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@&*»--,,,, ,,,,--»*&@
@&**-,,,,, ,,,,,-**&@
£&**»»-,,, ,,,-»»**&£
@@&&^*»,,, ,,,»*^&&@@
##@£&^*»-, train dream ,-»*^&£@##
£££&^^*»-, ######,,,,-»--,,##################### ,-»*^^&£££
#£&^*-,,,, *** ,,,,-*^&£#
##@£&^*»-, » ,-»*^&£@##
@£&^^»,,,, » ,,,,»^^&£@
##@£&^*»-, ,-»*^&£@##
#@£&&^*»-, (situation) ,-»*^&&£@#
££^**-,,,, ,,,,-**^££
@&^^»,,,,, you find yourself in a rift - a ,,,,,»^^&@
##@£&^*»-, clearing, narrow but immeasurably long. ,-»*^&£@##
#£^**»--,, to your sides are walls made of trees, ,,--»**^£#
##@£&^*»-, thick and ready to swallow you. the sun ,-»*^&£@##
£&^**»»-,, is nowhere to be seen, but nontheless ,,-»»**^&£
#£&&**-,,, it is very bright - the air feels light ,,,-**&&£#
###@&^*»-, blue, almost white. ,-»*^&@###
##@£&^*»-, ,-»*^&£@##
##@£&^*»-, along the span of the clearing lay two ,-»*^&£@##
@@&&^»,,,, parallel silvery lines, dark hard ,,,,»^&&@@
##@£&^*»-, metal. somehow you can see how heavy ,-»*^&£@##
#@&&^»,,,, they are. ,,,,»^&&@#
£&&^*»-,,, ,,,-»*^&&£
£^»,,,,,,, they emit a high pitched whine... ,,,,,,,»^£
@@@£&^*»-, ,-»*^&£@@@
###£&^*»-, » ,-»*^&£###
##@£&^*»-, ,,^,, ,-»*^&£@##
###@&^*»-, » ,-»*^&@###
##@£&^*»-, ,-»*^&£@##
#£^^**-,,, (situation) ,,,-**^^£#
##@£&^*»-, ,-»*^&£@##
@&&&&^*»-, youre at the train station, on a ,-»*^&&&&@
£&^»»,,,,, catwalk above the rails. your train is ,,,,,»»^&£
@£&^^^*»-, late, or you are late to the train. ,-»*^^^&£@
#@@£&^*»-, it's a summer afternoon and the station ,-»*^&£@@#
###@£^*»-, is busy, full of relaxed confidence. ,-»*^£@###
###£&^*»-, ,-»*^&£###
###@£&^*»- you're in high spirits, although a bit -»*^&£@###
£&*-,,,,,, stressed about the time, while moving ,,,,,,-*&£
##@£&^*»-, up the stairs to your platform. the ,-»*^&£@##
£^»,,,,,,, station is in several levels, all ,,,,,,,»^£
##@£&^*»-, placed within eachother by some ,-»*^&£@##
£££&^*»»-, intelligent designer, and full of ,-»»*^&£££
£^^»-,,,,, stairs, elevators, shortcuts, ,,,,,-»^^£
##@£&^*»-, bazaars... you sight your train through ,-»*^&£@##
###£&^*»-, some glass windows. it's... not where ,-»*^&£###
@@£^»»,,,, it's supposed to be? ,,,,»»^£@@
##@£&^*»-, ,-»*^&£@##
##@£&^*»-, » ,-»*^&£@##
##@£&^*»-, --&-- ,-»*^&£@##
##@£&^*»-, » ,-»*^&£@##
###£&^*»-, ,-»*^&£###
#@£&&^*»-, (situation) ,-»*^&&£@#
@£^^*»-,,, ,,,-»*^^£@
££&^»»,,,, you're finally entering the city. while ,,,,»»^&££
£&*-,,,,,, it is indeed a very high speed train ,,,,,,-*&£
@@@£&^*»-, you're traveling in, the journey has ,-»*^&£@@@
@@&^*-,,,, been long. but it's about to end! ,,,,-*^&@@
#£^»»,,,,, ,,,,,»»^£#
##@£&^*»-, society is growing denser around you, ,-»*^&£@##
##@£&^*»-, through the windows you see first small ,-»*^&£@##
##@£&^*»-, shacks, built of metal and stone, then ,-»*^&£@##
#@&&&^*»-, proper houses with mortar to keep them ,-»*^&&&@#
###£&^*»-, together... who in turn make way for ,-»*^&£###
£^^*»,,,,, the industrial buildings, the urban ,,,,,»*^^£
###@&^*»-, maze, protective walls, jungle ,-»*^&@###
##@£&^*»-, network... ,-»*^&£@##
##@£&^*»-, ,-»*^&£@##
@&&*»»»,,, the tracks leave the ground, which is ,,,»»»*&&@
##@£&^*»-, needed for other purposes. you are ,-»*^&£@##
##@£&^*»-, carried gently, curving upwards until ,-»*^&£@##
£&&*-,,,,, you're moving upward along the wall of ,,,,,-*&&£
££^*»»,,,, a building. it's made of slabby stone, ,,,,»»*^££
@&&*»-,,,, with great glassless window holes ,,,,-»*&&@
##@£&^*»-, looking out the way you came. it is ,-»*^&£@##
#@&^»-,,,, pitch black inside. ,,,,-»^&@#
£&&*--,,,, ,,,,--*&&£
##@£&^*»-, ,-»*^&£@##
@@&&^*»,,, ,,,»*^&&@@
££^**»»»-, ,-»»»**^££
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