¤......... ..¤¤.....¤
..¤¤¤¤¤¤¤¤ .....¤¤¤..
¤..¤¤¤¤¤¤. ¤¤¤¤..¤..¤
....¤¤¤¤.. ¤¤¤.......
¤¤¤..¤¤... .¤..¤¤¤¤¤¤
¤¤......¤¤ # .....¤¤¤¤¤
¤..¤¤¤¤... .LIZARDRY ¤¤¤¤..¤¤¤¤
....¤¤..¤¤ ~ ¶ #¶ ### ################## ¤¤¤....¤¤¤
.¤¤......¤ ## THE ART OF C-NNECTING ¤¤..¤¤..¤.
....¤¤¤¤.. . WITH THE OLD MIND ¤.........
¤¤¤..¤¤... ..¤¤¤¤¤¤¤¤
¤¤......¤¤ MY MIND IS BEING SKEWED. MI ...¤¤¤¤¤¤¤
¤..¤¤¤¤... SKELETON IS STRINGY AND OLD AND ALIEN ¤¤..¤¤¤¤¤¤
....¤¤..¤¤ THE SITUATION IS LITERALLY ¤....¤¤¤¤¤
.¤¤......¤ PRESSED OUT THROUGH MY EYES, IT'S ..¤¤..¤¤¤.
....¤¤¤¤.. ECHOING LIKE .......¤..
¤¤¤..¤¤..¤ THE SUNSET OF THE ETERNAL ¤¤¤¤¤¤...¤
¤¤........ OCEAN .¤¤¤¤..¤..
...¤¤¤¤¤¤¤ PERSISTENTLY AGAINST MY EMULSION ..¤¤......
¤¤..¤¤¤¤¤¤ .....¤¤¤¤¤
¤....¤¤¤¤. IT'S UNGRASPABLE TO ME, WHAT OTHER ¤¤¤¤..¤¤¤¤
..¤¤..¤¤.. HUMANS ARE DOING AND ABSTRACTING, .¤¤....¤¤¤
.........¤ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ....¤¤..¤.
¤¤¤¤¤¤¤¤.. HOW LONG A TIME HAS PASSED, FOR THEM? ¤¤¤.......
.¤¤¤¤¤¤... . ¤¤..¤¤¤¤¤.
..¤¤¤¤..¤¤ . ... . ................ ¶¶¶¶¶¶¶ .....¤¤¤..
¤..¤¤....¤ CONTINUOUSLY I'M CROWDING THROUGH ¤¤¤¤..¤..¤
......¤¤.. . THE FOURTH WALL -OUTWARDS IS WHAT . .¤¤.......
¤¤¤¤¤....¤ .. I'M THINKING BUT IT'S WRONG.. A NEW ....¤¤¤¤¤¤
¤¤¤¤..¤¤.. . . NARRATOR IS INTRODUCED, OCCASIONALLY ¤¤¤..¤¤¤¤¤
¤¤¤......¤ - - AWARE OF THE PREVIOUS ONE, DEEPER . ¤¤....¤¤¤¤
¤¤..¤¤¤¤.. - - DOWN IN THE DRAGONS THROAT. ...¤¤..¤¤¤
¤....¤¤..¤ - ¤¤......¤¤
..¤¤...... - ¤..¤¤¤¤..¤
.....¤¤¤¤. ....¤¤....
¤¤¤¤..¤¤.. ¤¤¤....¤¤¤
¤¤¤......¤ ¤¤..¤¤..¤¤
¤¤..¤¤¤¤.. .........¤
¤....¤¤..¤ ¤¤¤¤¤¤¤¤..
..¤¤...... .¤¤¤¤¤¤...