.....,-=%# #%=-,.....
.,-*=%£@## ##@£%=*-,.
.,-**==%£# #£%==**-,.
,-*=%£#@## ##@#£%=*-,
.,-*=%£#@# #@#£%=*-,.
.,-*=%%%## TRAIN DREAM ##%%%=*-,.
...,**=££@ ######....,-,,..##################### @££=**,...
.....,*=£# *** #£=*,.....
.,-*=%££#@ - @#££%=*-,.
.....,*=£# - #£=*,.....
.....-*=£# #£=*-.....
.....,-*=£ (SITUATION) £=*-,.....
.....-==££ ££==-.....
.,-**==%£# YOU FIND YOURSELF IN A RIFT - A #£%==**-,.
..,,-==%%£ CLEARING, NARROW BUT IMMEASURABLY LONG. £%%==-,,..
.,-*=%£#@# TO YOUR SIDES ARE WALLS MADE OF TREES, #@#£%=*-,.
.,-*=%£#@# THICK AND READY TO SWALLOW YOU. THE SUN #@#£%=*-,.
.,-*=%£#@# IS NOWHERE TO BE SEEN, BUT NONTHELESS #@#£%=*-,.
......,*=£ IT IS VERY BRIGHT - THE AIR FEELS LIGHT £=*,......
.,-*%£#@## BLUE, ALMOST WHITE. ##@#£%*-,.
.,-*==%%%# #%%%==*-,.
.,,,,,*%#@ ALONG THE SPAN OF THE CLEARING LAY TWO @#%*,,,,,.
.,-**==%£# PARALLEL SILVERY LINES, DARK HARD #£%==**-,.
.....,*%£@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @£%*,.....
.,-*=%£#@@ THEY ARE. @@#£%=*-,.
.,-*=%£#@# #@#£%=*-,.
.,-*=%£### THEY EMIT A HIGH PITCHED WHINE... ###£%=*-,.
......-*=£ £=*-......
.,-*====£@ - @£====*-,.
.,-*=%£#@# ..=.. #@#£%=*-,.
.,-*=%£### - ###£%=*-,.
.,-*=%£@## ##@£%=*-,.
.....,-*%# (SITUATION) #%*-,.....
.,-*=%£### ###£%=*-,.
.,-*=%£#@# YOURE AT THE TRAIN STATION, ON A #@#£%=*-,.
.,-*=%#@## CATWALK ABOVE THE RAILS. YOUR TRAIN IS ##@#%=*-,.
.,-*=%£#@# LATE, OR YOU ARE LATE TO THE TRAIN. #@#£%=*-,.
...,,**%## IT'S A SUMMER AFTERNOON AND THE STATION ##%**,,...
...--===%£ IS BUSY, FULL OF RELAXED CONFIDENCE. £%===--...
.,-*=%%%££ ££%%%=*-,.
.-*=%£#@## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##@#£%=*-.
.....-*%%£ STRESSED ABOUT THE TIME, WHILE MOVING £%%*-.....
...,-=%%%# UP THE STAIRS TO YOUR PLATFORM. THE #%%%=-,...
.,-**===£@ STATION IS IN SEVERAL LEVELS, ALL @£===**-,.
.,-*=%£#@# PLACED WITHIN EACHOTHER BY SOME #@#£%=*-,.
..,--=%££@ INTELLIGENT DESIGNER, AND FULL OF @££%=--,..
.,-*=%£#@# STAIRS, ELEVATORS, SHORTCUTS, #@#£%=*-,.
.,-*=%£#@@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @@#£%=*-,.
.,-*=%£#@# SOME GLASS WINDOWS. IT'S... NOT WHERE #@#£%=*-,.
......-==£ IT'S SUPPOSED TO BE? £==-......
....-=%£££ £££%=-....
.,-=%£#@## - ##@#£%=-,.
.,-*=%£@## ,,%,, ##@£%=*-,.
....,,-==£ - £==-,,....
.,-*=%£#@# #@#£%=*-,.
.,-*=%£££# (SITUATION) #£££%=*-,.
.,-*=%#@## ##@#%=*-,.
...,-=%%£# YOU'RE FINALLY ENTERING THE CITY. WHILE #£%%=-,...
.,-*=%£### IT IS INDEED A VERY HIGH SPEED TRAIN ###£%=*-,.
.,-*=%£#@@ YOU'RE TRAVELING IN, THE JOURNEY HAS @@#£%=*-,.
.....-=%£@ BEEN LONG. BUT IT'S ABOUT TO END! @£%=-.....
.,-*=%#@## ##@#%=*-,.
...,--=%## SOCIETY IS GROWING DENSER AROUND YOU, ##%=--,...
....,-*%££ THROUGH THE WINDOWS YOU SEE FIRST SMALL ££%*-,....
.,--*=%%%£ SHACKS, BUILT OF METAL AND STONE, THEN £%%%=*--,.
...,*=%£## PROPER HOUSES WITH MORTAR TO KEEP THEM ##£%=*,...
.....,**%£ TOGETHER... WHO IN TURN MAKE WAY FOR £%**,.....
......-=£@ THE INDUSTRIAL BUILDINGS, THE URBAN @£=-......
.,-*=%#@## MAZE, PROTECTIVE WALLS, JUNGLE ##@#%=*-,.
.,-*=%£#@# NETWORK... #@#£%=*-,.
.,-*=%£#@# #@#£%=*-,.
.,-*=%£#@# THE TRACKS LEAVE THE GROUND, WHICH IS #@#£%=*-,.
.,-*=%£#@@ NEEDED FOR OTHER PURPOSES. YOU ARE @@#£%=*-,.
....,**=%£ CARRIED GENTLY, CURVING UPWARDS UNTIL £%=**,....
....-***%# YOU'RE MOVING UPWARD ALONG THE WALL OF #%***-....
.,-*=%£#@# A BUILDING. IT'S MADE OF SLABBY STONE, #@#£%=*-,.
.,-*=%£@## WITH GREAT GLASSLESS WINDOW HOLES ##@£%=*-,.
.,-*=%£#@# LOOKING OUT THE WAY YOU CAME. IT IS #@#£%=*-,.
.,-*=%£#@@ PITCH BLACK INSIDE. @@#£%=*-,.
.,-*=%£££# #£££%=*-,.
..,,-==%#@ @#%==-,,..
.,-*=%£#@# #@#£%=*-,.
.,-*=%£#@# #@#£%=*-,.
.,-*===££@ @££===*-,.