..:=†§@&£# #£&@§†=:..
...:=†§@&£ £&@§†=:...
..:=†§@&£# #£&@§†=:..
.:=†§@&£## ##£&@§†=:.
..:=†§@&£# #£&@§†=:..
...:=†§@&£ ###= =### £&@§†=:...
..:=†§@&£# # # #£&@§†=:..
.:=†§@&£## # TELE MIGRAINE # ##£&@§†=:.
..:=†§@&£# # # #£&@§†=:..
...:=†§@&£ ###= =### £&@§†=:...
..:=†§@&£# #£&@§†=:..
.:=†§@&£## THE SO CALLED "THIRD MIGRAINE". IT'S ##£&@§†=:.
..:=†§@&£# LIKE A REGULAR MIGRAINE BUT IT DOES NOT #£&@§†=:..
...:=†§@&£ HURT THERE'S NO PAIN, THE COSMOS IS £&@§†=:...
..:=†§@&£# THERE AND IT'S DRAINING THE EVIL #£&@§†=:..
.:=†§@&£## STRAIGHT OUT OF THE WOUND. ##£&@§†=:.
..:=†§@&£# #£&@§†=:..
...:=†§@&£ IT'S MASSAGING YOUR TEMPLES, PIERCING £&@§†=:...
..:=†§@&£# YOU, ENTERING YOUR BLOOD, CRACKING THE #£&@§†=:..
.:=†§@&£## SKULL OPEN. A PAW GRIPS YOUR BRAIN, ##£&@§†=:.
..:=†§@&£# PLAYS WITH IT, PULLS IT OUT INTO THE #£&@§†=:..
...:=†§@&£ COSMOS. £&@§†=:...
..:=†§@&£# #£&@§†=:..
.:=†§@&£## THERE'S COMETS! SPACE ODDITIES. ##£&@§†=:.
..:=†§@&£# SOLITARY OSCILLATIONS. CARRIER WAVE. #£&@§†=:..
...:=†§@&£ BURNED AWAY BY THE SUNS RADIATION UNTIL £&@§†=:...
..:=†§@&£# ONLY THE FAINTEST TRACE REMAIN, #£&@§†=:..
.:=†§@&£## EVENTUALLY CAUGHT IN THE GRAVITY WELL ##£&@§†=:.
..:=†§@&£# OF SOME SECOND RATE WATER PLANET. #£&@§†=:..
...:=†§@&£ £&@§†=:...
..:=†§@&£# IT'S RAINING SAP. #£&@§†=:..
.:=†§@&£## WE'RE GETTING SWEET AND WET ##£&@§†=:.
..:=†§@&£# #£&@§†=:..
...:=†§@&£ ###= =### £&@§†=:...
..:=†§@&£# #£&@§†=:..
.:=†§@&£## MY LUNCH BREAK IS OVER AND I NEED TO ##£&@§†=:.
..:=†§@&£# GET BACK TO THE SHOP. LYNNE IS THERE #£&@§†=:..
...:=†§@&£ ALONE AND HASN'T EATEN YET. I TAKE THE £&@§†=:...
..:=†§@&£# BACK ROUTE UP FROM THE BEACH TO AVOID #£&@§†=:..
.:=†§@&£## THE CROWD. SING A LITTLE TO MYSELF. ##£&@§†=:.
..:=†§@&£# #£&@§†=:..
...:=†§@&£ LIFE GETS TO PROSPER OUTSIDE OF.£†=== - £&@§†=:...
..:=†§@&£# SUDDENLY, AN ACID FLASHBACK: I STEP #£&@§†=:..
.:=†§@&£## DOWN IN MY MIND (LIKE AN OPEN MIND / ##£&@§†=:.
..:=†§@&£# FRACTAL STINGER / BISMUTH STAIRCASE) #£&@§†=:..
...:=†§@&£ AND WADE IN SHADOWS... SURROUNDED BY £&@§†=:...
..:=†§@&£# MEMORY NEGATIVES, #£&@§†=:..
.:=†§@&£## LIKE UPROCESSED FILM.... ##£&@§†=:.
..:=†§@&£# #£&@§†=:..
...:=†§@&£ ###= =### £&@§†=:...
..:=†§@&£# #£&@§†=:..
.:=†§@&£## WE'RE CLOSING FOR THE EVENING. THE SHOP ##£&@§†=:.
..:=†§@&£# IS IN THE BOTTOM FLOOR OF A NARROW #£&@§†=:..
...:=†§@&£ MUDBRICK BUILDING, PAINTED TEAL. WE £&@§†=:...
..:=†§@&£# LIVE ON THE SECOND FLOOR, TOGETHER WITH #£&@§†=:..
.:=†§@&£## THE OWNER. AS I CLOSE THE METAL ##£&@§†=:.
..:=†§@&£# CURTAIN, BEHIND ITS CHARACTERISTIC #£&@§†=:..
...:=†§@&£ SHARP RATTLING I CAN HEAR THE £&@§†=:...
..:=†§@&£# CURFEW SIRENS. #£&@§†=:..
.:=†§@&£## ##£&@§†=:.
..:=†§@&£# WORMY STREET WOLVES OUTSIDE, CHASING #£&@§†=:..
...:=†§@&£ ENTRANCES IN THE DARK ALLEYWAYS, £&@§†=:...
..:=†§@&£# WANTING IN, GETTING DESPERATE, LAPSING #£&@§†=:..
.:=†§@&£## TO SEARCH HIGHER, ON ROOFS, CLIMBING ON ##£&@§†=:.
..:=†§@&£# BALCONIES. AND THERE'S BOUND TO BE SOME #£&@§†=:..
...:=†§@&£ RECKLESS TOURIST WHO DIDN'T HEED THE £&@§†=:...
..:=†§@&£# WARNINGS, NEVER CLOSED THEIR WINDOWS... #£&@§†=:..
.:=†§@&£## ##£&@§†=:.
..:=†§@&£# OR, IN SOME CASES, THE HOUSEOWNER HAD #£&@§†=:..
...:=†§@&£ THE WINDOW BOLTS WEAKENED, AND WHEN £&@§†=:...
..:=†§@&£# CLEANING UP THE AFTERMATH WOULD POCKET #£&@§†=:..
.:=†§@&£## THEIR BELONGINGS. ##£&@§†=:.
..:=†§@&£# #£&@§†=:..
...:=†§@&£ £&@§†=:...
..:=†§@&£# #£&@§†=:..
.:=†§@&£## ##£&@§†=:.
..:=†§@&£# #£&@§†=:..