¨¨:~^§*@@# #@@*§^~:¨¨
¨¨¨:~^§*@@ @@*§^~:¨¨¨
¨¨¨¨:~^§*@ @*§^~:¨¨¨¨
¨¨¨¨¨:~^§* *§^~:¨¨¨¨¨
¨¨¨¨:~^§*@ @*§^~:¨¨¨¨
¨¨¨:~^§*@@ THE SKYSCRAPER THAT MOVES @@*§^~:¨¨¨
¨¨:~^§*@@# #@@*§^~:¨¨
¨:~^§*@@## TAINARON IS A BUILDING OWNED AND ##@@*§^~:¨
¨¨:~^§*@@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@@*§^~:¨¨
¨¨¨:~^§*@@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @@*§^~:¨¨¨
¨¨¨¨:~^§*@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @*§^~:¨¨¨¨
¨¨¨¨¨:~^§* UNKNOWN), DARK BLUE AND COMPLETELY *§^~:¨¨¨¨¨
¨¨¨¨:~^§*@ RECTANGULAR. IT FEATURES NO SIGNS, @*§^~:¨¨¨¨
¨¨¨:~^§*@@ LIGHTS, OR ORNAMENTS, APART FROM A @@*§^~:¨¨¨
¨¨:~^§*@@# HELIPAD ON TOP. MOST FLOORS HAVE #@@*§^~:¨¨
¨:~^§*@@## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##@@*§^~:¨
¨¨:~^§*@@# #@@*§^~:¨¨
¨¨¨:~^§*@@ IN LATE EVENINGS, SHROUDED BY MALMö'S @@*§^~:¨¨¨
¨¨¨¨:~^§*@ SIGNATURE FOG ROLLING IN FROM THE SEA, @*§^~:¨¨¨¨
¨¨¨¨¨:~^§* THE BUILDING COMES TO LIFE: IT MOVES ON *§^~:¨¨¨¨¨
¨¨¨¨:~^§*@ A THOUSAND ROBOTIC LEGS TO ANOTHER @*§^~:¨¨¨¨
¨¨¨:~^§*@@ (SECRET) PART OF TOWN, OR PERHAPS OUT @@*§^~:¨¨¨
¨¨:~^§*@@# TO SEA. THIS SIGNALS A NEW AND MORE #@@*§^~:¨¨
¨:~^§*@@## VISCIOUS PHASE OF THE TAINARON ##@@*§^~:¨
¨¨:~^§*@@# ECOSYSTEM. #@@*§^~:¨¨
¨¨¨:~^§*@@ @@*§^~:¨¨¨
¨¨¨¨:~^§*@ THE GUESTS ARRIVING DURING THE EARLY @*§^~:¨¨¨¨
¨¨¨¨¨:~^§* EVENING ARE TREATED TO FOOD AND DRINK, *§^~:¨¨¨¨¨
¨¨¨¨:~^§*@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @*§^~:¨¨¨¨
¨¨¨:~^§*@@ COMFORTABLE BUT MAZE-LIKE INTERIOR @@*§^~:¨¨¨
¨¨:~^§*@@# STRUCTURE (THE BUILDING FEATURES A #@@*§^~:¨¨
¨:~^§*@@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##@@*§^~:¨
¨¨:~^§*@@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@@*§^~:¨¨
¨¨¨:~^§*@@ FURTHER THAN A FEW FLOORS). @@*§^~:¨¨¨
¨¨¨¨:~^§*@ @*§^~:¨¨¨¨
¨¨¨¨¨:~^§* AS TIME GOES ON, THE LIGHTS SLOWLY DIM, *§^~:¨¨¨¨¨
¨¨¨¨:~^§*@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @*§^~:¨¨¨¨
¨¨¨:~^§*@@ SAME QUALITY AS THE SURROUNDING MIST: @@*§^~:¨¨¨
¨¨:~^§*@@# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #@@*§^~:¨¨
¨:~^§*@@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@@*§^~:¨
¨¨:~^§*@@# IF YOU WOULD LOOK THROUGH THE WINDOWS #@@*§^~:¨¨
¨¨¨:~^§*@@ YOU WOULD SEE THE MIST ROLLING BY, AND @@*§^~:¨¨¨
¨¨¨¨:~^§*@ PERHAPS THE OUTLINE OF SOME OTHER @*§^~:¨¨¨¨
¨¨¨¨¨:~^§* BUILDING, FAR BELOW. *§^~:¨¨¨¨¨
¨¨¨¨:~^§*@ @*§^~:¨¨¨¨
¨¨¨:~^§*@@ DURING THE NIGHT, AFTER TAINARON HAS @@*§^~:¨¨¨
¨¨:~^§*@@# STARTED MOVING, THE LOWER FLOORS ARE #@@*§^~:¨¨
¨:~^§*@@## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##@@*§^~:¨
¨¨:~^§*@@# THE GUESTS. FOOD IS NO LONGER SERVED, #@@*§^~:¨¨
¨¨¨:~^§*@@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @@*§^~:¨¨¨
¨¨¨¨:~^§*@ IT'S AT THIS POINT THAT THE SECOND SET @*§^~:¨¨¨¨
¨¨¨¨¨:~^§* OF GUEST ARRIVES, VIA HELICOPTER - *§^~:¨¨¨¨¨
¨¨¨¨:~^§*@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @*§^~:¨¨¨¨
¨¨¨:~^§*@@ @@*§^~:¨¨¨
¨¨:~^§*@@# ~~~~~ #@@*§^~:¨¨
¨:~^§*@@## ##@@*§^~:¨
¨¨:~^§*@@# IN MY DREAM I AM INVITED AS A FRIEND OF #@@*§^~:¨¨
¨¨¨:~^§*@@ ONE OF THE SERVERS, AND THUS SAFE. WE @@*§^~:¨¨¨
¨¨¨¨:~^§*@ SIT IN ONE OF THE LARGE WINDOWS, @*§^~:¨¨¨¨
¨¨¨¨¨:~^§* LOOKING THROUGH THE MIST FOR ANY *§^~:¨¨¨¨¨
¨¨¨¨:~^§*@ LANDMARKS TO PIERCE THROUGH THE MIST. @*§^~:¨¨¨¨
¨¨¨:~^§*@@ SHE TELLS ME THAT APART FROM COMING AND @@*§^~:¨¨¨
¨¨:~^§*@@# GOING FROM WORK, SHE'S NEVER SEEN THE #@@*§^~:¨¨
¨:~^§*@@## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##@@*§^~:¨
¨¨:~^§*@@# #@@*§^~:¨¨
¨¨¨:~^§*@@ THE NEXT DAY I AM INVITED TO THE PUBLIC @@*§^~:¨¨¨
¨¨¨¨:~^§*@ DEMONSTRATION OF THE EXOBUBBLE. @*§^~:¨¨¨¨
¨¨¨¨¨:~^§* *§^~:¨¨¨¨¨
¨¨¨¨:~^§*@ @*§^~:¨¨¨¨
¨¨¨:~^§*@@ @@*§^~:¨¨¨
¨¨:~^§*@@# #@@*§^~:¨¨
¨:~^§*@@## ##@@*§^~:¨