,^=/$£¤¶## ##¶¤£$/=^,
.¨,-/=%@£@ @£@%=/-,¨.
.:~==£&£@# #@£&£==~:.
,.-~\*§§## ##§§*\~-.,
.^~==§£### ###£§==~^.
,,:=**¤¤@@ statuette @@¤¤**=:,,
.-~^%&£@@# #@@£&%^~-.
¨¨^«*%&@@# £%$¤§%%%*¤%&%£$&~~==»««~*@%%¤&£¤*@¤@@%$§ #@@&%*«^¨¨
,,-††$£### @@$£$§%*@ ###£$††-,,
.,~«††£&@@ @@&£††«~,.
.,«:=£&@@# forests around my childhood home. thick #@@&£=:«,.
..-»\^$§¶# pine arcades that were planted and #¶§$^\»-..
¨,-^%%@£## forgotten. wild boars roaming ##£@%%^-,¨
¨,.-†%@@## underneath, sniffing at the ground. it ##@@%†-.,¨
.,~;$$#£## is dark and moist, the canopy having ##£#$$;~,.
,,~=;^*#@# already soaked up all the sun. #@#*^;=~,,
,.»:§@£@## ##@£@§:».,
¨..~\$@&#@ there's a river passing by, from east @#&@$\~..¨
¨:=;%&£@@# to west, getting broader and deeper and #@@£&%;=:¨
¨¨.-*$@§£# slower as it goes. equisetum grow just #£§@$*-.¨¨
¨~=\*¤§#@# where the pine hands start to let #@#§¤*\=~¨
.,^»;*$##@ through light, horsemint on the rocky @##$*;»^,.
¨,=;^$¤£## river bed. ##£¤$^;=,¨
,,:~†*¤@@# #@@¤*†~:,,
.-»\=£§### \ ###§£=\»-.
..,=†*%¤¶@ @¶¤%*†=,..
,.~=%&@#@# the riverbanks reek of magic. tonight #@#@&%=~.,
¨.:»*%@&£# they had been a swampworld with sylvan #£&@%*»:.¨
,,«†%%#@## water, stone rings and floating moss. ##@#%%†«,,
,¨.~=%£#£# you could've found me wallowing around #£#£%=~.¨,
,:«/*@§@@# on the southern shores until i got #@@§@*/«:,
¨.,=/^&@¶# bitten. #¶@&^/=,.¨
.,~;*%#¶@# #@¶#%*;~,.
..^»\%££## but now i'm further back, on solid ##££%\»^..
.,=*^*@@@# ground, in shoulder-high grass, with an #@@@*^*=,.
.¨:»\%%&£# orange tin radio and a translucent #£&%%\»:¨.
,~»:*%@### umbrella which i'm sitting on. ###@%*:»~,
,¨^~^*@§## ##§@*^~^¨,
,:~:$¤&### † ###&¤$:~:,
,,,~/§¤§## ##§¤§/~,,,
,,-:*§#¶@# somethings moving in the grass. it's #@¶#§*:-,,
¨,^~*$@&¶# invisible to my eyes but i can feel #¶&@$*~^,¨
.,-^*§&¶## through the ground just how large it is. ##¶&§*^-,.
.¨~-†%%@£# #£@%%†-~¨.
.:~:§*¤@## the soil is muddy. i slip when trying ##@¤*§:~:.
¨¨-~†*%#£@ to get up, still looking at the @£#%*†~-¨¨
.:~^*$@£## direction of sound rather than at my ##£@$*^~:.
¨¨,-;§%£@# hands, who are busy putting things in #@£%§;-,¨¨
.-~*%@§#@# my pockets. #@#§@%*~-.
..,~^%$@#@ @#@$%^~,..
,:»/^£&### then i run east toward my home. ###&£^/»:,
,.-~†%$@@@ @@@$%†~-.,
,.»\=@£### † ###£@=\».,
.¨^~^%&¤## ##¤&%^~^¨.
,:-\%$§¶## i am not followed, and slow down in the ##¶§$%\-:,
.,,«^*£### clearing where you at first can spot ###£*^«,,.
.,»/†%§£@# the house, not yet really in the #@£§%†/»,.
..^-:$%¤## backyard. from my pockets i retrieve my ##¤%$:-^..
.-»**@£### radio (now dented) but also a small ###£@**»-.
¨¨~«*^$&## clay figure i've never seen before. it ##&$^*«~¨¨
,-=^*&¤@@# must have been laying in the wet dirt, #@@¤&*^=-,
..:»†§¤££# and i must've picked it up with my #££¤§†»:..
,-«;**¤@@# other belongings. #@@¤**;«-,
,¨:=;**&#@ @#&**;=:¨,
¨^~^†$§¶@# it's a statuette of a girl laying naked #@¶§$†^~^¨
..-«*=&§#@ on her stomach, feet in the air, @#§&=*«-..
¨,»:*@£¶## roughly seven centimeters long. it's ##¶£@*:»,¨
¨,-«^*¤§£# freshly made, not yet completely dried. #£§¤*^«-,¨
.^~/=££@## ##@££=/~^.
,,^==†£§#@ my mom is here now. i ask her for some @#§£†==^,,
.,-^=$&@## particle board for it to dry on, but ##@&$=^-,.
..,-\$£@## she is worried and wants me to ##@£$\-,..
..~*=*£### throw it away. ###£*=*~..
.¨:-:*%¤## ##¤%*:-:¨.
,:=/$¤#@@# #@@#¤$/=:,
¨.~«=*%£@@ @@£%*=«~.¨
,-«†%%@£## ##£@%%†«-,
¨.^-/*%&£# #£&%*/-^.¨
¨,~;$%##@# #@##%$;~,¨