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.:-\§@&### TRAIN DREAM ###&@§\-:.
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.::--§@&## ##&@§--::.
.:-\§@&### YOU FIND YOURSELF IN A RIFT - A ###&@§\-:.
.:-\§@&&## CLEARING, NARROW BUT IMMEASURABLY LONG. ##&&@§\-:.
.:-\§@&### TO YOUR SIDES ARE WALLS MADE OF TREES, ###&@§\-:.
.:-\§@&### THICK AND READY TO SWALLOW YOU. THE SUN ###&@§\-:.
....-§@&## IS NOWHERE TO BE SEEN, BUT NONTHELESS ##&@§-....
....-§@&## IT IS VERY BRIGHT - THE AIR FEELS LIGHT ##&@§-....
.:-\§§@&&# BLUE, ALMOST WHITE. #&&@§§\-:.
...:--\§&# #&§\--:...
.:-\§@&### ALONG THE SPAN OF THE CLEARING LAY TWO ###&@§\-:.
.:-\§@&### PARALLEL SILVERY LINES, DARK HARD ###&@§\-:.
.:-\§@&### METAL. SOMEHOW YOU CAN SEE HOW HEAVY ###&@§\-:.
.....:-§&# THEY ARE. #&§-:.....
.:-\§@&### ###&@§\-:.
.:-\§@&&&& THEY EMIT A HIGH PITCHED WHINE... &&&&@§\-:.
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.:-\§@&### (SITUATION) ###&@§\-:.
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.:-\\\§@&# YOURE AT THE TRAIN STATION, ON A #&@§\\\-:.
.:-\§@&### CATWALK ABOVE THE RAILS. YOUR TRAIN IS ###&@§\-:.
....:\@@&& LATE, OR YOU ARE LATE TO THE TRAIN. &&@@\:....
.:::--\@@# IT'S A SUMMER AFTERNOON AND THE STATION #@@\--:::.
....:\@@@& IS BUSY, FULL OF RELAXED CONFIDENCE. &@@@\:....
.:-\§@&### ###&@§\-:.
....:--\§& YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT &§\--:....
.....--§&# STRESSED ABOUT THE TIME, WHILE MOVING #&§--.....
.:-\§@@@&# UP THE STAIRS TO YOUR PLATFORM. THE #&@@@§\-:.
...::-\\§& STATION IS IN SEVERAL LEVELS, ALL &§\\-::...
....:\§§&# PLACED WITHIN EACHOTHER BY SOME #&§§\:....
.:::::\@&& INTELLIGENT DESIGNER, AND FULL OF &&@\:::::.
...-\\§§@# STAIRS, ELEVATORS, SHORTCUTS, #@§§\\-...
...-\§§&## BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ##&§§\-...
.:-\§@&### SOME GLASS WINDOWS. IT'S... NOT WHERE ###&@§\-:.
....-§§@&# IT'S SUPPOSED TO BE? #&@§§-....
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.:-\§@&### (SITUATION) ###&@§\-:.
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.:-\§@&### YOU'RE FINALLY ENTERING THE CITY. WHILE ###&@§\-:.
.:-\§@&### IT IS INDEED A VERY HIGH SPEED TRAIN ###&@§\-:.
.:-\§@@&## YOU'RE TRAVELING IN, THE JOURNEY HAS ##&@@§\-:.
...:--\@## BEEN LONG. BUT IT'S ABOUT TO END! ##@\--:...
.:-\§@&### ###&@§\-:.
.:-\§@&### SOCIETY IS GROWING DENSER AROUND YOU, ###&@§\-:.
.:-\§@&### THROUGH THE WINDOWS YOU SEE FIRST SMALL ###&@§\-:.
.:-\§@&### SHACKS, BUILT OF METAL AND STONE, THEN ###&@§\-:.
.::::-\§&# PROPER HOUSES WITH MORTAR TO KEEP THEM #&§\-::::.
..::-\@&&# TOGETHER... WHO IN TURN MAKE WAY FOR #&&@\-::..
......-§&# THE INDUSTRIAL BUILDINGS, THE URBAN #&§-......
.....-§&## MAZE, PROTECTIVE WALLS, JUNGLE ##&§-.....
......-§&& NETWORK... &&§-......
..::\§§&## ##&§§\::..
.:-\§@&&## THE TRACKS LEAVE THE GROUND, WHICH IS ##&&@§\-:.
.:-\§@&### NEEDED FOR OTHER PURPOSES. YOU ARE ###&@§\-:.
......:-§& CARRIED GENTLY, CURVING UPWARDS UNTIL &§-:......
.::-\\§@&& YOU'RE MOVING UPWARD ALONG THE WALL OF &&@§\\-::.
.::---§@## A BUILDING. IT'S MADE OF SLABBY STONE, ##@§---::.
.:-\§§§@&# WITH GREAT GLASSLESS WINDOW HOLES #&@§§§\-:.
.:-\§@#### LOOKING OUT THE WAY YOU CAME. IT IS ####@§\-:.
.....:\@@# PITCH BLACK INSIDE. #@@\:.....
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