@#§$/-.,,, ,,,.-/$§#@
#@#§$/-.,, ,,.-/$§#@#
##@#§$/-., ,.-/$§#@##
#@#§$/-.,, ,,.-/$§#@#
@#§$/-.,,, ,,,.-/$§#@
#§$/-.,,,, THE SKYSCRAPER THAT MOVES ,,,,.-/$§#
@#§$/-.,,, ,,,.-/$§#@
#@#§$/-.,, TAINARON IS A BUILDING OWNED AND ,,.-/$§#@#
##@#§$/-., OPERATED BY AMATA TEXNOLOGIYASI PLACED ,.-/$§#@##
#@#§$/-.,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,.-/$§#@#
@#§$/-.,,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,,.-/$§#@
#§$/-.,,,, UNKNOWN), DARK BLUE AND COMPLETELY ,,,,.-/$§#
@#§$/-.,,, RECTANGULAR. IT FEATURES NO SIGNS, ,,,.-/$§#@
#@#§$/-.,, LIGHTS, OR ORNAMENTS, APART FROM A ,,.-/$§#@#
##@#§$/-., HELIPAD ON TOP. MOST FLOORS HAVE ,.-/$§#@##
#@#§$/-.,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,.-/$§#@#
@#§$/-.,,, ,,,.-/$§#@
#§$/-.,,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,,.-/$§#
@#§$/-.,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,.-/$§#@
#@#§$/-.,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,.-/$§#@#
##@#§$/-., A THOUSAND ROBOTIC LEGS TO ANOTHER ,.-/$§#@##
#@#§$/-.,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,.-/$§#@#
@#§$/-.,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,.-/$§#@
#§$/-.,,,, VISCIOUS PHASE OF THE TAINARON ,,,,.-/$§#
@#§$/-.,,, ECOSYSTEM. ,,,.-/$§#@
#@#§$/-.,, ,,.-/$§#@#
##@#§$/-., THE GUESTS ARRIVING DURING THE EARLY ,.-/$§#@##
#@#§$/-.,, EVENING ARE TREATED TO FOOD AND DRINK, ,,.-/$§#@#
@#§$/-.,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,.-/$§#@
#§$/-.,,,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,,,.-/$§#
@#§$/-.,,, STRUCTURE (THE BUILDING FEATURES A ,,,.-/$§#@
#@#§$/-.,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,.-/$§#@#
##@#§$/-., PLACED SEEMINGLY AT RANDOM, NONE GOING ,.-/$§#@##
#@#§$/-.,, FURTHER THAN A FEW FLOORS). ,,.-/$§#@#
@#§$/-.,,, ,,,.-/$§#@
#§$/-.,,,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,,,.-/$§#
@#§$/-.,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,.-/$§#@
#@#§$/-.,, SAME QUALITY AS THE SURROUNDING MIST: ,,.-/$§#@#
##@#§$/-., BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,.-/$§#@##
#@#§$/-.,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,.-/$§#@#
@#§$/-.,,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,,.-/$§#@
#§$/-.,,,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,,,.-/$§#
@#§$/-.,,, PERHAPS THE OUTLINE OF SOME OTHER ,,,.-/$§#@
#@#§$/-.,, BUILDING, FAR BELOW. ,,.-/$§#@#
##@#§$/-., ,.-/$§#@##
#@#§$/-.,, DURING THE NIGHT, AFTER TAINARON HAS ,,.-/$§#@#
@#§$/-.,,, STARTED MOVING, THE LOWER FLOORS ARE ,,,.-/$§#@
#§$/-.,,,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,,,.-/$§#
@#§$/-.,,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,,.-/$§#@
#@#§$/-.,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,.-/$§#@#
##@#§$/-., IT'S AT THIS POINT THAT THE SECOND SET ,.-/$§#@##
#@#§$/-.,, OF GUEST ARRIVES, VIA HELICOPTER - ,,.-/$§#@#
@#§$/-.,,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,,.-/$§#@
#§$/-.,,,, ,,,,.-/$§#
@#§$/-.,,, ----- ,,,.-/$§#@
#@#§$/-.,, ,,.-/$§#@#
##@#§$/-., IN MY DREAM I AM INVITED AS A FRIEND OF ,.-/$§#@##
#@#§$/-.,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,.-/$§#@#
@#§$/-.,,, SIT IN ONE OF THE LARGE WINDOWS, ,,,.-/$§#@
#§$/-.,,,, LOOKING THROUGH THE MIST FOR ANY ,,,,.-/$§#
@#§$/-.,,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,,.-/$§#@
#@#§$/-.,, SHE TELLS ME THAT APART FROM COMING AND ,,.-/$§#@#
##@#§$/-., GOING FROM WORK, SHE'S NEVER SEEN THE ,.-/$§#@##
#@#§$/-.,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,.-/$§#@#
@#§$/-.,,, ,,,.-/$§#@
#§$/-.,,,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,,.-/$§#
@#§$/-.,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,.-/$§#@
#@#§$/-.,, ,,.-/$§#@#
##@#§$/-., ,.-/$§#@##
#@#§$/-.,, ,,.-/$§#@#
@#§$/-.,,, ,,,.-/$§#@
#§$/-.,,,, ,,,,.-/$§#