¨^««^^¤@@@ @@@¤^^««^¨
¨^«^*¤@@@# #@@@¤*^«^¨
¨^«^*¤@@@# #@@@¤*^«^¨
¨¨¨^^**¤@@ @@¤**^^¨¨¨
¨¨¨¨¨«**@@ @@**«¨¨¨¨¨
¨¨¨^^^¤¤@@ THE SKYSCRAPER THAT MOVES @@¤¤^^^¨¨¨
¨^«^*¤@@@# #@@@¤*^«^¨
¨^^*¤@@@## TAINARON IS A BUILDING OWNED AND ##@@@¤*^^¨
¨¨¨¨¨¨«*@@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @@*«¨¨¨¨¨¨
¨^«^*¤¤¤@@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @@¤¤¤*^«^¨
¨^«^*¤@@@@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @@@@¤*^«^¨
¨^«^*¤@@@# UNKNOWN), DARK BLUE AND COMPLETELY #@@@¤*^«^¨
¨^«^*¤@@@# RECTANGULAR. IT FEATURES NO SIGNS, #@@@¤*^«^¨
¨^«^*¤@@@# LIGHTS, OR ORNAMENTS, APART FROM A #@@@¤*^«^¨
¨^«^*¤@@@# HELIPAD ON TOP. MOST FLOORS HAVE #@@@¤*^«^¨
¨¨¨¨««^*¤@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @¤*^««¨¨¨¨
¨^«^*¤@@@# #@@@¤*^«^¨
¨^«^*¤@@@@ IN LATE EVENINGS, SHROUDED BY MALMö'S @@@@¤*^«^¨
¨¨¨^«^*¤¤@ SIGNATURE FOG ROLLING IN FROM THE SEA, @¤¤*^«^¨¨¨
¨¨¨««^^¤¤@ THE BUILDING COMES TO LIFE: IT MOVES ON @¤¤^^««¨¨¨
¨¨¨¨¨^«^¤@ A THOUSAND ROBOTIC LEGS TO ANOTHER @¤^«^¨¨¨¨¨
¨¨¨¨«^^¤@@ (SECRET) PART OF TOWN, OR PERHAPS OUT @@¤^^«¨¨¨¨
¨^«^*¤@@@# TO SEA. THIS SIGNALS A NEW AND MORE #@@@¤*^«^¨
¨^«^^^*¤@@ VISCIOUS PHASE OF THE TAINARON @@¤*^^^«^¨
¨^«^*¤@@@# ECOSYSTEM. #@@@¤*^«^¨
¨^«^*¤@@@@ @@@@¤*^«^¨
¨¨¨¨^^^¤@@ THE GUESTS ARRIVING DURING THE EARLY @@¤^^^¨¨¨¨
¨^«^*¤@@@# EVENING ARE TREATED TO FOOD AND DRINK, #@@@¤*^«^¨
¨^«^*¤@@@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@@@¤*^«^¨
¨^«^**¤@@@ COMFORTABLE BUT MAZE-LIKE INTERIOR @@@¤**^«^¨
¨¨¨¨¨¨«*¤@ STRUCTURE (THE BUILDING FEATURES A @¤*«¨¨¨¨¨¨
¨^«^*¤@@@@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @@@@¤*^«^¨
¨^«^*¤@@@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@@@¤*^«^¨
¨^«^*¤@@@@ FURTHER THAN A FEW FLOORS). @@@@¤*^«^¨
¨^«^*¤@@@@ @@@@¤*^«^¨
¨¨¨^«^**¤@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @¤**^«^¨¨¨
¨^«^¤@@@## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##@@@¤^«^¨
¨¨¨¨^«^¤@@ SAME QUALITY AS THE SURROUNDING MIST: @@¤^«^¨¨¨¨
¨¨¨^««^^*@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @*^^««^¨¨¨
¨^«^*¤@@@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@@@¤*^«^¨
¨^«^*¤@@@@ IF YOU WOULD LOOK THROUGH THE WINDOWS @@@@¤*^«^¨
¨^«^*¤@@@@ YOU WOULD SEE THE MIST ROLLING BY, AND @@@@¤*^«^¨
¨^«^*¤@@@# PERHAPS THE OUTLINE OF SOME OTHER #@@@¤*^«^¨
¨^«^*@@@## BUILDING, FAR BELOW. ##@@@*^«^¨
¨¨¨¨¨^^*@@ @@*^^¨¨¨¨¨
¨^«^^**¤@@ DURING THE NIGHT, AFTER TAINARON HAS @@¤**^^«^¨
¨^«^*¤@@## STARTED MOVING, THE LOWER FLOORS ARE ##@@¤*^«^¨
¨¨¨¨«^*¤@@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @@¤*^«¨¨¨¨
¨^«^*¤@@@# THE GUESTS. FOOD IS NO LONGER SERVED, #@@@¤*^«^¨
¨¨¨¨««^^¤@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @¤^^««¨¨¨¨
¨^«^*¤@@@# IT'S AT THIS POINT THAT THE SECOND SET #@@@¤*^«^¨
¨¨¨¨¨««*@@ OF GUEST ARRIVES, VIA HELICOPTER - @@*««¨¨¨¨¨
¨^«^*¤@@@@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @@@@¤*^«^¨
¨^«^*¤@@@# #@@@¤*^«^¨
¨^«^*¤@@@# ««««« #@@@¤*^«^¨
¨^«^*¤@@@# #@@@¤*^«^¨
¨¨¨¨¨«*¤¤@ IN MY DREAM I AM INVITED AS A FRIEND OF @¤¤*«¨¨¨¨¨
¨¨¨¨^«**¤@ ONE OF THE SERVERS, AND THUS SAFE. WE @¤**«^¨¨¨¨
¨^^*¤@@@## SIT IN ONE OF THE LARGE WINDOWS, ##@@@¤*^^¨
¨¨¨¨««*@@@ LOOKING THROUGH THE MIST FOR ANY @@@*««¨¨¨¨
¨^«^*¤@@@# LANDMARKS TO PIERCE THROUGH THE MIST. #@@@¤*^«^¨
¨¨¨¨^«^¤¤@ SHE TELLS ME THAT APART FROM COMING AND @¤¤^«^¨¨¨¨
¨¨¨¨^^*@@@ GOING FROM WORK, SHE'S NEVER SEEN THE @@@*^^¨¨¨¨
¨^«^*¤@@@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@@@¤*^«^¨
¨¨¨¨^^*¤@@ @@¤*^^¨¨¨¨
¨¨¨¨^«*@@@ THE NEXT DAY I AM INVITED TO THE PUBLIC @@@*«^¨¨¨¨
¨¨¨^^^^¤@@ DEMONSTRATION OF THE EXOBUBBLE. @@¤^^^^¨¨¨
¨¨¨¨¨^^*@@ @@*^^¨¨¨¨¨
¨^«^*¤@@@# #@@@¤*^«^¨
¨^«^*¤@@## ##@@¤*^«^¨
¨^«^*¤@@@# #@@@¤*^«^¨
¨^«^***@@@ @@@***^«^¨