,,,,,=\%*# #*%\=,,,,,
,.=\%*&### ###&*%\=.,
,,.=\%**&# #&**%\=.,,
,,...=\**& &**\=...,,
,.=\%*&### ###&*%\=.,
,.=\%*&&&& train dream &&&&*%\=.,
,.=\%*&### ######,,,,.=..,,##################### ###&*%\=.,
,.=\%***&# \\\ #&***%\=.,
,.=\%*&### = ###&*%\=.,
,.=\%*&### = ###&*%\=.,
,,,,,=\\%& &%\\=,,,,,
,,,,,.\\*# (situation) #*\\.,,,,,
,.=\%*&### ###&*%\=.,
,,,,,,=\*# you find yourself in a rift - a #*\=,,,,,,
,...=\%*## clearing, narrow but immeasurably long. ##*%\=...,
,.=\%*&### to your sides are walls made of trees, ###&*%\=.,
,....=%**& thick and ready to swallow you. the sun &**%=....,
,.=\%*&### is nowhere to be seen, but nontheless ###&*%\=.,
,.=\%*&### it is very bright - the air feels light ###&*%\=.,
,.=\%*&### blue, almost white. ###&*%\=.,
,.=\%*&### ###&*%\=.,
,.=\%*&### along the span of the clearing lay two ###&*%\=.,
,,,,,=%**& parallel silvery lines, dark hard &**%=,,,,,
,,,..=\%*& metal. somehow you can see how heavy &*%\=..,,,
,,,,,,.\*& they are. &*\.,,,,,,
,,,,,.\%&& &&%\.,,,,,
,,,,=%%%&& they emit a high pitched whine... &&%%%=,,,,
,.=\%*&### ###&*%\=.,
,.=\%*&### = ###&*%\=.,
,,,,..=%%& ,,%,, &%%=..,,,,
,.=\%*&### = ###&*%\=.,
,.=\%*&### ###&*%\=.,
,.=\%*&### (situation) ###&*%\=.,
,.=\%*&### ###&*%\=.,
,.=\%*&### youre at the train station, on a ###&*%\=.,
,,,,,,.\*# catwalk above the rails. your train is #*\.,,,,,,
,.=\%*&### late, or you are late to the train. ###&*%\=.,
,,,,==\**# it's a summer afternoon and the station #**\==,,,,
,,,,=\%*## is busy, full of relaxed confidence. ##*%\=,,,,
,,,.=\%%&& &&%%\=.,,,
,.=\*&#### you're in high spirits, although a bit ####&*\=.,
.=\%*&#### stressed about the time, while moving ####&*%\=.
,.=\%*&### up the stairs to your platform. the ###&*%\=.,
,.=\%*&### station is in several levels, all ###&*%\=.,
,,,,=%**&& placed within eachother by some &&**%=,,,,
,.=\%*&&## intelligent designer, and full of ##&&*%\=.,
,.=\%&#### stairs, elevators, shortcuts, ####&%\=.,
,,,.\\%*&# bazaars... you sight your train through #&*%\\.,,,
,.=\%*&### some glass windows. it's... not where ###&*%\=.,
,,...=%*&# it's supposed to be? #&*%=...,,
,.=\%*&### ###&*%\=.,
,.=\%*&### = ###&*%\=.,
,,,..\\**# ..*.. #**\\..,,,
,.=\%*&### = ###&*%\=.,
,.=\%**&&# #&&**%\=.,
,.=\%***&& (situation) &&***%\=.,
,.=\%*&### ###&*%\=.,
,,..\\%**& you're finally entering the city. while &**%\\..,,
,,,,,.\*&# it is indeed a very high speed train #&*\.,,,,,
,.=\%*&### you're traveling in, the journey has ###&*%\=.,
,.=\%***&& been long. but it's about to end! &&***%\=.,
,.=\%*&### ###&*%\=.,
,,,,,=\%&# society is growing denser around you, #&%\=,,,,,
,,,.\\\**& through the windows you see first small &**\\\.,,,
,.=\%*&### shacks, built of metal and stone, then ###&*%\=.,
,.=\%&#### proper houses with mortar to keep them ####&%\=.,
,,,,,,.=%& together... who in turn make way for &%=.,,,,,,
,.=\%*&### the industrial buildings, the urban ###&*%\=.,
,.=\%***## maze, protective walls, jungle ##***%\=.,
,,,,,.\%&# network... #&%\.,,,,,
,.=\%*&### ###&*%\=.,
,.=\\\\**# the tracks leave the ground, which is #**\\\\=.,
,,,,,,=%*# needed for other purposes. you are #*%=,,,,,,
,.=\%*&### carried gently, curving upwards until ###&*%\=.,
,,,,,.\%&& you're moving upward along the wall of &&%\.,,,,,
,.=\%*&### a building. it's made of slabby stone, ###&*%\=.,
,.=\%*&### with great glassless window holes ###&*%\=.,
,.=\%*&### looking out the way you came. it is ###&*%\=.,
,.=\%*&### pitch black inside. ###&*%\=.,
,.=%*&#### ####&*%=.,
,.=\%*#### ####*%\=.,
,.=\%*&### ###&*%\=.,
.=\%*&#### ####&*%\=.
,...==%%%& &%%%==...,