.......^«/                                          /«^.......
........^«                                          «^........
.......^«/                                          /«^.......
......^«/%                                          %/«^......
.....^«/%$                                          $%/«^.....
....^«/%$&         THE SKYSCRAPER THAT MOVES        &$%/«^....
...^«/%$&@                                          @&$%/«^...
..^«/%$&@# TAINARON   IS  A  BUILDING   OWNED   AND #@&$%/«^..
.^«/%$&@##  OPERATED BY AMATA TEXNOLOGIYASI PLACED  ##@&$%/«^.
..^«/%$&@# CLOSED  TO  THE HARBOR  IN  MALMÖ.  IT'S #@&$%/«^..
...^«/%$&@ ROUGHLY  SIXTY FLOORS HIGH  (REAL NUMBER @&$%/«^...
....^«/%$&    UNKNOWN), DARK BLUE AND COMPLETELY    &$%/«^....
.....^«/%$    RECTANGULAR. IT FEATURES NO SIGNS,    $%/«^.....
......^«/% LIGHTS,   OR  ORNAMENTS,  APART  FROM  A %/«^......
.......^«/ HELIPAD   ON  TOP.   MOST   FLOORS  HAVE /«^.......
........^« EXTERIOR WALLS COMPLETELY MADE OF GLASS. «^........
.......^«/                                          /«^.......
......^«/% IN  LATE EVENINGS, SHROUDED  BY  MALMö'S %/«^......
.....^«/%$ SIGNATURE FOG ROLLING IN  FROM THE  SEA, $%/«^.....
....^«/%$& THE  BUILDING COMES TO LIFE: IT MOVES ON &$%/«^....
...^«/%$&@ A  THOUSAND  ROBOTIC  LEGS  TO   ANOTHER @&$%/«^...
..^«/%$&@# (SECRET) PART OF  TOWN,  OR  PERHAPS OUT #@&$%/«^..
.^«/%$&@## TO  SEA.  THIS  SIGNALS  A NEW AND  MORE ##@&$%/«^.
..^«/%$&@#      VISCIOUS PHASE OF THE TAINARON      #@&$%/«^..
...^«/%$&@                ECOSYSTEM.                @&$%/«^...
....^«/%$&                                          &$%/«^....
.....^«/%$ THE  GUESTS  ARRIVING  DURING  THE EARLY $%/«^.....
......^«/% EVENING ARE TREATED  TO  FOOD AND DRINK, %/«^......
.......^«/ LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A /«^.......
........^«    COMFORTABLE BUT MAZE-LIKE INTERIOR    «^........
.......^«/    STRUCTURE (THE BUILDING FEATURES A    /«^.......
......^«/%  MULTITUDE OF STAIRWELLS AND ELEVATORS,  %/«^......
.....^«/%$ PLACED SEEMINGLY  AT RANDOM,  NONE GOING $%/«^.....
....^«/%$&       FURTHER THAN A FEW FLOORS).        &$%/«^....
...^«/%$&@                                          @&$%/«^...
..^«/%$&@# AS TIME GOES ON,  THE LIGHTS SLOWLY DIM, #@&$%/«^..
.^«/%$&@## UNTIL THE  AIR  INSIDE HAS  TAKEN ON THE ##@&$%/«^.
..^«/%$&@# SAME  QUALITY  AS THE  SURROUNDING MIST: #@&$%/«^..
...^«/%$&@ BLUE-GRAY, SPRINKLED WITH THE SMALL  RED @&$%/«^...
....^«/%$& DOT'S  BY DOOR LOCKS AND CONTROL PANELS. &$%/«^....
.....^«/%$ IF YOU  WOULD LOOK  THROUGH THE  WINDOWS $%/«^.....
......^«/% YOU  WOULD SEE THE  MIST ROLLING BY, AND %/«^......
.......^«/ PERHAPS  THE   OUTLINE  OF   SOME  OTHER /«^.......
........^«           BUILDING, FAR BELOW.           «^........
.......^«/                                          /«^.......
......^«/% DURING THE  NIGHT,  AFTER  TAINARON  HAS %/«^......
.....^«/%$ STARTED  MOVING,  THE  LOWER FLOORS  ARE $%/«^.....
....^«/%$& SHUT OFF, PREVENTING  ENTRY  OR EXIT FOR &$%/«^....
...^«/%$&@ THE GUESTS.  FOOD IS  NO LONGER  SERVED, @&$%/«^...
..^«/%$&@# BUT THE DRINKS BECOME MORE  EXTRAVAGANT. #@&$%/«^..
.^«/%$&@## IT'S  AT THIS POINT THAT THE  SECOND SET ##@&$%/«^.
..^«/%$&@# OF   GUEST  ARRIVES,  VIA  HELICOPTER  - #@&$%/«^..
...^«/%$&@  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  @&$%/«^...
....^«/%$&                                          &$%/«^....
.....^«/%$                   «««««                  $%/«^.....
......^«/%                                          %/«^......
.......^«/ IN  MY DREAM I AM INVITED AS A FRIEND OF /«^.......
........^« ONE OF  THE SERVERS,  AND  THUS SAFE. WE «^........
.......^«/ SIT   IN  ONE  OF  THE  LARGE   WINDOWS, /«^.......
......^«/% LOOKING   THROUGH  THE   MIST   FOR  ANY %/«^......
.....^«/%$ LANDMARKS  TO PIERCE  THROUGH THE  MIST. $%/«^.....
....^«/%$& SHE TELLS ME THAT APART FROM  COMING AND &$%/«^....
...^«/%$&@ GOING  FROM WORK,  SHE'S NEVER  SEEN THE @&$%/«^...
..^«/%$&@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@&$%/«^..
.^«/%$&@##                                          ##@&$%/«^.
..^«/%$&@# THE NEXT DAY I AM  INVITED TO THE PUBLIC #@&$%/«^..
...^«/%$&@     DEMONSTRATION OF THE EXOBUBBLE.      @&$%/«^...
....^«/%$&                                          &$%/«^....
.....^«/%$                                          $%/«^.....
......^«/%                                          %/«^......
.......^«/                                          /«^.......
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