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#@¶#$%/«^. .^«/%$#¶@#
#@¶#$%/«^. @ .^«/%$#¶@#
#@¶#$%/«^. .LIZARDRY .^«/%$#¶@#
@¶¶#$%/«^. « ¶ @¶ @@@ @@@@@@@@@@@@@@@@@@ .^«/%$#¶¶@
##@#$%/«^. @@ THE ART OF C^NNECTING .^«/%$#@##
@@¶#$%/«^. . WITH THE OLD MIND .^«/%$#¶@@
#%////«^.. ..^«////%#
#@¶#$%/«^. MY MIND IS BEING SKEWED. MI .^«/%$#¶@#
¶$%%«^.... SKELETON IS STRINGY AND OLD AND ALIEN ....^«%%$¶
##%%/«^... THE SITUATION IS LITERALLY ...^«/%%##
#@¶#$%/«^. PRESSED OUT THROUGH MY EYES, IT'S .^«/%$#¶@#
#%/«...... ECHOING LIKE ......«/%#
@¶¶#$%/«^. THE SUNSET OF THE ETERNAL .^«/%$#¶¶@
##@¶#$%/^. OCEAN .^/%$#¶@##
¶¶##$%/«^. PERSISTENTLY AGAINST MY EMULSION .^«/%$##¶¶
#@¶#$%/«^. .^«/%$#¶@#
¶#%/«..... IT'S UNGRASPABLE TO ME, WHAT OTHER .....«/%#¶
#%/^...... HUMANS ARE DOING AND ABSTRACTING, ......^/%#
¶$%«^..... AND ABOVE ALL ELSE, WHAT TIME THEY USE? .....^«%$¶
#@¶#$%/«^. HOW LONG A TIME HAS PASSED, FOR THEM? .^«/%$#¶@#
#@¶#$%/«^. . .^«/%$#¶@#
#@¶#$%/«^. . ... . ................ ¶¶¶¶¶¶¶ .^«/%$#¶@#
@@¶#$%/«^. CONTINUOUSLY I'M CROWDING THROUGH .^«/%$#¶@@
¶##$$%/«^. . THE FOURTH WALL ^OUTWARDS IS WHAT . .^«/%$$##¶
##@¶$%/«^. .. I'M THINKING BUT IT'S WRONG.. A NEW .^«/%$¶@##
#@¶#$%/«^. . . NARRATOR IS INTRODUCED, OCCASIONALLY .^«/%$#¶@#
#@¶#$%/«^. ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . .^«/%$#¶@#
#%%«^..... ^ ^ DOWN IN THE DRAGONS THROAT. .....^«%%#
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