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#@@^^^^»^¨ THE SKYSCRAPER THAT MOVES ¨^»^^^^@@#
##@£@%^»^¨ ¨^»^%@£@##
##@£@%^»^¨ TAINARON IS A BUILDING OWNED AND ¨^»^%@£@##
##@£@%^»^¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨^»^%@£@##
###@£@^»^¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨^»^@£@###
##@£@%^»^¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨^»^%@£@##
£%^^^^¨¨¨¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨¨¨¨^^^^%£
@@^^¨¨¨¨¨¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨¨¨¨¨¨^^@@
##@£@%^»^¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨^»^%@£@##
##@£@%^»^¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨^»^%@£@##
@@%%^^¨¨¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨¨¨^^%%@@
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£%^^¨¨¨¨¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨¨¨¨¨¨^^%£
@£%%^»»^¨¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨¨^»»^%%£@
###@£@^»^¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨^»^@£@###
£%^»^¨¨¨¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨¨¨¨^»^%£
@@@£@%^»^¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨^»^%@£@@@
@@@£@%^»^¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨^»^%@£@@@
£@@^^^^¨¨¨ VISCIOUS PHASE OF THE TAINARON ¨¨¨^^^^@@£
##@£@%^»^¨ ECOSYSTEM. ¨^»^%@£@##
##@£@%^»^¨ ¨^»^%@£@##
##@£@%^»^¨ THE GUESTS ARRIVING DURING THE EARLY ¨^»^%@£@##
##@£@%^»^¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨^»^%@£@##
££%%^^^»^¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨^»^^^%%££
@£%^»^¨¨¨¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨¨¨¨^»^%£@
££%%%»»^¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨^»»%%%££
@@^^»¨¨¨¨¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨¨¨¨¨»^^@@
##@£@%^»^¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨^»^%@£@##
##@£@%^»^¨ FURTHER THAN A FEW FLOORS). ¨^»^%@£@##
###£@%^»^¨ ¨^»^%@£###
##@£@%^»^¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨^»^%@£@##
££@%^^^^^¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨^^^^^%@££
£@@^»»^¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨^»»^@@£
@@@@^^»^¨¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨^»^^@@@@
#££%»¨¨¨¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨¨¨¨»%££#
##@£@%^»^¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨^»^%@£@##
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##@£@%^»^¨ PERHAPS THE OUTLINE OF SOME OTHER ¨^»^%@£@##
£%^^¨¨¨¨¨¨ BUILDING, FAR BELOW. ¨¨¨¨¨¨^^%£
###@£%^»^¨ ¨^»^%£@###
#££@%»¨¨¨¨ DURING THE NIGHT, AFTER TAINARON HAS ¨¨¨¨»%@££#
@@%»¨¨¨¨¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨¨¨¨¨»%@@
#££%»^¨¨¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨¨¨^»%££#
#£%%»^¨¨¨¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨¨¨¨^»%%£#
£%^^^¨¨¨¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨¨¨¨^^^%£
@@@£@%^»^¨ IT'S AT THIS POINT THAT THE SECOND SET ¨^»^%@£@@@
££££@%^»^¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨^»^%@££££
@@£@^»»¨¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨»»^@£@@
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##@£@%^»^¨ »»»»» ¨^»^%@£@##
##@£@%^»^¨ ¨^»^%@£@##
#@@£@%^»^¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨^»^%@£@@#
#£%%%^»^¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨^»^%%%£#
£££%^^^¨¨¨ SIT IN ONE OF THE LARGE WINDOWS, ¨¨¨^^^%£££
@£@%»»»»^¨ LOOKING THROUGH THE MIST FOR ANY ¨^»»»»%@£@
##@£@%^»^¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨^»^%@£@##
##@£@%^»^¨ SHE TELLS ME THAT APART FROM COMING AND ¨^»^%@£@##
###@@%^»^¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨^»^%@@###
##@£@%^»^¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨^»^%@£@##
##@£@%^»^¨ ¨^»^%@£@##
###@@%^»^¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨^»^%@@###
@@£@%%^»^¨ DEMONSTRATION OF THE EXOBUBBLE. ¨^»^%%@£@@
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