.....~\\*# #*\\~.....
.,~\%%*£## ##£*%%\~,.
....,\**££ ££**\,....
..,,~~%£££ £££%~~,,..
.,~\%***## ##***%\~,.
.,~\%*£### THE SKYSCRAPER THAT MOVES ###£*%\~,.
...,~\**£# #£**\~,...
.,~\%*££## TAINARON IS A BUILDING OWNED AND ##££*%\~,.
.,~\%*£### OPERATED BY AMATA TEXNOLOGIYASI PLACED ###£*%\~,.
.,~\%*£### CLOSED TO THE HARBOR IN MALMÖ. IT'S ###£*%\~,.
.....,~~%£ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER £%~~,.....
.,~\%*£### UNKNOWN), DARK BLUE AND COMPLETELY ###£*%\~,.
......~%££ RECTANGULAR. IT FEATURES NO SIGNS, ££%~......
.,~\%£#### LIGHTS, OR ORNAMENTS, APART FROM A ####£%\~,.
....,\\%£# HELIPAD ON TOP. MOST FLOORS HAVE #£%\\,....
.,~\%*£### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###£*%\~,.
.,~\%*£### ###£*%\~,.
..,~\%*£££ IN LATE EVENINGS, SHROUDED BY MALMö'S £££*%\~,..
.,~\%*£### SIGNATURE FOG ROLLING IN FROM THE SEA, ###£*%\~,.
.,~\%*£### THE BUILDING COMES TO LIFE: IT MOVES ON ###£*%\~,.
.,~\%*£### A THOUSAND ROBOTIC LEGS TO ANOTHER ###£*%\~,.
.,~\%*£### (SECRET) PART OF TOWN, OR PERHAPS OUT ###£*%\~,.
.,~\\\%£## TO SEA. THIS SIGNALS A NEW AND MORE ##£%\\\~,.
.,~\%*£### VISCIOUS PHASE OF THE TAINARON ###£*%\~,.
.....,\*## ECOSYSTEM. ##*\,.....
.~\%*£#### ####£*%\~.
.,~\%*£### THE GUESTS ARRIVING DURING THE EARLY ###£*%\~,.
.....,~%££ EVENING ARE TREATED TO FOOD AND DRINK, ££%~,.....
......,\%£ LIVE MUSIC, BEATUTIFUL VIEWS, AND A £%\,......
.,~\%*#### COMFORTABLE BUT MAZE-LIKE INTERIOR ####*%\~,.
.,~\%*£### STRUCTURE (THE BUILDING FEATURES A ###£*%\~,.
....,~\**£ MULTITUDE OF STAIRWELLS AND ELEVATORS, £**\~,....
.....,~~%£ PLACED SEEMINGLY AT RANDOM, NONE GOING £%~~,.....
.,~\%£#### FURTHER THAN A FEW FLOORS). ####£%\~,.
.,~\%*£### ###£*%\~,.
.,~\%*£### AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###£*%\~,.
.,~\%*£### UNTIL THE AIR INSIDE HAS TAKEN ON THE ###£*%\~,.
.....,\%£# SAME QUALITY AS THE SURROUNDING MIST: #£%\,.....
....~\**£# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #£**\~....
.....~%£## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##£%~.....
.,~\%*£### IF YOU WOULD LOOK THROUGH THE WINDOWS ###£*%\~,.
....,~%**# YOU WOULD SEE THE MIST ROLLING BY, AND #**%~,....
,~\%*£#### PERHAPS THE OUTLINE OF SOME OTHER ####£*%\~,
....,,\*£# BUILDING, FAR BELOW. #£*\,,....
.,~\%*£### ###£*%\~,.
...,~\%£## DURING THE NIGHT, AFTER TAINARON HAS ##£%\~,...
...,\%%%*# STARTED MOVING, THE LOWER FLOORS ARE #*%%%\,...
.,~\%*£### SHUT OFF, PREVENTING ENTRY OR EXIT FOR ###£*%\~,.
.,~\%*£### THE GUESTS. FOOD IS NO LONGER SERVED, ###£*%\~,.
....,~%%*£ BUT THE DRINKS BECOME MORE EXTRAVAGANT. £*%%~,....
.,~\%*£££# IT'S AT THIS POINT THAT THE SECOND SET #£££*%\~,.
.....,\%£# OF GUEST ARRIVES, VIA HELICOPTER - #£%\,.....
.,~\%£#### AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ####£%\~,.
...,,,,\%£ £%\,,,,...
.,~\%*£### ~~~~~ ###£*%\~,.
.,~\%*£### ###£*%\~,.
....,\%%*£ IN MY DREAM I AM INVITED AS A FRIEND OF £*%%\,....
.,~\%*£### ONE OF THE SERVERS, AND THUS SAFE. WE ###£*%\~,.
.,~\%*£### SIT IN ONE OF THE LARGE WINDOWS, ###£*%\~,.
.,~\%*£### LOOKING THROUGH THE MIST FOR ANY ###£*%\~,.
....,\%£## LANDMARKS TO PIERCE THROUGH THE MIST. ##£%\,....
.,,,~~%££# SHE TELLS ME THAT APART FROM COMING AND #££%~~,,,.
.,~\%*£### GOING FROM WORK, SHE'S NEVER SEEN THE ###£*%\~,.
.,~\*£#### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ####£*\~,.
....~\%%£# #£%%\~....
...,~~%**£ THE NEXT DAY I AM INVITED TO THE PUBLIC £**%~~,...
....~~~%*# DEMONSTRATION OF THE EXOBUBBLE. #*%~~~....
.,,,\\**£# #£**\\,,,.
.,~\*£#### ####£*\~,.
.,~\%*£### ###£*%\~,.
.,~\%*£### ###£*%\~,.
....~%%£££ £££%%~....