.,~;$¤&£## ##£&¤$;~,.
....,~$$¤£ £¤$$~,....
.,~;$¤¤¤¤£ £¤¤¤¤$;~,.
.....~$$¤& &¤$$~.....
.,~;$¤&£## ##£&¤$;~,.
.,~;$¤&£## A DYSTOPIAN MC DONALDS TOILET STEALS MY ##£&¤$;~,.
..,~~;;$&# AGENCY. TOO MUCH AGENCY ALREADY IN THIS #&$;;~~,..
.,~~~$¤¤£# ROOM. SATURATED. I CAN ONLY DO WHAT IT #£¤¤$~~~,.
....,~~;¤& WANTS IN THE WAY IT WANTS. &¤;~~,....
.,~;$¤&£## ##£&¤$;~,.
...,~;$¤¤& ~ ; ~ ~ ; ~ ~ ; ~ &¤¤$;~,...
.,~;$$$¤&# #&¤$$$;~,.
.,~;$¤&££# BUT: IN A MIRACOLOUS FRACTION OF A #££&¤$;~,.
.,~;$$$$&# SECOND, ITS TRUE THOUGHTS SLIP THROUGH #&$$$$;~,.
....,;$¤&& TO ME, PREVIOUSLY UNHEARD EVEN BY ITS &&¤$;,....
...,,,;$¤£ BUILDERS (THE ROOM WAS THOUGHT TO BE £¤$;,,,...
.,~;$¤¤¤&£ WITHOUT CONSCIOUSNESS). £&¤¤¤$;~,.
.,~;$¤&£## ##£&¤$;~,.
....~;;$¤£ THE ROOM THINKS ABOUT CREATURES LYING £¤$;;~....
.,~;$¤&£## DOWN, GOING OFF TO SLEEP, MAKING ##£&¤$;~,.
.,~;$¤&£## THEMSELVES COMFORTABLE FIRST... IS THIS ##£&¤$;~,.
.,~;$¤&£## ONLY OPTIMIZING A RESTING POSITION FOR ##£&¤$;~,.
.,~;$$$&&# THE BODY? OR IS THERE ANOTHER WILL #&&$$$;~,.
......~$&# INVOLVED? #&$~......
.,~;$¤&£## ##£&¤$;~,.
.,~;$¤&£## A DARK LISTENING TAKING PLACE, ##£&¤$;~,.
.,~;$¤&### A SILENT CONCERT. ###&¤$;~,.
.,~;$¤&£## ##£&¤$;~,.
.,~;$¤&£## IS THERE ANOTHER DESIRE INJECTED AT ##£&¤$;~,.
.,~;$¤&£## HYPNAGOGIA? SOMETHING FROM THE OTHER ##£&¤$;~,.
.,~;$¤&£## SIDE, GUIDING THEM, ##£&¤$;~,.
.....,;$&# ARRANGING THEIR BODIES. #&$;,.....
.....,;¤&£ £&¤;,.....
......~;$& &$;~......
.,~;$¤&£## ##£&¤$;~,.
.....,;$¤£ £¤$;,.....
.,~;$¤&£## ##£&¤$;~,.