.~«/*%¤@## ##@¤%*/«~.
.~«/*%¤@## ##@¤%*/«~.
.~«///*%@@ @@%*///«~.
.~«/*%¤@@@ @@@¤%*/«~.
.~«/*%¤@@# #@@¤%*/«~.
....~«*¤@@ ###« «### @@¤*«~....
.~«/*%¤@@# # # #@@¤%*/«~.
.~«/*%¤@## # TELE MIGRAINE # ##@¤%*/«~.
.~«/*%¤@## # # ##@¤%*/«~.
.~«/*%¤@## ###« «### ##@¤%*/«~.
.~«/*%¤@## ##@¤%*/«~.
....~«*%¤# THE SO CALLED "THIRD MIGRAINE". IT'S #¤%*«~....
.~«/**%%¤# LIKE A REGULAR MIGRAINE BUT IT DOES NOT #¤%%**/«~.
.~«/*%¤@## HURT THERE'S NO PAIN, THE COSMOS IS ##@¤%*/«~.
.~~««««*¤# THERE AND IT'S DRAINING THE EVIL #¤*««««~~.
.~~~//*%%@ STRAIGHT OUT OF THE WOUND. @%%*//~~~.
.~«///%%@@ @@%%///«~.
.~«/*%¤@## IT'S MASSAGING YOUR TEMPLES, PIERCING ##@¤%*/«~.
....~«*¤¤@ YOU, ENTERING YOUR BLOOD, CRACKING THE @¤¤*«~....
...~///%@@ SKULL OPEN. A PAW GRIPS YOUR BRAIN, @@%///~...
.~«/*%¤@## PLAYS WITH IT, PULLS IT OUT INTO THE ##@¤%*/«~.
.~«/*%¤@## COSMOS. ##@¤%*/«~.
...~«*%%¤¤ ¤¤%%*«~...
.~«/*%@### THERE'S COMETS! SPACE ODDITIES. ###@%*/«~.
.~«/*%¤@## SOLITARY OSCILLATIONS. CARRIER WAVE. ##@¤%*/«~.
.~«/*%@### BURNED AWAY BY THE SUNS RADIATION UNTIL ###@%*/«~.
.~«///**%@ ONLY THE FAINTEST TRACE REMAIN, @%**///«~.
.~«/**%%@@ EVENTUALLY CAUGHT IN THE GRAVITY WELL @@%%**/«~.
.~«/*%¤@## OF SOME SECOND RATE WATER PLANET. ##@¤%*/«~.
..~«/**%%@ @%%**/«~..
.~«/*%¤@## IT'S RAINING SAP. ##@¤%*/«~.
....«**¤¤¤ WE'RE GETTING SWEET AND WET ¤¤¤**«....
.~«/*%@### ###@%*/«~.
.~«/*%¤@## ###« «### ##@¤%*/«~.
.~«/*%¤@## ##@¤%*/«~.
.~«/*%¤@## MY LUNCH BREAK IS OVER AND I NEED TO ##@¤%*/«~.
.~«/*%¤@## GET BACK TO THE SHOP. LYNNE IS THERE ##@¤%*/«~.
.~«*%¤@### ALONE AND HASN'T EATEN YET. I TAKE THE ###@¤%*«~.
.~«/*%¤@## BACK ROUTE UP FROM THE BEACH TO AVOID ##@¤%*/«~.
.~«/*%¤@## THE CROWD. SING A LITTLE TO MYSELF. ##@¤%*/«~.
.~«/*%¤### ###¤%*/«~.
...~~«*¤¤# LIFE GETS TO PROSPER OUTSIDE OF.@/««« - #¤¤*«~~...
...~/*%%%@ SUDDENLY, AN ACID FLASHBACK: I STEP @%%%*/~...
....~«/*%¤ DOWN IN MY MIND (LIKE AN OPEN MIND / ¤%*/«~....
.~«/*%¤@## FRACTAL STINGER / BISMUTH STAIRCASE) ##@¤%*/«~.
...~~~««*¤ AND WADE IN SHADOWS... SURROUNDED BY ¤*««~~~...
.~«/*%¤@## MEMORY NEGATIVES, ##@¤%*/«~.
.~«/*%¤@## LIKE UPROCESSED FILM.... ##@¤%*/«~.
....~«*¤¤@ @¤¤*«~....
...««*%¤¤¤ ###« «### ¤¤¤%*««...
....«*%¤@# #@¤%*«....
.....~/%%¤ WE'RE CLOSING FOR THE EVENING. THE SHOP ¤%%/~.....
.~«/*%@### IS IN THE BOTTOM FLOOR OF A NARROW ###@%*/«~.
.~«/*%¤@## MUDBRICK BUILDING, PAINTED TEAL. WE ##@¤%*/«~.
.~«/*%¤@## LIVE ON THE SECOND FLOOR, TOGETHER WITH ##@¤%*/«~.
.~«/*%¤@## THE OWNER. AS I CLOSE THE METAL ##@¤%*/«~.
.~«/*%¤@## CURTAIN, BEHIND ITS CHARACTERISTIC ##@¤%*/«~.
.~«/*%¤@## SHARP RATTLING I CAN HEAR THE ##@¤%*/«~.
.....~«*¤¤ CURFEW SIRENS. ¤¤*«~.....
.~«/%¤@### ###@¤%/«~.
.....~/%¤# WORMY STREET WOLVES OUTSIDE, CHASING #¤%/~.....
.~«/*%¤### ENTRANCES IN THE DARK ALLEYWAYS, ###¤%*/«~.
.~«/*%¤¤¤¤ WANTING IN, GETTING DESPERATE, LAPSING ¤¤¤¤%*/«~.
.~«/*%¤@## TO SEARCH HIGHER, ON ROOFS, CLIMBING ON ##@¤%*/«~.
.~«/*%¤@## BALCONIES. AND THERE'S BOUND TO BE SOME ##@¤%*/«~.
.~«/*%¤@## RECKLESS TOURIST WHO DIDN'T HEED THE ##@¤%*/«~.
.~«/*%¤@## WARNINGS, NEVER CLOSED THEIR WINDOWS... ##@¤%*/«~.
.~~~/**%%¤ ¤%%**/~~~.
.~«/*%¤@@# OR, IN SOME CASES, THE HOUSEOWNER HAD #@@¤%*/«~.
.~«/*%¤@## THE WINDOW BOLTS WEAKENED, AND WHEN ##@¤%*/«~.
.~«/*%¤@## CLEANING UP THE AFTERMATH WOULD POCKET ##@¤%*/«~.
......«/*¤ THEIR BELONGINGS. ¤*/«......
.~«««****¤ ¤****«««~.
.~«/*%¤¤¤@ @¤¤¤%*/«~.
...«//*%@@ @@%*//«...
.~«/*%¤¤@# #@¤¤%*/«~.
.~«/*%¤@## ##@¤%*/«~.