,~=\*@@@## ##@@@*\=~,
.:«^*$¤£## ##£¤$*^«:.
,,=^*$§@@# #@@§$*^=,,
¨~~=%@@@## ##@@@%=~~¨
..«;$%@#£# #£#@%$;«..
,--=**@### statuette ###@**=--,
¨.,.,,-/ #&/-,,.,.¨
.,=/$§@@## $*$$%*$&%%£¤¤§§&«~~»~~~~§%&**£§$$%£§*%%¤ ##@@§$/=,.
.,,-†**¤¤# §$@$§££@$ #¤¤**†-,,.
,,»*%%¤£## ##£¤%%*»,,
¨,¨¨.=^¤#@ forests around my childhood home. thick @#¤^=.¨¨,¨
¨,~%@£@### pine arcades that were planted and ###@£@%~,¨
:~=%%#¶### forgotten. wild boars roaming ###¶#%%=~:
¨.=^*$££@# underneath, sniffing at the ground. it #@££$*^=.¨
,~-;%£££@# is dark and moist, the canopy having #@£££%;-~,
,..»-==%## already soaked up all the sun. ##%==-»..,
.~«=†££### ###££†=«~.
,,«;%£&@@# there's a river passing by, from east #@@&£%;«,,
.^~=§£¤### to west, getting broader and deeper and ###¤£§=~^.
.~-\§*¤££§ slower as it goes. equisetum grow just §££¤*§\-~.
¨-=\†£#@## where the pine hands start to let ##@#£†\=-¨
.,¨,..-\$£ through light, horsemint on the rocky £$\-..,¨,.
.-~\=*%¤@£ river bed. £@¤%*=\~-.
,~=;*%§££# #££§%*;=~,
.,~†$&@@## ; ##@@&$†~,.
.~»=«~†*§@ @§*†~«=»~.
,.-*%$##@# the riverbanks reek of magic. tonight #@##$%*-.,
,.»\*££@## they had been a swampworld with sylvan ##@££*\».,
,,«~\*^*&§ water, stone rings and floating moss. §&*^*\~«,,
.^~^†*£### you could've found me wallowing around ###£*†^~^.
¨¨,«;†/£#@ on the southern shores until i got @#£/†;«,¨¨
,:«:%$¤#@# bitten. #@#¤$%:«:,
¨^-^=@## ###&@=^-^¨
.:=*%%¤### but now i'm further back, on solid ###¤%%*=:.
¨.-^=¤§£## ground, in shoulder-high grass, with an ##£§¤=^-.¨
..»=%†*=&& orange tin radio and a translucent &&=*†%=»..
.¨¨,¨.»†@£ umbrella which i'm sitting on. £@†».¨,¨¨.
.~-:¤&@### ###@&¤:-~.
,,¨,~:*%§¶ : ¶§%*:~,¨,,
,,-;*¤¶### ###¶¤*;-,,
.:-†$*§#@@ somethings moving in the grass. it's @@#§*$†-:.
¨~=/**£### invisible to my eyes but i can feel ###£**/=~¨
¨:«»=^££## through the ground just how large it is. ##££^=»«:¨
,.-=†*###@ @###*†=-.,
,~»;§$§### the soil is muddy. i slip when trying ###§$§;»~,
.^=\%§£### to get up, still looking at the ###£§%\=^.
¨-«^$@#@## direction of sound rather than at my ##@#@$^«-¨
¨,~†\=*£@£ hands, who are busy putting things in £@£*=\†~,¨
.,¨~=**# my pockets. ##&**=~¨,.
,.-/=$§#££ ££#§$=/-.,
,.,.,¨:*^§ then i run east toward my home. §^*:¨,.,.,
¨.»=§¤## ###&¤§=».¨
.:~^*§¤£## ; ##£¤§*^~:.
¨.-:§*#### ####*§:-.¨
.¨.^^^^*¤# i am not followed, and slow down in the #¤*^^^^.¨.
¨,«~««†=&@ clearing where you at first can spot @&=†««~«,¨
,-=\*$## the house, not yet really in the ###&$*\=-,
¨¨¨.~=§££# backyard. from my pockets i retrieve my #££§=~.¨¨¨
¨,-\§$¤#@# radio (now dented) but also a small #@#¤$§\-,¨
.,¨.,~»%&£ clay figure i've never seen before. it £&%»~,.¨,.
¨»*†*¤@@## must have been laying in the wet dirt, ##@@¤*†*»¨
,.-;^§§### and i must've picked it up with my ###§§^;-.,
,,»=§£&@## other belongings. ##@&£§=»,,
,:~=$¤@@@# #@@@¤$=~:,
¨,~\%%§### it's a statuette of a girl laying naked ###§%%\~,¨
¨.=:%£¤@## on her stomach, feet in the air, ##@¤£%:=.¨
¨¨¨¨,==^§£ roughly seven centimeters long. it's £§^==,¨¨¨¨
.,«^§*@### freshly made, not yet completely dried. ###@*§^«,.
,,,..~~;%@ @%;~~..,,,
,.,==^*§## my mom is here now. i ask her for some ##§*^==,.,
,.,¨¨..†$¤ particle board for it to dry on, but ¤$†..¨¨,.,
¨:~=%%*§¤£ she is worried and wants me to £¤§*%%=~:¨
.^»^$%£$@@ throw it away. @@$£%$^»^.
¨,«**§§@## ##@§§**«,¨
¨,»;§%¤### ###¤%§;»,¨
¨.,-»=«=@¶ ¶@=«=»-,.¨
,,«:%£&@## ##@&£%:«,,
.~«/$%§£@# #@£§%$/«~.
,--\%*$%@§ §@%$*%\--,