.-«:*@§@## ##@§@*:«-.
..-«:*@§@# #@§@*:«-..
...-«:*@§@ @§@*:«-...
....-«:*@§ §@*:«-....
.....-«:*@ @*:«-.....
....-«:*@§ THE SKYSCRAPER THAT MOVES §@*:«-....
...-«:*@§@ @§@*:«-...
..-«:*@§@# TAINARON IS A BUILDING OWNED AND #@§@*:«-..
.-«:*@§@## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##@§@*:«-.
..-«:*@§@# CLOSED TO THE HARBOR IN MALMÖ. IT'S #@§@*:«-..
...-«:*@§@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @§@*:«-...
....-«:*@§ UNKNOWN), DARK BLUE AND COMPLETELY §@*:«-....
.....-«:*@ RECTANGULAR. IT FEATURES NO SIGNS, @*:«-.....
....-«:*@§ LIGHTS, OR ORNAMENTS, APART FROM A §@*:«-....
...-«:*@§@ HELIPAD ON TOP. MOST FLOORS HAVE @§@*:«-...
..-«:*@§@# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #@§@*:«-..
.-«:*@§@## ##@§@*:«-.
..-«:*@§@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@§@*:«-..
...-«:*@§@ SIGNATURE FOG ROLLING IN FROM THE SEA, @§@*:«-...
....-«:*@§ THE BUILDING COMES TO LIFE: IT MOVES ON §@*:«-....
.....-«:*@ A THOUSAND ROBOTIC LEGS TO ANOTHER @*:«-.....
....-«:*@§ (SECRET) PART OF TOWN, OR PERHAPS OUT §@*:«-....
...-«:*@§@ TO SEA. THIS SIGNALS A NEW AND MORE @§@*:«-...
..-«:*@§@# VISCIOUS PHASE OF THE TAINARON #@§@*:«-..
.-«:*@§@## ECOSYSTEM. ##@§@*:«-.
..-«:*@§@# #@§@*:«-..
...-«:*@§@ THE GUESTS ARRIVING DURING THE EARLY @§@*:«-...
....-«:*@§ EVENING ARE TREATED TO FOOD AND DRINK, §@*:«-....
.....-«:*@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @*:«-.....
....-«:*@§ COMFORTABLE BUT MAZE-LIKE INTERIOR §@*:«-....
...-«:*@§@ STRUCTURE (THE BUILDING FEATURES A @§@*:«-...
..-«:*@§@# MULTITUDE OF STAIRWELLS AND ELEVATORS, #@§@*:«-..
.-«:*@§@## PLACED SEEMINGLY AT RANDOM, NONE GOING ##@§@*:«-.
..-«:*@§@# FURTHER THAN A FEW FLOORS). #@§@*:«-..
...-«:*@§@ @§@*:«-...
....-«:*@§ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, §@*:«-....
.....-«:*@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @*:«-.....
....-«:*@§ SAME QUALITY AS THE SURROUNDING MIST: §@*:«-....
...-«:*@§@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @§@*:«-...
..-«:*@§@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@§@*:«-..
.-«:*@§@## IF YOU WOULD LOOK THROUGH THE WINDOWS ##@§@*:«-.
..-«:*@§@# YOU WOULD SEE THE MIST ROLLING BY, AND #@§@*:«-..
...-«:*@§@ PERHAPS THE OUTLINE OF SOME OTHER @§@*:«-...
....-«:*@§ BUILDING, FAR BELOW. §@*:«-....
.....-«:*@ @*:«-.....
....-«:*@§ DURING THE NIGHT, AFTER TAINARON HAS §@*:«-....
...-«:*@§@ STARTED MOVING, THE LOWER FLOORS ARE @§@*:«-...
..-«:*@§@# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #@§@*:«-..
.-«:*@§@## THE GUESTS. FOOD IS NO LONGER SERVED, ##@§@*:«-.
..-«:*@§@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@§@*:«-..
...-«:*@§@ IT'S AT THIS POINT THAT THE SECOND SET @§@*:«-...
....-«:*@§ OF GUEST ARRIVES, VIA HELICOPTER - §@*:«-....
.....-«:*@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @*:«-.....
....-«:*@§ §@*:«-....
...-«:*@§@ ««««« @§@*:«-...
..-«:*@§@# #@§@*:«-..
.-«:*@§@## IN MY DREAM I AM INVITED AS A FRIEND OF ##@§@*:«-.
..-«:*@§@# ONE OF THE SERVERS, AND THUS SAFE. WE #@§@*:«-..
...-«:*@§@ SIT IN ONE OF THE LARGE WINDOWS, @§@*:«-...
....-«:*@§ LOOKING THROUGH THE MIST FOR ANY §@*:«-....
.....-«:*@ LANDMARKS TO PIERCE THROUGH THE MIST. @*:«-.....
....-«:*@§ SHE TELLS ME THAT APART FROM COMING AND §@*:«-....
...-«:*@§@ GOING FROM WORK, SHE'S NEVER SEEN THE @§@*:«-...
..-«:*@§@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@§@*:«-..
.-«:*@§@## ##@§@*:«-.
..-«:*@§@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@§@*:«-..
...-«:*@§@ DEMONSTRATION OF THE EXOBUBBLE. @§@*:«-...
....-«:*@§ §@*:«-....
.....-«:*@ @*:«-.....
....-«:*@§ §@*:«-....
...-«:*@§@ @§@*:«-...
..-«:*@§@# #@§@*:«-..