,^«^§£@¶## ##¶@£§^«^,
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,,,,,,^^£@ @£^^,,,,,,
,^«^§£@¶## ##¶@£§^«^,
,^«^§£@¶## ##¶@£§^«^,
,^«««^§§£¶ THE SKYSCRAPER THAT MOVES ¶£§§^«««^,
,^««^§£@¶# #¶@£§^««^,
,^«^§£@¶## TAINARON IS A BUILDING OWNED AND ##¶@£§^«^,
,,^^^^§£@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@£§^^^^,,
,^«^§£@¶## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##¶@£§^«^,
,,,,,«§@¶¶ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¶¶@§«,,,,,
,^«^§£@¶## UNKNOWN), DARK BLUE AND COMPLETELY ##¶@£§^«^,
,^«^§£@¶## RECTANGULAR. IT FEATURES NO SIGNS, ##¶@£§^«^,
,^«^§£@¶¶# LIGHTS, OR ORNAMENTS, APART FROM A #¶¶@£§^«^,
,^«^§£@¶## HELIPAD ON TOP. MOST FLOORS HAVE ##¶@£§^«^,
,^«^§£@¶¶¶ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¶¶¶@£§^«^,
,,,,,,^^§@ @§^^,,,,,,
,^«^§£@¶## IN LATE EVENINGS, SHROUDED BY MALMö'S ##¶@£§^«^,
,,,,,,^^£¶ SIGNATURE FOG ROLLING IN FROM THE SEA, ¶£^^,,,,,,
,,,,^^^£@@ THE BUILDING COMES TO LIFE: IT MOVES ON @@£^^^,,,,
,^«^£@¶### A THOUSAND ROBOTIC LEGS TO ANOTHER ###¶@£^«^,
,,,,,««^£@ (SECRET) PART OF TOWN, OR PERHAPS OUT @£^««,,,,,
,^«^§£@¶## TO SEA. THIS SIGNALS A NEW AND MORE ##¶@£§^«^,
,,,,,«^££¶ VISCIOUS PHASE OF THE TAINARON ¶££^«,,,,,
,^«^§£@¶## ECOSYSTEM. ##¶@£§^«^,
,,,^«^^§£@ @£§^^«^,,,
,^«^§£@¶¶# THE GUESTS ARRIVING DURING THE EARLY #¶¶@£§^«^,
,^«^§£@@¶¶ EVENING ARE TREATED TO FOOD AND DRINK, ¶¶@@£§^«^,
,^«^§£@¶## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##¶@£§^«^,
,,,,^^^§@@ COMFORTABLE BUT MAZE-LIKE INTERIOR @@§^^^,,,,
,^«^§£@¶## STRUCTURE (THE BUILDING FEATURES A ##¶@£§^«^,
,,,,,^«§§@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @§§«^,,,,,
,^«^§£@¶## PLACED SEEMINGLY AT RANDOM, NONE GOING ##¶@£§^«^,
,,,,,^^^£¶ FURTHER THAN A FEW FLOORS). ¶£^^^,,,,,
,,,^«^§££@ @££§^«^,,,
,,,,,«^£@# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #@£^«,,,,,
,^«^§£@¶## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##¶@£§^«^,
,,,,^^^£@@ SAME QUALITY AS THE SURROUNDING MIST: @@£^^^,,,,
,,,,^«^££@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @££^«^,,,,
,^«^§£@¶## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##¶@£§^«^,
,,,,,^^^§@ IF YOU WOULD LOOK THROUGH THE WINDOWS @§^^^,,,,,
,^«^§£@¶## YOU WOULD SEE THE MIST ROLLING BY, AND ##¶@£§^«^,
,,,,^^^££¶ PERHAPS THE OUTLINE OF SOME OTHER ¶££^^^,,,,
,^«^§£@¶## BUILDING, FAR BELOW. ##¶@£§^«^,
,^«^§£££¶¶ ¶¶£££§^«^,
,^«^§£££@¶ DURING THE NIGHT, AFTER TAINARON HAS ¶@£££§^«^,
,^^^«§§@@@ STARTED MOVING, THE LOWER FLOORS ARE @@@§§«^^^,
,^«^§£@¶## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##¶@£§^«^,
,^«^§£@¶## THE GUESTS. FOOD IS NO LONGER SERVED, ##¶@£§^«^,
,,,,««§@@¶ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¶@@§««,,,,
,^«^§£@¶## IT'S AT THIS POINT THAT THE SECOND SET ##¶@£§^«^,
,,,,,«§£¶# OF GUEST ARRIVES, VIA HELICOPTER - #¶£§«,,,,,
,,,^^^^§§@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @§§^^^^,,,
,^«^§£@¶## ##¶@£§^«^,
,^«^§£££¶¶ ««««« ¶¶£££§^«^,
,^«^§£@¶## ##¶@£§^«^,
,^«^§£@¶## IN MY DREAM I AM INVITED AS A FRIEND OF ##¶@£§^«^,
,,,,,,^^§@ ONE OF THE SERVERS, AND THUS SAFE. WE @§^^,,,,,,
,,,,^««^§@ SIT IN ONE OF THE LARGE WINDOWS, @§^««^,,,,
,,,,««§§@# LOOKING THROUGH THE MIST FOR ANY #@§§««,,,,
,,,,,««^§@ LANDMARKS TO PIERCE THROUGH THE MIST. @§^««,,,,,
,,^^«^§§£@ SHE TELLS ME THAT APART FROM COMING AND @£§§^«^^,,
,^«^§£@¶## GOING FROM WORK, SHE'S NEVER SEEN THE ##¶@£§^«^,
,,,,,,,«§@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @§«,,,,,,,
,,,,,,^^§@ @§^^,,,,,,
,^«^§£@### THE NEXT DAY I AM INVITED TO THE PUBLIC ###@£§^«^,
,^«^§£@¶## DEMONSTRATION OF THE EXOBUBBLE. ##¶@£§^«^,
,^«^§£@¶## ##¶@£§^«^,
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