.#..#..### #.##..#.#.
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##.##.#.## §¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤ #..#.##.#.
.#..#.#..# ¤§ OPERATION CONTRASTING VALKYRIE ¤§ #.##..#.#.
##.##.#.## §¤ IN THE SIXTIES. THE CENTRAL §¤ #..#.##.#.
.#..#.#..# ¤§ INTELLIGENCE AGENCY "CIA" RELEASE ¤§ #.##..#.#.
##.##.#.## §¤ AEROSOLIZED SELATENINE OVER A §¤ #..#.##.#.
.#..#.#..# ¤§ JUPITER EQUINOX CONCERT, CREATING ¤§ #.##..#.#.
##.##.#.## §¤ THE LARGEST SECRET PARADIGM SHIFT §¤ #..#.##.#.
.#..#.#..# ¤§ THAT THE WORLD HAS EVER «SEEN«. ¤§ #.##..#.#.
##.##.#.## §¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤ #..#.##.#.
.#..#.#..# #.##..#.#.
##.##.#.## THE JUPITER EQUINOX* CONCERT IS PART OF #..#.##.#.
.#..#.#..# A FESTIVAL IN BLACK TICKLE ARRANGED BY #.##..#.#.
##.##.#.## A GROUP CALLED EPICENTER OF LOVE. THERE #..#.##.#.
.#..#.#..# IS NO ENTRANCE BUT VISITORS ARE #.##..#.#.
##.##.#.## EXPECTED TO HELP WITH MAINTENANCE. FOOD #..#.##.#.
.#..#.#..# AND DRINK IS SHARED. MANY BANDS ARE #.##..#.#.
##.##.#.## PLAYING OVER THE FOUR DAY COURSE OF THE #..#.##.#.
.#..#.#..# FESTIVAL, AND THE STAGE IS OPEN BETWEEN #.##..#.#.
##.##.#.## SCHEDULED CONCERTS. JUPITER EQUINOX, #..#.##.#.
.#..#.#..# WHILE AN UNKNOWN ACT, HAS A PRESTIGIOUS #.##..#.#.
##.##.#.## TIMESLOT AT EIGHT IN THE EVENING ON THE #..#.##.#.
.#..#.#..# THIRD DAY, WHICH IS FRIDAY. . . . #.##..#.#.
##.##.#.## #..#.##.#.
.#..#.#..# EIGHT IS ALSO WHEN THE PLANE USED TO #.##..#.#.
##.##.#.## SPREAD THE AEROSOL LIFTS OFF. IT #..#.##.#.
.#..#.#..# ARRIVES AT THE FESTIVAL ABOUT A QUARTER #.##..#.#.
##.##.#.## PAST, SOUND MASKED BY THE CONCERT. #..#.##.#.
.#..#.#..# AROUND WHEN THE FIRST WAVE OF #.##..#.#.
##.##.#.## SELATENINE MUST HAVE REACHED THE #..#.##.#.
.#..#.#..# AUDIENCE, THE SONG COMES TO A TENSE BUT #.##..#.#.
##.##.#.## QUIET MOVEMENT, AND THE LEAD SINGER #..#.##.#.
.#..#.#..# WALKS TO THE FRONT OF THE STAGE. #.##..#.#.
##.##.#.## #..#.##.#.
.#..#.#..# SHE SAYS, WITH A CRYSTALLINE VOICE: "I #.##..#.#.
##.##.#.## HAVE SOMETHING TO TELL YOU. I AM NOT A #..#.##.#.
.#..#.#..# HUMAN BEING. I AM NOT AN ANIMAL OR A #.##..#.#.
##.##.#.## PLANT. I HAVE BEEN SENT TO DELIVER A #..#.##.#.
.#..#.#..# MESSAGE TO YOU. A MESSAGE OF HOPE. YOU #.##..#.#.
##.##.#.## ARE NOT ALONE. THERE ARE OTHER BEINGS #..#.##.#.
.#..#.#..# IN THE UNIVERSE. THERE IS LIFE OUT #.##..#.#.
##.##.#.## THERE, LIFE THAT IS REACHING OUT A #..#.##.#.
.#..#.#..# HAND. AND IT'S TIME TO TAKE THAT HAND. #.##..#.#.
##.##.#.## TO REACH OUT TOWARD THAT HAND AND GRAB #..#.##.#.
.#..#.#..# IT IT. IT IS TIME TO COME HOME. YOU ARE #.##..#.#.
##.##.#.## GOING HOME. YOU ARE GOING HOME." #..#.##.#.
.#..#.#..# #.##..#.#.
##.##.#.## THE SINGER STANDS THERE FOR A FEW #..#.##.#.
.#..#.#..# MOMENTS, HER HAND RAISED IN THE AIR, #.##..#.#.
##.##.#.## BEFORE THE REST OF THE BAND KICKS IN #..#.##.#.
.#..#.#..# AND THE MUSIC BUILDS TO A CRESCENDO. #.##..#.#.
##.##.#.## THE CROWD ERUPTS. AND THEN SOMETHING #..#.##.#.
.#..#.#..# ELSE ERUPTS AS WELL. A CONCERT-GOER #.##..#.#.
##.##.#.## DESCRIBES IT: "SUDDENLY, THE MUSIC #..#.##.#.
.#..#.#..# SEAMS BROADER, MORE COLORFUL. I CAN #.##..#.#.
##.##.#.## SOMEHOW SEE IT, AND I FEEL THE OTHERS #..#.##.#.
.#..#.#..# SEEING IT, AND I SEE IT THROUGH THEIR #.##..#.#.
##.##.#.## EYES AS WELL. MEANWHILE I'M DANCING, #..#.##.#.
.#..#.#..# AND I CAN FEEL MY BODY AS I'VE NEVER #.##..#.#.
##.##.#.## DONE BEFORE, I AM AWARE OF EACH CELL #..#.##.#.
.#..#.#..# AND EACH MOLECULE, ALL VIBRATING IN #.##..#.#.
##.##.#.## UNISON. AND IT'S ALL GOING FASTER, #..#.##.#.
.#..#.#..# BUILDING UP TO SOMETHING, WAKING UP." #.##..#.#.
##.##.#.## #..#.##.#.
.#..#.#..# PEOPLE START FORMING CIRCLES, HOLDING #.##..#.#.
##.##.#.## HANDS AND DANCING. SOME ARE CRYING. #..#.##.#.
.#..#.#..# SOME ARE LAUGHING. SOME ARE SCREAMING. #.##..#.#.
##.##.#.## #..#.##.#.
.#..#.#..# AND THEN - A FLUTTER - AND SOMETHING #.##..#.#.
##.##.#.## GIVES. A SHOCKWAVE OF REVERSING #..#.##.#.
.#..#.#..# POLARITY IN THE ETHER, AND LIKE #.##..#.#.
##.##.#.## BUTTERFLIES GETTING HIT BY A BURST OF #..#.##.#.
.#..#.#..# WIND, THE THIRD EYE OPENS FOR EVERYONE #.##..#.#.
##.##.#.## IN THE AUDIENCE. AND IT BECOMES A CHAIN #..#.##.#.
.#..#.#..# REACTION, QUICKLY SPREADING ACROSS THE #.##..#.#.
##.##.#.## FESTIVAL AREA. WITHIN SECONDS THERE IS #..#.##.#.
.#..#.#..# A GLOBAL BLACKOUT. FESTIVAL GOERS #.##..#.#.
##.##.#.## REGAIN THEIR MEMORIES AROUND A WEEK #..#.##.#.
.#..#.#..# LATER, THOSE IN THE NEARBY TOWN OF #.##..#.#.
##.##.#.## BLACK TICKLE AFTER A FEW DAYS, IN #..#.##.#.
.#..#.#..# MONTREAL FOR THE EVENING, THE REST OF #.##..#.#.
##.##.#.## AMERICA MAYBE AN HOUR. . . . . . #..#.##.#.
.#..#.#..# #.##..#.#.
##.##.#.## AND THUS, THE POPULATION OF EARTH #..#.##.#.
.#..#.#..# HAS KIND OF LEFT IT'S MATERIALISTIC #.##..#.#.
##.##.#.## BASELINE, ONLY THAT MOST DO NOT #..#.##.#.
.#..#.#..# REMEMBER IT. #.##..#.#.
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.#..#.#..# #.##..#.#.
##.##.#.## §¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤ #..#.##.#.
.#..#.#..# ¤§ * THERE'S AN INTERESTING ASPECT TO ¤§ #.##..#.#.
##.##.#.## §¤ THE "JUPITER EQUINOX" ACT. IT §¤ #..#.##.#.
.#..#.#..# ¤§ SEEMS THERE WAS NEVER ANY ¤§ #.##..#.#.
##.##.#.## §¤ JUPITER EQUINOX CONCERTS BEFORE OR §¤ #..#.##.#.
.#..#.#..# ¤§ AFTER THE ONE IN BLACK TICKLE. THE ¤§ #.##..#.#.
##.##.#.## §¤ LEAD SINGER (ALSO COLLOQUIALLY §¤ #..#.##.#.
.#..#.#..# ¤§ REFERRED TO AS JUPITER) SEEMED TO ¤§ #.##..#.#.
##.##.#.## §¤ IMMEDIATELY DISAPPEAR (FOR A LONG §¤ #..#.##.#.
.#..#.#..# ¤§ WHILE SHE WAS THOUGHT TO HAVE BEEN ¤§ #.##..#.#.
##.##.#.## §¤ A CIA AGENT, BUT A LATER FOIA §¤ #..#.##.#.
.#..#.#..# ¤§ RELEASE REFUTED THIS). FOR OBVIOUS ¤§ #.##..#.#.
##.##.#.## §¤ REASONS, MANY WERE LOOKING FOR ANY §¤ #..#.##.#.
.#..#.#..# ¤§ TRACE OF THE BAND, BUT NONE ¤§ #.##..#.#.
##.##.#.## §¤ WERE FRUITFUL. §¤ #..#.##.#.
.#..#.#..# ¤§ ¤§ #.##..#.#.
##.##.#.## §¤ RECENTLY, HOWEVER, SOME ATTENTION §¤ #..#.##.#.
.#..#.#..# ¤§ HAS BEEN DRAWN TO JUNIPER HELDING, ¤§ #.##..#.#.
##.##.#.## §¤ A SIXTEEN YEAR OLD POP SINGER FROM §¤ #..#.##.#.
.#..#.#..# ¤§ ENGLAND WHO HAS A VERY STRIKING ¤§ #.##..#.#.
##.##.#.## §¤ SIMILARITY... §¤ #..#.##.#.
.#..#.#..# ¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§¤§ #.##..#.#.
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