#££#%*†»~, ,~»†*%#££#
£££#%*†»~, ,~»†*%#£££
£%†~~,,,,, ,,,,,~~†%£
#%†~~~~,,, ,,,~~~~†%#
##£#%*†»~, ,~»†*%#£##
##£#%*†»~, delay delay d,la# # *a, ~ ,£ » ~ ,~»†*%#£##
##£#%*†»~, ,~»†*%#£##
##£#%*†»~, ,~»†*%#£##
#**»,,,,,, ,,,,,,»**#
##£#%*†»~, ,~»†*%#£##
##%***†»~, "delay" means repetiton or likewise, ,~»†***%##
##£#%*†»~, but it's mainly useless without ,~»†*%#£##
#%††»,,,,, feedback, ,,,,,»††%#
#%††††»~~, to allow the delay to eat of it's own ,~~»††††%#
##£#%*†»~, tail, like one of those eaty serpents. ,~»†*%#£##
£#%†»»,,,, thus: it's the serpent effect! ,,,,»»†%#£
£%%%%*†»~, ,~»†*%%%%£
####%*†»~, it's to be revered as a creator of ,~»†*%####
#%†~,,,,,, ambience and of space, if you treat it ,,,,,,~†%#
####%*†»~, right. a somewhat more solid and ,~»†*%####
#£%††††»~, slippery sibling of reverb. ,~»††††%£#
##£#%*†»~, ,~»†*%#£##
#%*»~,,,,, ,,,,,~»*%#
###**»,,,, ,,,,»**###
£#%*»~,,,, ,,,,~»*%#£
#***»~,,,, ,,,,~»***#