..@.@..@.. .@...@.@@@
.@@@@.@@.. @@..@@@..@
@...@@.@.. .@.@..@.@@
@..@.@@@.. @@@@.@@@..
@.@@@..@.. ...@@..@.@
@@..@.@@.. TRAIN DREAM ..@.@.@@@.
.@.@@@.@.. ######....,~,,..##################### .@@@@@..@@
@@@..@@@.@ *** @....@.@.@
..@.@..@@@ ~ @...@@@@@.
.@@@@.@..@ ~ @..@....@.
@...@@@.@. @.@@...@@.
@..@..@@@. (SITUATION) @@.@..@.@@
@.@@.@..@@ .@@@.@@@..
@@.@@@.@.@ YOU FIND YOURSELF IN A RIFT - A @..@@..@.@
.@@..@@@@@ CLEARING, NARROW BUT IMMEASURABLY LONG. @.@.@.@@@.
@.@.@....@ TO YOUR SIDES ARE WALLS MADE OF TREES, @@@@@@..@.
@@@@@...@. THICK AND READY TO SWALLOW YOU. THE SUN .....@.@@@
....@..@@@ IS NOWHERE TO BE SEEN, BUT NONTHELESS ....@@@...
...@@.@... IT IS VERY BRIGHT - THE AIR FEELS LIGHT ...@..@...
..@.@@@..@ BLUE, ALMOST WHITE. ..@@.@@...
.@@@..@.@@ .@.@@.@...
@..@.@@@.. ALONG THE SPAN OF THE CLEARING LAY TWO @@@.@@@...
@.@@@..@.@ PARALLEL SILVERY LINES, DARK HARD ..@@..@..@
@@..@.@@@. METAL. SOMEHOW YOU CAN SEE HOW HEAVY .@.@.@@.@.
.@.@@@..@@ THEY ARE. @@@@@.@@@@
@@@..@.@.. ....@@...@
..@.@@@@.. THEY EMIT A HIGH PITCHED WHINE... ...@.@..@.
.@@@...@.@ ..@@@@.@@.
@..@..@@@@ ~ .@...@@.@.
@.@@.@.... ..$.. @@..@.@@@@
@@.@@@.... ~ .@.@@@....
.@@..@...@ @@@..@...@
@.@.@@..@@ (SITUATION) ..@.@@..@@
@@@@.@.@.. .@@@.@.@..
...@@@@@.@ YOURE AT THE TRAIN STATION, ON A @..@@@@@.@
..@....@@@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @.@....@@@
.@@...@... LATE, OR YOU ARE LATE TO THE TRAIN. @@@...@..@
@.@..@@... IT'S A SUMMER AFTERNOON AND THE STATION ..@..@@.@@
@@@.@.@..@ IS BUSY, FULL OF RELAXED CONFIDENCE. .@@.@.@@..
..@@@@@.@. @.@@@@.@.@
.@....@@@. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT @@...@@@@@
@@...@..@. STRESSED ABOUT THE TIME, WHILE MOVING .@..@....@
.@..@@.@@. UP THE STAIRS TO YOUR PLATFORM. THE @@.@@...@.
@@.@.@@.@@ STATION IS IN SEVERAL LEVELS, ALL .@@.@..@@.
.@@@@.@@.. PLACED WITHIN EACHOTHER BY SOME @.@@@.@.@@
@...@@.@.@ INTELLIGENT DESIGNER, AND FULL OF @@..@@@@.@
@..@.@@@@. STAIRS, ELEVATORS, SHORTCUTS, .@.@...@@.
@.@@@...@@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @@@@..@.@@
@@..@..@.. SOME GLASS WINDOWS. IT'S... NOT WHERE ...@.@@@..
.@.@@.@@.. IT'S SUPPOSED TO BE? ..@@@..@.@
@@@.@@.@.@ .@..@.@@@@
..@@.@@@@@ ~ @@.@@@....
.@.@@....@ ,,*,, .@@..@....
@@@.@...@. ~ @.@.@@....
..@@@..@@@ @@@@.@...@
.@..@.@... (SITUATION) ...@@@..@@
@@.@@@@..@ ..@..@.@.@
.@@...@.@@ YOU'RE FINALLY ENTERING THE CITY. WHILE .@@.@@@@@.
@.@..@@@.. IT IS INDEED A VERY HIGH SPEED TRAIN @.@@....@.
@@@.@..@.. YOU'RE TRAVELING IN, THE JOURNEY HAS @@.@...@@@
..@@@.@@.@ BEEN LONG. BUT IT'S ABOUT TO END! .@@@..@...
.@..@@.@@. @..@.@@...
@@.@.@@.@@ SOCIETY IS GROWING DENSER AROUND YOU, @.@@@.@...
.@@@@.@@.. THROUGH THE WINDOWS YOU SEE FIRST SMALL @@..@@@..@
@...@@.@.. SHACKS, BUILT OF METAL AND STONE, THEN .@.@..@.@@
@..@.@@@.. PROPER HOUSES WITH MORTAR TO KEEP THEM @@@@.@@@..
@.@@@..@.. TOGETHER... WHO IN TURN MAKE WAY FOR ...@@..@.@
@@..@.@@.. THE INDUSTRIAL BUILDINGS, THE URBAN ..@.@.@@@.
.@.@@@.@.. MAZE, PROTECTIVE WALLS, JUNGLE .@@@@@..@@
@@@..@@@.@ NETWORK... @....@.@.@
..@.@..@@@ @...@@@@@.
.@@@@.@..@ THE TRACKS LEAVE THE GROUND, WHICH IS @..@....@.
@...@@@.@. NEEDED FOR OTHER PURPOSES. YOU ARE @.@@...@@.
@..@..@@@. CARRIED GENTLY, CURVING UPWARDS UNTIL @@.@..@.@@
@.@@.@..@@ YOU'RE MOVING UPWARD ALONG THE WALL OF .@@@.@@@..
@@.@@@.@.@ A BUILDING. IT'S MADE OF SLABBY STONE, @..@@..@.@
.@@..@@@@@ WITH GREAT GLASSLESS WINDOW HOLES @.@.@.@@@.
@.@.@....@ LOOKING OUT THE WAY YOU CAME. IT IS @@@@@@..@.
@@@@@...@. PITCH BLACK INSIDE. .....@.@@@
....@..@@@ ....@@@...
...@@.@... ...@..@...
..@.@@@..@ ..@@.@@...
.@@@..@.@@ .@.@@.@...
@..@.@@@.. @@@.@@@...