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...~-;;§§& #####@@£&§=;-~. GEOMETRY .~-;=§&£@@##### &§§;;-~...
...----=§& ##########@@ @@########## &§=----...
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.~-;=§&£@# # THE NAME IS A LITTLE MIS- # #@£&§=;-~.
.~-;=§&£@# - GIVING, BECAUSE OF COURSE THERE IS - #@£&§=;-~.
.~-;=§&£@# NO REAL GEOMETRY IN THE CAVES. YOU MAY #@£&§=;-~.
......-;§£ FEEL AS IF YOU ARE VENTURING INTO SOME £§;-......
.~-;=§&£## VAST STRUCTURE, BUT YOU ARE IN FACT ##£&§=;-~.
....~--=§& LEAVING ANY SUCH THING AT THE ENTRANCE. &§=--~....
.....~;;=& &=;;~.....
.....-==&& LEAVING PHYSICAL TETHERS BEHIND, &&==-.....
....~~;§&& SUBMITTING TO AN INESCAPABLE DARKNESS, &&§;~~....
.~-;=§&£@@ THE WORLD AROUND YOU BECOMES MORE OF A @@£&§=;-~.
.~-;=§&£££ MANIFESTATION OF YOUR MIND, OR A £££&§=;-~.
.~-;=§&£## COLLECTIVE MIND, WITH A SHAPE AND A ##£&§=;-~.
...-;;;;=& DIRECTION AND A TASTE. &=;;;;-...
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......~-=& INESCAPEABLE DARKNESS, BECAUSE IF YOU &=-~......
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.~-;=§&£@# LIGHTS, THE WALLS ONLY SERVES AS #@£&§=;-~.
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.~-;=§&£## IT BEGINS. ##£&§=;-~.
.~-;=§&£@# #@£&§=;-~.
.....~;§§£ LIKE AN INVERTED MANDELBROT, THE REAL £§§;~.....
.....~~;§& CAVE IS ACTUALLY NOT THE POCKETS, BUT &§;~~.....
....~;;==& THE BLACK AROUND THEM. KEEP THAT IN &==;;~....
.~-;=§&£@@ MIND. @@£&§=;-~.
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....~~-=§£ WORTH IT'S NAME... IT'S THE WATER THE £§=-~~....
......-=&£ WORLD ROSE FROM. IT'S THE WATER YOU £&=-......
.....~--=& DROWN IN, IN YOUR DREAMS. &=--~.....
..~-;;;=&@ @&=;;;-~..
.~-;==§§&& THE ONLY SOUNDS IN THE CAVE ARE THOSE &&§§==;-~.
.~-;=§&£@# THAT YOU MAKE YOURSELVES. THEY MAY BE #@£&§=;-~.
.~----;=§£ DISTORTED BY THE STONE STRUCTURE, AND £§=;----~.
...~--;§&£ AMPLIFIED BY YOUR MIND. TRY NOT TO BE £&§;--~...
.....~;==& ALARMED, TRY TO REMEMBER THE PERSONS &==;~.....
.~-;=§&£@# AND OBJECTS AROUND YOU, AND YOU CAN #@£&§=;-~.
.~-;=§&£@# DISCERN A MIRAGE FROM A FRIEND. #@£&§=;-~.
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