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.--=**@@@£ #######¶£@*=--. geometry .--=*@£¶####### £@@@**=--.
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.--=*@£¶## # the name is a little mis- # ##¶£@*=--.
.--=*@¶### - giving, because of course there is - ###¶@*=--.
.--=*@£¶## no real geometry in the caves. you may ##¶£@*=--.
.--=*@£¶## feel as if you are venturing into some ##¶£@*=--.
.--=*@£¶## vast structure, but you are in fact ##¶£@*=--.
.--=*@£¶## leaving any such thing at the entrance. ##¶£@*=--.
.--=*@£¶## ##¶£@*=--.
.--=*@£¶## leaving physical tethers behind, ##¶£@*=--.
.--=*@£### submitting to an inescapable darkness, ###£@*=--.
.--=*@£¶## the world around you becomes more of a ##¶£@*=--.
.--=*@£### manifestation of your mind, or a ###£@*=--.
.--=*@£¶## collective mind, with a shape and a ##¶£@*=--.
...-===*@£ direction and a taste. £@*===-...
.--==*@@££ ££@@*==--.
......--*£ inescapeable darkness, because if you £*--......
.....--=*£ bring a candle or mount electrical £*=--.....
.--=*@£¶## lights, the walls only serves as ##¶£@*=--.
.--=*@£¶## markers to where the tiny spatial ##¶£@*=--.
.--=*@@££¶ existence ends and the darkness beneath ¶££@@*=--.
.--=*@£¶## it begins. ##¶£@*=--.
.--=***@¶# #¶@***=--.
.....-=@@¶ like an inverted mandelbrot, the real ¶@@=-.....
.--=*@@£££ cave is actually not the pockets, but £££@@*=--.
.....--*@¶ the black around them. keep that in ¶@*--.....
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.--===@@¶¶ the moisture that permeates any cave ¶¶@@===--.
.--=*@£¶## worth it's name... it's the water the ##¶£@*=--.
.--=*@£¶## world rose from. it's the water you ##¶£@*=--.
.--===@@@£ drown in, in your dreams. £@@@===--.
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.--=*@£££¶ the only sounds in the cave are those ¶£££@*=--.
.--=*@£### that you make yourselves. they may be ###£@*=--.
.......-*£ distorted by the stone structure, and £*-.......
.--=*@£¶## amplified by your mind. try not to be ##¶£@*=--.
......-=@¶ alarmed, try to remember the persons ¶@=-......
.--=*@@@@£ and objects around you, and you can £@@@@*=--.
.--=*@£¶## discern a mirage from a friend. ##¶£@*=--.
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