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,.=*^&&£## (situation) ##£&&^*=.,
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,.=*^&£### you find yourself in a rift - a ###£&^*=.,
,.=*^&£### clearing, narrow but immeasurably long. ###£&^*=.,
,.=*^&£### to your sides are walls made of trees, ###£&^*=.,
,,,.**&£## thick and ready to swallow you. the sun ##£&**.,,,
,.=*^^^^£# is nowhere to be seen, but nontheless #£^^^^*=.,
,.=*^&£### it is very bright - the air feels light ###£&^*=.,
,.=*&£#### blue, almost white. ####£&*=.,
,.=*^&£### ###£&^*=.,
,,,,==*&££ along the span of the clearing lay two ££&*==,,,,
,.=*^&£### parallel silvery lines, dark hard ###£&^*=.,
,.=*^&£### metal. somehow you can see how heavy ###£&^*=.,
,.=*^&£### they are. ###£&^*=.,
,,,.===*&# #&*===.,,,
,.=*^&£### they emit a high pitched whine... ###£&^*=.,
,,,,,=*^&# #&^*=,,,,,
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,.=*^&£### (situation) ###£&^*=.,
,.=*^&£### ###£&^*=.,
,.=*^&£££# youre at the train station, on a #£££&^*=.,
,,,..=*^£# catwalk above the rails. your train is #£^*=..,,,
,,,,.=*&£# late, or you are late to the train. #£&*=.,,,,
,,,,,.*&£# it's a summer afternoon and the station #£&*.,,,,,
,.=*^&&££# is busy, full of relaxed confidence. #££&&^*=.,
,,,.===^£# #£^===.,,,
,.=*^&£### you're in high spirits, although a bit ###£&^*=.,
,.=*^&£### stressed about the time, while moving ###£&^*=.,
,.=*^£#### up the stairs to your platform. the ####£^*=.,
,.=*^&£### station is in several levels, all ###£&^*=.,
,.=*^&£### placed within eachother by some ###£&^*=.,
,.=*^&£### intelligent designer, and full of ###£&^*=.,
,,,...=*&# stairs, elevators, shortcuts, #&*=...,,,
,.=*^&£### bazaars... you sight your train through ###£&^*=.,
,.=*^&£### some glass windows. it's... not where ###£&^*=.,
,,,.=^^&&# it's supposed to be? #&&^^=.,,,
,.=*^&£### ###£&^*=.,
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,.=*^&£### ..&.. ###£&^*=.,
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,.=*^&£### (situation) ###£&^*=.,
,.=*^&£### ###£&^*=.,
,,,.=*^^^£ you're finally entering the city. while £^^^*=.,,,
,.=*****^£ it is indeed a very high speed train £^*****=.,
,.=*^&£### you're traveling in, the journey has ###£&^*=.,
,.=*^&£### been long. but it's about to end! ###£&^*=.,
,.=*^&£### ###£&^*=.,
,.=*^&£### society is growing denser around you, ###£&^*=.,
,.=*^&£### through the windows you see first small ###£&^*=.,
,,,,,.*^&£ shacks, built of metal and stone, then £&^*.,,,,,
,.=*^&££## proper houses with mortar to keep them ##££&^*=.,
,.=*^&£### together... who in turn make way for ###£&^*=.,
,,,,,.=^&£ the industrial buildings, the urban £&^=.,,,,,
,.=*^&£### maze, protective walls, jungle ###£&^*=.,
,.=*^&£### network... ###£&^*=.,
,.=*^&££## ##££&^*=.,
,.=*^&£### the tracks leave the ground, which is ###£&^*=.,
,,,,.=^£## needed for other purposes. you are ##£^=.,,,,
,.=*^&£### carried gently, curving upwards until ###£&^*=.,
,,.==**^&£ you're moving upward along the wall of £&^**==.,,
,.=*^&£### a building. it's made of slabby stone, ###£&^*=.,
,,,,,,=^££ with great glassless window holes ££^=,,,,,,
,.=*^&&£## looking out the way you came. it is ##£&&^*=.,
,.=*^&£### pitch black inside. ###£&^*=.,
,,,,,,.=^£ £^=.,,,,,,
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