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¨,~****£££ £££****~,¨
¨,~**%£££# #£££%**~,¨
¨¨¨¨,,,*%£ £%*,,,¨¨¨¨
¨,~**%£### THE SKYSCRAPER THAT MOVES ###£%**~,¨
¨¨¨¨¨~*££@ @££*~¨¨¨¨¨
¨¨¨,~~~**£ TAINARON IS A BUILDING OWNED AND £**~~~,¨¨¨
¨,~**%#@## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##@#%**~,¨
¨¨¨,,,~*%# CLOSED TO THE HARBOR IN MALMÖ. IT'S #%*~,,,¨¨¨
¨,**%£#@## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##@#£%**,¨
¨,~**%£#@# UNKNOWN), DARK BLUE AND COMPLETELY #@#£%**~,¨
¨,~~~**£#@ RECTANGULAR. IT FEATURES NO SIGNS, @#£**~~~,¨
¨¨¨¨,**%%£ LIGHTS, OR ORNAMENTS, APART FROM A £%%**,¨¨¨¨
¨¨¨¨,**££# HELIPAD ON TOP. MOST FLOORS HAVE #££**,¨¨¨¨
¨,~**%£#@# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #@#£%**~,¨
¨,~**%£££@ @£££%**~,¨
¨,~**%£#@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@#£%**~,¨
¨¨¨¨,,***£ SIGNATURE FOG ROLLING IN FROM THE SEA, £***,,¨¨¨¨
¨,~**%£#@# THE BUILDING COMES TO LIFE: IT MOVES ON #@#£%**~,¨
¨,~**%£#@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@#£%**~,¨
¨¨¨¨~~**%£ (SECRET) PART OF TOWN, OR PERHAPS OUT £%**~~¨¨¨¨
¨,~**%£#@# TO SEA. THIS SIGNALS A NEW AND MORE #@#£%**~,¨
¨¨¨,~~~*%£ VISCIOUS PHASE OF THE TAINARON £%*~~~,¨¨¨
¨,~**%£#@# ECOSYSTEM. #@#£%**~,¨
¨¨¨¨,**%£# #£%**,¨¨¨¨
¨,~**£#@## THE GUESTS ARRIVING DURING THE EARLY ##@#£**~,¨
¨¨¨¨¨¨~**£ EVENING ARE TREATED TO FOOD AND DRINK, £**~¨¨¨¨¨¨
¨¨¨¨~*%%## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##%%*~¨¨¨¨
¨,~**%£#@# COMFORTABLE BUT MAZE-LIKE INTERIOR #@#£%**~,¨
¨¨¨¨~*%%%£ STRUCTURE (THE BUILDING FEATURES A £%%%*~¨¨¨¨
¨,~**%£#@# MULTITUDE OF STAIRWELLS AND ELEVATORS, #@#£%**~,¨
¨,~**%£#@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@#£%**~,¨
¨¨¨¨¨~*££@ FURTHER THAN A FEW FLOORS). @££*~¨¨¨¨¨
¨,~**%£#@# #@#£%**~,¨
¨,~****%%£ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, £%%****~,¨
¨,~**%£#@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@#£%**~,¨
¨¨¨¨~***£@ SAME QUALITY AS THE SURROUNDING MIST: @£***~¨¨¨¨
¨¨¨,,,*%%£ BLUE-GRAY, SPRINKLED WITH THE SMALL RED £%%*,,,¨¨¨
¨,~**%£#@@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. @@#£%**~,¨
¨,~****%%£ IF YOU WOULD LOOK THROUGH THE WINDOWS £%%****~,¨
¨¨¨,~**%## YOU WOULD SEE THE MIST ROLLING BY, AND ##%**~,¨¨¨
¨,~**%£#@# PERHAPS THE OUTLINE OF SOME OTHER #@#£%**~,¨
¨¨,~~~~**£ BUILDING, FAR BELOW. £**~~~~,¨¨
¨,~**%££££ ££££%**~,¨
¨¨¨¨¨¨~**£ DURING THE NIGHT, AFTER TAINARON HAS £**~¨¨¨¨¨¨
¨,~**%#@## STARTED MOVING, THE LOWER FLOORS ARE ##@#%**~,¨
¨,~**%£#@# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #@#£%**~,¨
¨¨¨,~*%%## THE GUESTS. FOOD IS NO LONGER SERVED, ##%%*~,¨¨¨
¨¨¨¨¨¨~*%# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #%*~¨¨¨¨¨¨
¨¨¨¨¨,*%#@ IT'S AT THIS POINT THAT THE SECOND SET @#%*,¨¨¨¨¨
¨~**%£#@## OF GUEST ARRIVES, VIA HELICOPTER - ##@#£%**~¨
¨,~**%£#@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@#£%**~,¨
¨,~**%£#@# #@#£%**~,¨
¨,~**%£### ~~~~~ ###£%**~,¨
¨¨,~~***%£ £%***~~,¨¨
¨,~**%£#@# IN MY DREAM I AM INVITED AS A FRIEND OF #@#£%**~,¨
¨¨¨¨¨,~*%£ ONE OF THE SERVERS, AND THUS SAFE. WE £%*~,¨¨¨¨¨
¨,~**%£##@ SIT IN ONE OF THE LARGE WINDOWS, @##£%**~,¨
¨,~~~~~*%# LOOKING THROUGH THE MIST FOR ANY #%*~~~~~,¨
¨,~**£#@## LANDMARKS TO PIERCE THROUGH THE MIST. ##@#£**~,¨
¨,~**%££££ SHE TELLS ME THAT APART FROM COMING AND ££££%**~,¨
¨,~**%£### GOING FROM WORK, SHE'S NEVER SEEN THE ###£%**~,¨
¨,~**%£@## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##@£%**~,¨
¨,~**%%£## ##£%%**~,¨
¨¨¨¨¨¨,*%# THE NEXT DAY I AM INVITED TO THE PUBLIC #%*,¨¨¨¨¨¨
¨,~***%££# DEMONSTRATION OF THE EXOBUBBLE. #££%***~,¨
¨,~**%£#@# #@#£%**~,¨
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