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#.#.#.#.#.    @                                     .##.#.#.#.
#.#.#.#.#.              .LIZARDRY                   ..#.#.#.#.
#.#.#.#.#. ~           @ @@ @@@  @@@@@@@@@@@@@@@@@@ .##.#.#.#.
#.#.#.#.#. @@      THE ART OF C,NNECTING            ..#.#.#.#.
#.#.#.#.#.        .    WITH THE OLD MIND            .##.#.#.#.
#.#.#.#.#.                                          ..#.#.#.#.
#.#.#.#.#.             MY MIND IS BEING SKEWED. MI  .##.#.#.#.
#.#.#.#.#.  SKELETON IS STRINGY AND OLD AND ALIEN   ..#.#.#.#.
#.#.#.#.#.             THE SITUATION IS LITERALLY   .##.#.#.#.
#.#.#.#.#. PRESSED OUT THROUGH MY EYES, IT'S        ..#.#.#.#.
#.#.#.#.#. ECHOING LIKE                             .##.#.#.#.
#.#.#.#.#.             THE SUNSET OF THE ETERNAL    ..#.#.#.#.
#.#.#.#.#. OCEAN                                    .##.#.#.#.
#.#.#.#.#.         PERSISTENTLY AGAINST MY EMULSION ..#.#.#.#.
#.#.#.#.#.                                          .##.#.#.#.
#.#.#.#.#.    IT'S UNGRASPABLE TO ME, WHAT OTHER    ..#.#.#.#.
#.#.#.#.#.   HUMANS ARE DOING AND ABSTRACTING,      .##.#.#.#.
#.#.#.#.#.  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ..#.#.#.#.
#.#.#.#.#. HOW LONG A TIME HAS PASSED, FOR THEM?    .##.#.#.#.
#.#.#.#.#.                                     .    ..#.#.#.#.
#.#.#.#.#.  . ... .  ................   @@@@@@@     .##.#.#.#.
#.#.#.#.#.   CONTINUOUSLY I'M CROWDING THROUGH      ..#.#.#.#.
#.#.#.#.#. . THE FOURTH WALL  ,OUTWARDS IS WHAT   . .##.#.#.#.
#.#.#.#.#. .. I'M THINKING BUT IT'S WRONG.. A NEW   ..#.#.#.#.
#.#.#.#.#. . . NARRATOR IS INTRODUCED, OCCASIONALLY .##.#.#.#.
#.#.#.#.#. ,  , AWARE OF THE PREVIOUS ONE, DEEPER . ..#.#.#.#.
#.#.#.#.#. ,   , DOWN IN THE DRAGONS THROAT.        .##.#.#.#.
#.#.#.#.#.      ,                                   ..#.#.#.#.
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