¨¨¨¨:~^*%¤ ¤%*^~:¨¨¨¨
¨¨¨¨¨:~^*% %*^~:¨¨¨¨¨
¨¨¨¨¨¨:~^* *^~:¨¨¨¨¨¨
¨¨¨¨¨¨¨:~^ ^~:¨¨¨¨¨¨¨
¨¨¨¨¨¨:~^* *^~:¨¨¨¨¨¨
¨¨¨¨¨:~^*% THE SKYSCRAPER THAT MOVES %*^~:¨¨¨¨¨
¨¨¨¨:~^*%¤ ¤%*^~:¨¨¨¨
¨¨¨:~^*%¤@ TAINARON IS A BUILDING OWNED AND @¤%*^~:¨¨¨
¨¨:~^*%¤@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@¤%*^~:¨¨
¨:~^*%¤@## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##@¤%*^~:¨
¨¨:~^*%¤@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@¤%*^~:¨¨
¨¨¨:~^*%¤@ UNKNOWN), DARK BLUE AND COMPLETELY @¤%*^~:¨¨¨
¨¨¨¨:~^*%¤ RECTANGULAR. IT FEATURES NO SIGNS, ¤%*^~:¨¨¨¨
¨¨¨¨¨:~^*% LIGHTS, OR ORNAMENTS, APART FROM A %*^~:¨¨¨¨¨
¨¨¨¨¨¨:~^* HELIPAD ON TOP. MOST FLOORS HAVE *^~:¨¨¨¨¨¨
¨¨¨¨¨¨¨:~^ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ^~:¨¨¨¨¨¨¨
¨¨¨¨¨¨:~^* *^~:¨¨¨¨¨¨
¨¨¨¨¨:~^*% IN LATE EVENINGS, SHROUDED BY MALMö'S %*^~:¨¨¨¨¨
¨¨¨¨:~^*%¤ SIGNATURE FOG ROLLING IN FROM THE SEA, ¤%*^~:¨¨¨¨
¨¨¨:~^*%¤@ THE BUILDING COMES TO LIFE: IT MOVES ON @¤%*^~:¨¨¨
¨¨:~^*%¤@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@¤%*^~:¨¨
¨:~^*%¤@## (SECRET) PART OF TOWN, OR PERHAPS OUT ##@¤%*^~:¨
¨¨:~^*%¤@# TO SEA. THIS SIGNALS A NEW AND MORE #@¤%*^~:¨¨
¨¨¨:~^*%¤@ VISCIOUS PHASE OF THE TAINARON @¤%*^~:¨¨¨
¨¨¨¨:~^*%¤ ECOSYSTEM. ¤%*^~:¨¨¨¨
¨¨¨¨¨:~^*% %*^~:¨¨¨¨¨
¨¨¨¨¨¨:~^* THE GUESTS ARRIVING DURING THE EARLY *^~:¨¨¨¨¨¨
¨¨¨¨¨¨¨:~^ EVENING ARE TREATED TO FOOD AND DRINK, ^~:¨¨¨¨¨¨¨
¨¨¨¨¨¨:~^* LIVE MUSIC, BEATUTIFUL VIEWS, AND A *^~:¨¨¨¨¨¨
¨¨¨¨¨:~^*% COMFORTABLE BUT MAZE-LIKE INTERIOR %*^~:¨¨¨¨¨
¨¨¨¨:~^*%¤ STRUCTURE (THE BUILDING FEATURES A ¤%*^~:¨¨¨¨
¨¨¨:~^*%¤@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @¤%*^~:¨¨¨
¨¨:~^*%¤@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@¤%*^~:¨¨
¨:~^*%¤@## FURTHER THAN A FEW FLOORS). ##@¤%*^~:¨
¨¨:~^*%¤@# #@¤%*^~:¨¨
¨¨¨:~^*%¤@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @¤%*^~:¨¨¨
¨¨¨¨:~^*%¤ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¤%*^~:¨¨¨¨
¨¨¨¨¨:~^*% SAME QUALITY AS THE SURROUNDING MIST: %*^~:¨¨¨¨¨
¨¨¨¨¨¨:~^* BLUE-GRAY, SPRINKLED WITH THE SMALL RED *^~:¨¨¨¨¨¨
¨¨¨¨¨¨¨:~^ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ^~:¨¨¨¨¨¨¨
¨¨¨¨¨¨:~^* IF YOU WOULD LOOK THROUGH THE WINDOWS *^~:¨¨¨¨¨¨
¨¨¨¨¨:~^*% YOU WOULD SEE THE MIST ROLLING BY, AND %*^~:¨¨¨¨¨
¨¨¨¨:~^*%¤ PERHAPS THE OUTLINE OF SOME OTHER ¤%*^~:¨¨¨¨
¨¨¨:~^*%¤@ BUILDING, FAR BELOW. @¤%*^~:¨¨¨
¨¨:~^*%¤@# #@¤%*^~:¨¨
¨:~^*%¤@## DURING THE NIGHT, AFTER TAINARON HAS ##@¤%*^~:¨
¨¨:~^*%¤@# STARTED MOVING, THE LOWER FLOORS ARE #@¤%*^~:¨¨
¨¨¨:~^*%¤@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @¤%*^~:¨¨¨
¨¨¨¨:~^*%¤ THE GUESTS. FOOD IS NO LONGER SERVED, ¤%*^~:¨¨¨¨
¨¨¨¨¨:~^*% BUT THE DRINKS BECOME MORE EXTRAVAGANT. %*^~:¨¨¨¨¨
¨¨¨¨¨¨:~^* IT'S AT THIS POINT THAT THE SECOND SET *^~:¨¨¨¨¨¨
¨¨¨¨¨¨¨:~^ OF GUEST ARRIVES, VIA HELICOPTER - ^~:¨¨¨¨¨¨¨
¨¨¨¨¨¨:~^* AMATA TEXNOLOGIYASI AND THEIR FRIENDS. *^~:¨¨¨¨¨¨
¨¨¨¨¨:~^*% %*^~:¨¨¨¨¨
¨¨¨¨:~^*%¤ ~~~~~ ¤%*^~:¨¨¨¨
¨¨¨:~^*%¤@ @¤%*^~:¨¨¨
¨¨:~^*%¤@# IN MY DREAM I AM INVITED AS A FRIEND OF #@¤%*^~:¨¨
¨:~^*%¤@## ONE OF THE SERVERS, AND THUS SAFE. WE ##@¤%*^~:¨
¨¨:~^*%¤@# SIT IN ONE OF THE LARGE WINDOWS, #@¤%*^~:¨¨
¨¨¨:~^*%¤@ LOOKING THROUGH THE MIST FOR ANY @¤%*^~:¨¨¨
¨¨¨¨:~^*%¤ LANDMARKS TO PIERCE THROUGH THE MIST. ¤%*^~:¨¨¨¨
¨¨¨¨¨:~^*% SHE TELLS ME THAT APART FROM COMING AND %*^~:¨¨¨¨¨
¨¨¨¨¨¨:~^* GOING FROM WORK, SHE'S NEVER SEEN THE *^~:¨¨¨¨¨¨
¨¨¨¨¨¨¨:~^ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ^~:¨¨¨¨¨¨¨
¨¨¨¨¨¨:~^* *^~:¨¨¨¨¨¨
¨¨¨¨¨:~^*% THE NEXT DAY I AM INVITED TO THE PUBLIC %*^~:¨¨¨¨¨
¨¨¨¨:~^*%¤ DEMONSTRATION OF THE EXOBUBBLE. ¤%*^~:¨¨¨¨
¨¨¨:~^*%¤@ @¤%*^~:¨¨¨
¨¨:~^*%¤@# #@¤%*^~:¨¨
¨:~^*%¤@## ##@¤%*^~:¨
¨¨:~^*%¤@# #@¤%*^~:¨¨
¨¨¨:~^*%¤@ @¤%*^~:¨¨¨