#&*†--,,,, ,,,,--†*&#
#@&&††~,,, ,,,~††&&@#
&&&††††~-, ,-~††††&&&
#&&***†~-, ,-~†***&&#
##@&&*†~-, ,-~†*&&@##
#@@&&*†~-, #### ##### ,-~†*&&@@#
##@&&*†~-, TAPE DREAM ,-~†*&&@##
##@&&*†~-, #### ##### ,-~†*&&@##
@@&&&*†~-, ,-~†*&&&@@
#@@&&*†~-, FOR STORING MUSIC ON. ALSO DATA BUT ,-~†*&&@@#
##@&&*†~-, AT THIS POINT IN TIME THAT'S NOT ,-~†*&&@##
@@&&&*†~-, REALLY IMPORTANT I THINK. ,-~†*&&&@@
##@&&*†~-, ,-~†*&&@##
#@&&&*†~-, ,-~†*&&&@#
@&†~--,,,, †††††††† TYPES OF TAPE †††††††† ,,,,--~†&@
###@&*†~-, ,-~†*&@###
##@&&*†~-, CLASS I - "BAD" IRON ,-~†*&&@##
&**~,,,,,, CLASS II - GOOD CHROMIUM ,,,,,,~**&
##@&&*†~-, CLASS III - BAD IRON PART TWO ,-~†*&&@##
&&*††~--,, CLASS IV - DANGEROUS METALS ,,--~††*&&
@&&*~~~-,, ,,-~~~*&&@
##@&&*†~-, RUMORS EXIST ABOUT A SECRET CLASS V TAPE ,-~†*&&@##
&&*~---,,, THAT IS ACTUALLY USEFUL. ,,,---~*&&
#&**~,,,,, ,,,,,~**&#
&*~~~,,,,, †† BIAS †† ,,,,,~~~*&
##@&&*†~-, ,-~†*&&@##
@&&&*~,,,, CLASS I USES ONE HUNDRED AND TWENTY ,,,,~*&&&@
##@&&*†~-, MICRO-SOMETHING WHILE THE OTHERS ALL ,-~†*&&@##
##@&&*†~-, USE SEVENTY OF THE SAME UNIT. ,-~†*&&@##
##@&&*†~-, ,-~†*&&@##
&&&†-,,,,, ,,,,,-†&&&
###@&*†~-, ********* AHA AND ********* ,-~†*&@###
@@&&**†~-, ,-~†**&&@@
###@&*†~-, CLASS IV IS APPARENTLY TOO STRONG TO ,-~†*&@###
#@@&&*†~-, BE USED ON CLASS I PLAYERS. IT WILL ,-~†*&&@@#
##@&&*†~-, SOUND TOO LOUND AND IT CANNOT BE ,-~†*&&@##
#&*~,,,,,, COMPLETELY ERASED. THIS IS VERY WELL. ,,,,,,~*&#
##@&&*†~-, MAYBE SOME WONDERFUL BLENDING EFFECTS ,-~†*&&@##
##@&&*†~-, COULD BE ACHIEVED? ,-~†*&&@##
&&&††~~~-, ,-~~~††&&&
&&&†--,,,, THEY ALSO GNAW AT THE TAPE HEADS A BIT ,,,,--†&&&
&&†~~~-,,, BETTER THAN EARLIER TAPE TYPES. ,,,-~~~†&&
@&††-,,,,, ,,,,,-††&@
##@&&*†~-, ,-~†*&&@##
@&&&&*†~-, †††††††† ARTIFACTS †††††††† ,-~†*&&&&@
#@&&†-,,,, ,,,,-†&&@#
##@&&*†~-, GOOD TAPES ARE DECENT AND HAVE A GOOD ,-~†*&&@##
##@&&*†~-, HIGH FREQUENCY PRESENCE, BAD TAPES ARE ,-~†*&&@##
@@&*~,,,,, LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ,,,,,~*&@@
##@&&*†~-, LIKE IT. ,-~†*&&@##
##@&&*†~-, ,-~†*&&@##
##@&&*†~-, BIAS LOSS: IF YOU FORGET THE BIAS WHO ,-~†*&&@##
##@&&*†~-, KNOWS WHATS EVEN ON THERE ANYMORE ,-~†*&&@##
##@&&*†~-, ,-~†*&&@##
##@&&*†~-, FLUTTER: KINDA QUICK PITCH VARIATIONS. ,-~†*&&@##
&*†-,,,,,, BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ,,,,,,-†*&
@@&†--,,,, ,,,,--†&@@
###&&*†~-, WOW: A SLOWER FLUTTER, USUALLY SEVERAL ,-~†*&&###
##@&&*†~-, SECONDS LONG. WHAT UP. BOTH OF THESE ,-~†*&&@##
##@&&*†~-, INCREASE WHEN TAPE SPEED DECREASES. ,-~†*&&@##
&&&&&*†~-, ,-~†*&&&&&
@&&*††~~-, PRINT THROUGH: TAPES RUB SOUND ON EACH ,-~~††*&&@
###@&*†~-, OTHER IF THEYRE ALONE FOR TOO LONG ,-~†*&@###
##@&&*†~-, ,-~†*&&@##
@@&†--,,,, ,,,,--†&@@
##@&&*†~-, ,-~†*&&@##
@&****†~-, ,-~†****&@
@&†††----, ,----†††&@
##@&&*†~-, ,-~†*&&@##