...,~;*£ #&£*;~,...
..,~;*£# ##&£*;~,..
.,~;*£## ###&£*;~,.
..,~;*£# ##&£*;~,..
...,~;*£ #&£*;~,...
....,~;*£& # & * ~ . . ~ * & # &£*;~,....
.....,~;*£ # # £ ; , , ; £ # # £*;~,.....
......,~;* # & * ~ wetlands ~ * & # *;~,......
.....,~;*£ # # £ ; , , ; £ # # £*;~,.....
....,~;*£& # & * ~ . . ~ * & # &£*;~,....
...,~;*£ #&£*;~,...
..,~;*£# ##&£*;~,..
.,~;*£## the sea pretends to be a completely ###&£*;~,.
..,~;*£# flat surface spanning further than the ##&£*;~,..
...,~;*£ thought of it, which is partially true. #&£*;~,...
....,~;*£& but outside of a map it is decidedly &£*;~,....
.....,~;*£ more violent, being made up of vast £*;~,.....
......,~;* amounts of purposeful water, moving *;~,......
.....,~;*£ toward some secluded but important £*;~,.....
....,~;*£& destiny. &£*;~,....
...,~;*£ #&£*;~,...
..,~;*£# a permanent procession on land floods ##&£*;~,..
.,~;*£## the earth, weathers the forests, and ###&£*;~,.
..,~;*£# slowly submerges the green. but another ##&£*;~,..
...,~;*£ expanse is taking place, in the #&£*;~,...
....,~;*£& opposite direction - the animals that &£*;~,....
.....,~;*£ inhabit the dirt are building paths £*;~,.....
......,~;* elevated above the mires, building *;~,......
.....,~;*£ temples at the waters edge, building £*;~,.....
....,~;*£& dwellings in the reed... &£*;~,....
...,~;*£ #&£*;~,...
..,~;*£# ##&£*;~,..
.,~;*£## ###&£*;~,.
..,~;*£# ##&£*;~,..
...,~;*£ #&£*;~,...
....,~;*£& &£*;~,....