¶§£$--.... ....--$£§¶
§£*-~..... .....~-*£§
#@¶§£$*-~. .~-*$£§¶@#
#@¶§£$*-~. .~-*$£§¶@#
#@¶§£$*-~. .~-*$£§¶@#
@@¶§£$*-~. THE SKYSCRAPER THAT MOVES .~-*$£§¶@@
@§£*~..... .....~*£§@
#@¶§£$*-~. TAINARON IS A BUILDING OWNED AND .~-*$£§¶@#
@@¶§£$*-~. OPERATED BY AMATA TEXNOLOGIYASI PLACED .~-*$£§¶@@
§§$----~.. CLOSED TO THE HARBOR IN MALMÖ. IT'S ..~----$§§
§£$*~..... ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .....~*$£§
¶§$-~~.... UNKNOWN), DARK BLUE AND COMPLETELY ....~~-$§¶
¶£*****-~. RECTANGULAR. IT FEATURES NO SIGNS, .~-*****£¶
§£*~...... LIGHTS, OR ORNAMENTS, APART FROM A ......~*£§
##@§£$*-~. HELIPAD ON TOP. MOST FLOORS HAVE .~-*$£§@##
#@¶§£$*-~. EXTERIOR WALLS COMPLETELY MADE OF GLASS. .~-*$£§¶@#
##@¶§$*-~. .~-*$§¶@##
##@¶£$*-~. IN LATE EVENINGS, SHROUDED BY MALMö'S .~-*$£¶@##
#@¶§£$*-~. SIGNATURE FOG ROLLING IN FROM THE SEA, .~-*$£§¶@#
§££$-~.... THE BUILDING COMES TO LIFE: IT MOVES ON ....~-$££§
§$--...... A THOUSAND ROBOTIC LEGS TO ANOTHER ......--$§
#@¶§£$*-~. (SECRET) PART OF TOWN, OR PERHAPS OUT .~-*$£§¶@#
@@¶§£$*-~. TO SEA. THIS SIGNALS A NEW AND MORE .~-*$£§¶@@
##¶§£$*-~. VISCIOUS PHASE OF THE TAINARON .~-*$£§¶##
@@¶§£$*-~. ECOSYSTEM. .~-*$£§¶@@
@¶§$$**-~. .~-**$$§¶@
§£****-... THE GUESTS ARRIVING DURING THE EARLY ...-****£§
§£*----~.. EVENING ARE TREATED TO FOOD AND DRINK, ..~----*£§
@¶£££$*-~. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .~-*$£££¶@
##@§£$*-~. COMFORTABLE BUT MAZE-LIKE INTERIOR .~-*$£§@##
#@¶§£$*-~. STRUCTURE (THE BUILDING FEATURES A .~-*$£§¶@#
¶§$-~~~~.. MULTITUDE OF STAIRWELLS AND ELEVATORS, ..~~~~-$§¶
##@¶§£$*-~ PLACED SEEMINGLY AT RANDOM, NONE GOING ~-*$£§¶@##
@§£$*~~~~. FURTHER THAN A FEW FLOORS). .~~~~*$£§@
¶¶§$*~~~.. ..~~~*$§¶¶
@@¶§£$*-~. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .~-*$£§¶@@
##@§£$*-~. UNTIL THE AIR INSIDE HAS TAKEN ON THE .~-*$£§@##
¶§££$-.... SAME QUALITY AS THE SURROUNDING MIST: ....-$££§¶
@¶£$-..... BLUE-GRAY, SPRINKLED WITH THE SMALL RED .....-$£¶@
#@¶§£$*-~. DOT'S BY DOOR LOCKS AND CONTROL PANELS. .~-*$£§¶@#
##@§£$*-~. IF YOU WOULD LOOK THROUGH THE WINDOWS .~-*$£§@##
#@¶§£$*-~. YOU WOULD SEE THE MIST ROLLING BY, AND .~-*$£§¶@#
¶§$-...... PERHAPS THE OUTLINE OF SOME OTHER ......-$§¶
¶¶¶§£$*-~. BUILDING, FAR BELOW. .~-*$£§¶¶¶
#@¶§£$*-~. .~-*$£§¶@#
#@¶§£$*-~. DURING THE NIGHT, AFTER TAINARON HAS .~-*$£§¶@#
#@¶§£$*-~. STARTED MOVING, THE LOWER FLOORS ARE .~-*$£§¶@#
##¶§£$*-~. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .~-*$£§¶##
¶§$-~..... THE GUESTS. FOOD IS NO LONGER SERVED, .....~-$§¶
##@¶§£*-~. BUT THE DRINKS BECOME MORE EXTRAVAGANT. .~-*£§¶@##
##@¶£$*-~. IT'S AT THIS POINT THAT THE SECOND SET .~-*$£¶@##
§£***~~... OF GUEST ARRIVES, VIA HELICOPTER - ...~~***£§
¶¶£$-..... AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .....-$£¶¶
§$*~...... ......~*$§
¶¶§§£$*-~. ----- .~-*$£§§¶¶
#@¶§£$*-~. .~-*$£§¶@#
@@¶§£$*-~. IN MY DREAM I AM INVITED AS A FRIEND OF .~-*$£§¶@@
§$-....... ONE OF THE SERVERS, AND THUS SAFE. WE .......-$§
§§§$*~~... SIT IN ONE OF THE LARGE WINDOWS, ...~~*$§§§
¶§§§£$*-~. LOOKING THROUGH THE MIST FOR ANY .~-*$£§§§¶
¶¶££**~~.. LANDMARKS TO PIERCE THROUGH THE MIST. ..~~**££¶¶
#@¶§£$*-~. SHE TELLS ME THAT APART FROM COMING AND .~-*$£§¶@#
##@¶§£$*-~ GOING FROM WORK, SHE'S NEVER SEEN THE ~-*$£§¶@##
#@¶§£$*-~. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .~-*$£§¶@#
@¶£$--.... ....--$£¶@
¶§$-~~~~.. THE NEXT DAY I AM INVITED TO THE PUBLIC ..~~~~-$§¶
#@¶§£$*-~. DEMONSTRATION OF THE EXOBUBBLE. .~-*$£§¶@#
@@¶§£$*-~. .~-*$£§¶@@
@@¶§£$*-~. .~-*$£§¶@@
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