,»/^$££### ###££$^/»,
.,»/^$££## ##££$^/»,.
..,»/^$££# #££$^/»,..
...,»/^$££ ££$^/»,...
..,»/^$££# #££$^/»,..
.,»/^$££## TRAIN DREAM ##££$^/»,.
,»/^$££### ######....,»,,..##################### ###££$^/»,
.,»/^$££## /// ##££$^/»,.
..,»/^$££# » #££$^/»,..
...,»/^$££ » ££$^/»,...
..,»/^$££# #££$^/»,..
.,»/^$££## (SITUATION) ##££$^/»,.
,»/^$££### ###££$^/»,
.,»/^$££## YOU FIND YOURSELF IN A RIFT - A ##££$^/»,.
..,»/^$££# CLEARING, NARROW BUT IMMEASURABLY LONG. #££$^/»,..
...,»/^$££ TO YOUR SIDES ARE WALLS MADE OF TREES, ££$^/»,...
..,»/^$££# THICK AND READY TO SWALLOW YOU. THE SUN #££$^/»,..
.,»/^$££## IS NOWHERE TO BE SEEN, BUT NONTHELESS ##££$^/»,.
,»/^$££### IT IS VERY BRIGHT - THE AIR FEELS LIGHT ###££$^/»,
.,»/^$££## BLUE, ALMOST WHITE. ##££$^/»,.
..,»/^$££# #££$^/»,..
...,»/^$££ ALONG THE SPAN OF THE CLEARING LAY TWO ££$^/»,...
..,»/^$££# PARALLEL SILVERY LINES, DARK HARD #££$^/»,..
.,»/^$££## METAL. SOMEHOW YOU CAN SEE HOW HEAVY ##££$^/»,.
,»/^$££### THEY ARE. ###££$^/»,
.,»/^$££## ##££$^/»,.
..,»/^$££# THEY EMIT A HIGH PITCHED WHINE... #££$^/»,..
...,»/^$££ ££$^/»,...
..,»/^$££# » #££$^/»,..
.,»/^$££## ..^.. ##££$^/»,.
,»/^$££### » ###££$^/»,
.,»/^$££## ##££$^/»,.
..,»/^$££# (SITUATION) #££$^/»,..
...,»/^$££ ££$^/»,...
..,»/^$££# YOURE AT THE TRAIN STATION, ON A #££$^/»,..
.,»/^$££## CATWALK ABOVE THE RAILS. YOUR TRAIN IS ##££$^/»,.
,»/^$££### LATE, OR YOU ARE LATE TO THE TRAIN. ###££$^/»,
.,»/^$££## IT'S A SUMMER AFTERNOON AND THE STATION ##££$^/»,.
..,»/^$££# IS BUSY, FULL OF RELAXED CONFIDENCE. #££$^/»,..
...,»/^$££ ££$^/»,...
..,»/^$££# YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT #££$^/»,..
.,»/^$££## STRESSED ABOUT THE TIME, WHILE MOVING ##££$^/»,.
,»/^$££### UP THE STAIRS TO YOUR PLATFORM. THE ###££$^/»,
.,»/^$££## STATION IS IN SEVERAL LEVELS, ALL ##££$^/»,.
..,»/^$££# PLACED WITHIN EACHOTHER BY SOME #££$^/»,..
...,»/^$££ INTELLIGENT DESIGNER, AND FULL OF ££$^/»,...
..,»/^$££# STAIRS, ELEVATORS, SHORTCUTS, #££$^/»,..
.,»/^$££## BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ##££$^/»,.
,»/^$££### SOME GLASS WINDOWS. IT'S... NOT WHERE ###££$^/»,
.,»/^$££## IT'S SUPPOSED TO BE? ##££$^/»,.
..,»/^$££# #££$^/»,..
...,»/^$££ » ££$^/»,...
..,»/^$££# ,,$,, #££$^/»,..
.,»/^$££## » ##££$^/»,.
,»/^$££### ###££$^/»,
.,»/^$££## (SITUATION) ##££$^/»,.
..,»/^$££# #££$^/»,..
...,»/^$££ YOU'RE FINALLY ENTERING THE CITY. WHILE ££$^/»,...
..,»/^$££# IT IS INDEED A VERY HIGH SPEED TRAIN #££$^/»,..
.,»/^$££## YOU'RE TRAVELING IN, THE JOURNEY HAS ##££$^/»,.
,»/^$££### BEEN LONG. BUT IT'S ABOUT TO END! ###££$^/»,
.,»/^$££## ##££$^/»,.
..,»/^$££# SOCIETY IS GROWING DENSER AROUND YOU, #££$^/»,..
...,»/^$££ THROUGH THE WINDOWS YOU SEE FIRST SMALL ££$^/»,...
..,»/^$££# SHACKS, BUILT OF METAL AND STONE, THEN #££$^/»,..
.,»/^$££## PROPER HOUSES WITH MORTAR TO KEEP THEM ##££$^/»,.
,»/^$££### TOGETHER... WHO IN TURN MAKE WAY FOR ###££$^/»,
.,»/^$££## THE INDUSTRIAL BUILDINGS, THE URBAN ##££$^/»,.
..,»/^$££# MAZE, PROTECTIVE WALLS, JUNGLE #££$^/»,..
...,»/^$££ NETWORK... ££$^/»,...
..,»/^$££# #££$^/»,..
.,»/^$££## THE TRACKS LEAVE THE GROUND, WHICH IS ##££$^/»,.
,»/^$££### NEEDED FOR OTHER PURPOSES. YOU ARE ###££$^/»,
.,»/^$££## CARRIED GENTLY, CURVING UPWARDS UNTIL ##££$^/»,.
..,»/^$££# YOU'RE MOVING UPWARD ALONG THE WALL OF #££$^/»,..
...,»/^$££ A BUILDING. IT'S MADE OF SLABBY STONE, ££$^/»,...
..,»/^$££# WITH GREAT GLASSLESS WINDOW HOLES #££$^/»,..
.,»/^$££## LOOKING OUT THE WAY YOU CAME. IT IS ##££$^/»,.
,»/^$££### PITCH BLACK INSIDE. ###££$^/»,
.,»/^$££## ##££$^/»,.
..,»/^$££# #££$^/»,..
...,»/^$££ ££$^/»,...
..,»/^$££# #££$^/»,..
.,»/^$££## ##££$^/»,.