#@£¤@^\~:, ,:~\^@¤£@#
¤^^^^^\~:, ,:~\^^^^^¤
£¤^\~:,,,, ,,,,:~\^¤£
£££¤@^\~:, ,:~\^@¤£££
¤¤@@@^\~:, ,:~\^@@@¤¤
##@£¤@\~:, THE SKYSCRAPER THAT MOVES ,:~\@¤£@##
@£@@\:,,,, ,,,,:\@@£@
¤^^\\~,,,, TAINARON IS A BUILDING OWNED AND ,,,,~\\^^¤
#@£¤@^\~:, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,:~\^@¤£@#
££@^~,,,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,,,~^@££
£@^\\::,,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,,::\\^@£
££@^^^\~:, UNKNOWN), DARK BLUE AND COMPLETELY ,:~\^^^@££
¤@@@\\\~:, RECTANGULAR. IT FEATURES NO SIGNS, ,:~\\\@@@¤
@¤@^^^\~:, LIGHTS, OR ORNAMENTS, APART FROM A ,:~\^^^@¤@
¤^\~:,,,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,,,:~\^¤
£££¤@^\~:, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,:~\^@¤£££
##@£¤@^\:, ,:\^@¤£@##
#@£¤@^\~:, IN LATE EVENINGS, SHROUDED BY MALMö'S ,:~\^@¤£@#
@@£¤@^\~:, SIGNATURE FOG ROLLING IN FROM THE SEA, ,:~\^@¤£@@
¤^^~,,,,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,,,,,~^^¤
¤¤¤¤@^\~:, A THOUSAND ROBOTIC LEGS TO ANOTHER ,:~\^@¤¤¤¤
¤@^^^\\~:, (SECRET) PART OF TOWN, OR PERHAPS OUT ,:~\\^^^@¤
££¤^~:,,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,,:~^¤££
£@^~::,,,, VISCIOUS PHASE OF THE TAINARON ,,,,::~^@£
#@£¤@^\~:, ECOSYSTEM. ,:~\^@¤£@#
#@£¤@^\~:, ,:~\^@¤£@#
##£¤@^\~:, THE GUESTS ARRIVING DURING THE EARLY ,:~\^@¤£##
#@£¤@^\~:, EVENING ARE TREATED TO FOOD AND DRINK, ,:~\^@¤£@#
#@£¤@^\~:, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,:~\^@¤£@#
#@£¤@^\~:, COMFORTABLE BUT MAZE-LIKE INTERIOR ,:~\^@¤£@#
##£¤@^\~:, STRUCTURE (THE BUILDING FEATURES A ,:~\^@¤£##
@¤@@^~,,,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,,,~^@@¤@
@¤@@@^\~:, PLACED SEEMINGLY AT RANDOM, NONE GOING ,:~\^@@@¤@
£¤¤¤@^\~:, FURTHER THAN A FEW FLOORS). ,:~\^@¤¤¤£
##@£¤@^\:, ,:\^@¤£@##
¤^~,,,,,,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,,,,,,~^¤
@¤¤^\~,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,~\^¤¤@
£££¤@^\~:, SAME QUALITY AS THE SURROUNDING MIST: ,:~\^@¤£££
£¤@@@^\~:, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,:~\^@@@¤£
¤¤¤¤@^\~:, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,:~\^@¤¤¤¤
#@£¤@^\~:, IF YOU WOULD LOOK THROUGH THE WINDOWS ,:~\^@¤£@#
#@£¤@^\~:, YOU WOULD SEE THE MIST ROLLING BY, AND ,:~\^@¤£@#
#@£¤@^\~:, PERHAPS THE OUTLINE OF SOME OTHER ,:~\^@¤£@#
¤¤^^^^\~:, BUILDING, FAR BELOW. ,:~\^^^^¤¤
#@£¤@^\~:, ,:~\^@¤£@#
£@@^\~,,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,,~\^@@£
£@\~~~~,,, STARTED MOVING, THE LOWER FLOORS ARE ,,,~~~~\@£
#@£¤@^\~:, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,:~\^@¤£@#
££@\\\:,,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,,:\\\@££
£@^~:,,,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,,,:~^@£
¤^\~,,,,,, IT'S AT THIS POINT THAT THE SECOND SET ,,,,,,~\^¤
£@@^^^\~:, OF GUEST ARRIVES, VIA HELICOPTER - ,:~\^^^@@£
@@£¤@^\~:, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,:~\^@¤£@@
##£¤@^\~:, ,:~\^@¤£##
¤^^^^~,,,, ~~~~~ ,,,,~^^^^¤
#@£¤@^\~:, ,:~\^@¤£@#
@£@^^\~,,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,,~\^^@£@
##@£¤@^\~: ONE OF THE SERVERS, AND THUS SAFE. WE :~\^@¤£@##
#@£¤@^\~:, SIT IN ONE OF THE LARGE WINDOWS, ,:~\^@¤£@#
##@£¤@\~:, LOOKING THROUGH THE MIST FOR ANY ,:~\@¤£@##
#@£¤@^\~:, LANDMARKS TO PIERCE THROUGH THE MIST. ,:~\^@¤£@#
#@£¤@^\~:, SHE TELLS ME THAT APART FROM COMING AND ,:~\^@¤£@#
¤¤^~:,,,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,,,:~^¤¤
#@£¤@^\~:, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,:~\^@¤£@#
£¤¤^\\\~:, ,:~\\\^¤¤£
@¤^^^\:,,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,:\^^^¤@
££¤¤@^\~:, DEMONSTRATION OF THE EXOBUBBLE. ,:~\^@¤¤££
£@\\~,,,,, ,,,,,~\\@£
#@£¤@^\~:, ,:~\^@¤£@#
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