##.....##.                                          .#.##.#.#.
.#....#.#.                                          ##..#.#.#.
##...##.#.                                          .#.##.#.#.
.#..#.#.#.                                          ##..#.#.#.
##.##.#.#.                                          .#.##.#.#.
.#..#.#.#.  opposer.dream                           ##..#.#.#.
##.##.#.#. «««««««««««««««««««««««««««««««««««««««« .#.##.#.#.
.#..#.#.#.                                          ##..#.#.#.
##.##.#.#.   intrinsically weaved within the space  .#.##.#.#.
.#..#.#.#. between what  the  brain constructs  and ##..#.#.#.
##.##.#.#. the real, the  space  which  we  usually .#.##.#.#.
.#..#.#.#.       call the aether, distortions,      ##..#.#.#.
##.##.#.#.        anomalies, can appear under       .#.##.#.#.
.#..#.#.#. circumstances, peculiar ones, folded in  ##..#.#.#.
##.##.#.#. like liquid  crystals,  appearing  as if .#.##.#.#.
.#..#.#.#. you suddenly  rotate your  head  in some ##..#.#.#.
##.##.#.#. fourth dimension  (usually more  or less .#.##.#.#.
.#..#.#.#.              uncomfortable)              ##..#.#.#.
##.##.#.#.                                          .#.##.#.#.
.#..#.#.#. the  opposer looks like a concave square ##..#.#.#.
##.##.#.#. balancing   on  a  corner,  with   round .#.##.#.#.
.#..#.#.#. cutouts along  its edges making it  look ##..#.#.#.
##.##.#.#. like a  pointy  cross, or something from .#.##.#.#.
.#..#.#.#.                  twewy                   ##..#.#.#.
##.##.#.#.                                          .#.##.#.#.
.#..#.#.#. it's hostile,  maybe  not  conscious but ##..#.#.#.
##.##.#.#.    active, perceiving, alive in some     .#.##.#.#.
.#..#.#.#. sense. but i feel as if that might be  a ##..#.#.#.
##.##.#.#.   reduction, that i'm interpreting the   .#.##.#.#.
.#..#.#.#. tip  of something much larger  and alien ##..#.#.#.
##.##.#.#. to  me.   maybe  not  alive,  then,  but .#.##.#.#.
.#..#.#.#.             something worse.             ##..#.#.#.
##.##.#.#.                                          .#.##.#.#.
.#..#.#.#.                                          ##..#.#.#.
##.##.#.#.                    ,                     .#.##.#.#.
.#..#.#.#.                    =                     ##..#.#.#.
##.##.#.#.       ..           ^^            ..      .#.##.#.#.
.#..#.#.#.       ««««««...   ^^^        ..«««.      ##..#.#.#.
##.##.#.#.        «««..     «@@@      .....««       .#.##.#.#.
.#..#.#.#.        ««        ####«          «.       ##..#.#.#.
##.##.#.#.        .«       =######         .        .#.##.#.#.
.#..#.#.#.                   @@@= =                 ##..#.#.#.
##.##.#.#.             ==     #                     .#.##.#.#.
.#..#.#.#.        «««###====^###^   =#=«««««,       ##..#.#.#.
##.##.#.#.    ,,,«@@@##==   ^####=====##@@@^^^=,,,  .#.##.#.#.
.#..#.#.#.            «      =#=       #@«««,       ##..#.#.#.
##.##.#.#.                   =@=  =                 .#.##.#.#.
.#..#.#.#.        .«       =#####=                  ##..#.#.#.
##.##.#.#.        ««        «####@         «.       .#.##.#.#.
.#..#.#.#.       .««.         @@@          ««.      ##..#.#.#.
##.##.#.#.       ««««....     ^^«      ..««««««     .#.##.#.#.
.#..#.#.#.                    ==           .....    ##..#.#.#.
##.##.#.#.                    =                     .#.##.#.#.
.#..#.#.#.                    ,                     ##..#.#.#.
##.##.#.#.                                          .#.##.#.#.
.#..#.#.#.         various forms like these         ##..#.#.#.
##.##.#.#.                                          .#.##.#.#.
.#..#.#.#.                    ^#^                   ##..#.#.#.
##.##.#.#.                  .####=                  .#.##.#.#.
.#..#.#.#.                   ,@@,                   ##..#.#.#.
##.##.#.#.                    ,,                    .#.##.#.#.
.#..#.#.#.                    ,.                    ##..#.#.#.
##.##.#.#.                    .,                    .#.##.#.#.
.#..#.#.#.                    ,,                    ##..#.#.#.
##.##.#.#.                   ,@@,                   .#.##.#.#.
.#..#.#.#.    .            .=####=.            .    ##..#.#.#.
##.##.#.#.  ^#@^«,.. ,..,«^@######@^«,.. ,..,«^@#^  .#.##.#.#.
.#..#.#.#. ^##@^«,.., ..,«^@######@^«,.., ..,«^@##^ ##..#.#.#.
##.##.#.#.   «.            .=####=.            .«   .#.##.#.#.
.#..#.#.#.                   ,@@,                   ##..#.#.#.
##.##.#.#.                    ,,                    .#.##.#.#.
.#..#.#.#.                    ,.                    ##..#.#.#.
##.##.#.#.                    .,                    .#.##.#.#.
.#..#.#.#.                    ,,                    ##..#.#.#.
##.##.#.#.                   ,@@,                   .#.##.#.#.
.#..#.#.#.                  =####.                  ##..#.#.#.
##.##.#.#.                   ^#^                    .#.##.#.#.
.#..#.#.#.                                          ##..#.#.#.
##.##.#.#.                 it morphs                .#.##.#.#.
.#..#.#.#.                                          ##..#.#.#.
##.##.#.#.                    #                     .#.##.#.#.
.#..#.#.#.                    #                     ##..#.#.#.
##.##.#.#.                   ##=                    .#.##.#.#.
.#..#.#.#.                  =@@@=                   ##..#.#.#.
##.##.#.#.               «#@«@@««#«                 .#.##.#.#.
.#..#.#.#.              ««   ^^  «««                ##..#.#.#.
##.##.#.#.                  ,==                     .#.##.#.#.
.#..#.#.#.                  «««                     ##..#.#.#.
##.##.#.#.       =«       .,,,,,.      @««          .#.##.#.#.
.#..#.#.#.   ^==@=« «,==«,,.....,,««,,  «##==       ##..#.#.#.
##.##.#.#. ^^##@@#@@«,,,«,,.. ..,,«,,,^@@##@@####^^ .#.##.#.#.
.#..#.#.#.    ==@=        .,,,,,.      ««#@==^^     ##..#.#.#.
##.##.#.#.       =         .««««       @«           .#.##.#.#.
.#..#.#.#.                   ==                     ##..#.#.#.
##.##.#.#.              @@«  ^   «@@«               .#.##.#.#.
.#..#.#.#.               «@@«@«@@@«                 ##..#.#.#.
##.##.#.#.                 =####=                   .#.##.#.#.
.#..#.#.#.                  =@@@                    ##..#.#.#.
##.##.#.#.                   ##                     .#.##.#.#.
.#..#.#.#.                    #                     ##..#.#.#.
##.##.#.#.                                          .#.##.#.#.
.#..#.#.#.   it appears in it's truest false form   ##..#.#.#.
##.##.#.#.  inscribed all over your vision, in the  .#.##.#.#.
.#..#.#.#. case of nightmares, evil meditation, or  ##..#.#.#.
##.##.#.#.   drug-induced transcendental states.    .#.##.#.#.
.#..#.#.#.  living behind the curtain, so to speak, ##..#.#.#.
##.##.#.#.  in the liquid between you and the world .#.##.#.#.
.#..#.#.#.                you're in.                ##..#.#.#.
##.##.#.#.                                          .#.##.#.#.
.#..#.#.#.   but even in calmer times, it's never   ##..#.#.#.
##.##.#.#.  too far away, and you can find yourself .#.##.#.#.
.#..#.#.#.    transfixed by floor tiles, jewelry    ##..#.#.#.
##.##.#.#.   (totems? charms?), trees, and other    .#.##.#.#.
.#..#.#.#.              such things...              ##..#.#.#.
##.##.#.#.                                          .#.##.#.#.
.#..#.#.#.                                          ##..#.#.#.
##.##.#.#.                                          .#.##.#.#.
.#..#.#.#.                                          ##..#.#.#.
##.##.#.#.                                          .#.##.#.#.