§¨§¨¨§¨§§¨ ¨§¨§§¨¨§§¨
§¨§¨§§¨¨§¨ §§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ THE SKYSCRAPER THAT MOVES ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ TAINARON IS A BUILDING OWNED AND ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ VISCIOUS PHASE OF THE TAINARON ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ ECOSYSTEM. ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ THE GUESTS ARRIVING DURING THE EARLY ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ STRUCTURE (THE BUILDING FEATURES A ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ FURTHER THAN A FEW FLOORS). ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ SAME QUALITY AS THE SURROUNDING MIST: ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ PERHAPS THE OUTLINE OF SOME OTHER ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ BUILDING, FAR BELOW. ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ DURING THE NIGHT, AFTER TAINARON HAS ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ STARTED MOVING, THE LOWER FLOORS ARE ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ IT'S AT THIS POINT THAT THE SECOND SET ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ »»»»» ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ SIT IN ONE OF THE LARGE WINDOWS, ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ LOOKING THROUGH THE MIST FOR ANY ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ SHE TELLS ME THAT APART FROM COMING AND ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ DEMONSTRATION OF THE EXOBUBBLE. ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ ¨§¨¨§¨§¨§¨
§¨§¨¨§¨§§¨ ¨§¨§§¨§¨§¨
§¨§¨§§¨¨§¨ ¨§¨¨§¨§¨§¨