,^«\*§¤#@#                                          #@#¤§*\«^,
,,^«\*§¤#@                                          @#¤§*\«^,,
,,,^«\*§¤#                                          #¤§*\«^,,,
,,,,^«\*§¤                                          ¤§*\«^,,,,
,,,,,^«\*§                                          §*\«^,,,,,
,,,,,,^«\*         THE SKYSCRAPER THAT MOVES        *\«^,,,,,,
,,,,,,,^«\                                          \«^,,,,,,,
,,,,,,,,^« TAINARON   IS  A   BUILDING   OWNED  AND «^,,,,,,,,
,,,,,,,,,^  OPERATED BY AMATA TEXNOLOGIYASI PLACED  ^,,,,,,,,,
,,,,,,,,^« CLOSED  TO THE  HARBOR  IN  MALMÖ.  IT'S «^,,,,,,,,
,,,,,,,^«\ ROUGHLY  SIXTY  FLOORS HIGH (REAL NUMBER \«^,,,,,,,
,,,,,,^«\*    UNKNOWN), DARK BLUE AND COMPLETELY    *\«^,,,,,,
,,,,,^«\*§    RECTANGULAR. IT FEATURES NO SIGNS,    §*\«^,,,,,
,,,,^«\*§¤ LIGHTS,  OR  ORNAMENTS,  APART   FROM  A ¤§*\«^,,,,
,,,^«\*§¤# HELIPAD  ON   TOP.   MOST  FLOORS   HAVE #¤§*\«^,,,
,,^«\*§¤#@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @#¤§*\«^,,
,^«\*§¤#@#                                          #@#¤§*\«^,
,,^«\*§¤#@ IN  LATE  EVENINGS,  SHROUDED BY MALMö'S @#¤§*\«^,,
,,,^«\*§¤# SIGNATURE FOG  ROLLING IN  FROM THE SEA, #¤§*\«^,,,
,,,,^«\*§¤ THE BUILDING  COMES TO LIFE: IT MOVES ON ¤§*\«^,,,,
,,,,,^«\*§ A   THOUSAND  ROBOTIC  LEGS  TO  ANOTHER §*\«^,,,,,
,,,,,,^«\* (SECRET)  PART OF TOWN,  OR PERHAPS  OUT *\«^,,,,,,
,,,,,,,^«\ TO  SEA. THIS  SIGNALS  A  NEW  AND MORE \«^,,,,,,,
,,,,,,,,^«      VISCIOUS PHASE OF THE TAINARON      «^,,,,,,,,
,,,,,,,,,^                ECOSYSTEM.                ^,,,,,,,,,
,,,,,,,,^«                                          «^,,,,,,,,
,,,,,,,^«\ THE  GUESTS  ARRIVING  DURING  THE EARLY \«^,,,,,,,
,,,,,,^«\* EVENING ARE  TREATED  TO FOOD AND DRINK, *\«^,,,,,,
,,,,,^«\*§ LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A §*\«^,,,,,
,,,,^«\*§¤    COMFORTABLE BUT MAZE-LIKE INTERIOR    ¤§*\«^,,,,
,,,^«\*§¤#    STRUCTURE (THE BUILDING FEATURES A    #¤§*\«^,,,
,,^«\*§¤#@  MULTITUDE OF STAIRWELLS AND ELEVATORS,  @#¤§*\«^,,
,^«\*§¤#@# PLACED SEEMINGLY AT  RANDOM,  NONE GOING #@#¤§*\«^,
,,^«\*§¤#@       FURTHER THAN A FEW FLOORS).        @#¤§*\«^,,
,,,^«\*§¤#                                          #¤§*\«^,,,
,,,,^«\*§¤ AS TIME GOES ON, THE LIGHTS SLOWLY  DIM, ¤§*\«^,,,,
,,,,,^«\*§ UNTIL THE AIR  INSIDE  HAS  TAKEN ON THE §*\«^,,,,,
,,,,,,^«\* SAME QUALITY  AS  THE  SURROUNDING MIST: *\«^,,,,,,
,,,,,,,^«\ BLUE-GRAY, SPRINKLED WITH THE SMALL  RED \«^,,,,,,,
,,,,,,,,^« DOT'S BY  DOOR LOCKS AND CONTROL PANELS. «^,,,,,,,,
,,,,,,,,,^ IF YOU WOULD  LOOK  THROUGH  THE WINDOWS ^,,,,,,,,,
,,,,,,,,^« YOU WOULD SEE  THE  MIST ROLLING BY, AND «^,,,,,,,,
,,,,,,,^«\ PERHAPS  THE  OUTLINE   OF  SOME   OTHER \«^,,,,,,,
,,,,,,^«\*           BUILDING, FAR BELOW.           *\«^,,,,,,
,,,,,^«\*§                                          §*\«^,,,,,
,,,,^«\*§¤ DURING  THE  NIGHT,  AFTER TAINARON  HAS ¤§*\«^,,,,
,,,^«\*§¤# STARTED MOVING,  THE  LOWER  FLOORS  ARE #¤§*\«^,,,
,,^«\*§¤#@ SHUT OFF, PREVENTING ENTRY  OR EXIT  FOR @#¤§*\«^,,
,^«\*§¤#@# THE  GUESTS. FOOD  IS  NO LONGER SERVED, #@#¤§*\«^,
,,^«\*§¤#@ BUT THE  DRINKS BECOME MORE EXTRAVAGANT. @#¤§*\«^,,
,,,^«\*§¤# IT'S AT THIS  POINT THAT THE SECOND  SET #¤§*\«^,,,
,,,,^«\*§¤ OF  GUEST  ARRIVES,  VIA   HELICOPTER  - ¤§*\«^,,,,
,,,,,^«\*§  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  §*\«^,,,,,
,,,,,,^«\*                                          *\«^,,,,,,
,,,,,,,^«\                   «««««                  \«^,,,,,,,
,,,,,,,,^«                                          «^,,,,,,,,
,,,,,,,,,^ IN MY  DREAM I AM INVITED AS A FRIEND OF ^,,,,,,,,,
,,,,,,,,^« ONE OF THE  SERVERS, AND  THUS  SAFE. WE «^,,,,,,,,
,,,,,,,^«\ SIT  IN  ONE   OF   THE  LARGE  WINDOWS, \«^,,,,,,,
,,,,,,^«\* LOOKING  THROUGH   THE  MIST   FOR   ANY *\«^,,,,,,
,,,,,^«\*§ LANDMARKS TO  PIERCE  THROUGH THE  MIST. §*\«^,,,,,
,,,,^«\*§¤ SHE  TELLS ME THAT APART FROM COMING AND ¤§*\«^,,,,
,,,^«\*§¤# GOING  FROM  WORK,  SHE'S NEVER SEEN THE #¤§*\«^,,,
,,^«\*§¤#@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @#¤§*\«^,,
,^«\*§¤#@#                                          #@#¤§*\«^,
,,^«\*§¤#@ THE NEXT DAY I AM  INVITED TO THE PUBLIC @#¤§*\«^,,
,,,^«\*§¤#     DEMONSTRATION OF THE EXOBUBBLE.      #¤§*\«^,,,
,,,,^«\*§¤                                          ¤§*\«^,,,,
,,,,,^«\*§                                          §*\«^,,,,,
,,,,,,^«\*                                          *\«^,,,,,,
,,,,,,,^«\                                          \«^,,,,,,,
,,,,,,,,^«                                          «^,,,,,,,,