##@&$*/--¨ ¨--/*$&@##
#@&$*/--¨¨ ¨¨--/*$&@#
@&$*/--¨¨¨ ¨¨¨--/*$&@
#@&$*/--¨¨ ¨¨--/*$&@#
##@&$*/--¨ ¨--/*$&@##
#@&$*/--¨¨ Delay Delay D¨La# & *A¨ - ¨@ - - ¨¨--/*$&@#
@&$*/--¨¨¨ ¨¨¨--/*$&@
#@&$*/--¨¨ ¨¨--/*$&@#
##@&$*/--¨ ¨--/*$&@##
#@&$*/--¨¨ ¨¨--/*$&@#
@&$*/--¨¨¨ "Delay" Means Repetiton Or Likewise, ¨¨¨--/*$&@
#@&$*/--¨¨ But It'S Mainly Useless Without ¨¨--/*$&@#
##@&$*/--¨ Feedback, ¨--/*$&@##
#@&$*/--¨¨ To Allow The Delay To Eat Of It'S Own ¨¨--/*$&@#
@&$*/--¨¨¨ Tail, Like One Of Those Eaty Serpents. ¨¨¨--/*$&@
#@&$*/--¨¨ Thus: It'S The Serpent Effect! ¨¨--/*$&@#
##@&$*/--¨ ¨--/*$&@##
#@&$*/--¨¨ It'S To Be Revered As A Creator Of ¨¨--/*$&@#
@&$*/--¨¨¨ Ambience And Of Space, If You Treat It ¨¨¨--/*$&@
#@&$*/--¨¨ Right. A Somewhat More Solid And ¨¨--/*$&@#
##@&$*/--¨ Slippery Sibling Of Reverb. ¨--/*$&@##
#@&$*/--¨¨ ¨¨--/*$&@#
@&$*/--¨¨¨ ¨¨¨--/*$&@
#@&$*/--¨¨ ¨¨--/*$&@#
##@&$*/--¨ ¨--/*$&@##
#@&$*/--¨¨ ¨¨--/*$&@#