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,,,,,,,,«† ,,,,††@# växjö #@††,,,, †«,,,,,,,,
,,,,,,,«†& &†«,,,,,,,
,,,,,,«† the apartment smells of old coffee and #&†«,,,,,,
,,,,,«†£ sweeteners. i don't know how i let it £#&†«,,,,,
,,,,«†£@ get like this. it's not intentional. @£#&†«,,,,
,,,«†£@# #@£#&†«,,,
,,«†£@## i wear yellow tinted glasses. the room ##@£#&†«,,
,,,«†£@# changes shape a lot. right now there's #@£#&†«,,,
,,,,«†£@ a blue sofa with yellow seams. i @£#&†«,,,,
,,,,,«†£ experiment with different colored £#&†«,,,,,
,,,,,,«† lights. i'm learning things. #&†«,,,,,,
,,,,,,,«†& &†«,,,,,,,
,,,,,,,,«† my thoughts are revolving around time, †«,,,,,,,,
,,,,,,,,,« and the perception of it. can i make it «,,,,,,,,,
,,,,,,,,,, rigid? if i really want to, can i make ,,,,,,,,,,
,,,,,,,,,, it feel like there is enough of it? ,,,,,,,,,,
,,,,,,,,,, also, and maybe, ultimately, more ,,,,,,,,,,
,,,,,,,,,, important - can i make it feel like it ,,,,,,,,,,
,,,,,,,,,, doesn't matter? ,,,,,,,,,,
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,,,,,«†£ £#&†«,,,,,