.-==%§@### ###@§%==-.
.-==%§@@@# #@@@§%==-.
....===%§@ @§%===....
....--==§@ @§==--....
.-=%§@@### ###@@§%=-.
.-==%§@@## TRAIN DREAM ##@@§%==-.
.-==%§@@## ######....-=--..##################### ##@@§%==-.
.-==%§@@## === ##@@§%==-.
.-==%§@@## = ##@@§%==-.
.-==%§@@## = ##@@§%==-.
.-==%§@@## ##@@§%==-.
.-==%§@@## (SITUATION) ##@@§%==-.
.-==%§@@## ##@@§%==-.
.-==%§@@## YOU FIND YOURSELF IN A RIFT - A ##@@§%==-.
...---==%@ CLEARING, NARROW BUT IMMEASURABLY LONG. @%==---...
.-==%§@@## TO YOUR SIDES ARE WALLS MADE OF TREES, ##@@§%==-.
....-==%%@ THICK AND READY TO SWALLOW YOU. THE SUN @%%==-....
.-==%§@@## IS NOWHERE TO BE SEEN, BUT NONTHELESS ##@@§%==-.
.-==%§§@@@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT @@@§§%==-.
....-=%%%@ BLUE, ALMOST WHITE. @%%%=-....
....===§@# #@§===....
....-=§§@@ ALONG THE SPAN OF THE CLEARING LAY TWO @@§§=-....
.-==%§@@## PARALLEL SILVERY LINES, DARK HARD ##@@§%==-.
.....==%§@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @§%==.....
.-==%§@@## THEY ARE. ##@@§%==-.
.-==%§@@## ##@@§%==-.
....==%%%@ THEY EMIT A HIGH PITCHED WHINE... @%%%==....
.-==%§@@## ##@@§%==-.
.-==%§@@## = ##@@§%==-.
.-==%§@@@@ ..%.. @@@@§%==-.
.-==%§@@## = ##@@§%==-.
.-==%§@@## ##@@§%==-.
.-==%§@@## (SITUATION) ##@@§%==-.
...-==%@@# #@@%==-...
.....=%§@@ YOURE AT THE TRAIN STATION, ON A @@§%=.....
.-==%%%%§@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @§%%%%==-.
.-==%§@@## LATE, OR YOU ARE LATE TO THE TRAIN. ##@@§%==-.
.-==%§@@## IT'S A SUMMER AFTERNOON AND THE STATION ##@@§%==-.
.-==%§@@## IS BUSY, FULL OF RELAXED CONFIDENCE. ##@@§%==-.
....-=%%%@ @%%%=-....
.-==%§@@## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##@@§%==-.
.-==%§@@## STRESSED ABOUT THE TIME, WHILE MOVING ##@@§%==-.
.....-==§@ UP THE STAIRS TO YOUR PLATFORM. THE @§==-.....
.-==%§@@## STATION IS IN SEVERAL LEVELS, ALL ##@@§%==-.
.-==%§@@## PLACED WITHIN EACHOTHER BY SOME ##@@§%==-.
.-==%§@@## INTELLIGENT DESIGNER, AND FULL OF ##@@§%==-.
.-==%@@### STAIRS, ELEVATORS, SHORTCUTS, ###@@%==-.
.-==%§@@@# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #@@@§%==-.
....-=%%§@ SOME GLASS WINDOWS. IT'S... NOT WHERE @§%%=-....
.-==%§@@## IT'S SUPPOSED TO BE? ##@@§%==-.
.-==%§@@## ##@@§%==-.
....-==%@# = #@%==-....
.....==%@# --§-- #@%==.....
....--=§@# = #@§=--....
.-==%§@@## ##@@§%==-.
.....-=§@# (SITUATION) #@§=-.....
.....==%@@ @@%==.....
.--==%%@@@ YOU'RE FINALLY ENTERING THE CITY. WHILE @@@%%==--.
.....-==%@ IT IS INDEED A VERY HIGH SPEED TRAIN @%==-.....
.-==%§@@@# YOU'RE TRAVELING IN, THE JOURNEY HAS #@@@§%==-.
..-==%%%§@ BEEN LONG. BUT IT'S ABOUT TO END! @§%%%==-..
...---==§@ @§==---...
.-==%§@### SOCIETY IS GROWING DENSER AROUND YOU, ###@§%==-.
.....-==%@ THROUGH THE WINDOWS YOU SEE FIRST SMALL @%==-.....
.-==%§@@## SHACKS, BUILT OF METAL AND STONE, THEN ##@@§%==-.
-==%§@@### PROPER HOUSES WITH MORTAR TO KEEP THEM ###@@§%==-
.-==%§@@@@ TOGETHER... WHO IN TURN MAKE WAY FOR @@@@§%==-.
.-==%§@@## THE INDUSTRIAL BUILDINGS, THE URBAN ##@@§%==-.
.-==%§§@@# MAZE, PROTECTIVE WALLS, JUNGLE #@@§§%==-.
.-==%§@@@# NETWORK... #@@@§%==-.
.-==%§@### ###@§%==-.
.-==%§@@## THE TRACKS LEAVE THE GROUND, WHICH IS ##@@§%==-.
.-==%§@@@@ NEEDED FOR OTHER PURPOSES. YOU ARE @@@@§%==-.
....-==§@# CARRIED GENTLY, CURVING UPWARDS UNTIL #@§==-....
.-==%§@@## YOU'RE MOVING UPWARD ALONG THE WALL OF ##@@§%==-.
.-==%§@@## A BUILDING. IT'S MADE OF SLABBY STONE, ##@@§%==-.
...===%@@@ WITH GREAT GLASSLESS WINDOW HOLES @@@%===...
...-=%%§§@ LOOKING OUT THE WAY YOU CAME. IT IS @§§%%=-...
.-=%§@@### PITCH BLACK INSIDE. ###@@§%=-.
.-==%§@@## ##@@§%==-.
.....-=%@@ @@%=-.....
.-==%§@@## ##@@§%==-.
.-==%§@### ###@§%==-.
.-==%§@@## ##@@§%==-.