,-=\%$##@# #@##$%\=-,
,-=\%$##@# #@##$%\=-,
,-=\%$##@# #@##$%\=-,
,,,,,,=\%# #%\=,,,,,,
,,,-\%%##@ @##%%\-,,,
,-=\%$##@# THE SKYSCRAPER THAT MOVES #@##$%\=-,
,-=\%$##@# #@##$%\=-,
,,,,--\$## TAINARON IS A BUILDING OWNED AND ##$\--,,,,
,,,,-=%$#@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @#$%=-,,,,
,-=\%$##@@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @@##$%\=-,
,-=\%$#### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ####$%\=-,
,-=\%$#### UNKNOWN), DARK BLUE AND COMPLETELY ####$%\=-,
,,,-=%%##@ RECTANGULAR. IT FEATURES NO SIGNS, @##%%=-,,,
,,,,-=\$$# LIGHTS, OR ORNAMENTS, APART FROM A #$$\=-,,,,
,,,,---\%# HELIPAD ON TOP. MOST FLOORS HAVE #%\---,,,,
,-=\%$#### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ####$%\=-,
,-=\%$##@# #@##$%\=-,
,-=\%$###@ IN LATE EVENINGS, SHROUDED BY MALMö'S @###$%\=-,
,-=\%$##@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@##$%\=-,
,,,==\\$## THE BUILDING COMES TO LIFE: IT MOVES ON ##$\\==,,,
,--===\%%# A THOUSAND ROBOTIC LEGS TO ANOTHER #%%\===--,
,-=\%$#### (SECRET) PART OF TOWN, OR PERHAPS OUT ####$%\=-,
,,,,,=%%## TO SEA. THIS SIGNALS A NEW AND MORE ##%%=,,,,,
,-=\%%$$## VISCIOUS PHASE OF THE TAINARON ##$$%%\=-,
,-=%$##@## ECOSYSTEM. ##@##$%=-,
,-=\%##@## ##@##%\=-,
,-=\%$###@ THE GUESTS ARRIVING DURING THE EARLY @###$%\=-,
,-=\%$##@# EVENING ARE TREATED TO FOOD AND DRINK, #@##$%\=-,
,---==\%$# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #$%\==---,
,,,,,,-\%# COMFORTABLE BUT MAZE-LIKE INTERIOR #%\-,,,,,,
,-=\%$##@# STRUCTURE (THE BUILDING FEATURES A #@##$%\=-,
,-=\%$##@# MULTITUDE OF STAIRWELLS AND ELEVATORS, #@##$%\=-,
,-=\%$##@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@##$%\=-,
,-=\%$##@# FURTHER THAN A FEW FLOORS). #@##$%\=-,
,,,,,=%$#@ @#$%=,,,,,
,-=\%$$### AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###$$%\=-,
,-=\%$##@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@##$%\=-,
,,,,-==%%# SAME QUALITY AS THE SURROUNDING MIST: #%%==-,,,,
,-=\%%$##@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @##$%%\=-,
,,-==\$$## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##$$\==-,,
,-=\%$##@# IF YOU WOULD LOOK THROUGH THE WINDOWS #@##$%\=-,
,-=\%$#### YOU WOULD SEE THE MIST ROLLING BY, AND ####$%\=-,
,-=\$##@## PERHAPS THE OUTLINE OF SOME OTHER ##@##$\=-,
,,,,,-=%#@ BUILDING, FAR BELOW. @#%=-,,,,,
,-=\%$##@# #@##$%\=-,
,-=\%%%%## DURING THE NIGHT, AFTER TAINARON HAS ##%%%%\=-,
,,,,,,=%%# STARTED MOVING, THE LOWER FLOORS ARE #%%=,,,,,,
,-=\%$$$#@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @#$$$%\=-,
,,,,-\\$#@ THE GUESTS. FOOD IS NO LONGER SERVED, @#$\\-,,,,
,,-==\$$$# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #$$$\==-,,
,,,,-\$### IT'S AT THIS POINT THAT THE SECOND SET ###$\-,,,,
,,,,,=\$$# OF GUEST ARRIVES, VIA HELICOPTER - #$$\=,,,,,
,-=\%$##@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@##$%\=-,
,,,==\$$## ##$$\==,,,
,-=\%$#@## ===== ##@#$%\=-,
,-=\%$##@# #@##$%\=-,
,-=\%$$### IN MY DREAM I AM INVITED AS A FRIEND OF ###$$%\=-,
,-=\%$$$#@ ONE OF THE SERVERS, AND THUS SAFE. WE @#$$$%\=-,
,-=\%$#### SIT IN ONE OF THE LARGE WINDOWS, ####$%\=-,
,-=\%$###@ LOOKING THROUGH THE MIST FOR ANY @###$%\=-,
,-=\%%$##@ LANDMARKS TO PIERCE THROUGH THE MIST. @##$%%\=-,
,,,,-\\%$# SHE TELLS ME THAT APART FROM COMING AND #$%\\-,,,,
,-=\%$##@# GOING FROM WORK, SHE'S NEVER SEEN THE #@##$%\=-,
,,---=%%## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##%%=---,,
,,,-=%$$## ##$$%=-,,,
,-=\%$##@@ THE NEXT DAY I AM INVITED TO THE PUBLIC @@##$%\=-,
,--===\%## DEMONSTRATION OF THE EXOBUBBLE. ##%\===--,
,-=\%$##@# #@##$%\=-,
,-=\%$#### ####$%\=-,
,,,-=%$$$# #$$$%=-,,,
,-=\%$##@# #@##$%\=-,
,-=\%$#### ####$%\=-,