..--/$¤§## ##§¤$/--..
.--/$¤§### ###§¤$/--.
..--/$¤§## ##§¤$/--..
...--/$¤§# #§¤$/--...
....--/$¤§ §¤$/--....
.....--/$¤ TRAIN DREAM ¤$/--.....
......--/$ ######....----..##################### $/--......
.....--/$¤ /// ¤$/--.....
....--/$¤§ - §¤$/--....
...--/$¤§# - #§¤$/--...
..--/$¤§## ##§¤$/--..
.--/$¤§### (SITUATION) ###§¤$/--.
..--/$¤§## ##§¤$/--..
...--/$¤§# YOU FIND YOURSELF IN A RIFT - A #§¤$/--...
....--/$¤§ CLEARING, NARROW BUT IMMEASURABLY LONG. §¤$/--....
.....--/$¤ TO YOUR SIDES ARE WALLS MADE OF TREES, ¤$/--.....
......--/$ THICK AND READY TO SWALLOW YOU. THE SUN $/--......
.....--/$¤ IS NOWHERE TO BE SEEN, BUT NONTHELESS ¤$/--.....
....--/$¤§ IT IS VERY BRIGHT - THE AIR FEELS LIGHT §¤$/--....
...--/$¤§# BLUE, ALMOST WHITE. #§¤$/--...
..--/$¤§## ##§¤$/--..
.--/$¤§### ALONG THE SPAN OF THE CLEARING LAY TWO ###§¤$/--.
..--/$¤§## PARALLEL SILVERY LINES, DARK HARD ##§¤$/--..
...--/$¤§# METAL. SOMEHOW YOU CAN SEE HOW HEAVY #§¤$/--...
....--/$¤§ THEY ARE. §¤$/--....
.....--/$¤ ¤$/--.....
......--/$ THEY EMIT A HIGH PITCHED WHINE... $/--......
.....--/$¤ ¤$/--.....
....--/$¤§ - §¤$/--....
...--/$¤§# ..$.. #§¤$/--...
..--/$¤§## - ##§¤$/--..
.--/$¤§### ###§¤$/--.
..--/$¤§## (SITUATION) ##§¤$/--..
...--/$¤§# #§¤$/--...
....--/$¤§ YOURE AT THE TRAIN STATION, ON A §¤$/--....
.....--/$¤ CATWALK ABOVE THE RAILS. YOUR TRAIN IS ¤$/--.....
......--/$ LATE, OR YOU ARE LATE TO THE TRAIN. $/--......
.....--/$¤ IT'S A SUMMER AFTERNOON AND THE STATION ¤$/--.....
....--/$¤§ IS BUSY, FULL OF RELAXED CONFIDENCE. §¤$/--....
...--/$¤§# #§¤$/--...
..--/$¤§## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##§¤$/--..
.--/$¤§### STRESSED ABOUT THE TIME, WHILE MOVING ###§¤$/--.
..--/$¤§## UP THE STAIRS TO YOUR PLATFORM. THE ##§¤$/--..
...--/$¤§# STATION IS IN SEVERAL LEVELS, ALL #§¤$/--...
....--/$¤§ PLACED WITHIN EACHOTHER BY SOME §¤$/--....
.....--/$¤ INTELLIGENT DESIGNER, AND FULL OF ¤$/--.....
......--/$ STAIRS, ELEVATORS, SHORTCUTS, $/--......
.....--/$¤ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ¤$/--.....
....--/$¤§ SOME GLASS WINDOWS. IT'S... NOT WHERE §¤$/--....
...--/$¤§# IT'S SUPPOSED TO BE? #§¤$/--...
..--/$¤§## ##§¤$/--..
.--/$¤§### - ###§¤$/--.
..--/$¤§## --¤-- ##§¤$/--..
...--/$¤§# - #§¤$/--...
....--/$¤§ §¤$/--....
.....--/$¤ (SITUATION) ¤$/--.....
......--/$ $/--......
.....--/$¤ YOU'RE FINALLY ENTERING THE CITY. WHILE ¤$/--.....
....--/$¤§ IT IS INDEED A VERY HIGH SPEED TRAIN §¤$/--....
...--/$¤§# YOU'RE TRAVELING IN, THE JOURNEY HAS #§¤$/--...
..--/$¤§## BEEN LONG. BUT IT'S ABOUT TO END! ##§¤$/--..
.--/$¤§### ###§¤$/--.
..--/$¤§## SOCIETY IS GROWING DENSER AROUND YOU, ##§¤$/--..
...--/$¤§# THROUGH THE WINDOWS YOU SEE FIRST SMALL #§¤$/--...
....--/$¤§ SHACKS, BUILT OF METAL AND STONE, THEN §¤$/--....
.....--/$¤ PROPER HOUSES WITH MORTAR TO KEEP THEM ¤$/--.....
......--/$ TOGETHER... WHO IN TURN MAKE WAY FOR $/--......
.....--/$¤ THE INDUSTRIAL BUILDINGS, THE URBAN ¤$/--.....
....--/$¤§ MAZE, PROTECTIVE WALLS, JUNGLE §¤$/--....
...--/$¤§# NETWORK... #§¤$/--...
..--/$¤§## ##§¤$/--..
.--/$¤§### THE TRACKS LEAVE THE GROUND, WHICH IS ###§¤$/--.
..--/$¤§## NEEDED FOR OTHER PURPOSES. YOU ARE ##§¤$/--..
...--/$¤§# CARRIED GENTLY, CURVING UPWARDS UNTIL #§¤$/--...
....--/$¤§ YOU'RE MOVING UPWARD ALONG THE WALL OF §¤$/--....
.....--/$¤ A BUILDING. IT'S MADE OF SLABBY STONE, ¤$/--.....
......--/$ WITH GREAT GLASSLESS WINDOW HOLES $/--......
.....--/$¤ LOOKING OUT THE WAY YOU CAME. IT IS ¤$/--.....
....--/$¤§ PITCH BLACK INSIDE. §¤$/--....
...--/$¤§# #§¤$/--...
..--/$¤§## ##§¤$/--..
.--/$¤§### ###§¤$/--.
..--/$¤§## ##§¤$/--..
...--/$¤§# #§¤$/--...