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.^~\^£§###              .LIZARDRY                   ###§£^\~^.
.^~\^££££§ ~           @ #@ ###  ################## §££££^\~^.
...^^^~\£@ ##      THE ART OF C^NNECTING            @£\~^^^...
.^~\^£§@##        .    WITH THE OLD MIND            ##@§£^\~^.
....~^^§@#                                          #@§^^~....
.^~\^£§@##             MY MIND IS BEING SKEWED. MI  ##@§£^\~^.
...^~^^^£§  SKELETON IS STRINGY AND OLD AND ALIEN   §£^^^~^...
.^^^^^^~^§             THE SITUATION IS LITERALLY   §^~^^^^^^.
.^~\^£§@## PRESSED OUT THROUGH MY EYES, IT'S        ##@§£^\~^.
.^~\^£§@## ECHOING LIKE                             ##@§£^\~^.
.^~\^£§@##             THE SUNSET OF THE ETERNAL    ##@§£^\~^.
.^~\^£§@## OCEAN                                    ##@§£^\~^.
.....^~^£§         PERSISTENTLY AGAINST MY EMULSION §£^~^.....
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.....~^£@@    IT'S UNGRASPABLE TO ME, WHAT OTHER    @@£^~.....
..^^^\^£§#   HUMANS ARE DOING AND ABSTRACTING,      #§£^\^^^..
.^^~~~\^§§  AND ABOVE ALL ELSE, WHAT TIME THEY USE? §§^\~~~^^.
...^^\^^§# HOW LONG A TIME HAS PASSED, FOR THEM?    #§^^\^^...
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....^\\^£@  . ... .  ................   @@@@@@@     @£^\\^....
.^~\^£§@##   CONTINUOUSLY I'M CROWDING THROUGH      ##@§£^\~^.
.^~\^£§@## . THE FOURTH WALL  ^OUTWARDS IS WHAT   . ##@§£^\~^.
.^~\^^^^^§ .. I'M THINKING BUT IT'S WRONG.. A NEW   §^^^^^\~^.
.^~\^£§@## . . NARRATOR IS INTRODUCED, OCCASIONALLY ##@§£^\~^.
.^~\^£§@## ^  ^ AWARE OF THE PREVIOUS ONE, DEEPER . ##@§£^\~^.
.^~\^£§@## ^   ^ DOWN IN THE DRAGONS THROAT.        ##@§£^\~^.
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