,^~;=@&@## ##@&@=;~^,
,,,,,~==&@ @&==~,,,,,
,,,^~;@&@# #@&@;~^,,,
,^~;=@&@## ##@&@=;~^,
,,,^~~;=@@ @@=;~~^,,,
,^~;=@@@@@ TRAIN DREAM @@@@@=;~^,
,,,~~~~=@@ ######,,,,^~^^,,##################### @@=~~~~,,,
,,,,,^~;@@ ;;; @@;~^,,,,,
,,^^;===&# ~ #&===;^^,,
,^~~;=@&@# ~ #@&@=;~~^,
,,,^~;=@@& &@@=;~^,,,
,^~;=@&@## (SITUATION) ##@&@=;~^,
,,,,,^;;@@ @@;;^,,,,,
,^~;=@@@@@ YOU FIND YOURSELF IN A RIFT - A @@@@@=;~^,
,^~;=@@&@@ CLEARING, NARROW BUT IMMEASURABLY LONG. @@&@@=;~^,
,,,~;;;=@@ TO YOUR SIDES ARE WALLS MADE OF TREES, @@=;;;~,,,
,^~;=@&@## THICK AND READY TO SWALLOW YOU. THE SUN ##@&@=;~^,
,^~;=@&@## IS NOWHERE TO BE SEEN, BUT NONTHELESS ##@&@=;~^,
,,,^^;==&@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT @&==;^^,,,
,^~;=@&@## BLUE, ALMOST WHITE. ##@&@=;~^,
,^~;=@&@## ##@&@=;~^,
,^~;=@&&@@ ALONG THE SPAN OF THE CLEARING LAY TWO @@&&@=;~^,
,^~~;;;=&& PARALLEL SILVERY LINES, DARK HARD &&=;;;~~^,
,^~;=@&@## METAL. SOMEHOW YOU CAN SEE HOW HEAVY ##@&@=;~^,
,,,,~;;==& THEY ARE. &==;;~,,,,
,,,^^~;@@@ @@@;~^^,,,
,,,,,^;=&& THEY EMIT A HIGH PITCHED WHINE... &&=;^,,,,,
,^~;=@&@## ##@&@=;~^,
,^~;=@&@## ~ ##@&@=;~^,
,,,~~====& ,,=,, &====~~,,,
,,^^^~;@@& ~ &@@;~^^^,,
,^~;=@&@## ##@&@=;~^,
,^~;=@&@## (SITUATION) ##@&@=;~^,
,^^^~~;=&& &&=;~~^^^,
,^~;=@&@## YOURE AT THE TRAIN STATION, ON A ##@&@=;~^,
,,,^^;==&& CATWALK ABOVE THE RAILS. YOUR TRAIN IS &&==;^^,,,
,^~;=@&@## LATE, OR YOU ARE LATE TO THE TRAIN. ##@&@=;~^,
,^~;=@&&&# IT'S A SUMMER AFTERNOON AND THE STATION #&&&@=;~^,
,^~;=@&@## IS BUSY, FULL OF RELAXED CONFIDENCE. ##@&@=;~^,
,^~;=@&@## ##@&@=;~^,
,^~;=@&@## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##@&@=;~^,
,^~;=@&@@@ STRESSED ABOUT THE TIME, WHILE MOVING @@@&@=;~^,
,,,,^;@@@# UP THE STAIRS TO YOUR PLATFORM. THE #@@@;^,,,,
,^~;===@&# STATION IS IN SEVERAL LEVELS, ALL #&@===;~^,
,,,,^~==@@ PLACED WITHIN EACHOTHER BY SOME @@==~^,,,,
,^~;=@&@## INTELLIGENT DESIGNER, AND FULL OF ##@&@=;~^,
,^~;=@&@## STAIRS, ELEVATORS, SHORTCUTS, ##@&@=;~^,
,,,~;;;@@# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #@@;;;~,,,
,^~;==@@&& SOME GLASS WINDOWS. IT'S... NOT WHERE &&@@==;~^,
,^~;=@@&@# IT'S SUPPOSED TO BE? #@&@@=;~^,
,,^~~~==&& &&==~~~^,,
,^~;=@&@@@ ~ @@@&@=;~^,
,^~;=@&@## ^^@^^ ##@&@=;~^,
,^~;=@&### ~ ###&@=;~^,
,^~;=@&@## ##@&@=;~^,
,,,,,,~=@@ (SITUATION) @@=~,,,,,,
,,,,^~~;@& &@;~~^,,,,
,^~;=@&@## YOU'RE FINALLY ENTERING THE CITY. WHILE ##@&@=;~^,
,^~~~~;@&& IT IS INDEED A VERY HIGH SPEED TRAIN &&@;~~~~^,
,^~;=@@@&# YOU'RE TRAVELING IN, THE JOURNEY HAS #&@@@=;~^,
,^~;=@&@@@ BEEN LONG. BUT IT'S ABOUT TO END! @@@&@=;~^,
,^~;=@@### ###@@=;~^,
,^~;=@&@@# SOCIETY IS GROWING DENSER AROUND YOU, #@@&@=;~^,
,^~;=@&### THROUGH THE WINDOWS YOU SEE FIRST SMALL ###&@=;~^,
,^~;;;;==& SHACKS, BUILT OF METAL AND STONE, THEN &==;;;;~^,
,,^^^;;@&@ PROPER HOUSES WITH MORTAR TO KEEP THEM @&@;;^^^,,
,,,,,~;@@@ TOGETHER... WHO IN TURN MAKE WAY FOR @@@;~,,,,,
,^~;===@@@ THE INDUSTRIAL BUILDINGS, THE URBAN @@@===;~^,
,,,^~;=&&& MAZE, PROTECTIVE WALLS, JUNGLE &&&=;~^,,,
,^~;=@&@## NETWORK... ##@&@=;~^,
,,,,,,,~=& &=~,,,,,,,
,^~;=@@@@# THE TRACKS LEAVE THE GROUND, WHICH IS #@@@@=;~^,
,,,,^;==@& NEEDED FOR OTHER PURPOSES. YOU ARE &@==;^,,,,
,^~;=@&@## CARRIED GENTLY, CURVING UPWARDS UNTIL ##@&@=;~^,
,,,,,,~==& YOU'RE MOVING UPWARD ALONG THE WALL OF &==~,,,,,,
,^~;=@&@## A BUILDING. IT'S MADE OF SLABBY STONE, ##@&@=;~^,
,,,,^;==&@ WITH GREAT GLASSLESS WINDOW HOLES @&==;^,,,,
,^~;=&@### LOOKING OUT THE WAY YOU CAME. IT IS ###@&=;~^,
,^~;===&&# PITCH BLACK INSIDE. #&&===;~^,
,^~;=@&@## ##@&@=;~^,
,^~;=@&@@# #@@&@=;~^,
,,,,^^~=&@ @&=~^^,,,,
,^~;=@&@## ##@&@=;~^,
,^~;=@@@&@ @&@@@=;~^,