,,,,,,\@## ##@\,,,,,,
,,--\\\\@# #@\\\\--,,
,,,,,,-%#@ @#%-,,,,,,
,,-\%#@### ###@#%\-,,
,,---\@@@@ @@@@\---,,
,,,,,,-%@# train dream #@%-,,,,,,
,,-\%@#@@# ######,,,,,-,,,,##################### #@@#@%\-,,
,,-\%@#@## \\\ ##@#@%\-,,
,,-\%@#@@# - #@@#@%\-,,
,,-\%@#@## - ##@#@%\-,,
,,-\%@#@## ##@#@%\-,,
,,-\%@#### (situation) ####@%\-,,
,,,,,\@#@@ @@#@\,,,,,
,,-\%@#### you find yourself in a rift - a ####@%\-,,
,,-\%@@### clearing, narrow but immeasurably long. ###@@%\-,,
,,-\%@#### to your sides are walls made of trees, ####@%\-,,
,,-\%@#@## thick and ready to swallow you. the sun ##@#@%\-,,
,,,,,--%## is nowhere to be seen, but nontheless ##%--,,,,,
,,,,,,-\@# it is very bright - the air feels light #@\-,,,,,,
,-\%@#@### blue, almost white. ###@#@%\-,
,,,,,,-%@# #@%-,,,,,,
,,-\%@#@## along the span of the clearing lay two ##@#@%\-,,
,,-\%@@### parallel silvery lines, dark hard ###@@%\-,,
,,,,,,,-%# metal. somehow you can see how heavy #%-,,,,,,,
,,-\%@#@## they are. ##@#@%\-,,
,,,,,,-%@@ @@%-,,,,,,
,,-\%%%%#@ they emit a high pitched whine... @#%%%%\-,,
,,,,,-\%%# #%%\-,,,,,
,,-\%@#@## - ##@#@%\-,,
,,-\%@#@## ,,%,, ##@#@%\-,,
,,-\%@#@## - ##@#@%\-,,
,,-\%@#@@@ @@@#@%\-,,
,,-\%@#### (situation) ####@%\-,,
,,-\%@#### ####@%\-,,
,,-\%#@### youre at the train station, on a ###@#%\-,,
,,-\%@#### catwalk above the rails. your train is ####@%\-,,
,,-\%@#@## late, or you are late to the train. ##@#@%\-,,
,,,,--%### it's a summer afternoon and the station ###%--,,,,
,,,,,,\@@# is busy, full of relaxed confidence. #@@\,,,,,,
,,-\%@#@## ##@#@%\-,,
,-\%@#@### you're in high spirits, although a bit ###@#@%\-,
,,\%@#@### stressed about the time, while moving ###@#@%\,,
,,-\%@##@# up the stairs to your platform. the #@##@%\-,,
,,-\%@#@## station is in several levels, all ##@#@%\-,,
,,-\%@#@## placed within eachother by some ##@#@%\-,,
,,-\%@@### intelligent designer, and full of ###@@%\-,,
,,--\\%### stairs, elevators, shortcuts, ###%\\--,,
,,,,,\@##@ bazaars... you sight your train through @##@\,,,,,
,,-\%@@@@# some glass windows. it's... not where #@@@@%\-,,
,,-\%@#@## it's supposed to be? ##@#@%\-,,
,,-\\\\%@@ @@%\\\\-,,
,,,,,\@@@@ - @@@@\,,,,,
,,-\%@#@## ,,@,, ##@#@%\-,,
,,-\%@#@## - ##@#@%\-,,
,,-\%@@### ###@@%\-,,
,,-\%@#@## (situation) ##@#@%\-,,
,,-\%@#@## ##@#@%\-,,
,,-\%@#@## you're finally entering the city. while ##@#@%\-,,
,,,,--%@@# it is indeed a very high speed train #@@%--,,,,
,,-\\\\%@# you're traveling in, the journey has #@%\\\\-,,
,,-\%@#@## been long. but it's about to end! ##@#@%\-,,
,,,,,,\@@# #@@\,,,,,,
,,,,,,--%# society is growing denser around you, #%--,,,,,,
,,-\%@#@## through the windows you see first small ##@#@%\-,,
,,,,,,-%#@ shacks, built of metal and stone, then @#%-,,,,,,
,,,,,,--%# proper houses with mortar to keep them #%--,,,,,,
,,,,,,-%%# together... who in turn make way for #%%-,,,,,,
,,-\%@###@ the industrial buildings, the urban @###@%\-,,
,,,,-%@@## maze, protective walls, jungle ##@@%-,,,,
,,-\%@#@## network... ##@#@%\-,,
,,-\%@#@## ##@#@%\-,,
,,,,,,-%@@ the tracks leave the ground, which is @@%-,,,,,,
,,-\%@#@## needed for other purposes. you are ##@#@%\-,,
,,,,,\\%%# carried gently, curving upwards until #%%\\,,,,,
,,,,\\%@@@ you're moving upward along the wall of @@@%\\,,,,
,,,,,-%@@@ a building. it's made of slabby stone, @@@%-,,,,,
,,-\%@#@## with great glassless window holes ##@#@%\-,,
,,-\%@#@## looking out the way you came. it is ##@#@%\-,,
,,-\%@#@## pitch black inside. ##@#@%\-,,
,,-\%@#@## ##@#@%\-,,
,,,,,,\@@# #@@\,,,,,,
,,,-\%@@@# #@@@%\-,,,
,,-\%@#### ####@%\-,,
,,-\%@#@## ##@#@%\-,,