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##£&¤*\-~. ####££££££&¤*\-~. CAVE .~-\*¤&££££££#### .~-\*¤&£##
##£&¤*\-~. #######£&¤*\-~. GEOMETRY .~-\*¤&£####### .~-\*¤&£##
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##£&¤*\-~. # THE NAME IS A LITTLE MIS- # .~-\*¤&£##
##£&¤*\-~. - GIVING, BECAUSE OF COURSE THERE IS - .~-\*¤&£##
##£&¤*\-~. NO REAL GEOMETRY IN THE CAVES. YOU MAY .~-\*¤&£##
#£¤¤*--~.. FEEL AS IF YOU ARE VENTURING INTO SOME ..~--*¤¤£#
##£&¤*\-~. VAST STRUCTURE, BUT YOU ARE IN FACT .~-\*¤&£##
#£¤¤¤*\-~. LEAVING ANY SUCH THING AT THE ENTRANCE. .~-\*¤¤¤£#
&¤¤\\\\-~. .~-\\\\¤¤&
£¤¤¤¤*\-~. LEAVING PHYSICAL TETHERS BEHIND, .~-\*¤¤¤¤£
##£&¤*\-~. SUBMITTING TO AN INESCAPABLE DARKNESS, .~-\*¤&£##
&¤*\\--... THE WORLD AROUND YOU BECOMES MORE OF A ...--\\*¤&
##£&¤*\-~. MANIFESTATION OF YOUR MIND, OR A .~-\*¤&£##
##£&¤*\-~. COLLECTIVE MIND, WITH A SHAPE AND A .~-\*¤&£##
£££&¤*\-~. DIRECTION AND A TASTE. .~-\*¤&£££
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#£¤¤\\~~.. INESCAPEABLE DARKNESS, BECAUSE IF YOU ..~~\\¤¤£#
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##£&¤*\-~. MARKERS TO WHERE THE TINY SPATIAL .~-\*¤&£##
##£&¤*\-~. EXISTENCE ENDS AND THE DARKNESS BENEATH .~-\*¤&£##
£¤*\--.... IT BEGINS. ....--\*¤£
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###&¤*\-~. LIKE AN INVERTED MANDELBROT, THE REAL .~-\*¤&###
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###&¤*\-~. THE BLACK AROUND THEM. KEEP THAT IN .~-\*¤&###
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##£&¤*\-~. THE MOISTURE THAT PERMEATES ANY CAVE .~-\*¤&£##
##£&¤*\-~. WORTH IT'S NAME... IT'S THE WATER THE .~-\*¤&£##
##£&¤*\-~. WORLD ROSE FROM. IT'S THE WATER YOU .~-\*¤&£##
#&*\\-~~.. DROWN IN, IN YOUR DREAMS. ..~~-\\*&#
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&**--..... THE ONLY SOUNDS IN THE CAVE ARE THOSE .....--**&
#££&¤*\-~. THAT YOU MAKE YOURSELVES. THEY MAY BE .~-\*¤&££#
##£&¤*\-~. DISTORTED BY THE STONE STRUCTURE, AND .~-\*¤&£##
&&&**\\-~. AMPLIFIED BY YOUR MIND. TRY NOT TO BE .~-\\**&&&
##£&¤*\-~. ALARMED, TRY TO REMEMBER THE PERSONS .~-\*¤&£##
£¤¤\~..... AND OBJECTS AROUND YOU, AND YOU CAN .....~\¤¤£
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