#&%==~.... ....~==%
###@&%=~:. .:~=%&@###
##@&%%=~:. .:~=%%&@##
&%~~~~.... ....~~~~%&
@@%=:..... .....:=%@@
###@&%%~:. THE SKYSCRAPER THAT MOVES .:~%%&@###
#&&%==:... ...:==%&
&%%%=~.... TAINARON IS A BUILDING OWNED AND ....~=%%%&
##@&%%=~:. OPERATED BY AMATA TEXNOLOGIYASI PLACED .:~=%%&@##
###@&%%=:. CLOSED TO THE HARBOR IN MALMÖ. IT'S .:=%%&@###
##@&%%=~:. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .:~=%%&@##
&%%=~~~... UNKNOWN), DARK BLUE AND COMPLETELY ...~~~=%%&
##@&%%=~:. RECTANGULAR. IT FEATURES NO SIGNS, .:~=%%&@##
&&&%=:.... LIGHTS, OR ORNAMENTS, APART FROM A ....:=%&&&
&%%%%%=~:. HELIPAD ON TOP. MOST FLOORS HAVE .:~=%%%%%&
@@%=~~.... EXTERIOR WALLS COMPLETELY MADE OF GLASS. ....~~=%@@
###@&%%~:. .:~%%&@###
#@%=:..... IN LATE EVENINGS, SHROUDED BY MALMö'S .....:=%@#
@%===:.... SIGNATURE FOG ROLLING IN FROM THE SEA, ....:===%@
##@&%%=~:. THE BUILDING COMES TO LIFE: IT MOVES ON .:~=%%&@##
###&%%=~:. A THOUSAND ROBOTIC LEGS TO ANOTHER .:~=%%##
&%%%%~~... (SECRET) PART OF TOWN, OR PERHAPS OUT ...~~%%%%&
&&%=~~~:.. TO SEA. THIS SIGNALS A NEW AND MORE ..:~~~=%&&
###@%%=~:. VISCIOUS PHASE OF THE TAINARON .:~=%%@###
###@&%=~:. ECOSYSTEM. .:~=%&@###
@&%=~::... ...::~=%&@
@&&&%%=~:. THE GUESTS ARRIVING DURING THE EARLY .:~=%%&&&@
&%%%~:.... EVENING ARE TREATED TO FOOD AND DRINK, ....:~%%%&
@@&%=~:... LIVE MUSIC, BEATUTIFUL VIEWS, AND A ...:~=%&@@
#@@&%%=~:. COMFORTABLE BUT MAZE-LIKE INTERIOR .:~=%%&@@#
&%=:...... STRUCTURE (THE BUILDING FEATURES A ......:=%&
##@&%%=~:. MULTITUDE OF STAIRWELLS AND ELEVATORS, .:~=%%&@##
&%=:::.... PLACED SEEMINGLY AT RANDOM, NONE GOING ....:::=%&
#@%=:..... FURTHER THAN A FEW FLOORS). .....:=%@#
@&%%~..... .....~%%&@
##@&%%=~:. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .:~=%%&@##
@@%%=~:... UNTIL THE AIR INSIDE HAS TAKEN ON THE ...:~=%%@@
#@%=~..... SAME QUALITY AS THE SURROUNDING MIST: .....~=%@#
##@&%%=~:. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .:~=%%&@##
###@&%%=:. DOT'S BY DOOR LOCKS AND CONTROL PANELS. .:=%%&@###
@%%%%~::.. IF YOU WOULD LOOK THROUGH THE WINDOWS ..::~%%%%@
&%%=:..... YOU WOULD SEE THE MIST ROLLING BY, AND .....:=%%&
#&&%=:.... PERHAPS THE OUTLINE OF SOME OTHER ....:=%&
@%=~::.... BUILDING, FAR BELOW. ....::~=%@
&&%%=~.... ....~=%%&&
##@&%%=~:. DURING THE NIGHT, AFTER TAINARON HAS .:~=%%&@##
@%%==::... STARTED MOVING, THE LOWER FLOORS ARE ...::==%%@
##@&%%=~:. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .:~=%%&@##
##@&%%=~:. THE GUESTS. FOOD IS NO LONGER SERVED, .:~=%%&@##
##@&%%=~:. BUT THE DRINKS BECOME MORE EXTRAVAGANT. .:~=%%&@##
###&%%=~:. IT'S AT THIS POINT THAT THE SECOND SET .:~=%%##
@@%%%%=~:. OF GUEST ARRIVES, VIA HELICOPTER - .:~=%%%%@@
&%%==:.... AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ....:==%%&
##@&%%=~:. .:~=%%&@##
##@&%%=~:. ~~~~~ .:~=%%&@##
##@&%%=~:. .:~=%%&@##
&%%%~..... IN MY DREAM I AM INVITED AS A FRIEND OF .....~%%%&
@@&%===~:. ONE OF THE SERVERS, AND THUS SAFE. WE .:~===%&@@
##@&%%=~:. SIT IN ONE OF THE LARGE WINDOWS, .:~=%%&@##
&%=~...... LOOKING THROUGH THE MIST FOR ANY ......~=%&
##@&%%=~:. LANDMARKS TO PIERCE THROUGH THE MIST. .:~=%%&@##
##@&%%=~:. SHE TELLS ME THAT APART FROM COMING AND .:~=%%&@##
#&%%~~.... GOING FROM WORK, SHE'S NEVER SEEN THE ....~~%%
@&%=~:.... BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ....:~=%&@
&%%%%==~:. .:~==%%%%&
&%%~...... THE NEXT DAY I AM INVITED TO THE PUBLIC ......~%%&
##@&%%=~:. DEMONSTRATION OF THE EXOBUBBLE. .:~=%%&@##
#@@&%%=~:. .:~=%%&@@#
##@&%%=~:. .:~=%%&@##
@%===:.... ....:===%@
&&%%%%=~:. .:~=%%%%&&
&&&&%%=~:. .:~=%%&&&&