@@§$%//~,. .,~//%$§@@
@$%%%%/~,. .,~/%%%%$@
#§%~~~~... ...~~~~%§#
@§§$%/~~,. .,~~/%$§§@
##@§$%/~,. .,~/%$§@##
##@§$%/~,. THE SKYSCRAPER THAT MOVES .,~/%$§@##
@@@§$%/~,. .,~/%$§@@@
##@§$%/~,. TAINARON IS A BUILDING OWNED AND .,~/%$§@##
@@@§$%/~,. OPERATED BY AMATA TEXNOLOGIYASI PLACED .,~/%$§@@@
##@§$%/~,. CLOSED TO THE HARBOR IN MALMÖ. IT'S .,~/%$§@##
§$$//~~... ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ...~~//$$§
##@§$%/~,. UNKNOWN), DARK BLUE AND COMPLETELY .,~/%$§@##
§%%~...... RECTANGULAR. IT FEATURES NO SIGNS, ......~%%§
##@§$%/~,. LIGHTS, OR ORNAMENTS, APART FROM A .,~/%$§@##
##@§$%/~,. HELIPAD ON TOP. MOST FLOORS HAVE .,~/%$§@##
##@§$%/~,. EXTERIOR WALLS COMPLETELY MADE OF GLASS. .,~/%$§@##
@@§$//,,.. ..,,//$§@@
###@§$%~,. IN LATE EVENINGS, SHROUDED BY MALMö'S .,~%$§@###
##@§$%/~,. SIGNATURE FOG ROLLING IN FROM THE SEA, .,~/%$§@##
##@§$%/~,. THE BUILDING COMES TO LIFE: IT MOVES ON .,~/%$§@##
##@§$%/~,. A THOUSAND ROBOTIC LEGS TO ANOTHER .,~/%$§@##
##@§$%/~,. (SECRET) PART OF TOWN, OR PERHAPS OUT .,~/%$§@##
##@§$%/~,. TO SEA. THIS SIGNALS A NEW AND MORE .,~/%$§@##
@$$%/~~,.. VISCIOUS PHASE OF THE TAINARON ..,~~/%$$@
##@§$%/~,. ECOSYSTEM. .,~/%$§@##
##@§$%/~,. .,~/%$§@##
@@§$$%/~,. THE GUESTS ARRIVING DURING THE EARLY .,~/%$$§@@
#§§%%~,,.. EVENING ARE TREATED TO FOOD AND DRINK, ..,,~%%§§#
§§$$//~... LIVE MUSIC, BEATUTIFUL VIEWS, AND A ...~//$$§§
##@§$%/~,. COMFORTABLE BUT MAZE-LIKE INTERIOR .,~/%$§@##
##@§$%/~,. STRUCTURE (THE BUILDING FEATURES A .,~/%$§@##
@@@§$%/~,. MULTITUDE OF STAIRWELLS AND ELEVATORS, .,~/%$§@@@
§$$///~~,. PLACED SEEMINGLY AT RANDOM, NONE GOING .,~~///$$§
###@§%/~,. FURTHER THAN A FEW FLOORS). .,~/%§@###
##@§$%/~,. .,~/%$§@##
##@§$%/~,. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .,~/%$§@##
@$%~...... UNTIL THE AIR INSIDE HAS TAKEN ON THE ......~%$@
§%~....... SAME QUALITY AS THE SURROUNDING MIST: .......~%§
##@§$%/~,. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .,~/%$§@##
§§$$$%/~,. DOT'S BY DOOR LOCKS AND CONTROL PANELS. .,~/%$$$§§
§%/,...... IF YOU WOULD LOOK THROUGH THE WINDOWS ......,/%§
##@§$%/~,. YOU WOULD SEE THE MIST ROLLING BY, AND .,~/%$§@##
#§%%/,.... PERHAPS THE OUTLINE OF SOME OTHER ....,/%%§#
##@§$%/~,. BUILDING, FAR BELOW. .,~/%$§@##
##@§$%/~,. .,~/%$§@##
§$$%//,... DURING THE NIGHT, AFTER TAINARON HAS ...,//%$$§
§%~,...... STARTED MOVING, THE LOWER FLOORS ARE ......,~%§
#@§%/~~~,. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .,~~~/%§@#
##@§$%/~,. THE GUESTS. FOOD IS NO LONGER SERVED, .,~/%$§@##
#§$%~,.... BUT THE DRINKS BECOME MORE EXTRAVAGANT. ....,~%$§#
##@§$%/~,. IT'S AT THIS POINT THAT THE SECOND SET .,~/%$§@##
##@§$%/~,. OF GUEST ARRIVES, VIA HELICOPTER - .,~/%$§@##
§$$$%~.... AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ....~%$$$§
§§%/~~.... ....~~/%§§
§%%~...... ~~~~~ ......~%%§
#@@§$%/~,. .,~/%$§@@#
@@@§$%/~,. IN MY DREAM I AM INVITED AS A FRIEND OF .,~/%$§@@@
#@§%//,,,. ONE OF THE SERVERS, AND THUS SAFE. WE .,,,//%§@#
@@@§$%/~,. SIT IN ONE OF THE LARGE WINDOWS, .,~/%$§@@@
##@§$%/~,. LOOKING THROUGH THE MIST FOR ANY .,~/%$§@##
#@@§$%/~,. LANDMARKS TO PIERCE THROUGH THE MIST. .,~/%$§@@#
##@§$%/~,. SHE TELLS ME THAT APART FROM COMING AND .,~/%$§@##
##@§$%/~,. GOING FROM WORK, SHE'S NEVER SEEN THE .,~/%$§@##
##@§$%/~,. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .,~/%$§@##
##@§$%/~,. .,~/%$§@##
##@§$%/~,. THE NEXT DAY I AM INVITED TO THE PUBLIC .,~/%$§@##
@$%~...... DEMONSTRATION OF THE EXOBUBBLE. ......~%$@
##@§$%/~,. .,~/%$§@##
§§%~~..... .....~~%§§
@@$$$%/~,. .,~/%$$$@@
##@§$%/~,. .,~/%$§@##
#@@§$%/~,. .,~/%$§@@#