..#.##.... #.#..#.#.#
.##..#.... #.#.##.#.#
..#.##.... #.#..#.#.#
.##..#.... #.#.##.#.#
..#.##...# #.#..#.#.#
.##..#..## TRAIN DREAM #.#.##.#.#
..#.##.#.# ######....----..##################### #.#..#.#.#
.##..#.#.# ;;; #.#.##.#.#
..#.##.#.# - #.#..#.#.#
.##..#.#.# - #.#.##.#.#
..#.##.#.# #.#..#.#.#
.##..#.#.# (SITUATION) #.#.##.#.#
..#.##.#.# #.#..#.#.#
.##..#.#.# YOU FIND YOURSELF IN A RIFT - A #.#.##.#.#
..#.##.#.# CLEARING, NARROW BUT IMMEASURABLY LONG. #.#..#.#.#
.##..#.#.# TO YOUR SIDES ARE WALLS MADE OF TREES, #.#.##.#.#
..#.##.#.# THICK AND READY TO SWALLOW YOU. THE SUN #.#..#.#.#
.##..#.#.# IS NOWHERE TO BE SEEN, BUT NONTHELESS #.#.##.#.#
..#.##.#.# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #.#..#.#.#
.##..#.#.# BLUE, ALMOST WHITE. #.#.##.#.#
..#.##.#.# #.#..#.#.#
.##..#.#.# ALONG THE SPAN OF THE CLEARING LAY TWO #.#.##.#.#
..#.##.#.# PARALLEL SILVERY LINES, DARK HARD #.#..#.#.#
.##..#.#.# METAL. SOMEHOW YOU CAN SEE HOW HEAVY #.#.##.#.#
..#.##.#.# THEY ARE. #.#..#.#.#
.##..#.#.# #.#.##.#.#
..#.##.#.# THEY EMIT A HIGH PITCHED WHINE... #.#..#.#.#
.##..#.#.# #.#.##.#.#
..#.##.#.# - #.#..#.#.#
.##..#.#.# ..*.. #.#.##.#.#
..#.##.#.# - #.#..#.#.#
.##..#.#.# #.#.##.#.#
..#.##.#.# (SITUATION) #.#..#.#.#
.##..#.#.# #.#.##.#.#
..#.##.#.# YOURE AT THE TRAIN STATION, ON A #.#..#.#.#
.##..#.#.# CATWALK ABOVE THE RAILS. YOUR TRAIN IS #.#.##.#.#
..#.##.#.# LATE, OR YOU ARE LATE TO THE TRAIN. #.#..#.#.#
.##..#.#.# IT'S A SUMMER AFTERNOON AND THE STATION #.#.##.#.#
..#.##.#.# IS BUSY, FULL OF RELAXED CONFIDENCE. #.#..#.#.#
.##..#.#.# #.#.##.#.#
..#.##.#.# YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT #.#..#.#.#
.##..#.#.# STRESSED ABOUT THE TIME, WHILE MOVING #.#.##.#.#
..#.##.#.# UP THE STAIRS TO YOUR PLATFORM. THE #.#..#.#.#
.##..#.#.# STATION IS IN SEVERAL LEVELS, ALL #.#.##.#.#
..#.##.#.# PLACED WITHIN EACHOTHER BY SOME #.#..#.#.#
.##..#.#.# INTELLIGENT DESIGNER, AND FULL OF #.#.##.#.#
..#.##.#.# STAIRS, ELEVATORS, SHORTCUTS, #.#..#.#.#
.##..#.#.# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #.#.##.#.#
..#.##.#.# SOME GLASS WINDOWS. IT'S... NOT WHERE #.#..#.#.#
.##..#.#.# IT'S SUPPOSED TO BE? #.#.##.#.#
..#.##.#.# #.#..#.#.#
.##..#.#.# - #.#.##.#.#
..#.##.#.# --£-- #.#..#.#.#
.##..#.#.# - #.#.##.#.#
..#.##.#.# #.#..#.#.#
.##..#.#.# (SITUATION) #.#.##.#.#
..#.##.#.# #.#..#.#.#
.##..#.#.# YOU'RE FINALLY ENTERING THE CITY. WHILE #.#.##.#.#
..#.##.#.# IT IS INDEED A VERY HIGH SPEED TRAIN #.#..#.#.#
.##..#.#.# YOU'RE TRAVELING IN, THE JOURNEY HAS #.#.##.#.#
..#.##.#.# BEEN LONG. BUT IT'S ABOUT TO END! #.#..#.#.#
.##..#.#.# #.#.##.#.#
..#.##.#.# SOCIETY IS GROWING DENSER AROUND YOU, #.#..#.#.#
.##..#.#.# THROUGH THE WINDOWS YOU SEE FIRST SMALL #.#.##.#.#
..#.##.#.# SHACKS, BUILT OF METAL AND STONE, THEN #.#..#.#.#
.##..#.#.# PROPER HOUSES WITH MORTAR TO KEEP THEM #.#.##.#.#
..#.##.#.# TOGETHER... WHO IN TURN MAKE WAY FOR #.#..#.#.#
.##..#.#.# THE INDUSTRIAL BUILDINGS, THE URBAN #.#.##.#.#
..#.##.#.# MAZE, PROTECTIVE WALLS, JUNGLE #.#..#.#.#
.##..#.#.# NETWORK... #.#.##.#.#
..#.##.#.# #.#..#.#.#
.##..#.#.# THE TRACKS LEAVE THE GROUND, WHICH IS #.#.##.#.#
..#.##.#.# NEEDED FOR OTHER PURPOSES. YOU ARE #.#..#.#.#
.##..#.#.# CARRIED GENTLY, CURVING UPWARDS UNTIL #.#.##.#.#
..#.##.#.# YOU'RE MOVING UPWARD ALONG THE WALL OF #.#..#.#.#
.##..#.#.# A BUILDING. IT'S MADE OF SLABBY STONE, #.#.##.#.#
..#.##.#.# WITH GREAT GLASSLESS WINDOW HOLES #.#..#.#.#
.##..#.#.# LOOKING OUT THE WAY YOU CAME. IT IS #.#.##.#.#
..#.##.#.# PITCH BLACK INSIDE. #.#..#.#.#
.##..#.#.# #.#.##.#.#
..#.##.#.# #.#..#.#.#
.##..#.#.# #.#.##.#.#
..#.##.#.# #.#..#.#.#
.##..#.#.# #.#.##.#.#