,,,,,--\§£                                          £§\--,,,,,
,,,,,,--\§                                          §\--,,,,,,
,,,,,,,--\                                          \--,,,,,,,
,,,,,,,,--                                          --,,,,,,,,
,,,,,,,,,-                                          -,,,,,,,,,
,,,,,,,,--         THE SKYSCRAPER THAT MOVES        --,,,,,,,,
,,,,,,,--\                                          \--,,,,,,,
,,,,,,--\§ TAINARON  IS   A  BUILDING   OWNED   AND §\--,,,,,,
,,,,,--\§£  OPERATED BY AMATA TEXNOLOGIYASI PLACED  £§\--,,,,,
,,,,--\§£# CLOSED  TO  THE  HARBOR IN  MALMÖ.  IT'S #£§\--,,,,
,,,--\§£#@ ROUGHLY SIXTY  FLOORS  HIGH (REAL NUMBER @#£§\--,,,
,,--\§£#@#    UNKNOWN), DARK BLUE AND COMPLETELY    #@#£§\--,,
,--\§£#@##    RECTANGULAR. IT FEATURES NO SIGNS,    ##@#£§\--,
,,--\§£#@# LIGHTS,   OR  ORNAMENTS,  APART  FROM  A #@#£§\--,,
,,,--\§£#@ HELIPAD  ON   TOP.   MOST  FLOORS   HAVE @#£§\--,,,
,,,,--\§£# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #£§\--,,,,
,,,,,--\§£                                          £§\--,,,,,
,,,,,,--\§ IN  LATE  EVENINGS,  SHROUDED BY MALMö'S §\--,,,,,,
,,,,,,,--\ SIGNATURE  FOG ROLLING  IN FROM THE SEA, \--,,,,,,,
,,,,,,,,-- THE BUILDING COMES TO LIFE: IT  MOVES ON --,,,,,,,,
,,,,,,,,,- A  THOUSAND  ROBOTIC  LEGS  TO   ANOTHER -,,,,,,,,,
,,,,,,,,-- (SECRET)  PART  OF TOWN, OR  PERHAPS OUT --,,,,,,,,
,,,,,,,--\ TO  SEA. THIS SIGNALS  A  NEW  AND  MORE \--,,,,,,,
,,,,,,--\§      VISCIOUS PHASE OF THE TAINARON      §\--,,,,,,
,,,,,--\§£                ECOSYSTEM.                £§\--,,,,,
,,,,--\§£#                                          #£§\--,,,,
,,,--\§£#@ THE  GUESTS ARRIVING  DURING  THE  EARLY @#£§\--,,,
,,--\§£#@# EVENING ARE  TREATED TO FOOD AND  DRINK, #@#£§\--,,
,--\§£#@## LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ##@#£§\--,
,,--\§£#@#    COMFORTABLE BUT MAZE-LIKE INTERIOR    #@#£§\--,,
,,,--\§£#@    STRUCTURE (THE BUILDING FEATURES A    @#£§\--,,,
,,,,--\§£#  MULTITUDE OF STAIRWELLS AND ELEVATORS,  #£§\--,,,,
,,,,,--\§£ PLACED SEEMINGLY AT  RANDOM,  NONE GOING £§\--,,,,,
,,,,,,--\§       FURTHER THAN A FEW FLOORS).        §\--,,,,,,
,,,,,,,--\                                          \--,,,,,,,
,,,,,,,,-- AS TIME GOES ON, THE LIGHTS SLOWLY  DIM, --,,,,,,,,
,,,,,,,,,- UNTIL  THE AIR  INSIDE HAS TAKEN ON  THE -,,,,,,,,,
,,,,,,,,-- SAME  QUALITY  AS THE  SURROUNDING MIST: --,,,,,,,,
,,,,,,,--\ BLUE-GRAY, SPRINKLED WITH  THE SMALL RED \--,,,,,,,
,,,,,,--\§ DOT'S BY  DOOR LOCKS AND CONTROL PANELS. §\--,,,,,,
,,,,,--\§£ IF YOU  WOULD  LOOK THROUGH THE  WINDOWS £§\--,,,,,
,,,,--\§£# YOU  WOULD SEE  THE MIST ROLLING BY, AND #£§\--,,,,
,,,--\§£#@ PERHAPS  THE  OUTLINE  OF   SOME   OTHER @#£§\--,,,
,,--\§£#@#           BUILDING, FAR BELOW.           #@#£§\--,,
,--\§£#@##                                          ##@#£§\--,
,,--\§£#@# DURING  THE  NIGHT,  AFTER  TAINARON HAS #@#£§\--,,
,,,--\§£#@ STARTED  MOVING,  THE  LOWER  FLOORS ARE @#£§\--,,,
,,,,--\§£# SHUT OFF, PREVENTING  ENTRY OR EXIT  FOR #£§\--,,,,
,,,,,--\§£ THE  GUESTS. FOOD IS NO  LONGER  SERVED, £§\--,,,,,
,,,,,,--\§ BUT THE DRINKS BECOME  MORE EXTRAVAGANT. §\--,,,,,,
,,,,,,,--\ IT'S AT  THIS  POINT THAT THE SECOND SET \--,,,,,,,
,,,,,,,,-- OF   GUEST  ARRIVES,  VIA  HELICOPTER  - --,,,,,,,,
,,,,,,,,,-  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  -,,,,,,,,,
,,,,,,,,--                                          --,,,,,,,,
,,,,,,,--\                  -----                   \--,,,,,,,
,,,,,,--\§                                          §\--,,,,,,
,,,,,--\§£ IN MY  DREAM I AM INVITED AS A FRIEND OF £§\--,,,,,
,,,,--\§£# ONE OF THE SERVERS,  AND THUS  SAFE.  WE #£§\--,,,,
,,,--\§£#@ SIT  IN  ONE  OF   THE   LARGE  WINDOWS, @#£§\--,,,
,,--\§£#@# LOOKING   THROUGH  THE  MIST   FOR   ANY #@#£§\--,,
,--\§£#@## LANDMARKS  TO PIERCE THROUGH  THE  MIST. ##@#£§\--,
,,--\§£#@# SHE TELLS ME THAT  APART FROM COMING AND #@#£§\--,,
,,,--\§£#@ GOING FROM  WORK, SHE'S NEVER  SEEN  THE @#£§\--,,,
,,,,--\§£# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #£§\--,,,,
,,,,,--\§£                                          £§\--,,,,,
,,,,,,--\§ THE NEXT DAY I  AM INVITED TO THE PUBLIC §\--,,,,,,
,,,,,,,--\     DEMONSTRATION OF THE EXOBUBBLE.      \--,,,,,,,
,,,,,,,,--                                          --,,,,,,,,
,,,,,,,,,-                                          -,,,,,,,,,
,,,,,,,,--                                          --,,,,,,,,
,,,,,,,--\                                          \--,,,,,,,
,,,,,,--\§                                          §\--,,,,,,