¨,~\%@¤### ###¤@%\~,¨
¨¨,~\%@¤## ##¤@%\~,¨¨
¨¨¨,~\%@¤# #¤@%\~,¨¨¨
¨¨¨¨,~\%@¤ ¤@%\~,¨¨¨¨
¨¨¨¨¨,~\%@ @%\~,¨¨¨¨¨
¨¨¨¨,~\%@¤ THE SKYSCRAPER THAT MOVES ¤@%\~,¨¨¨¨
¨¨¨,~\%@¤# #¤@%\~,¨¨¨
¨¨,~\%@¤## TAINARON IS A BUILDING OWNED AND ##¤@%\~,¨¨
¨,~\%@¤### OPERATED BY AMATA TEXNOLOGIYASI PLACED ###¤@%\~,¨
¨¨,~\%@¤## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##¤@%\~,¨¨
¨¨¨,~\%@¤# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #¤@%\~,¨¨¨
¨¨¨¨,~\%@¤ UNKNOWN), DARK BLUE AND COMPLETELY ¤@%\~,¨¨¨¨
¨¨¨¨¨,~\%@ RECTANGULAR. IT FEATURES NO SIGNS, @%\~,¨¨¨¨¨
¨¨¨¨,~\%@¤ LIGHTS, OR ORNAMENTS, APART FROM A ¤@%\~,¨¨¨¨
¨¨¨,~\%@¤# HELIPAD ON TOP. MOST FLOORS HAVE #¤@%\~,¨¨¨
¨¨,~\%@¤## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##¤@%\~,¨¨
¨,~\%@¤### ###¤@%\~,¨
¨¨,~\%@¤## IN LATE EVENINGS, SHROUDED BY MALMö'S ##¤@%\~,¨¨
¨¨¨,~\%@¤# SIGNATURE FOG ROLLING IN FROM THE SEA, #¤@%\~,¨¨¨
¨¨¨¨,~\%@¤ THE BUILDING COMES TO LIFE: IT MOVES ON ¤@%\~,¨¨¨¨
¨¨¨¨¨,~\%@ A THOUSAND ROBOTIC LEGS TO ANOTHER @%\~,¨¨¨¨¨
¨¨¨¨,~\%@¤ (SECRET) PART OF TOWN, OR PERHAPS OUT ¤@%\~,¨¨¨¨
¨¨¨,~\%@¤# TO SEA. THIS SIGNALS A NEW AND MORE #¤@%\~,¨¨¨
¨¨,~\%@¤## VISCIOUS PHASE OF THE TAINARON ##¤@%\~,¨¨
¨,~\%@¤### ECOSYSTEM. ###¤@%\~,¨
¨¨,~\%@¤## ##¤@%\~,¨¨
¨¨¨,~\%@¤# THE GUESTS ARRIVING DURING THE EARLY #¤@%\~,¨¨¨
¨¨¨¨,~\%@¤ EVENING ARE TREATED TO FOOD AND DRINK, ¤@%\~,¨¨¨¨
¨¨¨¨¨,~\%@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @%\~,¨¨¨¨¨
¨¨¨¨,~\%@¤ COMFORTABLE BUT MAZE-LIKE INTERIOR ¤@%\~,¨¨¨¨
¨¨¨,~\%@¤# STRUCTURE (THE BUILDING FEATURES A #¤@%\~,¨¨¨
¨¨,~\%@¤## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##¤@%\~,¨¨
¨,~\%@¤### PLACED SEEMINGLY AT RANDOM, NONE GOING ###¤@%\~,¨
¨¨,~\%@¤## FURTHER THAN A FEW FLOORS). ##¤@%\~,¨¨
¨¨¨,~\%@¤# #¤@%\~,¨¨¨
¨¨¨¨,~\%@¤ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¤@%\~,¨¨¨¨
¨¨¨¨¨,~\%@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @%\~,¨¨¨¨¨
¨¨¨¨,~\%@¤ SAME QUALITY AS THE SURROUNDING MIST: ¤@%\~,¨¨¨¨
¨¨¨,~\%@¤# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #¤@%\~,¨¨¨
¨¨,~\%@¤## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##¤@%\~,¨¨
¨,~\%@¤### IF YOU WOULD LOOK THROUGH THE WINDOWS ###¤@%\~,¨
¨¨,~\%@¤## YOU WOULD SEE THE MIST ROLLING BY, AND ##¤@%\~,¨¨
¨¨¨,~\%@¤# PERHAPS THE OUTLINE OF SOME OTHER #¤@%\~,¨¨¨
¨¨¨¨,~\%@¤ BUILDING, FAR BELOW. ¤@%\~,¨¨¨¨
¨¨¨¨¨,~\%@ @%\~,¨¨¨¨¨
¨¨¨¨,~\%@¤ DURING THE NIGHT, AFTER TAINARON HAS ¤@%\~,¨¨¨¨
¨¨¨,~\%@¤# STARTED MOVING, THE LOWER FLOORS ARE #¤@%\~,¨¨¨
¨¨,~\%@¤## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##¤@%\~,¨¨
¨,~\%@¤### THE GUESTS. FOOD IS NO LONGER SERVED, ###¤@%\~,¨
¨¨,~\%@¤## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##¤@%\~,¨¨
¨¨¨,~\%@¤# IT'S AT THIS POINT THAT THE SECOND SET #¤@%\~,¨¨¨
¨¨¨¨,~\%@¤ OF GUEST ARRIVES, VIA HELICOPTER - ¤@%\~,¨¨¨¨
¨¨¨¨¨,~\%@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @%\~,¨¨¨¨¨
¨¨¨¨,~\%@¤ ¤@%\~,¨¨¨¨
¨¨¨,~\%@¤# ~~~~~ #¤@%\~,¨¨¨
¨¨,~\%@¤## ##¤@%\~,¨¨
¨,~\%@¤### IN MY DREAM I AM INVITED AS A FRIEND OF ###¤@%\~,¨
¨¨,~\%@¤## ONE OF THE SERVERS, AND THUS SAFE. WE ##¤@%\~,¨¨
¨¨¨,~\%@¤# SIT IN ONE OF THE LARGE WINDOWS, #¤@%\~,¨¨¨
¨¨¨¨,~\%@¤ LOOKING THROUGH THE MIST FOR ANY ¤@%\~,¨¨¨¨
¨¨¨¨¨,~\%@ LANDMARKS TO PIERCE THROUGH THE MIST. @%\~,¨¨¨¨¨
¨¨¨¨,~\%@¤ SHE TELLS ME THAT APART FROM COMING AND ¤@%\~,¨¨¨¨
¨¨¨,~\%@¤# GOING FROM WORK, SHE'S NEVER SEEN THE #¤@%\~,¨¨¨
¨¨,~\%@¤## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##¤@%\~,¨¨
¨,~\%@¤### ###¤@%\~,¨
¨¨,~\%@¤## THE NEXT DAY I AM INVITED TO THE PUBLIC ##¤@%\~,¨¨
¨¨¨,~\%@¤# DEMONSTRATION OF THE EXOBUBBLE. #¤@%\~,¨¨¨
¨¨¨¨,~\%@¤ ¤@%\~,¨¨¨¨
¨¨¨¨¨,~\%@ @%\~,¨¨¨¨¨
¨¨¨¨,~\%@¤ ¤@%\~,¨¨¨¨
¨¨¨,~\%@¤# #¤@%\~,¨¨¨
¨¨,~\%@¤## ##¤@%\~,¨¨