.@@.@@...@ ....@.@.@@
@.@@.@..@@ ...@@@@@.@
@@.@@@.@.. ..@....@@.
.@@..@@@.@ .@@...@.@@
@.@.@..@@. @.@..@@@.@
@@@@@.@.@. ....%%@# VäXJö #@%%.... @@@.@..@@.
....@@@@@@ ..@@@.@.@@
...@...... THE APARTMENT SMELLS OF OLD COFFEE AND .@..@@@@.@
..@@...... SWEETENERS. I DON'T KNOW HOW I LET IT @@.@...@@@
.@.@...... GET LIKE THIS. IT'S NOT INTENTIONAL. .@@@..@..@
@@@@...... @..@.@@.@@
...@.....@ I WEAR YELLOW TINTED GLASSES. THE ROOM @.@@@.@@..
..@@....@. CHANGES SHAPE A LOT. RIGHT NOW THERE'S @@..@@.@..
.@.@...@@@ A BLUE SOFA WITH YELLOW SEAMS. I .@.@.@@@..
@@@@..@... EXPERIMENT WITH DIFFERENT COLORED @@@@@..@..
...@.@@..@ LIGHTS. I'M LEARNING THINGS. ....@.@@.@
..@@@.@.@@ ...@@@.@@@
.@..@@@@.. MY THOUGHTS ARE REVOLVING AROUND TIME, ..@..@@..@
@@.@...@.@ AND THE PERCEPTION OF IT. CAN I MAKE IT .@@.@.@.@@
.@@@..@@@. RIGID? IF I REALLY WANT TO, CAN I MAKE @.@@@@@@..
@..@.@..@. IT FEEL LIKE THERE IS ENOUGH OF IT? @@.....@..
@.@@@@.@@@ ALSO, AND MAYBE, ULTIMATELY, MORE .@....@@.@
@@...@@... IMPORTANT - CAN I MAKE IT FEEL LIKE IT @@...@.@@.
.@..@.@..@ DOESN'T MATTER? .@..@@@.@@
@@.@@@@.@@ @@.@..@@.@
.@@...@@.. .@@@.@.@@.
@.@..@.@.@ @..@@@@.@.
@@@.@@@@@@ @.@...@@@@
..@@.....@ @@@..@....