.,~^*%&£## ##£&%*^~,.
.,~^*%&### ###&%*^~,.
.,~^*%&£## ##£&%*^~,.
.,,,,~^*&£ £&*^~,,,,.
.,~^*%&£## ##£&%*^~,.
.,~^*%%&&£ A DYSTOPIAN MC DONALDS TOILET STEALS MY £&&%%*^~,.
....,,^%£# AGENCY. TOO MUCH AGENCY ALREADY IN THIS #£%^,,....
.,~^*%&£## ROOM. SATURATED. I CAN ONLY DO WHAT IT ##£&%*^~,.
.,~^*%&£## WANTS IN THE WAY IT WANTS. ##£&%*^~,.
.,~^*%&£## ##£&%*^~,.
.,~^*%&£## ~ ^ ~ ~ ^ ~ ~ ^ ~ ##£&%*^~,.
.,~^*%&£## ##£&%*^~,.
.,~^*%&£## BUT: IN A MIRACOLOUS FRACTION OF A ##£&%*^~,.
.,~^*%&£## SECOND, ITS TRUE THOUGHTS SLIP THROUGH ##£&%*^~,.
.....~*&£# TO ME, PREVIOUSLY UNHEARD EVEN BY ITS #£&*~.....
.....~*%&# BUILDERS (THE ROOM WAS THOUGHT TO BE #&%*~.....
.....,~^*& WITHOUT CONSCIOUSNESS). &*^~,.....
.,~^*%&£## ##£&%*^~,.
.,~^*%&£## THE ROOM THINKS ABOUT CREATURES LYING ##£&%*^~,.
.,~^*%%%%£ DOWN, GOING OFF TO SLEEP, MAKING £%%%%*^~,.
.,~^*%&### THEMSELVES COMFORTABLE FIRST... IS THIS ###&%*^~,.
.,~^**%&££ ONLY OPTIMIZING A RESTING POSITION FOR ££&%**^~,.
...,,,^%%& THE BODY? OR IS THERE ANOTHER WILL &%%^,,,...
.,~^*%&£## INVOLVED? ##£&%*^~,.
.,~^*%&£## ##£&%*^~,.
...,~^^**& A DARK LISTENING TAKING PLACE, &**^^~,...
.,~~~^^%&# A SILENT CONCERT. #&%^^~~~,.
.,~^*%&£## ##£&%*^~,.
...~~~^%%& IS THERE ANOTHER DESIRE INJECTED AT &%%^~~~...
.,~^*%&£## HYPNAGOGIA? SOMETHING FROM THE OTHER ##£&%*^~,.
.,~^*%&££# SIDE, GUIDING THEM, #££&%*^~,.
.,~^*%&£## ARRANGING THEIR BODIES. ##£&%*^~,.
.,~^*%&&&£ £&&&%*^~,.
.,~^*%&&££ ££&&%*^~,.
.....,~**& &**~,.....
......~^%£ £%^~......
...~~^%&££ ££&%^~~...