¨:~:=$@@@# #@@@$=:~:¨
¨:~:=$@@@@ @@@@$=:~:¨
¨:~:=$@@@@ @@@@$=:~:¨
¨:~:=$@@## ##@@$=:~:¨
¨¨¨¨::=@@@ @@@=::¨¨¨¨
¨:~:=@@@## THE SKYSCRAPER THAT MOVES ##@@@=:~:¨
¨::::::=$@ @$=::::::¨
¨:~::::=@@ TAINARON IS A BUILDING OWNED AND @@=::::~:¨
¨:~:=$@@@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@@@$=:~:¨
¨:~:=$@@@# CLOSED TO THE HARBOR IN MALMÖ. IT'S #@@@$=:~:¨
¨:~:=$@@## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##@@$=:~:¨
¨:~:=$@@@# UNKNOWN), DARK BLUE AND COMPLETELY #@@@$=:~:¨
¨:~:=$@@@# RECTANGULAR. IT FEATURES NO SIGNS, #@@@$=:~:¨
¨:::::==@@ LIGHTS, OR ORNAMENTS, APART FROM A @@==:::::¨
¨¨¨:~=$$$@ HELIPAD ON TOP. MOST FLOORS HAVE @$$$=~:¨¨¨
¨:~:=$@@## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##@@$=:~:¨
¨:~:=$@@## ##@@$=:~:¨
¨:~:=$@@@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@@@$=:~:¨
¨:~:=$@@@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@@@$=:~:¨
¨¨¨¨::~=@@ THE BUILDING COMES TO LIFE: IT MOVES ON @@=~::¨¨¨¨
¨:~:=$@@@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@@@$=:~:¨
¨:~:=$@@@@ (SECRET) PART OF TOWN, OR PERHAPS OUT @@@@$=:~:¨
¨:~~~~:=@@ TO SEA. THIS SIGNALS A NEW AND MORE @@=:~~~~:¨
¨:~:=$$$@@ VISCIOUS PHASE OF THE TAINARON @@$$$=:~:¨
¨¨¨¨~~=@@@ ECOSYSTEM. @@@=~~¨¨¨¨
¨:~:=$@@## ##@@$=:~:¨
¨:~:=$@@@@ THE GUESTS ARRIVING DURING THE EARLY @@@@$=:~:¨
¨:~~::=$$@ EVENING ARE TREATED TO FOOD AND DRINK, @$$=::~~:¨
¨¨¨¨:~~=$@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @$=~~:¨¨¨¨
¨:~:=$@@## COMFORTABLE BUT MAZE-LIKE INTERIOR ##@@$=:~:¨
¨¨¨:~~==@@ STRUCTURE (THE BUILDING FEATURES A @@==~~:¨¨¨
¨:~:=$@@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##@@$=:~:¨
¨:~:$@@@## PLACED SEEMINGLY AT RANDOM, NONE GOING ##@@@$:~:¨
¨:~:=$@@@# FURTHER THAN A FEW FLOORS). #@@@$=:~:¨
¨:~:=$@@@@ @@@@$=:~:¨
¨¨¨¨¨~=$$@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @$$=~¨¨¨¨¨
¨:~:=$$$$@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @$$$$=:~:¨
:~:=$@@@## SAME QUALITY AS THE SURROUNDING MIST: ##@@@$=:~:
¨:~:=$@@@# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #@@@$=:~:¨
¨:~:=$@@@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@@@$=:~:¨
¨:~:=$@@@# IF YOU WOULD LOOK THROUGH THE WINDOWS #@@@$=:~:¨
¨:~:=$@@@# YOU WOULD SEE THE MIST ROLLING BY, AND #@@@$=:~:¨
¨:~:=$@@@@ PERHAPS THE OUTLINE OF SOME OTHER @@@@$=:~:¨
¨:~:=$@@@# BUILDING, FAR BELOW. #@@@$=:~:¨
¨¨¨¨¨¨::$@ @$::¨¨¨¨¨¨
¨¨::~==@@@ DURING THE NIGHT, AFTER TAINARON HAS @@@==~::¨¨
¨:~:=$@@@# STARTED MOVING, THE LOWER FLOORS ARE #@@@$=:~:¨
¨¨¨¨::$$@@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @@$$::¨¨¨¨
¨¨¨~~:==@@ THE GUESTS. FOOD IS NO LONGER SERVED, @@==:~~¨¨¨
¨¨¨¨¨::$@@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @@$::¨¨¨¨¨
¨¨¨¨~=$$@@ IT'S AT THIS POINT THAT THE SECOND SET @@$$=~¨¨¨¨
¨¨¨¨¨~==$@ OF GUEST ARRIVES, VIA HELICOPTER - @$==~¨¨¨¨¨
¨:~:=$@@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##@@$=:~:¨
¨¨¨::::$@@ @@$::::¨¨¨
¨¨¨¨¨~==$@ ~~~~~ @$==~¨¨¨¨¨
¨¨¨¨~===$@ @$===~¨¨¨¨
¨¨¨¨:~=$@@ IN MY DREAM I AM INVITED AS A FRIEND OF @@$=~:¨¨¨¨
¨:~:=$@@@@ ONE OF THE SERVERS, AND THUS SAFE. WE @@@@$=:~:¨
¨:~:=$@@@# SIT IN ONE OF THE LARGE WINDOWS, #@@@$=:~:¨
¨:~:=$@@@# LOOKING THROUGH THE MIST FOR ANY #@@@$=:~:¨
¨¨¨:::=@@@ LANDMARKS TO PIERCE THROUGH THE MIST. @@@=:::¨¨¨
¨:~:=$@@@@ SHE TELLS ME THAT APART FROM COMING AND @@@@$=:~:¨
¨:~:=$@@@# GOING FROM WORK, SHE'S NEVER SEEN THE #@@@$=:~:¨
¨:~:=$@@@@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @@@@$=:~:¨
¨:~:=$@@@# #@@@$=:~:¨
¨:~:=$@@## THE NEXT DAY I AM INVITED TO THE PUBLIC ##@@$=:~:¨
¨¨¨¨¨¨~=$@ DEMONSTRATION OF THE EXOBUBBLE. @$=~¨¨¨¨¨¨
¨:~::::$$@ @$$::::~:¨
:~:=$@@@## ##@@@$=:~:
¨:~:=$@@@# #@@@$=:~:¨
¨:~:=$@@@@ @@@@$=:~:¨
¨:~:=$@@@# #@@@$=:~:¨