,.-/%¤#£## ##£#¤%/-.,
,,.-/%¤#£# #£#¤%/-.,,
,,,.-/%¤#£ £#¤%/-.,,,
,,,,.-/%¤# #¤%/-.,,,,
,,,,,.-/%¤ ¤%/-.,,,,,
,,,,,,.-/% --//-- %/-.,,,,,,
,,,,,.-/%¤ ,,, SLEEP ,,, ¤%/-.,,,,,
,,,,.-/%¤# ..--.. #¤%/-.,,,,
,,,.-/%¤#£ £#¤%/-.,,,
,,.-/%¤#£# SLEEP IS THE MOST IMPORTANT MEAL OF THE #£#¤%/-.,,
,.-/%¤#£## DAY. SLEEP IS SAYING GOODBYE FOR A ##£#¤%/-.,
,,.-/%¤#£# WHILE. IF YOU CAN DREAM, YOU ALSO GET #£#¤%/-.,,
,,,.-/%¤#£ TO VISIT FRIENDS AND OTHER ANIMALS. £#¤%/-.,,,
,,,,.-/%¤# #¤%/-.,,,,
,,,,,.-/%¤ ,,..,, ¤%/-.,,,,,
,,,,,,.-/% %/-.,,,,,,
,,,,,.-/%¤ DEEPER THAN DEATH IS TO BE ALIVE AND ¤%/-.,,,,,
,,,,.-/%¤# ASLEEP. IT IS DEATH IF IT WAS TEMPORARY #¤%/-.,,,,
,,,.-/%¤#£ AND REJUVENATING. £#¤%/-.,,,
,,.-/%¤#£# #£#¤%/-.,,
,.-/%¤#£## ,,..,, ##£#¤%/-.,
,,.-/%¤#£# #£#¤%/-.,,
,,,.-/%¤#£ SLEEP IS A BLACK MARBLE OUTSIDE OF £#¤%/-.,,,
,,,,.-/%¤# WHICH THERE IS NOTHING. INSIDE IS ALL #¤%/-.,,,,
,,,,,.-/%¤ THE STARS AND IN THE MIDDLE A ¤%/-.,,,,,
,,,,,,.-/% BLACK LAKE. AT THE FOOT OF THIS LAKE %/-.,,,,,,
,,,,,.-/%¤ STANDS AN OLD FRIEND. ¤%/-.,,,,,
,,,,.-/%¤# #¤%/-.,,,,
,,,.-/%¤#£ ,,..,, £#¤%/-.,,,
,,.-/%¤#£# #£#¤%/-.,,
,.-/%¤#£## WHEN YOU SLEEP ALL SOUND IS INTERNAL. ##£#¤%/-.,
,,.-/%¤#£# WHEN YOU SLEEP YOUR BRAIN SHRINKS. #£#¤%/-.,,
,,,.-/%¤#£ £#¤%/-.,,,
,,,,.-/%¤# ,,..,, #¤%/-.,,,,
,,,,,.-/%¤ ¤%/-.,,,,,
,,,,,,.-/% IF YOU WISH TO MEASURE SLEEP, USE THESE %/-.,,,,,,
,,,,,.-/%¤ FOUR QUANTIFIERS:: GRIP, DEEPNESS, ¤%/-.,,,,,
,,,,.-/%¤# OTHERWORLDINESS AND REVITALIZATION. #¤%/-.,,,,
,,,.-/%¤#£ £#¤%/-.,,,
,,.-/%¤#£# GRIP GOES FROM NOT BEING ABLE TO LET GO #£#¤%/-.,,
,.-/%¤#£## ALL DAY (LEFT) TO NOT CARING TO ##£#¤%/-.,
,,.-/%¤#£# REMEMBER (RIGHT). #£#¤%/-.,,
,,,.-/%¤#£ £#¤%/-.,,,
,,,,.-/%¤# DEEPNESS GOES FROM BEING SEVERAL #¤%/-.,,,,
,,,,,.-/%¤ HUNDRED METERS DOWN (LEFT) TO BARELY ¤%/-.,,,,,
,,,,,,.-/% TOUCHING THE SURFACE (RIGHT). %/-.,,,,,,
,,,,,.-/%¤ ¤%/-.,,,,,
,,,,.-/%¤# OTHERWORLDLINESS GOES FROM A SINGLE #¤%/-.,,,,
,,,.-/%¤#£ COHERENT DREAMSCAPE (LEFT), VIA NORMAL £#¤%/-.,,,
,,.-/%¤#£# DREAM AMOUNTS (MIDDLE) TO NO DREAMS #£#¤%/-.,,
,.-/%¤#£## (RIGHT). ##£#¤%/-.,
,,.-/%¤#£# #£#¤%/-.,,
,,,.-/%¤#£ REVITALIZATION GOES FROM A FEELING OF £#¤%/-.,,,
,,,,.-/%¤# NOT HAVING SLEPT AT ALL (LEFT) TO BEING #¤%/-.,,,,
,,,,,.-/%¤ FULL OF ENERGY AND MAYBE OPTIMISM ¤%/-.,,,,,
,,,,,,.-/% (RIGHT). %/-.,,,,,,
,,,,,.-/%¤ ¤%/-.,,,,,
,,,,.-/%¤# .. #¤%/-.,,,,
,,,.-/%¤#£ £#¤%/-.,,,
,,.-/%¤#£# HIGH OTHERWORLDLINESS AND HIGH GRIP IS #£#¤%/-.,,
,.-/%¤#£## A PARTICULARLY EFFECTIVE COMBO. ##£#¤%/-.,
,,.-/%¤#£# #£#¤%/-.,,
,,,.-/%¤#£ --//-- £#¤%/-.,,,
,,,,.-/%¤# ,,, SEE ALSO ,,, #¤%/-.,,,,
,,,,,.-/%¤ ..--.. ¤%/-.,,,,,
,,,,,,.-/% %/-.,,,,,,
,,,,,.-/%¤ SLEEP DEITIES ¤%/-.,,,,,
,,,,.-/%¤# THE BLACKBIRD #¤%/-.,,,,
,,,.-/%¤#£ SOLIPSISM £#¤%/-.,,,
,,.-/%¤#£# #£#¤%/-.,,
,.-/%¤#£## --//-- ##£#¤%/-.,
,,.-/%¤#£# ,,, FURTHERMORE ,,, #£#¤%/-.,,
,,,.-/%¤#£ ..--.. £#¤%/-.,,,
,,,,.-/%¤# #¤%/-.,,,,
,,,,,.-/%¤ THIS IS STILL A PLACE: HERE, IN THE ¤%/-.,,,,,
,,,,,,.-/% SILENCE, DARKNESS AND NIGHT - AND %/-.,,,,,,
,,,,,.-/%¤ LONELINESS, HOLDING A KIND OF DILUTION ¤%/-.,,,,,
,,,,.-/%¤# OF REALITY, AND SUDDENLY IT'S NOT #¤%/-.,,,,
,,,.-/%¤#£ IMPORTANT THAT I LIE IN MY BED, THE £#¤%/-.,,,
,,.-/%¤#£# LACK OF PRESENCE BRINGS THE NOTION #£#¤%/-.,,
,.-/%¤#£## THAT, IF I DO NOT CHOOSE SLEEP, I ##£#¤%/-.,
,,.-/%¤#£# CHOOSE PAST, FUTURE, SOMETHING WITH #£#¤%/-.,,
,,,.-/%¤#£ MORE SUBSTANCE THAN THE OBJECTS I £#¤%/-.,,,
,,,,.-/%¤# SURROUND MYSELF WITH. #¤%/-.,,,,
,,,,,.-/%¤ ¤%/-.,,,,,
,,,,,,.-/% %/-.,,,,,,
,,,,,.-/%¤ ¤%/-.,,,,,
,,,,.-/%¤# #¤%/-.,,,,
,,,.-/%¤#£ £#¤%/-.,,,
,,.-/%¤#£# #£#¤%/-.,,