@@#&&**~,, ,,~**&@@
@&&&**~,,, ,,,~**&&&@
##&&&**~,, ,,~**&&#
&&**~,,,,, ,,,,,~**&&
&&*~,,,,,, ,,,,,,~*&&
@&&**~,,,, the skyscraper that moves ,,,,~**&&@
#&**,,,,,, ,,,,,,**
#@#&&**~,, tainaron is a building owned and ,,~**&@#
&*~,,,,,,, operated by amata texnologiyasi placed ,,,,,,,~*&
#@#&&**~,, closed to the harbor in malmÖ. it's ,,~**&@#
@#&&&**~,, roughly sixty floors high (real number ,,~**&&@
###&&**~,, unknown), dark blue and completely ,,~**&##
@@#&&**~,, rectangular. it features no signs, ,,~**&@@
@#&**,,,,, lights, or ornaments, apart from a ,,,,,**@
&&&&&**~,, helipad on top. most floors have ,,~**&&&&&
#&**~,,,,, exterior walls completely made of glass. ,,,,,~**
##@#&&**~, ,~**&@##
###&&**~,, in late evenings, shrouded by malmö's ,,~**&##
&&**~~,,,, signature fog rolling in from the sea, ,,,,~~**&&
###&&**~,, the building comes to life: it moves on ,,~**&##
#&**~,,,,, a thousand robotic legs to another ,,,,,~**
#@#&&**~,, (secret) part of town, or perhaps out ,,~**&@#
@&****~,,, to sea. this signals a new and more ,,,~****&@
@@#&&**~,, viscious phase of the tainaron ,,~**&@@
@&&&***~,, ecosystem. ,,~***&&&@
#&&&&**~,, ,,~**&&&
#&***,,,,, the guests arriving during the early ,,,,,***
###&&**~,, evening are treated to food and drink, ,,~**&##
#@#&&**~,, live music, beatutiful views, and a ,,~**&@#
###&&**~,, comfortable but maze-like interior ,,~**&##
&&&**~,,,, structure (the building features a ,,,,~**&&&
@&&**~,,,, multitude of stairwells and elevators, ,,,,~**&&@
##@#&&*~,, placed seemingly at random, none going ,,~*&@##
&*~,,,,,,, further than a few floors). ,,,,,,,~*&
#@#&&**~,, ,,~**&@#
@&&****~,, as time goes on, the lights slowly dim, ,,~****&&@
#&***~,,,, until the air inside has taken on the ,,,,~***
#@#&&**~,, same quality as the surrounding mist: ,,~**&@#
#@#&&**~,, blue-gray, sprinkled with the small red ,,~**&@#
###&&**~,, dot's by door locks and control panels. ,,~**&##
##@#&**~,, if you would look through the windows ,,~**@##
@&&&&**~,, you would see the mist rolling by, and ,,~**&&&&@
##@#&**~,, perhaps the outline of some other ,,~**@##
##@#&**~,, building, far below. ,,~**@##
#@#&&**~,, ,,~**&@#
&&****,,,, during the night, after tainaron has ,,,,****&&
#&&*~,,,,, started moving, the lower floors are ,,,,,~*&
#@#&&**~,, shut off, preventing entry or exit for ,,~**&@#
#@#&&**~,, the guests. food is no longer served, ,,~**&@#
#@#&&**~,, but the drinks become more extravagant. ,,~**&@#
###&&**~,, it's at this point that the second set ,,~**&##
##@#&**~,, of guest arrives, via helicopter - ,,~**@##
#@#&&**~,, amata texnologiyasi and their friends. ,,~**&@#
@@#&&**~,, ,,~**&@@
#@#&&**~,, ~~~~~ ,,~**&@#
#@#&&**~,, ,,~**&@#
#&*,,,,,,, in my dream i am invited as a friend of ,,,,,,,*
#&****~,,, one of the servers, and thus safe. we ,,,~****
&&*~~~,,,, sit in one of the large windows, ,,,,~~~*&&
@#&****~,, looking through the mist for any ,,~****@
&&&&&**~,, landmarks to pierce through the mist. ,,~**&&&&&
@&*~~,,,,, she tells me that apart from coming and ,,,,,~~*&@
&&*~,,,,,, going from work, she's never seen the ,,,,,,~*&&
##@#&**~,, building from the outside. we both sigh. ,,~**@##
&&&**,,,,, ,,,,,**&&&
&&&**~~~,, the next day i am invited to the public ,,~~~**&&&
&&**~,,,,, demonstration of the exobubble. ,,,,,~**&&
#@#&&**~,, ,,~**&@#
&&&&***~,, ,,~***&&&&
#&&****~,, ,,~****&
#&&&***~,, ,,~***&&
##@&&**~,, ,,~**&&@##