¨^«\§@¶@## ##@¶@§\«^¨
¨¨¨¨«**@@@ @@@**«¨¨¨¨
¨^«\*§@¶## ##¶@§*\«^¨
¨^^^««*§@@ @@§*««^^^¨
¨^«*§@¶@## ##@¶@§*«^¨
¨^«\*§@¶¶@ THE SKYSCRAPER THAT MOVES @¶¶@§*\«^¨
¨^«\*§@¶@@ @@¶@§*\«^¨
¨^«\*§@¶@# TAINARON IS A BUILDING OWNED AND #@¶@§*\«^¨
¨^«\*§@¶@@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @@¶@§*\«^¨
¨^«\*§@¶@# CLOSED TO THE HARBOR IN MALMÖ. IT'S #@¶@§*\«^¨
¨¨¨¨^\*§§@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @§§*\^¨¨¨¨
¨^«\*§@@¶@ UNKNOWN), DARK BLUE AND COMPLETELY @¶@@§*\«^¨
¨^«««««\*@ RECTANGULAR. IT FEATURES NO SIGNS, @*\«««««^¨
¨¨¨^««*§§¶ LIGHTS, OR ORNAMENTS, APART FROM A ¶§§*««^¨¨¨
¨¨¨¨¨¨^«*@ HELIPAD ON TOP. MOST FLOORS HAVE @*«^¨¨¨¨¨¨
¨¨¨¨¨«**@@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @@**«¨¨¨¨¨
¨¨¨¨^\*@@¶ ¶@@*\^¨¨¨¨
¨^«\*§@@¶¶ IN LATE EVENINGS, SHROUDED BY MALMö'S ¶¶@@§*\«^¨
¨^«\*§@¶@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@¶@§*\«^¨
¨¨¨¨««*§¶¶ THE BUILDING COMES TO LIFE: IT MOVES ON ¶¶§*««¨¨¨¨
¨^«\*§@¶@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@¶@§*\«^¨
¨¨¨^^\§@@¶ (SECRET) PART OF TOWN, OR PERHAPS OUT ¶@@§\^^¨¨¨
¨¨¨¨^\\§@@ TO SEA. THIS SIGNALS A NEW AND MORE @@§\\^¨¨¨¨
¨^«\*§@¶@# VISCIOUS PHASE OF THE TAINARON #@¶@§*\«^¨
¨^«\*§@¶@# ECOSYSTEM. #@¶@§*\«^¨
¨^«\*§@¶@# #@¶@§*\«^¨
¨^«\*§@¶## THE GUESTS ARRIVING DURING THE EARLY ##¶@§*\«^¨
¨^^^^\\*@¶ EVENING ARE TREATED TO FOOD AND DRINK, ¶@*\\^^^^¨
¨^«\*§@@## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##@@§*\«^¨
¨^«\*§@¶@# COMFORTABLE BUT MAZE-LIKE INTERIOR #@¶@§*\«^¨
¨¨¨^\**§@@ STRUCTURE (THE BUILDING FEATURES A @@§**\^¨¨¨
¨¨¨^««*§§@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @§§*««^¨¨¨
¨¨¨¨¨^\\*@ PLACED SEEMINGLY AT RANDOM, NONE GOING @*\\^¨¨¨¨¨
¨^«\*§@¶## FURTHER THAN A FEW FLOORS). ##¶@§*\«^¨
¨¨¨¨^^\\§¶ ¶§\\^^¨¨¨¨
¨¨¨¨^«\**@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @**\«^¨¨¨¨
¨¨^«\\§§¶¶ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¶¶§§\\«^¨¨
¨^«\*§@¶¶¶ SAME QUALITY AS THE SURROUNDING MIST: ¶¶¶@§*\«^¨
¨^«\*§@¶@# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #@¶@§*\«^¨
¨¨¨¨^^\*§¶ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¶§*\^^¨¨¨¨
¨^«\*§@¶@# IF YOU WOULD LOOK THROUGH THE WINDOWS #@¶@§*\«^¨
¨^«\*§@¶¶@ YOU WOULD SEE THE MIST ROLLING BY, AND @¶¶@§*\«^¨
¨^«\*§@@¶@ PERHAPS THE OUTLINE OF SOME OTHER @¶@@§*\«^¨
¨¨¨¨^\\\*@ BUILDING, FAR BELOW. @*\\\^¨¨¨¨
¨^«\*§@@¶¶ ¶¶@@§*\«^¨
¨^«\*§@¶¶¶ DURING THE NIGHT, AFTER TAINARON HAS ¶¶¶@§*\«^¨
¨^«\*§@¶@# STARTED MOVING, THE LOWER FLOORS ARE #@¶@§*\«^¨
¨^«\*§@¶## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##¶@§*\«^¨
¨^«\*§@¶@@ THE GUESTS. FOOD IS NO LONGER SERVED, @@¶@§*\«^¨
¨^^^«***§@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @§***«^^^¨
¨^«\*§@¶@# IT'S AT THIS POINT THAT THE SECOND SET #@¶@§*\«^¨
¨^«\*§@¶@# OF GUEST ARRIVES, VIA HELICOPTER - #@¶@§*\«^¨
¨¨¨¨¨«\*@@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @@*\«¨¨¨¨¨
¨^«\*§@¶@@ @@¶@§*\«^¨
¨^«\*@¶@## ««««« ##@¶@*\«^¨
¨¨¨¨^«*@@@ @@@*«^¨¨¨¨
¨^«\*§@¶@# IN MY DREAM I AM INVITED AS A FRIEND OF #@¶@§*\«^¨
¨^«\*§@@## ONE OF THE SERVERS, AND THUS SAFE. WE ##@@§*\«^¨
¨^«\*§@¶@# SIT IN ONE OF THE LARGE WINDOWS, #@¶@§*\«^¨
¨^^^^«\§¶@ LOOKING THROUGH THE MIST FOR ANY @¶§\«^^^^¨
¨^«\*§@¶@# LANDMARKS TO PIERCE THROUGH THE MIST. #@¶@§*\«^¨
¨^«\*§@¶@@ SHE TELLS ME THAT APART FROM COMING AND @@¶@§*\«^¨
¨^«\***§@@ GOING FROM WORK, SHE'S NEVER SEEN THE @@§***\«^¨
¨¨¨^^««*@¶ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¶@*««^^¨¨¨
¨¨¨¨«\\§§¶ ¶§§\\«¨¨¨¨
¨¨¨^\*§@@@ THE NEXT DAY I AM INVITED TO THE PUBLIC @@@§*\^¨¨¨
¨^«*§@¶@## DEMONSTRATION OF THE EXOBUBBLE. ##@¶@§*«^¨
¨^«\*§§@@@ @@@§§*\«^¨
¨^««\*§§§¶ ¶§§§*\««^¨
¨^«\*§@¶@@ @@¶@§*\«^¨
¨^«\*§@@¶¶ ¶¶@@§*\«^¨
¨^«\*§@¶## ##¶@§*\«^¨