,-=:^&§@## ##@§&^:=-,
,,,,,=:^§# #§^:=,,,,,
,-=:^&§@## ##@§&^:=-,
,,,--:^^&§ §&^^:--,,,
,-=:^&§@## ##@§&^:=-,
,-=:^&§@## TRAIN DREAM ##@§&^:=-,
,-=:^&§@## ######,,,,-=--,,##################### ##@§&^:=-,
,-=:^&§@## ::: ##@§&^:=-,
,-=:^&§@## = ##@§&^:=-,
,-====^&@@ = @@&^====-,
,-=:^&&&@@ @@&&&^:=-,
,,,,=::^&@ (SITUATION) @&^::=,,,,
,-=:^&§@## ##@§&^:=-,
,-=:^&§@## YOU FIND YOURSELF IN A RIFT - A ##@§&^:=-,
,-=:^&§@## CLEARING, NARROW BUT IMMEASURABLY LONG. ##@§&^:=-,
,-=:^&§@## TO YOUR SIDES ARE WALLS MADE OF TREES, ##@§&^:=-,
,-=::::^&§ THICK AND READY TO SWALLOW YOU. THE SUN §&^::::=-,
,-=:^&&&§§ IS NOWHERE TO BE SEEN, BUT NONTHELESS §§&&&^:=-,
,-=:^&§@## IT IS VERY BRIGHT - THE AIR FEELS LIGHT ##@§&^:=-,
,,,,--=:&@ BLUE, ALMOST WHITE. @&:=--,,,,
,-=:^&§@## ##@§&^:=-,
,,,,,--=^§ ALONG THE SPAN OF THE CLEARING LAY TWO §^=--,,,,,
,-=:^&§@@# PARALLEL SILVERY LINES, DARK HARD #@@§&^:=-,
,-=:^&§@## METAL. SOMEHOW YOU CAN SEE HOW HEAVY ##@§&^:=-,
,-=:^&§### THEY ARE. ###§&^:=-,
,,,,,-==^§ §^==-,,,,,
,-=:^&§@## THEY EMIT A HIGH PITCHED WHINE... ##@§&^:=-,
,,,-::^&&@ @&&^::-,,,
,-=:^&@### = ###@&^:=-,
,,,,,-:^§§ ,,^,, §§^:-,,,,,
,,,,==:^§# = #§^:==,,,,
,-=:^&§@## ##@§&^:=-,
,,--===:&§ (SITUATION) §&:===--,,
,,,,,-:&&§ §&&:-,,,,,
,-=:^&§@@# YOURE AT THE TRAIN STATION, ON A #@@§&^:=-,
,-=:^&§@## CATWALK ABOVE THE RAILS. YOUR TRAIN IS ##@§&^:=-,
,-=:^&&§@@ LATE, OR YOU ARE LATE TO THE TRAIN. @@§&&^:=-,
,-=:^&§@## IT'S A SUMMER AFTERNOON AND THE STATION ##@§&^:=-,
,-=:^&§@## IS BUSY, FULL OF RELAXED CONFIDENCE. ##@§&^:=-,
,-=:^&§@## ##@§&^:=-,
,-=:^&§@@# YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT #@@§&^:=-,
,,,--:::&@ STRESSED ABOUT THE TIME, WHILE MOVING @&:::--,,,
,,,----:&@ UP THE STAIRS TO YOUR PLATFORM. THE @&:----,,,
,,,,-=^&@@ STATION IS IN SEVERAL LEVELS, ALL @@&^=-,,,,
,-=:^&§@## PLACED WITHIN EACHOTHER BY SOME ##@§&^:=-,
,-=:^&&&§§ INTELLIGENT DESIGNER, AND FULL OF §§&&&^:=-,
,-=:^&§§§§ STAIRS, ELEVATORS, SHORTCUTS, §§§§&^:=-,
,-=:^&§@@# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #@@§&^:=-,
,,,,=::^§§ SOME GLASS WINDOWS. IT'S... NOT WHERE §§^::=,,,,
,-=:^&§@## IT'S SUPPOSED TO BE? ##@§&^:=-,
,-=:^&§@## ##@§&^:=-,
,-=:^&§@## = ##@§&^:=-,
,-=:^&§§@@ --&-- @@§§&^:=-,
,,,,,-:&&§ = §&&:-,,,,,
,,,,==:^&@ @&^:==,,,,
,-=:^&§@## (SITUATION) ##@§&^:=-,
,-=:^&§### ###§&^:=-,
,------:&@ YOU'RE FINALLY ENTERING THE CITY. WHILE @&:------,
,-=:^&§@## IT IS INDEED A VERY HIGH SPEED TRAIN ##@§&^:=-,
,-=:^&§§§@ YOU'RE TRAVELING IN, THE JOURNEY HAS @§§§&^:=-,
,-=:^&§§§§ BEEN LONG. BUT IT'S ABOUT TO END! §§§§&^:=-,
,-=:^&§@## ##@§&^:=-,
,,,,==^^§@ SOCIETY IS GROWING DENSER AROUND YOU, @§^^==,,,,
,-=:^&§@## THROUGH THE WINDOWS YOU SEE FIRST SMALL ##@§&^:=-,
,,,,---:&@ SHACKS, BUILT OF METAL AND STONE, THEN @&:---,,,,
,,,,-==:^§ PROPER HOUSES WITH MORTAR TO KEEP THEM §^:==-,,,,
,-=:^&§@## TOGETHER... WHO IN TURN MAKE WAY FOR ##@§&^:=-,
,-=:^&§### THE INDUSTRIAL BUILDINGS, THE URBAN ###§&^:=-,
,,,,,,-:&§ MAZE, PROTECTIVE WALLS, JUNGLE §&:-,,,,,,
,-=:^&@### NETWORK... ###@&^:=-,
,-=:^&§@## ##@§&^:=-,
,-=:^&§@## THE TRACKS LEAVE THE GROUND, WHICH IS ##@§&^:=-,
,,,--:^§§§ NEEDED FOR OTHER PURPOSES. YOU ARE §§§^:--,,,
,-=:^&§@## CARRIED GENTLY, CURVING UPWARDS UNTIL ##@§&^:=-,
,-=:^&§@## YOU'RE MOVING UPWARD ALONG THE WALL OF ##@§&^:=-,
,-=:^&§### A BUILDING. IT'S MADE OF SLABBY STONE, ###§&^:=-,
,,,,,-:^§§ WITH GREAT GLASSLESS WINDOW HOLES §§^:-,,,,,
,,,==:&§@@ LOOKING OUT THE WAY YOU CAME. IT IS @@§&:==,,,
,,,-=^^§@@ PITCH BLACK INSIDE. @@§^^=-,,,
,,,,,=:&§§ §§&:=,,,,,
,,--:::^&@ @&^:::--,,
,,,,,--=^§ §^=--,,,,,
,-=:^&§@## ##@§&^:=-,
,-=:^&&&§@ @§&&&^:=-,