,,,~-\$@@# #@@$\-~,,,
,,,,~-\$@@ @@$\-~,,,,
,,,,,~-\$@ @$\-~,,,,,
,,,,,,~-\$ $\-~,,,,,,
,,,,,,,~-\ \-~,,,,,,,
,,,,,,,,~- THE SKYSCRAPER THAT MOVES -~,,,,,,,,
,,,,,,,~-\ \-~,,,,,,,
,,,,,,~-\$ TAINARON IS A BUILDING OWNED AND $\-~,,,,,,
,,,,,~-\$@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @$\-~,,,,,
,,,,~-\$@@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @@$\-~,,,,
,,,~-\$@@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@@$\-~,,,
,,~-\$@@## UNKNOWN), DARK BLUE AND COMPLETELY ##@@$\-~,,
,~-\$@@### RECTANGULAR. IT FEATURES NO SIGNS, ###@@$\-~,
,,~-\$@@## LIGHTS, OR ORNAMENTS, APART FROM A ##@@$\-~,,
,,,~-\$@@# HELIPAD ON TOP. MOST FLOORS HAVE #@@$\-~,,,
,,,,~-\$@@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @@$\-~,,,,
,,,,,~-\$@ @$\-~,,,,,
,,,,,,~-\$ IN LATE EVENINGS, SHROUDED BY MALMö'S $\-~,,,,,,
,,,,,,,~-\ SIGNATURE FOG ROLLING IN FROM THE SEA, \-~,,,,,,,
,,,,,,,,~- THE BUILDING COMES TO LIFE: IT MOVES ON -~,,,,,,,,
,,,,,,,~-\ A THOUSAND ROBOTIC LEGS TO ANOTHER \-~,,,,,,,
,,,,,,~-\$ (SECRET) PART OF TOWN, OR PERHAPS OUT $\-~,,,,,,
,,,,,~-\$@ TO SEA. THIS SIGNALS A NEW AND MORE @$\-~,,,,,
,,,,~-\$@@ VISCIOUS PHASE OF THE TAINARON @@$\-~,,,,
,,,~-\$@@# ECOSYSTEM. #@@$\-~,,,
,,~-\$@@## ##@@$\-~,,
,~-\$@@### THE GUESTS ARRIVING DURING THE EARLY ###@@$\-~,
,,~-\$@@## EVENING ARE TREATED TO FOOD AND DRINK, ##@@$\-~,,
,,,~-\$@@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@@$\-~,,,
,,,,~-\$@@ COMFORTABLE BUT MAZE-LIKE INTERIOR @@$\-~,,,,
,,,,,~-\$@ STRUCTURE (THE BUILDING FEATURES A @$\-~,,,,,
,,,,,,~-\$ MULTITUDE OF STAIRWELLS AND ELEVATORS, $\-~,,,,,,
,,,,,,,~-\ PLACED SEEMINGLY AT RANDOM, NONE GOING \-~,,,,,,,
,,,,,,,,~- FURTHER THAN A FEW FLOORS). -~,,,,,,,,
,,,,,,,~-\ \-~,,,,,,,
,,,,,,~-\$ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, $\-~,,,,,,
,,,,,~-\$@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @$\-~,,,,,
,,,,~-\$@@ SAME QUALITY AS THE SURROUNDING MIST: @@$\-~,,,,
,,,~-\$@@# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #@@$\-~,,,
,,~-\$@@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@@$\-~,,
,~-\$@@### IF YOU WOULD LOOK THROUGH THE WINDOWS ###@@$\-~,
,,~-\$@@## YOU WOULD SEE THE MIST ROLLING BY, AND ##@@$\-~,,
,,,~-\$@@# PERHAPS THE OUTLINE OF SOME OTHER #@@$\-~,,,
,,,,~-\$@@ BUILDING, FAR BELOW. @@$\-~,,,,
,,,,,~-\$@ @$\-~,,,,,
,,,,,,~-\$ DURING THE NIGHT, AFTER TAINARON HAS $\-~,,,,,,
,,,,,,,~-\ STARTED MOVING, THE LOWER FLOORS ARE \-~,,,,,,,
,,,,,,,,~- SHUT OFF, PREVENTING ENTRY OR EXIT FOR -~,,,,,,,,
,,,,,,,~-\ THE GUESTS. FOOD IS NO LONGER SERVED, \-~,,,,,,,
,,,,,,~-\$ BUT THE DRINKS BECOME MORE EXTRAVAGANT. $\-~,,,,,,
,,,,,~-\$@ IT'S AT THIS POINT THAT THE SECOND SET @$\-~,,,,,
,,,,~-\$@@ OF GUEST ARRIVES, VIA HELICOPTER - @@$\-~,,,,
,,,~-\$@@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@@$\-~,,,
,,~-\$@@## ##@@$\-~,,
,~-\$@@### ----- ###@@$\-~,
,,~-\$@@## ##@@$\-~,,
,,,~-\$@@# IN MY DREAM I AM INVITED AS A FRIEND OF #@@$\-~,,,
,,,,~-\$@@ ONE OF THE SERVERS, AND THUS SAFE. WE @@$\-~,,,,
,,,,,~-\$@ SIT IN ONE OF THE LARGE WINDOWS, @$\-~,,,,,
,,,,,,~-\$ LOOKING THROUGH THE MIST FOR ANY $\-~,,,,,,
,,,,,,,~-\ LANDMARKS TO PIERCE THROUGH THE MIST. \-~,,,,,,,
,,,,,,,,~- SHE TELLS ME THAT APART FROM COMING AND -~,,,,,,,,
,,,,,,,~-\ GOING FROM WORK, SHE'S NEVER SEEN THE \-~,,,,,,,
,,,,,,~-\$ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. $\-~,,,,,,
,,,,,~-\$@ @$\-~,,,,,
,,,,~-\$@@ THE NEXT DAY I AM INVITED TO THE PUBLIC @@$\-~,,,,
,,,~-\$@@# DEMONSTRATION OF THE EXOBUBBLE. #@@$\-~,,,
,,~-\$@@## ##@@$\-~,,
,~-\$@@### ###@@$\-~,
,,~-\$@@## ##@@$\-~,,
,,,~-\$@@# #@@$\-~,,,
,,,,~-\$@@ @@$\-~,,,,