,.»/^&£#@# #@#£&^/».,
,.»/^&&£## ##£&&^/».,
,,,,,»^^£@ @£^^»,,,,,
,.»»//&£## ##£&//»».,
,,,,./^^&# #&^^/.,,,,
,.»/^&£#@# the skyscraper that moves #@#£&^/».,
,.»/^&££## ##££&^/».,
,.»/^&£#@# tainaron is a building owned and #@#£&^/».,
,,,.///&£@ operated by amata texnologiyasi placed @£&///.,,,
,.»/^&£#@# closed to the harbor in malmÖ. it's #@#£&^/».,
,,,,»»^&£@ roughly sixty floors high (real number @£&^»»,,,,
,./^&£#@## unknown), dark blue and completely ##@#£&^/.,
,,,,,,»/&£ rectangular. it features no signs, £&/»,,,,,,
,.»/^&£#@# lights, or ornaments, apart from a #@#£&^/».,
,.»//^&&£# helipad on top. most floors have #£&&^//».,
,.»/^&£#@# exterior walls completely made of glass. #@#£&^/».,
,.»/^&£#@# #@#£&^/».,
,.»/^&£#@# in late evenings, shrouded by malmö's #@#£&^/».,
,.»/^&£#@# signature fog rolling in from the sea, #@#£&^/».,
,,,,,./&&# the building comes to life: it moves on #&&/.,,,,,
,.»/^&£@## a thousand robotic legs to another ##@£&^/».,
,.»/^&£#@# (secret) part of town, or perhaps out #@#£&^/».,
,.»/^&£#@# to sea. this signals a new and more #@#£&^/».,
,,,,»»^^&# viscious phase of the tainaron #&^^»»,,,,
,.»/^&£### ecosystem. ###£&^/».,
,.»/^&£££# #£££&^/».,
,,,,./&£££ the guests arriving during the early £££&/.,,,,
,.»/^&£##@ evening are treated to food and drink, @##£&^/».,
,.»/^&£#@# live music, beatutiful views, and a #@#£&^/».,
,.»/^&££#@ comfortable but maze-like interior @#££&^/».,
,.»/^&£#@# structure (the building features a #@#£&^/».,
,,,,,,»^£# multitude of stairwells and elevators, #£^»,,,,,,
,,,,,,.»^£ placed seemingly at random, none going £^».,,,,,,
,.»/^&£#@# further than a few floors). #@#£&^/».,
,,,.»»^^&£ £&^^»».,,,
,.»/^&£@## as time goes on, the lights slowly dim, ##@£&^/».,
,.»»»»^&#@ until the air inside has taken on the @#&^»»»».,
,.»/^&£#@# same quality as the surrounding mist: #@#£&^/».,
,.»/^&£### blue-gray, sprinkled with the small red ###£&^/».,
,,,./^^&#@ dot's by door locks and control panels. @#&^^/.,,,
,.»/^&£##@ if you would look through the windows @##£&^/».,
,.»^&£#@## you would see the mist rolling by, and ##@#£&^».,
,,,,,,./&# perhaps the outline of some other #&/.,,,,,,
,,,./^^&## building, far below. ##&^^/.,,,
,.»/^&£#@# #@#£&^/».,
,.»/^&£#@# during the night, after tainaron has #@#£&^/».,
,.»/^&£##@ started moving, the lower floors are @##£&^/».,
,,,,,»/^£# shut off, preventing entry or exit for #£^/»,,,,,
,.»/^&£### the guests. food is no longer served, ###£&^/».,
,.»/^&£#@# but the drinks become more extravagant. #@#£&^/».,
,.»/^&£#@# it's at this point that the second set #@#£&^/».,
,,,,,»^^&# of guest arrives, via helicopter - #&^^»,,,,,
,.»/^&£#@# amata texnologiyasi and their friends. #@#£&^/».,
,.»/^&£#@# #@#£&^/».,
,.»/^&#@## »»»»» ##@#&^/».,
,,.»»^&&£# #£&&^»».,,
,,,,,,./^£ in my dream i am invited as a friend of £^/.,,,,,,
,.»/^&£#@# one of the servers, and thus safe. we #@#£&^/».,
,.»/^&&&£# sit in one of the large windows, #£&&&^/».,
,.»/^&&&&£ looking through the mist for any £&&&&^/».,
,.»/^&£##@ landmarks to pierce through the mist. @##£&^/».,
,....»^&££ she tells me that apart from coming and ££&^»....,
,,.../^^££ going from work, she's never seen the ££^^/...,,
,,,,,.»/&£ building from the outside. we both sigh. £&/».,,,,,
,.»/^^&&££ ££&&^^/».,
,.»/^&£@## the next day i am invited to the public ##@£&^/».,
,.»/^&£#@# demonstration of the exobubble. #@#£&^/».,
,.»/^&£#@# #@#£&^/».,
,,,,,./^£@ @£^/.,,,,,
,,,»/^&&££ ££&&^/»,,,
,.»/^&£#@# #@#£&^/».,
,,,,,./&££ ££&/.,,,,,