.¤..¤..¤¤. ¤.¤.¤¤..¤¤
.¤.¤¤.¤.¤. ¤.¤..¤.¤.¤
.¤..¤.¤.¤. ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. ¤.¤..¤.¤.¤
.¤..¤.¤.¤. ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. ###~ ~### ¤.¤..¤.¤.¤
.¤..¤.¤.¤. # # ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. # TELE MIGRAINE # ¤.¤..¤.¤.¤
.¤..¤.¤.¤. # # ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. ###~ ~### ¤.¤..¤.¤.¤
.¤..¤.¤.¤. ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. THE SO CALLED "THIRD MIGRAINE". IT'S ¤.¤..¤.¤.¤
.¤..¤.¤.¤. LIKE A REGULAR MIGRAINE BUT IT DOES NOT ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. HURT THERE'S NO PAIN, THE COSMOS IS ¤.¤..¤.¤.¤
.¤..¤.¤.¤. THERE AND IT'S DRAINING THE EVIL ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. STRAIGHT OUT OF THE WOUND. ¤.¤..¤.¤.¤
.¤..¤.¤.¤. ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. IT'S MASSAGING YOUR TEMPLES, PIERCING ¤.¤..¤.¤.¤
.¤..¤.¤.¤. YOU, ENTERING YOUR BLOOD, CRACKING THE ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. SKULL OPEN. A PAW GRIPS YOUR BRAIN, ¤.¤..¤.¤.¤
.¤..¤.¤.¤. PLAYS WITH IT, PULLS IT OUT INTO THE ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. COSMOS. ¤.¤..¤.¤.¤
.¤..¤.¤.¤. ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. THERE'S COMETS! SPACE ODDITIES. ¤.¤..¤.¤.¤
.¤..¤.¤.¤. SOLITARY OSCILLATIONS. CARRIER WAVE. ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. BURNED AWAY BY THE SUNS RADIATION UNTIL ¤.¤..¤.¤.¤
.¤..¤.¤.¤. ONLY THE FAINTEST TRACE REMAIN, ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. EVENTUALLY CAUGHT IN THE GRAVITY WELL ¤.¤..¤.¤.¤
.¤..¤.¤.¤. OF SOME SECOND RATE WATER PLANET. ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. ¤.¤..¤.¤.¤
.¤..¤.¤.¤. IT'S RAINING SAP. ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. WE'RE GETTING SWEET AND WET ¤.¤..¤.¤.¤
.¤..¤.¤.¤. ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. ###~ ~### ¤.¤..¤.¤.¤
.¤..¤.¤.¤. ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. MY LUNCH BREAK IS OVER AND I NEED TO ¤.¤..¤.¤.¤
.¤..¤.¤.¤. GET BACK TO THE SHOP. LYNNE IS THERE ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. ALONE AND HASN'T EATEN YET. I TAKE THE ¤.¤..¤.¤.¤
.¤..¤.¤.¤. BACK ROUTE UP FROM THE BEACH TO AVOID ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. THE CROWD. SING A LITTLE TO MYSELF. ¤.¤..¤.¤.¤
.¤..¤.¤.¤. ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. LIFE GETS TO PROSPER OUTSIDE OF.@/~~~ - ¤.¤..¤.¤.¤
.¤..¤.¤.¤. SUDDENLY, AN ACID FLASHBACK: I STEP ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. DOWN IN MY MIND (LIKE AN OPEN MIND / ¤.¤..¤.¤.¤
.¤..¤.¤.¤. FRACTAL STINGER / BISMUTH STAIRCASE) ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. AND WADE IN SHADOWS... SURROUNDED BY ¤.¤..¤.¤.¤
.¤..¤.¤.¤. MEMORY NEGATIVES, ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. LIKE UPROCESSED FILM.... ¤.¤..¤.¤.¤
.¤..¤.¤.¤. ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. ###~ ~### ¤.¤..¤.¤.¤
.¤..¤.¤.¤. ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. WE'RE CLOSING FOR THE EVENING. THE SHOP ¤.¤..¤.¤.¤
.¤..¤.¤.¤. IS IN THE BOTTOM FLOOR OF A NARROW ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. MUDBRICK BUILDING, PAINTED TEAL. WE ¤.¤..¤.¤.¤
.¤..¤.¤.¤. LIVE ON THE SECOND FLOOR, TOGETHER WITH ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. THE OWNER. AS I CLOSE THE METAL ¤.¤..¤.¤.¤
.¤..¤.¤.¤. CURTAIN, BEHIND ITS CHARACTERISTIC ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. SHARP RATTLING I CAN HEAR THE ¤.¤..¤.¤.¤
.¤..¤.¤.¤. CURFEW SIRENS. ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. ¤.¤..¤.¤.¤
.¤..¤.¤.¤. WORMY STREET WOLVES OUTSIDE, CHASING ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. ENTRANCES IN THE DARK ALLEYWAYS, ¤.¤..¤.¤.¤
.¤..¤.¤.¤. WANTING IN, GETTING DESPERATE, LAPSING ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. TO SEARCH HIGHER, ON ROOFS, CLIMBING ON ¤.¤..¤.¤.¤
.¤..¤.¤.¤. BALCONIES. AND THERE'S BOUND TO BE SOME ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. RECKLESS TOURIST WHO DIDN'T HEED THE ¤.¤..¤.¤.¤
.¤..¤.¤.¤. WARNINGS, NEVER CLOSED THEIR WINDOWS... ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. ¤.¤..¤.¤.¤
.¤..¤.¤.¤. OR, IN SOME CASES, THE HOUSEOWNER HAD ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. THE WINDOW BOLTS WEAKENED, AND WHEN ¤.¤..¤.¤.¤
.¤..¤.¤.¤. CLEANING UP THE AFTERMATH WOULD POCKET ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. THEIR BELONGINGS. ¤.¤..¤.¤.¤
.¤..¤.¤.¤. ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. ¤.¤..¤.¤.¤
.¤..¤.¤.¤. ¤.¤.¤¤.¤.¤
.¤.¤¤.¤.¤. ¤.¤..¤.¤.¤
.¤..¤.¤.¤. ¤.¤.¤¤.¤.¤