,,,,,/%%£# #£%%/,,,,,
,,-/%£££## ##£££%/-,,
,,---%%££# #££%%---,,
,,-/%£#### ####£%/-,,
,,,,,,-%£# #£%-,,,,,,
,,,,-/%%££ the skyscraper that moves ££%%/-,,,,
,,,,,/££££ ££££/,,,,,
,,,,,-%£## tainaron is a building owned and ##£%-,,,,,
,,--//%£££ operated by amata texnologiyasi placed £££%//--,,
,,,,,-%%££ closed to the harbor in malmÖ. it's ££%%-,,,,,
,,-/%£££## roughly sixty floors high (real number ##£££%/-,,
,,-/%££### unknown), dark blue and completely ###££%/-,,
,,-/%££### rectangular. it features no signs, ###££%/-,,
,,,,,,/%££ lights, or ornaments, apart from a ££%/,,,,,,
,,-/%%%%£# helipad on top. most floors have #£%%%%/-,,
,,,,-/£££# exterior walls completely made of glass. #£££/-,,,,
,,,,,-//££ ££//-,,,,,
,,-/%££### in late evenings, shrouded by malmö's ###££%/-,,
,,-/%££### signature fog rolling in from the sea, ###££%/-,,
,,-/%££### the building comes to life: it moves on ###££%/-,,
,,,,,,,/££ a thousand robotic legs to another ££/,,,,,,,
,,-/%££### (secret) part of town, or perhaps out ###££%/-,,
,,,,-%%%£# to sea. this signals a new and more #£%%%-,,,,
,,-/%££### viscious phase of the tainaron ###££%/-,,
,,-/%££### ecosystem. ###££%/-,,
,,-/%£££## ##£££%/-,,
,,,,,-%££# the guests arriving during the early #££%-,,,,,
,,-/%££### evening are treated to food and drink, ###££%/-,,
,,-/%£££££ live music, beatutiful views, and a £££££%/-,,
,,,,,///£# comfortable but maze-like interior #£///,,,,,
,,,,,,-%££ structure (the building features a ££%-,,,,,,
,,,,/%££## multitude of stairwells and elevators, ##££%/,,,,
,,,,,,,-%£ placed seemingly at random, none going £%-,,,,,,,
,,,,-%%£££ further than a few floors). £££%%-,,,,
,,,,,,-%£# #£%-,,,,,,
,,,,---%££ as time goes on, the lights slowly dim, ££%---,,,,
,,-/%££### until the air inside has taken on the ###££%/-,,
,,-/%££### same quality as the surrounding mist: ###££%/-,,
,,-/%££### blue-gray, sprinkled with the small red ###££%/-,,
,,,,///%£# dot's by door locks and control panels. #£%///,,,,
,,,,,,,-%£ if you would look through the windows £%-,,,,,,,
,,,,,-%££# you would see the mist rolling by, and #££%-,,,,,
,,,,,,/%£# perhaps the outline of some other #£%/,,,,,,
,,-/%££### building, far below. ###££%/-,,
,,,--%££## ##££%--,,,
,,-/%££### during the night, after tainaron has ###££%/-,,
,,,,,,,/££ started moving, the lower floors are ££/,,,,,,,
,,-/%££### shut off, preventing entry or exit for ###££%/-,,
,,-/%££### the guests. food is no longer served, ###££%/-,,
,,,,,-%££# but the drinks become more extravagant. #££%-,,,,,
,,-/%££### it's at this point that the second set ###££%/-,,
,,-/%£#### of guest arrives, via helicopter - ####£%/-,,
,,-/%££### amata texnologiyasi and their friends. ###££%/-,,
,,-///£££# #£££///-,,
,,-/%££### ----- ###££%/-,,
,,,,,-%£## ##£%-,,,,,
,,,,,-/££# in my dream i am invited as a friend of #££/-,,,,,
,,,,,-/£££ one of the servers, and thus safe. we £££/-,,,,,
,,,,,,/%££ sit in one of the large windows, ££%/,,,,,,
,,-/%££### looking through the mist for any ###££%/-,,
,,,---%££# landmarks to pierce through the mist. #££%---,,,
,,-/%£££## she tells me that apart from coming and ##£££%/-,,
,,,,,,-%£# going from work, she's never seen the #£%-,,,,,,
,,,,--%£## building from the outside. we both sigh. ##£%--,,,,
,,,,,,/%£# #£%/,,,,,,
,,-/%£££## the next day i am invited to the public ##£££%/-,,
,,-/%%%%£# demonstration of the exobubble. #£%%%%/-,,
,,-/%££### ###££%/-,,
,,-/%££### ###££%/-,,
,,,,,--/£# #£/--,,,,,
,,-/%££### ###££%/-,,
,,,,-/%££# #££%/-,,,,