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.#.#.#.#.#                                          .#.##.#.#.
##.#.#.#.#                                          .#..#.#.#.
.#.#.#.#.#             $ DREAM PALACE $             .#.##.#.#.
##.#.#.#.#             : ----- ------ :             .#..#.#.#.
.#.#.#.#.#             $ ..... ...... $             .#.##.#.#.
##.#.#.#.#             / ..... ...... /             .#..#.#.#.
.#.#.#.#.#             : ..... ...... :             .#.##.#.#.
##.#.#.#.#             : ..... ...... :             .#..#.#.#.
.#.#.#.#.#             . ..... ...... .             .#.##.#.#.
##.#.#.#.#                                          .#..#.#.#.
.#.#.#.#.#                                          .#.##.#.#.
##.#.#.#.# NOT ACTUALLY  A PALACE. A COTTAGE IN THE .#..#.#.#.
.#.#.#.#.#   WOODS (TEMPERATE CLIMATE, RAINS EVERY  .#.##.#.#.
##.#.#.#.# OTHER   DAY,  SPRINGS  AND  STREAMS  AND .#..#.#.#.
.#.#.#.#.#   MYSTERIOUS IRON AND STONE ARTIFACTS,   .#.##.#.#.
##.#.#.#.#    BIRDLAND-ISH ETERNAL SPRING (LATE     .#..#.#.#.
.#.#.#.#.#                 SPRING))                 .#.##.#.#.
##.#.#.#.#                                          .#..#.#.#.
.#.#.#.#.#                     =                    .#.##.#.#.
##.#.#.#.#                                          .#..#.#.#.
.#.#.#.#.# I WAKE  UP EVERY MORNING AT SIX AM. IT'S .#.##.#.#.
##.#.#.#.# DARK,  AND THE STARS  ARE  OUT,  BUT THE .#..#.#.#.
.#.#.#.#.# SUN IS  ABOUT TO  RISE. ITS A  LONG DAY, .#.##.#.#.
##.#.#.#.# BEFORE  IT  FADES TO  NIGHT  AGAIN,  AND .#..#.#.#.
.#.#.#.#.# THEN  IT STAYS  SO UNTIL I FALL  ASLEEP. .#.##.#.#.
##.#.#.#.# IT  DOESN'T  RISE  UNLESS  I'VE  HAD  MY .#..#.#.#.
.#.#.#.#.#                 DREAMS.                  .#.##.#.#.
##.#.#.#.#                                          .#..#.#.#.
.#.#.#.#.#                     %                    .#.##.#.#.
##.#.#.#.#                                          .#..#.#.#.
.#.#.#.#.# IN THIS COTTAGE THERE'S A  LOT  OF RADIO .#.##.#.#.
##.#.#.#.#   EQUIPMENT, SOUND STUFF, SYNTHS, TAPE   .#..#.#.#.
.#.#.#.#.# PLAYERS. PEN  AND PAPER, BOOKS, CAMERAS, .#.##.#.#.
##.#.#.#.# MIRRORS, PRISMS,  AND VARIOUS THINGS  TO .#..#.#.#.
.#.#.#.#.# DO ART  WITH. THE  FRIDGE IS FILLED WITH .#.##.#.#.
##.#.#.#.# DIFFERET FOODS, ALL OF  THEM INTRIGUING, .#..#.#.#.
.#.#.#.#.#              SLIGHTLY WEIRD.             .#.##.#.#.
##.#.#.#.#                                          .#..#.#.#.
.#.#.#.#.#                     #                    .#.##.#.#.
##.#.#.#.#                                          .#..#.#.#.
.#.#.#.#.# I  HAVE FRIENDS - THERE'S A  CAT, AND  A .#.##.#.#.
##.#.#.#.# DOG  (WHO  IS  RIDICOLOUSLY  LARGE   AND .#..#.#.#.
.#.#.#.#.# WANTS TO  BE THE BIG SPOON). I LISTEN TO .#.##.#.#.
##.#.#.#.# THE SHORTWAVE RADIO,  AND TRANSMIT A BIT .#..#.#.#.
.#.#.#.#.# MYSELF,  SONGS  AND  POETRY,  AND  FOUND .#.##.#.#.
##.#.#.#.# SOUNDS FROM  THE FOREST. THE OTHERS TELL .#..#.#.#.
.#.#.#.#.# OF THEIR LIVES, PLAY  THE GUITAR FOR ME, .#.##.#.#.
##.#.#.#.# AND  TELL TALES  OF  THE  OLD  WORLD.  I .#..#.#.#.
.#.#.#.#.#      CONSIDER THEM FRIENDS AS WELL.      .#.##.#.#.
##.#.#.#.#                                          .#..#.#.#.
.#.#.#.#.#                    #                     .#.##.#.#.
##.#.#.#.#                                          .#..#.#.#.
.#.#.#.#.# MOST IMPORTANTLY, THERE'S  A  TWO SQUARE .#.##.#.#.
##.#.#.#.# METER  AREA  ON  THE  FLOOR  WHERE I CAN .#..#.#.#.
.#.#.#.#.# "SAVE" THINGS.  WHATEVER I  PUT IN  HERE .#.##.#.#.
##.#.#.#.# WILL  NOT  BE  AFFECTED  BY THE  NIGHTLY .#..#.#.#.
.#.#.#.#.#    RESET. EVERYTHING ELSE, HOWEVER, IS   .#.##.#.#.
##.#.#.#.#    COMPLETELY RESET OVERNIGHT: SYNTH     .#..#.#.#.
.#.#.#.#.#  PATCHES REMOVED, FOOD UNEATEN, WOUNDS   .#.##.#.#.
##.#.#.#.# HEALED, AND  WHEREVER AND  WHENEVER  I'D .#..#.#.#.
.#.#.#.#.# FALL  ASLEEP  I'D ALWAYS WAKE  UP  FULLY .#.##.#.#.
##.#.#.#.# RESTED  IN  MY  BED.  SOMETIMES  THERE'S .#..#.#.#.
.#.#.#.#.# ACCIDENTS   WHERE  I   LOSE   STUFF   BY .#.##.#.#.
##.#.#.#.# FORGETTING TO  PUT THEM IN  THE  SQUARE. .#..#.#.#.
.#.#.#.#.#                                          .#.##.#.#.
##.#.#.#.#                     .                    .#..#.#.#.
.#.#.#.#.#                                          .#.##.#.#.
##.#.#.#.# AT  NIGHT,  I   HAVE  DEMI-LUCID  DREAMS .#..#.#.#.
.#.#.#.#.# WHERE THE SPIRITS  OF THE FOREST  AROUND .#.##.#.#.
##.#.#.#.# THE COTTAGE TRIES TO COMMUNICATE.  HERE, .#..#.#.#.
.#.#.#.#.# IT'S  NOT ENDLESS  BUT  CONNECTED  TO  A .#.##.#.#.
##.#.#.#.# LARGE  SPRAWLING  CITY,  WHERE  MY RADIO .#..#.#.#.
.#.#.#.#.# FRIENDS  LIVE. WE GO  EXPLORING TOGETHER .#.##.#.#.
##.#.#.#.# - THINGS ARE DEEP AND DARK  - BUT UNLIKE .#..#.#.#.
.#.#.#.#.# ME, THEY NEVER  REMEMBER DURING THE DAY. .#.##.#.#.
##.#.#.#.# THIS IS  A  MYSTERY  WE  OFTEN  DISCUSS. .#..#.#.#.
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