#$^†«-,,,,                                          ,,,,-«†^$#
$^†«-,,,,,                                          ,,,,,-«†^$
#$^†«-,,,,                                          ,,,,-«†^$#
¶#$^†«-,,,                                          ,,,-«†^$#¶
#¶#$^†«-,,                                          ,,-«†^$#¶#
##¶#$^†«-,        THE SKYSCRAPER THAT MOVES         ,-«†^$#¶##
#¶#$^†«-,,                                          ,,-«†^$#¶#
¶#$^†«-,,, TAINARON  IS   A   BUILDING   OWNED  AND ,,,-«†^$#¶
#$^†«-,,,,  OPERATED BY AMATA TEXNOLOGIYASI PLACED  ,,,,-«†^$#
$^†«-,,,,, CLOSED  TO  THE HARBOR  IN  MALMÖ.  IT'S ,,,,,-«†^$
#$^†«-,,,, ROUGHLY SIXTY  FLOORS  HIGH (REAL NUMBER ,,,,-«†^$#
¶#$^†«-,,,    UNKNOWN), DARK BLUE AND COMPLETELY    ,,,-«†^$#¶
#¶#$^†«-,,    RECTANGULAR. IT FEATURES NO SIGNS,    ,,-«†^$#¶#
##¶#$^†«-, LIGHTS,  OR  ORNAMENTS,   APART  FROM  A ,-«†^$#¶##
#¶#$^†«-,, HELIPAD   ON  TOP.  MOST   FLOORS   HAVE ,,-«†^$#¶#
¶#$^†«-,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,-«†^$#¶
#$^†«-,,,,                                          ,,,,-«†^$#
$^†«-,,,,, IN LATE  EVENINGS, SHROUDED  BY  MALMö'S ,,,,,-«†^$
#$^†«-,,,, SIGNATURE  FOG ROLLING  IN FROM THE SEA, ,,,,-«†^$#
¶#$^†«-,,, THE BUILDING COMES TO LIFE: IT  MOVES ON ,,,-«†^$#¶
#¶#$^†«-,, A  THOUSAND  ROBOTIC  LEGS   TO  ANOTHER ,,-«†^$#¶#
##¶#$^†«-, (SECRET) PART  OF TOWN,  OR PERHAPS  OUT ,-«†^$#¶##
#¶#$^†«-,, TO  SEA.  THIS  SIGNALS A NEW  AND  MORE ,,-«†^$#¶#
¶#$^†«-,,,      VISCIOUS PHASE OF THE TAINARON      ,,,-«†^$#¶
#$^†«-,,,,                ECOSYSTEM.                ,,,,-«†^$#
$^†«-,,,,,                                          ,,,,,-«†^$
#$^†«-,,,, THE GUESTS  ARRIVING  DURING  THE  EARLY ,,,,-«†^$#
¶#$^†«-,,, EVENING  ARE TREATED TO FOOD  AND DRINK, ,,,-«†^$#¶
#¶#$^†«-,, LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ,,-«†^$#¶#
##¶#$^†«-,    COMFORTABLE BUT MAZE-LIKE INTERIOR    ,-«†^$#¶##
#¶#$^†«-,,    STRUCTURE (THE BUILDING FEATURES A    ,,-«†^$#¶#
¶#$^†«-,,,  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ,,,-«†^$#¶
#$^†«-,,,, PLACED SEEMINGLY AT RANDOM,  NONE  GOING ,,,,-«†^$#
$^†«-,,,,,       FURTHER THAN A FEW FLOORS).        ,,,,,-«†^$
#$^†«-,,,,                                          ,,,,-«†^$#
¶#$^†«-,,, AS TIME  GOES ON, THE LIGHTS SLOWLY DIM, ,,,-«†^$#¶
#¶#$^†«-,, UNTIL  THE AIR INSIDE  HAS  TAKEN ON THE ,,-«†^$#¶#
##¶#$^†«-, SAME  QUALITY  AS  THE SURROUNDING MIST: ,-«†^$#¶##
#¶#$^†«-,, BLUE-GRAY, SPRINKLED WITH THE  SMALL RED ,,-«†^$#¶#
¶#$^†«-,,, DOT'S BY DOOR LOCKS  AND CONTROL PANELS. ,,,-«†^$#¶
#$^†«-,,,, IF YOU  WOULD LOOK THROUGH  THE  WINDOWS ,,,,-«†^$#
$^†«-,,,,, YOU WOULD  SEE THE  MIST ROLLING BY, AND ,,,,,-«†^$
#$^†«-,,,, PERHAPS  THE   OUTLINE   OF  SOME  OTHER ,,,,-«†^$#
¶#$^†«-,,,           BUILDING, FAR BELOW.           ,,,-«†^$#¶
#¶#$^†«-,,                                          ,,-«†^$#¶#
##¶#$^†«-, DURING  THE  NIGHT,  AFTER  TAINARON HAS ,-«†^$#¶##
#¶#$^†«-,, STARTED  MOVING,  THE  LOWER  FLOORS ARE ,,-«†^$#¶#
¶#$^†«-,,, SHUT  OFF, PREVENTING  ENTRY OR EXIT FOR ,,,-«†^$#¶
#$^†«-,,,, THE GUESTS.  FOOD IS  NO LONGER  SERVED, ,,,,-«†^$#
$^†«-,,,,, BUT THE DRINKS  BECOME MORE EXTRAVAGANT. ,,,,,-«†^$
#$^†«-,,,, IT'S  AT THIS POINT  THAT THE SECOND SET ,,,,-«†^$#
¶#$^†«-,,, OF  GUEST  ARRIVES,  VIA   HELICOPTER  - ,,,-«†^$#¶
#¶#$^†«-,,  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ,,-«†^$#¶#
##¶#$^†«-,                                          ,-«†^$#¶##
#¶#$^†«-,,                  «««««                   ,,-«†^$#¶#
¶#$^†«-,,,                                          ,,,-«†^$#¶
#$^†«-,,,, IN MY DREAM I AM INVITED AS  A FRIEND OF ,,,,-«†^$#
$^†«-,,,,, ONE  OF THE SERVERS, AND  THUS  SAFE. WE ,,,,,-«†^$
#$^†«-,,,, SIT   IN  ONE  OF   THE  LARGE  WINDOWS, ,,,,-«†^$#
¶#$^†«-,,, LOOKING   THROUGH  THE   MIST   FOR  ANY ,,,-«†^$#¶
#¶#$^†«-,, LANDMARKS  TO PIERCE  THROUGH  THE MIST. ,,-«†^$#¶#
##¶#$^†«-, SHE TELLS ME  THAT APART FROM COMING AND ,-«†^$#¶##
#¶#$^†«-,, GOING FROM  WORK,  SHE'S  NEVER SEEN THE ,,-«†^$#¶#
¶#$^†«-,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,-«†^$#¶
#$^†«-,,,,                                          ,,,,-«†^$#
$^†«-,,,,, THE NEXT DAY I AM INVITED TO  THE PUBLIC ,,,,,-«†^$
#$^†«-,,,,     DEMONSTRATION OF THE EXOBUBBLE.      ,,,,-«†^$#
¶#$^†«-,,,                                          ,,,-«†^$#¶
#¶#$^†«-,,                                          ,,-«†^$#¶#
##¶#$^†«-,                                          ,-«†^$#¶##
#¶#$^†«-,,                                          ,,-«†^$#¶#
¶#$^†«-,,,                                          ,,,-«†^$#¶