..@...@@.@ @@.@......
..@@..@.@@ ..@@@.....
..@.@.@@@. ..@..@....
..@@@@@..@ @.@@.@@...
..@....@.@ @@@.@@.@..
..@@...@@@ TRAIN DREAM @..@@.@@@.
..@.@..@.. ######....^«^^..##################### @@.@.@@..@
@.@@@@.@@. ††† @.@@@@.@.@
.@@...@@.@ « @@@...@@@@
@@.@..@.@@ « ...@..@...
@.@@@.@@@. ...@@.@@..
@@@..@@..@ (SITUATION) @..@.@@.@.
@..@.@.@.@ .@.@@@.@@@
.@.@@@@@@@ YOU FIND YOURSELF IN A RIFT - A @@@@..@@..
.@@@...... CLEARING, NARROW BUT IMMEASURABLY LONG. @...@.@.@.
.@..@..... TO YOUR SIDES ARE WALLS MADE OF TREES, .@..@@@@@@
@@@.@@.... THICK AND READY TO SWALLOW YOU. THE SUN @@@.@.....
@..@@.@... IS NOWHERE TO BE SEEN, BUT NONTHELESS @..@@@....
@@.@.@@@.. IT IS VERY BRIGHT - THE AIR FEELS LIGHT .@.@..@...
@.@@@@..@. BLUE, ALMOST WHITE. .@@@@.@@..
@@@...@.@@ .@...@@.@.
@..@..@@@. ALONG THE SPAN OF THE CLEARING LAY TWO .@@..@.@@@
.@.@@.@..@ PARALLEL SILVERY LINES, DARK HARD @@.@.@@@..
.@@@.@@@.@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY ..@@@@..@.
.@..@@..@@ THEY ARE. ..@...@.@@
@@@.@.@.@. @.@@..@@@.
@..@@@@@@@ THEY EMIT A HIGH PITCHED WHINE... @@@.@.@..@
.@.@...... ...@@@@@.@
@@@@@..... « @..@....@@
.....@.... ..%.. @@.@@...@.
.....@@... « @.@@.@..@@
@....@.@.. .@@.@@@.@.
@@...@@@@. (SITUATION) .@.@@..@@@
..@..@...@ .@@@.@.@..
..@@.@@..@ YOURE AT THE TRAIN STATION, ON A @@..@@@@@.
..@.@@.@.@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS ..@.@....@
@.@@@.@@@@ LATE, OR YOU ARE LATE TO THE TRAIN. @.@@@@...@
.@@..@@... IT'S A SUMMER AFTERNOON AND THE STATION @@@...@..@
@@.@.@.@.. IS BUSY, FULL OF RELAXED CONFIDENCE. @..@..@@.@
..@@@@@@@. .@.@@.@.@@
@.@......@ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT @@@@.@@@@.
@@@@.....@ STRESSED ABOUT THE TIME, WHILE MOVING @...@@...@
....@....@ UP THE STAIRS TO YOUR PLATFORM. THE .@..@.@..@
@...@@...@ STATION IS IN SEVERAL LEVELS, ALL .@@.@@@@.@
.@..@.@..@ PLACED WITHIN EACHOTHER BY SOME @@.@@...@@
@@@.@@@@.@ INTELLIGENT DESIGNER, AND FULL OF @.@@.@..@.
@..@@...@@ STAIRS, ELEVATORS, SHORTCUTS, @@@.@@@.@@
.@.@.@..@. BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @..@@..@@.
.@@@@@@.@@ SOME GLASS WINDOWS. IT'S... NOT WHERE .@.@.@.@.@
@@.....@@. IT'S SUPPOSED TO BE? @@@@@@@@@@
..@....@.@ ..........
..@@...@@@ « ..........
..@.@..@.. ^^$^^ ..........
..@@@@.@@. « ..........
..@...@@.@ ..........
..@@..@.@@ (SITUATION) ..........
..@.@.@@@. ..........
..@@@@@..@ YOU'RE FINALLY ENTERING THE CITY. WHILE ..........
..@....@.@ IT IS INDEED A VERY HIGH SPEED TRAIN ..........
..@@...@@@ YOU'RE TRAVELING IN, THE JOURNEY HAS @.........
..@.@..@.. BEEN LONG. BUT IT'S ABOUT TO END! .@........
..@@@@.@@. .@@.......
..@...@@.@ SOCIETY IS GROWING DENSER AROUND YOU, @@.@......
..@@..@.@@ THROUGH THE WINDOWS YOU SEE FIRST SMALL ..@@@.....
..@.@.@@@. SHACKS, BUILT OF METAL AND STONE, THEN ..@..@....
..@@@@@..@ PROPER HOUSES WITH MORTAR TO KEEP THEM @.@@.@@...
..@....@.@ TOGETHER... WHO IN TURN MAKE WAY FOR @@@.@@.@..
..@@...@@@ THE INDUSTRIAL BUILDINGS, THE URBAN @..@@.@@@.
..@.@..@.. MAZE, PROTECTIVE WALLS, JUNGLE @@.@.@@..@
@.@@@@.@@. NETWORK... @.@@@@.@.@
.@@...@@.@ @@@...@@@@
@@.@..@.@@ THE TRACKS LEAVE THE GROUND, WHICH IS ...@..@...
@.@@@.@@@. NEEDED FOR OTHER PURPOSES. YOU ARE ...@@.@@..
@@@..@@..@ CARRIED GENTLY, CURVING UPWARDS UNTIL @..@.@@.@.
@..@.@.@.@ YOU'RE MOVING UPWARD ALONG THE WALL OF .@.@@@.@@@
.@.@@@@@@@ A BUILDING. IT'S MADE OF SLABBY STONE, @@@@..@@..
.@@@...... WITH GREAT GLASSLESS WINDOW HOLES @...@.@.@.
.@..@..... LOOKING OUT THE WAY YOU CAME. IT IS .@..@@@@@@
@@@.@@.... PITCH BLACK INSIDE. @@@.@.....
@..@@.@... @..@@@....
@@.@.@@@.. .@.@..@...
@.@@@@..@. .@@@@.@@..
@@@...@.@@ .@...@@.@.
@..@..@@@. .@@..@.@@@