&&&¤::,,,, ,,,,::¤&&&
#@£&¤%:~,, ,,~:%¤&£@#
#@£&¤%:~,, ,,~:%¤&£@#
#@£&¤%:~,, ,,~:%¤&£@#
@£¤%~,,,,, ,,,,,~%¤£@
#@£&¤%:~,, the skyscraper that moves ,,~:%¤&£@#
#@£&¤%:~,, ,,~:%¤&£@#
#@£&¤%:~,, tainaron is a building owned and ,,~:%¤&£@#
£&%~~~,,,, operated by amata texnologiyasi placed ,,,,~~~%&£
#@£&¤%:~,, closed to the harbor in malmÖ. it's ,,~:%¤&£@#
@@£&¤%:~,, roughly sixty floors high (real number ,,~:%¤&£@@
£££&¤%:~,, unknown), dark blue and completely ,,~:%¤&£££
£¤:~~,,,,, rectangular. it features no signs, ,,,,,~~:¤£
£¤¤::~,,,, lights, or ornaments, apart from a ,,,,~::¤¤£
@£¤%%:,,,, helipad on top. most floors have ,,,,:%%¤£@
##£&¤%:~,, exterior walls completely made of glass. ,,~:%¤&£##
£¤%~,,,,,, ,,,,,,~%¤£
£££&¤%:~,, in late evenings, shrouded by malmö's ,,~:%¤&£££
@££&¤%:~,, signature fog rolling in from the sea, ,,~:%¤&££@
&&¤::,,,,, the building comes to life: it moves on ,,,,,::¤&&
#@£&¤%:~,, a thousand robotic legs to another ,,~:%¤&£@#
#@£&¤%:~,, (secret) part of town, or perhaps out ,,~:%¤&£@#
#@£&¤%:~,, to sea. this signals a new and more ,,~:%¤&£@#
@£&¤%:~,,, viscious phase of the tainaron ,,,~:%¤&£@
##£&¤%:~,, ecosystem. ,,~:%¤&£##
&¤%%~,,,,, ,,,,,~%%¤&
&&¤%%::~,, the guests arriving during the early ,,~::%%¤&&
&&%~,,,,,, evening are treated to food and drink, ,,,,,,~%&&
#@£&¤%:~,, live music, beatutiful views, and a ,,~:%¤&£@#
&%%::~,,,, comfortable but maze-like interior ,,,,~::%%&
£&&¤¤%:~,, structure (the building features a ,,~:%¤¤&&£
@@£&¤%:~,, multitude of stairwells and elevators, ,,~:%¤&£@@
##£&¤%:~,, placed seemingly at random, none going ,,~:%¤&£##
#@£&¤%:~,, further than a few floors). ,,~:%¤&£@#
&¤%~,,,,,, ,,,,,,~%¤&
@&%:~,,,,, as time goes on, the lights slowly dim, ,,,,,~:%&@
##@£&%:~,, until the air inside has taken on the ,,~:%&£@##
&%%~~~~,,, same quality as the surrounding mist: ,,,~~~~%%&
#@£&¤%:~,, blue-gray, sprinkled with the small red ,,~:%¤&£@#
##£&¤%:~,, dot's by door locks and control panels. ,,~:%¤&£##
&&¤¤¤%:~,, if you would look through the windows ,,~:%¤¤¤&&
£¤¤%~,,,,, you would see the mist rolling by, and ,,,,,~%¤¤£
##@&¤%:~,, perhaps the outline of some other ,,~:%¤&@##
@£&&¤%:~,, building, far below. ,,~:%¤&&£@
££¤¤¤%:~,, ,,~:%¤¤¤££
#@£&¤%:~,, during the night, after tainaron has ,,~:%¤&£@#
@@£&¤%:~,, started moving, the lower floors are ,,~:%¤&£@@
&%~,,,,,,, shut off, preventing entry or exit for ,,,,,,,~%&
&¤%%~,,,,, the guests. food is no longer served, ,,,,,~%%¤&
##£&¤%:~,, but the drinks become more extravagant. ,,~:%¤&£##
##@£&¤%:~, it's at this point that the second set ,~:%¤&£@##
##@£¤%:~,, of guest arrives, via helicopter - ,,~:%¤£@##
£¤%:,,,,,, amata texnologiyasi and their friends. ,,,,,,:%¤£
@&%~~~,,,, ,,,,~~~%&@
&&%%::,,,, ~~~~~ ,,,,::%%&&
#@£&¤%:~,, ,,~:%¤&£@#
&¤%::~,,,, in my dream i am invited as a friend of ,,,,~::%¤&
£&¤¤%%:~,, one of the servers, and thus safe. we ,,~:%%¤¤&£
&¤%~~~,,,, sit in one of the large windows, ,,,,~~~%¤&
£££&¤%:~,, looking through the mist for any ,,~:%¤&£££
££&%~,,,,, landmarks to pierce through the mist. ,,,,,~%&££
£&&&¤%:~,, she tells me that apart from coming and ,,~:%¤&&&£
&&&&¤%:~,, going from work, she's never seen the ,,~:%¤&&&&
£&¤%%~,,,, building from the outside. we both sigh. ,,,,~%%¤&£
@@£&¤%:~,, ,,~:%¤&£@@
#@£&¤%:~,, the next day i am invited to the public ,,~:%¤&£@#
&¤:,,,,,,, demonstration of the exobubble. ,,,,,,,:¤&
#@£&¤%:~,, ,,~:%¤&£@#
@@£&¤%:~,, ,,~:%¤&£@@
£¤:~,,,,,, ,,,,,,~:¤£
##£&¤%:~,, ,,~:%¤&£##
#@£&¤%:~,, ,,~:%¤&£@#