=% %=†~,¨¨¨¨¨
¨¨¨¨¨¨,~†= THE SKYSCRAPER THAT MOVES =†~,¨¨¨¨¨¨
¨¨¨¨¨¨¨,~† †~,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ TAINARON IS A BUILDING OWNED AND ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ IN LATE EVENINGS, SHROUDED BY MALMö'S ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,~† SIGNATURE FOG ROLLING IN FROM THE SEA, †~,¨¨¨¨¨¨¨
¨¨¨¨¨¨,~†= THE BUILDING COMES TO LIFE: IT MOVES ON =†~,¨¨¨¨¨¨
¨¨¨¨¨,~†=% A THOUSAND ROBOTIC LEGS TO ANOTHER %=†~,¨¨¨¨¨
¨¨¨¨,~†=%& (SECRET) PART OF TOWN, OR PERHAPS OUT &%=†~,¨¨¨¨
¨¨¨,~†=%&£ TO SEA. THIS SIGNALS A NEW AND MORE £&%=†~,¨¨¨
¨¨,~†=%&£@ VISCIOUS PHASE OF THE TAINARON @£&%=†~,¨¨
¨,~†=%&£@# ECOSYSTEM. #@£&%=†~,¨
¨¨,~†=%&£@ @£&%=†~,¨¨
¨¨¨,~†=%&£ THE GUESTS ARRIVING DURING THE EARLY £&%=†~,¨¨¨
¨¨¨¨,~†=%& EVENING ARE TREATED TO FOOD AND DRINK, &%=†~,¨¨¨¨
¨¨¨¨¨,~†=% LIVE MUSIC, BEATUTIFUL VIEWS, AND A %=†~,¨¨¨¨¨
¨¨¨¨¨¨,~†= COMFORTABLE BUT MAZE-LIKE INTERIOR =†~,¨¨¨¨¨¨
¨¨¨¨¨¨¨,~† STRUCTURE (THE BUILDING FEATURES A †~,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ MULTITUDE OF STAIRWELLS AND ELEVATORS, ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, PLACED SEEMINGLY AT RANDOM, NONE GOING ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ FURTHER THAN A FEW FLOORS). ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, IF YOU WOULD LOOK THROUGH THE WINDOWS ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ YOU WOULD SEE THE MIST ROLLING BY, AND ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,~† PERHAPS THE OUTLINE OF SOME OTHER †~,¨¨¨¨¨¨¨
¨¨¨¨¨¨,~†= BUILDING, FAR BELOW. =†~,¨¨¨¨¨¨
¨¨¨¨¨,~†=% %=†~,¨¨¨¨¨
¨¨¨¨,~†=%& DURING THE NIGHT, AFTER TAINARON HAS &%=†~,¨¨¨¨
¨¨¨,~†=%&£ STARTED MOVING, THE LOWER FLOORS ARE £&%=†~,¨¨¨
¨¨,~†=%&£@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @£&%=†~,¨¨
¨,~†=%&£@# THE GUESTS. FOOD IS NO LONGER SERVED, #@£&%=†~,¨
¨¨,~†=%&£@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @£&%=†~,¨¨
¨¨¨,~†=%&£ IT'S AT THIS POINT THAT THE SECOND SET £&%=†~,¨¨¨
¨¨¨¨,~†=%& OF GUEST ARRIVES, VIA HELICOPTER - &%=†~,¨¨¨¨
¨¨¨¨¨,~†=% AMATA TEXNOLOGIYASI AND THEIR FRIENDS. %=†~,¨¨¨¨¨
¨¨¨¨¨¨,~†= =†~,¨¨¨¨¨¨
¨¨¨¨¨¨¨,~† ~~~~~ †~,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, IN MY DREAM I AM INVITED AS A FRIEND OF ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ SIT IN ONE OF THE LARGE WINDOWS, ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ LOOKING THROUGH THE MIST FOR ANY ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ SHE TELLS ME THAT APART FROM COMING AND ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ THE NEXT DAY I AM INVITED TO THE PUBLIC ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,~† DEMONSTRATION OF THE EXOBUBBLE. †~,¨¨¨¨¨¨¨
¨¨¨¨¨¨,~†= =†~,¨¨¨¨¨¨
¨¨¨¨¨,~†=% %=†~,¨¨¨¨¨
¨¨¨¨,~†=%& &%=†~,¨¨¨¨
¨¨¨,~†=%&£ £&%=†~,¨¨¨
¨¨,~†=%&£@ @£&%=†~,¨¨