.#....#### .##...#..#
###...#... .#.#..##.#
...#..##.. #####.#.##
#..##.#.#. #....####.
##.#.##### ##...#...#
..####.... TRAIN DREAM ..#..##..#
#.#...#... ######.....~....##################### #.##.#.#.#
.###..##.. ††† .##.######
##..#.#.#. ~ ##.##.....
#.#.###### ~ ..##.#....
#####..... #.#.###...
#....#.... (SITUATION) #####..#..
##...##... #....#.##.
#.#..#.#.. YOU FIND YOURSELF IN A RIFT - A .#...###.#
.###.####. CLEARING, NARROW BUT IMMEASURABLY LONG. .##..#..##
##..##...# TO YOUR SIDES ARE WALLS MADE OF TREES, .#.#.##.#.
#.#.#.#..# THICK AND READY TO SWALLOW YOU. THE SUN .#####.###
.#######.# IS NOWHERE TO BE SEEN, BUT NONTHELESS .#....##..
.#......## IT IS VERY BRIGHT - THE AIR FEELS LIGHT ###...#.#.
.##.....#. BLUE, ALMOST WHITE. ...#..####
##.#....## #..##.#...
#.###...#. ALONG THE SPAN OF THE CLEARING LAY TWO ##.#.###..
###..#..## PARALLEL SILVERY LINES, DARK HARD #.####..#.
#..#.##.#. METAL. SOMEHOW YOU CAN SEE HOW HEAVY .##...#.##
.#.###.### THEY ARE. ##.#..###.
.###..##.. ..###.#..#
##..#.#.#. THEY EMIT A HIGH PITCHED WHINE... #.#..###.#
..#.###### .###.#..##
#.###..... ~ ##..###.#.
###..#.... ..=.. #.#.#..###
...#.##... ~ .#####.#..
...###.#.. .#....###.
...#..###. (SITUATION) ###...#..#
#..##.#..# #..#..##.#
.#.#.###.# YOURE AT THE TRAIN STATION, ON A ##.##.#.##
######..## CATWALK ABOVE THE RAILS. YOUR TRAIN IS #.##.####.
#.....#.#. LATE, OR YOU ARE LATE TO THE TRAIN. .##.##...#
.#....#### IT'S A SUMMER AFTERNOON AND THE STATION .#.##.#..#
###...#... IS BUSY, FULL OF RELAXED CONFIDENCE. ####.###.#
...#..##.. ....##..##
#..##.#.#. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ....#.#.#.
##.#.##### STRESSED ABOUT THE TIME, WHILE MOVING #...######
..####.... UP THE STAIRS TO YOUR PLATFORM. THE .#..#.....
..#...#... STATION IS IN SEVERAL LEVELS, ALL ###.##....
..##..##.. PLACED WITHIN EACHOTHER BY SOME #..##.#...
..#.#.#.#. INTELLIGENT DESIGNER, AND FULL OF .#.#.###..
..######## STAIRS, ELEVATORS, SHORTCUTS, ######..#.
..#....... BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #.....#.##
#.##...... SOME GLASS WINDOWS. IT'S... NOT WHERE ##....###.
###.#..... IT'S SUPPOSED TO BE? #.#...#..#
...###.... ####..##.#
#..#..#... ~ #...#.#.##
.#.##.##.. ..*.. .#..#####.
.###.##.#. ~ .##.#....#
##..##.### ##.###...#
..#.#.##.. (SITUATION) ..##..#..#
#.#####.#. #.#.#.##.#
.##....### YOU'RE FINALLY ENTERING THE CITY. WHILE .######.##
##.#...#.. IT IS INDEED A VERY HIGH SPEED TRAIN ##.....##.
#.###..##. YOU'RE TRAVELING IN, THE JOURNEY HAS ..#....#.#
.##..#.#.# BEEN LONG. BUT IT'S ABOUT TO END! #.##...###
##.#.##### ###.#..#..
#.####.... SOCIETY IS GROWING DENSER AROUND YOU, #..###.##.
###...#... THROUGH THE WINDOWS YOU SEE FIRST SMALL .#.#..##.#
...#..##.. SHACKS, BUILT OF METAL AND STONE, THEN #####.#.##
#..##.#.#. PROPER HOUSES WITH MORTAR TO KEEP THEM #....####.
##.#.##### TOGETHER... WHO IN TURN MAKE WAY FOR ##...#...#
..####.... THE INDUSTRIAL BUILDINGS, THE URBAN ..#..##..#
#.#...#... MAZE, PROTECTIVE WALLS, JUNGLE #.##.#.#.#
.###..##.. NETWORK... .##.######
##..#.#.#. ##.##.....
#.#.###### THE TRACKS LEAVE THE GROUND, WHICH IS ..##.#....
#####..... NEEDED FOR OTHER PURPOSES. YOU ARE #.#.###...
#....#.... CARRIED GENTLY, CURVING UPWARDS UNTIL #####..#..
##...##... YOU'RE MOVING UPWARD ALONG THE WALL OF #....#.##.
#.#..#.#.. A BUILDING. IT'S MADE OF SLABBY STONE, .#...###.#
.###.####. WITH GREAT GLASSLESS WINDOW HOLES .##..#..##
##..##...# LOOKING OUT THE WAY YOU CAME. IT IS .#.#.##.#.
#.#.#.#..# PITCH BLACK INSIDE. .#####.###
.#######.# .#....##..
.#......## ###...#.#.
.##.....#. ...#..####
##.#....## #..##.#...
#.###...#. ##.#.###..