,,^=/%$£##                                          ##£$%/=^,,
,,,^=/%$£#                                          #£$%/=^,,,
,,,,^=/%$£                                          £$%/=^,,,,
,,,,,^=/%$                                          $%/=^,,,,,
,,,,,,^=/%                                          %/=^,,,,,,
,,,,,^=/%$        THE SKYSCRAPER THAT MOVES         $%/=^,,,,,
,,,,^=/%$£                                          £$%/=^,,,,
,,,^=/%$£# TAINARON  IS  A   BUILDING   OWNED   AND #£$%/=^,,,
,,^=/%$£##  OPERATED BY AMATA TEXNOLOGIYASI PLACED  ##£$%/=^,,
,^=/%$£### CLOSED  TO  THE HARBOR  IN  MALMÖ.  IT'S ###£$%/=^,
,,^=/%$£## ROUGHLY SIXTY  FLOORS HIGH  (REAL NUMBER ##£$%/=^,,
,,,^=/%$£#    UNKNOWN), DARK BLUE AND COMPLETELY    #£$%/=^,,,
,,,,^=/%$£    RECTANGULAR. IT FEATURES NO SIGNS,    £$%/=^,,,,
,,,,,^=/%$ LIGHTS,  OR   ORNAMENTS,  APART  FROM  A $%/=^,,,,,
,,,,,,^=/% HELIPAD  ON   TOP.  MOST   FLOORS   HAVE %/=^,,,,,,
,,,,,^=/%$ EXTERIOR WALLS COMPLETELY MADE OF GLASS. $%/=^,,,,,
,,,,^=/%$£                                          £$%/=^,,,,
,,,^=/%$£# IN  LATE  EVENINGS, SHROUDED  BY MALMö'S #£$%/=^,,,
,,^=/%$£## SIGNATURE  FOG ROLLING IN FROM  THE SEA, ##£$%/=^,,
,^=/%$£### THE BUILDING COMES TO LIFE:  IT MOVES ON ###£$%/=^,
,,^=/%$£## A  THOUSAND  ROBOTIC  LEGS   TO  ANOTHER ##£$%/=^,,
,,,^=/%$£# (SECRET) PART  OF  TOWN,  OR PERHAPS OUT #£$%/=^,,,
,,,,^=/%$£ TO  SEA.  THIS  SIGNALS A NEW  AND  MORE £$%/=^,,,,
,,,,,^=/%$      VISCIOUS PHASE OF THE TAINARON      $%/=^,,,,,
,,,,,,^=/%                ECOSYSTEM.                %/=^,,,,,,
,,,,,^=/%$                                          $%/=^,,,,,
,,,,^=/%$£ THE  GUESTS  ARRIVING  DURING THE  EARLY £$%/=^,,,,
,,,^=/%$£# EVENING  ARE  TREATED TO FOOD AND DRINK, #£$%/=^,,,
,,^=/%$£## LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ##£$%/=^,,
,^=/%$£###    COMFORTABLE BUT MAZE-LIKE INTERIOR    ###£$%/=^,
,,^=/%$£##    STRUCTURE (THE BUILDING FEATURES A    ##£$%/=^,,
,,,^=/%$£#  MULTITUDE OF STAIRWELLS AND ELEVATORS,  #£$%/=^,,,
,,,,^=/%$£ PLACED  SEEMINGLY AT  RANDOM, NONE GOING £$%/=^,,,,
,,,,,^=/%$       FURTHER THAN A FEW FLOORS).        $%/=^,,,,,
,,,,,,^=/%                                          %/=^,,,,,,
,,,,,^=/%$ AS TIME  GOES ON, THE LIGHTS SLOWLY DIM, $%/=^,,,,,
,,,,^=/%$£ UNTIL THE AIR  INSIDE  HAS  TAKEN ON THE £$%/=^,,,,
,,,^=/%$£# SAME  QUALITY AS  THE SURROUNDING  MIST: #£$%/=^,,,
,,^=/%$£## BLUE-GRAY,  SPRINKLED WITH THE SMALL RED ##£$%/=^,,
,^=/%$£### DOT'S BY  DOOR LOCKS AND CONTROL PANELS. ###£$%/=^,
,,^=/%$£## IF  YOU WOULD  LOOK THROUGH  THE WINDOWS ##£$%/=^,,
,,,^=/%$£# YOU  WOULD SEE THE  MIST ROLLING BY, AND #£$%/=^,,,
,,,,^=/%$£ PERHAPS  THE   OUTLINE  OF   SOME  OTHER £$%/=^,,,,
,,,,,^=/%$           BUILDING, FAR BELOW.           $%/=^,,,,,
,,,,,,^=/%                                          %/=^,,,,,,
,,,,,^=/%$ DURING THE  NIGHT,  AFTER  TAINARON  HAS $%/=^,,,,,
,,,,^=/%$£ STARTED  MOVING,  THE  LOWER FLOORS  ARE £$%/=^,,,,
,,,^=/%$£# SHUT OFF,  PREVENTING ENTRY  OR EXIT FOR #£$%/=^,,,
,,^=/%$£## THE  GUESTS. FOOD  IS NO LONGER  SERVED, ##£$%/=^,,
,^=/%$£### BUT THE  DRINKS BECOME MORE EXTRAVAGANT. ###£$%/=^,
,,^=/%$£## IT'S AT THIS POINT THAT  THE SECOND  SET ##£$%/=^,,
,,,^=/%$£# OF  GUEST  ARRIVES,  VIA   HELICOPTER  - #£$%/=^,,,
,,,,^=/%$£  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  £$%/=^,,,,
,,,,,^=/%$                                          $%/=^,,,,,
,,,,,,^=/%                   =====                  %/=^,,,,,,
,,,,,^=/%$                                          $%/=^,,,,,
,,,,^=/%$£ IN MY DREAM I AM INVITED AS A FRIEND  OF £$%/=^,,,,
,,,^=/%$£# ONE OF  THE SERVERS,  AND  THUS SAFE. WE #£$%/=^,,,
,,^=/%$£## SIT  IN  ONE   OF   THE  LARGE  WINDOWS, ##£$%/=^,,
,^=/%$£### LOOKING   THROUGH   THE  MIST   FOR  ANY ###£$%/=^,
,,^=/%$£## LANDMARKS  TO  PIERCE THROUGH THE  MIST. ##£$%/=^,,
,,,^=/%$£# SHE TELLS ME THAT APART  FROM COMING AND #£$%/=^,,,
,,,,^=/%$£ GOING  FROM  WORK, SHE'S  NEVER SEEN THE £$%/=^,,,,
,,,,,^=/%$ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. $%/=^,,,,,
,,,,,,^=/%                                          %/=^,,,,,,
,,,,,^=/%$ THE NEXT  DAY I AM INVITED TO THE PUBLIC $%/=^,,,,,
,,,,^=/%$£      DEMONSTRATION OF THE EXOBUBBLE.     £$%/=^,,,,
,,,^=/%$£#                                          #£$%/=^,,,
,,^=/%$£##                                          ##£$%/=^,,
,^=/%$£###                                          ###£$%/=^,
,,^=/%$£##                                          ##£$%/=^,,
,,,^=/%$£#                                          #£$%/=^,,,