#..######.                                          .#.#.#...#
#.#.#####.                                          .#.#.#..#.
#.#..####.                                          .#.#.#.##.
#.#.#.###.                                          .#.#.#..#.
#.#.#..##.                                          .#.#.#.##.
#.#.#.#.#.                  --**--                  .#.#.#..#.
#.#.#.#.#.               ... SLEEP ...              .#.#.#.##.
#.#.#.#.#.                  ,,--,,                  .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#. SLEEP IS THE  MOST IMPORTANT MEAL OF THE .#.#.#..#.
#.#.#.#.#. DAY.  SLEEP  IS  SAYING  GOODBYE  FOR  A .#.#.#.##.
#.#.#.#.#. WHILE.  IF YOU  CAN DREAM, YOU  ALSO GET .#.#.#..#.
#.#.#.#.#. TO  VISIT  FRIENDS  AND  OTHER  ANIMALS. .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#.                  ..,,..                  .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#. DEEPER THAN DEATH  IS TO  BE  ALIVE  AND .#.#.#.##.
#.#.#.#.#. ASLEEP. IT IS DEATH IF  IT WAS TEMPORARY .#.#.#..#.
#.#.#.#.#.             AND REJUVENATING.            .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#.                  ..,,..                  .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#. SLEEP  IS  A  BLACK  MARBLE  OUTSIDE  OF .#.#.#.##.
#.#.#.#.#. WHICH THERE IS  NOTHING.  INSIDE IS  ALL .#.#.#..#.
#.#.#.#.#. THE   STARS   AND   IN   THE  MIDDLE   A .#.#.#.##.
#.#.#.#.#. BLACK LAKE. AT  THE  FOOT OF  THIS  LAKE .#.#.#..#.
#.#.#.#.#.           STANDS AN OLD FRIEND.          .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#.                  ..,,..                  .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#. WHEN YOU  SLEEP ALL  SOUND  IS INTERNAL. .#.#.#.##.
#.#.#.#.#. WHEN   YOU  SLEEP  YOUR  BRAIN  SHRINKS. .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#.                  ..,,..                  .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#. IF YOU WISH TO  MEASURE SLEEP, USE THESE .#.#.#..#.
#.#.#.#.#.    FOUR QUANTIFIERS:: GRIP, DEEPNESS,    .#.#.#.##.
#.#.#.#.#.    OTHERWORLDINESS AND REVITALIZATION.   .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#. GRIP  GOES FROM NOT BEING ABLE TO LET GO .#.#.#..#.
#.#.#.#.#. ALL   DAY   (LEFT)  TO   NOT  CARING  TO .#.#.#.##.
#.#.#.#.#.            REMEMBER (RIGHT).             .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#.     DEEPNESS GOES FROM BEING SEVERAL     .#.#.#..#.
#.#.#.#.#. HUNDRED  METERS  DOWN  (LEFT) TO  BARELY .#.#.#.##.
#.#.#.#.#.      TOUCHING THE SURFACE (RIGHT).       .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#.   OTHERWORLDLINESS GOES FROM A SINGLE    .#.#.#..#.
#.#.#.#.#.  COHERENT DREAMSCAPE (LEFT), VIA NORMAL  .#.#.#.##.
#.#.#.#.#. DREAM  AMOUNTS  (MIDDLE)  TO  NO  DREAMS .#.#.#..#.
#.#.#.#.#.                 (RIGHT).                 .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#. REVITALIZATION  GOES  FROM  A FEELING OF .#.#.#.##.
#.#.#.#.#. NOT  HAVING SLEPT AT ALL (LEFT) TO BEING .#.#.#..#.
#.#.#.#.#. FULL  OF   ENERGY  AND  MAYBE   OPTIMISM .#.#.#.##.
#.#.#.#.#.                 (RIGHT).                 .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#.                    ,,                    .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#. HIGH OTHERWORLDLINESS  AND  HIGH GRIP IS .#.#.#..#.
#.#.#.#.#.      A PARTICULARLY EFFECTIVE COMBO.     .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#.                  --**--                  .#.#.#.##.
#.#.#.#.#.             ... SEE ALSO ...             .#.#.#..#.
#.#.#.#.#.                  ,,--,,                  .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#.              SLEEP DEITIES               .#.#.#.##.
#.#.#.#.#.               THE BLACKBIRD              .#.#.#..#.
#.#.#.#.#.                 SOLIPSISM                .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#.                  --**--                  .#.#.#.##.
#.#.#.#.#.            ... FURTHERMORE ...           .#.#.#..#.
#.#.#.#.#.                  ,,--,,                  .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#. THIS  IS  STILL  A PLACE:  HERE,  IN THE .#.#.#.##.
#.#.#.#.#. SILENCE,  DARKNESS  AND   NIGHT   -  AND .#.#.#..#.
#.#.#.#.#. LONELINESS,  HOLDING A KIND  OF DILUTION .#.#.#.##.
#.#.#.#.#. OF   REALITY,   AND  SUDDENLY  IT'S  NOT .#.#.#..#.
#.#.#.#.#. IMPORTANT  THAT  I  LIE IN MY  BED,  THE .#.#.#.##.
#.#.#.#.#. LACK  OF  PRESENCE  BRINGS  THE   NOTION .#.#.#..#.
#.#.#.#.#. THAT,  IF  I  DO  NOT  CHOOSE  SLEEP,  I .#.#.#.##.
#.#.#.#.#.    CHOOSE PAST, FUTURE, SOMETHING WITH   .#.#.#..#.
#.#.#.#.#. MORE   SUBSTANCE   THAN  THE  OBJECTS  I .#.#.#.##.
#.#.#.#.#.          SURROUND MYSELF WITH.           .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.
#.#.#.#.#.                                          .#.#.#.##.
#.#.#.#.#.                                          .#.#.#..#.