,,=†=¤¤###                                          ###¤¤=†=,,
,,,=†=¤¤##                                          ##¤¤=†=,,,
,,,,=†=¤¤#                                          #¤¤=†=,,,,
,,,,,=†=¤¤                                          ¤¤=†=,,,,,
,,,,=†=¤¤#                                          #¤¤=†=,,,,
,,,=†=¤¤##         THE SKYSCRAPER THAT MOVES        ##¤¤=†=,,,
,,=†=¤¤###                                          ###¤¤=†=,,
,,,=†=¤¤## TAINARON   IS   A   BUILDING  OWNED  AND ##¤¤=†=,,,
,,,,=†=¤¤#  OPERATED BY AMATA TEXNOLOGIYASI PLACED  #¤¤=†=,,,,
,,,,,=†=¤¤ CLOSED TO  THE  HARBOR  IN  MALMÖ.  IT'S ¤¤=†=,,,,,
,,,,=†=¤¤# ROUGHLY SIXTY FLOORS HIGH  (REAL  NUMBER #¤¤=†=,,,,
,,,=†=¤¤##    UNKNOWN), DARK BLUE AND COMPLETELY    ##¤¤=†=,,,
,,=†=¤¤###    RECTANGULAR. IT FEATURES NO SIGNS,    ###¤¤=†=,,
,,,=†=¤¤## LIGHTS,   OR  ORNAMENTS,  APART  FROM  A ##¤¤=†=,,,
,,,,=†=¤¤# HELIPAD   ON   TOP.  MOST   FLOORS  HAVE #¤¤=†=,,,,
,,,,,=†=¤¤ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¤¤=†=,,,,,
,,,,=†=¤¤#                                          #¤¤=†=,,,,
,,,=†=¤¤## IN LATE EVENINGS,  SHROUDED  BY  MALMö'S ##¤¤=†=,,,
,,=†=¤¤### SIGNATURE  FOG ROLLING  IN FROM THE SEA, ###¤¤=†=,,
,,,=†=¤¤## THE BUILDING COMES TO  LIFE: IT MOVES ON ##¤¤=†=,,,
,,,,=†=¤¤# A  THOUSAND  ROBOTIC   LEGS  TO  ANOTHER #¤¤=†=,,,,
,,,,,=†=¤¤ (SECRET)  PART  OF TOWN, OR  PERHAPS OUT ¤¤=†=,,,,,
,,,,=†=¤¤# TO  SEA.  THIS  SIGNALS  A NEW AND  MORE #¤¤=†=,,,,
,,,=†=¤¤##      VISCIOUS PHASE OF THE TAINARON      ##¤¤=†=,,,
,,=†=¤¤###                ECOSYSTEM.                ###¤¤=†=,,
,,,=†=¤¤##                                          ##¤¤=†=,,,
,,,,=†=¤¤# THE GUESTS  ARRIVING  DURING  THE  EARLY #¤¤=†=,,,,
,,,,,=†=¤¤ EVENING ARE  TREATED  TO FOOD AND DRINK, ¤¤=†=,,,,,
,,,,=†=¤¤# LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A #¤¤=†=,,,,
,,,=†=¤¤##    COMFORTABLE BUT MAZE-LIKE INTERIOR    ##¤¤=†=,,,
,,=†=¤¤###    STRUCTURE (THE BUILDING FEATURES A    ###¤¤=†=,,
,,,=†=¤¤##  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ##¤¤=†=,,,
,,,,=†=¤¤# PLACED SEEMINGLY AT RANDOM,  NONE  GOING #¤¤=†=,,,,
,,,,,=†=¤¤       FURTHER THAN A FEW FLOORS).        ¤¤=†=,,,,,
,,,,=†=¤¤#                                          #¤¤=†=,,,,
,,,=†=¤¤## AS TIME  GOES ON, THE LIGHTS SLOWLY DIM, ##¤¤=†=,,,
,,=†=¤¤### UNTIL  THE AIR INSIDE  HAS TAKEN ON  THE ###¤¤=†=,,
,,,=†=¤¤## SAME QUALITY  AS  THE  SURROUNDING MIST: ##¤¤=†=,,,
,,,,=†=¤¤# BLUE-GRAY, SPRINKLED  WITH THE SMALL RED #¤¤=†=,,,,
,,,,,=†=¤¤ DOT'S BY DOOR LOCKS  AND CONTROL PANELS. ¤¤=†=,,,,,
,,,,=†=¤¤# IF YOU  WOULD LOOK THROUGH  THE  WINDOWS #¤¤=†=,,,,
,,,=†=¤¤## YOU WOULD SEE THE MIST  ROLLING BY,  AND ##¤¤=†=,,,
,,=†=¤¤### PERHAPS   THE  OUTLINE  OF   SOME  OTHER ###¤¤=†=,,
,,,=†=¤¤##           BUILDING, FAR BELOW.           ##¤¤=†=,,,
,,,,=†=¤¤#                                          #¤¤=†=,,,,
,,,,,=†=¤¤ DURING  THE NIGHT,  AFTER  TAINARON  HAS ¤¤=†=,,,,,
,,,,=†=¤¤# STARTED  MOVING,  THE  LOWER  FLOORS ARE #¤¤=†=,,,,
,,,=†=¤¤## SHUT OFF, PREVENTING  ENTRY  OR EXIT FOR ##¤¤=†=,,,
,,=†=¤¤### THE GUESTS.  FOOD  IS NO  LONGER SERVED, ###¤¤=†=,,
,,,=†=¤¤## BUT THE DRINKS BECOME MORE  EXTRAVAGANT. ##¤¤=†=,,,
,,,,=†=¤¤# IT'S AT THIS POINT THAT THE  SECOND  SET #¤¤=†=,,,,
,,,,,=†=¤¤ OF  GUEST  ARRIVES,   VIA  HELICOPTER  - ¤¤=†=,,,,,
,,,,=†=¤¤#  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  #¤¤=†=,,,,
,,,=†=¤¤##                                          ##¤¤=†=,,,
,,=†=¤¤###                  =====                   ###¤¤=†=,,
,,,=†=¤¤##                                          ##¤¤=†=,,,
,,,,=†=¤¤# IN MY DREAM I AM INVITED AS A  FRIEND OF #¤¤=†=,,,,
,,,,,=†=¤¤ ONE  OF THE SERVERS,  AND  THUS SAFE. WE ¤¤=†=,,,,,
,,,,=†=¤¤# SIT  IN  ONE   OF  THE  LARGE   WINDOWS, #¤¤=†=,,,,
,,,=†=¤¤## LOOKING   THROUGH   THE   MIST  FOR  ANY ##¤¤=†=,,,
,,=†=¤¤### LANDMARKS  TO  PIERCE THROUGH  THE MIST. ###¤¤=†=,,
,,,=†=¤¤## SHE TELLS ME THAT APART FROM COMING  AND ##¤¤=†=,,,
,,,,=†=¤¤# GOING FROM WORK, SHE'S  NEVER  SEEN  THE #¤¤=†=,,,,
,,,,,=†=¤¤ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¤¤=†=,,,,,
,,,,=†=¤¤#                                          #¤¤=†=,,,,
,,,=†=¤¤## THE NEXT DAY I AM INVITED TO THE  PUBLIC ##¤¤=†=,,,
,,=†=¤¤###     DEMONSTRATION OF THE EXOBUBBLE.      ###¤¤=†=,,
,,,=†=¤¤##                                          ##¤¤=†=,,,
,,,,=†=¤¤#                                          #¤¤=†=,,,,
,,,,,=†=¤¤                                          ¤¤=†=,,,,,
,,,,=†=¤¤#                                          #¤¤=†=,,,,
,,,=†=¤¤##                                          ##¤¤=†=,,,