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¤¤$*^^^^^¨ THE SKYSCRAPER THAT MOVES ¨^^^^^*$¤¤
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##£¤&$*~^¨ TAINARON IS A BUILDING OWNED AND ¨^~*$&¤£##
¤¤$$~~~^¨¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨¨^~~~$$¤¤
##£¤&$*~^¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨^~*$&¤£##
££¤$$*~^¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨¨^~*$$¤££
££&$$**~^¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨^~**$$&££
¤¤$$$$*~^¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨^~*$$$$¤¤
##£¤&$*~^¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨^~*$&¤£##
###¤&$*~^¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨^~*$&¤###
#¤&&*^¨¨¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨¨¨^*&&¤#
##£¤&$*~^¨ ¨^~*$&¤£##
¤&&&**~¨¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨¨¨~**&&&¤
##£¤&$*~^¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨^~*$&¤£##
##£¤&$*~^¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨^~*$&¤£##
##£¤&$*~^¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨^~*$&¤£##
¤$$~~¨¨¨¨¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨¨¨¨¨~~$$¤
###¤&$*~^¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨^~*$&¤###
£&*^¨¨¨¨¨¨ VISCIOUS PHASE OF THE TAINARON ¨¨¨¨¨¨^*&£
£¤¤&&$*~^¨ ECOSYSTEM. ¨^~*$&&¤¤£
¤¤&**~^^¨¨ ¨¨^^~**&¤¤
£¤&$$~^¨¨¨ THE GUESTS ARRIVING DURING THE EARLY ¨¨¨^~$$&¤£
¤$$*^¨¨¨¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨¨¨¨^*$$¤
##£¤&$*~^¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨^~*$&¤£##
##£¤&$*~^¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨^~*$&¤£##
¤&*~¨¨¨¨¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨¨¨¨¨~*&¤
##£¤&$*~^¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨^~*$&¤£##
£¤&*^¨¨¨¨¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨¨¨¨^*&¤£
##£¤&$*~^¨ FURTHER THAN A FEW FLOORS). ¨^~*$&¤£##
#£¤&***~^¨ ¨^~***&¤£#
¤¤¤¤&$*~^¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨^~*$&¤¤¤¤
##£¤&$*~^¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨^~*$&¤£##
#¤&$~^^¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨^^~$&¤#
##£¤&$*~^¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨^~*$&¤£##
##£¤&$*~^¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨^~*$&¤£##
¤$*~¨¨¨¨¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨¨¨¨¨¨~*$¤
£¤¤¤&$*~^¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨^~*$&¤¤¤£
£££¤&$*~^¨ PERHAPS THE OUTLINE OF SOME OTHER ¨^~*$&¤£££
##£¤&$*~^¨ BUILDING, FAR BELOW. ¨^~*$&¤£##
¤&*^^^^^^¨ ¨^^^^^^*&¤
#£&$~~^¨¨¨ DURING THE NIGHT, AFTER TAINARON HAS ¨¨¨^~~$&£#
££¤$*~~^^¨ STARTED MOVING, THE LOWER FLOORS ARE ¨^^~~*$¤££
¤&**^¨¨¨¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨¨¨¨^**&¤
#£¤$$$*~^¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨^~*$$$¤£#
¤&&&$*^¨¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨¨^*$&&&¤
£&&$**^^¨¨ IT'S AT THIS POINT THAT THE SECOND SET ¨¨^^**$&&£
##£¤&$*~^¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨^~*$&¤£##
£&&&$~¨¨¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨¨~$&&&£
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#£¤¤&$*~^¨ ~~~~~ ¨^~*$&¤¤£#
#£¤$$**~^¨ ¨^~**$$¤£#
¤$*~^^¨¨¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨¨¨¨^^~*$¤
###£¤&*~^¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨^~*&¤£###
¤¤¤¤&$*~^¨ SIT IN ONE OF THE LARGE WINDOWS, ¨^~*$&¤¤¤¤
¤$$*~~~~^¨ LOOKING THROUGH THE MIST FOR ANY ¨^~~~~*$$¤
#£&$$~~~^¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨^~~~$$&£#
£¤¤$~~~~^¨ SHE TELLS ME THAT APART FROM COMING AND ¨^~~~~$¤¤£
££&$$~^^¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨^^~$$&££
#£¤$$~~^^¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨^^~~$$¤£#
##£¤&$*~^¨ ¨^~*$&¤£##
¤&$*~^^¨¨¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨¨^^~*$&¤
#££¤&$*~^¨ DEMONSTRATION OF THE EXOBUBBLE. ¨^~*$&¤££#
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