,,,,,=\%*# #*%\=,,,,,
,.=\%*## ###&*%\=.,
,,.=\%** #&**%\=.,,
,,...=\**& &**\=...,,
,.=\%*## ###&*%\=.,
,.=\%*&&&& train dream &&&&*%\=.,
,.=\%*## ######,,,,.=..,,##################### ###&*%\=.,
,.=\%*** \\\ #&***%\=.,
,.=\%*## = ###&*%\=.,
,.=\%*## = ###&*%\=.,
,,,,,=\\%& &%\\=,,,,,
,,,,,.\\*# (situation) #*\\.,,,,,
,.=\%*## ###&*%\=.,
,,,,,,=\*# you find yourself in a rift - a #*\=,,,,,,
,...=\%*## clearing, narrow but immeasurably long. ##*%\=...,
,.=\%*## to your sides are walls made of trees, ###&*%\=.,
,....=%**& thick and ready to swallow you. the sun &**%=....,
,.=\%*## is nowhere to be seen, but nontheless ###&*%\=.,
,.=\%*## it is very bright - the air feels light ###&*%\=.,
,.=\%*## blue, almost white. ###&*%\=.,
,.=\%*## ###&*%\=.,
,.=\%*## along the span of the clearing lay two ###&*%\=.,
,,,,,=%**& parallel silvery lines, dark hard &**%=,,,,,
,,,..=\%*& metal. somehow you can see how heavy &*%\=..,,,
,,,,,,.\*& they are. &*\.,,,,,,
,,,,,.\%&& &&%\.,,,,,
,,,,=%%%&& they emit a high pitched whine... &&%%%=,,,,
,.=\%*## ###&*%\=.,
,.=\%*## = ###&*%\=.,
,,,,..=%%& ,,%,, &%%=..,,,,
,.=\%*## = ###&*%\=.,
,.=\%*## ###&*%\=.,
,.=\%*## (situation) ###&*%\=.,
,.=\%*## ###&*%\=.,
,.=\%*## youre at the train station, on a ###&*%\=.,
,,,,,,.\*# catwalk above the rails. your train is #*\.,,,,,,
,.=\%*## late, or you are late to the train. ###&*%\=.,
,,,,==\**# it's a summer afternoon and the station #**\==,,,,
,,,,=\%*## is busy, full of relaxed confidence. ##*%\=,,,,
,,,.=\%%&& &&%%\=.,,,
,.=\*### you're in high spirits, although a bit ####&*\=.,
.=\%*### stressed about the time, while moving ####&*%\=.
,.=\%*## up the stairs to your platform. the ###&*%\=.,
,.=\%*## station is in several levels, all ###&*%\=.,
,,,,=%**&& placed within eachother by some &&**%=,,,,
,.=\%*&# intelligent designer, and full of ##&&*%\=.,
,.=\%### stairs, elevators, shortcuts, ####&%\=.,
,,,.\\%* bazaars... you sight your train through #&*%\\.,,,
,.=\%*## some glass windows. it's... not where ###&*%\=.,
,,...=%* it's supposed to be? #&*%=...,,
,.=\%*## ###&*%\=.,
,.=\%*## = ###&*%\=.,
,,,..\\**# ..*.. #**\\..,,,
,.=\%*## = ###&*%\=.,
,.=\%**& #&&**%\=.,
,.=\%***&& (situation) &&***%\=.,
,.=\%*## ###&*%\=.,
,,..\\%**& you're finally entering the city. while &**%\\..,,
,,,,,.\* it is indeed a very high speed train #&*\.,,,,,
,.=\%*## you're traveling in, the journey has ###&*%\=.,
,.=\%***&& been long. but it's about to end! &&***%\=.,
,.=\%*## ###&*%\=.,
,,,,,=\% society is growing denser around you, #&%\=,,,,,
,,,.\\\**& through the windows you see first small &**\\\.,,,
,.=\%*## shacks, built of metal and stone, then ###&*%\=.,
,.=\%### proper houses with mortar to keep them ####&%\=.,
,,,,,,.=%& together... who in turn make way for &%=.,,,,,,
,.=\%*## the industrial buildings, the urban ###&*%\=.,
,.=\%***## maze, protective walls, jungle ##***%\=.,
,,,,,.\% network... #&%\.,,,,,
,.=\%*## ###&*%\=.,
,.=\\\\**# the tracks leave the ground, which is #**\\\\=.,
,,,,,,=%*# needed for other purposes. you are #*%=,,,,,,
,.=\%*## carried gently, curving upwards until ###&*%\=.,
,,,,,.\%&& you're moving upward along the wall of &&%\.,,,,,
,.=\%*## a building. it's made of slabby stone, ###&*%\=.,
,.=\%*## with great glassless window holes ###&*%\=.,
,.=\%*## looking out the way you came. it is ###&*%\=.,
,.=\%*## pitch black inside. ###&*%\=.,
,.=%*### ####&*%=.,
,.=\%*#### ####*%\=.,
,.=\%*## ###&*%\=.,
.=\%*### ####&*%\=.
,...==%%%& &%%%==...,