,:==†%&@## ##@&%†==:,
,:==†%&@## ##@&%†==:,
,,,,:=†%&& &&%†=:,,,,
,,,,,::=%& &%=::,,,,,
,,,,===†&& &&†===,,,,
,:==†%&@## #### ##### ##@&%†==:,
,:==†%&@## TAPE DREAM ##@&%†==:,
,:==†%&@## #### ##### ##@&%†==:,
,,:==†%&&# #&&%†==:,,
,:==†%%&&@ FOR STORING MUSIC ON. ALSO DATA BUT @&&%%†==:,
,,,,:::=%@ AT THIS POINT IN TIME THAT'S NOT @%=:::,,,,
,,,:===%@@ REALLY IMPORTANT I THINK. @@%===:,,,
,,:==†%%@# #@%%†==:,,
,:==†%&@## ##@&%†==:,
,,,:==†&&@ ======== TYPES OF TAPE ======== @&&†==:,,,
,,,:==††&# #&††==:,,,
,:==†%&@## CLASS I - "BAD" IRON ##@&%†==:,
,,,,:=%%&@ CLASS II - GOOD CHROMIUM @&%%=:,,,,
,,,,,:=%&@ CLASS III - BAD IRON PART TWO @&%=:,,,,,
,:==†%&@@@ CLASS IV - DANGEROUS METALS @@@&%†==:,
,,,,,==†&@ @&†==,,,,,
,:==†%&@## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##@&%†==:,
,:==†%&### THAT IS ACTUALLY USEFUL. ###&%†==:,
,:==†%&@## ##@&%†==:,
,:==†%&### == BIAS == ###&%†==:,
,,,:::=%&# #&%=:::,,,
,:==†%&### CLASS I USES ONE HUNDRED AND TWENTY ###&%†==:,
,:====††&@ MICRO-SOMETHING WHILE THE OTHERS ALL @&††====:,
,:=====††& USE SEVENTY OF THE SAME UNIT. &††=====:,
,:==†%@### ###@%†==:,
,,,,,===%@ @%===,,,,,
,:==†%&### ††††††††† AHA AND ††††††††† ###&%†==:,
,:==†%&@## ##@&%†==:,
,,,,,,==†& CLASS IV IS APPARENTLY TOO STRONG TO &†==,,,,,,
,:==†%&@## BE USED ON CLASS I PLAYERS. IT WILL ##@&%†==:,
,,:===†&&& SOUND TOO LOUND AND IT CANNOT BE &&&†===:,,
,:==†%&@## COMPLETELY ERASED. THIS IS VERY WELL. ##@&%†==:,
,,,,,,==†& MAYBE SOME WONDERFUL BLENDING EFFECTS &†==,,,,,,
,,,,,,==%@ COULD BE ACHIEVED? @%==,,,,,,
,:===††&@# #@&††===:,
,,,,===%@@ THEY ALSO GNAW AT THE TAPE HEADS A BIT @@%===,,,,
,:==†%&@## BETTER THAN EARLIER TAPE TYPES. ##@&%†==:,
,:==†%&&&& &&&&%†==:,
,,,::==†&& &&†==::,,,
,:==†%%&&@ ======== ARTIFACTS ======== @&&%%†==:,
,:==†%%%&# #&%%%†==:,
,,,,,,==†& GOOD TAPES ARE DECENT AND HAVE A GOOD &†==,,,,,,
,,,:=††&@@ HIGH FREQUENCY PRESENCE, BAD TAPES ARE @@&††=:,,,
,:==†%@### LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ###@%†==:,
,:==†%&@## LIKE IT. ##@&%†==:,
,:==†%&@## ##@&%†==:,
,:===†††%@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @%†††===:,
,:==†%&@## KNOWS WHATS EVEN ON THERE ANYMORE ##@&%†==:,
,:==†%&@## ##@&%†==:,
,,,,,,,=†& FLUTTER: KINDA QUICK PITCH VARIATIONS. &†=,,,,,,,
,,:==††††& BEAUTIFUL, WONDERFUL, EXTRAORDINARY. &††††==:,,
,:==†%&@## ##@&%†==:,
,:==†%&@## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##@&%†==:,
,,,:=††%@@ SECONDS LONG. WHAT UP. BOTH OF THESE @@%††=:,,,
,:==†%&@## INCREASE WHEN TAPE SPEED DECREASES. ##@&%†==:,
,,,,,==†&& &&†==,,,,,
,:==†%&@@# PRINT THROUGH: TAPES RUB SOUND ON EACH #@@&%†==:,
,,,,,,:=%& OTHER IF THEYRE ALONE FOR TOO LONG &%=:,,,,,,
,:==†%&@@@ @@@&%†==:,
,,,,:=†&&# #&&†=:,,,,
,,,====†&@ @&†====,,,
,:==†%&@## ##@&%†==:,
,:==†%&@## ##@&%†==:,
,:===††%&& &&%††===:,