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¨¨¨::~//£¶ THE SKYSCRAPER THAT MOVES ¶£//~::¨¨¨
¨:~/†£#### ####£†/~:¨
¨:~/†£££## TAINARON IS A BUILDING OWNED AND ##£££†/~:¨
¨¨¨¨~~/†## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##†/~~¨¨¨¨
¨¨¨¨::/£¶¶ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¶¶£/::¨¨¨¨
¨:~/†£#### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ####£†/~:¨
¨:~/†£#¶## UNKNOWN), DARK BLUE AND COMPLETELY ##¶#£†/~:¨
¨:~/†£#¶## RECTANGULAR. IT FEATURES NO SIGNS, ##¶#£†/~:¨
¨:~/†#¶### LIGHTS, OR ORNAMENTS, APART FROM A ###¶#†/~:¨
¨:~/†£#¶## HELIPAD ON TOP. MOST FLOORS HAVE ##¶#£†/~:¨
¨:~/†£#¶## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##¶#£†/~:¨
¨:~/†£###¶ ¶###£†/~:¨
¨:~/†£#¶## IN LATE EVENINGS, SHROUDED BY MALMö'S ##¶#£†/~:¨
¨:~/†£#¶## SIGNATURE FOG ROLLING IN FROM THE SEA, ##¶#£†/~:¨
¨:~/†£#¶## THE BUILDING COMES TO LIFE: IT MOVES ON ##¶#£†/~:¨
¨¨¨¨:::/£¶ A THOUSAND ROBOTIC LEGS TO ANOTHER ¶£/:::¨¨¨¨
¨:~/†£#¶¶¶ (SECRET) PART OF TOWN, OR PERHAPS OUT ¶¶¶#£†/~:¨
¨:~/†#¶### TO SEA. THIS SIGNALS A NEW AND MORE ###¶#†/~:¨
¨:~/†£#¶## VISCIOUS PHASE OF THE TAINARON ##¶#£†/~:¨
¨:~/††££## ECOSYSTEM. ##££††/~:¨
¨¨¨¨¨~†††# #†††~¨¨¨¨¨
¨¨¨¨:~†††# THE GUESTS ARRIVING DURING THE EARLY #†††~:¨¨¨¨
¨:~/†£#¶## EVENING ARE TREATED TO FOOD AND DRINK, ##¶#£†/~:¨
¨:~/†£#¶## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##¶#£†/~:¨
¨:~/†£#¶## COMFORTABLE BUT MAZE-LIKE INTERIOR ##¶#£†/~:¨
¨¨¨~~~††#¶ STRUCTURE (THE BUILDING FEATURES A ¶#††~~~¨¨¨
¨¨¨¨¨¨:/£# MULTITUDE OF STAIRWELLS AND ELEVATORS, #£/:¨¨¨¨¨¨
¨:~/†£¶### PLACED SEEMINGLY AT RANDOM, NONE GOING ###¶£†/~:¨
¨:~/†£#¶## FURTHER THAN A FEW FLOORS). ##¶#£†/~:¨
¨:~/†£##¶# #¶##£†/~:¨
¨:~/†£#¶## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##¶#£†/~:¨
¨:~/†£#¶## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##¶#£†/~:¨
¨¨¨¨:~/£¶¶ SAME QUALITY AS THE SURROUNDING MIST: ¶¶£/~:¨¨¨¨
¨:~/†£##¶¶ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¶¶##£†/~:¨
¨:~/†£#¶## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##¶#£†/~:¨
¨¨¨://££¶¶ IF YOU WOULD LOOK THROUGH THE WINDOWS ¶¶££//:¨¨¨
¨¨¨¨¨:/£¶¶ YOU WOULD SEE THE MIST ROLLING BY, AND ¶¶£/:¨¨¨¨¨
¨¨¨¨~~/£¶# PERHAPS THE OUTLINE OF SOME OTHER #¶£/~~¨¨¨¨
¨:~/†£#¶## BUILDING, FAR BELOW. ##¶#£†/~:¨
¨¨¨¨¨~/†## ##†/~¨¨¨¨¨
¨:~/†£¶### DURING THE NIGHT, AFTER TAINARON HAS ###¶£†/~:¨
¨:~/†£#### STARTED MOVING, THE LOWER FLOORS ARE ####£†/~:¨
¨::::/†£#¶ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¶#£†/::::¨
¨:~/†£#¶## THE GUESTS. FOOD IS NO LONGER SERVED, ##¶#£†/~:¨
¨:~/†£#¶## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##¶#£†/~:¨
¨:~///†£¶¶ IT'S AT THIS POINT THAT THE SECOND SET ¶¶£†///~:¨
¨:~/†£#¶## OF GUEST ARRIVES, VIA HELICOPTER - ##¶#£†/~:¨
¨:~/†£#¶## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##¶#£†/~:¨
¨:~/†£#¶## ##¶#£†/~:¨
¨:~/†£###¶ ~~~~~ ¶###£†/~:¨
¨:~/†£#¶## ##¶#£†/~:¨
¨¨¨¨¨¨:~†# IN MY DREAM I AM INVITED AS A FRIEND OF #†~:¨¨¨¨¨¨
¨:~/†£#¶## ONE OF THE SERVERS, AND THUS SAFE. WE ##¶#£†/~:¨
¨:~/††££¶# SIT IN ONE OF THE LARGE WINDOWS, #¶££††/~:¨
¨:~/†£#¶## LOOKING THROUGH THE MIST FOR ANY ##¶#£†/~:¨
¨:~/†£#### LANDMARKS TO PIERCE THROUGH THE MIST. ####£†/~:¨
¨:~/†£#¶## SHE TELLS ME THAT APART FROM COMING AND ##¶#£†/~:¨
¨¨¨¨¨:~/£¶ GOING FROM WORK, SHE'S NEVER SEEN THE ¶£/~:¨¨¨¨¨
¨:~/†£#¶¶¶ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¶¶¶#£†/~:¨
¨:~/†£#¶## ##¶#£†/~:¨
¨:~/†£##¶# THE NEXT DAY I AM INVITED TO THE PUBLIC #¶##£†/~:¨
¨:~†£#¶### DEMONSTRATION OF THE EXOBUBBLE. ###¶#£†~:¨
¨:~/†£#¶## ##¶#£†/~:¨
¨:~/††£### ###£††/~:¨
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