@¶§%-..... .....-%§¶@
#@¶§$%/--. .--/%$§¶@#
¶§§$%---.. ..---%$§§¶
##¶§$%/--. .--/%$§¶##
#@¶§$%/--. .--/%$§¶@#
§%-....... TRAIN DREAM .......-%§
¶¶§$%/-... ######....----..##################### ...-/%$§¶¶
#@¶§$%/--. /// .--/%$§¶@#
##@¶§%/--. - .--/%§¶@##
@¶$//--... - ...--//$¶@
§%//-..... .....-//%§
§$//-..... (SITUATION) .....-//$§
#@¶§$%/--. .--/%$§¶@#
¶¶§§$%/--. YOU FIND YOURSELF IN A RIFT - A .--/%$§§¶¶
§$/-...... CLEARING, NARROW BUT IMMEASURABLY LONG. ......-/$§
¶¶¶§$%/--. TO YOUR SIDES ARE WALLS MADE OF TREES, .--/%$§¶¶¶
##@§$%/--. THICK AND READY TO SWALLOW YOU. THE SUN .--/%$§@##
##@¶$%/--. IS NOWHERE TO BE SEEN, BUT NONTHELESS .--/%$¶@##
@§§§$%/--. IT IS VERY BRIGHT - THE AIR FEELS LIGHT .--/%$§§§@
§%%///---. BLUE, ALMOST WHITE. .---///%%§
#@¶§$%/--. .--/%$§¶@#
#@¶§$%/--. ALONG THE SPAN OF THE CLEARING LAY TWO .--/%$§¶@#
¶$$$$%/--. PARALLEL SILVERY LINES, DARK HARD .--/%$$$$¶
#@¶§$%/--. METAL. SOMEHOW YOU CAN SEE HOW HEAVY .--/%$§¶@#
@§§%/---.. THEY ARE. ..---/%§§@
@¶¶§$%/--. .--/%$§¶¶@
##@¶$%/--. THEY EMIT A HIGH PITCHED WHINE... .--/%$¶@##
#@¶§$%/--. .--/%$§¶@#
§§$$%%/--. - .--/%%$$§§
##¶§$%/--. ..%.. .--/%$§¶##
@¶$%%%/--. - .--/%%%$¶@
§%///-.... ....-///%§
¶$/----... (SITUATION) ...----/$¶
##@§$%/--. .--/%$§@##
@§§%%/--.. YOURE AT THE TRAIN STATION, ON A ..--/%%§§@
¶§%%%%/--. CATWALK ABOVE THE RAILS. YOUR TRAIN IS .--/%%%%§¶
##¶§$%/--. LATE, OR YOU ARE LATE TO THE TRAIN. .--/%$§¶##
@@¶§$%/--. IT'S A SUMMER AFTERNOON AND THE STATION .--/%$§¶@@
##@¶§$/--. IS BUSY, FULL OF RELAXED CONFIDENCE. .--/$§¶@##
#@¶§$%/--. .--/%$§¶@#
#@¶§$%/--. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT .--/%$§¶@#
##@¶$%/--. STRESSED ABOUT THE TIME, WHILE MOVING .--/%$¶@##
#@¶§$%/--. UP THE STAIRS TO YOUR PLATFORM. THE .--/%$§¶@#
¶§%//-.... STATION IS IN SEVERAL LEVELS, ALL ....-//%§¶
##¶§$%/--. PLACED WITHIN EACHOTHER BY SOME .--/%$§¶##
#@¶§$%/--. INTELLIGENT DESIGNER, AND FULL OF .--/%$§¶@#
¶$$$%%/--. STAIRS, ELEVATORS, SHORTCUTS, .--/%%$$$¶
§$/-...... BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ......-/$§
#@¶§$%/--. SOME GLASS WINDOWS. IT'S... NOT WHERE .--/%$§¶@#
#@¶§$%/--. IT'S SUPPOSED TO BE? .--/%$§¶@#
§$%%//-... ...-//%%$§
¶§$%/-.... - ....-/%$§¶
§%///----. --$-- .----///%§
#@¶§$%/--. - .--/%$§¶@#
@§§%--.... ....--%§§@
§$////--.. (SITUATION) ..--////$§
##@§$%/--. .--/%$§@##
¶¶§§$%/--. YOU'RE FINALLY ENTERING THE CITY. WHILE .--/%$§§¶¶
#@¶§$%/--. IT IS INDEED A VERY HIGH SPEED TRAIN .--/%$§¶@#
#@¶§$%/--. YOU'RE TRAVELING IN, THE JOURNEY HAS .--/%$§¶@#
§%---..... BEEN LONG. BUT IT'S ABOUT TO END! .....---%§
#@¶§$%/--. .--/%$§¶@#
#@¶§$%/--. SOCIETY IS GROWING DENSER AROUND YOU, .--/%$§¶@#
#@¶§$%/--. THROUGH THE WINDOWS YOU SEE FIRST SMALL .--/%$§¶@#
##@¶§%/--. SHACKS, BUILT OF METAL AND STONE, THEN .--/%§¶@##
@@¶§$%/--. PROPER HOUSES WITH MORTAR TO KEEP THEM .--/%$§¶@@
¶§$/---... TOGETHER... WHO IN TURN MAKE WAY FOR ...---/$§¶
§$%%%--... THE INDUSTRIAL BUILDINGS, THE URBAN ...--%%%$§
@§%--..... MAZE, PROTECTIVE WALLS, JUNGLE .....--%§@
#@¶§$%/--. NETWORK... .--/%$§¶@#
§%%/-..... .....-/%%§
#@¶§$%/--. THE TRACKS LEAVE THE GROUND, WHICH IS .--/%$§¶@#
¶$$//-.... NEEDED FOR OTHER PURPOSES. YOU ARE ....-//$$¶
#@¶§$%/--. CARRIED GENTLY, CURVING UPWARDS UNTIL .--/%$§¶@#
##@¶$%/--. YOU'RE MOVING UPWARD ALONG THE WALL OF .--/%$¶@##
§$$%/-.... A BUILDING. IT'S MADE OF SLABBY STONE, ....-/%$$§
§%%%---... WITH GREAT GLASSLESS WINDOW HOLES ...---%%%§
@@¶§$%/--. LOOKING OUT THE WAY YOU CAME. IT IS .--/%$§¶@@
@@¶§$%/--. PITCH BLACK INSIDE. .--/%$§¶@@
¶$$%%/--.. ..--/%%$$¶
@¶¶§$%/--. .--/%$§¶¶@
¶$%--..... .....--%$¶
##@¶$%/--. .--/%$¶@##
¶$%--..... .....--%$¶