,,.=†§$¤##                                          ##¤$§†=.,,
,,,.=†§$¤#                                          #¤$§†=.,,,
,,.=†§$¤##                                          ##¤$§†=.,,
,.=†§$¤###                                          ###¤$§†=.,
,,.=†§$¤##                                          ##¤$§†=.,,
,,,.=†§$¤#        THE SKYSCRAPER THAT MOVES         #¤$§†=.,,,
,,.=†§$¤##                                          ##¤$§†=.,,
,.=†§$¤### TAINARON  IS   A  BUILDING   OWNED   AND ###¤$§†=.,
,,.=†§$¤##  OPERATED BY AMATA TEXNOLOGIYASI PLACED  ##¤$§†=.,,
,,,.=†§$¤# CLOSED TO  THE  HARBOR  IN  MALMÖ.  IT'S #¤$§†=.,,,
,,.=†§$¤## ROUGHLY SIXTY FLOORS  HIGH  (REAL NUMBER ##¤$§†=.,,
,.=†§$¤###    UNKNOWN), DARK BLUE AND COMPLETELY    ###¤$§†=.,
,,.=†§$¤##    RECTANGULAR. IT FEATURES NO SIGNS,    ##¤$§†=.,,
,,,.=†§$¤# LIGHTS,  OR  ORNAMENTS,  APART   FROM  A #¤$§†=.,,,
,,.=†§$¤## HELIPAD   ON  TOP.   MOST  FLOORS   HAVE ##¤$§†=.,,
,.=†§$¤### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###¤$§†=.,
,,.=†§$¤##                                          ##¤$§†=.,,
,,,.=†§$¤# IN  LATE  EVENINGS,  SHROUDED BY MALMö'S #¤$§†=.,,,
,,.=†§$¤## SIGNATURE FOG  ROLLING IN FROM  THE SEA, ##¤$§†=.,,
,.=†§$¤### THE BUILDING COMES TO  LIFE: IT MOVES ON ###¤$§†=.,
,,.=†§$¤## A  THOUSAND   ROBOTIC  LEGS  TO  ANOTHER ##¤$§†=.,,
,,,.=†§$¤# (SECRET) PART  OF  TOWN, OR PERHAPS  OUT #¤$§†=.,,,
,,.=†§$¤## TO  SEA.  THIS  SIGNALS A  NEW AND  MORE ##¤$§†=.,,
,.=†§$¤###      VISCIOUS PHASE OF THE TAINARON      ###¤$§†=.,
,,.=†§$¤##                ECOSYSTEM.                ##¤$§†=.,,
,,,.=†§$¤#                                          #¤$§†=.,,,
,,.=†§$¤## THE GUESTS  ARRIVING  DURING  THE  EARLY ##¤$§†=.,,
,.=†§$¤### EVENING ARE TREATED  TO FOOD  AND DRINK, ###¤$§†=.,
,,.=†§$¤## LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ##¤$§†=.,,
,,,.=†§$¤#    COMFORTABLE BUT MAZE-LIKE INTERIOR    #¤$§†=.,,,
,,.=†§$¤##    STRUCTURE (THE BUILDING FEATURES A    ##¤$§†=.,,
,.=†§$¤###  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ###¤$§†=.,
,,.=†§$¤## PLACED SEEMINGLY AT RANDOM,  NONE  GOING ##¤$§†=.,,
,,,.=†§$¤#        FURTHER THAN A FEW FLOORS).       #¤$§†=.,,,
,,.=†§$¤##                                          ##¤$§†=.,,
,.=†§$¤### AS TIME GOES ON, THE LIGHTS SLOWLY  DIM, ###¤$§†=.,
,,.=†§$¤## UNTIL  THE  AIR  INSIDE HAS TAKEN ON THE ##¤$§†=.,,
,,,.=†§$¤# SAME  QUALITY AS THE  SURROUNDING  MIST: #¤$§†=.,,,
,,.=†§$¤## BLUE-GRAY, SPRINKLED  WITH THE SMALL RED ##¤$§†=.,,
,.=†§$¤### DOT'S BY DOOR LOCKS  AND CONTROL PANELS. ###¤$§†=.,
,,.=†§$¤## IF  YOU  WOULD LOOK  THROUGH THE WINDOWS ##¤$§†=.,,
,,,.=†§$¤# YOU WOULD SEE THE  MIST  ROLLING BY, AND #¤$§†=.,,,
,,.=†§$¤## PERHAPS  THE  OUTLINE   OF   SOME  OTHER ##¤$§†=.,,
,.=†§$¤###           BUILDING, FAR BELOW.           ###¤$§†=.,
,,.=†§$¤##                                          ##¤$§†=.,,
,,,.=†§$¤# DURING  THE  NIGHT,  AFTER TAINARON  HAS #¤$§†=.,,,
,,.=†§$¤## STARTED  MOVING, THE  LOWER  FLOORS  ARE ##¤$§†=.,,
,.=†§$¤### SHUT OFF, PREVENTING ENTRY OR  EXIT  FOR ###¤$§†=.,
,,.=†§$¤## THE GUESTS. FOOD  IS  NO LONGER  SERVED, ##¤$§†=.,,
,,,.=†§$¤# BUT THE DRINKS  BECOME MORE EXTRAVAGANT. #¤$§†=.,,,
,,.=†§$¤## IT'S AT THIS POINT  THAT THE  SECOND SET ##¤$§†=.,,
,.=†§$¤### OF  GUEST  ARRIVES,   VIA  HELICOPTER  - ###¤$§†=.,
,,.=†§$¤##  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ##¤$§†=.,,
,,,.=†§$¤#                                          #¤$§†=.,,,
,,.=†§$¤##                  =====                   ##¤$§†=.,,
,.=†§$¤###                                          ###¤$§†=.,
,,.=†§$¤## IN MY  DREAM I AM INVITED AS A FRIEND OF ##¤$§†=.,,
,,,.=†§$¤# ONE  OF  THE SERVERS, AND THUS  SAFE. WE #¤$§†=.,,,
,,.=†§$¤## SIT  IN   ONE  OF   THE  LARGE  WINDOWS, ##¤$§†=.,,
,.=†§$¤### LOOKING  THROUGH   THE   MIST  FOR   ANY ###¤$§†=.,
,,.=†§$¤## LANDMARKS TO PIERCE  THROUGH  THE  MIST. ##¤$§†=.,,
,,,.=†§$¤# SHE TELLS ME THAT  APART FROM COMING AND #¤$§†=.,,,
,,.=†§$¤## GOING FROM  WORK,  SHE'S NEVER  SEEN THE ##¤$§†=.,,
,.=†§$¤### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ###¤$§†=.,
,,.=†§$¤##                                          ##¤$§†=.,,
,,,.=†§$¤# THE NEXT DAY I AM INVITED TO THE  PUBLIC #¤$§†=.,,,
,,.=†§$¤##      DEMONSTRATION OF THE EXOBUBBLE.     ##¤$§†=.,,
,.=†§$¤###                                          ###¤$§†=.,
,,.=†§$¤##                                          ##¤$§†=.,,
,,,.=†§$¤#                                          #¤$§†=.,,,
,,.=†§$¤##                                          ##¤$§†=.,,
,.=†§$¤###                                          ###¤$§†=.,