,@@,,,@,,, @,@@,,@,,,
,@@@,,,@,, ,,@@@,,@,,
,@,@@,,,@, ,,@,@@,,@,
,,,@@@,,,@ ,,,,@@@,,@
@,,@,@@,,, ,,,,@,@@,,
,@,,,@@@,, THE SKYSCRAPER THAT MOVES ,,,,,,@@@,
,,@,,@,@@, @,,,,,@,@@
@,,@,,,@@@ TAINARON IS A BUILDING OWNED AND @@,,,,,,@@
@@,,@,,@,@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @@@,,,,,@,
@@@,,@,,,@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @,@@,,,,,,
@,@@,,@,,@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,@@@,,,,,
,,@@@,,@,, UNKNOWN), DARK BLUE AND COMPLETELY ,,@,@@,,,,
,,@,@@,,@, RECTANGULAR. IT FEATURES NO SIGNS, ,,,,@@@,,,
,,,,@@@,,@ LIGHTS, OR ORNAMENTS, APART FROM A ,,,,@,@@,,
,,,,@,@@,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,,,,@@@,
,,,,,,@@@, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,,,,,@,@@
@,,,,,@,@@ ,,,,,,,,@@
@@,,,,,,@@ IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,,,,,,@,
@@@,,,,,@, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,,,,,,,,
@,@@,,,,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,,,,,,,,,
,,@@@,,,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,,,,,,,,
,,@,@@,,,, (SECRET) PART OF TOWN, OR PERHAPS OUT @,,,,,,,,,
,,,,@@@,,, TO SEA. THIS SIGNALS A NEW AND MORE @@,,,,,,,,
,,,,@,@@,, VISCIOUS PHASE OF THE TAINARON @@@,,,,,,,
,,,,,,@@@, ECOSYSTEM. @,@@,,,,,,
,,,,,,@,@@ ,,@@@,,,,,
,,,,,,,,@@ THE GUESTS ARRIVING DURING THE EARLY ,,@,@@,,,,
,,,,,,,,@, EVENING ARE TREATED TO FOOD AND DRINK, ,,,,@@@,,,
,,,,,,,,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,,@,@@,,
,,,,,,,,,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,,,,,@@@,
,,,,,,,,,, STRUCTURE (THE BUILDING FEATURES A @,,,,,@,@@
@,,,,,,,,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,@,,,,,,@@
@@,,,,,,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,@,,,,,@,
@@@,,,,,,, FURTHER THAN A FEW FLOORS). ,,,@,,,,,,
@,@@,,,,,, ,,,,@,,,,,
,,@@@,,,,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @,,,,@,,,,
,,@,@@,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE @@,,,,@,,,
,,,,@@@,,, SAME QUALITY AS THE SURROUNDING MIST: ,@@,,,,@,,
,,,,@,@@,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,@@@,,,,@,
,,,,,,@@@, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,@,@@,,,,@
@,,,,,@,@@ IF YOU WOULD LOOK THROUGH THE WINDOWS ,,,@@@,,,,
,@,,,,,,@@ YOU WOULD SEE THE MIST ROLLING BY, AND ,,,@,@@,,,
,,@,,,,,@, PERHAPS THE OUTLINE OF SOME OTHER ,,,,,@@@,,
,,,@,,,,,, BUILDING, FAR BELOW. ,,,,,@,@@,
,,,,@,,,,, ,,,,,,,@@@
@,,,,@,,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,,,,,@,@
@@,,,,@,,, STARTED MOVING, THE LOWER FLOORS ARE @,,,,,,,,@
,@@,,,,@,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,@,,,,,,,@
,@@@,,,,@, THE GUESTS. FOOD IS NO LONGER SERVED, ,,@,,,,,,,
,@,@@,,,,@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,@,,,,,,
,,,@@@,,,, IT'S AT THIS POINT THAT THE SECOND SET @,,,@,,,,,
,,,@,@@,,, OF GUEST ARRIVES, VIA HELICOPTER - @@,,,@,,,,
,,,,,@@@,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,@@,,,@,,,
,,,,,@,@@, ,@@@,,,@,,
,,,,,,,@@@ ~~~~~ ,@,@@,,,@,
,,,,,,,@,@ ,,,@@@,,,@
@,,,,,,,,@ IN MY DREAM I AM INVITED AS A FRIEND OF @,,@,@@,,,
,@,,,,,,,@ ONE OF THE SERVERS, AND THUS SAFE. WE ,@,,,@@@,,
,,@,,,,,,, SIT IN ONE OF THE LARGE WINDOWS, ,,@,,@,@@,
,,,@,,,,,, LOOKING THROUGH THE MIST FOR ANY @,,@,,,@@@
@,,,@,,,,, LANDMARKS TO PIERCE THROUGH THE MIST. @@,,@,,@,@
@@,,,@,,,, SHE TELLS ME THAT APART FROM COMING AND @@@,,@,,,@
,@@,,,@,,, GOING FROM WORK, SHE'S NEVER SEEN THE @,@@,,@,,@
,@@@,,,@,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,@@@,,@,,
,@,@@,,,@, ,,@,@@,,@,
,,,@@@,,,@ THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,,@@@,,@
@,,@,@@,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,,@,@@,,
,@,,,@@@,, ,,,,,,@@@,
,,@,,@,@@, @,,,,,@,@@
@,,@,,,@@@ @@,,,,,,@@
@@,,@,,@,@ @@@,,,,,@,
@@@,,@,,,@ @,@@,,,,,,