@@@.@@.@@. .@@@.@...@
...@@.@@.@ .@..@@@..@
@..@.@@.@@ .@@.@..@.@
.@.@@@.@@. .@.@@@.@@@
@@@@..@@.@ .@@@..@@..
@...@.@.@@ TRAIN DREAM .@..@.@.@.
@@..@@@@@. ######....^«^^..##################### @@@.@@@@@@
..@.@....@ ^^^ @..@@.....
..@@@@...@ « .@.@.@....
..@...@..@ « @@@@@@@...
..@@..@@.@ .......@..
..@.@.@.@@ (SITUATION) .......@@.
..@@@@@@@. @......@.@
@.@......@ YOU FIND YOURSELF IN A RIFT - A .@.....@@@
.@@@.....@ CLEARING, NARROW BUT IMMEASURABLY LONG. .@@....@..
.@..@....@ TO YOUR SIDES ARE WALLS MADE OF TREES, .@.@...@@.
.@@.@@...@ THICK AND READY TO SWALLOW YOU. THE SUN .@@@@..@.@
@@.@@.@..@ IS NOWHERE TO BE SEEN, BUT NONTHELESS .@...@.@@@
..@@.@@@.@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT .@@..@@@..
..@.@@..@@ BLUE, ALMOST WHITE. @@.@.@..@.
..@@@.@.@. @.@@@@@.@@
@.@..@@@@@ ALONG THE SPAN OF THE CLEARING LAY TWO @@@....@@.
@@@@.@.... PARALLEL SILVERY LINES, DARK HARD @..@...@.@
....@@@... METAL. SOMEHOW YOU CAN SEE HOW HEAVY @@.@@..@@@
@...@..@.. THEY ARE. ..@@.@.@..
@@..@@.@@. @.@.@@@@@.
@.@.@.@@.@ THEY EMIT A HIGH PITCHED WHINE... @@@@@....@
.@@@@@@.@@ @....@...@
@@.....@@. « @@...@@..@
..@....@.@ ..%.. ..@..@.@.@
@.@@...@@@ « @.@@.@@@@@
.@@.@..@.. @@@.@@....
.@.@@@.@@. (SITUATION) ...@@.@...
.@@@..@@.@ ...@.@@@..
.@..@.@.@@ YOURE AT THE TRAIN STATION, ON A ...@@@..@.
.@@.@@@@@. CATWALK ABOVE THE RAILS. YOUR TRAIN IS @..@..@.@@
@@.@@....@ LATE, OR YOU ARE LATE TO THE TRAIN. @@.@@.@@@.
@.@@.@...@ IT'S A SUMMER AFTERNOON AND THE STATION ..@@.@@..@
.@@.@@@..@ IS BUSY, FULL OF RELAXED CONFIDENCE. @.@.@@.@.@
@@.@@..@.@ .@@@@.@@@@
..@@.@.@@@ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT .@...@@...
..@.@@@@.. STRESSED ABOUT THE TIME, WHILE MOVING @@@..@.@..
..@@@...@. UP THE STAIRS TO YOUR PLATFORM. THE ...@.@@@@.
..@..@..@@ STATION IS IN SEVERAL LEVELS, ALL @..@@@...@
@.@@.@@.@. PLACED WITHIN EACHOTHER BY SOME @@.@..@..@
.@@.@@.@@@ INTELLIGENT DESIGNER, AND FULL OF ..@@@.@@.@
@@.@@.@@.. STAIRS, ELEVATORS, SHORTCUTS, @.@..@@.@@
..@@.@@.@. BAZAARS... YOU SIGHT YOUR TRAIN THROUGH .@@@.@.@@.
..@.@@.@@@ SOME GLASS WINDOWS. IT'S... NOT WHERE @@..@@@@.@
@.@@@.@@.. IT'S SUPPOSED TO BE? @.@.@...@@
.@@..@@.@. .@@@@@..@.
.@.@.@.@@@ « @@....@.@@
@@@@@@@@.. ^^$^^ ..@...@@@.
@.......@. « ..@@..@..@
.@......@@ ..@.@.@@.@
@@@.....@. (SITUATION) @.@@@@@.@@
...@....@@ @@@....@@.
...@@...@. YOU'RE FINALLY ENTERING THE CITY. WHILE @..@...@.@
@..@.@..@@ IT IS INDEED A VERY HIGH SPEED TRAIN @@.@@..@@@
.@.@@@@.@. YOU'RE TRAVELING IN, THE JOURNEY HAS @.@@.@.@..
.@@@...@@@ BEEN LONG. BUT IT'S ABOUT TO END! .@@.@@@@@.
.@..@..@.. .@.@@....@
@@@.@@.@@. SOCIETY IS GROWING DENSER AROUND YOU, .@@@.@...@
...@@.@@.@ THROUGH THE WINDOWS YOU SEE FIRST SMALL .@..@@@..@
@..@.@@.@@ SHACKS, BUILT OF METAL AND STONE, THEN .@@.@..@.@
.@.@@@.@@. PROPER HOUSES WITH MORTAR TO KEEP THEM .@.@@@.@@@
@@@@..@@.@ TOGETHER... WHO IN TURN MAKE WAY FOR .@@@..@@..
@...@.@.@@ THE INDUSTRIAL BUILDINGS, THE URBAN .@..@.@.@.
@@..@@@@@. MAZE, PROTECTIVE WALLS, JUNGLE @@@.@@@@@@
..@.@....@ NETWORK... @..@@.....
..@@@@...@ .@.@.@....
..@...@..@ THE TRACKS LEAVE THE GROUND, WHICH IS @@@@@@@...
..@@..@@.@ NEEDED FOR OTHER PURPOSES. YOU ARE .......@..
..@.@.@.@@ CARRIED GENTLY, CURVING UPWARDS UNTIL .......@@.
..@@@@@@@. YOU'RE MOVING UPWARD ALONG THE WALL OF @......@.@
@.@......@ A BUILDING. IT'S MADE OF SLABBY STONE, .@.....@@@
.@@@.....@ WITH GREAT GLASSLESS WINDOW HOLES .@@....@..
.@..@....@ LOOKING OUT THE WAY YOU CAME. IT IS .@.@...@@.
.@@.@@...@ PITCH BLACK INSIDE. .@@@@..@.@
@@.@@.@..@ .@...@.@@@
..@@.@@@.@ .@@..@@@..
..@.@@..@@ @@.@.@..@.
..@@@.@.@. @.@@@@@.@@
@.@..@@@@@ @@@....@@.