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,,~†%£@@£# TAINARON  IS   A  BUILDING   OWNED   AND #£@@£%†~,,
,,~†%£££@£  OPERATED BY AMATA TEXNOLOGIYASI PLACED  £@£££%†~,,
,,~†£@£### CLOSED  TO  THE  HARBOR  IN MALMÖ.  IT'S ###£@£†~,,
,,,,,,,~%@ ROUGHLY SIXTY FLOORS  HIGH (REAL  NUMBER @%~,,,,,,,
,,,,,,~%%@    UNKNOWN), DARK BLUE AND COMPLETELY    @%%~,,,,,,
,,~†%£@£##    RECTANGULAR. IT FEATURES NO SIGNS,    ##£@£%†~,,
,,~†%£@### LIGHTS,  OR  ORNAMENTS,  APART  FROM   A ###@£%†~,,
,,~†%£@£## HELIPAD   ON   TOP.  MOST   FLOORS  HAVE ##£@£%†~,,
,,~†%£@£## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##£@£%†~,,
,,~†%£@###                                          ###@£%†~,,
,,~†%£@£## IN LATE  EVENINGS, SHROUDED  BY  MALMö'S ##£@£%†~,,
,,~†%££@£# SIGNATURE  FOG ROLLING  IN FROM THE SEA, #£@££%†~,,
,,~†%£@£## THE BUILDING COMES TO LIFE: IT MOVES  ON ##£@£%†~,,
,,,~~~†%%@ A  THOUSAND   ROBOTIC  LEGS  TO  ANOTHER @%%†~~~,,,
,,~%£@£### (SECRET) PART  OF  TOWN, OR PERHAPS  OUT ###£@£%~,,
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,,,,,,~%@£      VISCIOUS PHASE OF THE TAINARON      £@%~,,,,,,
,,,,,,,~%@                ECOSYSTEM.                @%~,,,,,,,
,,~†%£@£##                                          ##£@£%†~,,
,,~†%£@£## THE  GUESTS  ARRIVING  DURING THE  EARLY ##£@£%†~,,
,,~†%£@£## EVENING  ARE TREATED TO FOOD  AND DRINK, ##£@£%†~,,
,,~†%£@£## LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ##£@£%†~,,
,,,,,,,†%@    COMFORTABLE BUT MAZE-LIKE INTERIOR    @%†,,,,,,,
,,~†%£@£##    STRUCTURE (THE BUILDING FEATURES A    ##£@£%†~,,
,,~†%£@£##  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ##£@£%†~,,
,,~†%£@£## PLACED SEEMINGLY AT  RANDOM, NONE  GOING ##£@£%†~,,
,,,,,,~%£@        FURTHER THAN A FEW FLOORS).       @£%~,,,,,,
,,,,~††%@#                                          #@%††~,,,,
,,,,~%££@@ AS TIME GOES ON,  THE LIGHTS SLOWLY DIM, @@££%~,,,,
,,~†%£@£## UNTIL THE AIR INSIDE HAS  TAKEN  ON  THE ##£@£%†~,,
,,,,,~%£££ SAME  QUALITY AS THE  SURROUNDING  MIST: £££%~,,,,,
,,~†%£@£## BLUE-GRAY, SPRINKLED WITH THE SMALL  RED ##£@£%†~,,
,,,,~†£££# DOT'S BY DOOR LOCKS AND  CONTROL PANELS. #£££†~,,,,
,,~†%£@£## IF YOU WOULD  LOOK  THROUGH THE  WINDOWS ##£@£%†~,,
,,,,,~%%@£ YOU WOULD SEE THE MIST ROLLING  BY,  AND £@%%~,,,,,
,,~†%£@£## PERHAPS   THE  OUTLINE   OF  SOME  OTHER ##£@£%†~,,
,,,,,,,†£@           BUILDING, FAR BELOW.           @£†,,,,,,,
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,,,,,~†££# STARTED  MOVING,  THE  LOWER FLOORS  ARE #££†~,,,,,
,,~†%£@£## SHUT  OFF, PREVENTING ENTRY OR  EXIT FOR ##£@£%†~,,
,,,,,~%%££ THE  GUESTS. FOOD  IS NO LONGER  SERVED, ££%%~,,,,,
,,,,,,~%£@ BUT  THE DRINKS BECOME MORE EXTRAVAGANT. @£%~,,,,,,
,,~†%£@££# IT'S  AT THIS POINT  THAT THE SECOND SET #££@£%†~,,
,,,,~††£££ OF  GUEST  ARRIVES,   VIA  HELICOPTER  - £££††~,,,,
,,~†%£@£##  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ##£@£%†~,,
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,,~†%£@£## LOOKING  THROUGH   THE   MIST   FOR  ANY ##£@£%†~,,
,,,~††£@£# LANDMARKS  TO PIERCE  THROUGH  THE MIST. #£@£††~,,,
,,~†%£@£## SHE TELLS ME  THAT APART FROM COMING AND ##£@£%†~,,
,,~†%£@£## GOING FROM  WORK, SHE'S  NEVER  SEEN THE ##£@£%†~,,
,,~†%£@£## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##£@£%†~,,
,,~†%£@£##                                          ##£@£%†~,,
,,~†£@£### THE NEXT DAY  I AM INVITED TO THE PUBLIC ###£@£†~,,
,,~†%£@£##      DEMONSTRATION OF THE EXOBUBBLE.     ##£@£%†~,,
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