¨,=*%&&& #&&&&%*=,¨
¨,=*%### ####&%*=,¨
¨,=*%&## ###&&%*=,¨
¨,=*%&## ###&&%*=,¨
¨,=*%&## ###&&%*=,¨
¨,=*%%&& THE SKYSCRAPER THAT MOVES #&&&%%*=,¨
¨¨¨,,*&& #&&&*,,¨¨¨
¨¨¨¨,*%%&& TAINARON IS A BUILDING OWNED AND &&%%*,¨¨¨¨
¨,=*%&## OPERATED BY AMATA TEXNOLOGIYASI PLACED ###&&%*=,¨
¨¨¨¨,=**%& CLOSED TO THE HARBOR IN MALMÖ. IT'S &%**=,¨¨¨¨
¨,=*%&&# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##&&&%*=,¨
¨,=*%&## UNKNOWN), DARK BLUE AND COMPLETELY ###&&%*=,¨
¨¨¨¨,=*% RECTANGULAR. IT FEATURES NO SIGNS, #&%*=,¨¨¨¨
¨,=*%&## LIGHTS, OR ORNAMENTS, APART FROM A ###&&%*=,¨
¨,=*%### HELIPAD ON TOP. MOST FLOORS HAVE ####&%*=,¨
¨,=*%&## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###&&%*=,¨
¨,=*%&## ###&&%*=,¨
¨,=*%&## IN LATE EVENINGS, SHROUDED BY MALMö'S ###&&%*=,¨
¨¨¨¨=**&&& SIGNATURE FOG ROLLING IN FROM THE SEA, &&&**=¨¨¨¨
¨¨,==%%% THE BUILDING COMES TO LIFE: IT MOVES ON #&%%%==,¨¨
¨¨¨¨¨,*& A THOUSAND ROBOTIC LEGS TO ANOTHER #&&*,¨¨¨¨¨
¨¨¨¨,*%# (SECRET) PART OF TOWN, OR PERHAPS OUT ##&%*,¨¨¨¨
¨,=*%### TO SEA. THIS SIGNALS A NEW AND MORE ####&%*=,¨
¨,=*%&## VISCIOUS PHASE OF THE TAINARON ###&&%*=,¨
¨,=*%&&& ECOSYSTEM. #&&&&%*=,¨
¨,=*%&## ###&&%*=,¨
¨,=*%&## THE GUESTS ARRIVING DURING THE EARLY ###&&%*=,¨
¨¨¨===*& EVENING ARE TREATED TO FOOD AND DRINK, #&&*===¨¨¨
¨,=*%&## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ###&&%*=,¨
¨,=*%&## COMFORTABLE BUT MAZE-LIKE INTERIOR ###&&%*=,¨
¨,=*%&## STRUCTURE (THE BUILDING FEATURES A ###&&%*=,¨
¨¨¨,,,*% MULTITUDE OF STAIRWELLS AND ELEVATORS, #&%*,,,¨¨¨
¨,=*%&&& PLACED SEEMINGLY AT RANDOM, NONE GOING #&&&&%*=,¨
¨,=*%%%# FURTHER THAN A FEW FLOORS). ##&%%%*=,¨
¨,,=**%& #&&%**=,,¨
¨,=*%&## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###&&%*=,¨
¨¨¨,,=%%&& UNTIL THE AIR INSIDE HAS TAKEN ON THE &&%%=,,¨¨¨
¨,=*%&## SAME QUALITY AS THE SURROUNDING MIST: ###&&%*=,¨
¨,=*%&## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ###&&%*=,¨
¨¨,,===%%& DOT'S BY DOOR LOCKS AND CONTROL PANELS. &%%===,,¨¨
¨¨¨¨,,=*&& IF YOU WOULD LOOK THROUGH THE WINDOWS &&*=,,¨¨¨¨
¨,=*%&## YOU WOULD SEE THE MIST ROLLING BY, AND ###&&%*=,¨
¨¨¨¨¨¨,=%& PERHAPS THE OUTLINE OF SOME OTHER &%=,¨¨¨¨¨¨
¨,=*%&## BUILDING, FAR BELOW. ###&&%*=,¨
¨,=*%&&# ##&&&%*=,¨
¨,=*%&&& DURING THE NIGHT, AFTER TAINARON HAS #&&&&%*=,¨
¨,=*%&## STARTED MOVING, THE LOWER FLOORS ARE ###&&%*=,¨
¨¨¨¨,*&&&& SHUT OFF, PREVENTING ENTRY OR EXIT FOR &&&&*,¨¨¨¨
¨,=*%&## THE GUESTS. FOOD IS NO LONGER SERVED, ###&&%*=,¨
¨,=*%&&# BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##&&&%*=,¨
¨,=*%### IT'S AT THIS POINT THAT THE SECOND SET ####&%*=,¨
¨,=*%&## OF GUEST ARRIVES, VIA HELICOPTER - ###&&%*=,¨
¨¨¨¨¨¨=% AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #&%=¨¨¨¨¨¨
¨,=***&&&& &&&&***=,¨
¨¨¨¨¨¨,* ===== #&*,¨¨¨¨¨¨
¨¨¨¨,*** #&***,¨¨¨¨
¨,=*%&&# IN MY DREAM I AM INVITED AS A FRIEND OF ##&&&%*=,¨
¨¨¨¨==*&&& ONE OF THE SERVERS, AND THUS SAFE. WE &&&*==¨¨¨¨
¨,=*%&&# SIT IN ONE OF THE LARGE WINDOWS, ##&&&%*=,¨
¨¨¨¨=*%& LOOKING THROUGH THE MIST FOR ANY #&&%*=¨¨¨¨
¨¨¨¨,,=% LANDMARKS TO PIERCE THROUGH THE MIST. #&%=,,¨¨¨¨
¨¨¨¨¨,**&& SHE TELLS ME THAT APART FROM COMING AND &&**,¨¨¨¨¨
¨,=*%&## GOING FROM WORK, SHE'S NEVER SEEN THE ###&&%*=,¨
¨,=*%&## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ###&&%*=,¨
¨¨¨¨=%&# ##&&%=¨¨¨¨
¨,=*%&## THE NEXT DAY I AM INVITED TO THE PUBLIC ###&&%*=,¨
¨,=*%&## DEMONSTRATION OF THE EXOBUBBLE. ###&&%*=,¨
¨,=*%&## ###&&%*=,¨
¨,=*%&## ###&&%*=,¨
¨,=***&# ##&&***=,¨
¨,=*%&## ###&&%*=,¨
¨,=*%&## ###&&%*=,¨