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###@$†:-:¨ ¨:-:†$@###
##@#§=^»^. .^»^=§#@##
#@#&†*^-.¨ ¨.-^*†@#
@&*~.-..¨¨ statuette ¨¨..-.~*&@
##£&@$=~,, ,,~=$@&£##
#£^~,¨¨,,¨ £@£¤%£$$&§¤&%$£@-~=~«~--%££¤@%&&%%&$%&¤£ ¨,,¨¨,~^£#
##*†;«.,.¨ £*$£$$¤§¤ ¨.,.«;†*##
##@&&**-:. .:-**&&@##
£#&££%;~~. forests around my childhood home. thick .~~;%£££
¶@*$†§/-:¨ pine arcades that were planted and ¨:-/§†$*@¶
#&&=~-,¨., forgotten. wild boars roaming ,.¨,-~=&
¶%§:~.,.¨. underneath, sniffing at the ground. it .¨.,.~:§%¶
##@@§$:»,¨ is dark and moist, the canopy having ¨,»:$§@@##
#@@£%^*=,¨ already soaked up all the sun. ¨,=*^%£@@#
£**-¨.,.,. .,.,.¨-**£
£¤^†~=:.,, there's a river passing by, from east ,,.:=~†^¤£
@£$=**=-,¨ to west, getting broader and deeper and ¨,-=**=$£@
§%^;~,¨,., slower as it goes. equisetum grow just ,.,¨,~;^%§
#@#££§\~-. where the pine hands start to let .-~\§££#@#
@§$¤¤*/~^, through light, horsemint on the rocky ,^~/*¤¤$§@
#¤§^^^.¨¨, river bed. ,¨¨.^^^§¤#
##@¶*$;~^, ,^~;$*¶@##
@¶#@¤†/~-, † ,-~/†¤@#¶@
####¤$:«^, ,^«:$¤####
#*$*-^,.¨, the riverbanks reek of magic. tonight ,¨.,^-*$*#
##¶£§*:-,, they had been a swampworld with sylvan ,,-:*§£¶##
##@£¤^^~-. water, stone rings and floating moss. .-~^^¤£@##
##@§£*=-^¨ you could've found me wallowing around ¨^-=*£§@##
#£§§/^««~, on the southern shores until i got ,~««^/§§£#
###£%*=~:. bitten. .:~=*%£###
£@¤†%=¨¨¨. .¨¨¨=%†¤@£
#¤@%=»=«~. but now i'm further back, on solid .~«=»=%@¤#
##$-.,¨.., ground, in shoulder-high grass, with an ,..¨,.-$##
###&$*/»^, orange tin radio and a translucent ,^»/*$##
@&*»,¨¨¨¨¨ umbrella which i'm sitting on. ¨¨¨¨¨,»*&@
££*=*†\-,. .,-\†*=*££
#@@£¤†=~~¨ † ¨~~=†¤£@@#
##@#@%=«^¨ ¨^«=%@#@##
##@@#&†«~. somethings moving in the grass. it's .~«†@@##
@%**/~^.,. invisible to my eyes but i can feel .,.^~/**%@
###§%%/«:¨ through the ground just how large it is. ¨:«/%%§###
@#$%\»-¨,. .,¨-»\%$#@
&*;,.,,¨¨¨ the soil is muddy. i slip when trying ¨¨¨,,.,;*&
##@¤$$†»,. to get up, still looking at the .,»†$$¤@##
#@@@§%;=-, direction of sound rather than at my ,-=;%§@@@#
###&%%^~~, hands, who are busy putting things in ,~~^%%##
#£@=»~^.,¨ my pockets. ¨,.^~»=@£#
#@£&$†*~~, ,~~*†$&£@#
@@§#&*^-~. then i run east toward my home. .~-^*§@@
##£§£==-:¨ ¨:-==£§£##
###¤§*/»:. \ .:»/*§¤###
¤†*».¨¨.¨, ,¨.¨¨.»*†¤
¤§*%*«.... i am not followed, and slow down in the ....«*%*§¤
@%=^;†=¨,¨ clearing where you at first can spot ¨,¨=†;^=%@
&§^=»~-,~. the house, not yet really in the .~,-~»=^§&
§@^:^,.¨.¨ backyard. from my pockets i retrieve my ¨.¨.,^:^@§
##¶££†^-^¨ radio (now dented) but also a small ¨^-^†££¶##
###§§*:~^¨ clay figure i've never seen before. it ¨^~:*§§###
@£:=-.,.¨¨ must have been laying in the wet dirt, ¨¨.,.-=:£@
###¤%%:~-. and i must've picked it up with my .-~:%%¤###
#@#&£%\--¨ other belongings. ¨--\%£@#
¤$†,,¨¨¨¨, ,¨¨¨¨,,†$¤
####%%=-~, it's a statuette of a girl laying naked ,~-=%%####
@#§@=»¨¨., on her stomach, feet in the air, ,.¨¨»=@§#@
@@¶§&**=,¨ roughly seven centimeters long. it's ¨,=**&§¶@@
##£§@*†»~. freshly made, not yet completely dried. .~»†*@§£##
@#¤¤@†=~^, ,^~=†@¤¤#@
#@@#&%*=,. my mom is here now. i ask her for some .,=*%@@#
##@&£=*»., particle board for it to dry on, but ,.»*=£&@##
##¶#*$^~,, she is worried and wants me to ,,~^$*#¶##
#@¤*†\=«^. throw it away. .^«=\†*¤@#
#¤%*;«,.,. .,.,«;*%¤#
###¤$††-.¨ ¨.-††$¤###
@@*=:.^:,. .,:^.:=*@@
£@**~,¨,¨¨ ¨¨,¨,~**@£
#@#¤&=:~,¨ ¨,~:=&¤#@#
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