.-»/$*§### ###§*$/»-.
.-»/$*§### ###§*$/»-.
......»$$§ §$$»......
.-»/$*§### ###§*$/»-.
.....--/*# #*/--.....
.-»/$*#### TRAIN DREAM ####*$/»-.
.-»/$*§### ######....-»--..##################### ###§*$/»-.
..--»»$*## /// ##*$»»--..
.-»/$*§### » ###§*$/»-.
.-»/$*§### » ###§*$/»-.
....-/$§§# #§§$/-....
.-»/$*§### (SITUATION) ###§*$/»-.
.-»/$*§### ###§*$/»-.
.-»/$*§### YOU FIND YOURSELF IN A RIFT - A ###§*$/»-.
.....-»$*# CLEARING, NARROW BUT IMMEASURABLY LONG. #*$»-.....
.-»/$*#### TO YOUR SIDES ARE WALLS MADE OF TREES, ####*$/»-.
.-»/$$**§# THICK AND READY TO SWALLOW YOU. THE SUN #§**$$/»-.
.-»/$*§### IS NOWHERE TO BE SEEN, BUT NONTHELESS ###§*$/»-.
.-»/$*§### IT IS VERY BRIGHT - THE AIR FEELS LIGHT ###§*$/»-.
.-»/$*§### BLUE, ALMOST WHITE. ###§*$/»-.
.-»/$*§### ###§*$/»-.
.-»/$*§### ALONG THE SPAN OF THE CLEARING LAY TWO ###§*$/»-.
...-»»$$§# PARALLEL SILVERY LINES, DARK HARD #§$$»»-...
.---»»/$§§ METAL. SOMEHOW YOU CAN SEE HOW HEAVY §§$/»»---.
.....»$§## THEY ARE. ##§$».....
.-»/$*§### ###§*$/»-.
....-///$§ THEY EMIT A HIGH PITCHED WHINE... §$///-....
.-»/$*§### ###§*$/»-.
.-»/$*§### » ###§*$/»-.
.-»/$§#### ..$.. ####§$/»-.
.-»/$*§§## » ##§§*$/»-.
.-»/$*§### ###§*$/»-.
.-»/$*#### (SITUATION) ####*$/»-.
.-»/$*§### ###§*$/»-.
.-»/$*§### YOURE AT THE TRAIN STATION, ON A ###§*$/»-.
.-»/$$$$§# CATWALK ABOVE THE RAILS. YOUR TRAIN IS #§$$$$/»-.
.-»/$*#### LATE, OR YOU ARE LATE TO THE TRAIN. ####*$/»-.
.-»/$*§### IT'S A SUMMER AFTERNOON AND THE STATION ###§*$/»-.
.-»/$*§### IS BUSY, FULL OF RELAXED CONFIDENCE. ###§*$/»-.
.....-»/$§ §$/»-.....
.-»/$*§### YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ###§*$/»-.
......-/*# STRESSED ABOUT THE TIME, WHILE MOVING #*/-......
.-»/$*§### UP THE STAIRS TO YOUR PLATFORM. THE ###§*$/»-.
.-»/$*§### STATION IS IN SEVERAL LEVELS, ALL ###§*$/»-.
.-»/$*§### PLACED WITHIN EACHOTHER BY SOME ###§*$/»-.
.-»///$*## INTELLIGENT DESIGNER, AND FULL OF ##*$///»-.
.-»//$**## STAIRS, ELEVATORS, SHORTCUTS, ##**$//»-.
.....-»$*§ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH §*$»-.....
.-»/$*§### SOME GLASS WINDOWS. IT'S... NOT WHERE ###§*$/»-.
.....-/*§# IT'S SUPPOSED TO BE? #§*/-.....
.-»/$*§### ###§*$/»-.
.-»/$*§### » ###§*$/»-.
....»//*## --*-- ##*//»....
.-»/$*§§§# » #§§§*$/»-.
......»$§# #§$»......
.-/$*§#### (SITUATION) ####§*$/-.
.-»///$$§# #§$$///»-.
...---»$§§ YOU'RE FINALLY ENTERING THE CITY. WHILE §§$»---...
...»»//*## IT IS INDEED A VERY HIGH SPEED TRAIN ##*//»»...
....-//*§# YOU'RE TRAVELING IN, THE JOURNEY HAS #§*//-....
....»$$$*§ BEEN LONG. BUT IT'S ABOUT TO END! §*$$$»....
.---»$$$§§ §§$$$»---.
.-»/$*§### SOCIETY IS GROWING DENSER AROUND YOU, ###§*$/»-.
.-»/$*#### THROUGH THE WINDOWS YOU SEE FIRST SMALL ####*$/»-.
.-»/$§#### SHACKS, BUILT OF METAL AND STONE, THEN ####§$/»-.
.-»/$*§### PROPER HOUSES WITH MORTAR TO KEEP THEM ###§*$/»-.
.-»/$*§### TOGETHER... WHO IN TURN MAKE WAY FOR ###§*$/»-.
.-»/$*§### THE INDUSTRIAL BUILDINGS, THE URBAN ###§*$/»-.
......»$$§ MAZE, PROTECTIVE WALLS, JUNGLE §$$»......
.....-/*## NETWORK... ##*/-.....
.-»/$*§### ###§*$/»-.
...-»///*# THE TRACKS LEAVE THE GROUND, WHICH IS #*///»-...
.....-/**§ NEEDED FOR OTHER PURPOSES. YOU ARE §**/-.....
......»$*# CARRIED GENTLY, CURVING UPWARDS UNTIL #*$»......
.-»/$***§# YOU'RE MOVING UPWARD ALONG THE WALL OF #§***$/»-.
.-»/$*§### A BUILDING. IT'S MADE OF SLABBY STONE, ###§*$/»-.
..--//$§## WITH GREAT GLASSLESS WINDOW HOLES ##§$//--..
.-»/$*§### LOOKING OUT THE WAY YOU CAME. IT IS ###§*$/»-.
......»»$§ PITCH BLACK INSIDE. §$»»......
.-»/$*§### ###§*$/»-.
.-»/$*§### ###§*$/»-.
......»»$§ §$»»......
.-»/$*§### ###§*$/»-.
.-»/$*§### ###§*$/»-.