¨~»/†£¤@@# #@@¤£†/»~¨
¨¨~»/†£¤@@ @@¤£†/»~¨¨
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¨¨¨¨~»/†£¤ ¤£†/»~¨¨¨¨
¨¨¨~»/†£¤@ @¤£†/»~¨¨¨
¨¨~»/†£¤@@ THE SKYSCRAPER THAT MOVES @@¤£†/»~¨¨
¨~»/†£¤@@# #@@¤£†/»~¨
¨¨~»/†£¤@@ TAINARON IS A BUILDING OWNED AND @@¤£†/»~¨¨
¨¨¨~»/†£¤@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @¤£†/»~¨¨¨
¨¨¨¨~»/†£¤ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¤£†/»~¨¨¨¨
¨¨¨~»/†£¤@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @¤£†/»~¨¨¨
¨¨~»/†£¤@@ UNKNOWN), DARK BLUE AND COMPLETELY @@¤£†/»~¨¨
¨~»/†£¤@@# RECTANGULAR. IT FEATURES NO SIGNS, #@@¤£†/»~¨
¨¨~»/†£¤@@ LIGHTS, OR ORNAMENTS, APART FROM A @@¤£†/»~¨¨
¨¨¨~»/†£¤@ HELIPAD ON TOP. MOST FLOORS HAVE @¤£†/»~¨¨¨
¨¨¨¨~»/†£¤ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¤£†/»~¨¨¨¨
¨¨¨~»/†£¤@ @¤£†/»~¨¨¨
¨¨~»/†£¤@@ IN LATE EVENINGS, SHROUDED BY MALMö'S @@¤£†/»~¨¨
¨~»/†£¤@@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@@¤£†/»~¨
¨¨~»/†£¤@@ THE BUILDING COMES TO LIFE: IT MOVES ON @@¤£†/»~¨¨
¨¨¨~»/†£¤@ A THOUSAND ROBOTIC LEGS TO ANOTHER @¤£†/»~¨¨¨
¨¨¨¨~»/†£¤ (SECRET) PART OF TOWN, OR PERHAPS OUT ¤£†/»~¨¨¨¨
¨¨¨~»/†£¤@ TO SEA. THIS SIGNALS A NEW AND MORE @¤£†/»~¨¨¨
¨¨~»/†£¤@@ VISCIOUS PHASE OF THE TAINARON @@¤£†/»~¨¨
¨~»/†£¤@@# ECOSYSTEM. #@@¤£†/»~¨
¨¨~»/†£¤@@ @@¤£†/»~¨¨
¨¨¨~»/†£¤@ THE GUESTS ARRIVING DURING THE EARLY @¤£†/»~¨¨¨
¨¨¨¨~»/†£¤ EVENING ARE TREATED TO FOOD AND DRINK, ¤£†/»~¨¨¨¨
¨¨¨~»/†£¤@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @¤£†/»~¨¨¨
¨¨~»/†£¤@@ COMFORTABLE BUT MAZE-LIKE INTERIOR @@¤£†/»~¨¨
¨~»/†£¤@@# STRUCTURE (THE BUILDING FEATURES A #@@¤£†/»~¨
¨¨~»/†£¤@@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @@¤£†/»~¨¨
¨¨¨~»/†£¤@ PLACED SEEMINGLY AT RANDOM, NONE GOING @¤£†/»~¨¨¨
¨¨¨¨~»/†£¤ FURTHER THAN A FEW FLOORS). ¤£†/»~¨¨¨¨
¨¨¨~»/†£¤@ @¤£†/»~¨¨¨
¨¨~»/†£¤@@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @@¤£†/»~¨¨
¨~»/†£¤@@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@@¤£†/»~¨
¨¨~»/†£¤@@ SAME QUALITY AS THE SURROUNDING MIST: @@¤£†/»~¨¨
¨¨¨~»/†£¤@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @¤£†/»~¨¨¨
¨¨¨¨~»/†£¤ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¤£†/»~¨¨¨¨
¨¨¨~»/†£¤@ IF YOU WOULD LOOK THROUGH THE WINDOWS @¤£†/»~¨¨¨
¨¨~»/†£¤@@ YOU WOULD SEE THE MIST ROLLING BY, AND @@¤£†/»~¨¨
¨~»/†£¤@@# PERHAPS THE OUTLINE OF SOME OTHER #@@¤£†/»~¨
¨¨~»/†£¤@@ BUILDING, FAR BELOW. @@¤£†/»~¨¨
¨¨¨~»/†£¤@ @¤£†/»~¨¨¨
¨¨¨¨~»/†£¤ DURING THE NIGHT, AFTER TAINARON HAS ¤£†/»~¨¨¨¨
¨¨¨~»/†£¤@ STARTED MOVING, THE LOWER FLOORS ARE @¤£†/»~¨¨¨
¨¨~»/†£¤@@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @@¤£†/»~¨¨
¨~»/†£¤@@# THE GUESTS. FOOD IS NO LONGER SERVED, #@@¤£†/»~¨
¨¨~»/†£¤@@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @@¤£†/»~¨¨
¨¨¨~»/†£¤@ IT'S AT THIS POINT THAT THE SECOND SET @¤£†/»~¨¨¨
¨¨¨¨~»/†£¤ OF GUEST ARRIVES, VIA HELICOPTER - ¤£†/»~¨¨¨¨
¨¨¨~»/†£¤@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @¤£†/»~¨¨¨
¨¨~»/†£¤@@ @@¤£†/»~¨¨
¨~»/†£¤@@# »»»»» #@@¤£†/»~¨
¨¨~»/†£¤@@ @@¤£†/»~¨¨
¨¨¨~»/†£¤@ IN MY DREAM I AM INVITED AS A FRIEND OF @¤£†/»~¨¨¨
¨¨¨¨~»/†£¤ ONE OF THE SERVERS, AND THUS SAFE. WE ¤£†/»~¨¨¨¨
¨¨¨~»/†£¤@ SIT IN ONE OF THE LARGE WINDOWS, @¤£†/»~¨¨¨
¨¨~»/†£¤@@ LOOKING THROUGH THE MIST FOR ANY @@¤£†/»~¨¨
¨~»/†£¤@@# LANDMARKS TO PIERCE THROUGH THE MIST. #@@¤£†/»~¨
¨¨~»/†£¤@@ SHE TELLS ME THAT APART FROM COMING AND @@¤£†/»~¨¨
¨¨¨~»/†£¤@ GOING FROM WORK, SHE'S NEVER SEEN THE @¤£†/»~¨¨¨
¨¨¨¨~»/†£¤ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¤£†/»~¨¨¨¨
¨¨¨~»/†£¤@ @¤£†/»~¨¨¨
¨¨~»/†£¤@@ THE NEXT DAY I AM INVITED TO THE PUBLIC @@¤£†/»~¨¨
¨~»/†£¤@@# DEMONSTRATION OF THE EXOBUBBLE. #@@¤£†/»~¨
¨¨~»/†£¤@@ @@¤£†/»~¨¨
¨¨¨~»/†£¤@ @¤£†/»~¨¨¨
¨¨¨¨~»/†£¤ ¤£†/»~¨¨¨¨
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