,,,,,,~%§@                                          @§%~,,,,,,
,,/%§£@@##                                          ##@@£§%/,,
,,,,~~/§£@                                          @£§/~~,,,,
,,,,~~/%£@                                          @£%/~~,,,,
,,,,,///§@                                          @§///,,,,,
,,,,,,~/§@         THE SKYSCRAPER THAT MOVES        @§/~,,,,,,
,,~/%§@@##                                          ##@@§%/~,,
,,~/%§£@@# TAINARON  IS   A  BUILDING   OWNED   AND #@@£§%/~,,
,,~/%§£@@#  OPERATED BY AMATA TEXNOLOGIYASI PLACED  #@@£§%/~,,
,,,,,,,~%£ CLOSED  TO  THE  HARBOR  IN MALMÖ.  IT'S £%~,,,,,,,
,,~/%§£@@# ROUGHLY SIXTY FLOORS  HIGH  (REAL NUMBER #@@£§%/~,,
,,,,,/§££@    UNKNOWN), DARK BLUE AND COMPLETELY    @££§/,,,,,
,,,,,,~%%£    RECTANGULAR. IT FEATURES NO SIGNS,    £%%~,,,,,,
,,,,~/%£@@ LIGHTS,  OR  ORNAMENTS,  APART   FROM  A @@£%/~,,,,
,,~/%§£@@# HELIPAD   ON  TOP.   MOST   FLOORS  HAVE #@@£§%/~,,
,,~/%§£@@# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #@@£§%/~,,
,,~/%§£@##                                          ##@£§%/~,,
,,,,,,~%§£ IN  LATE EVENINGS,  SHROUDED  BY MALMö'S £§%~,,,,,,
,,~/%§£@## SIGNATURE FOG  ROLLING  IN FROM THE SEA, ##@£§%/~,,
,,,,~/%%£@ THE BUILDING COMES TO LIFE: IT  MOVES ON @£%%/~,,,,
,,,,,,,~%£ A  THOUSAND  ROBOTIC  LEGS  TO   ANOTHER £%~,,,,,,,
,,,,~~~/§£ (SECRET) PART  OF  TOWN,  OR PERHAPS OUT £§/~~~,,,,
,,,,,,,~%£ TO SEA.  THIS SIGNALS  A  NEW  AND  MORE £%~,,,,,,,
,,,,,~/%££      VISCIOUS PHASE OF THE TAINARON      ££%/~,,,,,
,,~/%§@@##                ECOSYSTEM.                ##@@§%/~,,
,,~/%§£@@@                                          @@@£§%/~,,
,,,,,//%§@ THE GUESTS  ARRIVING  DURING  THE  EARLY @§%//,,,,,
,,~/%§£@@@ EVENING  ARE TREATED  TO FOOD AND DRINK, @@@£§%/~,,
,,~/%§£@@@ LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A @@@£§%/~,,
,,~/%§§£@@    COMFORTABLE BUT MAZE-LIKE INTERIOR    @@£§§%/~,,
,,~/%§£@@@    STRUCTURE (THE BUILDING FEATURES A    @@@£§%/~,,
,,,,,,~%££  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ££%~,,,,,,
,,~/%§£@## PLACED SEEMINGLY AT  RANDOM,  NONE GOING ##@£§%/~,,
,,,,,,,/%£        FURTHER THAN A FEW FLOORS).       £%/,,,,,,,
,,~/%§£@@#                                          #@@£§%/~,,
,,~///§£@@ AS TIME GOES ON,  THE LIGHTS SLOWLY DIM, @@£§///~,,
,,,,,///§£ UNTIL  THE AIR  INSIDE HAS TAKEN ON  THE £§///,,,,,
,,~/%§§§£@ SAME  QUALITY AS  THE  SURROUNDING MIST: @£§§§%/~,,
,,,,,~/§£@ BLUE-GRAY, SPRINKLED WITH THE  SMALL RED @£§/~,,,,,
,,~/%§£@@# DOT'S BY DOOR LOCKS AND  CONTROL PANELS. #@@£§%/~,,
,,,,,~~~%£ IF  YOU WOULD LOOK  THROUGH  THE WINDOWS £%~~~,,,,,
,,~/%§£@@# YOU WOULD SEE THE  MIST  ROLLING BY, AND #@@£§%/~,,
,,~/%§£@@@ PERHAPS   THE  OUTLINE  OF  SOME   OTHER @@@£§%/~,,
,,~/%§£@@#           BUILDING, FAR BELOW.           #@@£§%/~,,
,,~/%%§£@@                                          @@£§%%/~,,
,,,,~~%££@ DURING THE  NIGHT,  AFTER  TAINARON  HAS @££%~~,,,,
,,~/%§££@@ STARTED  MOVING,  THE  LOWER  FLOORS ARE @@££§%/~,,
,,~/§£@@## SHUT OFF,  PREVENTING  ENTRY OR EXIT FOR ##@@£§/~,,
,,~///%££@ THE  GUESTS. FOOD  IS NO LONGER  SERVED, @££%///~,,
,,~/%§£@@@ BUT THE  DRINKS BECOME MORE EXTRAVAGANT. @@@£§%/~,,
,,,,////§£ IT'S AT  THIS POINT THAT  THE SECOND SET £§////,,,,
,,,,,/§§@@ OF   GUEST  ARRIVES,  VIA  HELICOPTER  - @@§§/,,,,,
,,,~~~~/§@  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  @§/~~~~,,,
,,,,,//%§@                                          @§%//,,,,,
,,~/%§£@##                  ~~~~~                   ##@£§%/~,,
,,~/%§£@@@                                          @@@£§%/~,,
,,~/%§£@@# IN  MY DREAM I AM INVITED AS A FRIEND OF #@@£§%/~,,
,,~/%§£££@ ONE OF THE  SERVERS, AND  THUS SAFE.  WE @£££§%/~,,
,,,,,~%%££ SIT   IN   ONE  OF  THE  LARGE  WINDOWS, ££%%~,,,,,
,,,,,~/§£@ LOOKING  THROUGH   THE  MIST   FOR   ANY @£§/~,,,,,
,,~/%§££@@ LANDMARKS  TO PIERCE THROUGH  THE  MIST. @@££§%/~,,
,,,,,,,/%£ SHE TELLS ME THAT APART  FROM COMING AND £%/,,,,,,,
,,,,///%§@ GOING FROM  WORK, SHE'S  NEVER  SEEN THE @§%///,,,,
,,~/%§£@## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##@£§%/~,,
,,,,/%§£@@                                          @@£§%/,,,,
,,,,,~~/%£ THE NEXT DAY I AM INVITED TO THE  PUBLIC £%/~~,,,,,
,,~/%§£@##      DEMONSTRATION OF THE EXOBUBBLE.     ##@£§%/~,,
,,,,,~%§££                                          ££§%~,,,,,
,,~/%§£@##                                          ##@£§%/~,,
,,,,~~%%£@                                          @£%%~~,,,,
,,,,~%§§££                                          ££§§%~,,,,
,,,,,/§£££                                          £££§/,,,,,