¨¨¨¨¨¨¨,~/                                          /~,¨¨¨¨¨¨¨
¨¨¨¨¨¨,~/$                                          $/~,¨¨¨¨¨¨
¨¨¨¨¨,~/$£                                          £$/~,¨¨¨¨¨
¨¨¨¨,~/$£@                                          @£$/~,¨¨¨¨
¨¨¨,~/$£@#                                          #@£$/~,¨¨¨
¨¨,~/$£@##         THE SKYSCRAPER THAT MOVES        ##@£$/~,¨¨
¨,~/$£@###                                          ###@£$/~,¨
¨¨,~/$£@## TAINARON   IS   A  BUILDING   OWNED  AND ##@£$/~,¨¨
¨¨¨,~/$£@#  OPERATED BY AMATA TEXNOLOGIYASI PLACED  #@£$/~,¨¨¨
¨¨¨¨,~/$£@ CLOSED TO  THE  HARBOR  IN  MALMÖ.  IT'S @£$/~,¨¨¨¨
¨¨¨¨¨,~/$£ ROUGHLY  SIXTY FLOORS HIGH (REAL  NUMBER £$/~,¨¨¨¨¨
¨¨¨¨¨¨,~/$    UNKNOWN), DARK BLUE AND COMPLETELY    $/~,¨¨¨¨¨¨
¨¨¨¨¨¨¨,~/    RECTANGULAR. IT FEATURES NO SIGNS,    /~,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ LIGHTS,   OR  ORNAMENTS,  APART  FROM  A ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,~/ HELIPAD   ON  TOP.   MOST   FLOORS  HAVE /~,¨¨¨¨¨¨¨
¨¨¨¨¨¨,~/$ EXTERIOR WALLS COMPLETELY MADE OF GLASS. $/~,¨¨¨¨¨¨
¨¨¨¨¨,~/$£                                          £$/~,¨¨¨¨¨
¨¨¨¨,~/$£@ IN  LATE EVENINGS, SHROUDED  BY  MALMö'S @£$/~,¨¨¨¨
¨¨¨,~/$£@# SIGNATURE FOG  ROLLING IN  FROM THE SEA, #@£$/~,¨¨¨
¨¨,~/$£@## THE BUILDING COMES TO  LIFE: IT MOVES ON ##@£$/~,¨¨
¨,~/$£@### A  THOUSAND  ROBOTIC  LEGS   TO  ANOTHER ###@£$/~,¨
¨¨,~/$£@## (SECRET)  PART OF  TOWN,  OR PERHAPS OUT ##@£$/~,¨¨
¨¨¨,~/$£@# TO  SEA.  THIS  SIGNALS A  NEW AND  MORE #@£$/~,¨¨¨
¨¨¨¨,~/$£@      VISCIOUS PHASE OF THE TAINARON      @£$/~,¨¨¨¨
¨¨¨¨¨,~/$£                ECOSYSTEM.                £$/~,¨¨¨¨¨
¨¨¨¨¨¨,~/$                                          $/~,¨¨¨¨¨¨
¨¨¨¨¨¨¨,~/ THE  GUESTS  ARRIVING  DURING  THE EARLY /~,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ EVENING ARE  TREATED TO FOOD AND  DRINK, ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,~/ LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A /~,¨¨¨¨¨¨¨
¨¨¨¨¨¨,~/$    COMFORTABLE BUT MAZE-LIKE INTERIOR    $/~,¨¨¨¨¨¨
¨¨¨¨¨,~/$£    STRUCTURE (THE BUILDING FEATURES A    £$/~,¨¨¨¨¨
¨¨¨¨,~/$£@  MULTITUDE OF STAIRWELLS AND ELEVATORS,  @£$/~,¨¨¨¨
¨¨¨,~/$£@# PLACED  SEEMINGLY AT  RANDOM, NONE GOING #@£$/~,¨¨¨
¨¨,~/$£@##        FURTHER THAN A FEW FLOORS).       ##@£$/~,¨¨
¨,~/$£@###                                          ###@£$/~,¨
¨¨,~/$£@## AS TIME  GOES ON, THE LIGHTS SLOWLY DIM, ##@£$/~,¨¨
¨¨¨,~/$£@# UNTIL  THE  AIR INSIDE HAS  TAKEN ON THE #@£$/~,¨¨¨
¨¨¨¨,~/$£@ SAME QUALITY AS  THE  SURROUNDING  MIST: @£$/~,¨¨¨¨
¨¨¨¨¨,~/$£ BLUE-GRAY,  SPRINKLED WITH THE SMALL RED £$/~,¨¨¨¨¨
¨¨¨¨¨¨,~/$ DOT'S BY DOOR LOCKS AND  CONTROL PANELS. $/~,¨¨¨¨¨¨
¨¨¨¨¨¨¨,~/ IF YOU  WOULD  LOOK  THROUGH THE WINDOWS /~,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ YOU WOULD  SEE THE MIST ROLLING BY,  AND ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,~/ PERHAPS  THE   OUTLINE  OF  SOME   OTHER /~,¨¨¨¨¨¨¨
¨¨¨¨¨¨,~/$           BUILDING, FAR BELOW.           $/~,¨¨¨¨¨¨
¨¨¨¨¨,~/$£                                          £$/~,¨¨¨¨¨
¨¨¨¨,~/$£@ DURING THE  NIGHT,  AFTER  TAINARON  HAS @£$/~,¨¨¨¨
¨¨¨,~/$£@# STARTED  MOVING,  THE  LOWER FLOORS  ARE #@£$/~,¨¨¨
¨¨,~/$£@## SHUT OFF,  PREVENTING ENTRY OR  EXIT FOR ##@£$/~,¨¨
¨,~/$£@### THE  GUESTS. FOOD  IS NO  LONGER SERVED, ###@£$/~,¨
¨¨,~/$£@## BUT THE DRINKS BECOME MORE  EXTRAVAGANT. ##@£$/~,¨¨
¨¨¨,~/$£@# IT'S AT THIS  POINT THAT  THE SECOND SET #@£$/~,¨¨¨
¨¨¨¨,~/$£@ OF  GUEST  ARRIVES,  VIA   HELICOPTER  - @£$/~,¨¨¨¨
¨¨¨¨¨,~/$£  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  £$/~,¨¨¨¨¨
¨¨¨¨¨¨,~/$                                          $/~,¨¨¨¨¨¨
¨¨¨¨¨¨¨,~/                   ~~~~~                  /~,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~                                          ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,~/ IN MY  DREAM I AM INVITED AS A FRIEND OF /~,¨¨¨¨¨¨¨
¨¨¨¨¨¨,~/$ ONE  OF THE  SERVERS, AND THUS SAFE.  WE $/~,¨¨¨¨¨¨
¨¨¨¨¨,~/$£ SIT  IN  ONE  OF  THE   LARGE   WINDOWS, £$/~,¨¨¨¨¨
¨¨¨¨,~/$£@ LOOKING   THROUGH  THE  MIST   FOR   ANY @£$/~,¨¨¨¨
¨¨¨,~/$£@# LANDMARKS  TO  PIERCE THROUGH  THE MIST. #@£$/~,¨¨¨
¨¨,~/$£@## SHE TELLS ME THAT  APART FROM COMING AND ##@£$/~,¨¨
¨,~/$£@### GOING FROM  WORK,  SHE'S NEVER  SEEN THE ###@£$/~,¨
¨¨,~/$£@## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##@£$/~,¨¨
¨¨¨,~/$£@#                                          #@£$/~,¨¨¨
¨¨¨¨,~/$£@ THE NEXT DAY I AM INVITED  TO THE PUBLIC @£$/~,¨¨¨¨
¨¨¨¨¨,~/$£      DEMONSTRATION OF THE EXOBUBBLE.     £$/~,¨¨¨¨¨
¨¨¨¨¨¨,~/$                                          $/~,¨¨¨¨¨¨
¨¨¨¨¨¨¨,~/                                          /~,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~                                          ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,~/                                          /~,¨¨¨¨¨¨¨
¨¨¨¨¨¨,~/$                                          $/~,¨¨¨¨¨¨