¨,~^§£#¶##                                          ##¶#£§^~,¨
¨¨,~^§£#¶#                                          #¶#£§^~,¨¨
¨¨¨,~^§£#¶                                          ¶#£§^~,¨¨¨
¨¨¨¨,~^§£#                                          #£§^~,¨¨¨¨
¨¨¨¨¨,~^§£                                          £§^~,¨¨¨¨¨
¨¨¨¨¨¨,~^§         THE SKYSCRAPER THAT MOVES        §^~,¨¨¨¨¨¨
¨¨¨¨¨¨¨,~^                                          ^~,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ TAINARON   IS  A   BUILDING   OWNED  AND ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨,  OPERATED BY AMATA TEXNOLOGIYASI PLACED  ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ CLOSED  TO  THE HARBOR  IN  MALMÖ.  IT'S ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,~^ ROUGHLY  SIXTY  FLOORS HIGH (REAL NUMBER ^~,¨¨¨¨¨¨¨
¨¨¨¨¨¨,~^§    UNKNOWN), DARK BLUE AND COMPLETELY    §^~,¨¨¨¨¨¨
¨¨¨¨¨,~^§£    RECTANGULAR. IT FEATURES NO SIGNS,    £§^~,¨¨¨¨¨
¨¨¨¨,~^§£# LIGHTS,  OR  ORNAMENTS,  APART   FROM  A #£§^~,¨¨¨¨
¨¨¨,~^§£#¶ HELIPAD   ON   TOP.  MOST  FLOORS   HAVE ¶#£§^~,¨¨¨
¨¨,~^§£#¶# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #¶#£§^~,¨¨
¨,~^§£#¶##                                          ##¶#£§^~,¨
¨¨,~^§£#¶# IN  LATE  EVENINGS,  SHROUDED BY MALMö'S #¶#£§^~,¨¨
¨¨¨,~^§£#¶ SIGNATURE  FOG ROLLING IN  FROM THE SEA, ¶#£§^~,¨¨¨
¨¨¨¨,~^§£# THE BUILDING COMES TO LIFE: IT MOVES  ON #£§^~,¨¨¨¨
¨¨¨¨¨,~^§£ A  THOUSAND  ROBOTIC  LEGS  TO   ANOTHER £§^~,¨¨¨¨¨
¨¨¨¨¨¨,~^§ (SECRET)  PART  OF TOWN, OR  PERHAPS OUT §^~,¨¨¨¨¨¨
¨¨¨¨¨¨¨,~^ TO  SEA. THIS  SIGNALS  A NEW  AND  MORE ^~,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~      VISCIOUS PHASE OF THE TAINARON      ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨,                ECOSYSTEM.                ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~                                          ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,~^ THE  GUESTS  ARRIVING  DURING  THE EARLY ^~,¨¨¨¨¨¨¨
¨¨¨¨¨¨,~^§ EVENING ARE TREATED  TO FOOD  AND DRINK, §^~,¨¨¨¨¨¨
¨¨¨¨¨,~^§£ LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A £§^~,¨¨¨¨¨
¨¨¨¨,~^§£#    COMFORTABLE BUT MAZE-LIKE INTERIOR    #£§^~,¨¨¨¨
¨¨¨,~^§£#¶    STRUCTURE (THE BUILDING FEATURES A    ¶#£§^~,¨¨¨
¨¨,~^§£#¶#  MULTITUDE OF STAIRWELLS AND ELEVATORS,  #¶#£§^~,¨¨
¨,~^§£#¶## PLACED  SEEMINGLY AT  RANDOM, NONE GOING ##¶#£§^~,¨
¨¨,~^§£#¶#        FURTHER THAN A FEW FLOORS).       #¶#£§^~,¨¨
¨¨¨,~^§£#¶                                          ¶#£§^~,¨¨¨
¨¨¨¨,~^§£# AS TIME GOES ON, THE LIGHTS SLOWLY  DIM, #£§^~,¨¨¨¨
¨¨¨¨¨,~^§£ UNTIL THE  AIR INSIDE  HAS TAKEN  ON THE £§^~,¨¨¨¨¨
¨¨¨¨¨¨,~^§ SAME QUALITY  AS  THE SURROUNDING  MIST: §^~,¨¨¨¨¨¨
¨¨¨¨¨¨¨,~^ BLUE-GRAY, SPRINKLED WITH THE  SMALL RED ^~,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ DOT'S BY DOOR LOCKS AND  CONTROL PANELS. ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, IF  YOU  WOULD LOOK  THROUGH THE WINDOWS ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ YOU WOULD SEE THE MIST  ROLLING BY,  AND ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,~^ PERHAPS   THE  OUTLINE  OF   SOME  OTHER ^~,¨¨¨¨¨¨¨
¨¨¨¨¨¨,~^§           BUILDING, FAR BELOW.           §^~,¨¨¨¨¨¨
¨¨¨¨¨,~^§£                                          £§^~,¨¨¨¨¨
¨¨¨¨,~^§£# DURING  THE NIGHT,  AFTER  TAINARON  HAS #£§^~,¨¨¨¨
¨¨¨,~^§£#¶ STARTED  MOVING,  THE  LOWER FLOORS  ARE ¶#£§^~,¨¨¨
¨¨,~^§£#¶# SHUT OFF, PREVENTING  ENTRY OR EXIT  FOR #¶#£§^~,¨¨
¨,~^§£#¶## THE  GUESTS. FOOD  IS  NO LONGER SERVED, ##¶#£§^~,¨
¨¨,~^§£#¶# BUT THE DRINKS BECOME MORE  EXTRAVAGANT. #¶#£§^~,¨¨
¨¨¨,~^§£#¶ IT'S AT  THIS POINT  THAT THE SECOND SET ¶#£§^~,¨¨¨
¨¨¨¨,~^§£# OF  GUEST  ARRIVES,  VIA   HELICOPTER  - #£§^~,¨¨¨¨
¨¨¨¨¨,~^§£  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  £§^~,¨¨¨¨¨
¨¨¨¨¨¨,~^§                                          §^~,¨¨¨¨¨¨
¨¨¨¨¨¨¨,~^                   ~~~~~                  ^~,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~                                          ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, IN MY DREAM I AM INVITED  AS A FRIEND OF ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ ONE  OF  THE SERVERS,  AND THUS SAFE. WE ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,~^ SIT   IN  ONE  OF  THE  LARGE   WINDOWS, ^~,¨¨¨¨¨¨¨
¨¨¨¨¨¨,~^§ LOOKING   THROUGH  THE   MIST   FOR  ANY §^~,¨¨¨¨¨¨
¨¨¨¨¨,~^§£ LANDMARKS TO PIERCE  THROUGH  THE  MIST. £§^~,¨¨¨¨¨
¨¨¨¨,~^§£# SHE TELLS ME THAT APART FROM COMING  AND #£§^~,¨¨¨¨
¨¨¨,~^§£#¶ GOING FROM  WORK, SHE'S  NEVER SEEN  THE ¶#£§^~,¨¨¨
¨¨,~^§£#¶# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #¶#£§^~,¨¨
¨,~^§£#¶##                                          ##¶#£§^~,¨
¨¨,~^§£#¶# THE NEXT  DAY I AM INVITED TO THE PUBLIC #¶#£§^~,¨¨
¨¨¨,~^§£#¶     DEMONSTRATION OF THE EXOBUBBLE.      ¶#£§^~,¨¨¨
¨¨¨¨,~^§£#                                          #£§^~,¨¨¨¨
¨¨¨¨¨,~^§£                                          £§^~,¨¨¨¨¨
¨¨¨¨¨¨,~^§                                          §^~,¨¨¨¨¨¨
¨¨¨¨¨¨¨,~^                                          ^~,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~                                          ~,¨¨¨¨¨¨¨¨