¨¨:~/^£# #£#&^/~:¨¨
¨:~/^£## ##£#&^/~:¨
¨¨:~/^£# #£#&^/~:¨¨
¨¨¨:~/^£ £#&^/~:¨¨¨
¨¨¨¨:~/^ #&^/~:¨¨¨¨
¨¨¨¨¨:~/^& THE SKYSCRAPER THAT MOVES &^/~:¨¨¨¨¨
¨¨¨¨¨¨:~/^ ^/~:¨¨¨¨¨¨
¨¨¨¨¨¨¨:~/ TAINARON IS A BUILDING OWNED AND /~:¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨:~ OPERATED BY AMATA TEXNOLOGIYASI PLACED ~:¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨:~/ CLOSED TO THE HARBOR IN MALMÖ. IT'S /~:¨¨¨¨¨¨¨
¨¨¨¨¨¨:~/^ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ^/~:¨¨¨¨¨¨
¨¨¨¨¨:~/^& UNKNOWN), DARK BLUE AND COMPLETELY &^/~:¨¨¨¨¨
¨¨¨¨:~/^ RECTANGULAR. IT FEATURES NO SIGNS, #&^/~:¨¨¨¨
¨¨¨:~/^£ LIGHTS, OR ORNAMENTS, APART FROM A £#&^/~:¨¨¨
¨¨:~/^£# HELIPAD ON TOP. MOST FLOORS HAVE #£#&^/~:¨¨
¨:~/^£## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##£#&^/~:¨
¨¨:~/^£# #£#&^/~:¨¨
¨¨¨:~/^£ IN LATE EVENINGS, SHROUDED BY MALMö'S £#&^/~:¨¨¨
¨¨¨¨:~/^ SIGNATURE FOG ROLLING IN FROM THE SEA, #&^/~:¨¨¨¨
¨¨¨¨¨:~/^& THE BUILDING COMES TO LIFE: IT MOVES ON &^/~:¨¨¨¨¨
¨¨¨¨¨¨:~/^ A THOUSAND ROBOTIC LEGS TO ANOTHER ^/~:¨¨¨¨¨¨
¨¨¨¨¨¨¨:~/ (SECRET) PART OF TOWN, OR PERHAPS OUT /~:¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨:~ TO SEA. THIS SIGNALS A NEW AND MORE ~:¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨:~/ VISCIOUS PHASE OF THE TAINARON /~:¨¨¨¨¨¨¨
¨¨¨¨¨¨:~/^ ECOSYSTEM. ^/~:¨¨¨¨¨¨
¨¨¨¨¨:~/^& &^/~:¨¨¨¨¨
¨¨¨¨:~/^ THE GUESTS ARRIVING DURING THE EARLY #&^/~:¨¨¨¨
¨¨¨:~/^£ EVENING ARE TREATED TO FOOD AND DRINK, £#&^/~:¨¨¨
¨¨:~/^£# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #£#&^/~:¨¨
¨:~/^£## COMFORTABLE BUT MAZE-LIKE INTERIOR ##£#&^/~:¨
¨¨:~/^£# STRUCTURE (THE BUILDING FEATURES A #£#&^/~:¨¨
¨¨¨:~/^£ MULTITUDE OF STAIRWELLS AND ELEVATORS, £#&^/~:¨¨¨
¨¨¨¨:~/^ PLACED SEEMINGLY AT RANDOM, NONE GOING #&^/~:¨¨¨¨
¨¨¨¨¨:~/^& FURTHER THAN A FEW FLOORS). &^/~:¨¨¨¨¨
¨¨¨¨¨¨:~/^ ^/~:¨¨¨¨¨¨
¨¨¨¨¨¨¨:~/ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, /~:¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨:~ UNTIL THE AIR INSIDE HAS TAKEN ON THE ~:¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨:~/ SAME QUALITY AS THE SURROUNDING MIST: /~:¨¨¨¨¨¨¨
¨¨¨¨¨¨:~/^ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ^/~:¨¨¨¨¨¨
¨¨¨¨¨:~/^& DOT'S BY DOOR LOCKS AND CONTROL PANELS. &^/~:¨¨¨¨¨
¨¨¨¨:~/^ IF YOU WOULD LOOK THROUGH THE WINDOWS #&^/~:¨¨¨¨
¨¨¨:~/^£ YOU WOULD SEE THE MIST ROLLING BY, AND £#&^/~:¨¨¨
¨¨:~/^£# PERHAPS THE OUTLINE OF SOME OTHER #£#&^/~:¨¨
¨:~/^£## BUILDING, FAR BELOW. ##£#&^/~:¨
¨¨:~/^£# #£#&^/~:¨¨
¨¨¨:~/^£ DURING THE NIGHT, AFTER TAINARON HAS £#&^/~:¨¨¨
¨¨¨¨:~/^ STARTED MOVING, THE LOWER FLOORS ARE #&^/~:¨¨¨¨
¨¨¨¨¨:~/^& SHUT OFF, PREVENTING ENTRY OR EXIT FOR &^/~:¨¨¨¨¨
¨¨¨¨¨¨:~/^ THE GUESTS. FOOD IS NO LONGER SERVED, ^/~:¨¨¨¨¨¨
¨¨¨¨¨¨¨:~/ BUT THE DRINKS BECOME MORE EXTRAVAGANT. /~:¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨:~ IT'S AT THIS POINT THAT THE SECOND SET ~:¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨:~/ OF GUEST ARRIVES, VIA HELICOPTER - /~:¨¨¨¨¨¨¨
¨¨¨¨¨¨:~/^ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ^/~:¨¨¨¨¨¨
¨¨¨¨¨:~/^& &^/~:¨¨¨¨¨
¨¨¨¨:~/^ ~~~~~ #&^/~:¨¨¨¨
¨¨¨:~/^£ £#&^/~:¨¨¨
¨¨:~/^£# IN MY DREAM I AM INVITED AS A FRIEND OF #£#&^/~:¨¨
¨:~/^£## ONE OF THE SERVERS, AND THUS SAFE. WE ##£#&^/~:¨
¨¨:~/^£# SIT IN ONE OF THE LARGE WINDOWS, #£#&^/~:¨¨
¨¨¨:~/^£ LOOKING THROUGH THE MIST FOR ANY £#&^/~:¨¨¨
¨¨¨¨:~/^ LANDMARKS TO PIERCE THROUGH THE MIST. #&^/~:¨¨¨¨
¨¨¨¨¨:~/^& SHE TELLS ME THAT APART FROM COMING AND &^/~:¨¨¨¨¨
¨¨¨¨¨¨:~/^ GOING FROM WORK, SHE'S NEVER SEEN THE ^/~:¨¨¨¨¨¨
¨¨¨¨¨¨¨:~/ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. /~:¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨:~ ~:¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨:~/ THE NEXT DAY I AM INVITED TO THE PUBLIC /~:¨¨¨¨¨¨¨
¨¨¨¨¨¨:~/^ DEMONSTRATION OF THE EXOBUBBLE. ^/~:¨¨¨¨¨¨
¨¨¨¨¨:~/^& &^/~:¨¨¨¨¨
¨¨¨¨:~/^ #&^/~:¨¨¨¨
¨¨¨:~/^£ £#&^/~:¨¨¨
¨¨:~/^£# #£#&^/~:¨¨
¨:~/^£## ##£#&^/~:¨