=†=,,,,,,, ,,,,,,,=†=
†=,,,,,,,, ,,,,,,,,=†
=,,,,,,,,, ,,,,,,,,,=
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, THE SKYSCRAPER THAT MOVES ,,,,,,,,,,
=,,,,,,,,, ,,,,,,,,,=
†=,,,,,,,, TAINARON IS A BUILDING OWNED AND ,,,,,,,,=†
=†=,,,,,,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,,,,,,=†=
&=†=,,,,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,,,,=†=&
£&=†=,,,,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,,,,=†=&£
££&=†=,,,, UNKNOWN), DARK BLUE AND COMPLETELY ,,,,=†=&££
#££&=†=,,, RECTANGULAR. IT FEATURES NO SIGNS, ,,,=†=&££#
##££&=†=,, LIGHTS, OR ORNAMENTS, APART FROM A ,,=†=&££##
#££&=†=,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,=†=&££#
££&=†=,,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,,=†=&££
£&=†=,,,,, ,,,,,=†=&£
&=†=,,,,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,,,,=†=&
=†=,,,,,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,,,,,=†=
†=,,,,,,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,,,,,,,=†
=,,,,,,,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,,,,,,,=
,,,,,,,,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,,,,,,,,
,,,,,,,,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,,,,,,,,
,,,,,,,,,, VISCIOUS PHASE OF THE TAINARON ,,,,,,,,,,
=,,,,,,,,, ECOSYSTEM. ,,,,,,,,,=
†=,,,,,,,, ,,,,,,,,=†
=†=,,,,,,, THE GUESTS ARRIVING DURING THE EARLY ,,,,,,,=†=
&=†=,,,,,, EVENING ARE TREATED TO FOOD AND DRINK, ,,,,,,=†=&
£&=†=,,,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,,,=†=&£
££&=†=,,,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,,,=†=&££
#££&=†=,,, STRUCTURE (THE BUILDING FEATURES A ,,,=†=&££#
##££&=†=,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,=†=&££##
#££&=†=,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,=†=&££#
££&=†=,,,, FURTHER THAN A FEW FLOORS). ,,,,=†=&££
£&=†=,,,,, ,,,,,=†=&£
&=†=,,,,,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,,,,,=†=&
=†=,,,,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,,,,=†=
†=,,,,,,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,,,,,,=†
=,,,,,,,,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,,,,,,,,=
,,,,,,,,,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,,,,,,,,,
,,,,,,,,,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,,,,,,,,,
,,,,,,,,,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,,,,,,,,,
=,,,,,,,,, PERHAPS THE OUTLINE OF SOME OTHER ,,,,,,,,,=
†=,,,,,,,, BUILDING, FAR BELOW. ,,,,,,,,=†
=†=,,,,,,, ,,,,,,,=†=
&=†=,,,,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,,,,=†=&
£&=†=,,,,, STARTED MOVING, THE LOWER FLOORS ARE ,,,,,=†=&£
££&=†=,,,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,,,=†=&££
#££&=†=,,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,,=†=&££#
##££&=†=,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,=†=&££##
#££&=†=,,, IT'S AT THIS POINT THAT THE SECOND SET ,,,=†=&££#
££&=†=,,,, OF GUEST ARRIVES, VIA HELICOPTER - ,,,,=†=&££
£&=†=,,,,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,,,,=†=&£
&=†=,,,,,, ,,,,,,=†=&
=†=,,,,,,, ===== ,,,,,,,=†=
†=,,,,,,,, ,,,,,,,,=†
=,,,,,,,,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,,,,,,,,=
,,,,,,,,,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,,,,,,,,,
,,,,,,,,,, SIT IN ONE OF THE LARGE WINDOWS, ,,,,,,,,,,
,,,,,,,,,, LOOKING THROUGH THE MIST FOR ANY ,,,,,,,,,,
=,,,,,,,,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,,,,,,,,=
†=,,,,,,,, SHE TELLS ME THAT APART FROM COMING AND ,,,,,,,,=†
=†=,,,,,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,,,,,=†=
&=†=,,,,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,,,=†=&
£&=†=,,,,, ,,,,,=†=&£
££&=†=,,,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,,=†=&££
#££&=†=,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,=†=&££#
##££&=†=,, ,,=†=&££##
#££&=†=,,, ,,,=†=&££#
££&=†=,,,, ,,,,=†=&££
£&=†=,,,,, ,,,,,=†=&£
&=†=,,,,,, ,,,,,,=†=&