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###£&§/-^, #######£&£§/-^, geometry ,^-/§£&£####### ,^-/§&£###
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##£&§/-^,, # the name is a little mis- # ,,^-/§&£##
###£&§/-^, - giving, because of course there is - ,^-/§&£###
##£&§/-^,, no real geometry in the caves. you may ,,^-/§&£##
#£&§/-^,,, feel as if you are venturing into some ,,,^-/§&£#
##£&§/-^,, vast structure, but you are in fact ,,^-/§&£##
###£&§/-^, leaving any such thing at the entrance. ,^-/§&£###
##£&§/-^,, ,,^-/§&£##
#£&§/-^,,, leaving physical tethers behind, ,,,^-/§&£#
##£&§/-^,, submitting to an inescapable darkness, ,,^-/§&£##
###£&§/-^, the world around you becomes more of a ,^-/§&£###
##£&§/-^,, manifestation of your mind, or a ,,^-/§&£##
#£&§/-^,,, collective mind, with a shape and a ,,,^-/§&£#
##£&§/-^,, direction and a taste. ,,^-/§&£##
###£&§/-^, ,^-/§&£###
##£&§/-^,, inescapeable darkness, because if you ,,^-/§&£##
#£&§/-^,,, bring a candle or mount electrical ,,,^-/§&£#
##£&§/-^,, lights, the walls only serves as ,,^-/§&£##
###£&§/-^, markers to where the tiny spatial ,^-/§&£###
##£&§/-^,, existence ends and the darkness beneath ,,^-/§&£##
#£&§/-^,,, it begins. ,,,^-/§&£#
##£&§/-^,, ,,^-/§&£##
###£&§/-^, like an inverted mandelbrot, the real ,^-/§&£###
##£&§/-^,, cave is actually not the pockets, but ,,^-/§&£##
#£&§/-^,,, the black around them. keep that in ,,,^-/§&£#
##£&§/-^,, mind. ,,^-/§&£##
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##£&§/-^,, the moisture that permeates any cave ,,^-/§&£##
###£&§/-^, worth it's name... it's the water the ,^-/§&£###
##£&§/-^,, world rose from. it's the water you ,,^-/§&£##
#£&§/-^,,, drown in, in your dreams. ,,,^-/§&£#
##£&§/-^,, ,,^-/§&£##
###£&§/-^, the only sounds in the cave are those ,^-/§&£###
##£&§/-^,, that you make yourselves. they may be ,,^-/§&£##
#£&§/-^,,, distorted by the stone structure, and ,,,^-/§&£#
##£&§/-^,, amplified by your mind. try not to be ,,^-/§&£##
###£&§/-^, alarmed, try to remember the persons ,^-/§&£###
##£&§/-^,, and objects around you, and you can ,,^-/§&£##
#£&§/-^,,, discern a mirage from a friend. ,,,^-/§&£#
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