,-«†§££££¶                                          ¶££££§†«-,
,,,-«§§£#¶                                          ¶#£§§«-,,,
,-«†§£#¶##                                          ##¶#£§†«-,
,-«†§£#¶##                                          ##¶#£§†«-,
,-«†§£#¶##                                          ##¶#£§†«-,
,-«†§£££¶¶         THE SKYSCRAPER THAT MOVES        ¶¶£££§†«-,
,-«†§£££##                                          ##£££§†«-,
,-«†§£#¶## TAINARON  IS   A   BUILDING  OWNED   AND ##¶#£§†«-,
,,,,,«§§£¶  OPERATED BY AMATA TEXNOLOGIYASI PLACED  ¶£§§«,,,,,
,-«†§£#¶## CLOSED  TO  THE  HARBOR  IN  MALMÖ. IT'S ##¶#£§†«-,
,-«†§£#¶¶# ROUGHLY SIXTY  FLOORS HIGH (REAL  NUMBER #¶¶#£§†«-,
,-«†§£#¶¶#    UNKNOWN), DARK BLUE AND COMPLETELY    #¶¶#£§†«-,
,,,,-†££##    RECTANGULAR. IT FEATURES NO SIGNS,    ##££†-,,,,
,,,--††§£# LIGHTS,  OR   ORNAMENTS,  APART  FROM  A #£§††--,,,
,---««§§## HELIPAD  ON   TOP.   MOST  FLOORS   HAVE ##§§««---,
,,,,,-†£¶¶ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¶¶£†-,,,,,
,-«†§£#¶##                                          ##¶#£§†«-,
,,,,-««†§# IN  LATE EVENINGS, SHROUDED  BY  MALMö'S #§†««-,,,,
,-«†§£#¶## SIGNATURE FOG ROLLING  IN FROM THE  SEA, ##¶#£§†«-,
,-«†§£#### THE  BUILDING COMES TO LIFE: IT MOVES ON ####£§†«-,
,,,,«†£#¶# A  THOUSAND  ROBOTIC  LEGS  TO   ANOTHER #¶#£†«,,,,
,-«†§#¶### (SECRET)  PART  OF TOWN,  OR PERHAPS OUT ###¶#§†«-,
,,-«†§§££¶ TO  SEA.  THIS  SIGNALS  A NEW AND  MORE ¶££§§†«-,,
,,,,-«†£##      VISCIOUS PHASE OF THE TAINARON      ##£†«-,,,,
,-«†§£#¶##                ECOSYSTEM.                ##¶#£§†«-,
,-«†§£#¶¶#                                          #¶¶#£§†«-,
-«†§£#¶### THE  GUESTS  ARRIVING  DURING  THE EARLY ###¶#£§†«-
,,,,««§##¶ EVENING  ARE TREATED TO  FOOD AND DRINK, ¶##§««,,,,
,-«†§£#¶## LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ##¶#£§†«-,
,-«†§£#¶##    COMFORTABLE BUT MAZE-LIKE INTERIOR    ##¶#£§†«-,
,-«†§£#¶##    STRUCTURE (THE BUILDING FEATURES A    ##¶#£§†«-,
,-«†§£##¶¶  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ¶¶##£§†«-,
,-«†§£¶### PLACED  SEEMINGLY  AT RANDOM, NONE GOING ###¶£§†«-,
,-«†§£#¶¶#       FURTHER THAN A FEW FLOORS).        #¶¶#£§†«-,
,,,,---†£#                                          #£†---,,,,
,-«†§£#### AS  TIME GOES ON, THE LIGHTS SLOWLY DIM, ####£§†«-,
,-«†§£#¶## UNTIL  THE  AIR INSIDE  HAS TAKEN ON THE ##¶#£§†«-,
,-«†§£#¶¶¶ SAME  QUALITY AS  THE SURROUNDING  MIST: ¶¶¶#£§†«-,
,-«†§£#¶## BLUE-GRAY, SPRINKLED  WITH THE SMALL RED ##¶#£§†«-,
,-«†§£#### DOT'S BY DOOR LOCKS AND CONTROL  PANELS. ####£§†«-,
,-«†§£#### IF  YOU WOULD  LOOK THROUGH THE  WINDOWS ####£§†«-,
,-«†§£#¶## YOU WOULD SEE THE  MIST  ROLLING BY, AND ##¶#£§†«-,
,-«†§£#¶## PERHAPS  THE  OUTLINE   OF   SOME  OTHER ##¶#£§†«-,
,-«†§£#¶##           BUILDING, FAR BELOW.           ##¶#£§†«-,
,-«†§£#¶##                                          ##¶#£§†«-,
,,,,,-«§#¶ DURING  THE NIGHT,  AFTER  TAINARON  HAS ¶#§«-,,,,,
,-«†§§§§£# STARTED  MOVING,  THE  LOWER FLOORS  ARE #£§§§§†«-,
,-««†††£¶# SHUT OFF,  PREVENTING ENTRY OR EXIT  FOR #¶£†††««-,
,,,««††£## THE  GUESTS. FOOD  IS  NO LONGER SERVED, ##£††««,,,
,,,,,,«†£¶ BUT THE  DRINKS BECOME MORE EXTRAVAGANT. ¶£†«,,,,,,
,,,,,-«†£¶ IT'S  AT THIS POINT THAT THE SECOND  SET ¶£†«-,,,,,
,-««««§§## OF   GUEST  ARRIVES,  VIA  HELICOPTER  - ##§§««««-,
,,,,,,«†£#  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  #£†«,,,,,,
,-«†§£#¶##                                          ##¶#£§†«-,
,-«†§£####                   «««««                  ####£§†«-,
,,,,««†£¶#                                          #¶£†««,,,,
,,,,,--«§# IN  MY DREAM I AM INVITED AS A FRIEND OF #§«--,,,,,
,-«†§£#¶## ONE OF  THE  SERVERS,  AND THUS SAFE. WE ##¶#£§†«-,
,,,,,,-†£¶ SIT  IN  ONE   OF  THE  LARGE   WINDOWS, ¶£†-,,,,,,
,-«†§£#¶## LOOKING  THROUGH  THE   MIST   FOR   ANY ##¶#£§†«-,
,-«†§£#¶## LANDMARKS TO  PIERCE  THROUGH THE  MIST. ##¶#£§†«-,
,,,««§£££# SHE TELLS ME THAT  APART FROM COMING AND #£££§««,,,
,-«†§£#¶## GOING  FROM WORK,  SHE'S NEVER  SEEN THE ##¶#£§†«-,
,,,,«§§§## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##§§§«,,,,
,,,,--†§£#                                          #£§†--,,,,
,,,,-†£££¶ THE NEXT DAY  I AM INVITED TO THE PUBLIC ¶£££†-,,,,
,,,««†††§#      DEMONSTRATION OF THE EXOBUBBLE.     #§†††««,,,
,-«†§£#¶¶¶                                          ¶¶¶#£§†«-,
,,,,-†§£##                                          ##£§†-,,,,
,-««††††§#                                          #§††††««-,
,-«†§£#¶##                                          ##¶#£§†«-,
,,,,,,«†£#                                          #£†«,,,,,,