##@¤£§\-:¨ ¨:-\§£¤@##
###@¤£§-:¨ ¨:-§£¤@###
##@¤£§\-:¨ ¨:-\§£¤@##
@££§\\\-:¨ ¨:-\\\§££@
¤§-¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨-§¤
¤¤§-¨¨¨¨¨¨ THE SKYSCRAPER THAT MOVES ¨¨¨¨¨¨-§¤¤
@£££§§\-:¨ ¨:-\§§£££@
##@¤£§\-:¨ TAINARON IS A BUILDING OWNED AND ¨:-\§£¤@##
###@¤£§\:¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨:\§£¤@###
##@¤£§\-:¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨:-\§£¤@##
###@¤£§\-¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨-\§£¤@###
@@@¤£§\-:¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨:-\§£¤@@@
¤£\:¨¨¨¨¨¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨¨¨¨¨¨:\£¤
@¤££§-¨¨¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨¨¨-§££¤@
##@¤£§\-:¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨:-\§£¤@##
#@@¤£§\-:¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨:-\§£¤@@#
#¤¤§-:¨¨¨¨ ¨¨¨¨:-§¤¤#
###@£§\-:¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨:-\§£@###
@@@¤£§\-:¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨:-\§£¤@@@
##@¤£§\-:¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨:-\§£¤@##
##@¤£§\-:¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨:-\§£¤@##
##@¤£§\-:¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨:-\§£¤@##
##@¤£§\-:¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨:-\§£¤@##
¤££§\:¨¨¨¨ VISCIOUS PHASE OF THE TAINARON ¨¨¨¨:\§££¤
##@¤£§\-:¨ ECOSYSTEM. ¨:-\§£¤@##
##@¤£§\-:¨ ¨:-\§£¤@##
@££§-¨¨¨¨¨ THE GUESTS ARRIVING DURING THE EARLY ¨¨¨¨¨-§££@
###¤£§\-:¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨:-\§£¤###
¤£§--¨¨¨¨¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨¨¨¨--§£¤
@£§--:¨¨¨¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨¨¨¨:--§£@
¤£\--¨¨¨¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨¨¨¨--\£¤
¤£\--:¨¨¨¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨¨¨¨:--\£¤
##@¤£§\-:¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨:-\§£¤@##
¤£§-:¨¨¨¨¨ FURTHER THAN A FEW FLOORS). ¨¨¨¨¨:-§£¤
¤¤§§--¨¨¨¨ ¨¨¨¨--§§¤¤
###@¤£\-:¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨:-\£¤@###
##@¤£§\-:¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨:-\§£¤@##
¤¤§-:::¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨:::-§¤¤
#@@¤£§\-:¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨:-\§£¤@@#
#¤§-:¨¨¨¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨¨¨¨:-§¤#
##@¤£§\-:¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨:-\§£¤@##
##@¤£§\-:¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨:-\§£¤@##
@¤§§-¨¨¨¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨¨¨¨-§§¤@
###@¤£§-:¨ BUILDING, FAR BELOW. ¨:-§£¤@###
#¤§§-:¨¨¨¨ ¨¨¨¨:-§§¤#
##@¤£§\-:¨ DURING THE NIGHT, AFTER TAINARON HAS ¨:-\§£¤@##
¤§§\:¨¨¨¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨¨¨¨:\§§¤
##@¤£§\-:¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨:-\§£¤@##
#¤§\\:::¨¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨¨:::\\§¤#
¤£\\\\\-:¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨:-\\\\\£¤
#¤¤££§\-:¨ IT'S AT THIS POINT THAT THE SECOND SET ¨:-\§££¤¤#
##@¤£§\-:¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨:-\§£¤@##
¤¤£\:¨¨¨¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨¨¨:\£¤¤
¤§§-:::¨¨¨ ¨¨¨:::-§§¤
##@¤£§\-:¨ ----- ¨:-\§£¤@##
##@¤£§\-:¨ ¨:-\§£¤@##
##@¤£§\-:¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨:-\§£¤@##
@¤££§-:¨¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨¨:-§££¤@
@¤§-:::¨¨¨ SIT IN ONE OF THE LARGE WINDOWS, ¨¨¨:::-§¤@
#@¤¤£§\-:¨ LOOKING THROUGH THE MIST FOR ANY ¨:-\§£¤¤@#
@@¤££§\-:¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨:-\§££¤@@
@@¤£§--:¨¨ SHE TELLS ME THAT APART FROM COMING AND ¨¨:--§£¤@@
##@¤£§\-:¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨:-\§£¤@##
##@¤£§\-:¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨:-\§£¤@##
¤§--:¨¨¨¨¨ ¨¨¨¨¨:--§¤
¤¤£\:¨¨¨¨¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨¨¨¨:\£¤¤
¤§\-:¨¨¨¨¨ DEMONSTRATION OF THE EXOBUBBLE. ¨¨¨¨¨:-\§¤
##@¤£§\-:¨ ¨:-\§£¤@##
#@@¤£§\-:¨ ¨:-\§£¤@@#
##@¤£§\-:¨ ¨:-\§£¤@##
#@¤¤£§\-:¨ ¨:-\§£¤¤@#
@£\:¨¨¨¨¨¨ ¨¨¨¨¨¨:\£@