¤*==»,.... ....,»==*¤
###¤*%=»,. .,»=%*¤###
#***%=»,.. ..,»=%***#
¤¤*====»,. .,»====*¤¤
###¤*%=»,. .,»=%*¤###
###¤*%=»,. THE SKYSCRAPER THAT MOVES .,»=%*¤###
#¤%=,..... .....,=%¤#
###¤*%=»,. TAINARON IS A BUILDING OWNED AND .,»=%*¤###
#¤¤%===»,. OPERATED BY AMATA TEXNOLOGIYASI PLACED .,»===%¤¤#
#¤¤%»..... CLOSED TO THE HARBOR IN MALMÖ. IT'S .....»%¤¤#
#¤*=»».... ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ....»»=*¤#
###¤*%=»,. UNKNOWN), DARK BLUE AND COMPLETELY .,»=%*¤###
###¤*%=»,. RECTANGULAR. IT FEATURES NO SIGNS, .,»=%*¤###
###¤*%=»,. LIGHTS, OR ORNAMENTS, APART FROM A .,»=%*¤###
###¤*%=»,. HELIPAD ON TOP. MOST FLOORS HAVE .,»=%*¤###
###¤*%=»,. EXTERIOR WALLS COMPLETELY MADE OF GLASS. .,»=%*¤###
¤¤%%»,.... ....,»%%¤¤
###¤*%=»,. IN LATE EVENINGS, SHROUDED BY MALMö'S .,»=%*¤###
###¤*%=»,. SIGNATURE FOG ROLLING IN FROM THE SEA, .,»=%*¤###
###¤*%=»,. THE BUILDING COMES TO LIFE: IT MOVES ON .,»=%*¤###
####*%=»,. A THOUSAND ROBOTIC LEGS TO ANOTHER .,»=%*####
¤*%=»,.... (SECRET) PART OF TOWN, OR PERHAPS OUT ....,»=%*¤
#¤¤¤*%=»,. TO SEA. THIS SIGNALS A NEW AND MORE .,»=%*¤¤¤#
###¤*%=»,. VISCIOUS PHASE OF THE TAINARON .,»=%*¤###
####¤%=»,. ECOSYSTEM. .,»=%¤####
###¤*%=»,. .,»=%*¤###
¤¤%=,..... THE GUESTS ARRIVING DURING THE EARLY .....,=%¤¤
###¤*%=»,. EVENING ARE TREATED TO FOOD AND DRINK, .,»=%*¤###
¤%=,...... LIVE MUSIC, BEATUTIFUL VIEWS, AND A ......,=%¤
###¤*%=»,. COMFORTABLE BUT MAZE-LIKE INTERIOR .,»=%*¤###
#*=,...... STRUCTURE (THE BUILDING FEATURES A ......,=*#
###¤*%=»,. MULTITUDE OF STAIRWELLS AND ELEVATORS, .,»=%*¤###
###¤*%=»,. PLACED SEEMINGLY AT RANDOM, NONE GOING .,»=%*¤###
¤¤¤¤*%=»,. FURTHER THAN A FEW FLOORS). .,»=%*¤¤¤¤
####¤*%=», ,»=%*¤####
#¤¤**%=»,. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .,»=%**¤¤#
###¤*%=»,. UNTIL THE AIR INSIDE HAS TAKEN ON THE .,»=%*¤###
###¤*%=»,. SAME QUALITY AS THE SURROUNDING MIST: .,»=%*¤###
####*%=»,. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .,»=%*####
#¤%»...... DOT'S BY DOOR LOCKS AND CONTROL PANELS. ......»%¤#
¤%»,...... IF YOU WOULD LOOK THROUGH THE WINDOWS ......,»%¤
###¤*%=»,. YOU WOULD SEE THE MIST ROLLING BY, AND .,»=%*¤###
¤¤¤%%=,... PERHAPS THE OUTLINE OF SOME OTHER ...,=%%¤¤¤
¤%==,,,... BUILDING, FAR BELOW. ...,,,==%¤
¤¤*%=»,... ...,»=%*¤¤
#**==,.... DURING THE NIGHT, AFTER TAINARON HAS ....,==**#
#¤**=»»,.. STARTED MOVING, THE LOWER FLOORS ARE ..,»»=**¤#
¤*=,...... SHUT OFF, PREVENTING ENTRY OR EXIT FOR ......,=*¤
¤*=,,,.... THE GUESTS. FOOD IS NO LONGER SERVED, ....,,,=*¤
#*%»,,,,.. BUT THE DRINKS BECOME MORE EXTRAVAGANT. ..,,,,»%*#
###¤*%=»,. IT'S AT THIS POINT THAT THE SECOND SET .,»=%*¤###
###¤*%=»,. OF GUEST ARRIVES, VIA HELICOPTER - .,»=%*¤###
###¤*%=»,. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .,»=%*¤###
¤**%=».... ....»=%**¤
###¤*%=»,. »»»»» .,»=%*¤###
###¤*%=»,. .,»=%*¤###
¤¤¤%%%=»,. IN MY DREAM I AM INVITED AS A FRIEND OF .,»=%%%¤¤¤
#¤%%%%=»,. ONE OF THE SERVERS, AND THUS SAFE. WE .,»=%%%%¤#
¤**=»».... SIT IN ONE OF THE LARGE WINDOWS, ....»»=**¤
###¤*%=»,. LOOKING THROUGH THE MIST FOR ANY .,»=%*¤###
¤*===,,... LANDMARKS TO PIERCE THROUGH THE MIST. ...,,===*¤
###¤*%=»,. SHE TELLS ME THAT APART FROM COMING AND .,»=%*¤###
###¤*%=»,. GOING FROM WORK, SHE'S NEVER SEEN THE .,»=%*¤###
###¤*%=»,. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .,»=%*¤###
###¤*%=»,. .,»=%*¤###
#¤%=»»,... THE NEXT DAY I AM INVITED TO THE PUBLIC ...,»»=%¤#
###¤*%=»,. DEMONSTRATION OF THE EXOBUBBLE. .,»=%*¤###
####¤*=»,. .,»=*¤####
###¤*%=»,. .,»=%*¤###
###¤*%=»,. .,»=%*¤###
##¤**%=»,. .,»=%**¤##
###¤*%=»,. .,»=%*¤###