....-:%*££ ££*%:-....
....-::%%§ §%%::-....
.--:%*£### ###£*%:--.
.--:%*§£## ##£§*%:--.
.--:%*§£## ##£§*%:--.
.....-::*§ train dream §*::-.....
.--:%*§### ######....----..##################### ###§*%:--.
.--:%*§£## ::: ##£§*%:--.
.--:%§£### - ###£§%:--.
.....-:*£# - #£*:-.....
.--:%*§£## ##£§*%:--.
.--:%*§£## (situation) ##£§*%:--.
.--:%*§£## ##£§*%:--.
.----:%*£# you find yourself in a rift - a #£*%:----.
.--:%*§£## clearing, narrow but immeasurably long. ##£§*%:--.
.--:*§£### to your sides are walls made of trees, ###£§*:--.
.....-:%§§ thick and ready to swallow you. the sun §§%:-.....
.--:%*§£## is nowhere to be seen, but nontheless ##£§*%:--.
.--:%*§£## it is very bright - the air feels light ##£§*%:--.
.....--%§£ blue, almost white. £§%--.....
.--::::*§# #§*::::--.
......--%§ along the span of the clearing lay two §%--......
......--%§ parallel silvery lines, dark hard §%--......
.--:%*£### metal. somehow you can see how heavy ###£*%:--.
.--:%%**£# they are. #£**%%:--.
.--:%*§£## ##£§*%:--.
......-%*§ they emit a high pitched whine... §*%-......
......-:*£ £*:-......
.--:%*§£## - ##£§*%:--.
.--:%****£ ..%.. £****%:--.
.--:%*§£## - ##£§*%:--.
.....---%§ §%---.....
.----:*§§£ (situation) £§§*:----.
.--:%*§§§£ £§§§*%:--.
.--:%*§£## youre at the train station, on a ##£§*%:--.
.--:%*§£## catwalk above the rails. your train is ##£§*%:--.
.--:%%**§# late, or you are late to the train. #§**%%:--.
.--:%%%*§§ it's a summer afternoon and the station §§*%%%:--.
.--:%*§£££ is busy, full of relaxed confidence. £££§*%:--.
.--:%****§ §****%:--.
....-:%§§# you're in high spirits, although a bit #§§%:-....
.....-:**§ stressed about the time, while moving §**:-.....
...--%***£ up the stairs to your platform. the £***%--...
....--::*£ station is in several levels, all £*::--....
.--:%*§£## placed within eachother by some ##£§*%:--.
......-:*£ intelligent designer, and full of £*:-......
.--:::::*§ stairs, elevators, shortcuts, §*:::::--.
.....-%%§§ bazaars... you sight your train through §§%%-.....
.--:%*§£## some glass windows. it's... not where ##£§*%:--.
.--:%*§£## it's supposed to be? ##£§*%:--.
.--:%*§£## ##£§*%:--.
.--:%*§### - ###§*%:--.
...-::%§§£ --*-- £§§%::-...
.--:%*£### - ###£*%:--.
.--:%*§£## ##£§*%:--.
....-:::%§ (situation) §%:::-....
.--:%*§£## ##£§*%:--.
.--:%*§£## you're finally entering the city. while ##£§*%:--.
......--%§ it is indeed a very high speed train §%--......
.--:%*§£## you're traveling in, the journey has ##£§*%:--.
.--:%§£### been long. but it's about to end! ###£§%:--.
......--%§ §%--......
....--:*££ society is growing denser around you, ££*:--....
.--:%*§£## through the windows you see first small ##£§*%:--.
.--:%*£### shacks, built of metal and stone, then ###£*%:--.
.....-:*§# proper houses with mortar to keep them #§*:-.....
.--:%*§£## together... who in turn make way for ##£§*%:--.
.--:%*§£££ the industrial buildings, the urban £££§*%:--.
.....-::*£ maze, protective walls, jungle £*::-.....
.--:%*§£## network... ##£§*%:--.
.--:%*§££# #££§*%:--.
.--:%***§# the tracks leave the ground, which is #§***%:--.
.--:%*§£## needed for other purposes. you are ##£§*%:--.
.--:%*§§§# carried gently, curving upwards until #§§§*%:--.
.--:%*§£## you're moving upward along the wall of ##£§*%:--.
.--:%*§£## a building. it's made of slabby stone, ##£§*%:--.
...--::%§# with great glassless window holes #§%::--...
.--:%*§£## looking out the way you came. it is ##£§*%:--.
.....-:%§§ pitch black inside. §§%:-.....
...---::*£ £*::---...
.--:%*§£## ##£§*%:--.
...---%§§£ £§§%---...
.--:%*§£## ##£§*%:--.
....-:%§£# #£§%:-....