.,»*^$¤@@# #@@¤$^*»,.
.,»*^$¤¤¤¤ ¤¤¤¤$^*»,.
......»^¤@ @¤^»......
.,,,,,»^¤@ @¤^»,,,,,.
.,»*^$¤@@# #@@¤$^*»,.
.....,*^$@ THE SKYSCRAPER THAT MOVES @$^*,.....
.,»*^$¤@## ##@¤$^*»,.
.,»*^$¤@@@ TAINARON IS A BUILDING OWNED AND @@@¤$^*»,.
.....,,*^¤ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¤^*,,.....
.....»*^$¤ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¤$^*».....
.,»*^$@@## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##@@$^*»,.
..,»**$¤¤@ UNKNOWN), DARK BLUE AND COMPLETELY @¤¤$**»,..
..,,,,*^¤¤ RECTANGULAR. IT FEATURES NO SIGNS, ¤¤^*,,,,..
...,,»^¤¤@ LIGHTS, OR ORNAMENTS, APART FROM A @¤¤^»,,...
.,»*^$¤@@@ HELIPAD ON TOP. MOST FLOORS HAVE @@@¤$^*»,.
.,»*^$¤@@@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @@@¤$^*»,.
.,»*^^^¤@@ @@¤^^^*»,.
.,»*^$¤@@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@@¤$^*»,.
.,»*^$¤@@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@@¤$^*»,.
......»*$¤ THE BUILDING COMES TO LIFE: IT MOVES ON ¤$*»......
.,»*^¤@@## A THOUSAND ROBOTIC LEGS TO ANOTHER ##@@¤^*»,.
.,»*^$¤@@@ (SECRET) PART OF TOWN, OR PERHAPS OUT @@@¤$^*»,.
.,»»»»*^¤@ TO SEA. THIS SIGNALS A NEW AND MORE @¤^*»»»»,.
.,»*$¤@@## VISCIOUS PHASE OF THE TAINARON ##@@¤$*»,.
.....,*$@@ ECOSYSTEM. @@$*,.....
.....»*$@@ @@$*».....
.,»*^$¤@@# THE GUESTS ARRIVING DURING THE EARLY #@@¤$^*»,.
.,»»»***$@ EVENING ARE TREATED TO FOOD AND DRINK, @$***»»»,.
.,»*^$¤@## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##@¤$^*»,.
.,»*^$¤@@# COMFORTABLE BUT MAZE-LIKE INTERIOR #@@¤$^*»,.
.,»^$¤@@## STRUCTURE (THE BUILDING FEATURES A ##@@¤$^»,.
.....,»^¤¤ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¤¤^»,.....
......»*^¤ PLACED SEEMINGLY AT RANDOM, NONE GOING ¤^*»......
.....,*^¤@ FURTHER THAN A FEW FLOORS). @¤^*,.....
.,»*^$¤@## ##@¤$^*»,.
...,»»*$@@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @@$*»»,...
.,»****$@@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @@$****»,.
.....,»^¤@ SAME QUALITY AS THE SURROUNDING MIST: @¤^»,.....
.,»*^^^^¤¤ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¤¤^^^^*»,.
...»»^$$@@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. @@$$^»»...
....,»^$@@ IF YOU WOULD LOOK THROUGH THE WINDOWS @@$^»,....
.,»*^$¤@@# YOU WOULD SEE THE MIST ROLLING BY, AND #@@¤$^*»,.
.,»*^$¤@@@ PERHAPS THE OUTLINE OF SOME OTHER @@@¤$^*»,.
.,»*^$¤@@# BUILDING, FAR BELOW. #@@¤$^*»,.
.,»*^$@@## ##@@$^*»,.
.....»^¤@@ DURING THE NIGHT, AFTER TAINARON HAS @@¤^».....
.,»*^$¤@@@ STARTED MOVING, THE LOWER FLOORS ARE @@@¤$^*»,.
.,»*^$@@## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##@@$^*»,.
....,*^^$¤ THE GUESTS. FOOD IS NO LONGER SERVED, ¤$^^*,....
......,*$¤ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¤$*,......
.,»*^$¤@@# IT'S AT THIS POINT THAT THE SECOND SET #@@¤$^*»,.
.,»*$¤@@## OF GUEST ARRIVES, VIA HELICOPTER - ##@@¤$*»,.
.,»*^$¤@@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@@¤$^*»,.
.,»*^$¤@@# #@@¤$^*»,.
.....»*$¤@ »»»»» @¤$*».....
...,*^^$$@ @$$^^*,...
.,»*^$¤@@# IN MY DREAM I AM INVITED AS A FRIEND OF #@@¤$^*»,.
....,*$$¤@ ONE OF THE SERVERS, AND THUS SAFE. WE @¤$$*,....
.,»*^$¤@@# SIT IN ONE OF THE LARGE WINDOWS, #@@¤$^*»,.
.,»*^$¤@@@ LOOKING THROUGH THE MIST FOR ANY @@@¤$^*»,.
.,»*^$¤@@@ LANDMARKS TO PIERCE THROUGH THE MIST. @@@¤$^*»,.
.,»*^$¤@@@ SHE TELLS ME THAT APART FROM COMING AND @@@¤$^*»,.
.,»*^¤@@## GOING FROM WORK, SHE'S NEVER SEEN THE ##@@¤^*»,.
.,»*^$¤@@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@@¤$^*»,.
.,»*^$¤@@# #@@¤$^*»,.
.,»*^$$$@@ THE NEXT DAY I AM INVITED TO THE PUBLIC @@$$$^*»,.
.,»»»»»*$@ DEMONSTRATION OF THE EXOBUBBLE. @$*»»»»»,.
....»»*^$@ @$^*»»....
.,»*^$@@## ##@@$^*»,.
.,»*^$¤@## ##@¤$^*»,.
.,»*^$@@## ##@@$^*»,.
......»^¤@ @¤^»......