.-~\%&## ###&&%\~-.
.....~\& #&&\~.....
....-\\% #&%\\-....
...-~\&& #&&&\~-...
.-~\%&## ###&&%\~-.
.-~\%&## %&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%& ###&&%\~-.
....-~\%&& &% OPERATION CONTRASTING VALKYRIE &% &&%\~-....
.-~\%&## %& IN THE SIXTIES. THE CENTRAL %& ###&&%\~-.
......-\%& &% INTELLIGENCE AGENCY "CIA" RELEASE &% &%\-......
....~~%& %& AEROSOLIZED SELATENINE OVER A %& #&&%~~....
.-~\%### &% JUPITER EQUINOX CONCERT, CREATING &% ####&%\~-.
.-~\%&&# %& THE LARGEST SECRET PARADIGM SHIFT %& ##&&&%\~-.
....-\\# &% THAT THE WORLD HAS EVER ~SEEN~. &% ##&\\-....
.-~\%&## %&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%& ###&&%\~-.
.-~\%&## ###&&%\~-.
.-~\%&## THE JUPITER EQUINOX* CONCERT IS PART OF ###&&%\~-.
....~\%# A FESTIVAL IN BLACK TICKLE ARRANGED BY ##&%\~....
....~~~\&& A GROUP CALLED EPICENTER OF LOVE. THERE &&\~~~....
.-~\%&## IS NO ENTRANCE BUT VISITORS ARE ###&&%\~-.
....~~\# EXPECTED TO HELP WITH MAINTENANCE. FOOD ##&\~~....
.-~\%&## AND DRINK IS SHARED. MANY BANDS ARE ###&&%\~-.
.-~\%&## PLAYING OVER THE FOUR DAY COURSE OF THE ###&&%\~-.
.-~\%&## FESTIVAL, AND THE STAGE IS OPEN BETWEEN ###&&%\~-.
...~\\\&&& SCHEDULED CONCERTS. JUPITER EQUINOX, &&&\\\~...
.....-\&&& WHILE AN UNKNOWN ACT, HAS A PRESTIGIOUS &&&\-.....
.....-\& TIMESLOT AT EIGHT IN THE EVENING ON THE #&&\-.....
.-~\%&## THIRD DAY, WHICH IS FRIDAY. . . . ###&&%\~-.
.--~~%%& #&&%%~~--.
.-~\%&## EIGHT IS ALSO WHEN THE PLANE USED TO ###&&%\~-.
.-~\%&## SPREAD THE AEROSOL LIFTS OFF. IT ###&&%\~-.
....--~%&& ARRIVES AT THE FESTIVAL ABOUT A QUARTER &&%~--....
.-~\%&## PAST, SOUND MASKED BY THE CONCERT. ###&&%\~-.
.-~\%&## AROUND WHEN THE FIRST WAVE OF ###&&%\~-.
.-~\%&## SELATENINE MUST HAVE REACHED THE ###&&%\~-.
...---~\ AUDIENCE, THE SONG COMES TO A TENSE BUT #&\~---...
....~\\# QUIET MOVEMENT, AND THE LEAD SINGER ##&\\~....
.....-\&&& WALKS TO THE FRONT OF THE STAGE. &&&\-.....
.....-~~%& &%~~-.....
.-~\%&## SHE SAYS, WITH A CRYSTALLINE VOICE: "I ###&&%\~-.
.-~\%&## HAVE SOMETHING TO TELL YOU. I AM NOT A ###&&%\~-.
.-~\%### HUMAN BEING. I AM NOT AN ANIMAL OR A ####&%\~-.
.-~\%&## PLANT. I HAVE BEEN SENT TO DELIVER A ###&&%\~-.
....-~\% MESSAGE TO YOU. A MESSAGE OF HOPE. YOU #&%\~-....
.-~\%&## ARE NOT ALONE. THERE ARE OTHER BEINGS ###&&%\~-.
.-~\%&&&&& IN THE UNIVERSE. THERE IS LIFE OUT &&&&&%\~-.
....--\%&& THERE, LIFE THAT IS REACHING OUT A &&%\--....
...~~~\% HAND. AND IT'S TIME TO TAKE THAT HAND. #&%\~~~...
....~~%%&& TO REACH OUT TOWARD THAT HAND AND GRAB &&%%~~....
..-~~%&&&& IT IT. IT IS TIME TO COME HOME. YOU ARE &&&&%~~-..
.-~\%&&& GOING HOME. YOU ARE GOING HOME." #&&&&%\~-.
....-~%# ##&%~-....
.-~\%&## THE SINGER STANDS THERE FOR A FEW ###&&%\~-.
.-~\%&## MOMENTS, HER HAND RAISED IN THE AIR, ###&&%\~-.
.-~\%&&# BEFORE THE REST OF THE BAND KICKS IN ##&&&%\~-.
.-~\\\%%%& AND THE MUSIC BUILDS TO A CRESCENDO. &%%%\\\~-.
.-~\&### THE CROWD ERUPTS. AND THEN SOMETHING ####&&\~-.
.....~~\&& ELSE ERUPTS AS WELL. A CONCERT-GOER &&\~~.....
.-~\%&## DESCRIBES IT: "SUDDENLY, THE MUSIC ###&&%\~-.
.-~\%&## SEAMS BROADER, MORE COLORFUL. I CAN ###&&%\~-.
......~%&& SOMEHOW SEE IT, AND I FEEL THE OTHERS &&%~......
.-~\%&## SEEING IT, AND I SEE IT THROUGH THEIR ###&&%\~-.
.-~\%&## EYES AS WELL. MEANWHILE I'M DANCING, ###&&%\~-.
....-\&& AND I CAN FEEL MY BODY AS I'VE NEVER #&&&\-....
....-\%% DONE BEFORE, I AM AWARE OF EACH CELL #&%%\-....
.-~~\%%%&& AND EACH MOLECULE, ALL VIBRATING IN &&%%%\~~-.
....~~\%&& UNISON. AND IT'S ALL GOING FASTER, &&%\~~....
.....~%&&& BUILDING UP TO SOMETHING, WAKING UP." &&&%~.....
.-~\%&## ###&&%\~-.
.-~\%&## PEOPLE START FORMING CIRCLES, HOLDING ###&&%\~-.
....-~%& HANDS AND DANCING. SOME ARE CRYING. #&&%~-....
.-~\%&## SOME ARE LAUGHING. SOME ARE SCREAMING. ###&&%\~-.
.-~\%&## ###&&%\~-.
.-~\%&## AND THEN - A FLUTTER - AND SOMETHING ###&&%\~-.
.....-\# GIVES. A SHOCKWAVE OF REVERSING ##&\-.....
.....-\%%& POLARITY IN THE ETHER, AND LIKE &%%\-.....
.-~\\%%%%& BUTTERFLIES GETTING HIT BY A BURST OF &%%%%\\~-.
.-~\%&## WIND, THE THIRD EYE OPENS FOR EVERYONE ###&&%\~-.
.-~\%&## IN THE AUDIENCE. AND IT BECOMES A CHAIN ###&&%\~-.
.-~\%%&# REACTION, QUICKLY SPREADING ACROSS THE ##&&%%\~-.
.-~\%&## FESTIVAL AREA. WITHIN SECONDS THERE IS ###&&%\~-.
.-~\%&## A GLOBAL BLACKOUT. FESTIVAL GOERS ###&&%\~-.
.-~\%&## REGAIN THEIR MEMORIES AROUND A WEEK ###&&%\~-.
.-~\&### LATER, THOSE IN THE NEARBY TOWN OF ####&&\~-.
.-~\%&## BLACK TICKLE AFTER A FEW DAYS, IN ###&&%\~-.
.-~\%&## MONTREAL FOR THE EVENING, THE REST OF ###&&%\~-.
.-~\%&## AMERICA MAYBE AN HOUR. . . . . . ###&&%\~-.
.-~\%&## ###&&%\~-.
.-~\%&## AND THUS, THE POPULATION OF EARTH ###&&%\~-.
....-\&# HAS KIND OF LEFT IT'S MATERIALISTIC ##&&\-....
.....-\& BASELINE, ONLY THAT MOST DO NOT #&&\-.....
.-~\%&## REMEMBER IT. ###&&%\~-.
......~%%& &%%~......
.-~\%&## ###&&%\~-.
.-~\%&## %&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%& ###&&%\~-.
.-~\%%%& &% * THERE'S AN INTERESTING ASPECT TO &% #&&%%%\~-.
.....-~% %& THE "JUPITER EQUINOX" ACT. IT %& #&%~-.....
....-~~% &% SEEMS THERE WAS NEVER ANY &% #&%~~-....
......~%&& %& JUPITER EQUINOX CONCERTS BEFORE OR %& &&%~......
.-~\%&## &% AFTER THE ONE IN BLACK TICKLE. THE &% ###&&%\~-.
.-~\%&## %& LEAD SINGER (ALSO COLLOQUIALLY %& ###&&%\~-.
...-\%%% &% REFERRED TO AS JUPITER) SEEMED TO &% #&%%%\-...
....-\%& %& IMMEDIATELY DISAPPEAR (FOR A LONG %& #&&%\-....
.-~\%### &% WHILE SHE WAS THOUGHT TO HAVE BEEN &% ####&%\~-.
.-~\%&## %& A CIA AGENT, BUT A LATER FOIA %& ###&&%\~-.
.-~\%%&# &% RELEASE REFUTED THIS). FOR OBVIOUS &% ##&&%%\~-.
.-~\%&## %& REASONS, MANY WERE LOOKING FOR ANY %& ###&&%\~-.
.-~\%&## &% TRACE OF THE BAND, BUT NONE &% ###&&%\~-.
.-~\%&## %& WERE FRUITFUL. %& ###&&%\~-.
.-~\%&## &% &% ###&&%\~-.
.-~\%&## %& RECENTLY, HOWEVER, SOME ATTENTION %& ###&&%\~-.
.-~\%&## &% HAS BEEN DRAWN TO JUNIPER HELDING, &% ###&&%\~-.
.-~\%&## %& A SIXTEEN YEAR OLD POP SINGER FROM %& ###&&%\~-.
.-~\%&## &% ENGLAND WHO HAS A VERY STRIKING &% ###&&%\~-.
..--\%%&&& %& SIMILARITY... %& &&&%%\--..
....~\\% &%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&%&% #&%\\~....
.-~\%&## ###&&%\~-.
....--~~%& &%~~--....
.-~\%&## ###&&%\~-.
...--\&# ##&&\--...
....--\%%& &%%\--....