.^»/%¤@### ###@¤%/»^.
.^»/%¤@### ###@¤%/»^.
.^»/%¤@### ###@¤%/»^.
.^»/%¤@### ###@¤%/»^.
.^»/%¤@### ###@¤%/»^.
......»/¤@ the skyscraper that moves @¤/»......
....^»»%@# #@%»»^....
...^»»%¤@# tainaron is a building owned and #@¤%»»^...
.^»/%¤@### operated by amata texnologiyasi placed ###@¤%/»^.
...^»//%%@ closed to the harbor in malmÖ. it's @%%//»^...
.^»/%¤@### roughly sixty floors high (real number ###@¤%/»^.
.^»/%¤@### unknown), dark blue and completely ###@¤%/»^.
.^»/%¤@### rectangular. it features no signs, ###@¤%/»^.
.^»/%¤@### lights, or ornaments, apart from a ###@¤%/»^.
.....^»/¤# helipad on top. most floors have #¤/»^.....
.^»/%¤@### exterior walls completely made of glass. ###@¤%/»^.
....^^/%%@ @%%/^^....
.^»/%¤@### in late evenings, shrouded by malmö's ###@¤%/»^.
.....^»%@# signature fog rolling in from the sea, #@%»^.....
.^»/%¤@### the building comes to life: it moves on ###@¤%/»^.
.^»/%%%¤@# a thousand robotic legs to another #@¤%%%/»^.
.....»/%%@ (secret) part of town, or perhaps out @%%/».....
...»/%¤¤@@ to sea. this signals a new and more @@¤¤%/»...
.^»/%%%%¤# viscious phase of the tainaron #¤%%%%/»^.
.^»/%¤@### ecosystem. ###@¤%/»^.
.^»/%¤@### ###@¤%/»^.
.^»/%¤#### the guests arriving during the early ####¤%/»^.
.^»/%¤@### evening are treated to food and drink, ###@¤%/»^.
.^»/%¤#### live music, beatutiful views, and a ####¤%/»^.
.^»/%¤@### comfortable but maze-like interior ###@¤%/»^.
.^»/%¤@### structure (the building features a ###@¤%/»^.
....^^/¤@# multitude of stairwells and elevators, #@¤/^^....
.^»/%¤@### placed seemingly at random, none going ###@¤%/»^.
.^»/%¤@@## further than a few floors). ##@@¤%/»^.
.^»/%¤@### ###@¤%/»^.
.^»/%¤#### as time goes on, the lights slowly dim, ####¤%/»^.
.^»/%¤@### until the air inside has taken on the ###@¤%/»^.
.^»/%¤@### same quality as the surrounding mist: ###@¤%/»^.
.^»/%¤@### blue-gray, sprinkled with the small red ###@¤%/»^.
.^»/%¤¤¤## dot's by door locks and control panels. ##¤¤¤%/»^.
.^»/%¤@### if you would look through the windows ###@¤%/»^.
...»//¤¤¤@ you would see the mist rolling by, and @¤¤¤//»...
.^^^^///¤@ perhaps the outline of some other @¤///^^^^.
.^»/%¤@### building, far below. ###@¤%/»^.
.......»%@ @%».......
.....»/%@@ during the night, after tainaron has @@%/».....
.^»///%@## started moving, the lower floors are ##@%///»^.
.^»/%¤@### shut off, preventing entry or exit for ###@¤%/»^.
.^»/%¤@### the guests. food is no longer served, ###@¤%/»^.
.^»/%¤@### but the drinks become more extravagant. ###@¤%/»^.
.^»/%¤@### it's at this point that the second set ###@¤%/»^.
.^»/%@#### of guest arrives, via helicopter - ####@%/»^.
...^//%¤## amata texnologiyasi and their friends. ##¤%//^...
......»%@# #@%»......
.^»/%¤@### »»»»» ###@¤%/»^.
...^»%%¤## ##¤%%»^...
.^»/%¤#### in my dream i am invited as a friend of ####¤%/»^.
.^»/%¤@### one of the servers, and thus safe. we ###@¤%/»^.
.^»/%¤@@@# sit in one of the large windows, #@@@¤%/»^.
.^»/%¤@### looking through the mist for any ###@¤%/»^.
.....^»%¤@ landmarks to pierce through the mist. @¤%»^.....
.....^/%@@ she tells me that apart from coming and @@%/^.....
.^»/%@#### going from work, she's never seen the ####@%/»^.
.^»/%¤@### building from the outside. we both sigh. ###@¤%/»^.
.^»/%¤@@@@ @@@@¤%/»^.
.....^»%¤# the next day i am invited to the public #¤%»^.....
.....^^/¤# demonstration of the exobubble. #¤/^^.....
.^»/%¤@### ###@¤%/»^.
.^»/%¤@### ###@¤%/»^.
.^»/%¤@### ###@¤%/»^.
....»»/%@# #@%/»»....
....»»%¤@# #@¤%»»....