,.-†¤££@## ##@££¤†-.,
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,,,.-†¤££@ @££¤†-.,,,
,,.-†¤££@# @@@@ ##### #@££¤†-.,,
,.-†¤££@## TAPE DREAM ##@££¤†-.,
,,.-†¤££@# #### @@@@@ #@££¤†-.,,
,,,.-†¤££@ @££¤†-.,,,
,,,,.-†¤££ FOR STORING MUSIC ON. ALSO DATA BUT ££¤†-.,,,,
,,,.-†¤££@ AT THIS POINT IN TIME THAT'S NOT @££¤†-.,,,
,,.-†¤££@# REALLY IMPORTANT I THINK. #@££¤†-.,,
,.-†¤££@## ##@££¤†-.,
,,.-†¤££@# #@££¤†-.,,
,,,.-†¤££@ †††††††† TYPES OF TAPE †††††††† @££¤†-.,,,
,,,,.-†¤££ ££¤†-.,,,,
,,,.-†¤££@ CLASS I - "BAD" IRON @££¤†-.,,,
,,.-†¤££@# CLASS II - GOOD CHROMIUM #@££¤†-.,,
,.-†¤££@## CLASS III - BAD IRON PART TWO ##@££¤†-.,
,,.-†¤££@# CLASS IV - DANGEROUS METALS #@££¤†-.,,
,,,.-†¤££@ @££¤†-.,,,
,,,,.-†¤££ RUMORS EXIST ABOUT A SECRET CLASS V TAPE ££¤†-.,,,,
,,,.-†¤££@ THAT IS ACTUALLY USEFUL. @££¤†-.,,,
,,.-†¤££@# #@££¤†-.,,
,.-†¤££@## †† BIAS †† ##@££¤†-.,
,,.-†¤££@# #@££¤†-.,,
,,,.-†¤££@ CLASS I USES ONE HUNDRED AND TWENTY @££¤†-.,,,
,,,,.-†¤££ MICRO-SOMETHING WHILE THE OTHERS ALL ££¤†-.,,,,
,,,.-†¤££@ USE SEVENTY OF THE SAME UNIT. @££¤†-.,,,
,,.-†¤££@# #@££¤†-.,,
,.-†¤££@## ##@££¤†-.,
,,.-†¤££@# ========= AHA AND ========= #@££¤†-.,,
,,,.-†¤££@ @££¤†-.,,,
,,,,.-†¤££ CLASS IV IS APPARENTLY TOO STRONG TO ££¤†-.,,,,
,,,.-†¤££@ BE USED ON CLASS I PLAYERS. IT WILL @££¤†-.,,,
,,.-†¤££@# SOUND TOO LOUND AND IT CANNOT BE #@££¤†-.,,
,.-†¤££@## COMPLETELY ERASED. THIS IS VERY WELL. ##@££¤†-.,
,,.-†¤££@# MAYBE SOME WONDERFUL BLENDING EFFECTS #@££¤†-.,,
,,,.-†¤££@ COULD BE ACHIEVED? @££¤†-.,,,
,,,,.-†¤££ ££¤†-.,,,,
,,,.-†¤££@ THEY ALSO GNAW AT THE TAPE HEADS A BIT @££¤†-.,,,
,,.-†¤££@# BETTER THAN EARLIER TAPE TYPES. #@££¤†-.,,
,.-†¤££@## ##@££¤†-.,
,,.-†¤££@# #@££¤†-.,,
,,,.-†¤££@ †††††††† ARTIFACTS †††††††† @££¤†-.,,,
,,,,.-†¤££ ££¤†-.,,,,
,,,.-†¤££@ GOOD TAPES ARE DECENT AND HAVE A GOOD @££¤†-.,,,
,,.-†¤££@# HIGH FREQUENCY PRESENCE, BAD TAPES ARE #@££¤†-.,,
,.-†¤££@## LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ##@££¤†-.,
,,.-†¤££@# LIKE IT. #@££¤†-.,,
,,,.-†¤££@ @££¤†-.,,,
,,,,.-†¤££ BIAS LOSS: IF YOU FORGET THE BIAS WHO ££¤†-.,,,,
,,,.-†¤££@ KNOWS WHATS EVEN ON THERE ANYMORE @££¤†-.,,,
,,.-†¤££@# #@££¤†-.,,
,.-†¤££@## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##@££¤†-.,
,,.-†¤££@# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #@££¤†-.,,
,,,.-†¤££@ @££¤†-.,,,
,,,,.-†¤££ WOW: A SLOWER FLUTTER, USUALLY SEVERAL ££¤†-.,,,,
,,,.-†¤££@ SECONDS LONG. WHAT UP. BOTH OF THESE @££¤†-.,,,
,,.-†¤££@# INCREASE WHEN TAPE SPEED DECREASES. #@££¤†-.,,
,.-†¤££@## ##@££¤†-.,
,,.-†¤££@# PRINT THROUGH: TAPES RUB SOUND ON EACH #@££¤†-.,,
,,,.-†¤££@ OTHER IF THEYRE ALONE FOR TOO LONG @££¤†-.,,,
,,,,.-†¤££ ££¤†-.,,,,
,,,.-†¤££@ @££¤†-.,,,
,,.-†¤££@# #@££¤†-.,,
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