¨§,¨£..¨,. ...¨¨£.¨§.
.¨¨..¨£§@. £¤¤&,,¨¨¨,
##§£¤,.§¨, £@£¨.&@&@&
¤#§#,..... .@¨¨,.£@£@
£@@,,@@@#@ ¨.¨¤#,¨#¤¤
@#¨,,,@@&¤ statuette ¨@,¨..¨¨&£
#..@#,,@#§ .¨.§¤@§,¨§
,,,,,.,¨£& *¤*@$$%%£§@*%£%£~»=~~»»-@£@£%$$$£%$£@&£§ &£¨.#§,,¨¨
£§##¤§§..¨ ¤£&%@%&££ §¨.,¨.,@§¤
£#§#&@.¨&& .,£§@#.¨&£
£§&&£.¨.¨¨ forests around my childhood home. thick §¨.@§¨¨,.@
£#£#.,§§#@ pine arcades that were planted and ¨.¨¨¨¨@¤,.
.#@,...£§@ forgotten. wild boars roaming @££@&¨,,¨¨
..¨,¤&¨.#§ underneath, sniffing at the ground. it §£#£¨.#&@£
.#¤,,,,¨¨, is dark and moist, the canopy having £@£.,¨¨&&¨
.,¨¨§§#§§£ already soaked up all the sun. #@¨¨£&¨¨,,
@§#,¨§§§¤¨ #¨..,.¨&£#
@@¨,.,&¤,¨ there's a river passing by, from east .¨@£¤&.¨@§
£..£&¨,,¨& to west, getting broader and deeper and ¨.,¤§¨¨.¨£
..¨¨..§#.. slower as it goes. equisetum grow just §£¨...¤#..
&£&@¤.¨,,£ where the pine hands start to let &,¨§@,,..@
£¤@&.,&£,. through light, horsemint on the rocky .,¨...#&,,
,#¤,,¨...¨ river bed. #@£@§.,.¨¨
,,¨,#¤@#¤@ §@£§,¨§@#&
¨§¤,,##££@ † ¤§¤,,¨,¤£¨
¨¨..¨,§§## #@.¨§£.¨,.
£##£#..##& the riverbanks reek of magic. tonight @...,,.§#&
§£¨¨¨¨£¤ they had been a swampworld with sylvan ..§&§#.¨¤¤
@§£¨,#£.¨£ water, stone rings and floating moss. §,,§&,¨,.§
#¤,,.,.... you could've found me wallowing around ¨,.¨¨.£#,.
¨..§£@@& on the southern shores until i got ¤#¤#£,,..¨
@£..&@¤§£¤ bitten. &§§&,,#¤@£
#,,,.#¤¤#¨ §#@.,,,&@¤
..@#¨.§¤,¨ but now i'm further back, on solid ¨@,,@@¨¨&&
.,.¨,,¨¨., ground, in shoulder-high grass, with an ¨,,.¨¨,¨,.
&@&§¤£#£@& orange tin radio and a translucent £#&§§££@£@
&£#@@£&@¤& umbrella which i'm sitting on. £§¤&£¤@@¤§
£§¤#&§¤§ #@#¤&£¤¤&&
&¤¤§§££¤## ; @§##§@¤£
#&£§¤&£@£@ #¤§&§£#¤
#&@&§#&¤££ somethings moving in the grass. it's §#¤£§&@¤&£
¤¤#£##£££§ invisible to my eyes but i can feel #¤£&@@
¤£#&&§¤£¤§ through the ground just how large it is. £#¤§#¤##
#£¤¤££§¤&£ £#§&£@#@¤&
#§¤¤§&§¤¤¤ the soil is muddy. i slip when trying @@£@¤&£§¤§
@£§§#&@@§& to get up, still looking at the #@£@##£@
#§££¤§¤&£& direction of sound rather than at my @£&¤£&&§#¤
#¤§£§¤ hands, who are busy putting things in @¤@@¤&¤¤@£
§@§¤@@##@£ my pockets. @@§@@&£&§@
£§#§§££@£§ #&¤¤##§£@#
£#&@£@£@§# then i run east toward my home. £&§£#@#&£@
£¤#¤@£§§£§ ¤§##¤¤§&§§
#££@#¤&@@£ * @##£££¤#@£
§¤&#@§ @¤@¤£¤£¤#&
@§@§¤#§£#£ i am not followed, and slow down in the &£§¤§#@££§
£§@@§@£§¤§ clearing where you at first can spot £@@@¤§&@&§
§#§§§¤¤# the house, not yet really in the £##@&@@#@#
¤&£&§@§£§@ backyard. from my pockets i retrieve my @#£££§£§¤&
§@£#§#§@¤& radio (now dented) but also a small ¤§§¤@&#&
£#¤#&§§&§£ clay figure i've never seen before. it ¤@§&@§&&§#
££@#@¤§@&@ must have been laying in the wet dirt, #¤&@@§¤§¤¤
&@£#¤£&&@§ and i must've picked it up with my @§&¤§§&§
§&§§¤£&£#£ other belongings. §&§#£¤£&¤&
§£@£§& £#&@#£¤§§£
£@@&£#£§ it's a statuette of a girl laying naked £#¤&¤£@£§£
¤#¤£#¤£¤§§ on her stomach, feet in the air, §§#@£¤¤&&£
£@¤@&§##&@ roughly seven centimeters long. it's ¤£@#§@£¤¤§
#@£@@&§£ freshly made, not yet completely dried. ££§&@£@#
¤@&&£¤§&@¤ ¤§£¤¤#&££&
£§#&§§@&¤¤ my mom is here now. i ask her for some £#@#£&¤§#@
@¤@£&@¤#£& particle board for it to dry on, but £@#@£@#¤§£
§#££§@¤#&£ she is worried and wants me to £§&&§££§
§#¤£#£§¤&¤ throw it away. #§§#£§£&
£##£¤&£&£# ££§&§£§&
£@&@£#§@#£ #§¤&&¤&¤@@
£#£¤§£¤¤£# &£@##£¤#¤@
&£§§¤@¤&¤§ §¤#¤¤¤#§
¤@@§§#£§ ¤@#¤£#£§
&@£§§&§&¤& @&¤§¤££§@@