,^«=**$@## ##@$**=«^,
,^«=*$@#@# #@#@$*=«^,
,^«=*$@#@# #@#@$*=«^,
,,,^==*$@@ @@$*==^,,,
,^«=*$@#@# #@#@$*=«^,
,^«=*$@#@# THE SKYSCRAPER THAT MOVES #@#@$*=«^,
,^«=*$@@@@ @@@@$*=«^,
,^^«=***@@ TAINARON IS A BUILDING OWNED AND @@***=«^^,
,^«=*$@### OPERATED BY AMATA TEXNOLOGIYASI PLACED ###@$*=«^,
,,,^«==**@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @**==«^,,,
,^«=*$@### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ###@$*=«^,
,^«=*$@#@@ UNKNOWN), DARK BLUE AND COMPLETELY @@#@$*=«^,
,,,,,,,«*@ RECTANGULAR. IT FEATURES NO SIGNS, @*«,,,,,,,
,^«=*$@#@# LIGHTS, OR ORNAMENTS, APART FROM A #@#@$*=«^,
,,,,,^=$@# HELIPAD ON TOP. MOST FLOORS HAVE #@$=^,,,,,
,^«=*$@#@@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @@#@$*=«^,
,^«=*$$$@@ @@$$$*=«^,
,^«=*$@#@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@#@$*=«^,
,^«=*$@#@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@#@$*=«^,
,^««=**$$# THE BUILDING COMES TO LIFE: IT MOVES ON #$$**=««^,
,,,^«***@@ A THOUSAND ROBOTIC LEGS TO ANOTHER @@***«^,,,
,^«=*$@@## (SECRET) PART OF TOWN, OR PERHAPS OUT ##@@$*=«^,
,^«==*$$@@ TO SEA. THIS SIGNALS A NEW AND MORE @@$$*==«^,
,^«=*$@#@# VISCIOUS PHASE OF THE TAINARON #@#@$*=«^,
,^«=*$$$## ECOSYSTEM. ##$$$*=«^,
,,,^«=***@ @***=«^,,,
,^«=*$@#@# THE GUESTS ARRIVING DURING THE EARLY #@#@$*=«^,
,^«=*$@### EVENING ARE TREATED TO FOOD AND DRINK, ###@$*=«^,
,^«=*$@#@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@#@$*=«^,
,,^^«=**@@ COMFORTABLE BUT MAZE-LIKE INTERIOR @@**=«^^,,
,^«=*$@#@# STRUCTURE (THE BUILDING FEATURES A #@#@$*=«^,
,^«=*$@#@# MULTITUDE OF STAIRWELLS AND ELEVATORS, #@#@$*=«^,
,^«=*$@#@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@#@$*=«^,
,^«=*$@### FURTHER THAN A FEW FLOORS). ###@$*=«^,
,^«=*$@#@# #@#@$*=«^,
,^«=*$@#@# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #@#@$*=«^,
,,,,,^^=*@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @*=^^,,,,,
,^«=*$@#@# SAME QUALITY AS THE SURROUNDING MIST: #@#@$*=«^,
,^«=*$@#@# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #@#@$*=«^,
,^«=*$@@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@@$*=«^,
,,,,,,^=$# IF YOU WOULD LOOK THROUGH THE WINDOWS #$=^,,,,,,
,^«=*$@#@# YOU WOULD SEE THE MIST ROLLING BY, AND #@#@$*=«^,
,^^^«**$## PERHAPS THE OUTLINE OF SOME OTHER ##$**«^^^,
,^«=*$@#@# BUILDING, FAR BELOW. #@#@$*=«^,
,^«=*$@#@# #@#@$*=«^,
,,,,«==$@# DURING THE NIGHT, AFTER TAINARON HAS #@$==«,,,,
,^«===*@## STARTED MOVING, THE LOWER FLOORS ARE ##@*===«^,
,,,««*$@## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##@$*««,,,
,^«=*$@@#@ THE GUESTS. FOOD IS NO LONGER SERVED, @#@@$*=«^,
,,,,,«««*@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @*«««,,,,,
,^«=*$@@## IT'S AT THIS POINT THAT THE SECOND SET ##@@$*=«^,
,^«=*$@##@ OF GUEST ARRIVES, VIA HELICOPTER - @##@$*=«^,
,,,^^«=$@@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @@$=«^^,,,
,^«=*$@#@# #@#@$*=«^,
,^«=*$@#@@ ««««« @@#@$*=«^,
,^^^=**@## ##@**=^^^,
,^«=*$@#@# IN MY DREAM I AM INVITED AS A FRIEND OF #@#@$*=«^,
,,,««*$@## ONE OF THE SERVERS, AND THUS SAFE. WE ##@$*««,,,
,^«=*$@#@# SIT IN ONE OF THE LARGE WINDOWS, #@#@$*=«^,
,^«=*$@#@@ LOOKING THROUGH THE MIST FOR ANY @@#@$*=«^,
,,^^===*@@ LANDMARKS TO PIERCE THROUGH THE MIST. @@*===^^,,
,^«=**$@@# SHE TELLS ME THAT APART FROM COMING AND #@@$**=«^,
,^«=*$@@## GOING FROM WORK, SHE'S NEVER SEEN THE ##@@$*=«^,
,^«=*$@### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ###@$*=«^,
,,^^==*$$@ @$$*==^^,,
,^«=*$@#@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@#@$*=«^,
,^«=*$@#@# DEMONSTRATION OF THE EXOBUBBLE. #@#@$*=«^,
,,,«=**$@@ @@$**=«,,,
,^«=*$$@#@ @#@$$*=«^,
,,,,,^==*@ @*==^,,,,,
,^«=*$@@## ##@@$*=«^,
,^«=*$@#@# #@#@$*=«^,