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@@&$^=¨,¨, IT'S VERY DARK IN HERE. DARK AND BIG, A ,¨,¨=^$&@@
@§*»«,..¨¨ FEW COLORED LIGHTS SCATTERED IN AN ¨¨..,«»*§@
#£¶@&$;~,. ENORMOUS HALL. COINCIDENTALLY, THIS IS .,~;$&@¶£#
###¶@*\-,¨ WHERE I WORK. ¨,-\*@¶###
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@&¤£@$^~~. I MUST HAVE EATEN A DRUG, OR MAYBE IT'S .~~^$@£¤&@
@#@#$%/«^. JUST THE NATURE OF THE PLACE, BUT IT .^«/%$#@#@
£¤@$&$†-:. FEELS LIKE I HAVE EATEN A DRUG. TOO .:-†$&$@¤£
#£^^/,¨... CONFIDENT, TOO MALLEABLE. I FEEL GOOD, ...¨,/^^£#
@¤§¤§=†~,. TOO GOOD TO BE BORED, WHICH I GUESS IS .,~†=§¤§¤@
#@$@$%:--¨ THE POINT. ¨--:%$@$@#
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¤&^*=¨¨,¨¨ I DOZE OFF, DAYDREAM... OR MAYBE I FALL ¨¨,¨¨=*^&¤
##@#££\«,, ASLEEP FOR REAL. I DREAM OF WORK, AND ,,«\££#@##
##£§$*=-,, WAKE UP AT WORK, SO THE LINE IS BLURRY. ,,-=*$§£##
#¤%$=~«,., ,.,«~=$%¤#
@¶¶¤§†:~,, SOMEONE NEW HAS COME WHEN I WAS OUT. ,,~:†§¤¶¶@
#¤*»~.¨¨¨, THEIR BLACK SILLHOUETTE CONTRASTS WITH ,¨¨¨.~»*¤#
#&=^=-¨..¨ THE HAZY NEBULOSAS MIRRORED IN THE ¨..¨-=^=
#¶£@$^;~~. OBSIDIAN FLOOR. I TAKE THEIR MONEY, .~~;^$@£¶#
&%†^~~»¨.¨ WHICH I DON'T UNDERSTAND, BUT THE ¨.¨»~~^†%&
####%%:-,. MACHINE ACCEPTS IT. .,-:%%####
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##§;~^.¨.. FROM OUTSIDE THERE'S A BUNCH OF WHINING ..¨.^~;§##
£¤&*^\*=~, TONES, LIKE A CHORD. THE BEVERAGE ,~=*\^*&¤£
@$£%\\.¨., FRIDGE ADDS A SHARP, DARK DRONE. THE ,.¨.\\%£$@
##£&£$;~.¨ DINING AREA IS VAST AND PEOPLE ARE ¨.~;$£&£##
@@@¤£†;-.. CLUTTERED LIKE CHARCOAL ISLANDS, THEIR ..-;†£¤@@@
#@#@¤^\~-, VOICES IN ANOTHER LANGUAGE. OR IN ,-~\^¤@#@#
##@£¤*†»~. ANOTHER MEDIUM, AND I'M ONLY ABLE TO .~»†*¤£@##
@§$*~.,¨¨. PERCIEVE THE WAKE OF THEIR WORDS. .¨¨,.~*$§@
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