###¶£*\=:, ,:=\*£¶###
##¶@£*\=:, ,:=\*£@¶##
##¶@£*\=:, ,:=\*£@¶##
##¶@£*\=:, ,:=\*£@¶##
¶¶@£\\=,,, ,,,=\\£@¶¶
##¶@£*\=:, train dream ,:=\*£@¶##
##¶@£*\=:, ######,,,,:=::,,##################### ,:=\*£@¶##
##¶@£*\=:, \\\ ,:=\*£@¶##
@*\:,,,,,, = ,,,,,,:\*@
#@£££*\=:, = ,:=\*£££@#
###@£*\=:, ,:=\*£@###
¶¶¶@£*\=:, (situation) ,:=\*£@¶¶¶
#@@£*\:,,, ,,,:\*£@@#
###¶@*\=:, you find yourself in a rift - a ,:=\*@¶###
#@*=:,,,,, clearing, narrow but immeasurably long. ,,,,,:=*@#
##¶@£*\=:, to your sides are walls made of trees, ,:=\*£@¶##
##¶@£*\=:, thick and ready to swallow you. the sun ,:=\*£@¶##
@@£*==,,,, is nowhere to be seen, but nontheless ,,,,==*£@@
##¶@£*\=:, it is very bright - the air feels light ,:=\*£@¶##
##¶@£*\=:, blue, almost white. ,:=\*£@¶##
###¶@£*=:, ,:=*£@¶###
##¶@£*\=:, along the span of the clearing lay two ,:=\*£@¶##
##¶@£*\=:, parallel silvery lines, dark hard ,:=\*£@¶##
@£*\=:,,,, metal. somehow you can see how heavy ,,,,:=\*£@
##¶@£*\=:, they are. ,:=\*£@¶##
##¶@£*\=:, ,:=\*£@¶##
¶££\\\\=:, they emit a high pitched whine... ,:=\\\\££¶
¶¶@£*=:,,, ,,,:=*£@¶¶
#@**==:::, = ,:::==**@#
##¶@£*\=:, ,,*,, ,:=\*£@¶##
##¶@£*\=:, = ,:=\*£@¶##
##¶@£*\=:, ,:=\*£@¶##
##¶@£*\=:, (situation) ,:=\*£@¶##
##¶@£*\=:, ,:=\*£@¶##
@££\=,,,,, youre at the train station, on a ,,,,,=\££@
#¶£\:,,,,, catwalk above the rails. your train is ,,,,,:\£¶#
@*===:,,,, late, or you are late to the train. ,,,,:===*@
@££\\\:,,, it's a summer afternoon and the station ,,,:\\\££@
##¶@£*\=:, is busy, full of relaxed confidence. ,:=\*£@¶##
##¶@£*\=:, ,:=\*£@¶##
##¶@£*\=:, you're in high spirits, although a bit ,:=\*£@¶##
¶@**\=,,,, stressed about the time, while moving ,,,,=\**@¶
##¶@£*\=:, up the stairs to your platform. the ,:=\*£@¶##
@@£££*\=:, station is in several levels, all ,:=\*£££@@
##¶@£*\=:, placed within eachother by some ,:=\*£@¶##
#¶¶@£*\=:, intelligent designer, and full of ,:=\*£@¶¶#
¶£££**\=:, stairs, elevators, shortcuts, ,:=\**£££¶
##¶@£*\=:, bazaars... you sight your train through ,:=\*£@¶##
@£**=,,,,, some glass windows. it's... not where ,,,,,=**£@
##¶@£*\=:, it's supposed to be? ,:=\*£@¶##
##¶@£*\=:, ,:=\*£@¶##
##¶@£*\=:, = ,:=\*£@¶##
##¶@£*\=:, ::£:: ,:=\*£@¶##
#¶@@£*\=:, = ,:=\*£@@¶#
¶@*=:,,,,, ,,,,,:=*@¶
#@££\\\=:, (situation) ,:=\\\££@#
##¶@£*\=:, ,:=\*£@¶##
@*\:,,,,,, you're finally entering the city. while ,,,,,,:\*@
#@£\\=::,, it is indeed a very high speed train ,,::=\\£@#
###@£*\=:, you're traveling in, the journey has ,:=\*£@###
##¶@£*\=:, been long. but it's about to end! ,:=\*£@¶##
¶¶£\=,,,,, ,,,,,=\£¶¶
¶¶££\===:, society is growing denser around you, ,:===\££¶¶
@@££\:,,,, through the windows you see first small ,,,,:\££@@
##¶@£*\=:, shacks, built of metal and stone, then ,:=\*£@¶##
@£££*\::,, proper houses with mortar to keep them ,,::\*£££@
###¶@£\=:, together... who in turn make way for ,:=\£@¶###
#¶£*\===:, the industrial buildings, the urban ,:===\*£¶#
#@£*===,,, maze, protective walls, jungle ,,,===*£@#
¶@@£\=,,,, network... ,,,,=\£@@¶
###¶£*\=:, ,:=\*£¶###
##¶@£*\=:, the tracks leave the ground, which is ,:=\*£@¶##
@@£\=:,,,, needed for other purposes. you are ,,,,:=\£@@
##¶@£*\=:, carried gently, curving upwards until ,:=\*£@¶##
##¶@£*\=:, you're moving upward along the wall of ,:=\*£@¶##
###@£*\=:, a building. it's made of slabby stone, ,:=\*£@###
###@£*\=:, with great glassless window holes ,:=\*£@###
¶@££*=,,,, looking out the way you came. it is ,,,,=*££@¶
@****=,,,, pitch black inside. ,,,,=****@
###¶@£*=:, ,:=*£@¶###
##¶@£*\=:, ,:=\*£@¶##
##¶@£*\=:, ,:=\*£@¶##
##¶@£*\=:, ,:=\*£@¶##
#¶££\=:,,, ,,,:=\££¶#