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¨¨¨¨¨¨¨«†¤        THE SKYSCRAPER THAT MOVES         ¤†«¨¨¨¨¨¨¨
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¨«;†£¤#@## TAINARON   IS   A  BUILDING   OWNED  AND ##@#¤£†;«¨
¨.«;†££¤#@  OPERATED BY AMATA TEXNOLOGIYASI PLACED  @#¤££†;«.¨
¨.«;;;;†¤# CLOSED TO  THE  HARBOR  IN  MALMÖ.  IT'S #¤†;;;;«.¨
¨¨¨¨¨¨.;£¤ ROUGHLY SIXTY  FLOORS HIGH  (REAL NUMBER ¤£;.¨¨¨¨¨¨
¨.«;†£¤#@#    UNKNOWN), DARK BLUE AND COMPLETELY    #@#¤£†;«.¨
¨.«;†£¤#@#    RECTANGULAR. IT FEATURES NO SIGNS,    #@#¤£†;«.¨
¨¨¨¨¨«;£¤# LIGHTS,   OR  ORNAMENTS,  APART  FROM  A #¤£;«¨¨¨¨¨
¨.«;†£¤¤¤# HELIPAD   ON  TOP.   MOST   FLOORS  HAVE #¤¤¤£†;«.¨
¨.«;†£¤#@# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #@#¤£†;«.¨
¨.«;†£¤#@@                                          @@#¤£†;«.¨
¨¨¨¨.«†£¤# IN LATE  EVENINGS,  SHROUDED  BY MALMö'S #¤£†«.¨¨¨¨
¨.;†£¤#@## SIGNATURE FOG ROLLING IN  FROM  THE SEA, ##@#¤£†;.¨
¨¨¨¨«†££#@ THE BUILDING COMES  TO LIFE: IT MOVES ON @#££†«¨¨¨¨
¨.«;†£¤#@# A  THOUSAND  ROBOTIC  LEGS  TO   ANOTHER #@#¤£†;«.¨
¨¨¨¨¨.«†¤@ (SECRET)  PART  OF TOWN,  OR PERHAPS OUT @¤†«.¨¨¨¨¨
¨.«;††££¤¤ TO  SEA.  THIS  SIGNALS  A NEW  AND MORE ¤¤££††;«.¨
¨.«;†£¤#@#      VISCIOUS PHASE OF THE TAINARON      #@#¤£†;«.¨
¨¨¨¨¨.«;£¤                ECOSYSTEM.                ¤£;«.¨¨¨¨¨
¨.««;;†¤#@                                          @#¤†;;««.¨
¨.«;†£¤#@# THE  GUESTS  ARRIVING  DURING THE  EARLY #@#¤£†;«.¨
¨.«;†£¤@## EVENING ARE  TREATED TO  FOOD AND DRINK, ##@¤£†;«.¨
¨.«;†£¤@## LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ##@¤£†;«.¨
¨¨¨¨¨««†£¤    COMFORTABLE BUT MAZE-LIKE INTERIOR    ¤£†««¨¨¨¨¨
¨.«;†£¤###    STRUCTURE (THE BUILDING FEATURES A    ###¤£†;«.¨
¨¨¨¨«††¤#@  MULTITUDE OF STAIRWELLS AND ELEVATORS,  @#¤††«¨¨¨¨
.«;†£¤#@## PLACED SEEMINGLY AT RANDOM,  NONE  GOING ##@#¤£†;«.
¨¨¨.««;££#        FURTHER THAN A FEW FLOORS).       #££;««.¨¨¨
¨.«;†£¤#@#                                          #@#¤£†;«.¨
¨¨¨¨¨¨«†£¤ AS TIME GOES  ON, THE LIGHTS SLOWLY DIM, ¤£†«¨¨¨¨¨¨
¨.«;£¤#@## UNTIL  THE AIR INSIDE  HAS TAKEN ON  THE ##@#¤£;«.¨
¨¨¨¨...;£# SAME QUALITY AS  THE  SURROUNDING  MIST: #£;...¨¨¨¨
¨.«;†£¤#@# BLUE-GRAY, SPRINKLED  WITH THE SMALL RED #@#¤£†;«.¨
¨.«;†£¤#@# DOT'S BY DOOR LOCKS AND CONTROL  PANELS. #@#¤£†;«.¨
¨¨¨¨«;£¤## IF  YOU  WOULD LOOK THROUGH THE  WINDOWS ##¤£;«¨¨¨¨
¨.«;†£¤#@# YOU  WOULD SEE THE MIST ROLLING BY,  AND #@#¤£†;«.¨
¨¨¨¨.;;†¤@ PERHAPS  THE  OUTLINE   OF  SOME   OTHER @¤†;;.¨¨¨¨
¨.«;†£¤#@#           BUILDING, FAR BELOW.           #@#¤£†;«.¨
¨¨¨¨..;£¤¤                                          ¤¤£;..¨¨¨¨
¨¨¨¨.«;££¤ DURING  THE  NIGHT,  AFTER  TAINARON HAS ¤££;«.¨¨¨¨
¨.«;†£¤#@# STARTED  MOVING, THE  LOWER  FLOORS  ARE #@#¤£†;«.¨
¨¨¨..;;†¤@ SHUT OFF, PREVENTING  ENTRY OR EXIT  FOR @¤†;;..¨¨¨
¨¨¨..;;;£¤ THE GUESTS.  FOOD  IS NO LONGER  SERVED, ¤£;;;..¨¨¨
¨¨¨...;££# BUT THE DRINKS BECOME  MORE EXTRAVAGANT. #££;...¨¨¨
¨¨¨¨¨«†¤## IT'S AT THIS  POINT THAT  THE SECOND SET ##¤†«¨¨¨¨¨
¨.«;†£¤#@# OF   GUEST  ARRIVES,  VIA  HELICOPTER  - #@#¤£†;«.¨
¨¨¨.;;;†£¤  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ¤£†;;;.¨¨¨
¨.«;†£¤#@#                                          #@#¤£†;«.¨
¨.«;†£¤###                   «««««                  ###¤£†;«.¨
¨.«;†††£##                                          ##£†††;«.¨
¨.«;†£¤#@# IN MY DREAM I AM  INVITED AS A FRIEND OF #@#¤£†;«.¨
¨.«««;;†¤@ ONE OF THE  SERVERS,  AND  THUS SAFE. WE @¤†;;«««.¨
¨.«;†£¤#@# SIT  IN   ONE  OF  THE   LARGE  WINDOWS, #@#¤£†;«.¨
¨.«;†¤#@## LOOKING   THROUGH   THE  MIST  FOR   ANY ##@#¤†;«.¨
¨¨¨¨..;;£# LANDMARKS  TO  PIERCE THROUGH THE  MIST. #£;;..¨¨¨¨
¨.«;†£¤#@# SHE TELLS ME THAT APART  FROM COMING AND #@#¤£†;«.¨
¨.«;†£¤#@@ GOING FROM  WORK,  SHE'S  NEVER SEEN THE @@#¤£†;«.¨
¨.«;†£¤##@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @##¤£†;«.¨
¨.«;†£¤@##                                          ##@¤£†;«.¨
¨.«;†£¤#@# THE NEXT  DAY I AM INVITED TO THE PUBLIC #@#¤£†;«.¨
¨¨¨¨¨..«†¤     DEMONSTRATION OF THE EXOBUBBLE.      ¤†«..¨¨¨¨¨
¨.«;†£¤#@#                                          #@#¤£†;«.¨
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