&§§;,,.... ....,,;§§&
¶&&;=..... .....=;&&¶
##¶&&§;=,. .,=;§&&¶##
##¶&&§;=,. .,=;§&&¶##
¶&§§;,.... ....,;§§&¶
¶&§=,..... TRAIN DREAM .....,=§&¶
##¶&&§;=,. ######....,=,,..##################### .,=;§&&¶##
##¶&&§;=,. ;;; .,=;§&&¶##
&&&;==,,.. = ..,,==;&&&
&&;;;;,... = ...,;;;;&&
##¶&&§;=,. .,=;§&&¶##
###¶&&§;=, (SITUATION) ,=;§&&¶###
¶¶¶&&§;=,. .,=;§&&¶¶¶
&§;;,,.... YOU FIND YOURSELF IN A RIFT - A ....,,;;§&
##¶&&§;=,. CLEARING, NARROW BUT IMMEASURABLY LONG. .,=;§&&¶##
###¶&&;=,. TO YOUR SIDES ARE WALLS MADE OF TREES, .,=;&&¶###
#&§==..... THICK AND READY TO SWALLOW YOU. THE SUN .....==§&#
###¶&§;=,. IS NOWHERE TO BE SEEN, BUT NONTHELESS .,=;§&¶###
##¶&&§;=,. IT IS VERY BRIGHT - THE AIR FEELS LIGHT .,=;§&&¶##
¶&&&&§;=,. BLUE, ALMOST WHITE. .,=;§&&&&¶
&§==,..... .....,==§&
¶&&&&§;=,. ALONG THE SPAN OF THE CLEARING LAY TWO .,=;§&&&&¶
¶&&;;;,... PARALLEL SILVERY LINES, DARK HARD ...,;;;&&¶
¶¶&;;==,,. METAL. SOMEHOW YOU CAN SEE HOW HEAVY .,,==;;&¶¶
##¶&&§;=,. THEY ARE. .,=;§&&¶##
##¶&&§;=,. .,=;§&&¶##
¶&&§=,,... THEY EMIT A HIGH PITCHED WHINE... ...,,=§&&¶
&§==...... ......==§&
&&;;,..... = .....,;;&&
#¶&&&§;=,. ..§.. .,=;§&&&¶#
¶¶¶&&§;=,. = .,=;§&&¶¶¶
##¶&&§;=,. .,=;§&&¶##
&&§=...... (SITUATION) ......=§&&
##¶&&§;=,. .,=;§&&¶##
##¶&&§;=,. YOURE AT THE TRAIN STATION, ON A .,=;§&&¶##
##¶&&§;=,. CATWALK ABOVE THE RAILS. YOUR TRAIN IS .,=;§&&¶##
&&§§§;,,.. LATE, OR YOU ARE LATE TO THE TRAIN. ..,,;§§§&&
##¶&&§;=,. IT'S A SUMMER AFTERNOON AND THE STATION .,=;§&&¶##
#¶&&&§;=,. IS BUSY, FULL OF RELAXED CONFIDENCE. .,=;§&&&¶#
###¶&&;=,. .,=;&&¶###
#&§§;;,... YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ...,;;§§&#
&&&&;;,... STRESSED ABOUT THE TIME, WHILE MOVING ...,;;&&&&
##¶&&§;=,. UP THE STAIRS TO YOUR PLATFORM. THE .,=;§&&¶##
###¶&§;=,. STATION IS IN SEVERAL LEVELS, ALL .,=;§&¶###
##¶&&§;=,. PLACED WITHIN EACHOTHER BY SOME .,=;§&&¶##
##¶&&§;=,. INTELLIGENT DESIGNER, AND FULL OF .,=;§&&¶##
##¶&&§;=,. STAIRS, ELEVATORS, SHORTCUTS, .,=;§&&¶##
###&&§;=,. BAZAARS... YOU SIGHT YOUR TRAIN THROUGH .,=;§&&###
¶&&§;===,. SOME GLASS WINDOWS. IT'S... NOT WHERE .,===;§&&¶
#&&&§=,... IT'S SUPPOSED TO BE? ...,=§&&&#
¶&&;;;;=,. .,=;;;;&&¶
##¶&&§;=,. = .,=;§&&¶##
&&;;;;=,,. ,,&,, .,,=;;;;&&
¶&&§=,.... = ....,=§&&¶
#&§=...... ......=§&#
#¶&&&§;=,. (SITUATION) .,=;§&&&¶#
##¶&&§;=,. .,=;§&&¶##
&§§;,,,... YOU'RE FINALLY ENTERING THE CITY. WHILE ...,,,;§§&
###¶&&§;,. IT IS INDEED A VERY HIGH SPEED TRAIN .,;§&&¶###
¶&&;,..... YOU'RE TRAVELING IN, THE JOURNEY HAS .....,;&&¶
¶&&&&§;=,. BEEN LONG. BUT IT'S ABOUT TO END! .,=;§&&&&¶
¶&&§=..... .....=§&&¶
&&§;=..... SOCIETY IS GROWING DENSER AROUND YOU, .....=;§&&
##¶&&§;=,. THROUGH THE WINDOWS YOU SEE FIRST SMALL .,=;§&&¶##
&&&§;=,... SHACKS, BUILT OF METAL AND STONE, THEN ...,=;§&&&
##¶&&§;=,. PROPER HOUSES WITH MORTAR TO KEEP THEM .,=;§&&¶##
¶&§;,..... TOGETHER... WHO IN TURN MAKE WAY FOR .....,;§&¶
&§;;;=,,.. THE INDUSTRIAL BUILDINGS, THE URBAN ..,,=;;;§&
&&§;;=,... MAZE, PROTECTIVE WALLS, JUNGLE ...,=;;§&&
###¶&&§=,. NETWORK... .,=§&&¶###
¶&&&;=,... ...,=;&&&¶
##¶&&§;=,. THE TRACKS LEAVE THE GROUND, WHICH IS .,=;§&&¶##
##¶&&§;=,. NEEDED FOR OTHER PURPOSES. YOU ARE .,=;§&&¶##
##¶&&§;=,. CARRIED GENTLY, CURVING UPWARDS UNTIL .,=;§&&¶##
##¶&&§;=,. YOU'RE MOVING UPWARD ALONG THE WALL OF .,=;§&&¶##
###&&§;=,. A BUILDING. IT'S MADE OF SLABBY STONE, .,=;§&&###
#&§§;==,.. WITH GREAT GLASSLESS WINDOW HOLES ..,==;§§&#
#&&§§§;=,. LOOKING OUT THE WAY YOU CAME. IT IS .,=;§§§&&#
##¶&&§;=,. PITCH BLACK INSIDE. .,=;§&&¶##
#&&&&§;=,. .,=;§&&&&#
##¶&&§;=,. .,=;§&&¶##
##¶&&§;=,. .,=;§&&¶##
##¶&&§;=,. .,=;§&&¶##
#¶&&;=.... ....=;&&¶#