,^«\*§¤#@# #@#¤§*\«^,
,,^«\*§¤#@ @#¤§*\«^,,
,,,^«\*§¤# #¤§*\«^,,,
,,,,^«\*§¤ ¤§*\«^,,,,
,,,,,^«\*§ §*\«^,,,,,
,,,,,,^«\* THE SKYSCRAPER THAT MOVES *\«^,,,,,,
,,,,,,,^«\ \«^,,,,,,,
,,,,,,,,^« TAINARON IS A BUILDING OWNED AND «^,,,,,,,,
,,,,,,,,,^ OPERATED BY AMATA TEXNOLOGIYASI PLACED ^,,,,,,,,,
,,,,,,,,^« CLOSED TO THE HARBOR IN MALMÖ. IT'S «^,,,,,,,,
,,,,,,,^«\ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER \«^,,,,,,,
,,,,,,^«\* UNKNOWN), DARK BLUE AND COMPLETELY *\«^,,,,,,
,,,,,^«\*§ RECTANGULAR. IT FEATURES NO SIGNS, §*\«^,,,,,
,,,,^«\*§¤ LIGHTS, OR ORNAMENTS, APART FROM A ¤§*\«^,,,,
,,,^«\*§¤# HELIPAD ON TOP. MOST FLOORS HAVE #¤§*\«^,,,
,,^«\*§¤#@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @#¤§*\«^,,
,^«\*§¤#@# #@#¤§*\«^,
,,^«\*§¤#@ IN LATE EVENINGS, SHROUDED BY MALMö'S @#¤§*\«^,,
,,,^«\*§¤# SIGNATURE FOG ROLLING IN FROM THE SEA, #¤§*\«^,,,
,,,,^«\*§¤ THE BUILDING COMES TO LIFE: IT MOVES ON ¤§*\«^,,,,
,,,,,^«\*§ A THOUSAND ROBOTIC LEGS TO ANOTHER §*\«^,,,,,
,,,,,,^«\* (SECRET) PART OF TOWN, OR PERHAPS OUT *\«^,,,,,,
,,,,,,,^«\ TO SEA. THIS SIGNALS A NEW AND MORE \«^,,,,,,,
,,,,,,,,^« VISCIOUS PHASE OF THE TAINARON «^,,,,,,,,
,,,,,,,,,^ ECOSYSTEM. ^,,,,,,,,,
,,,,,,,,^« «^,,,,,,,,
,,,,,,,^«\ THE GUESTS ARRIVING DURING THE EARLY \«^,,,,,,,
,,,,,,^«\* EVENING ARE TREATED TO FOOD AND DRINK, *\«^,,,,,,
,,,,,^«\*§ LIVE MUSIC, BEATUTIFUL VIEWS, AND A §*\«^,,,,,
,,,,^«\*§¤ COMFORTABLE BUT MAZE-LIKE INTERIOR ¤§*\«^,,,,
,,,^«\*§¤# STRUCTURE (THE BUILDING FEATURES A #¤§*\«^,,,
,,^«\*§¤#@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @#¤§*\«^,,
,^«\*§¤#@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@#¤§*\«^,
,,^«\*§¤#@ FURTHER THAN A FEW FLOORS). @#¤§*\«^,,
,,,^«\*§¤# #¤§*\«^,,,
,,,,^«\*§¤ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¤§*\«^,,,,
,,,,,^«\*§ UNTIL THE AIR INSIDE HAS TAKEN ON THE §*\«^,,,,,
,,,,,,^«\* SAME QUALITY AS THE SURROUNDING MIST: *\«^,,,,,,
,,,,,,,^«\ BLUE-GRAY, SPRINKLED WITH THE SMALL RED \«^,,,,,,,
,,,,,,,,^« DOT'S BY DOOR LOCKS AND CONTROL PANELS. «^,,,,,,,,
,,,,,,,,,^ IF YOU WOULD LOOK THROUGH THE WINDOWS ^,,,,,,,,,
,,,,,,,,^« YOU WOULD SEE THE MIST ROLLING BY, AND «^,,,,,,,,
,,,,,,,^«\ PERHAPS THE OUTLINE OF SOME OTHER \«^,,,,,,,
,,,,,,^«\* BUILDING, FAR BELOW. *\«^,,,,,,
,,,,,^«\*§ §*\«^,,,,,
,,,,^«\*§¤ DURING THE NIGHT, AFTER TAINARON HAS ¤§*\«^,,,,
,,,^«\*§¤# STARTED MOVING, THE LOWER FLOORS ARE #¤§*\«^,,,
,,^«\*§¤#@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @#¤§*\«^,,
,^«\*§¤#@# THE GUESTS. FOOD IS NO LONGER SERVED, #@#¤§*\«^,
,,^«\*§¤#@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @#¤§*\«^,,
,,,^«\*§¤# IT'S AT THIS POINT THAT THE SECOND SET #¤§*\«^,,,
,,,,^«\*§¤ OF GUEST ARRIVES, VIA HELICOPTER - ¤§*\«^,,,,
,,,,,^«\*§ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. §*\«^,,,,,
,,,,,,^«\* *\«^,,,,,,
,,,,,,,^«\ ««««« \«^,,,,,,,
,,,,,,,,^« «^,,,,,,,,
,,,,,,,,,^ IN MY DREAM I AM INVITED AS A FRIEND OF ^,,,,,,,,,
,,,,,,,,^« ONE OF THE SERVERS, AND THUS SAFE. WE «^,,,,,,,,
,,,,,,,^«\ SIT IN ONE OF THE LARGE WINDOWS, \«^,,,,,,,
,,,,,,^«\* LOOKING THROUGH THE MIST FOR ANY *\«^,,,,,,
,,,,,^«\*§ LANDMARKS TO PIERCE THROUGH THE MIST. §*\«^,,,,,
,,,,^«\*§¤ SHE TELLS ME THAT APART FROM COMING AND ¤§*\«^,,,,
,,,^«\*§¤# GOING FROM WORK, SHE'S NEVER SEEN THE #¤§*\«^,,,
,,^«\*§¤#@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @#¤§*\«^,,
,^«\*§¤#@# #@#¤§*\«^,
,,^«\*§¤#@ THE NEXT DAY I AM INVITED TO THE PUBLIC @#¤§*\«^,,
,,,^«\*§¤# DEMONSTRATION OF THE EXOBUBBLE. #¤§*\«^,,,
,,,,^«\*§¤ ¤§*\«^,,,,
,,,,,^«\*§ §*\«^,,,,,
,,,,,,^«\* *\«^,,,,,,
,,,,,,,^«\ \«^,,,,,,,
,,,,,,,,^« «^,,,,,,,,