###&£*/=,, ,,=/*£##
####£*/=,, ,,=/*£####
#£//=,,,,, ,,,,,=//£#
##£/,,,,,, ,,,,,,/£##
###&£*/=,, ,,=/*£##
###&£*/=,, THE SKYSCRAPER THAT MOVES ,,=/*£##
&££*///=,, ,,=///*££&
#&***==,,, TAINARON IS A BUILDING OWNED AND ,,,==***
####&£*=,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,=*£###
###&£*/=,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,=/*£##
#&££**/=,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,=/**££
###&£*/=,, UNKNOWN), DARK BLUE AND COMPLETELY ,,=/*£##
###&£*/=,, RECTANGULAR. IT FEATURES NO SIGNS, ,,=/*£##
###&£*/=,, LIGHTS, OR ORNAMENTS, APART FROM A ,,=/*£##
###&£*/=,, HELIPAD ON TOP. MOST FLOORS HAVE ,,=/*£##
#&*==,,,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,,,==*
#&*/==,,,, ,,,,==/*
&*=,,,,,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,,,,,=*&
###&£*/=,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,=/*£##
##££///=,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,=///££##
###&£*/=,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,=/*£##
&££*/=,,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,,=/*££&
##&&£*/=,, TO SEA. THIS SIGNALS A NEW AND MORE ,,=/*£&#
#£££**/=,, VISCIOUS PHASE OF THE TAINARON ,,=/**£££#
###&£*/=,, ECOSYSTEM. ,,=/*£##
###&£*/=,, ,,=/*£##
###&£*/=,, THE GUESTS ARRIVING DURING THE EARLY ,,=/*£##
&*/==,,,,, EVENING ARE TREATED TO FOOD AND DRINK, ,,,,,==/*&
##£***/=,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,=/***£##
###&£*/=,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,=/*£##
###&£*/=,, STRUCTURE (THE BUILDING FEATURES A ,,=/*£##
###&£*/=,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,=/*£##
#&**=,,,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,,,=**
###&£*/=,, FURTHER THAN A FEW FLOORS). ,,=/*£##
&&£££*/=,, ,,=/*£££&&
###&£*/=,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,=/*£##
###&£*/=,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,=/*£##
###&£*/=,, SAME QUALITY AS THE SURROUNDING MIST: ,,=/*£##
###&£*/=,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,=/*£##
#&*/=,,,,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,,,,=/*
##£*=,,,,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,,,,=*£##
###&£*/=,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,=/*£##
###&£*/=,, PERHAPS THE OUTLINE OF SOME OTHER ,,=/*£##
###&£*/=,, BUILDING, FAR BELOW. ,,=/*£##
###&£*/=,, ,,=/*£##
&*=,,,,,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,,,,,=*&
##£///==,, STARTED MOVING, THE LOWER FLOORS ARE ,,==///£##
###&£*/=,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,=/*£##
###&£*/=,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,=/*£##
####£*/=,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,=/*£####
###&£*/=,, IT'S AT THIS POINT THAT THE SECOND SET ,,=/*£##
###&£*/=,, OF GUEST ARRIVES, VIA HELICOPTER - ,,=/*£##
&*///=,,,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,,,=///*&
##££//,,,, ,,,,//££##
#£//,,,,,, ===== ,,,,,,//£#
#££***/=,, ,,=/***££#
###&£*/=,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,=/*£##
###&£*/=,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,=/*£##
&*//,,,,,, SIT IN ONE OF THE LARGE WINDOWS, ,,,,,,//*&
&*/=,,,,,, LOOKING THROUGH THE MIST FOR ANY ,,,,,,=/*&
#&&£*=,,,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,,,=*£&
&£££/,,,,, SHE TELLS ME THAT APART FROM COMING AND ,,,,,/£££&
###&£*/=,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,=/*£##
#&&&£*/=,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,=/*£&&
###&£*/=,, ,,=/*£##
###&£*/=,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,=/*£##
###&£*/=,, DEMONSTRATION OF THE EXOBUBBLE. ,,=/*£##
&**/,,,,,, ,,,,,,/**&
&*///=,,,, ,,,,=///*&
&*==,,,,,, ,,,,,,==*&
###&£*/=,, ,,=/*£##
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