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@^==~^,.¨. IT'S VERY DARK IN HERE. DARK AND BIG, A .¨.,^~==^@
##@&$*:~,. FEW COLORED LIGHTS SCATTERED IN AN .,~:*$&@##
#$^«~,..¨, ENORMOUS HALL. COINCIDENTALLY, THIS IS ,¨..,~«^$#
##£@£*\-:. WHERE I WORK. .:-\*£@£##
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£#£#%*†=-, FEELS LIKE I HAVE EATEN A DRUG. TOO ,-=†*%#£#£
#@@@£§/«,, CONFIDENT, TOO MALLEABLE. I FEEL GOOD, ,,«/§£@@@#
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#@££¤%^-,. I DOZE OFF, DAYDREAM... OR MAYBE I FALL .,-^%¤££@#
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&¤%@^«¨..¨ WAKE UP AT WORK, SO THE LINE IS BLURRY. ¨..¨«^@%¤&
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#§§-^.¨... SOMEONE NEW HAS COME WHEN I WAS OUT. ...¨.^-§§#
#@#&&%^«-¨ THEIR BLACK SILLHOUETTE CONTRASTS WITH ¨-«^%&@#
##¶£@†/=,. THE HAZY NEBULOSAS MIRRORED IN THE .,=/†@£¶##
##£§£=†~,, OBSIDIAN FLOOR. I TAKE THEIR MONEY, ,,~†=£§£##
£%@$\†*»~. WHICH I DON'T UNDERSTAND, BUT THE .~»*†\$@%£
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#@£§=~-~,. FROM OUTSIDE THERE'S A BUNCH OF WHINING .,~-~=§£@#
##@§$*^=^¨ TONES, LIKE A CHORD. THE BEVERAGE ¨^=^*$§@##
@*/~,,¨,¨¨ FRIDGE ADDS A SHARP, DARK DRONE. THE ¨¨,¨,,~/*@
@*†,.,.¨,. DINING AREA IS VAST AND PEOPLE ARE .,¨.,.,†*@
#@@#*%=~-. CLUTTERED LIKE CHARCOAL ISLANDS, THEIR .-~=%*#@@#
¶£;»...,,¨ VOICES IN ANOTHER LANGUAGE. OR IN ¨,,...»;£¶
£¶@$§^;»:. ANOTHER MEDIUM, AND I'M ONLY ABLE TO .:»;^§$@¶£
£@@§=.-¨,, PERCIEVE THE WAKE OF THEIR WORDS. ,,¨-.=§@@£
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