¤,,,¤,¤¤,¤ ,,¤,¤,,,,¤
¤,,¤¤,,¤,¤ ,¤¤,¤,,,¤,
¤,¤,¤,¤¤,¤ ¤,¤,¤,,¤¤,
¤,¤,¤,,¤,¤ ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ THE SKYSCRAPER THAT MOVES ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ TAINARON IS A BUILDING OWNED AND ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ UNKNOWN), DARK BLUE AND COMPLETELY ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ RECTANGULAR. IT FEATURES NO SIGNS, ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ LIGHTS, OR ORNAMENTS, APART FROM A ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ HELIPAD ON TOP. MOST FLOORS HAVE ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ IN LATE EVENINGS, SHROUDED BY MALMö'S ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ SIGNATURE FOG ROLLING IN FROM THE SEA, ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ THE BUILDING COMES TO LIFE: IT MOVES ON ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ A THOUSAND ROBOTIC LEGS TO ANOTHER ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ (SECRET) PART OF TOWN, OR PERHAPS OUT ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ TO SEA. THIS SIGNALS A NEW AND MORE ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ VISCIOUS PHASE OF THE TAINARON ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ ECOSYSTEM. ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ THE GUESTS ARRIVING DURING THE EARLY ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ EVENING ARE TREATED TO FOOD AND DRINK, ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ COMFORTABLE BUT MAZE-LIKE INTERIOR ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ STRUCTURE (THE BUILDING FEATURES A ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ PLACED SEEMINGLY AT RANDOM, NONE GOING ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ FURTHER THAN A FEW FLOORS). ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ SAME QUALITY AS THE SURROUNDING MIST: ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ IF YOU WOULD LOOK THROUGH THE WINDOWS ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ YOU WOULD SEE THE MIST ROLLING BY, AND ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ PERHAPS THE OUTLINE OF SOME OTHER ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ BUILDING, FAR BELOW. ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ DURING THE NIGHT, AFTER TAINARON HAS ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ STARTED MOVING, THE LOWER FLOORS ARE ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ THE GUESTS. FOOD IS NO LONGER SERVED, ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ IT'S AT THIS POINT THAT THE SECOND SET ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ OF GUEST ARRIVES, VIA HELICOPTER - ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ ~~~~~ ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ IN MY DREAM I AM INVITED AS A FRIEND OF ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ ONE OF THE SERVERS, AND THUS SAFE. WE ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ SIT IN ONE OF THE LARGE WINDOWS, ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ LOOKING THROUGH THE MIST FOR ANY ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ LANDMARKS TO PIERCE THROUGH THE MIST. ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ SHE TELLS ME THAT APART FROM COMING AND ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ GOING FROM WORK, SHE'S NEVER SEEN THE ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ THE NEXT DAY I AM INVITED TO THE PUBLIC ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ DEMONSTRATION OF THE EXOBUBBLE. ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ ¤,¤,¤,¤,¤,
¤,¤,¤,¤¤,¤ ¤,¤,¤,¤,¤,
¤,¤,¤,,¤,¤ ¤,¤,¤,¤,¤,