¨¨.-;=*§#@ @#§*=;-.¨¨
¨¨¨.-;=*§# #§*=;-.¨¨¨
¨¨.-;=*§#@ @#§*=;-.¨¨
¨.-;=*§#@# #@#§*=;-.¨
¨¨.-;=*§#@ @#§*=;-.¨¨
¨¨¨.-;=*§# THE SKYSCRAPER THAT MOVES #§*=;-.¨¨¨
¨¨.-;=*§#@ @#§*=;-.¨¨
¨.-;=*§#@# TAINARON IS A BUILDING OWNED AND #@#§*=;-.¨
¨¨.-;=*§#@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @#§*=;-.¨¨
¨¨¨.-;=*§# CLOSED TO THE HARBOR IN MALMÖ. IT'S #§*=;-.¨¨¨
¨¨.-;=*§#@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @#§*=;-.¨¨
¨.-;=*§#@# UNKNOWN), DARK BLUE AND COMPLETELY #@#§*=;-.¨
¨¨.-;=*§#@ RECTANGULAR. IT FEATURES NO SIGNS, @#§*=;-.¨¨
¨¨¨.-;=*§# LIGHTS, OR ORNAMENTS, APART FROM A #§*=;-.¨¨¨
¨¨.-;=*§#@ HELIPAD ON TOP. MOST FLOORS HAVE @#§*=;-.¨¨
¨.-;=*§#@# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #@#§*=;-.¨
¨¨.-;=*§#@ @#§*=;-.¨¨
¨¨¨.-;=*§# IN LATE EVENINGS, SHROUDED BY MALMö'S #§*=;-.¨¨¨
¨¨.-;=*§#@ SIGNATURE FOG ROLLING IN FROM THE SEA, @#§*=;-.¨¨
¨.-;=*§#@# THE BUILDING COMES TO LIFE: IT MOVES ON #@#§*=;-.¨
¨¨.-;=*§#@ A THOUSAND ROBOTIC LEGS TO ANOTHER @#§*=;-.¨¨
¨¨¨.-;=*§# (SECRET) PART OF TOWN, OR PERHAPS OUT #§*=;-.¨¨¨
¨¨.-;=*§#@ TO SEA. THIS SIGNALS A NEW AND MORE @#§*=;-.¨¨
¨.-;=*§#@# VISCIOUS PHASE OF THE TAINARON #@#§*=;-.¨
¨¨.-;=*§#@ ECOSYSTEM. @#§*=;-.¨¨
¨¨¨.-;=*§# #§*=;-.¨¨¨
¨¨.-;=*§#@ THE GUESTS ARRIVING DURING THE EARLY @#§*=;-.¨¨
¨.-;=*§#@# EVENING ARE TREATED TO FOOD AND DRINK, #@#§*=;-.¨
¨¨.-;=*§#@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @#§*=;-.¨¨
¨¨¨.-;=*§# COMFORTABLE BUT MAZE-LIKE INTERIOR #§*=;-.¨¨¨
¨¨.-;=*§#@ STRUCTURE (THE BUILDING FEATURES A @#§*=;-.¨¨
¨.-;=*§#@# MULTITUDE OF STAIRWELLS AND ELEVATORS, #@#§*=;-.¨
¨¨.-;=*§#@ PLACED SEEMINGLY AT RANDOM, NONE GOING @#§*=;-.¨¨
¨¨¨.-;=*§# FURTHER THAN A FEW FLOORS). #§*=;-.¨¨¨
¨¨.-;=*§#@ @#§*=;-.¨¨
¨.-;=*§#@# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #@#§*=;-.¨
¨¨.-;=*§#@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @#§*=;-.¨¨
¨¨¨.-;=*§# SAME QUALITY AS THE SURROUNDING MIST: #§*=;-.¨¨¨
¨¨.-;=*§#@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @#§*=;-.¨¨
¨.-;=*§#@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@#§*=;-.¨
¨¨.-;=*§#@ IF YOU WOULD LOOK THROUGH THE WINDOWS @#§*=;-.¨¨
¨¨¨.-;=*§# YOU WOULD SEE THE MIST ROLLING BY, AND #§*=;-.¨¨¨
¨¨.-;=*§#@ PERHAPS THE OUTLINE OF SOME OTHER @#§*=;-.¨¨
¨.-;=*§#@# BUILDING, FAR BELOW. #@#§*=;-.¨
¨¨.-;=*§#@ @#§*=;-.¨¨
¨¨¨.-;=*§# DURING THE NIGHT, AFTER TAINARON HAS #§*=;-.¨¨¨
¨¨.-;=*§#@ STARTED MOVING, THE LOWER FLOORS ARE @#§*=;-.¨¨
¨.-;=*§#@# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #@#§*=;-.¨
¨¨.-;=*§#@ THE GUESTS. FOOD IS NO LONGER SERVED, @#§*=;-.¨¨
¨¨¨.-;=*§# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #§*=;-.¨¨¨
¨¨.-;=*§#@ IT'S AT THIS POINT THAT THE SECOND SET @#§*=;-.¨¨
¨.-;=*§#@# OF GUEST ARRIVES, VIA HELICOPTER - #@#§*=;-.¨
¨¨.-;=*§#@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @#§*=;-.¨¨
¨¨¨.-;=*§# #§*=;-.¨¨¨
¨¨.-;=*§#@ ----- @#§*=;-.¨¨
¨.-;=*§#@# #@#§*=;-.¨
¨¨.-;=*§#@ IN MY DREAM I AM INVITED AS A FRIEND OF @#§*=;-.¨¨
¨¨¨.-;=*§# ONE OF THE SERVERS, AND THUS SAFE. WE #§*=;-.¨¨¨
¨¨.-;=*§#@ SIT IN ONE OF THE LARGE WINDOWS, @#§*=;-.¨¨
¨.-;=*§#@# LOOKING THROUGH THE MIST FOR ANY #@#§*=;-.¨
¨¨.-;=*§#@ LANDMARKS TO PIERCE THROUGH THE MIST. @#§*=;-.¨¨
¨¨¨.-;=*§# SHE TELLS ME THAT APART FROM COMING AND #§*=;-.¨¨¨
¨¨.-;=*§#@ GOING FROM WORK, SHE'S NEVER SEEN THE @#§*=;-.¨¨
¨.-;=*§#@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@#§*=;-.¨
¨¨.-;=*§#@ @#§*=;-.¨¨
¨¨¨.-;=*§# THE NEXT DAY I AM INVITED TO THE PUBLIC #§*=;-.¨¨¨
¨¨.-;=*§#@ DEMONSTRATION OF THE EXOBUBBLE. @#§*=;-.¨¨
¨.-;=*§#@# #@#§*=;-.¨
¨¨.-;=*§#@ @#§*=;-.¨¨
¨¨¨.-;=*§# #§*=;-.¨¨¨
¨¨.-;=*§#@ @#§*=;-.¨¨
¨.-;=*§#@# #@#§*=;-.¨