..~\†£@@## ##@@£†\~..
...~\†£@@# #@@£†\~...
....~\†£@@ @@£†\~....
.....~\†£@ @£†\~.....
......~\†£ £†\~......
.......~\† THE SKYSCRAPER THAT MOVES †\~.......
........~\ \~........
.........~ TAINARON IS A BUILDING OWNED AND ~.........
.......... OPERATED BY AMATA TEXNOLOGIYASI PLACED ..........
.........~ CLOSED TO THE HARBOR IN MALMÖ. IT'S ~.........
........~\ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER \~........
.......~\† UNKNOWN), DARK BLUE AND COMPLETELY †\~.......
......~\†£ RECTANGULAR. IT FEATURES NO SIGNS, £†\~......
.....~\†£@ LIGHTS, OR ORNAMENTS, APART FROM A @£†\~.....
....~\†£@@ HELIPAD ON TOP. MOST FLOORS HAVE @@£†\~....
...~\†£@@# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #@@£†\~...
..~\†£@@## ##@@£†\~..
...~\†£@@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@@£†\~...
....~\†£@@ SIGNATURE FOG ROLLING IN FROM THE SEA, @@£†\~....
.....~\†£@ THE BUILDING COMES TO LIFE: IT MOVES ON @£†\~.....
......~\†£ A THOUSAND ROBOTIC LEGS TO ANOTHER £†\~......
.......~\† (SECRET) PART OF TOWN, OR PERHAPS OUT †\~.......
........~\ TO SEA. THIS SIGNALS A NEW AND MORE \~........
.........~ VISCIOUS PHASE OF THE TAINARON ~.........
.......... ECOSYSTEM. ..........
.........~ ~.........
........~\ THE GUESTS ARRIVING DURING THE EARLY \~........
.......~\† EVENING ARE TREATED TO FOOD AND DRINK, †\~.......
......~\†£ LIVE MUSIC, BEATUTIFUL VIEWS, AND A £†\~......
.....~\†£@ COMFORTABLE BUT MAZE-LIKE INTERIOR @£†\~.....
....~\†£@@ STRUCTURE (THE BUILDING FEATURES A @@£†\~....
...~\†£@@# MULTITUDE OF STAIRWELLS AND ELEVATORS, #@@£†\~...
..~\†£@@## PLACED SEEMINGLY AT RANDOM, NONE GOING ##@@£†\~..
...~\†£@@# FURTHER THAN A FEW FLOORS). #@@£†\~...
....~\†£@@ @@£†\~....
.....~\†£@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @£†\~.....
......~\†£ UNTIL THE AIR INSIDE HAS TAKEN ON THE £†\~......
.......~\† SAME QUALITY AS THE SURROUNDING MIST: †\~.......
........~\ BLUE-GRAY, SPRINKLED WITH THE SMALL RED \~........
.........~ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ~.........
.......... IF YOU WOULD LOOK THROUGH THE WINDOWS ..........
.........~ YOU WOULD SEE THE MIST ROLLING BY, AND ~.........
........~\ PERHAPS THE OUTLINE OF SOME OTHER \~........
.......~\† BUILDING, FAR BELOW. †\~.......
......~\†£ £†\~......
.....~\†£@ DURING THE NIGHT, AFTER TAINARON HAS @£†\~.....
....~\†£@@ STARTED MOVING, THE LOWER FLOORS ARE @@£†\~....
...~\†£@@# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #@@£†\~...
..~\†£@@## THE GUESTS. FOOD IS NO LONGER SERVED, ##@@£†\~..
...~\†£@@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@@£†\~...
....~\†£@@ IT'S AT THIS POINT THAT THE SECOND SET @@£†\~....
.....~\†£@ OF GUEST ARRIVES, VIA HELICOPTER - @£†\~.....
......~\†£ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. £†\~......
.......~\† †\~.......
........~\ ~~~~~ \~........
.........~ ~.........
.......... IN MY DREAM I AM INVITED AS A FRIEND OF ..........
.........~ ONE OF THE SERVERS, AND THUS SAFE. WE ~.........
........~\ SIT IN ONE OF THE LARGE WINDOWS, \~........
.......~\† LOOKING THROUGH THE MIST FOR ANY †\~.......
......~\†£ LANDMARKS TO PIERCE THROUGH THE MIST. £†\~......
.....~\†£@ SHE TELLS ME THAT APART FROM COMING AND @£†\~.....
....~\†£@@ GOING FROM WORK, SHE'S NEVER SEEN THE @@£†\~....
...~\†£@@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@@£†\~...
..~\†£@@## ##@@£†\~..
...~\†£@@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@@£†\~...
....~\†£@@ DEMONSTRATION OF THE EXOBUBBLE. @@£†\~....
.....~\†£@ @£†\~.....
......~\†£ £†\~......
.......~\† †\~.......
........~\ \~........
.........~ ~.........